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| hide_and_seek_transcript [2022-06-28 04:43] – Neatnik | hide_and_seek_transcript [2022-09-11 19:50] (current) – Saeid | ||
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| | **Hide and Seek (Transcript)** || | | **Hide and Seek (Transcript)** || | ||
| ^ Episode Number | 1.6 | | ^ Episode Number | 1.6 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[the_grim_barbarity_of_optics_and_design_transcript]] | | ^ Previous Transcript | [[the_grim_barbarity_of_optics_and_design_transcript]] | | ||
| ^ Next Transcript | [[defiant_jazz_transcript]] | | ^ Next Transcript | [[defiant_jazz_transcript]] | | ||
| Line 15: | Line 15: | ||
| <WRAP script> | <WRAP script> | ||
| - | 1 | ||
| < | < | ||
| - | Graner. | + | Cobel: |
| - | 2 | ||
| < | < | ||
| - | We ran the data from | + | Graner: |
| - | Kilmer's head like you asked. | + | |
| - | 3 | ||
| - | < | ||
| - | We found the signature from the | ||
| - | console they used to hack the chip. | ||
| - | |||
| - | 4 | ||
| < | < | ||
| - | Whose was it? | + | Cobel: |
| - | 5 | ||
| < | < | ||
| - | Ours. | + | Graner: |
| - | + | ||
| - | 6 | + | |
| - | < | + | |
| - | I think it's | + | |
| - | traceable to Reghabi. | + | |
| - | 7 | ||
| < | < | ||
| - | - Reghabi. | + | Cobel: |
| - | - Yep. | + | Graner: |
| - | 8 | ||
| < | < | ||
| - | She cracked reintegration. | + | Graner: |
| - | I'll find her. | + | |
| - | 9 | ||
| < | < | ||
| - | "Tame in me the tempers four" | + | Cobel: |
| - | 10 | ||
| - | < | ||
| - | that I may serve thee evermore. | ||
| - | |||
| - | 11 | ||
| - | < | ||
| - | Place in me the values nine | ||
| - | |||
| - | 12 | ||
| - | < | ||
| - | "that I may feel | ||
| - | thy touch divine." | ||
| - | |||
| - | 13 | ||
| < | < | ||
| - | Can I come in? | + | Irving: |
| - | 14 | ||
| < | < | ||
| - | Yeah. Yeah. | + | Burt: Yeah. Yeah. |
| - | 15 | ||
| < | < | ||
| - | You found this? | + | Irving: |
| - | 16 | ||
| < | < | ||
| - | A while back. | + | Burt: A while back. I come here sometimes, just me. Now, I want to show it to you. |
| - | 17 | ||
| - | < | ||
| - | I come here sometimes, just me. | ||
| - | |||
| - | 18 | ||
| - | < | ||
| - | Now, I want to show it to you. | ||
| - | |||
| - | 19 | ||
| < | < | ||
| - | It's beautiful. | + | Irving: |
| - | 20 | ||
| < | < | ||
| - | It could be just for | + | Burt: It could be just for us. Our secret place. |
| - | us. Our secret place. | + | |
| - | 21 | ||
| < | < | ||
| - | Finally. | + | Irving: |
| - | 22 | ||
| < | < | ||
| - | What I mean to say is that your | + | Irving: |
| - | O&D colleagues are very nice, | + | |
| - | 23 | ||
| - | < | ||
| - | but they' | ||
| - | |||
| - | 24 | ||
| < | < | ||
| - | - Always around. | + | Burt: Always around. |
| - | - Yes. | + | Irving: |
| - | 25 | ||
| < | < | ||
| - | Is this okay? | + | Burt: Is this okay? |
| - | 26 | ||
| < | < | ||
| - | Irving, you know, the Lumon manual doesn't | + | Burt: Irving, you know, the Lumon manual doesn’t say anything about lip-to-lip contact. |
| - | say anything about lip-to-lip contact. | + | |
| - | 27 | ||
| < | < | ||
| - | It does discourage romantic | + | Irving: |
| - | fraternization, | + | |
| - | 28 | ||
| < | < | ||
| - | This can't be romantic then. | + | Burt: This can’t be romantic then. |
| - | 29 | ||
| < | < | ||
| - | No. | + | Irving: |
| - | 30 | ||
| < | < | ||
| - | Not romantic… at all? | + | Burt: Not romantic… at all? |
| - | 31 | ||
| < | < | ||
