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| the_we_we_are_transcript [2022-05-15 20:55] – Neatnik | the_we_we_are_transcript [2022-08-12 13:00] (current) – Saeid | ||
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| | **The We We Are (Transcript)** || | | **The We We Are (Transcript)** || | ||
| ^ Episode Number | 1.9 | | ^ Episode Number | 1.9 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ||
| </ | </ | ||
| Line 14: | Line 14: | ||
| <WRAP script> | <WRAP script> | ||
| - | < | + | < |
| - | [[Mark Scout|MARK]]: What? | + | Mark: What? |
| - | < | + | < |
| - | [[Harmony | + | Cobel: I said, "Are you all right?" |
| - | MARK: Yeah, I'm fine. | + | Mark: Yeah, I’m fine. |
| - | < | + | < |
| - | COBEL: Maybe you should talk to your sister. It's an important decision. | + | Cobel: Maybe you should talk to your sister. It’s an important decision. |
| - | < | + | < |
| - | MARK: My sister? | + | Mark: My sister? |
| - | COBEL: Yes. | + | Cobel: Yes. |
| - | < | + | < |
| - | COBEL: Mark? | + | Cobel: Mark? |
| - | MARK: Yeah. | + | Mark: Yeah. |
| - | < | + | < |
| - | COBEL: Are you sure you're okay? | + | Cobel: Are you sure you’re okay? |
| - | < | + | < |
| - | MARK: Yes. I'm sorry, I just... I got a little woozy and then... I'm gonna stop by the bathroom. | + | Mark: Yes. I’m sorry, I just... I got a little woozy and then... I’m gonna stop by the bathroom. |
| - | < | + | < |
| - | COBEL: Uh-uh. I think it's the other way. | + | Cobel: Uh-uh. I think it’s the other way. |
| - | < | + | < |
| - | MARK: Right. | + | Mark: Right. |
| - | < | + | < |
| - | I don't know if I hate | + | Natalie: |
| - | senators or congressmen more. | + | |
| - | 12 | + | < |
| - | < | + | Natalie: |
| - | How many of those have you had? | + | |
| - | 13 | + | < |
| - | < | + | Helly: |
| - | Just this one. | + | |
| - | 14 | + | < |
| - | < | + | Natalie: |
| - | Good. We need you nimble. We gotta | + | |
| - | get down there. You're on in 20. | + | |
| - | 15 | + | < |
| - | < | + | Natalie: |
| - | I was on with the Board earlier. | + | |
| - | They're really grateful for this. | + | |
| - | 16 | + | < |
| - | < | + | Natalie: |
| - | - Gabby. | + | Gabby: |
| - | - Natalie, hello. | + | |
| - | 17 | + | < |
| - | < | + | Gabby: |
| - | Hi. | + | |
| - | 18 | + | < |
| - | < | + | Natalie: |
| - | Gabby, this is Helena Eagan. | + | |
| - | 19 | + | < |
| - | < | + | Gabby: |
| - | My gosh. Helena, so good | + | |
| - | to finally meet you. | + | |
| - | 20 | + | < |
| - | < | + | Helly: |
| - | Likewise. | + | |
| - | 21 | + | < |
| - | < | + | Dylan: |
| - | This better be | + | |
| - | working, assholes. | + | |
| - | 22 | + | < |
| - | < | + | Mark: Where am I? Where am I? |
| - | Where am I? | + | |
| - | 23 | + | < |
| - | < | + | Devon: Mark. You okay, milady? |
| - | Where am I? | + | |
| - | 24 | + | < |
| - | < | + | Devon: So, Rebeck smells weird. |
| - | Mark. You okay, milady? | + | |
| - | 25 | + | < |
| - | < | + | Mark: Rebeck smells weird? |
| - | So Rebeck smells weird. | + | |
| - | 26 | + | < |
| - | < | + | Devon: Yeah, she was making chewing noises, but she was not chewing. Just be prepared ’cause you might have to share a book with her. |
| - | Rebeck smells weird? | + | |
| - | 27 | + | < |
| - | < | + | Mark: A book, right. |
| - | Yeah, she was making chewing | + | |
| - | noises, but she was not chewing. | + | |
| - | 28 | + | < |
| - | < | + | Devon: The one you forgot |
| - | Just be prepared ' | + | |
| - | have to share a book with her. | + | |
| - | 29 | + | < |
| - | < | + | Mark: Right. Yeah, I’m sure... Sorry. |
| - | A book, right. | + | |
| - | 30 | + | < |
| - | < | + | Devon: That’s okay. Okay. Okay. |
| - | The one you forgot to bring | + | |
| - | even though I did remind you. | + | |
| - | 31 | + | < |
| - | < | + | Mark: How’s our baby? |
| - | Right. Yeah, I'm sure... Sorry. | + | |
| - | 32 | + | < |
| - | < | + | Devon: Our... I’m gonna assume you mean that in the "it takes a village" |
| - | That's okay. | + | |
| - | 33 | + | < |
| - | < | + | Devon: I wanna have the life change talk. I just need to pump before I die. |
| - | Okay. | + | |
| - | 34 | + | < |
| - | < | + | Devon: I’ll be really fast. Okay. |
| - | Okay. | + | Mark: Okay. |
| - | 35 | + | < |
| - | < | + | Irving: Hey. Hi. Hi. |
| - | How's our baby? | + | |
| - | 36 | + | < |
| - | < | + | Irving: "Radar." |
| - | Our... I'm gonna assume you mean that | + | |
| - | in the "it takes a village" | + | |
| - | 37 | + | < |
| - | < | + | Patton: What’s the thesis? |
| - | And she's good. She's hungry. | + | |
| - | 38 | + | < |
| - | < | + | Danise: |
| - | I wanna have the life change talk. | + | |
| - | I just need to pump before I die. | + | |
| - | 39 | + | < |
| - | < | + | Patton: Mark, hello. |
| - | - I'll be really fast. Okay. | + | |
| - | - Okay. | + | |
| - | 40 | + | < |
| - | < | + | Mark: Hey, guys. What’s up? |
| - | Hey. Hi. Hi. | + | |
| - | 41 | + | < |
| - | < | + | Danise: Patton, no. |
| - | "Radar." | + | Patton: Mark, |
| - | 42 | + | < |
| - | < | + | Patton: we were just discussing whether it might have been a wiser move for your sister to put off introducing |
| - | What' | + | |
| - | 43 | + | < |
| - | < | + | Danise: Mark, you don’t have to weigh in on that. |
| - | I agree. It's very confused. | + | |
| - | 44 | + | < |
| - | < | + | Patton: Obviously the child is an absolute angel. |
| - | Mark, hello. | + | Mark: Wait... That’s my sister? With the baby? |
| - | 45 | + | < |
| - | < | + | Danise: Exactly, it’s his sister. |
| - | Hey, guys. What's up? | + | |
| - | 46 | + | < |
| - | < | + | Mark: Excuse me. |
| - | - Patton, no. | + | Danise: Sure. |
| - | - Mark, | + | |
| - | 47 | + | < |
| - | < | + | Danise: Well, that was awkward. |
| - | we were just discussing whether | + | |
| - | it might have been a wiser move | + | |
| - | 48 | + | < |
| - | < | + | Mark: Okay, so my sister |
| - | for your sister | + | |
| - | the child until after tonight' | + | |
| - | 49 | + | < |
| - | < | + | Rebeck: I’ve been asked to share my book with you. |
| - | Mark, you don't have | + | |
| - | to weigh in on that. | + | |
| - | 50 | + | < |
| - | < | + | Mark: So I’ve heard. Rebecca? |
| - | - Obviously the child is an absolute angel. | + | |
| - | - Wait... That's my sister? With the baby? | + | |
| - | 51 | + | < |
| - | < | + | Rebeck: Rebeck. I have small eyes, so I have to read pretty close. |
| - | Exactly, it's his sister. | + | |
| - | 52 | + | < |
