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| the_we_we_are_transcript [2022-05-15 20:52] – Neatnik | the_we_we_are_transcript [2022-08-12 13:00] (current) – Saeid | ||
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| | **The We We Are (Transcript)** || | | **The We We Are (Transcript)** || | ||
| ^ Episode Number | 1.9 | | ^ Episode Number | 1.9 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ^ Previous Transcript | [[what_s_for_dinner_transcript]] | | ||
| </ | </ | ||
| Line 14: | Line 14: | ||
| <WRAP script> | <WRAP script> | ||
| - | 1 | + | < |
| - | < | + | Mark: What? |
| - | What? | + | |
| - | 2 | + | < |
| - | < | + | Cobel: |
| - | - I said, "Are you all right?" | + | Mark: Yeah, I’m fine. |
| - | - Yeah, I'm fine. | + | |
| - | 3 | + | < |
| - | < | + | Cobel: |
| - | Maybe you should talk to your | + | |
| - | sister. It's an important decision. | + | |
| - | 4 | + | < |
| - | < | + | Mark: My sister? |
| - | - My sister? | + | Cobel: |
| - | - Yes. | + | |
| - | 5 | + | < |
| - | < | + | Cobel: |
| - | - Mark? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 6 | + | < |
| - | < | + | Cobel: |
| - | Are you sure you're okay? | + | |
| - | 7 | + | < |
| - | < | + | Mark: Yes. I’m sorry, I just... I got a little woozy and then... I’m gonna stop by the bathroom. |
| - | Yes. I'm sorry, I just... I | + | |
| - | got a little woozy and then... | + | |
| - | 8 | + | < |
| - | < | + | Cobel: Uh-uh. |
| - | I'm gonna stop by the bathroom. | + | |
| - | 9 | + | < |
| - | < | + | Mark: Right. |
| - | Uh-uh. I think | + | |
| - | it's the other way. | + | |
| - | 10 | + | < |
| - | < | + | Natalie: I don’t know if I hate senators or congressmen more. |
| - | Right. | + | |
| - | 11 | + | < |
| - | < | + | Natalie: How many of those have you had? |
| - | I don't know if I hate | + | |
| - | senators or congressmen more. | + | |
| - | 12 | + | < |
| - | < | + | Helly: Just this one. |
| - | How many of those have you had? | + | |
| - | 13 | + | < |
| - | < | + | Natalie: Good. We need you nimble. We gotta get down there. You’re on in 20. |
| - | Just this one. | + | |
| - | 14 | + | < |
| - | < | + | Natalie: I was on with the Board earlier. They’re really grateful for this. |
| - | Good. We need you nimble. We gotta | + | |
| - | get down there. You're on in 20. | + | |
| - | 15 | + | < |
| - | < | + | Natalie: Gabby. |
| - | I was on with the Board earlier. | + | Gabby: Natalie, hello. |
| - | They' | + | |
| - | 16 | + | < |
| - | < | + | Gabby: Hi. |
| - | - Gabby. | + | |
| - | - Natalie, hello. | + | |
| - | 17 | + | < |
| - | < | + | Natalie: Gabby, this is Helena Eagan. |
| - | Hi. | + | |
| - | 18 | + | < |
| - | < | + | Gabby: My gosh. Helena, so good to finally meet you. |
| - | Gabby, this is Helena | + | |
| - | 19 | + | < |
| - | < | + | Helly: Likewise. |
| - | My gosh. Helena, so good | + | |
| - | to finally meet you. | + | |
| - | 20 | + | < |
| - | < | + | Dylan: This better be working, assholes. |
| - | Likewise. | + | |
| - | 21 | + | < |
| - | < | + | Mark: Where am I? Where am I? |
| - | This better be | + | |
| - | working, assholes. | + | |
| - | 22 | + | < |
| - | < | + | Devon: Mark. You okay, milady? |
| - | Where am I? | + | |
| - | 23 | + | < |
| - | < | + | Devon: So, Rebeck smells weird. |
| - | Where am I? | + | |
| - | 24 | + | < |
| - | < | + | Mark: Rebeck smells weird? |
| - | Mark. You okay, milady? | + | |
| - | 25 | + | < |
| - | < | + | Devon: Yeah, she was making chewing noises, but she was not chewing. Just be prepared ’cause you might have to share a book with her. |
| - | So Rebeck smells weird. | + | |
| - | 26 | + | < |
| - | < | + | Mark: A book, right. |
| - | Rebeck smells weird? | + | |
| - | 27 | + | < |
| - | < | + | Devon: The one you forgot to bring even though I did remind you. |
| - | Yeah, she was making chewing | + | |
| - | noises, but she was not chewing. | + | |
| - | 28 | + | < |
| - | < | + | Mark: Right. Yeah, I’m sure... Sorry. |
| - | Just be prepared 'cause you might | + | |
| - | have to share a book with her. | + | |
| - | 29 | + | < |
| - | < | + | Devon: That’s okay. Okay. Okay. |
| - | A book, right. | + | |
| - | 30 | + | < |
| - | < | + | Mark: How’s our baby? |
| - | The one you forgot to bring | + | |
| - | even though I did remind you. | + | |
| - | 31 | + | < |
| - | < | + | Devon: Our... I’m gonna assume you mean that in the "it takes a village" |
| - | Right. Yeah, I'm sure... Sorry. | + | |
| - | 32 | + | < |
| - | < | + | Devon: I wanna have the life change talk. I just need to pump before I die. |
| - | That's okay. | + | |
| - | 33 | + | < |
| - | < | + | Devon: I’ll be really fast. Okay. |
| - | Okay. | + | Mark: Okay. |
| - | 34 | + | < |
| - | < | + | Irving: Hey. Hi. Hi. |
| - | Okay. | + | |
| - | 35 | + | < |
| - | < | + | Irving: " |
| - | How's our baby? | + | |
| - | 36 | + | < |
| - | < | + | Patton: What’s |
| - | Our... I'm gonna assume you mean that | + | |
| - | in the "it takes a village" | + | |
| - | 37 | + | < |
| - | < | + | Danise: I agree. It’s very confused. |
| - | And she's good. She's hungry. | + | |
| - | 38 | + | < |
| - | < | + | Patton: Mark, hello. |
| - | I wanna have the life change talk. | + | |
| - | I just need to pump before I die. | + | |
| - | 39 | + | < |
| - | < | + | Mark: Hey, guys. What’s up? |
| - | - I'll be really fast. Okay. | + | |
| - | - Okay. | + | |
| - | 40 | + | < |
| - | < | + | Danise: Patton, no. |
| - | Hey. Hi. Hi. | + | Patton: Mark, |
| - | 41 | + | < |
| - | < | + | Patton: we were just discussing whether it might have been a wiser move for your sister to put off introducing the child until after tonight’s event. |
| - | "Radar." | + | |
| - | 42 | + | < |
| - | < | + | Danise: Mark, you don’t have to weigh in on that. |
| - | What's the thesis? | + | |
| - | 43 | + | < |
| - | < | + | Patton: Obviously the child is an absolute angel. |
| - | I agree. It's very confused. | + | Mark: Wait... That’s my sister? With the baby? |
| - | 44 | + | < |
| - | < | + | Danise: Exactly, it’s his sister. |
| - | Mark, hello. | + | |
| - | 45 | + | < |
| - | < | + | Mark: Excuse me. |
| - | Hey, guys. What's up? | + | Danise: Sure. |
| - | 46 | + | < |
| - | < | + | Danise: Well, that was awkward. |
| - | - Patton, no. | + | |
| - | - Mark, | + | |
| - | 47 | + | < |
| - | < | + | Mark: Okay, so my sister has the baby. And Cobel is here? |
| - | we were just discussing whether | + | |
| - | it might have been a wiser move | + | |
| - | 48 | + | < |
| - | < | + | Rebeck: I’ve been asked to share my book with you. |
| - | for your sister | + | |
