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the_we_we_are_transcript [2022-06-27 02:34] – Neatnik | the_we_we_are_transcript [2022-08-12 13:00] (current) – Saeid | ||
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| **The We We Are (Transcript)** || | | **The We We Are (Transcript)** || | ||
^ Episode Number | 1.9 | | ^ Episode Number | 1.9 | | ||
- | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ||
</ | </ | ||
Line 15: | Line 15: | ||
< | < | ||
- | [[Mark Scout|MARK]]: What? | + | Mark: What? |
< | < | ||
- | [[Harmony | + | Cobel: I said, "Are you all right?" |
- | MARK: Yeah, I'm fine. | + | Mark: Yeah, I’m fine. |
< | < | ||
- | COBEL: Maybe you should talk to your sister. It's an important decision. | + | Cobel: Maybe you should talk to your sister. It’s an important decision. |
< | < | ||
- | MARK: My sister? | + | Mark: My sister? |
- | COBEL: Yes. | + | Cobel: Yes. |
< | < | ||
- | COBEL: Mark? | + | Cobel: Mark? |
- | MARK: Yeah. | + | Mark: Yeah. |
< | < | ||
- | COBEL: Are you sure you're okay? | + | Cobel: Are you sure you’re okay? |
< | < | ||
- | MARK: Yes. I'm sorry, I just... I got a little woozy and then... I'm gonna stop by the bathroom. | + | Mark: Yes. I’m sorry, I just... I got a little woozy and then... I’m gonna stop by the bathroom. |
< | < | ||
- | COBEL: Uh-uh. I think it's the other way. | + | Cobel: Uh-uh. I think it’s the other way. |
< | < | ||
- | MARK: Right. | + | Mark: Right. |
< | < | ||
- | I don't know if I hate | + | Natalie: |
- | senators or congressmen more. | + | |
- | 12 | ||
< | < | ||
- | How many of those have you had? | + | Natalie: |
- | 13 | ||
< | < | ||
- | Just this one. | + | Helly: |
- | 14 | ||
< | < | ||
- | Good. We need you nimble. We gotta | + | Natalie: |
- | get down there. You're on in 20. | + | |
- | 15 | ||
< | < | ||
- | I was on with the Board earlier. | + | Natalie: |
- | They're really grateful for this. | + | |
- | 16 | ||
< | < | ||
- | - Gabby. | + | Natalie: |
- | - Natalie, hello. | + | Gabby: |
- | 17 | ||
< | < | ||
- | Hi. | + | Gabby: |
- | 18 | ||
< | < | ||
- | Gabby, this is Helena Eagan. | + | Natalie: |
- | 19 | ||
< | < | ||
- | My gosh. Helena, so good | + | Gabby: |
- | to finally meet you. | + | |
- | 20 | ||
< | < | ||
- | Likewise. | + | Helly: |
- | 21 | ||
< | < | ||
- | This better be | + | Dylan: |
- | working, assholes. | + | |
- | 22 | ||
< | < | ||
- | Where am I? | + | Mark: Where am I? Where am I? |
- | 23 | ||
- | < | ||
- | Where am I? | ||
- | |||
- | 24 | ||
< | < | ||
- | Mark. You okay, milady? | + | Devon: |
- | 25 | ||
< | < | ||
- | So Rebeck smells weird. | + | Devon: |
- | 26 | ||
< | < | ||
- | Rebeck smells weird? | + | Mark: Rebeck smells weird? |
- | 27 | ||
< | < | ||
- | Yeah, she was making chewing | + | Devon: |
- | noises, but she was not chewing. | + | |
- | 28 | ||
- | < | ||
- | Just be prepared 'cause you might | ||
- | have to share a book with her. | ||
- | |||
- | 29 | ||
< | < | ||
- | A book, right. | + | Mark: A book, right. |
- | 30 | ||
< | < | ||
- | The one you forgot to bring | + | Devon: |
- | even though I did remind you. | + | |
- | 31 | ||
< | < | ||
- | Right. Yeah, I'm sure... Sorry. | + | Mark: Right. Yeah, I’m sure... Sorry. |
- | 32 | ||
< | < | ||
- | That's okay. | + | Devon: |
- | 33 | ||
- | < | ||
- | Okay. | ||
- | |||
- | 34 | ||
- | < | ||
- | Okay. | ||
- | |||
- | 35 | ||
< | < | ||
- | How's our baby? | + | Mark: How’s our baby? |
- | 36 | ||
< | < | ||
- | Our... I'm gonna assume you mean that | + | Devon: |
- | in the "it takes a village" | + | |
- | + | ||
- | 37 | + | |
- | < | + | |
- | And she's good. She's hungry. | + | |
- | 38 | ||
< | < | ||
- | I wanna have the life change talk. | + | Devon: |
- | I just need to pump before I die. | + | |
- | 39 | ||
< | < | ||
- | - I'll be really fast. Okay. | + | Devon: |
- | - Okay. | + | Mark: Okay. |
- | 40 | ||
< | < | ||
- | Hey. Hi. Hi. | + | Irving: |
- | 41 | ||
< | < | ||
- | " | + | Irving: |
- | 42 | ||
< | < | ||
- | What's the thesis? | + | Patton: |
- | 43 | ||
< | < | ||
- | I agree. It's very confused. | + | Danise: |
- | 44 | ||
< | < | ||
- | Mark, hello. | + | Patton: |
- | 45 | ||
< | < | ||
- | Hey, guys. What's up? | + | Mark: Hey, guys. What’s up? |
- | 46 | ||
< | < | ||
- | - Patton, no. | + | Danise: |
- | - Mark, | + | Patton: |
- | 47 | ||
< | < | ||
- | we were just discussing whether | + | Patton: |
- | it might have been a wiser move | + | |
- | 48 | ||
- | < | ||
- | for your sister to put off introducing | ||
- | the child until after tonight' | ||
- | |||
- | 49 | ||
< | < | ||
- | Mark, you don't have | + | Danise: |
- | to weigh in on that. | + | |
- | 50 | ||
