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| the_we_we_are_transcript [2022-06-28 04:47] – Neatnik | the_we_we_are_transcript [2022-08-12 13:00] (current) – Saeid | ||
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| | **The We We Are (Transcript)** || | | **The We We Are (Transcript)** || | ||
| ^ Episode Number | 1.9 | | ^ Episode Number | 1.9 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ||
| </ | </ | ||
| Line 15: | Line 15: | ||
| < | < | ||
| - | [[Mark Scout|MARK]]: What? | + | Mark: What? |
| < | < | ||
| - | [[Harmony | + | Cobel: I said, "Are you all right?" |
| - | MARK: Yeah, I'm fine. | + | Mark: Yeah, I’m fine. |
| < | < | ||
| - | COBEL: Maybe you should talk to your sister. It's an important decision. | + | Cobel: Maybe you should talk to your sister. It’s an important decision. |
| < | < | ||
| - | MARK: My sister? | + | Mark: My sister? |
| - | COBEL: Yes. | + | Cobel: Yes. |
| < | < | ||
| - | COBEL: Mark? | + | Cobel: Mark? |
| - | MARK: Yeah. | + | Mark: Yeah. |
| < | < | ||
| - | COBEL: Are you sure you're okay? | + | Cobel: Are you sure you’re okay? |
| < | < | ||
| - | MARK: Yes. I'm sorry, I just... I got a little woozy and then... I'm gonna stop by the bathroom. | + | Mark: Yes. I’m sorry, I just... I got a little woozy and then... I’m gonna stop by the bathroom. |
| < | < | ||
| - | COBEL: Uh-uh. I think it's the other way. | + | Cobel: Uh-uh. I think it’s the other way. |
| < | < | ||
| - | MARK: Right. | + | Mark: Right. |
| < | < | ||
| - | I don't know if I hate | + | Natalie: |
| - | senators or congressmen more. | + | |
| - | 12 | ||
| < | < | ||
| - | How many of those have you had? | + | Natalie: |
| - | 13 | ||
| < | < | ||
| - | Just this one. | + | Helly: |
| - | 14 | ||
| < | < | ||
| - | Good. We need you nimble. We gotta | + | Natalie: |
| - | get down there. You're on in 20. | + | |
| - | 15 | ||
| < | < | ||
| - | I was on with the Board earlier. | + | Natalie: |
| - | They're really grateful for this. | + | |
| - | 16 | ||
| < | < | ||
| - | - Gabby. | + | Natalie: |
| - | - Natalie, hello. | + | Gabby: |
| - | 17 | ||
| < | < | ||
| - | Hi. | + | Gabby: |
| - | 18 | ||
| < | < | ||
| - | Gabby, this is Helena Eagan. | + | Natalie: |
| - | 19 | ||
| < | < | ||
| - | My gosh. Helena, so good | + | Gabby: |
| - | to finally meet you. | + | |
| - | 20 | ||
| < | < | ||
| - | Likewise. | + | Helly: |
| - | 21 | ||
| < | < | ||
| - | This better be | + | Dylan: |
| - | working, assholes. | + | |
| - | 22 | ||
| < | < | ||
| - | Where am I? | + | Mark: Where am I? Where am I? |
| - | 23 | ||
| - | < | ||
| - | Where am I? | ||
| - | |||
| - | 24 | ||
| < | < | ||
| - | Mark. You okay, milady? | + | Devon: |
| - | 25 | ||
| < | < | ||
| - | So Rebeck smells weird. | + | Devon: |
| - | 26 | ||
| < | < | ||
| - | Rebeck smells weird? | + | Mark: Rebeck smells weird? |
| - | 27 | ||
| < | < | ||
| - | Yeah, she was making chewing | + | Devon: |
| - | noises, but she was not chewing. | + | |
| - | 28 | ||
| - | < | ||
| - | Just be prepared 'cause you might | ||
| - | have to share a book with her. | ||
| - | |||
| - | 29 | ||
| < | < | ||
| - | A book, right. | + | Mark: A book, right. |
| - | 30 | ||
| < | < | ||
| - | The one you forgot to bring | + | Devon: |
| - | even though I did remind you. | + | |
| - | 31 | ||
| < | < | ||
| - | Right. Yeah, I'm sure... Sorry. | + | Mark: Right. Yeah, I’m sure... Sorry. |
| - | 32 | ||
| < | < | ||
| - | That's okay. | + | Devon: |
| - | 33 | ||
| - | < | ||
| - | Okay. | ||
| - | |||
| - | 34 | ||
| - | < | ||
| - | Okay. | ||
| - | |||
| - | 35 | ||
| < | < | ||
| - | How's our baby? | + | Mark: How’s our baby? |
| - | 36 | ||
| < | < | ||
| - | Our... I'm gonna assume you mean that | + | Devon: |
| - | in the "it takes a village" | + | |
| - | + | ||
| - | 37 | + | |
| - | < | + | |
| - | And she's good. She's hungry. | + | |
| - | 38 | ||
| < | < | ||
| - | I wanna have the life change talk. | + | Devon: |
| - | I just need to pump before I die. | + | |
| - | 39 | ||
| < | < | ||
| - | - I'll be really fast. Okay. | + | Devon: |
| - | - Okay. | + | Mark: Okay. |
| - | 40 | ||
| < | < | ||
| - | Hey. Hi. Hi. | + | Irving: |
| - | 41 | ||
| < | < | ||
| - | " | + | Irving: |
| - | 42 | ||
| < | < | ||
| - | What's the thesis? | + | Patton: |
| - | 43 | ||
| < | < | ||
| - | I agree. It's very confused. | + | Danise: |
| - | 44 | ||
| < | < | ||
| - | Mark, hello. | + | Patton: |
| - | 45 | ||
| < | < | ||
| - | Hey, guys. What's up? | + | Mark: Hey, guys. What’s up? |
| - | 46 | ||
| < | < | ||
| - | - Patton, no. | + | Danise: |
| - | - Mark, | + | Patton: |
| - | 47 | ||
| < | < | ||
| - | we were just discussing whether | + | Patton: |
| - | it might have been a wiser move | + | |
| - | 48 | ||
| - | < | ||
| - | for your sister to put off introducing | ||
| - | the child until after tonight' | ||
| - | |||
| - | 49 | ||
| < | < | ||
| - | Mark, you don't have | + | Danise: |
| - | to weigh in on that. | + | |
| - | 50 | ||
| < | < | ||
| - | - Obviously the child is an absolute angel. | + | Patton: |