| - | < | + | Mark: Okay. Well, I’m...I’m sure that’ll be fine. If you’ll excuse me? |
| - | - Excuse me. | + | |
| - | - Sure. | + | |
| - | 53 | + | < |
| - | < | + | Rebeck: And I have some sores on the back of my head from my bird. |
| - | Well, that was awkward. | + | |
| - | 54 | + | < |
| - | < | + | Rebeck: You might see them. |
| - | Okay, so my sister has the | + | Mark: Okay. |
| - | baby. And Cobel is here? | + | |
| - | 55 | + | < |
| - | < | + | Mark: Hey. |
| - | I've been asked to | + | |
| - | share my book with you. | + | |
| - | 56 | + | < |
| - | < | + | Devon: Hello, Mark. |
| - | So I've heard. Rebecca? | + | |
| - | 57 | + | < |
| - | < | + | Devon: |
| - | Rebeck. | + | |
| - | I have to read pretty close. | + | |
| - | 58 | + | < |
| - | < | + | Mark: We’re, this is gonna sound weird... We’re close, you and I? |
| - | Okay. Well, I'm... | + | |
| - | 59 | + | < |
| - | < | + | Devon: What do you... What’s going on? |
| - | I'm sure that' | + | |
| - | If you'll excuse me? | + | |
| - | 60 | + | < |
| - | < | + | Mark: Can we talk privately? |
| - | And I have some sores on the | + | |
| - | back of my head from my bird. | + | |
| - | 61 | + | < |
| - | < | + | Mark: I just have to... |
| - | - You might see them. | + | Ricken: |
| - | - Okay. | + | |
| - | 62 | + | < |
| - | < | + | Ricken: we are nearing that hour, so if you’d all peacefully waft in the living room… |
| - | Hey. | + | |
| - | 63 | + | < |
| - | < | + | Devon: Okay. Let’s talk at the first reflection break. |
| - | Hello, Mark. | + | |
| - | 64 | + | < |
| - | < | + | Devon: |
| - | I pumped, so it's Miller time. Okay, | + | Mark: Okay. |
| - | so life change. What's happening? | + | |
| - | 65 | + | < |
| - | < | + | Gabby: You just don’t realize how much kids are gonna change your life. But they do. |
| - | We're, this is | + | |
| - | gonna sound weird… | + | |
| - | 66 | + | < |
| - | < | + | Helly: How many kids do you have? |
| - | We're close, | + | Gabby: Just gave birth to my third. I should’ve stopped at two. |
| - | 67 | + | < |
| - | < | + | Angelo: Hey, there you are. |
| - | What do you... What's going on? | + | Gabby: Hey. |
| - | 68 | + | < |
| - | < | + | Natalie: Angelo, great to see you. |
| - | Can we talk privately? | + | Angelo: You too. |
| - | 69 | + | < |
| - | < | + | Gabby: Helena, this is my husband, Angelo Arteta. |
| - | - I just have to... | + | |
| - | - Okay, my dearest ones, | + | |
| - | 70 | + | < |
| - | < | + | Angelo: Helena, nice to meet you. |
| - | we are nearing that hour, | + | |
| - | 71 | + | < |
| - | < | + | Natalie: I’ve gotta hop backstage. |
| - | so if you'd all peacefully | + | |
| - | waft in the living room… | + | |
| - | 72 | + | < |
| - | < | + | Natalie: I’ll see you in a second. |
| - | Okay. Let's talk at the | + | Helly: Okay. |
| - | first reflection break. | + | |
| - | 73 | + | < |
| - | < | + | Angelo: Lovely to see you, Natalie. |
| - | - Okay? | + | |
| - | - Okay. | + | |
| - | 74 | + | < |
| - | < | + | Angelo: |
| - | You just don't realize how much | + | Gabby: She couldn’t find the bottle. |
| - | kids are gonna change your life. | + | |
| - | 75 | + | < |
| - | < | + | Helly: Wow. Three kids. |
| - | But they do. | + | |
| - | 76 | + | < |
| - | < | + | Gabby: Couldn’t |
| - | - How many kids do you have? | + | |
| - | - Just gave birth to my third. | + | |
| - | 77 | + | < |
| - | < | + | Gabby: |
| - | I should' | + | |
| - | 78 | + | < |
| - | < | + | Helly: I know. |
| - | - Hey, there you are. | + | |
| - | - Hey. | + | |
| - | 79 | + | < |
| - | < | + | Angelo: The photo display is very moving. I already knew how I’d be voting, but I think... |
| - | - Angelo, | + | |
| - | - You too. | + | |
| - | 80 | + | < |
| - | < | + | Angelo: Well, seeing that and seeing you and hearing what you have to say, all of this could really make a difference. |
| - | Helena, this is my | + | |
| - | husband, Angelo Arteta. | + | |
| - | 81 | + | < |
| - | < | + | Helly: I hope so. |
| - | Helena, nice to meet you. | + | |
| - | 82 | + | < |
| - | < | + | Angelo: Let’s change some minds. |
| - | I've gotta hop backstage. | + | |
| - | 83 | + | < |
| - | < | + | Helly: Well, I’m certainly gonna try. |
| - | - I'll see you in a second. | + | |
| - | - Okay. | + | |
| - | 84 | + | < |
| - | < | + | Angelo: Thank you. And please thank your father if you see him. |
| - | Lovely to see you, Natalie. | + | |
| - | 85 | + | < |
| - | < | + | Helly: I will. |
| - | - You okay? | + | |
| - | - She couldn' | + | |
| - | 86 | + | < |
| - | < | + | Rebeck: Mark. Come here. Saved us a seat. |
| - | Wow. Three kids. | + | |
| - | 87 | + | < |
| - | < | + | Rebeck: I just have to find my glasses. |
| - | Couldn' | + | |
| - | without a little help. | + | |
| - | 88 | + | < |
| - | < | + | Rebeck: Mark, can you just hold that for a second? |
| - | I mean, the idea that people | + | |
| - | would want to outlaw severance. | + | |
| - | 89 | + | < |
| - | < | + | Mark: Yeah. |
| - | I know. | + | |
| - | 90 | + | < |
| - | < | + | Mark: Oh, my God. |
| - | The photo display | + | |
| - | is very moving. | + | |
| - | 91 | + | < |
| - | < | + | Ricken: Sorry, you can’t unring the bell-ringing app apparently. |
| - | I already knew how I'd | + | |
| - | be voting, but I think... | + | |
| - | 92 | + | < |
| - | < | + | Ricken: Okay. Thank you all for being here. |
| - | Well, seeing that and seeing you | + | |
| - | and hearing what you have to say, | + | |
| - | 93 | + | < |
| - | < | + | Ricken: Before we start, there is one person that I would like to thank first and foremost. Family is both my bedrock and my inspiration. So I dedicate the reading to my firstborn daughter, who is here tonight. Eleanor, I love you. |
| - | all of this could really | + | |
| - | make a difference. | + | |
| - | 94 | + | < |
| - | < | + | Mark: My brother-in-law. |
| - | I hope so. | + | |
| - | 95 | + | < |
| - | < | + | Ricken: And with that… I begin. |
| - | Let's change some minds. | + | |
| - | 96 | + | < |
| - | < | + | Ricken: " |
| - | Well, I'm certainly gonna try. | + | |
| - | 97 | + | < |
| - | < | + | Ricken: " |
| - | Thank you. | + | Cobel: Mark. |
| - | 98 | + | < |
| - | < | + | Cobel: Can I look at her book too? |
| - | And please thank your | + | |
| - | father if you see him. | + | |
| - | 99 | + | < |
| - | < | + | Cobel: |
| - | I will. | + | |
| - | 100 | + | < |
| - | < | + | Ricken: " |
| - | Mark. Come here. | + | Mark: Sure. |
| - | 101 | + | < |
| - | < | + | Ricken: " |