| - | the child until after tonight' | + | |
| - | 49 | + | < |
| - | < | + | Mark: So I’ve heard. Rebecca? |
| - | Mark, you don't have | + | |
| - | to weigh in on that. | + | |
| - | 50 | + | < |
| - | < | + | Rebeck: Rebeck. I have small eyes, so I have to read pretty close. |
| - | - Obviously the child is an absolute angel. | + | |
| - | - Wait... That's my sister? With the baby? | + | |
| - | 51 | + | < |
| - | < | + | Mark: Okay. Well, I’m...I’m sure that’ll be fine. If you’ll excuse me? |
| - | Exactly, it's his sister. | + | |
| - | 52 | + | < |
| - | < | + | Rebeck: And I have some sores on the back of my head from my bird. |
| - | - Excuse me. | + | |
| - | - Sure. | + | |
| - | 53 | + | < |
| - | < | + | Rebeck: You might see them. |
| - | Well, that was awkward. | + | Mark: Okay. |
| - | 54 | + | < |
| - | < | + | Mark: Hey. |
| - | Okay, so my sister has the | + | |
| - | baby. And Cobel is here? | + | |
| - | 55 | + | < |
| - | < | + | Devon: Hello, Mark. |
| - | I've been asked to | + | |
| - | share my book with you. | + | |
| - | 56 | + | < |
| - | < | + | Devon: |
| - | So I've heard. Rebecca? | + | |
| - | 57 | + | < |
| - | < | + | Mark: We’re, this is gonna sound weird... We’re close, you and I? |
| - | Rebeck. I have small eyes, so | + | |
| - | I have to read pretty close. | + | |
| - | 58 | + | < |
| - | < | + | Devon: What do you... What’s going on? |
| - | Okay. Well, I'm... | + | |
| - | 59 | + | < |
| - | < | + | Mark: Can we talk privately? |
| - | I'm sure that' | + | |
| - | If you'll excuse me? | + | |
| - | 60 | + | < |
| - | < | + | Mark: I just have to... |
| - | And I have some sores on the | + | Ricken: Okay, my dearest ones, |
| - | back of my head from my bird. | + | |
| - | 61 | + | < |
| - | < | + | Ricken: we are nearing that hour, so if you’d all peacefully waft in the living room… |
| - | - You might see them. | + | |
| - | - Okay. | + | |
| - | 62 | + | < |
| - | < | + | Devon: Okay. Let’s talk at the first reflection break. |
| - | Hey. | + | |
| - | 63 | + | < |
| - | < | + | Devon: Okay? |
| - | Hello, | + | Mark: Okay. |
| - | 64 | + | < |
| - | < | + | Gabby: You just don’t realize how much kids are gonna change |
| - | I pumped, so it's Miller time. Okay, | + | |
| - | so life change. | + | |
| - | 65 | + | < |
| - | < | + | Helly: How many kids do you have? |
| - | We're, this is | + | Gabby: Just gave birth to my third. I should’ve stopped at two. |
| - | gonna sound weird… | + | |
| - | 66 | + | < |
| - | < | + | Angelo: Hey, there you are. |
| - | We're close, you and I? | + | Gabby: Hey. |
| - | 67 | + | < |
| - | < | + | Natalie: Angelo, great to see you. |
| - | What do you... What's going on? | + | Angelo: You too. |
| - | 68 | + | < |
| - | < | + | Gabby: Helena, this is my husband, Angelo Arteta. |
| - | Can we talk privately? | + | |
| - | 69 | + | < |
| - | < | + | Angelo: Helena, nice to meet you. |
| - | - I just have to... | + | |
| - | - Okay, my dearest ones, | + | |
| - | 70 | + | < |
| - | < | + | Natalie: I’ve gotta hop backstage. |
| - | we are nearing that hour, | + | |
| - | 71 | + | < |
| - | < | + | Natalie: I’ll see you in a second. |
| - | so if you'd all peacefully | + | Helly: Okay. |
| - | waft in the living room… | + | |
| - | 72 | + | < |
| - | < | + | Angelo: Lovely to see you, Natalie. |
| - | Okay. Let's talk at the | + | |
| - | first reflection break. | + | |
| - | 73 | + | < |
| - | < | + | Angelo: You okay? |
| - | - Okay? | + | Gabby: She couldn’t find the bottle. |
| - | - Okay. | + | |
| - | 74 | + | < |
| - | < | + | Helly: Wow. Three kids. |
| - | You just don't realize how much | + | |
| - | kids are gonna change your life. | + | |
| - | 75 | + | < |
| - | < | + | Gabby: Couldn’t have done it without a little help. |
| - | But they do. | + | |
| - | 76 | + | < |
| - | < | + | Gabby: I mean, the idea that people would want to outlaw severance. |
| - | - How many kids do you have? | + | |
| - | - Just gave birth to my third. | + | |
| - | 77 | + | < |
| - | < | + | Helly: |
| - | I should' | + | |
| - | 78 | + | < |
| - | < | + | Angelo: The photo display is very moving. I already knew how I’d be voting, but I think... |
| - | - Hey, there you are. | + | |
| - | - Hey. | + | |
| - | 79 | + | < |
| - | < | + | Angelo: Well, seeing that and seeing |
| - | - Angelo, | + | |
| - | - You too. | + | |
| - | 80 | + | < |
| - | < | + | Helly: I hope so. |
| - | Helena, this is my | + | |
| - | husband, Angelo Arteta. | + | |
| - | 81 | + | < |
| - | < | + | Angelo: Let’s change some minds. |
| - | Helena, nice to meet you. | + | |
| - | 82 | + | < |
| - | < | + | Helly: Well, I’m certainly gonna try. |
| - | I've gotta hop backstage. | + | |
| - | 83 | + | < |
| - | < | + | Angelo: Thank you. And please thank your father if you see him. |
| - | - I'll see you in a second. | + | |
| - | - Okay. | + | |
| - | 84 | + | < |
| - | < | + | Helly: I will. |
| - | Lovely to see you, Natalie. | + | |
| - | 85 | + | < |
| - | < | + | Rebeck: Mark. Come here. Saved us a seat. |
| - | - You okay? | + | |
| - | - She couldn' | + | |
| - | 86 | + | < |
| - | < | + | Rebeck: I just have to find my glasses. |
| - | Wow. Three kids. | + | |
| - | 87 | + | < |
| - | < | + | Rebeck: Mark, can you just hold that for a second? |
| - | Couldn' | + | |
| - | without | + | |
| - | 88 | + | < |
| - | < | + | Mark: Yeah. |
| - | I mean, the idea that people | + | |
| - | would want to outlaw severance. | + | |
| - | 89 | + | < |
| - | < | + | Mark: Oh, my God. |
| - | I know. | + | |
| - | 90 | + | < |
| - | < | + | Ricken: Sorry, you can’t unring the bell-ringing app apparently. |
| - | The photo display | + | |
| - | is very moving. | + | |
| - | 91 | + | < |
| - | < | + | Ricken: Okay. Thank you all for being here. |
| - | I already knew how I'd | + | |
| - | be voting, but I think... | + | |
| - | 92 | + | < |
| - | < | + | Ricken: Before we start, there is one person |
| - | Well, seeing | + | |
| - | and hearing what you have to say, | + | |
| - | 93 | + | < |
| - | < | + | Mark: My brother-in-law. |
| - | all of this could really | + | |
| - | make a difference. | + | |
| - | 94 | + | < |
| - | < | + | Ricken: And with that… |
| - | I hope so. | + | |
| - | 95 | + | < |
| - | < | + | Ricken: "It’s said that as a child, Wolfgang Mozart killed another boy by slamming his head in a piano. Don’t worry. My research for this book has proven the claim untrue. As your heart rate settles though," |
| - | Let's change some minds. | + | |
| - | 96 | + | < |
| - | < | + | Ricken: " |
| - | Well, I'm certainly gonna try. | + | Cobel: Mark. |