| - | I'm truly sorry… | + | Irving: |
| - | 32 | ||
| - | < | ||
| - | I'm just not ready. | ||
| - | |||
| - | 33 | ||
| < | < | ||
| - | I'm... I'm sorry. | + | Irving: |
| - | 34 | ||
| < | < | ||
| - | It's fine. | + | Burt: It’s fine. |
| - | 35 | ||
| < | < | ||
| - | Just stay. | + | Burt: Just stay. Stay here with me. |
| - | 36 | ||
| - | < | ||
| - | Stay here with me. | ||
| - | |||
| - | 37 | ||
| < | < | ||
| - | You did so good. | + | Devon: |
| - | 38 | ||
| - | < | ||
| - | Now we're gonna go home and | ||
| - | see if you'll eat. Please. | ||
| - | |||
| - | 39 | ||
| < | < | ||
| - | Looks like we both | + | Devon: |
| - | made it through. | + | |
| - | 40 | ||
| < | < | ||
| - | - Oh, hello. | + | Gabby: |
| - | - Hi. | + | Devon: |
| - | 41 | ||
| < | < | ||
| - | Devon. From the retreat. | + | Devon: |
| - | 42 | ||
| - | < | ||
| - | I accosted you for your coffee. | ||
| - | |||
| - | 43 | ||
| < | < | ||
| - | He's beautiful. | + | Devon: |
| - | + | ||
| - | 44 | + | |
| - | < | + | |
| - | He looks like a William. | + | |
| - | 45 | ||
| < | < | ||
| - | His name's Bradley, actually. | + | Gabby: |
| - | 46 | ||
| < | < | ||
| - | Not William? | + | Devon: |
| - | 47 | ||
| < | < | ||
| - | - You changed it? | + | Devon: |
| - | - Did we leave the juice boxes in the car? | + | Angelo: |
| - | 48 | ||
| < | < | ||
| - | We must have, yeah. | + | Gabby: |
| - | 49 | ||
| < | < | ||
| - | Hi. Angelo Arteta. | + | Angelo: |
| - | 50 | ||
| < | < | ||
| - | I'm Devon. Nice to meet you. | + | Devon: |
| - | 51 | ||
| < | < | ||
| - | - Congratulations there. | + | Angelo: |
| - | - Oh, thank you. | + | Devon: |
| - | 52 | ||
| < | < | ||
| - | You two know each other? | + | Angelo: |
| - | 53 | ||
| < | < | ||
| - | Yeah, I was... We were... | + | Devon: |
| - | Met at the birthing cottages. | + | |
| - | 54 | ||
| < | < | ||
| - | - Nice to meet you too, Devon. | + | Angelo: |
| - | - Yeah. You too. | + | Devon: |
| - | 55 | ||
| < | < | ||
| - | Wow-kazow. | + | Devon: |
| - | 56 | ||
| < | < | ||
| - | We should go. | + | Angelo: |
| - | 57 | ||
| < | < | ||
| - | - Bye. Bye. | + | Gabby: |
| - | - Bye, you guys. | + | Devon: |
| - | 58 | ||
| < | < | ||
| - | Bye, Bradley. | + | Devon: |
| - | 59 | ||
| < | < | ||
| - | Declan, Kai, come on. | + | Angelo: |
| - | 60 | ||
| < | < | ||
| - | What in the fuckity fuck? | + | Devon: |
| - | 61 | ||
| < | < | ||
| - | Sorry. | + | Devon: |
| - | 62 | ||
| < | < | ||
| - | What does camaraderie mean? | + | Ricken (voiceover): |
| - | 63 | ||
| - | < | ||
| - | Most linguists agree it comes | ||
| - | from the Latin " | ||
| - | |||
| - | 64 | ||
| - | < | ||
| - | which means "a device used | ||
| - | to take a photograph." | ||
| - | |||
| - | 65 | ||
| - | < | ||
| - | And of course, the best photographs | ||
| - | are of groups of happy friends | ||
| - | |||
| - | 66 | ||
| - | < | ||
| - | who love each other deeply. | ||
| - | |||
| - | 67 | ||
| < | < | ||
| - | But I think camaraderie is more | + | Ricken (voiceover): |
| - | than smiling together in photos. | + | |
| - | 68 | ||
| - | < | ||
| - | It's standing together | ||
| - | in hard times. | ||
| - | |||
| - | 69 | ||
| - | < | ||
| - | It's recognizing a common | ||
| - | struggle in another person | ||
| - | |||
| - | 70 | ||
| - | < | ||
| - | and reaching out to | ||
| - | offer them a loving hand. | ||
| - | |||
| - | 71 | ||
| < | < | ||
| - | We should return | + | Irving: |
| - | to O&D immediately. | + | |
| - | + | ||