< | < | ||
- | - Obviously the child is an absolute angel. | + | Patton: |
- | - Wait... That's my sister? With the baby? | + | Mark: Wait... That’s my sister? With the baby? |
- | 51 | ||
< | < | ||
- | Exactly, it's his sister. | + | Danise: |
- | 52 | ||
< | < | ||
- | - Excuse me. | + | Mark: Excuse me. |
- | - Sure. | + | Danise: |
- | 53 | ||
< | < | ||
- | Well, that was awkward. | + | Danise: |
- | 54 | ||
< | < | ||
- | Okay, so my sister has the | + | Mark: Okay, so my sister has the baby. And Cobel is here? |
- | baby. And Cobel is here? | + | |
- | 55 | ||
< | < | ||
- | I've been asked to | + | Rebeck: |
- | share my book with you. | + | |
- | 56 | ||
< | < | ||
- | So I've heard. Rebecca? | + | Mark: So I’ve heard. Rebecca? |
- | 57 | ||
< | < | ||
- | Rebeck. I have small eyes, so | + | Rebeck: |
- | I have to read pretty close. | + | |
- | 58 | ||
< | < | ||
- | Okay. Well, I'm... | + | Mark: Okay. Well, I’m...I’m sure that’ll be fine. If you’ll excuse me? |
- | + | ||
- | 59 | + | |
- | < | + | |
- | I'm sure that'll be fine. | + | |
- | If you'll excuse me? | + | |
< | < | ||
- | REBECK: And I have some sores on the back of my head from my bird. | + | Rebeck: And I have some sores on the back of my head from my bird. |
- | 61 | ||
< | < | ||
- | - You might see them. | + | Rebeck: |
- | - Okay. | + | Mark: Okay. |
- | 62 | ||
< | < | ||
- | Hey. | + | Mark: Hey. |
- | 63 | ||
< | < | ||
- | Hello, Mark. | + | Devon: |
- | 64 | ||
< | < | ||
- | I pumped, so it's Miller time. Okay, | + | Devon: |
- | so life change. What's happening? | + | |
- | 65 | ||
< | < | ||
- | We're, this is | + | Mark: We’re, this is gonna sound weird... We’re close, you and I? |
- | gonna sound weird… | + | |
- | 66 | ||
- | < | ||
- | We're close, you and I? | ||
- | |||
- | 67 | ||
< | < | ||
- | What do you... What's going on? | + | Devon: |
- | 68 | ||
< | < | ||
- | Can we talk privately? | + | Mark: Can we talk privately? |
- | 69 | ||
< | < | ||
- | - I just have to... | + | Mark: I just have to... |
- | - Okay, my dearest ones, | + | Ricken: |
- | 70 | ||
< | < | ||
- | we are nearing that hour, | + | Ricken: |
- | 71 | ||
- | < | ||
- | so if you'd all peacefully | ||
- | waft in the living room… | ||
- | |||
- | 72 | ||
< | < | ||
- | Okay. Let's talk at the | + | Devon: |
- | first reflection break. | + | |
- | 73 | ||
< | < | ||
- | - Okay? | + | Devon: |
- | - Okay. | + | Mark: Okay. |
- | 74 | ||
< | < | ||
- | You just don't realize how much | + | Gabby: |
- | kids are gonna change your life. | + | |
- | 75 | ||
- | < | ||
- | But they do. | ||
- | |||
- | 76 | ||
< | < | ||
- | - How many kids do you have? | + | Helly: |
- | - Just gave birth to my third. | + | Gabby: |
- | + | ||
- | 77 | + | |
- | < | + | |
- | I should've stopped at two. | + | |
- | 78 | ||
< | < | ||
- | - Hey, there you are. | + | Angelo: |
- | - Hey. | + | Gabby: |
- | 79 | ||
< | < | ||
- | - Angelo, great to see you. | + | Natalie: |
- | - You too. | + | Angelo: |
- | 80 | ||
< | < | ||
- | Helena, this is my | + | Gabby: |
- | husband, Angelo Arteta. | + | |
- | 81 | ||
< | < | ||
- | Helena, nice to meet you. | + | Angelo: |
- | 82 | ||
< | < | ||
- | I've gotta hop backstage. | + | Natalie: |
- | 83 | ||
< | < | ||
- | - I'll see you in a second. | + | Natalie: |
- | - Okay. | + | Helly: |
- | 84 | ||
< | < | ||
- | Lovely to see you, Natalie. | + | Angelo: |
- | 85 | ||
< | < | ||
- | - You okay? | + | Angelo: |
- | - She couldn't find the bottle. | + | Gabby: |
- | 86 | ||
< | < | ||
- | Wow. Three kids. | + | Helly: |
- | 87 | ||
< | < | ||
- | Couldn't have done it | + | Gabby: |
- | without a little help. | + | |
- | 88 | ||
< | < | ||
- | I mean, the idea that people | + | Gabby: |
- | would want to outlaw severance. | + | |
- | 89 | ||
< | < | ||
- | I know. | + | Helly: |
- | 90 | ||
< | < | ||
- | The photo display | + | Angelo: |
- | is very moving. | + | |
- | 91 | ||
- | < | ||
- | I already knew how I'd | ||
- | be voting, but I think... | ||
- | |||
- | 92 | ||
< | < | ||
- | Well, seeing that and seeing you | + | Angelo: |
- | and hearing what you have to say, | + | |
- | + | ||
- | 93 | + | |
- | < | + | |
- | all of this could really | + | |
- | make a difference. | + | |
- | 94 | ||
< | < | ||
- | I hope so. | + | Helly: |
- | 95 | ||
< | < | ||
- | Let's change some minds. | + | Angelo: |
- | 96 | ||
< | < | ||
- | Well, I'm certainly gonna try. | + | Helly: |
- | 97 | ||
< | < | ||
- | Thank you. | + | Angelo: |
- | 98 | ||
- | < | ||
- | And please thank your | ||
- | father if you see him. | ||
- | |||
- | 99 | ||
< | < | ||
- | I will. | + | Helly: |
- | 100 | ||
< | < | ||
- | Mark. Come here. | + | Rebeck: |