| - | 97 | + | < |
| - | < | + | Cobel: Can I look at her book too? |
| - | Thank you. | + | |
| - | 98 | + | < |
| - | < | + | Cobel: I can crane. |
| - | And please thank your | + | |
| - | father if you see him. | + | |
| - | 99 | + | < |
| - | < | + | Ricken: " |
| - | I will. | + | Mark: Sure. |
| - | 100 | + | < |
| - | < | + | Ricken: " |
| - | Mark. Come here. | + | |
| - | 101 | + | < |
| - | < | + | Angelo: Good luck tonight. |
| - | Saved us a seat. | + | |
| - | 102 | + | < |
| - | < | + | Gabby: It was great to meet you, Helena. |
| - | I just have to find my glasses. | + | |
| - | 103 | + | < |
| - | < | + | Ricken: " |
| - | Mark, can you just hold that | + | |
| - | 104 | + | < |
| - | < | + | Ricken: "And perhaps, most importantly, |
| - | - for a second? | + | |
| - | - Yeah. | + | |
| - | 105 | + | < |
| - | < | + | Ricken: "All creatures, from the leaping cat to the cowering shrew, think of themselves as *you,* a logical center for the universe. Yet the cat eats the shrew, and we, like Schrödinger, |
| - | Oh, my God. | + | |
| - | 106 | + | < |
| - | < | + | Ricken: Let’s all take a seven-minute reflection break and then come back. |
| - | Sorry, you can't unring | + | |
| - | 107 | + | < |
| - | < | + | Ricken: Balf. Prepare |
| - | the bell-ringing app apparently. | + | |
| - | 108 | + | < |
| - | < | + | Rebeck: It was transformative. |
| - | Okay. Thank you | + | |
| - | all for being here. | + | |
| - | 109 | + | < |
| - | < | + | Rebeck: I’m gonna have to change my name again. |
| - | Before we start, | + | |
| - | there is one person | + | |
| - | 110 | + | < |
| - | < | + | Cobel: What a wordsmith. He seemed |
| - | that I would like to | + | |
| - | thank first and foremost. | + | |
| - | 111 | + | < |
| - | < | + | Mark: Oh, yeah. |
| - | Family is both my bedrock | + | Devon: Hey. |
| - | and my inspiration. | + | |
| - | 112 | + | < |
| - | < | + | Devon: |
| - | So I dedicate the reading | + | |
| - | to my firstborn daughter, | + | |
| - | 113 | + | < |
| - | < | + | Mark: Okay. |
| - | who is here tonight. | + | Devon: Okay. |
| - | 114 | + | < |
| - | < | + | Mark: Excuse me. |
| - | Eleanor, I love you. | + | |
| - | 115 | + | < |
| - | < | + | Mark: Mr. Hale... Ricken? |
| - | My brother-in-law. | + | |
| - | 116 | + | < |
| - | < | + | Ricken: I don’t know why my voice shakes like that. I sound like a sad old hamburger waiter prattling on about sauces. |
| - | And with that… I begin. | + | |
| - | 117 | + | < |
| - | < | + | Ricken: |
| - | "It's said that as a child, | + | |
| - | 118 | + | < |
| - | < | + | Mark: It’s going great. |
| - | Wolfgang Mozart killed another boy | + | |
| - | by slamming his head in a piano. | + | |
| - | 119 | + | < |
| - | < | + | Mark: I mean, the book is brilliant, and... |
| - | Don't worry. | + | Ricken: Okay, Mark. |
| - | 120 | + | < |
| - | < | + | Ricken: Thank you, but you don’t have to say that. I’m well aware of how I come across to you. |
| - | My research for this book | + | |
| - | has proven the claim untrue. | + | |
| - | 121 | + | < |
| - | < | + | Mark: What? No, I mean it. The... Your book, it... It opened up the world for me. |
| - | As your heart rate | + | |
| - | settles though, | + | |
| - | 122 | + | < |
| - | < | + | Ricken: |
| - | - " | + | |
| - | - Mark. | + | |
| - | 123 | + | < |
| - | < | + | Mark: Yes. This book changed my whole life. |
| - | Can I look at her book too? | + | |
| - | 124 | + | < |
| - | < | + | Ricken: You actually read it? |
| - | I can crane. | + | |
| - | 125 | + | < |
| - | < | + | Mark: Ricken, are we friends? |
| - | - " | + | |
| - | - Sure. | + | |
| - | 126 | + | < |
| - | < | + | Ricken: Look, I know I sometimes make you feel "less than" for having had the procedure. And I regret that. |
| - | " | + | |
| - | 127 | + | < |
| - | < | + | Ricken: You had to deal with Gemma’s passing in a way that was best for you. |
| - | But what, indeed, is 'you'?" | + | |
| - | 128 | + | < |
| - | < | + | Ricken: You know, I was scrolling through old pictures this morning, and I found one of the four of us on the crest hike. |
| - | Good luck tonight. | + | |
| - | 129 | + | < |
| - | < | + | Ricken: You remember the funny bees? |
| - | It was great to | + | Mark: Do you have that on you? The picture? |
| - | meet you, Helena. | + | |
| - | 130 | + | < |
| - | < | + | Ricken: Yeah, sure. I should. |
| - | "How can ' | + | |
| - | different things | + | |
| - | 131 | + | < |
| - | < | + | Balf: Ricken. The neti pot is warm. |
| - | to millions of readers | + | Ricken: Thank you, Balf. |
| - | around a vast Earth? | + | |
| - | 132 | + | < |
| - | < | + | Ricken: Mark, I need to flush my sinuses. But thank you. You have no idea how much this has meant to me. |
| - | "And perhaps, most | + | |
| - | importantly, | + | |
| - | 133 | + | < |
| - | < | + | Cobel: Mark, I was worried about you. |
| - | "All creatures, | + | |
| - | from the leaping cat | + | |
| - | 134 | + | < |
| - | < | + | Mark: I’m fine. Thanks. I’m just going to check on my sister. |
| - | to the cowering shrew, | + | |
| - | 135 | + | < |
| - | < | + | Cobel: When you hugged me before, you suddenly became tense. What was that? |
| - | think of themselves as 'you, ' a | + | |
| - | logical center for the universe. | + | |
| - | 136 | + | < |
| - | < | + | Mark: I didn’t know I did. |
| - | Yet the cat eats the shrew, | + | |
| - | and we, like Schrödinger, | + | |
| - | 137 | + | < |
| - | < | + | Cobel: Well, you did. You’re tense now. |
| - | "live on to wonder | + | |
| - | what it means." | + | |
| - | 138 | + | < |
| - | < | + | Mark: Yeah, sorry, it’s just parties. |
| - | End of chapter. | + | |
| - | 139 | + | < |
| - | < | + | Cobel: Did you mean what you said before? About your plans. |
| - | Let's all take a | + | |
| - | 140 | + | < |
| - | < | + | Mark: Of course. |
| - | seven-minute reflection | + | |
| - | break and then come back. | + | |
| - | 141 | + | < |
| - | < | + | Cobel: Tell me more. |
| - | Balf. Prepare the neti pot. | + | |
| - | 142 | + | < |
| - | < | + | Mark: You know, I’m so sorry. I’m just...I’m on uncle duty for my sister. So I’ll be right back. |
| - | It was transformative. | + | |
| - | 143 | + | < |
| - | < | + | Mark: Okay? |
| - | I'm gonna have to | + | Cobel: Okay. |
| - | change my name again. | + | |
| - | 144 | + | < |
| - | < | + | Mark: Okay. Thanks, Ms. Cobel. |
| - | What a wordsmith. He seemed to have | + | |
| - | a little something in his throat. | + | |
| - | 145 | + | < |
| - | < | + | Devon: I know. Hey, there you are. |
| - | - Oh, yeah. | + | Mark: Hey, I really need to talk to you. |