| - | Saved us a seat. | + | |
| - | 102 | + | < |
| - | < | + | Angelo: Good luck tonight. |
| - | I just have to find my glasses. | + | |
| - | 103 | + | < |
| - | < | + | Gabby: It was great to meet you, Helena. |
| - | Mark, can you just hold that | + | |
| - | 104 | + | < |
| - | < | + | Ricken: "How can *you* mean different things to millions of readers around |
| - | - for a second? | + | |
| - | - Yeah. | + | |
| - | 105 | + | < |
| - | < | + | Ricken: "And perhaps, most importantly, |
| - | Oh, my God. | + | |
| - | 106 | + | < |
| - | < | + | Ricken: "All creatures, from the leaping cat to the cowering shrew, think of themselves as *you,* a logical center for the universe. Yet the cat eats the shrew, and we, like Schrödinger, |
| - | Sorry, you can't unring | + | |
| - | 107 | + | < |
| - | < | + | Ricken: Let’s all take a seven-minute reflection break and then come back. |
| - | the bell-ringing app apparently. | + | |
| - | 108 | + | < |
| - | < | + | Ricken: Balf. Prepare the neti pot. |
| - | Okay. Thank you | + | |
| - | all for being here. | + | |
| - | 109 | + | < |
| - | < | + | Rebeck: It was transformative. |
| - | Before we start, | + | |
| - | there is one person | + | |
| - | 110 | + | < |
| - | < | + | Rebeck: |
| - | that I would like to | + | |
| - | thank first and foremost. | + | |
| - | 111 | + | < |
| - | < | + | Cobel: What a wordsmith. He seemed to have a little something in his throat. |
| - | Family is both my bedrock | + | |
| - | and my inspiration. | + | |
| - | 112 | + | < |
| - | < | + | Mark: Oh, yeah. |
| - | So I dedicate the reading | + | Devon: Hey. |
| - | to my firstborn daughter, | + | |
| - | 113 | + | < |
| - | < | + | Devon: I’m gonna see if she’ll have more bottle. Give me a couple of minutes, then meet me in the baby room? |
| - | who is here tonight. | + | |
| - | 114 | + | < |
| - | < | + | Mark: Okay. |
| - | Eleanor, I love you. | + | Devon: Okay. |
| - | 115 | + | < |
| - | < | + | Mark: Excuse me. |
| - | My brother-in-law. | + | |
| - | 116 | + | < |
| - | < | + | Mark: Mr. Hale... Ricken? |
| - | And with that… I begin. | + | |
| - | 117 | + | < |
| - | < | + | Ricken: I don’t know why my voice shakes like that. I sound like a sad old hamburger waiter prattling on about sauces. |
| - | " | + | |
| - | 118 | + | < |
| - | < | + | Ricken: " |
| - | Wolfgang Mozart killed another boy | + | |
| - | by slamming his head in a piano. | + | |
| - | 119 | + | < |
| - | < | + | Mark: It’s going great. |
| - | Don't worry. | + | |
| - | 120 | + | < |
| - | < | + | Mark: I mean, the book is brilliant, and... |
| - | My research for this book | + | Ricken: Okay, Mark. |
| - | has proven the claim untrue. | + | |
| - | 121 | + | < |
| - | < | + | Ricken: Thank you, but you don’t have to say that. I’m well aware of how I come across to you. |
| - | As your heart rate | + | |
| - | settles though, | + | |
| - | 122 | + | < |
| - | < | + | Mark: What? No, I mean it. The... Your book, it... It opened up the world for me. |
| - | - " | + | |
| - | - Mark. | + | |
| - | 123 | + | < |
| - | < | + | Ricken: Mark, are you okay? |
| - | Can I look at her book too? | + | |
| - | 124 | + | < |
| - | < | + | Mark: Yes. This book changed my whole life. |
| - | I can crane. | + | |
| - | 125 | + | < |
| - | < | + | Ricken: You actually read it? |
| - | - " | + | |
| - | - Sure. | + | |
| - | 126 | + | < |
| - | < | + | Mark: Ricken, are we friends? |
| - | " | + | |
| - | 127 | + | < |
| - | < | + | Ricken: Look, I know I sometimes make you feel "less than" |
| - | But what, indeed, is 'you'?" | + | |
| - | 128 | + | < |
| - | < | + | Ricken: You had to deal with Gemma’s passing in a way that was best for you. |
| - | Good luck tonight. | + | |
| - | 129 | + | < |
| - | < | + | Ricken: You know, I was scrolling through old pictures this morning, and I found one of the four of us on the crest hike. |
| - | It was great to | + | |
| - | meet you, Helena. | + | |
| - | 130 | + | < |
| - | < | + | Ricken: You remember the funny bees? |
| - | "How can ' | + | Mark: Do you have that on you? The picture? |
| - | different things | + | |
| - | 131 | + | < |
| - | < | + | Ricken: Yeah, sure. I should. |
| - | to millions of readers | + | |
| - | around a vast Earth? | + | |
| - | 132 | + | < |
| - | < | + | Balf: Ricken. The neti pot is warm. |
| - | "And perhaps, most | + | Ricken: Thank you, Balf. |
| - | importantly, who are you?" | + | |
| - | 133 | + | < |
| - | < | + | Ricken: Mark, I need to flush my sinuses. But thank you. You have no idea how much this has meant to me. |
| - | "All creatures, | + | |
| - | from the leaping cat | + | |
| - | 134 | + | < |
| - | < | + | Cobel: Mark, I was worried about you. |
| - | to the cowering shrew, | + | |
| - | 135 | + | < |
| - | < | + | Mark: I’m fine. Thanks. I’m just going to check on my sister. |
| - | think of themselves as 'you, ' a | + | |
| - | logical center for the universe. | + | |
| - | 136 | + | < |
| - | < | + | Cobel: When you hugged me before, you suddenly became tense. What was that? |
| - | Yet the cat eats the shrew, | + | |
| - | and we, like Schrödinger, | + | |
| - | 137 | + | < |
| - | < | + | Mark: I didn’t know I did. |
| - | "live on to wonder | + | |
| - | what it means." | + | |
| - | 138 | + | < |
| - | < | + | Cobel: Well, you did. You’re tense now. |
| - | End of chapter. | + | |
| - | 139 | + | < |
| - | < | + | Mark: Yeah, sorry, it’s just parties. |
| - | Let's all take a | + | |
| - | 140 | + | < |
| - | < | + | Cobel: Did you mean what you said before? About your plans. |
| - | seven-minute reflection | + | |
| - | break and then come back. | + | |
| - | 141 | + | < |
| - | < | + | Mark: Of course. |
| - | Balf. Prepare the neti pot. | + | |
| - | 142 | + | < |
| - | < | + | Cobel: Tell me more. |
| - | It was transformative. | + | |
| - | 143 | + | < |
| - | < | + | Mark: You know, I’m so sorry. I’m just...I’m on uncle duty for my sister. So I’ll be right back. |
| - | I'm gonna have to | + | |
| - | change | + | |
| - | 144 | + | < |
| - | < | + | Mark: Okay? |
| - | What a wordsmith. He seemed to have | + | Cobel: Okay. |
| - | a little something in his throat. | + | |
| - | 145 | + | < |
| - | < | + | Mark: Okay. Thanks, Ms. Cobel. |
| - | - Oh, yeah. | + | |
| - | - Hey. | + | |
| - | 146 | + | < |
| - | < | + | Devon: |
| - | I'm gonna see if she'll | + | Mark: Hey, I really need to talk to you. |
| - | have more bottle. | + | |
| - | 147 | + | < |
| - | < | + | Devon: No, I know. I just have to deal with her. She’s having |