- | + | ||
- | 101 | + | |
- | < | + | |
- | Saved us a seat. | + | |
- | 102 | ||
< | < | ||
- | I just have to find my glasses. | + | Rebeck: |
- | 103 | ||
< | < | ||
- | Mark, can you just hold that | + | Rebeck: |
- | 104 | ||
< | < | ||
- | - for a second? | + | Mark: Yeah. |
- | - Yeah. | + | |
- | 105 | ||
< | < | ||
- | Oh, my God. | + | Mark: Oh, my God. |
- | 106 | ||
< | < | ||
- | Sorry, you can't unring | + | Ricken: |
- | 107 | ||
- | < | ||
- | the bell-ringing app apparently. | ||
- | |||
- | 108 | ||
< | < | ||
- | Okay. Thank you | + | Ricken: |
- | all for being here. | + | |
- | 109 | ||
< | < | ||
- | Before we start, | + | Ricken: |
- | there is one person | + | |
- | + | ||
- | 110 | + | |
- | < | + | |
- | that I would like to | + | |
- | thank first and foremost. | + | |
- | + | ||
- | 111 | + | |
- | < | + | |
- | Family is both my bedrock | + | |
- | and my inspiration. | + | |
- | + | ||
- | 112 | + | |
- | < | + | |
- | So I dedicate the reading | + | |
- | to my firstborn daughter, | + | |
- | + | ||
- | 113 | + | |
- | < | + | |
- | who is here tonight. | + | |
- | + | ||
- | 114 | + | |
- | < | + | |
- | Eleanor, I love you. | + | |
- | 115 | ||
< | < | ||
- | My brother-in-law. | + | Mark: My brother-in-law. |
- | 116 | ||
< | < | ||
- | And with that… I begin. | + | Ricken: |
- | 117 | ||
< | < | ||
- | "It's said that as a child, | + | Ricken: |
- | 118 | ||
- | < | ||
- | Wolfgang Mozart killed another boy | ||
- | by slamming his head in a piano. | ||
- | |||
- | 119 | ||
- | < | ||
- | Don't worry. | ||
- | |||
- | 120 | ||
- | < | ||
- | My research for this book | ||
- | has proven the claim untrue. | ||
- | |||
- | 121 | ||
- | < | ||
- | As your heart rate | ||
- | settles though, | ||
- | |||
- | 122 | ||
< | < | ||
- | - " | + | Ricken: |
- | - Mark. | + | Cobel: |
- | 123 | ||
< | < | ||
- | Can I look at her book too? | + | Cobel: |
- | 124 | ||
< | < | ||
- | I can crane. | + | Cobel: |
- | 125 | ||
< | < | ||
- | - " | + | Ricken: |
- | - Sure. | + | Mark: Sure. |
- | 126 | ||
< | < | ||
- | " | + | Ricken: |
- | 127 | ||
- | < | ||
- | But what, indeed, is ' | ||
- | |||
- | 128 | ||
< | < | ||
- | Good luck tonight. | + | Angelo: |
- | 129 | ||
< | < | ||
- | It was great to | + | Gabby: |
- | meet you, Helena. | + | |
- | 130 | ||
< | < | ||
- | "How can 'you' | + | Ricken: |
- | different things | + | |
- | + | ||
- | 131 | + | |
- | < | + | |
- | to millions of readers | + | |
- | around a vast Earth? | + | |
- | 132 | ||
< | < | ||
- | "And perhaps, most | + | Ricken: |
- | importantly, | + | |
- | 133 | ||
< | < | ||
- | "All creatures, | + | Ricken: |
- | from the leaping cat | + | |
- | 134 | ||
- | < | ||
- | to the cowering shrew, | ||
- | |||
- | 135 | ||
- | < | ||
- | think of themselves as 'you, ' a | ||
- | logical center for the universe. | ||
- | |||
- | 136 | ||
- | < | ||
- | Yet the cat eats the shrew, | ||
- | and we, like Schrödinger, | ||
- | |||
- | 137 | ||
- | < | ||
- | "live on to wonder | ||
- | what it means." | ||
- | |||
- | 138 | ||
- | < | ||
- | End of chapter. | ||
- | |||
- | 139 | ||
< | < | ||
- | Let's all take a | + | Ricken: |
- | + | ||
- | 140 | + | |
- | < | + | |
- | seven-minute reflection | + | |
- | break and then come back. | + | |
- | 141 | ||
< | < | ||
- | Balf. Prepare the neti pot. | + | Ricken: |
- | 142 | ||
< | < | ||
- | It was transformative. | + | Rebeck: |
- | 143 | ||
< | < | ||
- | I'm gonna have to | + | Rebeck: |
- | change my name again. | + | |
- | 144 | ||
< | < | ||
- | What a wordsmith. He seemed to have | + | Cobel: |
- | a little something in his throat. | + | |
- | 145 | ||
< | < | ||
- | - Oh, yeah. | + | Mark: Oh, yeah. |
- | - Hey. | + | Devon: |
- | 146 | ||
< | < | ||
- | I'm gonna see if she'll | + | Devon: |
- | have more bottle. | + | |
- | 147 | ||
- | < | ||
- | Give me a couple of minutes, | ||
- | then meet me in the baby room? | ||
- | |||
- | 148 | ||
< | < | ||
- | - Okay. | + | Mark: Okay. |
- | - Okay. | + | Devon: |
- | 149 | ||
< | < | ||
- | Excuse me. | + | Mark: Excuse me. |
- | 150 | ||
< | < | ||
- | Mr. Hale... Ricken? | + | Mark: Mr. Hale... Ricken? |
- | 151 | ||
< | < | ||
- | I don't know why my | + | Ricken: |
- | voice shakes like that. | + | |
- | 152 | ||
- | < | ||
- | I sound like a sad | ||
- | old hamburger waiter | ||
- | |||
- | 153 | ||
- | < | ||
- | prattling on about sauces. | ||
- | |||
- | 154 | ||
< | < | ||
- | " | + | Ricken: |
- | What the fuck is that? | + | |
- | + | ||
- | 155 | + | |
- | < | + | |
- | Jesus, why do I ever | + | |
- | open my buffoon mouth? | + | |
- | 156 | ||
< | < | ||
- | It's going great. | + | Mark: It’s going great. |