| - | - Hey. | + | |
| - | 146 | + | < |
| - | < | + | Devon: No, I know. I just have to deal with her. She’s having a meltdown. But just meet me in there, okay? |
| - | I'm gonna see if she' | + | |
| - | have more bottle. | + | |
| - | 147 | + | < |
| - | < | + | Mark: Okay, I’ll just... Wait. Okay. |
| - | Give me a couple of minutes, | + | Devon: I promise I’ll be back. |
| - | then meet me in the baby room? | + | |
| - | 148 | + | < |
| - | < | + | Devon: Thank God, Mrs. Selvig. Hi. Can you take her for a sec while I talk to Mark? |
| - | - Okay. | + | |
| - | - Okay. | + | |
| - | 149 | + | < |
| - | < | + | Cobel: Of course, love. |
| - | Excuse me. | + | Devon: Thank you. |
| - | 150 | + | < |
| - | < | + | Cobel: Is Mark all right? |
| - | Mr. Hale... Ricken? | + | Devon: Yeah, he’s fine. |
| - | 151 | + | < |
| - | < | + | Devon: Thank you, you’re an angel. |
| - | I don't know why my | + | |
| - | voice shakes like that. | + | |
| - | 152 | + | < |
| - | < | + | Devon: Okay… |
| - | I sound like a sad | + | |
| - | old hamburger waiter | + | |
| - | 153 | + | < |
| - | < | + | Helly: My name is Helena, and I’m an Eagan. |
| - | prattling on about sauces. | + | |
| - | 154 | + | < |
| - | < | + | Helly: So, one of the things you learn growing up as an Eagan is that the workers are our family. And I remember being confused about that as a kid, because I thought that meant I had a few hundred thousand literal brothers and sisters scattered around the world. Oh, my God. |
| - | " | + | |
| - | What the fuck is that? | + | |
| - | 155 | + | < |
| - | < | + | Helly: But as I grew older, I learned that it’s about shared ideals. My dad used to make me recite the nine Core Principles before bed every night, which I can’t say I always did happily. Sorry, Dad. |
| - | Jesus, why do I ever | + | |
| - | open my buffoon mouth? | + | |
| - | 156 | + | < |
| - | < | + | Helly: But those are now the values that I share with everyone who works at Lumon, and that’s what makes them my family. And I would never ever ask them to do anything that I’m not willing or excited to do myself. |
| - | It's going great. | + | |
| - | 157 | + | < |
| - | < | + | Helly: Look, my dad would love for me to sit here and say that I’m taking this job out of loyalty and that it was the spirit of Kier Eagan calling me to service. |
| - | - I mean, the book is brilliant, and... | + | |
| - | - Okay, Mark. | + | |
| - | 158 | + | < |
| - | < | + | Helly: But I took a severed job because it sounds freaking awesome. |
| - | Thank you, but you | + | |
| - | don't have to say that. | + | |
| - | 159 | + | < |
| - | < | + | Helly: So, no, I don’t think severance divides us. I think it brings us together. |
| - | I'm well aware of how | + | |
| - | I come across to you. | + | |
| - | 160 | + | < |
| - | < | + | Milchick (voicemail): |
| - | What? No, I mean it. | + | |
| - | 161 | + | < |
| - | < | + | Cobel: Goddamn |
| - | The... Your book, it... It | + | |
| - | opened up the world for me. | + | |
| - | 162 | + | < |
| - | < | + | Event Coordinator: |
| - | Mark, are you okay? | + | |
| - | 163 | + | < |
| - | < | + | Jame: Helena. |
| - | Yes. This book | + | |
| - | changed my whole life. | + | |
| - | 164 | + | < |
| - | < | + | Jame: You look so nice. Like a film. |
| - | You actually read it? | + | |
| - | 165 | + | < |
| - | < | + | Helly: Thank you. |
| - | Ricken, are we friends? | + | |
| - | 166 | + | < |
| - | < | + | Jame: Are you...Are you still in pain? |
| - | Look, I know I sometimes | + | |
| - | make you feel "less than" | + | |
| - | 167 | + | < |
| - | < | + | Helly: I’m not. Not anymore. |
| - | for having had the procedure. | + | |
| - | 168 | + | < |
| - | < | + | Jame: I cried in my bed when they told me what she tried to do to you. What that Innie tried to do. I... |
| - | And I regret | + | |
| - | 169 | + | < |
| - | < | + | Jame: Thank you for going through |
| - | You had to deal with Gemma' | + | |
| - | in a way that was best for you. | + | |
| - | 170 | + | < |
| - | < | + | Jame: Are you feeling well? |
| - | You know, I was scrolling through | + | |
| - | old pictures this morning, | + | |
| - | 171 | + | < |
| - | < | + | Helly: Yeah. I think, I think the drink just hit me a little bit. |
| - | and I found one of the four | + | |
| - | of us on the crest hike. | + | |
| - | 172 | + | < |
| - | < | + | Jame: You’ll be all right for the speech? |
| - | - You remember | + | |
| - | - Do you have that on you? The picture? | + | |
| - | 173 | + | < |
| - | < | + | Helly: For my speech. |
| - | Yeah, sure. I should. | + | |
| - | 174 | + | < |
| - | < | + | Jame: Do you remember when I brought home the first chip to show you? The prototype. It had the blue and green lights back then. |
| - | - Ricken. | + | |
| - | - Thank you, Balf. | + | |
| - | 175 | + | < |
| - | < | + | Helly: Yeah. |
| - | Mark, I need to | + | |
| - | flush my sinuses. | + | |
| - | 176 | + | < |
| - | < | + | Jame: I remember |
| - | But thank you. You have no idea | + | |
| - | how much this has meant to me. | + | |
| - | 177 | + | < |
| - | < | + | Jame: They will. Because of you. They’ll all be Kier’s children. |
| - | Mark, I was worried about you. | + | |
| - | 178 | + | < |
| - | < | + | Natalie: Mr. Eagan. Helena. It’s time to head to stage. |
| - | I'm fine. Thanks. | + | |
| - | 179 | + | < |
| - | < | + | Helly: Forgive me for the harm I’ve caused this world. None may atone for my actions...but me. And only in me shall their stain live on. All I can be is sorry. And that is all I am. |
| - | I'm just going to | + | |
| - | check on my sister. | + | |
| - | 180 | + | < |
| - | < | + | Devon: You swear you’re not fucking with me? |
| - | When you hugged | + | |
| - | suddenly became tense. What was that? | + | |
| - | 181 | + | < |
| - | < | + | Mark: I swear. |
| - | I didn't know I did. | + | |
| - | 182 | + | < |
| - | < | + | Devon: This is so insane. |
| - | Well, you did. You're tense now. | + | |
| - | 183 | + | < |
| - | < | + | Mark: They need to send people down to check every inch of that place. Like, inspectors or whatever. Is that a thing? Inspectors? |
| - | Yeah, sorry, it's just parties. | + | |
| - | 184 | + | < |
| - | < | + | Devon: Yeah. There are inspectors. |
| - | Did you mean what | + | |
| - | you said before? | + | |
| - | 185 | + | < |
| - | < | + | Devon: Mark has b... I mean, out here, you have been trying to figure out what Lumon does. What you do. |
| - | About your plans. | + | |
| - | 186 | + | < |
| - | < | + | Mark: Okay. I just...I just want to know why. Why he put me in there. |