| - | - Wait... That's my sister? With the baby? | + | Mark: Wait... That’s my sister? With the baby? |
| - | 51 | ||
| < | < | ||
| - | Exactly, it's his sister. | + | Danise: |
| - | 52 | ||
| < | < | ||
| - | - Excuse me. | + | Mark: Excuse me. |
| - | - Sure. | + | Danise: |
| - | 53 | ||
| < | < | ||
| - | Well, that was awkward. | + | Danise: |
| - | 54 | ||
| < | < | ||
| - | Okay, so my sister has the | + | Mark: Okay, so my sister has the baby. And Cobel is here? |
| - | baby. And Cobel is here? | + | |
| - | 55 | ||
| < | < | ||
| - | I've been asked to | + | Rebeck: |
| - | share my book with you. | + | |
| - | 56 | ||
| < | < | ||
| - | So I've heard. Rebecca? | + | Mark: So I’ve heard. Rebecca? |
| - | 57 | ||
| < | < | ||
| - | Rebeck. I have small eyes, so | + | Rebeck: |
| - | I have to read pretty close. | + | |
| - | 58 | ||
| < | < | ||
| - | Okay. Well, I'm... | + | Mark: Okay. Well, I’m...I’m sure that’ll be fine. If you’ll excuse me? |
| - | + | ||
| - | 59 | + | |
| - | < | + | |
| - | I'm sure that'll be fine. | + | |
| - | If you'll excuse me? | + | |
| < | < | ||
| - | REBECK: And I have some sores on the back of my head from my bird. | + | Rebeck: And I have some sores on the back of my head from my bird. |
| - | 61 | ||
| < | < | ||
| - | - You might see them. | + | Rebeck: |
| - | - Okay. | + | Mark: Okay. |
| - | 62 | ||
| < | < | ||
| - | Hey. | + | Mark: Hey. |
| - | 63 | ||
| < | < | ||
| - | Hello, Mark. | + | Devon: |
| - | 64 | ||
| < | < | ||
| - | I pumped, so it's Miller time. Okay, | + | Devon: |
| - | so life change. What's happening? | + | |
| - | 65 | ||
| < | < | ||
| - | We're, this is | + | Mark: We’re, this is gonna sound weird... We’re close, you and I? |
| - | gonna sound weird… | + | |
| - | 66 | ||
| - | < | ||
| - | We're close, you and I? | ||
| - | |||
| - | 67 | ||
| < | < | ||
| - | What do you... What's going on? | + | Devon: |
| - | 68 | ||
| < | < | ||
| - | Can we talk privately? | + | Mark: Can we talk privately? |
| - | 69 | ||
| < | < | ||
| - | - I just have to... | + | Mark: I just have to... |
| - | - Okay, my dearest ones, | + | Ricken: |
| - | 70 | ||
| < | < | ||
| - | we are nearing that hour, | + | Ricken: |
| - | 71 | ||
| - | < | ||
| - | so if you'd all peacefully | ||
| - | waft in the living room… | ||
| - | |||
| - | 72 | ||
| < | < | ||
| - | Okay. Let's talk at the | + | Devon: |
| - | first reflection break. | + | |
| - | 73 | ||
| < | < | ||
| - | - Okay? | + | Devon: |
| - | - Okay. | + | Mark: Okay. |
| - | 74 | ||
| < | < | ||
| - | You just don't realize how much | + | Gabby: |
| - | kids are gonna change your life. | + | |
| - | 75 | ||
| - | < | ||
| - | But they do. | ||
| - | |||
| - | 76 | ||
| < | < | ||
| - | - How many kids do you have? | + | Helly: |
| - | - Just gave birth to my third. | + | Gabby: |
| - | + | ||
| - | 77 | + | |
| - | < | + | |
| - | I should've stopped at two. | + | |
| - | 78 | ||
| < | < | ||
| - | - Hey, there you are. | + | Angelo: |
| - | - Hey. | + | Gabby: |
| - | 79 | ||
| < | < | ||
| - | - Angelo, great to see you. | + | Natalie: |
| - | - You too. | + | Angelo: |
| - | 80 | ||
| < | < | ||
| - | Helena, this is my | + | Gabby: |
| - | husband, Angelo Arteta. | + | |
| - | 81 | ||
| < | < | ||
| - | Helena, nice to meet you. | + | Angelo: |
| - | 82 | ||
| < | < | ||
| - | I've gotta hop backstage. | + | Natalie: |
| - | 83 | ||
| < | < | ||
| - | - I'll see you in a second. | + | Natalie: |
| - | - Okay. | + | Helly: |
| - | 84 | ||
| < | < | ||
| - | Lovely to see you, Natalie. | + | Angelo: |
| - | 85 | ||
| < | < | ||
| - | - You okay? | + | Angelo: |
| - | - She couldn't find the bottle. | + | Gabby: |
| - | 86 | ||
| < | < | ||
| - | Wow. Three kids. | + | Helly: |
| - | 87 | ||
| < | < | ||
| - | Couldn't have done it | + | Gabby: |
| - | without a little help. | + | |
| - | 88 | ||
| < | < | ||
| - | I mean, the idea that people | + | Gabby: |
| - | would want to outlaw severance. | + | |
| - | 89 | ||
| < | < | ||
| - | I know. | + | Helly: |
| - | 90 | ||
| < | < | ||
| - | The photo display | + | Angelo: |
| - | is very moving. | + | |
| - | 91 | ||
| - | < | ||
| - | I already knew how I'd | ||
| - | be voting, but I think... | ||
| - | |||
| - | 92 | ||
| < | < | ||
| - | Well, seeing that and seeing you | + | Angelo: |
| - | and hearing what you have to say, | + | |
| - | + | ||
| - | 93 | + | |
| - | < | + | |
| - | all of this could really | + | |
| - | make a difference. | + | |
| - | 94 | ||
| < | < | ||
| - | I hope so. | + | Helly: |
| - | 95 | ||
| < | < | ||
| - | Let's change some minds. | + | Angelo: |
| - | 96 | ||
| < | < | ||
| - | Well, I'm certainly gonna try. | + | Helly: |
| - | 97 | ||
| < | < | ||
| - | Thank you. | + | Angelo: |
| - | 98 | ||
| - | < | ||
| - | And please thank your | ||
| - | father if you see him. | ||
| - | |||
| - | 99 | ||
| < | < | ||
| - | I will. | + | Helly: |
| - | 100 | ||
| < | < | ||
| - | Mark. Come here. | + | Rebeck: |
| - | + | ||
| - | 101 | + | |
| - | < | + | |
| - | Saved us a seat. | + | |
| - | 102 | ||