- | 157 | ||
< | < | ||
- | - I mean, the book is brilliant, and... | + | Mark: I mean, the book is brilliant, and... |
- | - Okay, Mark. | + | Ricken: |
- | 158 | ||
< | < | ||
- | Thank you, but you | + | Ricken: |
- | don't have to say that. | + | |
- | 159 | ||
- | < | ||
- | I'm well aware of how | ||
- | I come across to you. | ||
- | |||
- | 160 | ||
< | < | ||
- | What? No, I mean it. | + | Mark: What? No, I mean it. The... Your book, it... It opened up the world for me. |
- | + | ||
- | 161 | + | |
- | < | + | |
- | The... Your book, it... It | + | |
- | opened up the world for me. | + | |
- | 162 | ||
< | < | ||
- | Mark, are you okay? | + | Ricken: |
- | 163 | ||
< | < | ||
- | Yes. This book | + | Mark: Yes. This book changed my whole life. |
- | changed my whole life. | + | |
- | 164 | ||
< | < | ||
- | You actually read it? | + | Ricken: |
- | 165 | ||
< | < | ||
- | Ricken, are we friends? | + | Mark: Ricken, are we friends? |
- | 166 | ||
< | < | ||
- | Look, I know I sometimes | + | Ricken: |
- | make you feel "less than" | + | |
- | 167 | ||
- | < | ||
- | for having had the procedure. | ||
- | |||
- | 168 | ||
- | < | ||
- | And I regret that. | ||
- | |||
- | 169 | ||
< | < | ||
- | You had to deal with Gemma's passing | + | Ricken: |
- | in a way that was best for you. | + | |
- | 170 | ||
< | < | ||
- | You know, I was scrolling through | + | Ricken: |
- | old pictures this morning, | + | |
- | 171 | ||
- | < | ||
- | and I found one of the four | ||
- | of us on the crest hike. | ||
- | |||
- | 172 | ||
< | < | ||
- | - You remember the funny bees? | + | Ricken: |
- | - Do you have that on you? The picture? | + | Mark: Do you have that on you? The picture? |
- | 173 | ||
< | < | ||
- | Yeah, sure. I should. | + | Ricken: |
- | 174 | ||
< | < | ||
- | - Ricken. The neti pot is warm. | + | Balf: Ricken. The neti pot is warm. |
- | - Thank you, Balf. | + | Ricken: |
- | 175 | ||
< | < | ||
- | Mark, I need to | + | Ricken: |
- | flush my sinuses. | + | |
- | 176 | ||
- | < | ||
- | But thank you. You have no idea | ||
- | how much this has meant to me. | ||
- | |||
- | 177 | ||
< | < | ||
- | Mark, I was worried about you. | + | Cobel: |
- | 178 | ||
< | < | ||
- | I'm fine. Thanks. | + | Mark: I’m fine. Thanks. I’m just going to check on my sister. |
- | 179 | ||
- | < | ||
- | I'm just going to | ||
- | check on my sister. | ||
- | |||
- | 180 | ||
< | < | ||
- | When you hugged me before, you | + | Cobel: |
- | suddenly became tense. What was that? | + | |
- | 181 | ||
< | < | ||
- | I didn't know I did. | + | Mark: I didn’t know I did. |
- | 182 | ||
< | < | ||
- | Well, you did. You're tense now. | + | Cobel: |
- | 183 | ||
< | < | ||
- | Yeah, sorry, it's just parties. | + | Mark: Yeah, sorry, it’s just parties. |
- | 184 | ||
< | < | ||
- | Did you mean what | + | Cobel: |
- | you said before? | + | |
- | 185 | ||
- | < | ||
- | About your plans. | ||
- | |||
- | 186 | ||
< | < | ||
- | Of course. | + | Mark: Of course. |
- | 187 | ||
< | < | ||
- | Tell me more. | + | Cobel: |
- | 188 | ||
< | < | ||
- | You know, I'm so sorry. I'm just... | + | Mark: You know, I’m so sorry. I’m just...I’m on uncle duty for my sister. So I’ll be right back. |
- | I'm on uncle duty for my sister. | + | |
- | 189 | ||
- | < | ||
- | So I'll be right back. | ||
- | |||
- | 190 | ||
< | < | ||
- | - Okay? | + | Mark: Okay? |
- | - Okay. | + | Cobel: |
- | 191 | ||
< | < | ||
- | Okay. Thanks, Ms. Cobel. | + | Mark: Okay. Thanks, Ms. Cobel. |
- | 192 | ||
< | < | ||
- | - I know. Hey, there you are. | + | Devon: |
- | - Hey, I really need to talk to you. | + | Mark: Hey, I really need to talk to you. |
- | 193 | ||
< | < | ||
- | No, I know. I just have to deal | + | Devon: |
- | with her. She's having a meltdown. | + | |
- | 194 | ||
- | < | ||
- | But just meet me in there, okay? | ||
- | |||
- | 195 | ||
< | < | ||
- | - Okay, I'll just... Wait. Okay. | + | Mark: Okay, I’ll just... Wait. Okay. |
- | - I promise I'll be back. | + | Devon: |
- | 196 | ||
< | < | ||
- | Thank God, Mrs. Selvig. Hi. | + | Devon: |
- | + | ||
- | 197 | + | |
- | < | + | |
- | Can you take her for a | + | |
- | sec while I talk to Mark? | + | |
- | 198 | ||
< | < | ||
- | - Of course, love. | + | Cobel: |
- | - Thank you. | + | Devon: |
- | 199 | ||
< | < | ||
- | - Is Mark all right? | + | Cobel: |
- | - Yeah, he's fine. | + | Devon: |
- | 200 | ||
< | < | ||
- | Thank you, you're an angel. | + | Devon: |
- | 201 | ||
< | < | ||
- | Okay… I'm all yours. | + | Devon: |
- | 202 | ||
< | < | ||
- | My name is Helena, | + | Helly: |
- | and I'm an Eagan. | + | |
- | 203 | ||
< | < | ||