| - | Of course. | + | |
| - | 187 | + | < |
| - | < | + | Devon: He lost his wife. You lost your wife. A little before you started at Lumon. |
| - | Tell me more. | + | |
| - | 188 | + | < |
| - | < | + | Mark: Gemma. |
| - | You know, I'm so sorry. I'm just... | + | |
| - | I'm on uncle duty for my sister. | + | |
| - | 189 | + | < |
| - | < | + | Devon: It was a car accident, and, at first, you tried to keep teaching. |
| - | So I'll be right back. | + | |
| - | 190 | + | < |
| - | < | + | Mark: I was a teacher? |
| - | - Okay? | + | |
| - | - Okay. | + | |
| - | 191 | + | < |
| - | < | + | Devon: A professor. Of history. You tried to go back to teaching three weeks after she died, and it was a disaster. She was just still in your veins, you know? Making everything hurt. |
| - | Okay. Thanks, Ms. Cobel. | + | |
| - | 192 | + | < |
| - | < | + | Devon: Which is why I guess you thought the severed job would... |
| - | - I know. Hey, there you are. | + | |
| - | - Hey, I really need to talk to you. | + | |
| - | 193 | + | < |
| - | < | + | Devon: He hoped you’d be spared from the pain. |
| - | No, I know. I just have to deal | + | |
| - | with her. She's having a meltdown. | + | |
| - | 194 | + | < |
| - | < | + | Mark: It’s a nice name. Gemma. |
| - | But just meet me in there, okay? | + | |
| - | 195 | + | < |
| - | < | + | Devon: Yeah. |
| - | - Okay, I'll just... Wait. Okay. | + | |
| - | - I promise I'll be back. | + | |
| - | 196 | + | < |
| - | < | + | Devon: We were all really close. It was great. |
| - | Thank God, Mrs. Selvig. Hi. | + | |
| - | 197 | + | < |
| - | < | + | Devon: She was wonderful. She made you wonderful. |
| - | Can you take her for a | + | |
| - | sec while I talk to Mark? | + | |
| - | 198 | + | < |
| - | < | + | Milchick: They told me not to talk to you. |
| - | - Of course, love. | + | |
| - | - Thank you. | + | |
| - | 199 | + | < |
| - | < | + | Cobel: The goddamn OTC’s been triggered! Mark S. is his fucking Innie! |
| - | - Is Mark all right? | + | |
| - | - Yeah, he's fine. | + | |
| - | 200 | + | < |
| - | < | + | Milchick: What? That’s not possible. |
| - | Thank you, you're an angel. | + | |
| - | 201 | + | < |
| - | < | + | Cobel: It’s Dylan. They’ve been plotting this all along. |
| - | Okay… I' | + | |
| - | 202 | + | < |
| - | < | + | Milchick: Helly’s at the gala. |
| - | My name is Helena, | + | |
| - | and I'm an Eagan. | + | |
| - | 203 | + | < |
| - | < | + | Cobel: I’ll take care of Helly. I’ll fix it like I fix everything. Get to the Security Office, and shut it off now! |
| - | So one of the things you | + | |
| - | learn growing up as an Eagan | + | |
| - | 204 | + | < |
| - | < | + | Milchick: Shit! |
| - | is that the workers | + | |
| - | are our family. | + | |
| - | 205 | + | < |
| - | < | + | Milchick: Goddamn it! Dylan! Dylan! |
| - | And I remember being | + | |
| - | confused about that as a kid, | + | |
| - | 206 | + | < |
| - | < | + | Milchick: |
| - | because | + | |
| - | 207 | + | < |
| - | < | + | Dylan: Fuck you, Mr. Milchick! |
| - | I had a few hundred thousand | + | |
| - | literal brothers and sisters | + | |
| - | 208 | + | < |
| - | < | + | Milchick: Dylan! Dylan! |
| - | scattered around the world. | + | |
| - | 209 | + | < |
| - | < | + | Devon: I mean, Ricken knows a lot of high-end journalists in New York. |
| - | Oh, my God. | + | |
| - | 210 | + | < |
| - | < | + | Mark: And you think that’s better than the police? |
| - | But as I grew older, I learned | + | |
| - | that it's about shared ideals. | + | |
| - | 211 | + | < |
| - | < | + | Devon: Well, Lumon has their hands in so many pies. Sorry, do you understand metaphor? |
| - | My dad used to make me recite | + | |
| - | the nine core principles | + | |
| - | 212 | + | < |
| - | < | + | Mark: Yeah, hands in pies. I get it. |
| - | before bed every night, | + | |
| - | 213 | + | < |
| - | < | + | Devon: |
| - | which I can't say I always | + | |
| - | did happily. Sorry, Dad. | + | |
| - | 214 | + | < |
| - | < | + | Mark: Okay. |
| - | But those are now the values that I | + | Devon: How much time do you have? |
| - | share with everyone who works at Lumon, | + | |
| - | 215 | + | < |
| - | < | + | Mark: I don’t know. Maybe an hour? |
| - | and that's what | + | |
| - | makes them my family. | + | |
| - | 216 | + | < |
| - | < | + | Devon: Right. Because once your bosses find out… |
| - | And I would never ever | + | |
| - | ask them to do anything | + | |
| - | 217 | + | < |
| - | < | + | Mark: Jesus, |
| - | that I'm not willing or | + | |
| - | excited to do myself. | + | |
| - | 218 | + | < |
| - | < | + | Devon: What? |
| - | Look, my dad would | + | |
| - | love for me to sit here | + | |
| - | 219 | + | < |
| - | < | + | Mark: My boss from Lumon. Ms. Cobel. She’s at this party. |
| - | and say that I'm taking | + | |
| - | this job out of loyalty | + | |
| - | 220 | + | < |
| - | < | + | Devon: What are you talking about? |
| - | and that it was the spirit of | + | |
| - | pure Eagan calling me to service. | + | |
| - | 221 | + | < |
| - | < | + | Mark: I mean, she’s dressed different. Kind of a flowy, purple outfit, silver hair. |
| - | But I took a severed job because | + | |
| - | it sounds freaking awesome. | + | |
| - | 222 | + | < |
| - | < | + | Devon: Mark, are you talking about Mrs. Selvig? |
| - | So, no, I don't think | + | |
| - | severance divides us. | + | |
| - | 223 | + | < |
| - | < | + | Mark: Maybe, but her name is Harmony Cobel. |
| - | I think it brings us together. | + | |
| - | 224 | + | < |
| - | < | + | Devon: And she works at Lumon? |
| - | Greetings. | + | |
| - | 225 | + | < |
| - | < | + | Mark: Yeah, she’s my boss. |
| - | - I'm not here right now. | + | |
| - | - Goddamn it, Milchick! | + | |
| - | 226 | + | < |
| - | < | + | Devon: Jesus fucking Christ. |
| - | Helena. | + | |
| - | 227 | + | < |
| - | < | + | Milchick: Dylan. Why are you doing this, man? |
| - | She's in here, sir. | + | |
| - | 228 | + | < |
| - | < | + | Milchick: Come on. You are the Refiner of the Quarter! |
| - | Helena. | + | |
| - | 229 | + | < |
| - | < | + | Ricken: "While most cultures view sex as ugly or foul, I’ve always seen it..." |
| - | You look so nice. | + | |
| - | 230 | + | < |
| - | < | + | Devon: Mrs. Selvig? |
| - | Like a film. | + | |
| - | 231 | + | < |
| - | < | + | Ricken: What? |
| - | Thank you. | + | Devon: Is she there? Is Mrs. Selvig there? |
| - | 232 | + | < |
| - | < | + | Devon: Do you... |
| - | Are you… | + | Ricken: What? |
| - | 233 | + | < |
| - | < | + | Devon: Mrs. Selvig? |
| - | Are you still in pain? | + | |