| < | < | ||
| - | I just have to find my glasses. | + | Rebeck: |
| - | 103 | ||
| < | < | ||
| - | Mark, can you just hold that | + | Rebeck: |
| - | 104 | ||
| < | < | ||
| - | - for a second? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 105 | ||
| < | < | ||
| - | Oh, my God. | + | Mark: Oh, my God. |
| - | 106 | ||
| < | < | ||
| - | Sorry, you can't unring | + | Ricken: |
| - | 107 | ||
| - | < | ||
| - | the bell-ringing app apparently. | ||
| - | |||
| - | 108 | ||
| < | < | ||
| - | Okay. Thank you | + | Ricken: |
| - | all for being here. | + | |
| - | 109 | ||
| < | < | ||
| - | Before we start, | + | Ricken: |
| - | there is one person | + | |
| - | + | ||
| - | 110 | + | |
| - | < | + | |
| - | that I would like to | + | |
| - | thank first and foremost. | + | |
| - | + | ||
| - | 111 | + | |
| - | < | + | |
| - | Family is both my bedrock | + | |
| - | and my inspiration. | + | |
| - | + | ||
| - | 112 | + | |
| - | < | + | |
| - | So I dedicate the reading | + | |
| - | to my firstborn daughter, | + | |
| - | + | ||
| - | 113 | + | |
| - | < | + | |
| - | who is here tonight. | + | |
| - | + | ||
| - | 114 | + | |
| - | < | + | |
| - | Eleanor, I love you. | + | |
| - | 115 | ||
| < | < | ||
| - | My brother-in-law. | + | Mark: My brother-in-law. |
| - | 116 | ||
| < | < | ||
| - | And with that… I begin. | + | Ricken: |
| - | 117 | ||
| < | < | ||
| - | "It's said that as a child, | + | Ricken: |
| - | 118 | ||
| - | < | ||
| - | Wolfgang Mozart killed another boy | ||
| - | by slamming his head in a piano. | ||
| - | |||
| - | 119 | ||
| - | < | ||
| - | Don't worry. | ||
| - | |||
| - | 120 | ||
| - | < | ||
| - | My research for this book | ||
| - | has proven the claim untrue. | ||
| - | |||
| - | 121 | ||
| - | < | ||
| - | As your heart rate | ||
| - | settles though, | ||
| - | |||
| - | 122 | ||
| < | < | ||
| - | - " | + | Ricken: |
| - | - Mark. | + | Cobel: |
| - | 123 | ||
| < | < | ||
| - | Can I look at her book too? | + | Cobel: |
| - | 124 | ||
| < | < | ||
| - | I can crane. | + | Cobel: |
| - | 125 | ||
| < | < | ||
| - | - " | + | Ricken: |
| - | - Sure. | + | Mark: Sure. |
| - | 126 | ||
| < | < | ||
| - | " | + | Ricken: |
| - | 127 | ||
| - | < | ||
| - | But what, indeed, is ' | ||
| - | |||
| - | 128 | ||
| < | < | ||
| - | Good luck tonight. | + | Angelo: |
| - | 129 | ||
| < | < | ||
| - | It was great to | + | Gabby: |
| - | meet you, Helena. | + | |
| - | 130 | ||
| < | < | ||
| - | "How can 'you' | + | Ricken: |
| - | different things | + | |
| - | + | ||
| - | 131 | + | |
| - | < | + | |
| - | to millions of readers | + | |
| - | around a vast Earth? | + | |
| - | 132 | ||
| < | < | ||
| - | "And perhaps, most | + | Ricken: |
| - | importantly, | + | |
| - | 133 | ||
| < | < | ||
| - | "All creatures, | + | Ricken: |
| - | from the leaping cat | + | |
| - | 134 | ||
| - | < | ||
| - | to the cowering shrew, | ||
| - | |||
| - | 135 | ||
| - | < | ||
| - | think of themselves as 'you, ' a | ||
| - | logical center for the universe. | ||
| - | |||
| - | 136 | ||
| - | < | ||
| - | Yet the cat eats the shrew, | ||
| - | and we, like Schrödinger, | ||
| - | |||
| - | 137 | ||
| - | < | ||
| - | "live on to wonder | ||
| - | what it means." | ||
| - | |||
| - | 138 | ||
| - | < | ||
| - | End of chapter. | ||
| - | |||
| - | 139 | ||
| < | < | ||
| - | Let's all take a | + | Ricken: |
| - | + | ||
| - | 140 | + | |
| - | < | + | |
| - | seven-minute reflection | + | |
| - | break and then come back. | + | |
| - | 141 | ||
| < | < | ||
| - | Balf. Prepare the neti pot. | + | Ricken: |
| - | 142 | ||
| < | < | ||
| - | It was transformative. | + | Rebeck: |
| - | 143 | ||
| < | < | ||
| - | I'm gonna have to | + | Rebeck: |
| - | change my name again. | + | |
| - | 144 | ||
| < | < | ||
| - | What a wordsmith. He seemed to have | + | Cobel: |
| - | a little something in his throat. | + | |
| - | 145 | ||
| < | < | ||
| - | - Oh, yeah. | + | Mark: Oh, yeah. |
| - | - Hey. | + | Devon: |
| - | 146 | ||
| < | < | ||
| - | I'm gonna see if she'll | + | Devon: |
| - | have more bottle. | + | |
| - | 147 | ||
| - | < | ||
| - | Give me a couple of minutes, | ||
| - | then meet me in the baby room? | ||
| - | |||
| - | 148 | ||
| < | < | ||
| - | - Okay. | + | Mark: Okay. |
| - | - Okay. | + | Devon: |
| - | 149 | ||
| < | < | ||
| - | Excuse me. | + | Mark: Excuse me. |
| - | 150 | ||
| < | < | ||
| - | Mr. Hale... Ricken? | + | Mark: Mr. Hale... Ricken? |
| - | 151 | ||
| < | < | ||
| - | I don't know why my | + | Ricken: |
| - | voice shakes like that. | + | |
| - | 152 | ||
| - | < | ||
| - | I sound like a sad | ||
| - | old hamburger waiter | ||
| - | |||
| - | 153 | ||
| - | < | ||
| - | prattling on about sauces. | ||
| - | |||
| - | 154 | ||
| < | < | ||
| - | " | + | Ricken: |
| - | What the fuck is that? | + | |
| - | + | ||
| - | 155 | + | |
| - | < | + | |
| - | Jesus, why do I ever | + | |
| - | open my buffoon mouth? | + | |
| - | 156 | ||
| < | < | ||
| - | It's going great. | + | Mark: It’s going great. |
| - | 157 | ||
| < | < | ||