| - | 72 | + | |
| - | < | + | |
| - | All of us. Today. | + | |
| - | 73 | ||
| < | < | ||
| - | Someone's eager to fraternize. | + | Dylan: |
| - | 74 | ||
| < | < | ||
| - | Fraternization has | + | Irving: |
| - | nothing to do with it. | + | |
| - | 75 | ||
| - | < | ||
| - | This could be the start of | ||
| - | us uniting the departments | ||
| - | |||
| - | 76 | ||
| - | < | ||
| - | the way Kier always intended. | ||
| - | |||
| - | 77 | ||
| < | < | ||
| - | Maybe his ghost can | + | Dylan: |
| - | officiate your wedding. | + | |
| - | 78 | ||
| < | < | ||
| - | This is inappropriate workplace | + | Irving: |
| - | commentary. And I'm self-reporting you. | + | |
| - | 79 | ||
| < | < | ||
| - | You're reporting me to yourself? | + | Dylan: |
| - | 80 | ||
| < | < | ||
| - | Okay. You said they | + | Mark: Okay. You said they were making things? |
| - | were making things? | + | |
| - | 81 | ||
| < | < | ||
| - | Yes, in some kind of | + | Irving: |
| - | machines. We didn't ask what. | + | |
| - | 82 | ||
| < | < | ||
| - | It's the clubs they | + | Dylan: |
| - | murder those goats with. | + | |
| - | 83 | ||
| < | < | ||
| - | Shut up. | + | Helly: |
| - | 84 | ||
| < | < | ||
| - | I agree with Irving. O&D | + | Helly: |
| - | is the next piece of this. | + | |
| - | 85 | ||
| < | < | ||
| - | - Now, once we've mapped the whole floor... | + | Helly: |
| - | - To be clear, I do not approve of mapping. | + | Irving: |
| - | 86 | ||
| < | < | ||
| - | Right. | + | Helly: |
| - | 87 | ||
| < | < | ||
| - | What if we go on another | + | Helly: |
| - | " | + | |
| - | 88 | ||
| - | < | ||
| - | Could be fun. | ||
| - | |||
| - | 89 | ||
| < | < | ||
| - | What... I don't know. | + | Mark: What... I don’t know. I mean, we still have a lot of work to do, so… |
| - | 90 | ||
| - | < | ||
| - | I mean, we still have a | ||
| - | lot of work to do, so… | ||
| - | |||
| - | 91 | ||
| < | < | ||
| - | Oh, right. | + | Helly: |
| - | 92 | ||
| < | < | ||
| - | The work is mysterious | + | Helly: |
| - | and important. | + | |
| - | 93 | ||
| < | < | ||
| - | That's good. That | + | Mark: That’s good. That sounds just like me. |
| - | sounds just like me. | + | |
| - | 94 | ||
| < | < | ||
| - | I know. | + | Helly: |
| - | 95 | ||
| < | < | ||
| - | Back to work, slackers. | + | Helly: |
| - | 96 | ||
| < | < | ||
| - | Praise Kier. | + | Helly: |
| - | 97 | ||
| < | < | ||
| - | Hey. | + | Dylan: |
| - | 98 | ||
| - | < | ||
| - | Are you fraternizing too? | ||
| - | |||
| - | 99 | ||
| < | < | ||
| - | What? No, I... | + | Mark: What? No, I... |
| - | 100 | ||
| < | < | ||
| - | I'm a leader who cares | + | Mark: I’m a leader who cares about his employees and takes their requests seriously. |
| - | about his employees | + | |
| - | + | ||
| - | 101 | + | |
| - | < | + | |
| - | and takes their | + | |
| - | requests seriously. | + | |
| - | 102 | ||
| < | < | ||
| - | - Really? | + | Dylan: |
| - | - Yeah. | + | Mark: Yeah. |
| - | 103 | ||
| < | < | ||
| - | Look at you all dewy mouthed. | + | Dylan: |
| - | 104 | ||
| < | < | ||
| - | - You never smile at me. | + | Dylan: |
| - | - He's right, Mark. | + | Irving: |
| - | 105 | ||
| < | < | ||
| - | You are sparing with the | + | Irving: |
| - | facial encouragements. | + | |
| - | 106 | ||
| < | < | ||
| - | That's ridiculous. I | + | Mark: That’s ridiculous. I smile all the time. |
| - | smile all the time. | + | |
| - | 107 | ||
| < | < | ||
| - | Hey there. | + | Milchick: |
| - | 108 | ||
| - | < | ||