| - | 234 | + | < |
| - | < | + | Ricken: What is going on? |
| - | I'm not. | + | Devon: She has Eleanor! |
| - | 235 | + | < |
| - | < | + | Ricken: What? Excuse me a moment, okay. Honey? What did you say? |
| - | Not anymore. | + | |
| - | 236 | + | < |
| - | < | + | Devon: Mrs. Selvig has Eleanor. Did you see her? |
| - | I cried in my bed when they told | + | |
| - | me what she tried to do to you. | + | |
| - | 237 | + | < |
| - | < | + | Devon: Oh, my God. |
| - | What that innie | + | Ricken: |
| - | tried to do. I... | + | |
| - | 238 | + | < |
| - | < | + | Devon: Oh, my God. Her car’s gone. |
| - | Thank you for going | + | |
| - | through with this. | + | |
| - | 239 | + | < |
| - | < | + | Devon: I gave her the baby, and she left! |
| - | The Grandfather would | + | |
| - | cherish what you've done. | + | |
| - | 240 | + | < |
| - | < | + | Ricken: She left? With Eleanor? |
| - | And one day you will sit | + | Devon: I handed her the baby, |
| - | with me at my revolving. | + | |
| - | 241 | + | < |
| - | < | + | Devon: and she left! |
| - | Are you feeling well? | + | |
| - | 242 | + | < |
| - | < | + | Ricken: Have we looked everywhere? |
| - | Yeah. | + | Devon: Not yet! |
| - | 243 | + | < |
| - | < | + | Ricken: Okay, let’s go inside and look. |
| - | I think, I think the drink | + | |
| - | just hit me a little bit. | + | |
| - | 244 | + | < |
| - | < | + | Devon: Oh, my God! |
| - | You'll be all right | + | |
| - | for the speech? | + | |
| - | 245 | + | < |
| - | < | + | Milchick: I bet the tempers were disappointed. I can still get you back in there. I can get you any perk you want, Dylan. |
| - | For my speech. Yeah. Of course. | + | |
| - | 246 | + | < |
| - | < | + | Milchick: Hey, there’s stuff you don’t even know about. There’s paintball, there’s coffee cozies. |
| - | Do you remember when I brought | + | |
| - | home the first chip to show you? | + | |
| - | 247 | + | < |
| - | < | + | Milchick: Dylan, come on! |
| - | The prototype. | + | |
| - | 248 | + | < |
| - | < | + | Milchick: Just say the word, and I’ll get you a coffee cozy literally right now, Dylan. |
| - | It had the blue and | + | |
| - | green lights back then. | + | |
| - | 249 | + | < |
| - | < | + | Milchick: Come on, man! |
| - | Yeah. | + | |
| - | 250 | + | < |
| - | < | + | Dylan: |
| - | I remember | + | |
| - | " | + | |
| - | 251 | + | < |
| - | < | + | Milchick: You have two others. I can tell you about ’em. Open the door, and I’ll tell you their names. |
| - | " | + | |
| - | world should get one." | + | |
| - | 252 | + | < |
| - | < | + | Milchick: Come on, Dylan. Dylan! |
| - | They will. | + | |
| - | 253 | + | < |
| - | < | + | Valet: It’s rolling. |
| - | Because of you. | + | |
| - | 254 | + | < |
| - | < | + | Helly (on video): My name is Helena, and I’m an Eagan. So one of the things you learn growing up as an Eagan is that the workers… |
| - | They' | + | |
| - | 255 | + | < |
| - | < | + | Event Coordinator: |
| - | Mr. Eagan. Helena. It's | + | Natalie: Thanks. |
| - | time to head to stage. | + | |
| - | 256 | + | < |
| - | < | + | Event Coordinator: |
| - | Forgive me for the harm | + | |
| - | I've caused this world. | + | |
| - | 257 | + | < |
| - | < | + | Natalie: I’ll tee you up. Just stick to the talking points. Use the line about how you see your Innie as your sister. |
| - | None may atone for | + | |
| - | my actions… but me. | + | |
| - | 258 | + | < |
| - | < | + | Natalie: They’ll love that. |
| - | And only in me shall | + | Helly: Got it. |
| - | their stain live on. | + | |
| - | 259 | + | < |
| - | < | + | Natalie: It’s gonna be great. |
| - | All I can be is sorry. | + | |
| - | 260 | + | < |
| - | < | + | Patton: She’s not in the baby room. |
| - | And that is all I am. | + | |
| - | 261 | + | < |
| - | < | + | Mark: Have all these rooms been checked? |
| - | You swear you' | + | |
| - | not fucking with me? | + | |
| - | 262 | + | < |
| - | < | + | Patton: Thank God. |
| - | I swear. | + | |
| - | 263 | + | < |
| - | < | + | Patton: Devon! I got her! Devon, she’s here! I found her. I found your child. I’m the one who found her! |
| - | This is so insane. | + | |
| - | 264 | + | < |
| - | < | + | Milchick: Dylan! Dylan! |
| - | They need to send people down to | + | |
| - | check every inch of that place. | + | |
| - | 265 | + | < |
| - | < | + | Natalie: …improvements in morale, a happier workplace. |
| - | Like, inspectors or whatever. | + | |
| - | Is that a thing? Inspectors? | + | |
| - | 266 | + | < |
| - | < | + | Natalie: As with any transformative technology, there have been setbacks. Bumps in the road. |
| - | Yeah. There are inspectors. | + | |
| - | 267 | + | < |
| - | < | + | Natalie: But I’m here tonight to tell you that we are on the verge of a revolution. A kind and empathetic revolution that puts the human being at the center of industry... |
| - | Mark has b... I mean, out here, | + | |
| - | 268 | + | < |
| - | < | + | Helly: Oh, my God! |
| - | you have been trying to figure | + | Cobel: Is it you? |
| - | out what Lumon does. What you do. | + | |
| - | 269 | + | < |
| - | < | + | Helly: What are you talking about? |
| - | Okay. | + | |
| - | 270 | + | < |
| - | < | + | Cobel: It is you, isn’t it? |
| - | I just… | + | |
| - | 271 | + | < |
| - | < | + | Helly: |
| - | I just want to know why. | + | |
| - | 272 | + | < |
| - | < | + | Cobel: Your company! |
| - | Why he put me in there. | + | |
| - | 273 | + | < |
| - | < | + | Cobel: Who the hell do you think you are? No. Your friends are gonna suffer. Mark will suffer. |
| - | He lost his wife. | + | |
| - | 274 | + | < |
| - | < | + | Cobel: |
| - | You lost your wife. A little | + | |
| - | before you started at Lumon. | + | |
| - | 275 | + | < |
| - | < | + | Event Coordinator: |
| - | Gemma. | + | |
| - | 276 | + | < |
| - | < | + | Natalie: …decided that we could do better. He may never have seen a severance chip in his lifetime, but it represents his gentle |
| - | It was a car accident, and, at | + | |
| - | first, you tried to keep teaching. | + | |
| - | 277 | + | < |
| - | < | + | Natalie: But why don’t we hear from someone who can tell us all about it firsthand? Ladies and gentlemen, our guest of honor, Helena Eagan. |
| - | I was a teacher? | + | |
| - | 278 | + | < |
| - | < | + | Helly: Thank you, Natalie. |
| - | A professor. Of history. | + | |
| - | 279 | + | < |
| - | < | + | Mark: Devon! |
| - | You tried to go back to teaching | + | |
| - | three weeks after she died, | + | |
| - | 280 | + | < |
| - | < | + | Helly: My name is Helly R. I’m an Innie. |