| - | - I mean, the book is brilliant, and... | + | Mark: I mean, the book is brilliant, and... |
| - | - Okay, Mark. | + | Ricken: |
| - | 158 | ||
| < | < | ||
| - | Thank you, but you | + | Ricken: |
| - | don't have to say that. | + | |
| - | 159 | ||
| - | < | ||
| - | I'm well aware of how | ||
| - | I come across to you. | ||
| - | |||
| - | 160 | ||
| < | < | ||
| - | What? No, I mean it. | + | Mark: What? No, I mean it. The... Your book, it... It opened up the world for me. |
| - | + | ||
| - | 161 | + | |
| - | < | + | |
| - | The... Your book, it... It | + | |
| - | opened up the world for me. | + | |
| - | 162 | ||
| < | < | ||
| - | Mark, are you okay? | + | Ricken: |
| - | 163 | ||
| < | < | ||
| - | Yes. This book | + | Mark: Yes. This book changed my whole life. |
| - | changed my whole life. | + | |
| - | 164 | ||
| < | < | ||
| - | You actually read it? | + | Ricken: |
| - | 165 | ||
| < | < | ||
| - | Ricken, are we friends? | + | Mark: Ricken, are we friends? |
| - | 166 | ||
| < | < | ||
| - | Look, I know I sometimes | + | Ricken: |
| - | make you feel "less than" | + | |
| - | 167 | ||
| - | < | ||
| - | for having had the procedure. | ||
| - | |||
| - | 168 | ||
| - | < | ||
| - | And I regret that. | ||
| - | |||
| - | 169 | ||
| < | < | ||
| - | You had to deal with Gemma's passing | + | Ricken: |
| - | in a way that was best for you. | + | |
| - | 170 | ||
| < | < | ||
| - | You know, I was scrolling through | + | Ricken: |
| - | old pictures this morning, | + | |
| - | 171 | ||
| - | < | ||
| - | and I found one of the four | ||
| - | of us on the crest hike. | ||
| - | |||
| - | 172 | ||
| < | < | ||
| - | - You remember the funny bees? | + | Ricken: |
| - | - Do you have that on you? The picture? | + | Mark: Do you have that on you? The picture? |
| - | 173 | ||
| < | < | ||
| - | Yeah, sure. I should. | + | Ricken: |
| - | 174 | ||
| < | < | ||
| - | - Ricken. The neti pot is warm. | + | Balf: Ricken. The neti pot is warm. |
| - | - Thank you, Balf. | + | Ricken: |
| - | 175 | ||
| < | < | ||
| - | Mark, I need to | + | Ricken: |
| - | flush my sinuses. | + | |
| - | 176 | ||
| - | < | ||
| - | But thank you. You have no idea | ||
| - | how much this has meant to me. | ||
| - | |||
| - | 177 | ||
| < | < | ||
| - | Mark, I was worried about you. | + | Cobel: |
| - | 178 | ||
| < | < | ||
| - | I'm fine. Thanks. | + | Mark: I’m fine. Thanks. I’m just going to check on my sister. |
| - | 179 | ||
| - | < | ||
| - | I'm just going to | ||
| - | check on my sister. | ||
| - | |||
| - | 180 | ||
| < | < | ||
| - | When you hugged me before, you | + | Cobel: |
| - | suddenly became tense. What was that? | + | |
| - | 181 | ||
| < | < | ||
| - | I didn't know I did. | + | Mark: I didn’t know I did. |
| - | 182 | ||
| < | < | ||
| - | Well, you did. You're tense now. | + | Cobel: |
| - | 183 | ||
| < | < | ||
| - | Yeah, sorry, it's just parties. | + | Mark: Yeah, sorry, it’s just parties. |
| - | 184 | ||
| < | < | ||
| - | Did you mean what | + | Cobel: |
| - | you said before? | + | |
| - | 185 | ||
| - | < | ||
| - | About your plans. | ||
| - | |||
| - | 186 | ||
| < | < | ||
| - | Of course. | + | Mark: Of course. |
| - | 187 | ||
| < | < | ||
| - | Tell me more. | + | Cobel: |
| - | 188 | ||
| < | < | ||
| - | You know, I'm so sorry. I'm just... | + | Mark: You know, I’m so sorry. I’m just...I’m on uncle duty for my sister. So I’ll be right back. |
| - | I'm on uncle duty for my sister. | + | |
| - | 189 | ||
| - | < | ||
| - | So I'll be right back. | ||
| - | |||
| - | 190 | ||
| < | < | ||
| - | - Okay? | + | Mark: Okay? |
| - | - Okay. | + | Cobel: |
| - | 191 | ||
| < | < | ||
| - | Okay. Thanks, Ms. Cobel. | + | Mark: Okay. Thanks, Ms. Cobel. |
| - | 192 | ||
| < | < | ||
| - | - I know. Hey, there you are. | + | Devon: |
| - | - Hey, I really need to talk to you. | + | Mark: Hey, I really need to talk to you. |
| - | 193 | ||
| < | < | ||
| - | No, I know. I just have to deal | + | Devon: |
| - | with her. She's having a meltdown. | + | |
| - | 194 | ||
| - | < | ||
| - | But just meet me in there, okay? | ||
| - | |||
| - | 195 | ||
| < | < | ||
| - | - Okay, I'll just... Wait. Okay. | + | Mark: Okay, I’ll just... Wait. Okay. |
| - | - I promise I'll be back. | + | Devon: |
| - | 196 | ||
| < | < | ||
| - | Thank God, Mrs. Selvig. Hi. | + | Devon: |
| - | + | ||
| - | 197 | + | |
| - | < | + | |
| - | Can you take her for a | + | |
| - | sec while I talk to Mark? | + | |
| - | 198 | ||
| < | < | ||
| - | - Of course, love. | + | Cobel: |
| - | - Thank you. | + | Devon: |
| - | 199 | ||
| < | < | ||
| - | - Is Mark all right? | + | Cobel: |
| - | - Yeah, he's fine. | + | Devon: |
| - | 200 | ||
| < | < | ||
| - | Thank you, you're an angel. | + | Devon: |
| - | 201 | ||
| < | < | ||
| - | Okay… I'm all yours. | + | Devon: |
| - | 202 | ||
| < | < | ||
| - | My name is Helena, | + | Helly: |
| - | and I'm an Eagan. | + | |
| - | 203 | ||
| < | < | ||
| - | So one of the things you | + | Helly: |
| - | learn growing up as an Eagan | + | |
| - | 204 | ||
| - | < | ||
