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Irving Bailiff | |
Also Known As | Irving B., Irv |
---|---|
Portrayed By | John Turturro |
Occupation | Senior Macrodata Refiner at Lumon Industries |
Status | Severed, Alive |
First Appearance | Good News About Hell |
Irving Bailiff is the senior-most Macrodata Refiner at Lumon Industries. He has a no-nonsense demeanor and takes the Kier philosophy very seriously. Irving is known to abide by Lumon rules strictly and often cautions his colleagues when they are in violation of them. He comes from a very regimented background.
At work, he has a reputation for falling asleep at his desk. He has terrifying dreams about his cubicle being overtaken by thick black goo. Irving seems to be punished less harshly than other Innies, likely because he is such a diligent worker and commits infractions so infrequently.
Irving develops strong romantic feelings towards Burt, the head of Optics and Design. They begin to have intense but somewhat innocent meetings in various parts of the Severed Floor.
At home in Leonora Lake, he has an obsessive impulse to paint the hallway leading to the Testing Floor elevator, though his Outie can have no memory of that location. He paints with great gusto, slathering thick acrylic paint with a pallet knife while listening to hard rock. He may always listen to The Ace of Spades when he paints, as that song seeps into the black goo dreams his Innie experiences.
Irving’s father was in the US Navy. Irving has some of his medals displayed in his home. Irving himself also appears to have been in a branch of the military.
Irving’s Innie mentions that he has worked at Macrodata Refinement (and possibly Lumon) for three years,[1] making him the longest-tenured employee in his department. There are theories that he has actually worked for Lumon for much longer, but his memory has been reset in some way on the Testing Floor.
According to the facts about his Outie shared in his wellness session in episode two, Irving likes the sound of radar. He is fond of movies and has a machine that can play them. He is also fond of records. Irving paints the same image of the long dark hallway leading to the Testing Floor over and over again. He is a powerful swimmer and popular dancer, and is skilled at kissing and lovemaking.
Hi, kids. What’s for dinner?Season 1, Episode 1, Good News About Hell (11:50)
I know you and Petey were close. He was the only one who really appreciated your humor.Season 1, Episode 1, Good News About Hell (16:54)
You look trim, Mark. I wonder if you were food poisoned.Season 1, Episode 3, In Perpetuity (12:49)
Mark used to find it funny to interrupt Petey’s announcements. With gas having.Season 1, Episode 3, In Perpetuity (13:34)
It’s an unnatural state for a person to have no history. History makes us someone. Gives us a context. A shape. But waking up on that table, I was shapeless. But then I learned that I work for a company that has been actively caring for mankind since 1866.Season 1, Episode 3, In Perpetuity (37:28)
It’s the Perpetuity Wing. It’s the Eagans. It’s the living soul of Lumon and everything she stands for, not a bingo match.Season 1, Episode 3, In Perpetuity (40:29)
Excellent decision, Mark. This is an idolatrous text that should be brought to him immediately.Season 1, Episode 4, The You You Are (18:44)
As Kier said, 'Be ever merry.'Season 1, Episode 5, The Grim Barbarity of Optics and Design (37:49)
This is inappropriate workplace commentary. And I’m self-reporting you.Season 1, Episode 6, Hide and Seek (09:52)
To be clear, I do not approve of mapping.Season 1, Episode 6, Hide and Seek (10:08)
You are sparing with the facial encouragements.Season 1, Episode 6, Hide and Seek (11:04)
Everything we do here is important.Season 1, Episode 6, Hide and Seek (17:19)
You smug motherfucker.Season 1, Episode 7, Defiant Jazz (38:30)
You’re not severed. You walk out of here with your memories. You carry them home with you every night. No one can rip them away from you, snuff them out. Like they never existed. Like you never existed!Season 1, Episode 7, Defiant Jazz (38:34)
Let’s burn this place to the ground.Season 1, Episode 7, Defiant Jazz (42:29)
Okay, kids. Let’s find out what’s for dinner.Season 1, Episode 8, What’s for Dinner? (29:20)