| - | Give me a couple of minutes, | + | |
| - | then meet me in the baby room? | + | |
| - | 148 | + | < |
| - | < | + | Mark: Okay, I’ll just... Wait. Okay. |
| - | - Okay. | + | Devon: I promise I’ll be back. |
| - | - Okay. | + | |
| - | 149 | + | < |
| - | < | + | Devon: Thank God, Mrs. Selvig. Hi. Can you take her for a sec while I talk to Mark? |
| - | Excuse me. | + | |
| - | 150 | + | < |
| - | < | + | Cobel: Of course, love. |
| - | Mr. Hale... Ricken? | + | Devon: Thank you. |
| - | 151 | + | < |
| - | < | + | Cobel: Is Mark all right? |
| - | I don't know why my | + | Devon: Yeah, he’s fine. |
| - | voice shakes like that. | + | |
| - | 152 | + | < |
| - | < | + | Devon: Thank you, you’re an angel. |
| - | I sound like a sad | + | |
| - | old hamburger waiter | + | |
| - | 153 | + | < |
| - | < | + | Devon: Okay… I’m all yours. |
| - | prattling on about sauces. | + | |
| - | 154 | + | < |
| - | < | + | Helly: My name is Helena, and I’m an Eagan. |
| - | " | + | |
| - | What the fuck is that? | + | |
| - | 155 | + | < |
| - | < | + | Helly: So, one of the things you learn growing up as an Eagan is that the workers are our family. And I remember being confused about that as a kid, because I thought that meant I had a few hundred thousand literal brothers and sisters scattered around the world. Oh, my God. |
| - | Jesus, why do I ever | + | |
| - | open my buffoon mouth? | + | |
| - | 156 | + | < |
| - | < | + | Helly: But as I grew older, I learned that it’s about shared ideals. My dad used to make me recite the nine Core Principles before bed every night, which I can’t say I always did happily. Sorry, Dad. |
| - | It's going great. | + | |
| - | 157 | + | < |
| - | < | + | Helly: But those are now the values that I share with everyone who works at Lumon, and that’s what makes them my family. And I would never ever ask them to do anything that I’m not willing or excited to do myself. |
| - | - I mean, the book is brilliant, and... | + | |
| - | - Okay, Mark. | + | |
| - | 158 | + | < |
| - | < | + | Helly: Look, my dad would love for me to sit here and say that I’m taking this job out of loyalty and that it was the spirit of Kier Eagan calling me to service. |
| - | Thank you, but you | + | |
| - | don't have to say that. | + | |
| - | 159 | + | < |
| - | < | + | Helly: But I took a severed job because it sounds freaking awesome. |
| - | I'm well aware of how | + | |
| - | I come across to you. | + | |
| - | 160 | + | < |
| - | < | + | Helly: So, no, I don’t think severance divides us. I think it brings us together. |
| - | What? No, I mean it. | + | |
| - | 161 | + | < |
| - | < | + | Milchick (voicemail): |
| - | The... Your book, it... It | + | |
| - | opened up the world for me. | + | |
| - | 162 | + | < |
| - | < | + | Cobel: Goddamn it, Milchick! |
| - | Mark, are you okay? | + | |
| - | 163 | + | < |
| - | < | + | Event Coordinator: |
| - | Yes. This book | + | |
| - | changed my whole life. | + | |
| - | 164 | + | < |
| - | < | + | Jame: Helena. |
| - | You actually read it? | + | |
| - | 165 | + | < |
| - | < | + | Jame: You look so nice. Like a film. |
| - | Ricken, are we friends? | + | |
| - | 166 | + | < |
| - | < | + | Helly: Thank you. |
| - | Look, I know I sometimes | + | |
| - | make you feel "less than" | + | |
| - | 167 | + | < |
| - | < | + | Jame: Are you...Are you still in pain? |
| - | for having had the procedure. | + | |
| - | 168 | + | < |
| - | < | + | Helly: |
| - | And I regret that. | + | |
| - | 169 | + | < |
| - | < | + | Jame: I cried in my bed when they told me what she tried to do to you. What that Innie tried to do. I... |
| - | You had to deal with Gemma' | + | |
| - | in a way that was best for you. | + | |
| - | 170 | + | < |
| - | < | + | Jame: Thank you for going through |
| - | You know, I was scrolling | + | |
| - | old pictures | + | |
| - | 171 | + | < |
| - | < | + | Jame: Are you feeling well? |
| - | and I found one of the four | + | |
| - | of us on the crest hike. | + | |
| - | 172 | + | < |
| - | < | + | Helly: Yeah. I think, I think the drink just hit me a little bit. |
| - | - You remember | + | |
| - | - Do you have that on you? The picture? | + | |
| - | 173 | + | < |
| - | < | + | Jame: You’ll be all right for the speech? |
| - | Yeah, sure. I should. | + | |
| - | 174 | + | < |
| - | < | + | Helly: For my speech. Yeah. Of course. |
| - | - Ricken. The neti pot is warm. | + | |
| - | - Thank you, Balf. | + | |
| - | 175 | + | < |
| - | < | + | Jame: Do you remember when I brought home the first chip to show you? The prototype. It had the blue and green lights back then. |
| - | Mark, I need to | + | |
| - | flush my sinuses. | + | |
| - | 176 | + | < |
| - | < | + | Helly: Yeah. |
| - | But thank you. You have no idea | + | |
| - | how much this has meant to me. | + | |
| - | 177 | + | < |
| - | < | + | Jame: I remember |
| - | Mark, I was worried about you. | + | |
| - | 178 | + | < |
| - | < | + | Jame: They will. Because of you. They’ll all be Kier’s children. |
| - | I'm fine. Thanks. | + | |
| - | 179 | + | < |
| - | < | + | Natalie: Mr. Eagan. Helena. It’s time to head to stage. |
| - | I'm just going to | + | |
| - | check on my sister. | + | |
| - | 180 | + | < |
| - | < | + | Helly: Forgive |
| - | When you hugged | + | |
| - | suddenly became tense. What was that? | + | |
| - | 181 | + | < |
| - | < | + | Devon: You swear you’re not fucking with me? |
| - | I didn't know I did. | + | |
| - | 182 | + | < |
| - | < | + | Mark: I swear. |
| - | Well, you did. You're tense now. | + | |
| - | 183 | + | < |
| - | < | + | Devon: This is so insane. |
| - | Yeah, sorry, it's just parties. | + | |
| - | 184 | + | < |
| - | < | + | Mark: They need to send people down to check every inch of that place. Like, inspectors or whatever. Is that a thing? Inspectors? |
| - | Did you mean what | + | |
| - | you said before? | + | |
| - | 185 | + | < |
| - | < | + | Devon: Yeah. There are inspectors. |
| - | About your plans. | + | |
| - | 186 | + | < |
| - | < | + | Devon: Mark has b... I mean, out here, you have been trying to figure out what Lumon does. What you do. |
| - | Of course. | + | |
| - | 187 | + | < |
| - | < | + | Mark: Okay. I just...I just want to know why. Why he put me in there. |
| - | Tell me more. | + | |
| - | 188 | + | < |
| - | < | + | Devon: He lost his wife. You lost your wife. A little before you started at Lumon. |
| - | You know, I'm so sorry. I'm just... | + | |