| - | is that the workers | ||
| - | are our family. | ||
| - | |||
| - | 205 | ||
| - | < | ||
| - | And I remember being | ||
| - | confused about that as a kid, | ||
| - | |||
| - | 206 | ||
| - | < | ||
| - | because I thought that meant | ||
| - | |||
| - | 207 | ||
| - | < | ||
| - | I had a few hundred thousand | ||
| - | literal brothers and sisters | ||
| - | |||
| - | 208 | ||
| - | < | ||
| - | scattered around the world. | ||
| - | |||
| - | 209 | ||
| - | < | ||
| - | Oh, my God. | ||
| - | |||
| - | 210 | ||
| < | < | ||
| - | But as I grew older, I learned | + | Helly: |
| - | that it's about shared ideals. | + | |
| - | 211 | ||
| - | < | ||
| - | My dad used to make me recite | ||
| - | the nine core principles | ||
| - | |||
| - | 212 | ||
| - | < | ||
| - | before bed every night, | ||
| - | |||
| - | 213 | ||
| - | < | ||
| - | which I can't say I always | ||
| - | did happily. Sorry, Dad. | ||
| - | |||
| - | 214 | ||
| < | < | ||
| - | But those are now the values that I | + | Helly: |
| - | share with everyone who works at Lumon, | + | |
| - | 215 | ||
| - | < | ||
| - | and that's what | ||
| - | makes them my family. | ||
| - | |||
| - | 216 | ||
| - | < | ||
| - | And I would never ever | ||
| - | ask them to do anything | ||
| - | |||
| - | 217 | ||
| - | < | ||
| - | that I'm not willing or | ||
| - | excited to do myself. | ||
| - | |||
| - | 218 | ||
| < | < | ||
| - | Look, my dad would | + | Helly: |
| - | love for me to sit here | + | |
| - | + | ||
| - | 219 | + | |
| - | < | + | |
| - | and say that I'm taking | + | |
| - | this job out of loyalty | + | |
| - | + | ||
| - | 220 | + | |
| - | < | + | |
| - | and that it was the spirit of | + | |
| - | pure Eagan calling me to service. | + | |
| - | 221 | ||
| < | < | ||
| - | But I took a severed job because | + | Helly: |
| - | it sounds freaking awesome. | + | |
| - | 222 | ||
| < | < | ||
| - | So, no, I don't think | + | Helly: |
| - | severance divides us. | + | |
| - | 223 | ||
| - | < | ||
| - | I think it brings us together. | ||
| - | |||
| - | 224 | ||
| < | < | ||
| - | Greetings. | + | Milchick (voicemail): |
| - | 225 | ||
| < | < | ||
| - | - I'm not here right now. | + | Cobel: |
| - | - Goddamn it, Milchick! | + | |
| - | 226 | ||
| < | < | ||
| - | Helena. | + | Event Coordinator: |
| - | 227 | ||
| - | < | ||
| - | She's in here, sir. | ||
| - | |||
| - | 228 | ||
| < | < | ||
| - | Helena. | + | Jame: Helena. |
| - | 229 | ||
| < | < | ||
| - | You look so nice. | + | Jame: You look so nice. Like a film. |
| - | 230 | ||
| - | < | ||
| - | Like a film. | ||
| - | |||
| - | 231 | ||
| < | < | ||
| - | Thank you. | + | Helly: |
| - | 232 | ||
| < | < | ||
| - | Are you… | + | Jame: Are you...Are you still in pain? |
| - | + | ||
| - | 233 | + | |
| - | < | + | |
| - | Are you still in pain? | + | |
| - | 234 | ||
| < | < | ||
| - | I'm not. | + | Helly: |
| - | 235 | ||
| - | < | ||
| - | Not anymore. | ||
| - | |||
| - | 236 | ||
| < | < | ||
| - | I cried in my bed when they told | + | Jame: I cried in my bed when they told me what she tried to do to you. What that Innie tried to do. I... |
| - | me what she tried to do to you. | + | |
| - | 237 | ||
| - | < | ||
| - | What that innie | ||
| - | tried to do. I... | ||
| - | |||
| - | 238 | ||
| < | < | ||
| - | Thank you for going | + | Jame: Thank you for going through with this. The Grandfather would cherish what you’ve done. And one day you will sit with me at my revolving. |
| - | through with this. | + | |
| - | + | ||
| - | 239 | + | |
| - | < | + | |
| - | The Grandfather would | + | |
| - | cherish what you've done. | + | |
| - | + | ||
| - | 240 | + | |
| - | < | + | |
| - | And one day you will sit | + | |
| - | with me at my revolving. | + | |
| - | 241 | ||
| < | < | ||
| - | Are you feeling well? | + | Jame: Are you feeling well? |
| - | 242 | ||
| < | < | ||
| - | Yeah. | + | Helly: |
| - | 243 | ||
| - | < | ||
| - | I think, I think the drink | ||
| - | just hit me a little bit. | ||
| - | |||
| - | 244 | ||
| < | < | ||
| - | You'll be all right | + | Jame: You’ll be all right for the speech? |
| - | for the speech? | + | |
| - | 245 | ||
| < | < | ||
| - | For my speech. Yeah. Of course. | + | Helly: |
| - | 246 | ||
| < | < | ||
| - | Do you remember when I brought | + | Jame: Do you remember when I brought home the first chip to show you? The prototype. It had the blue and green lights back then. |
| - | home the first chip to show you? | + | |
| - | 247 | ||
| - | < | ||
| - | The prototype. | ||
| - | |||
| - | 248 | ||
| - | < | ||
| - | It had the blue and | ||
| - | green lights back then. | ||
| - | |||
| - | 249 | ||
| < | < | ||
| - | Yeah. | + | Helly: |
| - | 250 | ||
| < | < | ||
| - | I remember you said to me, | + | Jame: I remember you said to me, "It’s so pretty, Daddy. Everybody in the whole world should get one." |
| - | "It's so pretty, Daddy." | + | |
| - | 251 | ||
| - | < | ||
| - | " | ||
| - | world should get one." | ||
| - | |||
| - | 252 | ||
| < | < | ||
| - | They will. | + | Jame: They will. Because of you. They’ll all be Kier’s children. |