- | So one of the things you | + | Helly: |
- | learn growing up as an Eagan | + | |
- | 204 | ||
- | < | ||
- | is that the workers | ||
- | are our family. | ||
- | |||
- | 205 | ||
- | < | ||
- | And I remember being | ||
- | confused about that as a kid, | ||
- | |||
- | 206 | ||
- | < | ||
- | because I thought that meant | ||
- | |||
- | 207 | ||
- | < | ||
- | I had a few hundred thousand | ||
- | literal brothers and sisters | ||
- | |||
- | 208 | ||
- | < | ||
- | scattered around the world. | ||
- | |||
- | 209 | ||
- | < | ||
- | Oh, my God. | ||
- | |||
- | 210 | ||
< | < | ||
- | But as I grew older, I learned | + | Helly: |
- | that it's about shared ideals. | + | |
- | 211 | ||
- | < | ||
- | My dad used to make me recite | ||
- | the nine core principles | ||
- | |||
- | 212 | ||
- | < | ||
- | before bed every night, | ||
- | |||
- | 213 | ||
- | < | ||
- | which I can't say I always | ||
- | did happily. Sorry, Dad. | ||
- | |||
- | 214 | ||
< | < | ||
- | But those are now the values that I | + | Helly: |
- | share with everyone who works at Lumon, | + | |
- | 215 | ||
- | < | ||
- | and that's what | ||
- | makes them my family. | ||
- | |||
- | 216 | ||
- | < | ||
- | And I would never ever | ||
- | ask them to do anything | ||
- | |||
- | 217 | ||
- | < | ||
- | that I'm not willing or | ||
- | excited to do myself. | ||
- | |||
- | 218 | ||
< | < | ||
- | Look, my dad would | + | Helly: |
- | love for me to sit here | + | |
- | + | ||
- | 219 | + | |
- | < | + | |
- | and say that I'm taking | + | |
- | this job out of loyalty | + | |
- | + | ||
- | 220 | + | |
- | < | + | |
- | and that it was the spirit of | + | |
- | pure Eagan calling me to service. | + | |
- | 221 | ||
< | < | ||
- | But I took a severed job because | + | Helly: |
- | it sounds freaking awesome. | + | |
- | 222 | ||
< | < | ||
- | So, no, I don't think | + | Helly: |
- | severance divides us. | + | |
- | 223 | ||
- | < | ||
- | I think it brings us together. | ||
- | |||
- | 224 | ||
< | < | ||
- | Greetings. | + | Milchick (voicemail): |
- | 225 | ||
< | < | ||
- | - I'm not here right now. | + | Cobel: |
- | - Goddamn it, Milchick! | + | |
- | 226 | ||
< | < | ||
- | Helena. | + | Event Coordinator: |
- | 227 | ||
- | < | ||
- | She's in here, sir. | ||
- | |||
- | 228 | ||
< | < | ||
- | Helena. | + | Jame: Helena. |
- | 229 | ||
< | < | ||
- | You look so nice. | + | Jame: You look so nice. Like a film. |
- | 230 | ||
- | < | ||
- | Like a film. | ||
- | |||
- | 231 | ||
< | < | ||
- | Thank you. | + | Helly: |
- | 232 | ||
< | < | ||
- | Are you… | + | Jame: Are you...Are you still in pain? |
- | + | ||
- | 233 | + | |
- | < | + | |
- | Are you still in pain? | + | |
- | 234 | ||
< | < | ||
- | I'm not. | + | Helly: |
- | 235 | ||
- | < | ||
- | Not anymore. | ||
- | |||
- | 236 | ||
< | < | ||
- | I cried in my bed when they told | + | Jame: I cried in my bed when they told me what she tried to do to you. What that Innie tried to do. I... |
- | me what she tried to do to you. | + | |
- | 237 | ||
- | < | ||
- | What that innie | ||
- | tried to do. I... | ||
- | |||
- | 238 | ||
< | < | ||
- | Thank you for going | + | Jame: Thank you for going through with this. The Grandfather would cherish what you’ve done. And one day you will sit with me at my revolving. |
- | through with this. | + | |
- | + | ||
- | 239 | + | |
- | < | + | |
- | The Grandfather would | + | |
- | cherish what you've done. | + | |
- | + | ||
- | 240 | + | |
- | < | + | |
- | And one day you will sit | + | |
- | with me at my revolving. | + | |
- | 241 | ||
< | < | ||
- | Are you feeling well? | + | Jame: Are you feeling well? |
- | 242 | ||
< | < | ||
- | Yeah. | + | Helly: |
- | 243 | ||
- | < | ||
- | I think, I think the drink | ||
- | just hit me a little bit. | ||
- | |||
- | 244 | ||
< | < | ||
- | You'll be all right | + | Jame: You’ll be all right for the speech? |
- | for the speech? | + | |
- | 245 | ||
< | < | ||
- | For my speech. Yeah. Of course. | + | Helly: |
- | 246 | ||
< | < | ||
- | Do you remember when I brought | + | Jame: Do you remember when I brought home the first chip to show you? The prototype. It had the blue and green lights back then. |
- | home the first chip to show you? | + | |
- | 247 | ||
- | < | ||
- | The prototype. | ||
- | |||
- | 248 | ||
- | < | ||
- | It had the blue and | ||
- | green lights back then. | ||
- | |||
- | 249 | ||
< | < | ||
- | Yeah. | + | Helly: |
- | 250 | ||
< | < | ||
- | I remember you said to me, | + | Jame: I remember you said to me, "It’s so pretty, Daddy. Everybody in the whole world should get one." |
- | "It's so pretty, Daddy." | + | |
- | 251 | ||
- | < | ||
- | " | ||
- | world should get one." | ||