| - | What are you all talking about? | ||
| - | |||
| - | 109 | ||
| < | < | ||
| - | Just... | + | Irving: |
| - | 110 | ||
| < | < | ||
| - | - We're... | + | Mark: We’re... |
| - | - Dis... | + | Irving: |
| - | 111 | ||
| < | < | ||
| - | - Discussing the... | + | Mark: Discussing the... |
| - | - Yes, Mrs... | + | Irving: |
| - | 112 | ||
| < | < | ||
| - | - Ms. Casey. Ms. Casey. | + | Mark: Ms. Casey. Ms. Casey. |
| - | - Ms. Casey. Yeah. | + | Irving: |
| - | 113 | ||
| < | < | ||
| - | Wait, where is she? | + | Mark: Wait, where is she? |
| - | 114 | ||
| < | < | ||
| - | Part-time | + | Cobel: |
| - | socialized and sophisticated as yourself, | + | |
| - | 115 | ||
| - | < | ||
| - | but they still must be held | ||
| - | accountable for their actions. | ||
| - | |||
| - | 116 | ||
| < | < | ||
| - | Ms. Casey was told to supervise | + | Cobel: |
| - | Helly, and she failed at that task. | + | |
| - | 117 | ||
| < | < | ||
| - | Because I snuck Helly out. | + | Mark: Because I snuck Helly out. I mean, if anyone should be in the break room, it’s me. |
| - | + | ||
| - | 118 | + | |
| - | < | + | |
| - | I mean, if anyone should be | + | |
| - | in the break room, it's me. | + | |
| - | 119 | ||
| < | < | ||
| - | Valiance. | + | Cobel: |
| - | 120 | ||
| - | < | ||
| - | Not a core principle, but sweet. | ||
| - | |||
| - | 121 | ||
| < | < | ||
| - | Who won't you go to | + | Cobel: |
| - | the break room for? | + | |
| - | 122 | ||
| < | < | ||
| - | She's just a wellness | + | Cobel: |
| - | counselor, Mark. | + | |
| - | 123 | ||
| < | < | ||
| - | Yes, but she | + | Mark: Yes, but she shouldn’t be punished. |
| - | shouldn't be punished. | + | |
| - | 124 | ||
| < | < | ||
| - | I mean, I thought | + | Mark: I mean, I thought Helly needed a walk. I mean, I’m allowed to do that. |
| - | Helly needed a walk. | + | |
| - | 125 | ||
| - | < | ||
| - | I mean, I'm allowed to do that. | ||
| - | |||
| - | 126 | ||
| < | < | ||
| - | Just a walk? | + | Cobel: |
| - | 127 | ||
| < | < | ||
| - | Yeah. | + | Mark: Yeah. |
| - | 128 | ||
| < | < | ||
| - | Or were you sniffing | + | Cobel: |
| - | around other departments | + | |
| - | 129 | ||
| - | < | ||
| - | while your department | ||
| - | falls woefully below quota? | ||
| - | |||
| - | 130 | ||
| < | < | ||
| - | She almost died. | + | Mark: She almost died. |
| - | 131 | ||
| < | < | ||
| - | It's not your job to play | + | Cobel: |
| - | nursemaid to every new refiner. | + | |
| - | 132 | ||
| < | < | ||
| - | Okay, so what is my job? | + | Mark: Okay, so what is my job? |
| - | 133 | ||
| < | < | ||
| - | Are you really asking me that? | + | Cobel: |
| - | 134 | ||
| < | < | ||
| - | Yeah. | + | Mark: Yeah. What is it we actually do here? |
| - | 135 | ||
| - | < | ||
| - | What is it we actually do here? | ||
| - | |||
| - | 136 | ||
| < | < | ||
| - | We serve Kier, you child! | + | Cobel: |
| - | 137 | ||
| < | < | ||
| - | And until you get that through your | + | Cobel: |
| - | mildewed little brain and hit quota, | + | |
| - | + | ||
| - | 138 | + | |
| - | < | + | |
| - | MDR's hallway privileges | + | |
| - | are hereby revoked. | + | |
| - | + | ||
| - | 139 | + | |
| - | < | + | |
| - | So get your little ass back to your desk | + | |
| - | and stay there until you're told to move. | + | |
| - | 140 | ||
| < | < | ||
| - | Goddamn tragedy for the ages. | + | Dylan: |
| - | 141 | ||
| < | < | ||
| - | MDR will mourn the " | + | Dylan: |
| - | energy shared by Ms. Casey and myself. | + | |