| - | 253 | ||
| - | < | ||
| - | Because of you. | ||
| - | |||
| - | 254 | ||
| - | < | ||
| - | They' | ||
| - | |||
| - | 255 | ||
| < | < | ||
| - | Mr. Eagan. Helena. It's | + | Natalie: |
| - | time to head to stage. | + | |
| - | 256 | ||
| < | < | ||
| - | Forgive me for the harm | + | Helly: |
| - | I've caused this world. | + | |
| - | + | ||
| - | 257 | + | |
| - | < | + | |
| - | None may atone for | + | |
| - | my actions… but me. | + | |
| - | + | ||
| - | 258 | + | |
| - | < | + | |
| - | And only in me shall | + | |
| - | their stain live on. | + | |
| - | + | ||
| - | 259 | + | |
| - | < | + | |
| - | All I can be is sorry. | + | |
| - | + | ||
| - | 260 | + | |
| - | < | + | |
| - | And that is all I am. | + | |
| - | 261 | ||
| < | < | ||
| - | You swear you're | + | Devon: |
| - | not fucking with me? | + | |
| - | 262 | ||
| < | < | ||
| - | I swear. | + | Mark: I swear. |
| - | 263 | ||
| < | < | ||
| - | This is so insane. | + | Devon: |
| - | 264 | ||
| < | < | ||
| - | They need to send people down to | + | Mark: They need to send people down to check every inch of that place. |
| - | check every inch of that place. | + | |
| - | 265 | ||
| - | < | ||
| - | Like, inspectors or whatever. | ||
| - | Is that a thing? Inspectors? | ||
| - | |||
| - | 266 | ||
| < | < | ||
| - | Yeah. There are inspectors. | + | Devon: |
| - | 267 | ||
| < | < | ||
| - | Mark has b... I mean, out here, | + | Devon: |
| - | 268 | ||
| - | < | ||
| - | you have been trying to figure | ||
| - | out what Lumon does. What you do. | ||
| - | |||
| - | 269 | ||
| < | < | ||
| - | Okay. | + | Mark: Okay. I just...I just want to know why. Why he put me in there. |
| - | + | ||
| - | 270 | + | |
| - | < | + | |
| - | I just… | + | |
| - | + | ||
| - | 271 | + | |
| - | < | + | |
| - | I just want to know why. | + | |
| - | + | ||
| - | 272 | + | |
| - | < | + | |
| - | Why he put me in there. | + | |
| - | 273 | ||
| < | < | ||
| - | He lost his wife. | + | Devon: |
| - | 274 | ||
| - | < | ||
| - | You lost your wife. A little | ||
| - | before you started at Lumon. | ||
| - | |||
| - | 275 | ||
| < | < | ||
| - | Gemma. | + | Mark: Gemma. |
| - | 276 | ||
| < | < | ||
| - | It was a car accident, and, at | + | Devon: |
| - | first, you tried to keep teaching. | + | |
| - | 277 | ||
| < | < | ||
| - | I was a teacher? | + | Mark: I was a teacher? |
| - | 278 | ||
| < | < | ||
| - | A professor. Of history. | + | Devon: |
| - | 279 | ||
| - | < | ||
| - | You tried to go back to teaching | ||
| - | three weeks after she died, | ||
| - | |||
| - | 280 | ||
| - | < | ||
| - | and it was a disaster. | ||
| - | |||
| - | 281 | ||
| - | < | ||
| - | She was just still in | ||
| - | your veins, you know? | ||
| - | |||
| - | 282 | ||
| - | < | ||
| - | Making everything hurt. | ||
| - | |||
| - | 283 | ||
| < | < | ||
| - | Which is why I guess you | + | Devon: |
| - | thought the severed job would... | + | |
| - | 284 | ||
| < | < | ||
| - | He hoped you'd be | + | Devon: |
| - | spared from the pain. | + | |
| - | 285 | ||
| < | < | ||
| - | It's a nice name. Gemma. | + | Mark: It’s a nice name. Gemma. |
| - | 286 | ||
| < | < | ||
| - | Yeah. | + | Devon: |
| - | 287 | ||
| < | < | ||
| - | We were all really | + | Devon: |
| - | close. It was great. | + | |
| - | 288 | ||
| < | < | ||
| - | She was wonderful. | + | Devon: |
| - | 289 | ||
| - | < | ||
| - | She made you wonderful. | ||
| - | |||
| - | 290 | ||
| < | < | ||
| - | They told me not to talk to you. | + | Milchick: |
| - | 291 | ||
| < | < | ||
| - | The goddamn OTC's been triggered! | + | Cobel: |
| - | Mark S. Is his fucking | + | |
| - | 292 | ||
| < | < | ||
| - | What? That's not possible. | + | Milchick: |
| - | 293 | ||
| < | < | ||
| - | It's Dylan. They've been | + | Cobel: |
| - | plotting this all along. | + | |
| - | 294 | ||
| < | < | ||
| - | Helly's at the gala. | + | Milchick: |
| - | 295 | ||
| < | < | ||
| - | I'll take care of Helly. I'll | + | Cobel: |
| - | fix it like I fix everything. | + | |
| - | 296 | ||
| - | < | ||
| - | Get to the security office, | ||
| - | and shut it off now! | ||
| - | |||
| - | 297 | ||
| < | < | ||
| - | Shit! | + | Milchick: |
| - | 298 | ||
| < | < | ||
| - | Goddamn it! Dylan! | + | Milchick: |
| - | 299 | ||
| - | < | ||
| - | Dylan! | ||
| - | |||
| - | 300 | ||
| < | < | ||
| - | I know you're in there, | + | Milchick: |
| - | Dylan. Open the door! | + | |
| - | 301 | ||
| < | < | ||
| - | Fuck you, Mr. Milchick! | + | Dylan: |
| - | 302 | ||
| < | < | ||
| - | Dylan! Dylan! | + | Milchick: |
| - | 303 | ||
| < | < | ||
| - | Ricken knows a lot of high-end | + | Devon: I mean, Ricken knows a lot of high-end journalists in New York. |
| - | journalists in New York. | + | |
| - | 304 | ||
| < | < | ||
| - | And you think that's | + | Mark: And you think that’s better than the police? |
| - | better than the police? | + | |
| - | 305 | ||
| < | < | ||
| - | Well, Lumon has their | + | Devon: |
| - | hands in so many pies. | + | |
| - | + | ||
| - | 306 | + | |