| - | and it was a disaster. | + | |
| - | 281 | + | < |
| - | < | + | Helly: And everything they’ve told you about severance is a lie! |
| - | She was just still in | + | |
| - | your veins, | + | |
| - | 282 | + | < |
| - | < | + | Mark: Devon! |
| - | Making everything hurt. | + | |
| - | 283 | + | < |
| - | < | + | Irving: Burt! |
| - | Which is why I guess you | + | |
| - | thought the severed job would... | + | |
| - | 284 | + | < |
| - | < | + | Irving: Burt! |
| - | He hoped you'd be | + | |
| - | spared from the pain. | + | |
| - | 285 | + | < |
| - | < | + | Helly: No, no, no. Listen, we’re not happy. We’re miserable. |
| - | It's a nice name. Gemma. | + | |
| - | 286 | + | < |
| - | < | + | Irving: Burt! |
| - | Yeah. | + | |
| - | 287 | + | < |
| - | < | + | Helly: They torture us down there! |
| - | We were all really | + | |
| - | close. It was great. | + | |
| - | 288 | + | < |
| - | < | + | Irving: Burt! |
| - | She was wonderful. | + | |
| - | 289 | + | < |
| - | < | + | Mark: Devon! Please! |
| - | She made you wonderful. | + | |
| - | 290 | + | < |
| - | < | + | Helly: We’re prisoners! |
| - | They told me not to talk to you. | + | |
| - | 291 | + | < |
| - | < | + | Mark: She’s alive! |
| - | The goddamn OTC's been triggered! | + | |
| - | Mark S. Is his fucking innie! | + | |
| - | 292 | + | < |
| - | < | + | Irving: Burt! |
| - | What? That's not possible. | + | |
| - | + | ||
| - | 293 | + | |
| - | < | + | |
| - | It's Dylan. They' | + | |
| - | plotting this all along. | + | |
| - | + | ||
| - | 294 | + | |
| - | < | + | |
| - | Helly' | + | |
| - | + | ||
| - | 295 | + | |
| - | < | + | |
| - | I'll take care of Helly. I'll | + | |
| - | fix it like I fix everything. | + | |
| - | + | ||
| - | 296 | + | |
| - | < | + | |
| - | Get to the security office, | + | |
| - | and shut it off now! | + | |
| - | + | ||
| - | 297 | + | |
| - | < | + | |
| - | Shit! | + | |
| - | + | ||
| - | 298 | + | |
| - | < | + | |
| - | Goddamn it! Dylan! | + | |
| - | + | ||
| - | 299 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 300 | + | |
| - | < | + | |
| - | I know you're in there, | + | |
| - | Dylan. Open the door! | + | |
| - | + | ||
| - | 301 | + | |
| - | < | + | |
| - | Fuck you, Mr. Milchick! | + | |
| - | + | ||
| - | 302 | + | |
| - | < | + | |
| - | Dylan! Dylan! | + | |
| - | + | ||
| - | 303 | + | |
| - | < | + | |
| - | Ricken knows a lot of high-end | + | |
| - | journalists in New York. | + | |
| - | + | ||
| - | 304 | + | |
| - | < | + | |
| - | And you think that' | + | |
| - | better than the police? | + | |
| - | + | ||
| - | 305 | + | |
| - | < | + | |
| - | Well, Lumon has their | + | |
| - | hands in so many pies. | + | |
| - | + | ||
| - | 306 | + | |
| - | < | + | |
| - | Sorry, do you | + | |
| - | understand metaphor? | + | |
| - | + | ||
| - | 307 | + | |
| - | < | + | |
| - | Yeah, hands in pies. I get it. | + | |
| - | + | ||
| - | 308 | + | |
| - | < | + | |
| - | I think we have to be really | + | |
| - | careful about who we talk to. | + | |
| - | + | ||
| - | 309 | + | |
| - | < | + | |
| - | - Okay. | + | |
| - | - How much time do you have? | + | |
| - | + | ||
| - | 310 | + | |
| - | < | + | |
| - | I don't know. Maybe an hour? | + | |
| - | + | ||
| - | 311 | + | |
| - | < | + | |
| - | Right. Because once | + | |
| - | your bosses find out… | + | |
| - | + | ||
| - | 312 | + | |
| - | < | + | |
| - | Jesus, I totally forgot. | + | |
| - | Cobel! Why is Cobel here? | + | |
| - | + | ||
| - | 313 | + | |
| - | < | + | |
| - | What? | + | |
| - | + | ||
| - | 314 | + | |
| - | < | + | |
| - | My boss from Lumon. Ms. | + | |
| - | Cobel. She's at this party. | + | |
| - | + | ||
| - | 315 | + | |
| - | < | + | |
| - | What are you talking about? | + | |
| - | + | ||
| - | 316 | + | |
| - | < | + | |
| - | I mean, she's dressed different. | + | |
| - | + | ||
| - | 317 | + | |
| - | < | + | |
| - | Kind of a flowy, purple | + | |
| - | outfit, silver hair. | + | |
| - | + | ||
| - | 318 | + | |
| - | < | + | |
| - | Mark, are you talking | + | |
| - | about Mrs. Selvig? | + | |
| - | + | ||
| - | 319 | + | |
| - | < | + | |
| - | Maybe, but her name | + | |
| - | is Harmony Cobel. | + | |
| - | + | ||
| - | 320 | + | |
| - | < | + | |
| - | And she works at Lumon? | + | |
| - | + | ||
| - | 321 | + | |
| - | < | + | |
| - | Yeah, she's my boss. | + | |
| - | + | ||
| - | 322 | + | |
| - | < | + | |
| - | Jesus fucking Christ. | + | |
| - | + | ||
| - | 323 | + | |
| - | < | + | |
| - | Dylan. | + | |
| - | + | ||
| - | 324 | + | |
| - | < | + | |
| - | Why are you doing this, man? | + | |
| - | + | ||
| - | 325 | + | |
| - | < | + | |
| - | Come on. | + | |
| - | + | ||
| - | 326 | + | |
| - | < | + | |
| - | You are the refiner | + | |
| - | of the quarter! | + | |
| - | + | ||
| - | 327 | + | |
| - | < | + | |
| - | "While most cultures | + | |
| - | view sex as ugly or foul, | + | |
| - | + | ||
| - | 328 | + | |
| - | < | + | |
| - | - " | + | |
| - | - Mrs. Selvig? | + | |
| - | + | ||
| - | 329 | + | |
| - | < | + | |
| - | - What? | + | |
| - | - Is she there? Is Mrs. Selvig there? | + | |
| - | + | ||
| - | 330 | + | |
| - | < | + | |
| - | - Do you... | + | |
| - | - What? | + | |
| - | + | ||
| - | 331 | + | |
| - | < | + | |
| - | Mrs. Selvig? | + | |
| - | + | ||
| - | 332 | + | |
| - | < | + | |
| - | - What is going on? | + | |
| - | - She has Eleanor! | + | |
| - | + | ||
| - | 333 | + | |
| - | < | + | |
| - | What? Excuse me a moment, okay. | + | |
| - | + | ||
| - | 334 | + | |
| - | < | + | |
| - | Honey? What did you say? | + | |
| - | + | ||
| - | 335 | + | |
| - | < | + | |
| - | Mrs. Selvig has Eleanor. | + | |
| - | Did you see her? | + | |
| - | + | ||
| - | 336 | + | |
| - | < | + | |
| - | - Oh, my God. | + | |
| - | - What is going on? | + | |
| - | + | ||
| - | 337 | + | |
| - | < | + | |
| - | Oh, my God. Her car's gone. | + | |
| - | + | ||
| - | 338 | + | |
| - | < | + | |
| - | I gave her the | + | |
| - | baby, and she left! | + | |
| - | + | ||
| - | 339 | + | |
| - | < | + | |
| - | - She left? With Eleanor? | + | |
| - | - I handed her the baby, | + | |
| - | + | ||
| - | 340 | + | |
| - | < | + | |
| - | and she left! | + | |
| - | + | ||
| - | 341 | + | |
| - | < | + | |
| - | - Have we looked everywhere? | + | |
| - | - Not yet! | + | |
| - | + | ||
| - | 342 | + | |
| - | < | + | |
| - | Okay, let's go inside and look. | + | |
| - | + | ||
| - | 343 | + | |
| - | < | + | |
| - | Oh, my God! | + | |
| - | + | ||
| - | < | + | |
| - | MILCHICK | + | |
| - | I bet the tempers | + | |
| - | were disappointed. | + | |