| - | 142 | ||
| < | < | ||
| - | Oh, yeah? | + | Helly: |
| - | 143 | ||
| < | < | ||
| - | And to think I wore this | + | Dylan: |
| - | nice-ass shirt for her today. | + | |
| - | 144 | ||
| < | < | ||
| - | When you picked that shirt, | + | Helly: |
| - | you didn't know she existed. | + | |
| - | 145 | ||
| < | < | ||
| - | Well, maybe love | + | Dylan: |
| - | transcends severance. | + | |
| - | 146 | ||
| < | < | ||
| - | - You think so? | + | Helly: |
| - | - No. | + | Dylan: |
| - | 147 | ||
| < | < | ||
| - | What about you and Mark? | + | Dylan: |
| - | 148 | ||
| < | < | ||
| - | What? | + | Helly: |
| - | 149 | ||
| < | < | ||
| - | You two enjoy sneaking | + | Dylan: |
| - | off the other day? | + | |
| - | 150 | ||
| - | < | ||
| - | "Baby goats"? | ||
| - | |||
| - | 151 | ||
| < | < | ||
| - | Why are you saying it like that? | + | Helly: |
| - | 152 | ||
| < | < | ||
| - | Are you implying that "baby goats" | + | Helly: |
| - | is code for sex with Mark S.? | + | |
| - | 153 | ||
| < | < | ||
| - | Wow. | + | Helly: |
| - | 154 | ||
| < | < | ||
| - | Is "baby goats" code | + | Dylan: |
| - | for sex with Mark S.? | + | |
| - | 155 | ||
| < | < | ||
| - | No, they were actual goats. | + | Helly: |
| - | 156 | ||
| - | < | ||
| - | Why would we call it that? | ||
| - | |||
| - | 157 | ||
| < | < | ||
| - | Okay. Yeah, I believe you. | + | Dylan: |
| - | 158 | ||
| < | < | ||
| - | Mark. | + | Helly: |
| - | 159 | ||
| < | < | ||
| - | You find out what happened? | + | Dylan: |
| - | 160 | ||
| < | < | ||
| - | She's in the break room. | + | Mark: She’s in the break room. |
| - | 161 | ||
| < | < | ||
| - | Shit. Is that because of us? | + | Helly: |
| - | 162 | ||
| < | < | ||
| - | And we're not allowed in the outer | + | Mark: And we’re not allowed in the outer hallways anymore till we hit quota, |
| - | hallways anymore till we hit quota, | + | |
| - | 163 | ||
| - | < | ||
| - | so no more | ||
| - | interdepartmental visits! | ||
| - | |||
| - | 164 | ||
| < | < | ||
| - | Are you serious? | + | Dylan: |
| - | 165 | ||
| < | < | ||
| - | I'm… | + | Irving: |
| - | + | ||
| - | 166 | + | |
| - | < | + | |
| - | I'm sorry, Mark. | + | |
| - | It's... It's my fault… | + | |
| - | + | ||
| - | 167 | + | |
| - | < | + | |
| - | That I've been setting a bad | + | |
| - | example as the senior-most refiner. | + | |
| - | 168 | ||
| < | < | ||
| - | Which way did you | + | Mark: Which way did you say it was to O&D? |
| - | say it was to O&D? | + | |
| - | 169 | ||
| < | < | ||
| - | Milchick! | + | Cobel: |
| - | 170 | ||
| < | < | ||
| - | I'm on it. | + | Milchick: |
| - | 171 | ||
| < | < | ||
| - | This is more people | + | Helly: |
| - | than I've ever seen. | + | |
| - | 172 | ||
| < | < | ||
| - | Same. | + | Mark: Same. |
| - | 173 | ||
| < | < | ||
| - | It's okay. | + | Burt: It’s okay. I know change can be disorienting, |
| - | 174 | ||
| - | < | ||
| - | I know change can | ||
| - | be disorienting, | ||
| - | |||
| - | 175 | ||
| - | < | ||
| - | but MDR is here now. | ||
| - | |||
| - | 176 | ||
| < | < | ||
| - | You are welcome here, | + | Burt: You are welcome here, much as I hope all of us will be welcome to visit you at your place of endeavors. |
| - | 177 | ||
| - | < | ||
| - | much as I hope all of us will be welcome | ||
| - | to visit you at your place of endeavors. | ||
| - | |||
| - | 178 | ||
| < | < | ||
| - | Now go on. Surely you must | + | Burt: Now go on. Surely you must have some questions for them. |