- | |||
- | 252 | ||
< | < | ||
- | They will. | + | Jame: They will. Because of you. They’ll all be Kier’s children. |
- | 253 | ||
- | < | ||
- | Because of you. | ||
- | |||
- | 254 | ||
- | < | ||
- | They' | ||
- | |||
- | 255 | ||
< | < | ||
- | Mr. Eagan. Helena. It's | + | Natalie: |
- | time to head to stage. | + | |
- | 256 | ||
< | < | ||
- | Forgive me for the harm | + | Helly: |
- | I've caused this world. | + | |
- | + | ||
- | 257 | + | |
- | < | + | |
- | None may atone for | + | |
- | my actions… but me. | + | |
- | + | ||
- | 258 | + | |
- | < | + | |
- | And only in me shall | + | |
- | their stain live on. | + | |
- | + | ||
- | 259 | + | |
- | < | + | |
- | All I can be is sorry. | + | |
- | + | ||
- | 260 | + | |
- | < | + | |
- | And that is all I am. | + | |
- | 261 | ||
< | < | ||
- | You swear you're | + | Devon: |
- | not fucking with me? | + | |
- | 262 | ||
< | < | ||
- | I swear. | + | Mark: I swear. |
- | 263 | ||
< | < | ||
- | This is so insane. | + | Devon: |
- | 264 | ||
< | < | ||
- | They need to send people down to | + | Mark: They need to send people down to check every inch of that place. |
- | check every inch of that place. | + | |
- | 265 | ||
- | < | ||
- | Like, inspectors or whatever. | ||
- | Is that a thing? Inspectors? | ||
- | |||
- | 266 | ||
< | < | ||
- | Yeah. There are inspectors. | + | Devon: |
- | 267 | ||
< | < | ||
- | Mark has b... I mean, out here, | + | Devon: |
- | 268 | ||
- | < | ||
- | you have been trying to figure | ||
- | out what Lumon does. What you do. | ||
- | |||
- | 269 | ||
< | < | ||
- | Okay. | + | Mark: Okay. I just...I just want to know why. Why he put me in there. |
- | + | ||
- | 270 | + | |
- | < | + | |
- | I just… | + | |
- | + | ||
- | 271 | + | |
- | < | + | |
- | I just want to know why. | + | |
- | + | ||
- | 272 | + | |
- | < | + | |
- | Why he put me in there. | + | |
- | 273 | ||
< | < | ||
- | He lost his wife. | + | Devon: |
- | 274 | ||
- | < | ||
- | You lost your wife. A little | ||
- | before you started at Lumon. | ||
- | |||
- | 275 | ||
< | < | ||
- | Gemma. | + | Mark: Gemma. |
- | 276 | ||
< | < | ||
- | It was a car accident, and, at | + | Devon: |
- | first, you tried to keep teaching. | + | |
- | 277 | ||
< | < | ||
- | I was a teacher? | + | Mark: I was a teacher? |
- | 278 | ||
< | < | ||
- | A professor. Of history. | + | Devon: |
- | 279 | ||
- | < | ||
- | You tried to go back to teaching | ||
- | three weeks after she died, | ||
- | |||
- | 280 | ||
- | < | ||
- | and it was a disaster. | ||
- | |||
- | 281 | ||
- | < | ||
- | She was just still in | ||
- | your veins, you know? | ||
- | |||
- | 282 | ||
- | < | ||
- | Making everything hurt. | ||
- | |||
- | 283 | ||
< | < | ||
- | Which is why I guess you | + | Devon: |
- | thought the severed job would... | + | |
- | 284 | ||
< | < | ||
- | He hoped you'd be | + | Devon: |
- | spared from the pain. | + | |
- | 285 | ||
< | < | ||
- | It's a nice name. Gemma. | + | Mark: It’s a nice name. Gemma. |
- | 286 | ||
< | < | ||
- | Yeah. | + | Devon: |
- | 287 | ||
< | < | ||
- | We were all really | + | Devon: |
- | close. It was great. | + | |
- | 288 | ||
< | < | ||
- | She was wonderful. | + | Devon: |
- | 289 | ||
- | < | ||
- | She made you wonderful. | ||
- | |||
- | 290 | ||
< | < | ||
- | They told me not to talk to you. | + | Milchick: |
- | 291 | ||
< | < | ||
- | The goddamn OTC's been triggered! | + | Cobel: |
- | Mark S. Is his fucking | + | |
- | 292 | ||
< | < | ||
- | What? That's not possible. | + | Milchick: |
- | 293 | ||
< | < | ||
- | It's Dylan. They've been | + | Cobel: |
- | plotting this all along. | + | |
- | 294 | ||
< | < | ||
- | Helly's at the gala. | + | Milchick: |
- | 295 | ||
< | < | ||
- | I'll take care of Helly. I'll | + | Cobel: |
- | fix it like I fix everything. | + | |
- | 296 | ||
- | < | ||
- | Get to the security office, | ||
- | and shut it off now! | ||
- | |||
- | 297 | ||
< | < | ||
- | Shit! | + | Milchick: |
- | 298 | ||
< | < | ||
- | Goddamn it! Dylan! | + | Milchick: |
- | 299 | ||
- | < | ||
- | Dylan! | ||
- | |||
- | 300 | ||
< | < | ||
- | I know you're in there, | + | Milchick: |
- | Dylan. Open the door! | + | |
- | 301 | ||
< | < | ||
- | Fuck you, Mr. Milchick! | + | Dylan: |
- | 302 | ||
< | < | ||
- | Dylan! Dylan! | + | Milchick: |
- | 303 | ||
< | < | ||
- | Ricken knows a lot of high-end | + | Devon: I mean, Ricken knows a lot of high-end journalists in New York. |
- | journalists in New York. | + | |
- | 304 | ||
< | < | ||
- | And you think that's | + | Mark: And you think that’s better than the police? |
- | better than the police? | + | |
- | 305 | ||
< | < | ||