| - | I'm on uncle duty for my sister. | + | |
| - | 189 | + | < |
| - | < | + | Mark: Gemma. |
| - | So I'll be right back. | + | |
| - | 190 | + | < |
| - | < | + | Devon: It was a car accident, and, at first, you tried to keep teaching. |
| - | - Okay? | + | |
| - | - Okay. | + | |
| - | 191 | + | < |
| - | < | + | Mark: I was a teacher? |
| - | Okay. Thanks, Ms. Cobel. | + | |
| - | 192 | + | < |
| - | < | + | Devon: A professor. Of history. You tried to go back to teaching three weeks after she died, and it was a disaster. She was just still in your veins, you know? Making everything hurt. |
| - | - I know. Hey, there you are. | + | |
| - | - Hey, I really need to talk to you. | + | |
| - | 193 | + | < |
| - | < | + | Devon: Which is why I guess you thought the severed job would... |
| - | No, I know. I just have to deal | + | |
| - | with her. She's having a meltdown. | + | |
| - | 194 | + | < |
| - | < | + | Devon: He hoped you’d be spared from the pain. |
| - | But just meet me in there, okay? | + | |
| - | 195 | + | < |
| - | < | + | Mark: It’s a nice name. Gemma. |
| - | - Okay, I'll just... Wait. Okay. | + | |
| - | - I promise I'll be back. | + | |
| - | 196 | + | < |
| - | < | + | Devon: Yeah. |
| - | Thank God, Mrs. Selvig. Hi. | + | |
| - | 197 | + | < |
| - | < | + | Devon: We were all really close. It was great. |
| - | Can you take her for a | + | |
| - | sec while I talk to Mark? | + | |
| - | 198 | + | < |
| - | < | + | Devon: She was wonderful. She made you wonderful. |
| - | - Of course, love. | + | |
| - | - Thank you. | + | |
| - | 199 | + | < |
| - | < | + | Milchick: They told me not to talk to you. |
| - | - Is Mark all right? | + | |
| - | - Yeah, he's fine. | + | |
| - | 200 | + | < |
| - | < | + | Cobel: The goddamn OTC’s been triggered! Mark S. is his fucking Innie! |
| - | Thank you, you're an angel. | + | |
| - | 201 | + | < |
| - | < | + | Milchick: What? That’s not possible. |
| - | Okay… I'm all yours. | + | |
| - | 202 | + | < |
| - | < | + | Cobel: It’s Dylan. They’ve been plotting this all along. |
| - | My name is Helena, | + | |
| - | and I'm an Eagan. | + | |
| - | 203 | + | < |
| - | < | + | Milchick: Helly’s at the gala. |
| - | So one of the things you | + | |
| - | learn growing up as an Eagan | + | |
| - | 204 | + | < |
| - | < | + | Cobel: I’ll take care of Helly. I’ll fix it like I fix everything. Get to the Security Office, and shut it off now! |
| - | is that the workers | + | |
| - | are our family. | + | |
| - | 205 | + | < |
| - | < | + | Milchick: Shit! |
| - | And I remember being | + | |
| - | confused about that as a kid, | + | |
| - | 206 | + | < |
| - | < | + | Milchick: Goddamn it! Dylan! Dylan! |
| - | because I thought that meant | + | |
| - | 207 | + | < |
| - | < | + | Milchick: |
| - | I had a few hundred thousand | + | |
| - | literal brothers and sisters | + | |
| - | 208 | + | < |
| - | < | + | Dylan: Fuck you, Mr. Milchick! |
| - | scattered around the world. | + | |
| - | 209 | + | < |
| - | < | + | Milchick: Dylan! Dylan! |
| - | Oh, my God. | + | |
| - | 210 | + | < |
| - | < | + | Devon: |
| - | But as I grew older, I learned | + | |
| - | that it's about shared ideals. | + | |
| - | 211 | + | < |
| - | < | + | Mark: And you think that’s better than the police? |
| - | My dad used to make me recite | + | |
| - | the nine core principles | + | |
| - | 212 | + | < |
| - | < | + | Devon: Well, Lumon has their hands in so many pies. Sorry, do you understand metaphor? |
| - | before bed every night, | + | |
| - | 213 | + | < |
| - | < | + | Mark: Yeah, hands in pies. I get it. |
| - | which I can't say I always | + | |
| - | did happily. Sorry, Dad. | + | |
| - | 214 | + | < |
| - | < | + | Devon: |
| - | But those are now the values that I | + | |
| - | share with everyone | + | |
| - | 215 | + | < |
| - | < | + | Mark: Okay. |
| - | and that's what | + | Devon: How much time do you have? |
| - | makes them my family. | + | |
| - | 216 | + | < |
| - | < | + | Mark: I don’t know. Maybe an hour? |
| - | And I would never ever | + | |
| - | ask them to do anything | + | |
| - | 217 | + | < |
| - | < | + | Devon: Right. Because once your bosses find out… |
| - | that I'm not willing or | + | |
| - | excited to do myself. | + | |
| - | 218 | + | < |
| - | < | + | Mark: Jesus, I totally forgot. Cobel! Why is Cobel here? |
| - | Look, my dad would | + | |
| - | love for me to sit here | + | |
| - | 219 | + | < |
| - | < | + | Devon: What? |
| - | and say that I'm taking | + | |
| - | this job out of loyalty | + | |
| - | 220 | + | < |
| - | < | + | Mark: My boss from Lumon. Ms. Cobel. She’s at this party. |
| - | and that it was the spirit of | + | |
| - | pure Eagan calling me to service. | + | |
| - | 221 | + | < |
| - | < | + | Devon: What are you talking about? |
| - | But I took a severed job because | + | |
| - | it sounds freaking awesome. | + | |
| - | 222 | + | < |
| - | < | + | Mark: I mean, she’s dressed different. Kind of a flowy, purple outfit, silver hair. |
| - | So, no, I don't think | + | |
| - | severance divides us. | + | |
| - | 223 | + | < |
| - | < | + | Devon: Mark, are you talking about Mrs. Selvig? |
| - | I think it brings us together. | + | |
| - | 224 | + | < |
| - | < | + | Mark: Maybe, but her name is Harmony Cobel. |
| - | Greetings. | + | |
| - | 225 | + | < |
| - | < | + | Devon: And she works at Lumon? |
| - | - I'm not here right now. | + | |
| - | - Goddamn it, Milchick! | + | |
| - | 226 | + | < |
| - | < | + | Mark: Yeah, she’s my boss. |
| - | Helena. | + | |
| - | 227 | + | < |
| - | < | + | Devon: Jesus fucking Christ. |
| - | She's in here, sir. | + | |
| - | 228 | + | < |
| - | < | + | Milchick: Dylan. Why are you doing this, man? |
| - | Helena. | + | |
| - | 229 | + | < |
| - | < | + | Milchick: Come on. You are the Refiner of the Quarter! |
| - | You look so nice. | + | |
| - | 230 | + | < |
| - | < | + | Ricken: "While most cultures view sex as ugly or foul, I’ve always seen it..." |
| - | Like a film. | + | |
| - | 231 | + | < |
| - | < | + | Devon: Mrs. Selvig? |
| - | Thank you. | + | |
| - | 232 | + | < |
| - | < | + | Ricken: What? |
| - | Are you… | + | Devon: Is she there? Is Mrs. Selvig there? |
| - | 233 | + | < |
| - | < | + | Devon: Do you... |
| - | Are you still in pain? | + | Ricken: What? |
| - | 234 | + | < |
| - | < | + | Devon: Mrs. Selvig? |
| - | I'm not. | + | |
| - | 235 | + | < |
| - | < | + | Ricken: What is going on? |
| - | Not anymore. | + | Devon: She has Eleanor! |
| - | 236 | + | < |