| - | have some questions for them. | + | |
| - | 179 | ||
| < | < | ||
| - | So, it's called | + | Elizabeth: |
| - | Macrodata Refinement? | + | |
| - | + | ||
| - | 180 | + | |
| - | < | + | |
| - | What do you refine? | + | |
| - | 181 | ||
| < | < | ||
| - | Is that a watering can? | + | Irving: |
| - | 182 | ||
| < | < | ||
| - | We think it might be supplies | + | Burt: We think it might be supplies for the executive wing upstairs. |
| - | for the executive wing upstairs. | + | |
| - | 183 | ||
| < | < | ||
| - | Then again, last week's output | + | Burt: Then again, last week’s output had more of an aggressive feel. |
| - | had more of an aggressive feel. | + | |
| - | 184 | ||
| < | < | ||
| - | The hatchets weren't aggressive. | + | Elizabeth: |
| - | 185 | ||
| < | < | ||
| - | Hatchets? | + | Helly: |
| - | 186 | ||
| < | < | ||
| - | We've been trying to figure | + | Mark: We’ve been trying to figure out how it all fits together. |
| - | out how it all fits together. | + | |
| - | 187 | ||
| < | < | ||
| - | We found a department the | + | Mark: We found a department the opposite way from here that’s, well, raising baby goats. |
| - | opposite way from here | + | |
| - | 188 | ||
| - | < | ||
| - | that' | ||
| - | raising baby goats. | ||
| - | |||
| - | 189 | ||
| < | < | ||
| - | Raising baby goats? | + | Burt: Raising baby goats? |
| - | 190 | ||
| < | < | ||
| - | There is a lot unknown to us as | + | Burt: There is a lot unknown to us as well, but we keep plugging along. It’s important work, obviously. |
| - | well, but we keep plugging along. | + | |
| - | + | ||
| - | 191 | + | |
| - | < | + | |
| - | It's important work, obviously. | + | |
| - | 192 | ||
| < | < | ||
| - | Everything we do | + | Irving: |
| - | here is important. | + | |
| - | 193 | ||
| < | < | ||
| - | It's important because it actually | + | Helly: |
| - | is or because you're saying it is? | + | |
| - | 194 | ||
| < | < | ||
| - | Look, maybe we should | + | Mark: Look, maybe we should work together on this. |
| - | work together on this. | + | |
| - | 195 | ||
| < | < | ||
| - | Together doing what, exactly? | + | Felicia: |
| - | 196 | ||
| < | < | ||
| - | I don't know. Finding | + | Mark: I don’t know. Finding out why there are goats. Or, you know, finding out how big this place is or how many of us there are. |
| - | out why there are goats. | + | |
| - | + | ||
| - | 197 | + | |
| - | < | + | |
| - | Or, you know, finding | + | |
| - | out how big this place is | + | |
| - | + | ||
| - | 198 | + | |
| - | < | + | |
| - | or how many of us there are. | + | |
| - | 199 | ||
| < | < | ||
| - | I mean, why won't they tell | + | Mark: I mean, why won’t they tell us what we’re doing here? What-What are they so afraid of? |
| - | us what we're doing here? | + | |
| - | 200 | ||
| - | < | ||
| - | What-What are they so afraid of? | ||
| - | |||
| - | 201 | ||
| < | < | ||
| - | If the Eagan philosophy is | + | Mark: If the Eagan philosophy is illumination above all... |
| - | illumination above all... | + | |
| - | 202 | ||
| < | < | ||
| - | Illumination beyond all. | + | Irving: |
| - | + | ||
| - | 203 | + | |
| - | < | + | |
| - | But yes. | + | |
| - | 204 | ||
| < | < | ||
| - | Then why doesn't | + | Mark: Then why doesn’t that include us? |
| - | that include us? | + | |
| - | 205 | ||
| < | < | ||
| - | Why are we down here | + | Mark: Why are we down here still working in the dark? |
| - | still working in the dark? | + | |
| - | 206 | ||
| < | < | ||