- | Well, Lumon has their | + | Devon: |
- | hands in so many pies. | + | |
- | + | ||
- | 306 | + | |
- | < | + | |
- | Sorry, do you | + | |
- | understand metaphor? | + | |
- | 307 | ||
< | < | ||
- | Yeah, hands in pies. I get it. | + | Mark: Yeah, hands in pies. I get it. |
- | 308 | ||
< | < | ||
- | I think we have to be really | + | Devon: |
- | careful about who we talk to. | + | |
- | 309 | ||
< | < | ||
- | - Okay. | + | Mark: Okay. |
- | - How much time do you have? | + | Devon: |
- | 310 | ||
< | < | ||
- | I don't know. Maybe an hour? | + | Mark: I don’t know. Maybe an hour? |
- | 311 | ||
< | < | ||
- | Right. Because once | + | Devon: |
- | your bosses find out… | + | |
- | 312 | ||
< | < | ||
- | Jesus, I totally forgot. | + | Mark: Jesus, I totally forgot. Cobel! Why is Cobel here? |
- | Cobel! Why is Cobel here? | + | |
- | 313 | ||
< | < | ||
- | What? | + | Devon: |
- | 314 | ||
< | < | ||
- | My boss from Lumon. Ms. | + | Mark: My boss from Lumon. Ms. Cobel. She’s at this party. |
- | Cobel. She's at this party. | + | |
- | 315 | ||
< | < | ||
- | What are you talking about? | + | Devon: |
- | 316 | ||
< | < | ||
- | I mean, she's dressed different. | + | Mark: I mean, she’s dressed different. Kind of a flowy, purple outfit, silver hair. |
- | 317 | ||
- | < | ||
- | Kind of a flowy, purple | ||
- | outfit, silver hair. | ||
- | |||
- | 318 | ||
< | < | ||
- | Mark, are you talking | + | Devon: |
- | about Mrs. Selvig? | + | |
- | 319 | ||
< | < | ||
- | Maybe, but her name | + | Mark: Maybe, but her name is Harmony Cobel. |
- | is Harmony Cobel. | + | |
- | 320 | ||
< | < | ||
- | And she works at Lumon? | + | Devon: |
- | 321 | ||
< | < | ||
- | Yeah, she's my boss. | + | Mark: Yeah, she’s my boss. |
- | 322 | ||
< | < | ||
- | Jesus fucking Christ. | + | Devon: |
- | 323 | ||
< | < | ||
- | Dylan. | + | Milchick: |
- | 324 | ||
- | < | ||
- | Why are you doing this, man? | ||
- | |||
- | 325 | ||
< | < | ||
- | Come on. | + | Milchick: |
- | 326 | ||
- | < | ||
- | You are the refiner | ||
- | of the quarter! | ||
- | |||
- | 327 | ||
< | < | ||
- | "While most cultures | + | Ricken: |
- | view sex as ugly or foul, | + | |
- | 328 | ||
< | < | ||
- | - " | + | Devon: |
- | - Mrs. Selvig? | + | |
- | 329 | ||
< | < | ||
- | - What? | + | Ricken: |
- | - Is she there? Is Mrs. Selvig there? | + | Devon: |
- | 330 | ||
< | < | ||
- | - Do you... | + | Devon: |
- | - What? | + | Ricken: |
- | 331 | ||
< | < | ||
- | Mrs. Selvig? | + | Devon: |
- | 332 | ||
< | < | ||
- | - What is going on? | + | Ricken: |
- | - She has Eleanor! | + | Devon: |
- | 333 | ||
< | < | ||
- | What? Excuse me a moment, okay. | + | Ricken: |
- | 334 | ||
- | < | ||
- | Honey? What did you say? | ||
- | |||
- | 335 | ||
< | < | ||
- | Mrs. Selvig has Eleanor. | + | Devon: |
- | Did you see her? | + | |
- | 336 | ||
< | < | ||
- | - Oh, my God. | + | Devon: |
- | - What is going on? | + | Ricken: |
- | 337 | ||
< | < | ||
- | Oh, my God. Her car's gone. | + | Devon: |
- | 338 | ||
< | < | ||
- | I gave her the | + | Devon: |
- | baby, and she left! | + | |
- | 339 | ||
< | < | ||
- | - She left? With Eleanor? | + | Ricken: |
- | - I handed her the baby, | + | Devon: |
- | 340 | ||
< | < | ||
- | and she left! | + | Devon: |
- | 341 | ||
< | < | ||
- | - Have we looked everywhere? | + | Ricken: |
- | - Not yet! | + | Devon: |
- | 342 | ||
< | < | ||
- | Okay, let's go inside and look. | + | Ricken: |
- | 343 | ||
< | < | ||
- | Oh, my God! | + | Devon: |
< | < | ||
- | MILCHICK | + | Milchick: |
- | I bet the tempers | + | |
- | were disappointed. | + | |
- | < | ||
- | MILCHICK | ||
- | I can still get | ||
- | you back in there. | ||
- | |||
- | 346 | ||
- | < | ||
- | I can get you any | ||
- | perk you want, Dylan. | ||
- | |||
- | 347 | ||
< | < | ||
- | Hey, there's stuff you | + | Milchick: |
- | don't even know about. | + | |
- | + | ||
- | 348 | + | |
- | < | + | |
- | There's paintball, | + | |
- | there's coffee cozies. | + | |
- | 349 | ||
< | < | ||
- | Dylan, come on! | + | Milchick: |
- | 350 | ||
< | < | ||
- | Just say the word, and I'll get you a | + | Milchick: |
- | coffee cozy literally right now, Dylan. | + | |
- | 351 | ||
< | < | ||
- | Come on, man! | + | Milchick: |
- | 352 | ||
< | < | ||
- | I wanna remember my | + | Dylan: |
- | fucking kid being born! | + | |
- | 353 | ||
< | < | ||
- | You have two others. | + | Milchick: |
- | 354 | ||
- | < | ||
- | I can tell you about 'em. | ||
- | |||
- | 355 | ||
- | < | ||
- | Open the door, and I'll | ||
- | tell you their names. | ||
- | |||
- | 356 | ||
< | < | ||
- | Come on, Dylan. | + | Milchick: |
- | 357 | ||
- | < | ||
- | Dylan! | ||
- | |||
