In Hello, Ms. Cobel, a new decoration has replaced Harmony Cobel's bust of Kier: a three-dimensional representation of Wittgenstein's duck-rabbit illusion^[1]. The replacement of the dogma of Kier as practiced by Harmony Cobel in favor of the psychological precepts of perception and duality is in keeping both with modern Lumon practices and the theme of severance and identity explored in Severance. It is impossible to integrate both images at once into one's perception of the whole - one only sees either one or the other.

Most notably as a decorative choice for Milchick is what Uriel Abulof said of the illustration, that the illusion crystallizes the interplay between freedom (choice) and facticity (forced reality)^[2].

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