| - | That was poetic as shit, man. | + | Dylan: |
| - | 207 | ||
| < | < | ||
| - | Thanks. | + | Mark: Thanks. |
| - | 208 | ||
| < | < | ||
| - | Mark is right. | + | Burt: Mark is right. |
| - | 209 | ||
| < | < | ||
| - | - He is? | + | Irving: |
| - | - He is. | + | Burt: |
| - | 210 | ||
| < | < | ||
| - | Irving, Kier would want us to feel the | + | Burt: Irving, Kier would want us to feel the warm embrace of knowledge and truth. That way we could be true partners in his teachings. |
| - | warm embrace of knowledge and truth. | + | |
| - | 211 | ||
| - | < | ||
| - | That way we could be true | ||
| - | partners in his teachings. | ||
| - | |||
| - | 212 | ||
| < | < | ||
| - | Exactly. | + | Mark: Exactly. |
| - | 213 | ||
| < | < | ||
| - | I think, as the two | + | Burt: I think, as the two department chiefs, Mark and I should make contact with this goat department, see what they know. And we can each bring one aide-de-camp. |
| - | department chiefs, | + | |
| - | + | ||
| - | 214 | + | |
| - | < | + | |
| - | Mark and I should make contact with this | + | |
| - | goat department, see what they know. | + | |
| - | + | ||
| - | 215 | + | |
| - | < | + | |
| - | And we can each bring | + | |
| - | one aide-de-camp. | + | |
| - | 216 | ||
| < | < | ||
| - | We're not children, Mr. Milchick. | + | Mark: We’re not children, Mr. Milchick. We didn’t do anything wrong. |
| - | We didn't do anything wrong. | + | |
| - | 217 | ||
| < | < | ||
| - | Kier, chosen one, Kier. | + | Cobel (singing): //Kier, chosen one, Kier.\\ Kier, brilliant one, Kier.\\ Brings the bounty to the plain Through the torment, through the rains.\\ Progress, knowledge Show no fear.\\ Kier, chosen one, Kier.// |
| - | 218 | ||
| - | < | ||
| - | Kier, brilliant one, Kier. | ||
| - | |||
| - | 219 | ||
| - | < | ||
| - | Brings the bounty to the plain Through | ||
| - | the torment, through the rains. | ||
| - | |||
| - | 220 | ||
| - | < | ||
| - | Progress, knowledge | ||
| - | Show no fear. | ||
| - | |||
| - | 221 | ||
| - | < | ||
| - | Kier, chosen one. | ||
| - | |||
| - | 222 | ||
| - | < | ||
| - | Kier. | ||
| - | |||
| - | 223 | ||
| < | < | ||
| - | I trusted you, and | + | Cobel: |
| - | you abused that trust. | + | |
| - | + | ||
| - | 224 | + | |
| - | < | + | |
| - | Your inefficiency and | + | |
| - | free-range chicken roaming | + | |
| - | + | ||
| - | 225 | + | |
| - | < | + | |
| - | is ultimately your | + | |
| - | responsibility. | + | |
| - | 226 | ||
| < | < | ||
| - | Escort him to the break room. | + | Cobel: |
| - | 227 | ||
| < | < | ||
| - | I'm sorry. | + | Mark: I’m sorry. |
| - | 228 | ||
| < | < | ||
| - | What happened to your hand? | + | Alexa: |
| - | 229 | ||
| < | < | ||
| - | Apparently, I jammed my hand at | + | Mark: Apparently, I jammed my hand at work replenishing a watercooler. Or at least that’s what they tell me. |
| - | work replenishing a watercooler. | + | |
| - | 230 | ||
| - | < | ||
| - | Or at least that's | ||
| - | what they tell me. | ||
| - | |||
| - | 231 | ||
| < | < | ||
| - | Those jugs are very heavy. | + | Alexa: |
| - | 232 | ||
| < | < | ||
| - | Indeed they are. | + | Mark: Indeed they are. |
| - | 233 | ||
| < | < | ||
| - | Another merlot? | + | Waiter: |
| - | 234 | ||
| < | < | ||
| - | I'm fine, thanks. | + | Alexa: |
| - | 235 | ||
| < | < | ||
| - | I'm good with water, thank you. | + | Mark: I’m good with water, thank you. |
| - | 236 | ||
| < | < | ||
| - | Have you seen the princess? | + | Mark: Have you seen the princess? |