| - | < | + | |
| - | Sorry, do you | + | |
| - | understand metaphor? | + | |
| - | 307 | ||
| < | < | ||
| - | Yeah, hands in pies. I get it. | + | Mark: Yeah, hands in pies. I get it. |
| - | 308 | ||
| < | < | ||
| - | I think we have to be really | + | Devon: |
| - | careful about who we talk to. | + | |
| - | 309 | ||
| < | < | ||
| - | - Okay. | + | Mark: Okay. |
| - | - How much time do you have? | + | Devon: |
| - | 310 | ||
| < | < | ||
| - | I don't know. Maybe an hour? | + | Mark: I don’t know. Maybe an hour? |
| - | 311 | ||
| < | < | ||
| - | Right. Because once | + | Devon: |
| - | your bosses find out… | + | |
| - | 312 | ||
| < | < | ||
| - | Jesus, I totally forgot. | + | Mark: Jesus, I totally forgot. Cobel! Why is Cobel here? |
| - | Cobel! Why is Cobel here? | + | |
| - | 313 | ||
| < | < | ||
| - | What? | + | Devon: |
| - | 314 | ||
| < | < | ||
| - | My boss from Lumon. Ms. | + | Mark: My boss from Lumon. Ms. Cobel. She’s at this party. |
| - | Cobel. She's at this party. | + | |
| - | 315 | ||
| < | < | ||
| - | What are you talking about? | + | Devon: |
| - | 316 | ||
| < | < | ||
| - | I mean, she's dressed different. | + | Mark: I mean, she’s dressed different. Kind of a flowy, purple outfit, silver hair. |
| - | 317 | ||
| - | < | ||
| - | Kind of a flowy, purple | ||
| - | outfit, silver hair. | ||
| - | |||
| - | 318 | ||
| < | < | ||
| - | Mark, are you talking | + | Devon: |
| - | about Mrs. Selvig? | + | |
| - | 319 | ||
| < | < | ||
| - | Maybe, but her name | + | Mark: Maybe, but her name is Harmony Cobel. |
| - | is Harmony Cobel. | + | |
| - | 320 | ||
| < | < | ||
| - | And she works at Lumon? | + | Devon: |
| - | 321 | ||
| < | < | ||
| - | Yeah, she's my boss. | + | Mark: Yeah, she’s my boss. |
| - | 322 | ||
| < | < | ||
| - | Jesus fucking Christ. | + | Devon: |
| - | 323 | ||
| < | < | ||
| - | Dylan. | + | Milchick: |
| - | 324 | ||
| - | < | ||
| - | Why are you doing this, man? | ||
| - | |||
| - | 325 | ||
| < | < | ||
| - | Come on. | + | Milchick: |
| - | 326 | ||
| - | < | ||
| - | You are the refiner | ||
| - | of the quarter! | ||
| - | |||
| - | 327 | ||
| < | < | ||
| - | "While most cultures | + | Ricken: |
| - | view sex as ugly or foul, | + | |
| - | 328 | ||
| < | < | ||
| - | - " | + | Devon: |
| - | - Mrs. Selvig? | + | |
| - | 329 | ||
| < | < | ||
| - | - What? | + | Ricken: |
| - | - Is she there? Is Mrs. Selvig there? | + | Devon: |
| - | 330 | ||
| < | < | ||
| - | - Do you... | + | Devon: |
| - | - What? | + | Ricken: |
| - | 331 | ||
| < | < | ||
| - | Mrs. Selvig? | + | Devon: |
| - | 332 | ||
| < | < | ||
| - | - What is going on? | + | Ricken: |
| - | - She has Eleanor! | + | Devon: |
| - | 333 | ||
| < | < | ||
| - | What? Excuse me a moment, okay. | + | Ricken: |
| - | 334 | ||
| - | < | ||
| - | Honey? What did you say? | ||
| - | |||
| - | 335 | ||
| < | < | ||
| - | Mrs. Selvig has Eleanor. | + | Devon: |
| - | Did you see her? | + | |
| - | 336 | ||
| < | < | ||
| - | - Oh, my God. | + | Devon: |
| - | - What is going on? | + | Ricken: |
| - | 337 | ||
| < | < | ||
| - | Oh, my God. Her car's gone. | + | Devon: |
| - | 338 | ||
| < | < | ||
| - | I gave her the | + | Devon: |
| - | baby, and she left! | + | |
| - | 339 | ||
| < | < | ||
| - | - She left? With Eleanor? | + | Ricken: |
| - | - I handed her the baby, | + | Devon: |
| - | 340 | ||
| < | < | ||
| - | and she left! | + | Devon: |
| - | 341 | ||
| < | < | ||
| - | - Have we looked everywhere? | + | Ricken: |
| - | - Not yet! | + | Devon: |
| - | 342 | ||
| < | < | ||
| - | Okay, let's go inside and look. | + | Ricken: |
| - | 343 | ||
| < | < | ||
| - | Oh, my God! | + | Devon: |
| < | < | ||
| - | MILCHICK | + | Milchick: |
| - | I bet the tempers | + | |
| - | were disappointed. | + | |
| - | < | ||
| - | MILCHICK | ||
| - | I can still get | ||
| - | you back in there. | ||
| - | |||
| - | 346 | ||
| - | < | ||
| - | I can get you any | ||
| - | perk you want, Dylan. | ||
| - | |||
| - | 347 | ||
| < | < | ||
| - | Hey, there's stuff you | + | Milchick: |
| - | don't even know about. | + | |
| - | + | ||
| - | 348 | + | |
| - | < | + | |
| - | There's paintball, | + | |
| - | there's coffee cozies. | + | |
| - | 349 | ||
| < | < | ||
| - | Dylan, come on! | + | Milchick: |
| - | 350 | ||
| < | < | ||
| - | Just say the word, and I'll get you a | + | Milchick: |
| - | coffee cozy literally right now, Dylan. | + | |
| - | 351 | ||
| < | < | ||
| - | Come on, man! | + | Milchick: |
| - | 352 | ||
| < | < | ||
| - | I wanna remember my | + | Dylan: |
| - | fucking kid being born! | + | |
| - | 353 | ||
| < | < | ||
| - | You have two others. | + | Milchick: |
| - | 354 | ||
| - | < | ||
| - | I can tell you about 'em. | ||
| - | |||
| - | 355 | ||
| - | < | ||
| - | Open the door, and I'll | ||
| - | tell you their names. | ||
| - | |||
| - | 356 | ||
| < | < | ||
| - | Come on, Dylan. | + | Milchick: |
| - | 357 | ||
| - | < | ||
| - | Dylan! | ||
| - | |||
| - | 358 | ||
| < | < | ||
| - | It's rolling. | + | Valet: |
| - | 359 | ||
| < | < | ||