| - | + | ||
| - | < | + | |
| - | MILCHICK | + | |
| - | I can still get | + | |
| - | you back in there. | + | |
| - | + | ||
| - | 346 | + | |
| - | < | + | |
| - | I can get you any | + | |
| - | perk you want, Dylan. | + | |
| - | + | ||
| - | 347 | + | |
| - | < | + | |
| - | Hey, there' | + | |
| - | don't even know about. | + | |
| - | + | ||
| - | 348 | + | |
| - | < | + | |
| - | There' | + | |
| - | there' | + | |
| - | + | ||
| - | 349 | + | |
| - | < | + | |
| - | Dylan, come on! | + | |
| - | + | ||
| - | 350 | + | |
| - | < | + | |
| - | Just say the word, and I'll get you a | + | |
| - | coffee cozy literally right now, Dylan. | + | |
| - | + | ||
| - | 351 | + | |
| - | < | + | |
| - | Come on, man! | + | |
| - | + | ||
| - | 352 | + | |
| - | < | + | |
| - | I wanna remember my | + | |
| - | fucking kid being born! | + | |
| - | + | ||
| - | 353 | + | |
| - | < | + | |
| - | You have two others. | + | |
| - | + | ||
| - | 354 | + | |
| - | < | + | |
| - | I can tell you about 'em. | + | |
| - | + | ||
| - | 355 | + | |
| - | < | + | |
| - | Open the door, and I'll | + | |
| - | tell you their names. | + | |
| - | + | ||
| - | 356 | + | |
| - | < | + | |
| - | Come on, Dylan. | + | |
| - | + | ||
| - | 357 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 358 | + | |
| - | < | + | |
| - | It's rolling. | + | |
| - | + | ||
| - | 359 | + | |
| - | < | + | |
| - | My name is Helena, | + | |
| - | and I'm an Eagan. | + | |
| - | + | ||
| - | 360 | + | |
| - | < | + | |
| - | So one of the things you learn growing | + | |
| - | up as an Eagan is that the workers… | + | |
| - | + | ||
| - | 361 | + | |
| - | < | + | |
| - | - We start in two minutes. | + | |
| - | - Thanks. | + | |
| - | + | ||
| - | 362 | + | |
| - | < | + | |
| - | Good luck. | + | |
| - | + | ||
| - | 363 | + | |
| - | < | + | |
| - | I'll tee you up. Just stick | + | |
| - | to the talking points. | + | |
| - | + | ||
| - | 364 | + | |
| - | < | + | |
| - | Use the line about how you | + | |
| - | see your innie as your sister. | + | |
| - | + | ||
| - | 365 | + | |
| - | < | + | |
| - | - They' | + | |
| - | - Got it. | + | |
| - | + | ||
| - | 366 | + | |
| - | < | + | |
| - | It's gonna be great. | + | |
| - | + | ||
| - | 367 | + | |
| - | < | + | |
| - | She's not in the baby room. | + | |
| - | + | ||
| - | 368 | + | |
| - | < | + | |
| - | Have all these | + | |
| - | rooms been checked? | + | |
| - | + | ||
| - | 369 | + | |
| - | < | + | |
| - | Thank God. | + | |
| - | + | ||
| - | 370 | + | |
| - | < | + | |
| - | Devon! I got her! | + | |
| - | + | ||
| - | 371 | + | |
| - | < | + | |
| - | Devon, she's here! I found her. | + | |
| - | + | ||
| - | 372 | + | |
| - | < | + | |
| - | I found your child. | + | |
| - | + | ||
| - | 373 | + | |
| - | < | + | |
| - | I'm the one who found her! | + | |
| - | + | ||
| - | 374 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | Dylan! | + | |
| - | + | ||
| - | 376 | + | |
| - | < | + | |
| - | …Improvements in morale, | + | |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | a happier workplace. | + | |
| - | + | ||
| - | 378 | + | |
| - | < | + | |
| - | As with any transformative | + | |
| - | technology, there have been setbacks. | + | |
| - | + | ||
| - | 379 | + | |
| - | < | + | |
| - | Bumps in the road. | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | But I'm here tonight to tell you that | + | |
| - | we are on the verge of a revolution. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | A kind and empathetic revolution | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | that puts the human being… | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | - Oh, my God! | + | |
| - | - Is it you? | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | What are you talking about? | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | It is you, isn't it? | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | I'm gonna kill your company. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | Your company! | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | Who the hell do | + | |
| - | you think you are? | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | No. Your friends | + | |
| - | are gonna suffer. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | Mark will suffer. | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | You'll be long gone, | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | but we will keep | + | |
| - | them alive, in pain. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | You're on. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | …decided that we | + | |
| - | could do better. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | He may never have seen a | + | |
| - | severance chip in his lifetime, | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | but it represents his gentle and | + | |
| - | elegant vision made manifest. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | But why don't we hear from someone who | + | |
| - | can tell us all about it firsthand? | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | Ladies and gentlemen, | + | |
| - | our guest of honor, | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | Helena Eagan. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | Thank you, Natalie. | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Devon! | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | My name is Helly R. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I'm an innie. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | And everything they' | + | |
| - | you about severance is a lie! | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Devon! | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | Burt! | + | |
| - | + | ||
| - | < | + | |
| - | IRVING | + | |
| - | Burt! | + | |
| - | + | ||
| - | < | + | |
| - | HELLY | + | |
| - | No, no, no. Listen, we're not happy. We're miserable. | + | |
| - | + | ||
| - | < | + | |
| - | IRVING | + | |
| - | Burt! | + | |
| - | + | ||
| - | < | + | |
| - | HELLY: They torture us down there! | + | |
| - | + | ||
| - | < | + | |
| - | IRVING: Burt! | + | |
| - | + | ||
| - | < | + | |
| - | MARK: Devon! Please! | + | |
| - | + | ||
| - | < | + | |
| - | HELLY: We're prisoners! | + | |
| - | + | ||
| - | < | + | |
| - | MARK: [[Gemma|She]]' | + | |
| - | + | ||
| - | < | + | |
| - | IRVING: Burt! | + | |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
the_we_we_are_transcript.1652647979.txt.gz · Last modified: 2022-05-15 20:52 by Neatnik
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