| - | < | + | Ricken: What? Excuse |
| - | I cried in my bed when they told | + | |
| - | me what she tried to do to you. | + | |
| - | 237 | + | < |
| - | < | + | Devon: Mrs. Selvig has Eleanor. Did you see her? |
| - | What that innie | + | |
| - | tried to do. I... | + | |
| - | 238 | + | < |
| - | < | + | Devon: Oh, my God. |
| - | Thank you for going | + | Ricken: What is going on? |
| - | through with this. | + | |
| - | 239 | + | < |
| - | < | + | Devon: Oh, my God. Her car’s gone. |
| - | The Grandfather would | + | |
| - | cherish what you've done. | + | |
| - | 240 | + | < |
| - | < | + | Devon: I gave her the baby, and she left! |
| - | And one day you will sit | + | |
| - | with me at my revolving. | + | |
| - | 241 | + | < |
| - | < | + | Ricken: She left? With Eleanor? |
| - | Are you feeling well? | + | Devon: I handed her the baby, |
| - | 242 | + | < |
| - | < | + | Devon: and she left! |
| - | Yeah. | + | |
| - | 243 | + | < |
| - | < | + | Ricken: Have we looked everywhere? |
| - | I think, I think the drink | + | Devon: Not yet! |
| - | just hit me a little bit. | + | |
| - | 244 | + | < |
| - | < | + | Ricken: Okay, let’s go inside and look. |
| - | You'll be all right | + | |
| - | for the speech? | + | |
| - | 245 | + | < |
| - | < | + | Devon: Oh, my God! |
| - | For my speech. Yeah. Of course. | + | |
| - | 246 | + | < |
| - | < | + | Milchick: |
| - | Do you remember when I brought | + | |
| - | home the first chip to show you? | + | |
| - | 247 | + | < |
| - | < | + | Milchick: Hey, there’s stuff you don’t even know about. There’s paintball, there’s coffee cozies. |
| - | The prototype. | + | |
| - | 248 | + | < |
| - | < | + | Milchick: Dylan, come on! |
| - | It had the blue and | + | |
| - | green lights back then. | + | |
| - | 249 | + | < |
| - | < | + | Milchick: Just say the word, and I’ll get you a coffee cozy literally right now, Dylan. |
| - | Yeah. | + | |
| - | 250 | + | < |
| - | < | + | Milchick: Come on, man! |
| - | I remember you said to me, | + | |
| - | " | + | |
| - | 251 | + | < |
| - | < | + | Dylan: I wanna remember my fucking kid being born! |
| - | " | + | |
| - | world should get one." | + | |
| - | 252 | + | < |
| - | < | + | Milchick: You have two others. I can tell you about ’em. Open the door, and I’ll tell you their names. |
| - | They will. | + | |
| - | 253 | + | < |
| - | < | + | Milchick: Come on, Dylan. Dylan! |
| - | Because of you. | + | |
| - | 254 | + | < |
| - | < | + | Valet: It’s rolling. |
| - | They' | + | |
| - | 255 | + | < |
| - | < | + | Helly (on video): My name is Helena, and I’m an Eagan. So one of the things you learn growing up as an Eagan is that the workers… |
| - | Mr. Eagan. Helena. It's | + | |
| - | time to head to stage. | + | |
| - | 256 | + | < |
| - | < | + | Event Coordinator: |
| - | Forgive me for the harm | + | Natalie: Thanks. |
| - | I've caused this world. | + | |
| - | 257 | + | < |
| - | < | + | Event Coordinator: |
| - | None may atone for | + | |
| - | my actions… but me. | + | |
| - | 258 | + | < |
| - | < | + | Natalie: I’ll tee you up. Just stick to the talking points. Use the line about how you see your Innie as your sister. |
| - | And only in me shall | + | |
| - | their stain live on. | + | |
| - | 259 | + | < |
| - | < | + | Natalie: They’ll love that. |
| - | All I can be is sorry. | + | Helly: Got it. |
| - | 260 | + | < |
| - | < | + | Natalie: It’s gonna be great. |
| - | And that is all I am. | + | |
| - | 261 | + | < |
| - | < | + | Patton: She’s |
| - | You swear you' | + | |
| - | not fucking with me? | + | |
| - | 262 | + | < |
| - | < | + | Mark: Have all these rooms been checked? |
| - | I swear. | + | |
| - | 263 | + | < |
| - | < | + | Patton: Thank God. |
| - | This is so insane. | + | |
| - | 264 | + | < |
| - | < | + | Patton: Devon! I got her! Devon, she’s here! I found her. I found your child. I’m the one who found her! |
| - | They need to send people down to | + | |
| - | check every inch of that place. | + | |
| - | 265 | + | < |
| - | < | + | Milchick: Dylan! Dylan! |
| - | Like, inspectors or whatever. | + | |
| - | Is that a thing? Inspectors? | + | |
| - | 266 | + | < |
| - | < | + | Natalie: …improvements in morale, a happier workplace. |
| - | Yeah. There are inspectors. | + | |
| - | 267 | + | < |
| - | < | + | Natalie: As with any transformative technology, there have been setbacks. Bumps in the road. |
| - | Mark has b... I mean, out here, | + | |
| - | 268 | + | < |
| - | < | + | Natalie: But I’m here tonight to tell you that we are on the verge of a revolution. A kind and empathetic revolution that puts the human being at the center of industry... |
| - | you have been trying to figure | + | |
| - | out what Lumon does. What you do. | + | |
| - | 269 | + | < |
| - | < | + | Helly: Oh, my God! |
| - | Okay. | + | Cobel: Is it you? |
| - | 270 | + | < |
| - | < | + | Helly: What are you talking about? |
| - | I just… | + | |
| - | 271 | + | < |
| - | < | + | Cobel: It is you, isn’t it? |
| - | I just want to know why. | + | |
| - | 272 | + | < |
| - | < | + | Helly: I’m gonna kill your company. |
| - | Why he put me in there. | + | |
| - | 273 | + | < |
| - | < | + | Cobel: Your company! |
| - | He lost his wife. | + | |
| - | 274 | + | < |
| - | < | + | Cobel: Who the hell do you think you are? No. Your friends are gonna suffer. Mark will suffer. |
| - | You lost your wife. A little | + | |
| - | before | + | |
| - | 275 | + | < |
| - | < | + | Cobel: You’ll be long gone, but we will keep them alive, in pain. |
| - | Gemma. | + | |
| - | 276 | + | < |
| - | < | + | Event Coordinator: |
| - | It was a car accident, and, at | + | |
| - | first, you tried to keep teaching. | + | |
| - | 277 | + | < |
| - | < | + | Natalie: …decided that we could do better. He may never have seen a severance chip in his lifetime, but it represents his gentle and elegant vision made manifest. |
| - | I was a teacher? | + | |
| - | 278 | + | < |
| - | < | + | Natalie: But why don’t we hear from someone who can tell us all about it firsthand? Ladies and gentlemen, our guest of honor, Helena Eagan. |
| - | A professor. Of history. | + | |
| - | 279 | + | < |
| - | < | + | Helly: Thank you, Natalie. |
| - | You tried to go back to teaching | + | |
| - | three weeks after she died, | + | |
| - | 280 | + | < |
| - | < | + | Mark: Devon! |
| - | and it was a disaster. | + | |
| - | 281 | + | < |
| - | < | + | Helly: My name is Helly R. I’m an Innie. |
| - | She was just still in | + | |