| - | My name is Helena, | + | Helly (on video): |
| - | and I'm an Eagan. | + | |
| - | + | ||
| - | 360 | + | |
| - | < | + | |
| - | So one of the things you learn growing | + | |
| - | up as an Eagan is that the workers… | + | |
| - | 361 | ||
| < | < | ||
| - | - We start in two minutes. | + | Event Coordinator: |
| - | - Thanks. | + | Natalie: |
| - | 362 | ||
| < | < | ||
| - | Good luck. | + | Event Coordinator: |
| - | 363 | ||
| < | < | ||
| - | I'll tee you up. Just stick | + | Natalie: |
| - | to the talking points. | + | |
| - | 364 | ||
| - | < | ||
| - | Use the line about how you | ||
| - | see your innie as your sister. | ||
| - | |||
| - | 365 | ||
| < | < | ||
| - | - They'll love that. | + | Natalie: |
| - | - Got it. | + | Helly: |
| - | 366 | ||
| < | < | ||
| - | It's gonna be great. | + | Natalie: |
| - | 367 | ||
| < | < | ||
| - | She's not in the baby room. | + | Patton: |
| - | 368 | ||
| < | < | ||
| - | Have all these | + | Mark: Have all these rooms been checked? |
| - | rooms been checked? | + | |
| - | 369 | ||
| < | < | ||
| - | Thank God. | + | Patton: |
| - | 370 | ||
| < | < | ||
| - | Devon! I got her! | + | Patton: |
| - | 371 | ||
| - | < | ||
| - | Devon, she's here! I found her. | ||
| - | |||
| - | 372 | ||
| - | < | ||
| - | I found your child. | ||
| - | |||
| - | 373 | ||
| - | < | ||
| - | I'm the one who found her! | ||
| - | |||
| - | 374 | ||
| < | < | ||
| - | Dylan! | + | Milchick: Dylan! |
| - | 375 | ||
| - | < | ||
| - | Dylan! | ||
| - | |||
| - | 376 | ||
| < | < | ||
| - | …Improvements | + | Natalie: |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | a happier workplace. | + | |
| - | 378 | ||
| < | < | ||
| - | As with any transformative | + | Natalie: |
| - | technology, there have been setbacks. | + | |
| - | 379 | ||
| - | < | ||
| - | Bumps in the road. | ||
| - | |||
| - | 380 | ||
| < | < | ||
| - | But I'm here tonight to tell you that | + | Natalie: |
| - | we are on the verge of a revolution. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | A kind and empathetic revolution | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | that puts the human being… | + | |
| - | 383 | ||
| < | < | ||
| - | - Oh, my God! | + | Helly: |
| - | - Is it you? | + | Cobel: |
| - | 384 | ||
| < | < | ||
| - | What are you talking about? | + | Helly: |
| - | 385 | ||
| < | < | ||
| - | It is you, isn't it? | + | Cobel: |
| - | 386 | ||
| < | < | ||
| - | I'm gonna kill your company. | + | Helly: |
| - | 387 | ||
| < | < | ||
| - | Your company! | + | Cobel: |
| - | 388 | ||
| < | < | ||
| - | Who the hell do | + | Cobel: |
| - | you think you are? | + | |
| - | 389 | ||
| - | < | ||
| - | No. Your friends | ||
| - | are gonna suffer. | ||
| - | |||
| - | 390 | ||
| - | < | ||
| - | Mark will suffer. | ||
| - | |||
| - | 391 | ||
| < | < | ||
| - | You'll be long gone, | + | Cobel: |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | but we will keep | + | |
| - | them alive, in pain. | + | |
| - | 393 | ||
| < | < | ||
| - | You're on. | + | Event Coordinator: |
| - | 394 | ||
| < | < | ||
| - | …decided that we | + | Natalie: |
| - | could do better. | + | |
| - | 395 | ||
| - | < | ||
| - | He may never have seen a | ||
| - | severance chip in his lifetime, | ||
| - | |||
| - | 396 | ||
| - | < | ||
| - | but it represents his gentle and | ||
| - | elegant vision made manifest. | ||
| - | |||
| - | 397 | ||
| < | < | ||
| - | But why don't we hear from someone who | + | Natalie: |
| - | can tell us all about it firsthand? | + | |
| - | 398 | ||
| - | < | ||
| - | Ladies and gentlemen, | ||
| - | our guest of honor, | ||
| - | |||
| - | 399 | ||
| - | < | ||
| - | Helena Eagan. | ||
| - | |||
| - | 400 | ||
| < | < | ||
| - | Thank you, Natalie. | + | Helly: |
| - | 401 | ||
| < | < | ||
| - | Devon! | + | Mark: Devon! |
| - | 402 | ||
| < | < | ||
| - | My name is Helly R. | + | Helly: |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I'm an innie. | + | |
| - | 404 | ||
| < | < | ||
| - | And everything they've told | + | Helly: |
| - | you about severance is a lie! | + | |
| - | 405 | ||
| < | < | ||
| - | Devon! | + | Mark: Devon! |
| - | 406 | ||
| < | < | ||
| - | IRVING: Burt! | + | Irving: Burt! |
| < | < | ||
| - | IRVING: Burt! | + | Irving: Burt! |
| < | < | ||
| - | HELLY: No, no, no. Listen, we're not happy. We're miserable. | + | Helly: No, no, no. Listen, we’re not happy. We’re miserable. |
| < | < | ||
| - | IRVING: Burt! | + | Irving: Burt! |
| < | < | ||
| - | HELLY: They torture us down there! | + | Helly: They torture us down there! |
| < | < | ||
| - | IRVING: Burt! | + | Irving: Burt! |
| < | < | ||
| - | MARK: Devon! Please! | + | Mark: Devon! Please! |
| < | < | ||
| - | HELLY: We're prisoners! | + | Helly: We’re prisoners! |
| < | < | ||
| - | MARK: [[Gemma|She]]'s alive! | + | Mark: She’s alive! |
| < | < | ||
| - | IRVING: Burt! | + | Irving: Burt! |
| </ | </ | ||
| {{tag> | {{tag> | ||
the_we_we_are_transcript.1656391627.txt.gz · Last modified: 2022-06-28 04:47 by Neatnik
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