- | 358 | ||
< | < | ||
- | It's rolling. | + | Valet: |
- | 359 | ||
< | < | ||
- | My name is Helena, | + | Helly (on video): |
- | and I'm an Eagan. | + | |
- | + | ||
- | 360 | + | |
- | < | + | |
- | So one of the things you learn growing | + | |
- | up as an Eagan is that the workers… | + | |
- | 361 | ||
< | < | ||
- | - We start in two minutes. | + | Event Coordinator: |
- | - Thanks. | + | Natalie: |
- | 362 | ||
< | < | ||
- | Good luck. | + | Event Coordinator: |
- | 363 | ||
< | < | ||
- | I'll tee you up. Just stick | + | Natalie: |
- | to the talking points. | + | |
- | 364 | ||
- | < | ||
- | Use the line about how you | ||
- | see your innie as your sister. | ||
- | |||
- | 365 | ||
< | < | ||
- | - They'll love that. | + | Natalie: |
- | - Got it. | + | Helly: |
- | 366 | ||
< | < | ||
- | It's gonna be great. | + | Natalie: |
- | 367 | ||
< | < | ||
- | She's not in the baby room. | + | Patton: |
- | 368 | ||
< | < | ||
- | Have all these | + | Mark: Have all these rooms been checked? |
- | rooms been checked? | + | |
- | 369 | ||
< | < | ||
- | Thank God. | + | Patton: |
- | 370 | ||
< | < | ||
- | Devon! I got her! | + | Patton: |
- | 371 | ||
- | < | ||
- | Devon, she's here! I found her. | ||
- | |||
- | 372 | ||
- | < | ||
- | I found your child. | ||
- | |||
- | 373 | ||
- | < | ||
- | I'm the one who found her! | ||
- | |||
- | 374 | ||
< | < | ||
- | Dylan! | + | Milchick: Dylan! |
- | 375 | ||
- | < | ||
- | Dylan! | ||
- | |||
- | 376 | ||
< | < | ||
- | …Improvements | + | Natalie: |
- | + | ||
- | 377 | + | |
- | < | + | |
- | a happier workplace. | + | |
- | 378 | ||
< | < | ||
- | As with any transformative | + | Natalie: |
- | technology, there have been setbacks. | + | |
- | 379 | ||
- | < | ||
- | Bumps in the road. | ||
- | |||
- | 380 | ||
< | < | ||
- | But I'm here tonight to tell you that | + | Natalie: |
- | we are on the verge of a revolution. | + | |
- | + | ||
- | 381 | + | |
- | < | + | |
- | A kind and empathetic revolution | + | |
- | + | ||
- | 382 | + | |
- | < | + | |
- | that puts the human being… | + | |
- | 383 | ||
< | < | ||
- | - Oh, my God! | + | Helly: |
- | - Is it you? | + | Cobel: |
- | 384 | ||
< | < | ||
- | What are you talking about? | + | Helly: |
- | 385 | ||
< | < | ||
- | It is you, isn't it? | + | Cobel: |
- | 386 | ||
< | < | ||
- | I'm gonna kill your company. | + | Helly: |
- | 387 | ||
< | < | ||
- | Your company! | + | Cobel: |
- | 388 | ||
< | < | ||
- | Who the hell do | + | Cobel: |
- | you think you are? | + | |
- | 389 | ||
- | < | ||
- | No. Your friends | ||
- | are gonna suffer. | ||
- | |||
- | 390 | ||
- | < | ||
- | Mark will suffer. | ||
- | |||
- | 391 | ||
< | < | ||
- | You'll be long gone, | + | Cobel: |
- | + | ||
- | 392 | + | |
- | < | + | |
- | but we will keep | + | |
- | them alive, in pain. | + | |
- | 393 | ||
< | < | ||
- | You're on. | + | Event Coordinator: |
- | 394 | ||
< | < | ||
- | …decided that we | + | Natalie: |
- | could do better. | + | |
- | 395 | ||
- | < | ||
- | He may never have seen a | ||
- | severance chip in his lifetime, | ||
- | |||
- | 396 | ||
- | < | ||
- | but it represents his gentle and | ||
- | elegant vision made manifest. | ||
- | |||
- | 397 | ||
< | < | ||
- | But why don't we hear from someone who | + | Natalie: |
- | can tell us all about it firsthand? | + | |
- | 398 | ||
- | < | ||
- | Ladies and gentlemen, | ||
- | our guest of honor, | ||
- | |||
- | 399 | ||
- | < | ||
- | Helena Eagan. | ||
- | |||
- | 400 | ||
< | < | ||
- | Thank you, Natalie. | + | Helly: |
- | 401 | ||
< | < | ||
- | Devon! | + | Mark: Devon! |
- | 402 | ||
< | < | ||
- | My name is Helly R. | + | Helly: |
- | + | ||
- | 403 | + | |
- | < | + | |
- | I'm an innie. | + | |
- | 404 | ||
< | < | ||
- | And everything they've told | + | Helly: |
- | you about severance is a lie! | + | |
- | 405 | ||
< | < | ||
- | Devon! | + | Mark: Devon! |
- | 406 | ||
< | < | ||
- | IRVING: Burt! | + | Irving: Burt! |
< | < | ||
- | IRVING: Burt! | + | Irving: Burt! |
< | < | ||
- | HELLY: No, no, no. Listen, we're not happy. We're miserable. | + | Helly: No, no, no. Listen, we’re not happy. We’re miserable. |
< | < | ||
- | IRVING: Burt! | + | Irving: Burt! |
< | < | ||
- | HELLY: They torture us down there! | + | Helly: They torture us down there! |
< | < | ||
- | IRVING: Burt! | + | Irving: Burt! |
< | < | ||
- | MARK: Devon! Please! | + | Mark: Devon! Please! |
< | < | ||
- | HELLY: We're prisoners! | + | Helly: We’re prisoners! |
< | < | ||
- | MARK: [[Gemma|She]]'s alive! | + | Mark: She’s alive! |
< | < | ||
- | IRVING: Burt! | + | Irving: Burt! |
</ | </ | ||
- | {{tag>transcripts}} | + | {{tag>Transcripts}} |