| - | your veins, you know? | + | |
| - | 282 | + | < |
| - | < | + | Helly: And everything |
| - | Making | + | |
| - | 283 | + | < |
| - | < | + | Mark: Devon! |
| - | Which is why I guess you | + | |
| - | thought the severed job would... | + | |
| - | 284 | + | < |
| - | < | + | Irving: Burt! |
| - | He hoped you'd be | + | |
| - | spared from the pain. | + | |
| - | 285 | + | < |
| - | < | + | Irving: Burt! |
| - | It's a nice name. Gemma. | + | |
| - | 286 | + | < |
| - | < | + | Helly: No, no, no. Listen, we’re not happy. We’re miserable. |
| - | Yeah. | + | |
| - | 287 | + | < |
| - | < | + | Irving: Burt! |
| - | We were all really | + | |
| - | close. It was great. | + | |
| - | 288 | + | < |
| - | < | + | Helly: They torture us down there! |
| - | She was wonderful. | + | |
| - | 289 | + | < |
| - | < | + | Irving: Burt! |
| - | She made you wonderful. | + | |
| - | 290 | + | < |
| - | < | + | Mark: Devon! Please! |
| - | They told me not to talk to you. | + | |
| - | 291 | + | < |
| - | < | + | Helly: We’re prisoners! |
| - | The goddamn OTC's been triggered! | + | |
| - | Mark S. Is his fucking innie! | + | |
| - | 292 | + | < |
| - | < | + | Mark: She’s alive! |
| - | What? That's not possible. | + | |
| - | 293 | + | < |
| - | < | + | Irving: Burt! |
| - | It's Dylan. They' | + | |
| - | plotting this all along. | + | |
| - | + | ||
| - | 294 | + | |
| - | < | + | |
| - | Helly' | + | |
| - | + | ||
| - | 295 | + | |
| - | < | + | |
| - | I'll take care of Helly. I'll | + | |
| - | fix it like I fix everything. | + | |
| - | + | ||
| - | 296 | + | |
| - | < | + | |
| - | Get to the security office, | + | |
| - | and shut it off now! | + | |
| - | + | ||
| - | 297 | + | |
| - | < | + | |
| - | Shit! | + | |
| - | + | ||
| - | 298 | + | |
| - | < | + | |
| - | Goddamn it! Dylan! | + | |
| - | + | ||
| - | 299 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 300 | + | |
| - | < | + | |
| - | I know you're in there, | + | |
| - | Dylan. Open the door! | + | |
| - | + | ||
| - | 301 | + | |
| - | < | + | |
| - | Fuck you, Mr. Milchick! | + | |
| - | + | ||
| - | 302 | + | |
| - | < | + | |
| - | Dylan! Dylan! | + | |
| - | + | ||
| - | 303 | + | |
| - | < | + | |
| - | Ricken knows a lot of high-end | + | |
| - | journalists in New York. | + | |
| - | + | ||
| - | 304 | + | |
| - | < | + | |
| - | And you think that' | + | |
| - | better than the police? | + | |
| - | + | ||
| - | 305 | + | |
| - | < | + | |
| - | Well, Lumon has their | + | |
| - | hands in so many pies. | + | |
| - | + | ||
| - | 306 | + | |
| - | < | + | |
| - | Sorry, do you | + | |
| - | understand metaphor? | + | |
| - | + | ||
| - | 307 | + | |
| - | < | + | |
| - | Yeah, hands in pies. I get it. | + | |
| - | + | ||
| - | 308 | + | |
| - | < | + | |
| - | I think we have to be really | + | |
| - | careful about who we talk to. | + | |
| - | + | ||
| - | 309 | + | |
| - | < | + | |
| - | - Okay. | + | |
| - | - How much time do you have? | + | |
| - | + | ||
| - | 310 | + | |
| - | < | + | |
| - | I don't know. Maybe an hour? | + | |
| - | + | ||
| - | 311 | + | |
| - | < | + | |
| - | Right. Because once | + | |
| - | your bosses find out… | + | |
| - | + | ||
| - | 312 | + | |
| - | < | + | |
| - | Jesus, I totally forgot. | + | |
| - | Cobel! Why is Cobel here? | + | |
| - | + | ||
| - | 313 | + | |
| - | < | + | |
| - | What? | + | |
| - | + | ||
| - | 314 | + | |
| - | < | + | |
| - | My boss from Lumon. Ms. | + | |
| - | Cobel. She's at this party. | + | |
| - | + | ||
| - | 315 | + | |
| - | < | + | |
| - | What are you talking about? | + | |
| - | + | ||
| - | 316 | + | |
| - | < | + | |
| - | I mean, she's dressed different. | + | |
| - | + | ||
| - | 317 | + | |
| - | < | + | |
| - | Kind of a flowy, purple | + | |
| - | outfit, silver hair. | + | |
| - | + | ||
| - | 318 | + | |
| - | < | + | |
| - | Mark, are you talking | + | |
| - | about Mrs. Selvig? | + | |
| - | + | ||
| - | 319 | + | |
| - | < | + | |
| - | Maybe, but her name | + | |
| - | is Harmony Cobel. | + | |
| - | + | ||
| - | 320 | + | |
| - | < | + | |
| - | And she works at Lumon? | + | |
| - | + | ||
| - | 321 | + | |
| - | < | + | |
| - | Yeah, she's my boss. | + | |
| - | + | ||
| - | 322 | + | |
| - | < | + | |
| - | Jesus fucking Christ. | + | |
| - | + | ||
| - | 323 | + | |
| - | < | + | |
| - | Dylan. | + | |
| - | + | ||
| - | 324 | + | |
| - | < | + | |
| - | Why are you doing this, man? | + | |
| - | + | ||
| - | 325 | + | |
| - | < | + | |
| - | Come on. | + | |
| - | + | ||
| - | 326 | + | |
| - | < | + | |
| - | You are the refiner | + | |
| - | of the quarter! | + | |
| - | + | ||
| - | 327 | + | |
| - | < | + | |
| - | "While most cultures | + | |
| - | view sex as ugly or foul, | + | |
| - | + | ||
| - | 328 | + | |
| - | < | + | |
| - | - " | + | |
| - | - Mrs. Selvig? | + | |
| - | + | ||
| - | 329 | + | |
| - | < | + | |
| - | - What? | + | |
| - | - Is she there? Is Mrs. Selvig there? | + | |
| - | + | ||
| - | 330 | + | |
| - | < | + | |
| - | - Do you... | + | |
| - | - What? | + | |
| - | + | ||
| - | 331 | + | |
| - | < | + | |
| - | Mrs. Selvig? | + | |
| - | + | ||
| - | 332 | + | |
| - | < | + | |
| - | - What is going on? | + | |
| - | - She has Eleanor! | + | |
| - | + | ||
| - | 333 | + | |
| - | < | + | |
| - | What? Excuse me a moment, okay. | + | |
| - | + | ||
| - | 334 | + | |
| - | < | + | |
| - | Honey? What did you say? | + | |
| - | + | ||
| - | 335 | + | |
| - | < | + | |
| - | Mrs. Selvig has Eleanor. | + | |
| - | Did you see her? | + | |
| - | + | ||
| - | 336 | + | |
| - | < | + | |
| - | - Oh, my God. | + | |
| - | - What is going on? | + | |
| - | + | ||
| - | 337 | + | |
| - | < | + | |
| - | Oh, my God. Her car's gone. | + | |
| - | + | ||
| - | 338 | + | |
| - | < | + | |
| - | I gave her the | + | |
| - | baby, and she left! | + | |
| - | + | ||
| - | 339 | + | |
| - | < | + | |
| - | - She left? With Eleanor? | + | |
| - | - I handed her the baby, | + | |
| - | + | ||
| - | 340 | + | |
| - | < | + | |
| - | and she left! | + | |
| - | + | ||
| - | 341 | + | |
| - | < | + | |
| - | - Have we looked everywhere? | + | |
| - | - Not yet! | + | |
| - | + | ||
| - | 342 | + | |
| - | < | + | |
| - | Okay, let's go inside and look. | + | |
| - | + | ||
| - | 343 | + | |
| - | < | + | |
| - | Oh, my God! | + | |
| - | + | ||
| - | < | + | |
| - | MILCHICK | + | |
| - | I bet the tempers | + | |
| - | were disappointed. | + | |
| - | + | ||
| - | < | + | |
| - | MILCHICK | + | |
| - | I can still get | + | |
| - | you back in there. | + | |
| - | + | ||
| - | 346 | + | |
| - | < | + | |
| - | I can get you any | + | |
| - | perk you want, Dylan. | + | |
| - | + | ||
| - | 347 | + | |
| - | < | + | |
| - | Hey, there' | + | |
| - | don't even know about. | + | |
| - | + | ||
| - | 348 | + | |
| - | < | + | |
| - | There' | + | |
| - | there' | + | |
| - | + | ||
| - | 349 | + | |
| - | < | + | |
| - | Dylan, come on! | + | |
| - | + | ||
| - | 350 | + | |
| - | < | + | |
| - | Just say the word, and I'll get you a | + | |
| - | coffee cozy literally right now, Dylan. | + | |
| - | + | ||
| - | 351 | + | |
| - | < | + | |
| - | Come on, man! | + | |
| - | + | ||
| - | 352 | + | |
| - | < | + | |
| - | I wanna remember my | + | |
| - | fucking kid being born! | + | |
| - | + | ||
| - | 353 | + | |
| - | < | + | |
| - | You have two others. | + | |
| - | + | ||
| - | 354 | + | |
| - | < | + | |
| - | I can tell you about 'em. | + | |
| - | + | ||
| - | 355 | + | |
| - | < | + | |
| - | Open the door, and I'll | + | |
| - | tell you their names. | + | |
| - | + | ||
| - | 356 | + | |
| - | < | + | |
| - | Come on, Dylan. | + | |
| - | + | ||
| - | 357 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 358 | + | |
| - | < | + | |
| - | It's rolling. | + | |
| - | + | ||
| - | 359 | + | |
| - | < | + | |
| - | My name is Helena, | + | |
| - | and I'm an Eagan. | + | |
| - | + | ||
| - | 360 | + | |
| - | < | + | |
| - | So one of the things you learn growing | + | |
| - | up as an Eagan is that the workers… | + | |
| - | + | ||
| - | 361 | + | |
| - | < | + | |
| - | - We start in two minutes. | + | |
| - | - Thanks. | + | |
| - | + | ||
| - | 362 | + | |
| - | < | + | |
| - | Good luck. | + | |
| - | + | ||
| - | 363 | + | |
| - | < | + | |
| - | I'll tee you up. Just stick | + | |
| - | to the talking points. | + | |
| - | + | ||
| - | 364 | + | |
| - | < | + | |
| - | Use the line about how you | + | |
| - | see your innie as your sister. | + | |
| - | + | ||
| - | 365 | + | |
| - | < | + | |
| - | - They' | + | |
| - | - Got it. | + | |
| - | + | ||
| - | 366 | + | |
| - | < | + | |
| - | It's gonna be great. | + | |
| - | + | ||
| - | 367 | + | |
| - | < | + | |
| - | She's not in the baby room. | + | |
| - | + | ||
| - | 368 | + | |
| - | < | + | |
| - | Have all these | + | |
| - | rooms been checked? | + | |
| - | + | ||
| - | 369 | + | |
| - | < | + | |
| - | Thank God. | + | |
| - | + | ||
| - | 370 | + | |
| - | < | + | |
| - | Devon! I got her! | + | |
| - | + | ||
| - | 371 | + | |
| - | < | + | |
| - | Devon, she's here! I found her. | + | |
| - | + | ||
| - | 372 | + | |
| - | < | + | |
| - | I found your child. | + | |
| - | + | ||
| - | 373 | + | |
| - | < | + | |
| - | I'm the one who found her! | + | |
| - | + | ||
| - | 374 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 376 | + | |
| - | < | + | |
| - | …Improvements in morale, | + | |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | a happier workplace. | + | |
| - | + | ||
| - | 378 | + | |
| - | < | + | |
| - | As with any transformative | + | |
| - | technology, there have been setbacks. | + | |
| - | + | ||
| - | 379 | + | |
| - | < | + | |
| - | Bumps in the road. | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | But I'm here tonight to tell you that | + | |
| - | we are on the verge of a revolution. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | A kind and empathetic revolution | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | that puts the human being… | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | - Oh, my God! | + | |
| - | - Is it you? | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | What are you talking about? | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | It is you, isn't it? | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | I'm gonna kill your company. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | Your company! | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | Who the hell do | + | |
| - | you think you are? | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | No. Your friends | + | |
| - | are gonna suffer. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | Mark will suffer. | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | You'll be long gone, | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | but we will keep | + | |
| - | them alive, in pain. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | You're on. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | …decided that we | + | |
| - | could do better. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | He may never have seen a | + | |
| - | severance chip in his lifetime, | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | but it represents his gentle and | + | |
| - | elegant vision made manifest. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | But why don't we hear from someone who | + | |
| - | can tell us all about it firsthand? | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | Ladies and gentlemen, | + | |
| - | our guest of honor, | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | Helena Eagan. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | Thank you, Natalie. | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Devon! | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | My name is Helly R. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I'm an innie. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | And everything they' | + | |
| - | you about severance is a lie! | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Devon! | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | Burt! | + | |
| - | + | ||
| - | < | + | |
| - | IRVING | + | |
| - | Burt! | + | |
| - | + | ||
| - | < | + | |
| - | HELLY | + | |
| - | No, no, no. Listen, we're not happy. We're miserable. | + | |
| - | + | ||
| - | < | + | |
| - | IRVING | + | |
| - | Burt! | + | |
| - | + | ||
| - | < | + | |
| - | HELLY: They torture us down there! | + | |
| - | + | ||
| - | < | + | |
| - | IRVING: Burt! | + | |
| - | + | ||
| - | < | + | |
| - | MARK: Devon! Please! | + | |
| - | + | ||
| - | < | + | |
| - | HELLY: We're prisoners! | + | |
| - | + | ||
| - | < | + | |
| - | MARK: [[Gemma|She]]' | + | |
| - | + | ||
| - | < | + | |
| - | IRVING: Burt! | + | |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
the_we_we_are_transcript.1652648157.txt.gz · Last modified: 2022-05-15 20:55 by Neatnik
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