| - | 237 | ||
| < | < | ||
| - | No, not since her birth. | + | Alexa: |
| - | 238 | ||
| - | < | ||
| - | But I did talk on the | ||
| - | phone with your sister. | ||
| - | |||
| - | 239 | ||
| < | < | ||
| - | I don't know how much she | + | Alexa: |
| - | tells you about her... | + | |
| - | 240 | ||
| < | < | ||
| - | - Latching difficulties? | + | Mark: Latching difficulties? |
| - | - Yes. | + | Alexa: |
| - | 241 | ||
| < | < | ||
| - | I-I'm aware. Maybe too | + | Mark: I-I’m aware. Maybe too aware. I don’t know. |
| - | aware. I don't know. | + | |
| - | 242 | ||
| < | < | ||
| - | Well, she just wanted the names | + | Alexa: |
| - | of some lactation consultants. | + | |
| - | 243 | ||
| < | < | ||
| - | Well, it's not something | + | Mark: Well, it’s not something serious, is it? |
| - | serious, is it? | + | |
| - | 244 | ||
| < | < | ||
| - | No. It's very common. | + | Alexa: |
| - | 245 | ||
| < | < | ||
| - | Still, it's probably good | + | Mark: Still, it’s probably good to get an expert opinion. I mean, from someone other than... |
| - | to get an expert opinion. | + | |
| - | + | ||
| - | 246 | + | |
| - | < | + | |
| - | I mean, from someone other than… | + | |
| - | 247 | ||
| < | < | ||
| - | - Ricken? Yes. | + | Alexa: |
| - | - …Ricken. | + | Mark: ...Ricken. |
| - | 248 | ||
| < | < | ||
| - | Did you ever think | + | Alexa: |
| - | about having kids? | + | |
| - | 249 | ||
| < | < | ||
| - | With Gemma? | + | Mark: With Gemma? |
| - | 250 | ||
| < | < | ||
| - | Yes. | + | Alexa: |
| - | 251 | ||
| < | < | ||
| - | Yeah, we tried for | + | Mark: Yeah, we tried for a little while. It wasn’t really working. |
| - | a little while. | + | |
| - | 252 | ||
| - | < | ||
| - | It wasn't really working. | ||
| - | |||
| - | 253 | ||
| < | < | ||
| - | We talked about adopting | + | Mark: We talked about adopting at one point, but...I don’t know. Then you think, "Okay, this is the life you’ve been given. And, um, that’s another life, and you don’t get that one. So do something with this." |
| - | at one point, but… | + | |
| - | 254 | ||
| - | < | ||
| - | I don't know. Then you think, "Okay, | ||
| - | this is the life you've been given." | ||
| - | |||
| - | 255 | ||
| - | < | ||
| - | And, um, that's another life, | ||
| - | and you don't get that one. | ||
| - | |||
| - | 256 | ||
| - | < | ||
| - | "So do something with this." | ||
| - | |||
| - | 257 | ||
| < | < | ||
| - | That's very healthy. | + | Alexa: |
| - | 258 | ||
| < | < | ||
| - | Well, it's mostly | + | Mark: Well, it’s mostly stuff she said. She was very pragmatic. Always had a plan B. |
| - | stuff she said. | + | |
| - | 259 | ||
| - | < | ||
| - | She was very pragmatic. | ||
| - | |||
| - | 260 | ||
| - | < | ||
| - | Always had a plan B. | ||
| - | |||
| - | 261 | ||
| < | < | ||
| - | You know, one time we were supposed | + | Mark: You know, one time we were supposed to go on this camping trip and... Is it weird that I’m talking about her right now? |
| - | to go on this camping trip and... | + | |
| - | + | ||
| - | 262 | + | |
| - | < | + | |
| - | Is it weird that I'm | + | |
| - | talking about her right now? | + | |
| - | 263 | ||
| < | < | ||
| - | - I feel like... | + | Mark: I feel like... |
| - | - No, I think it's also healthy. | + | Alexa: |
| - | 264 | ||
| < | < | ||
| - | Yeah, but we're on a date. I... | + | Mark: Yeah, but we’re on a date. I... |
| - | 265 | ||
| < | < | ||
| - | I haven't walked out on you yet. | + | Alexa: |
| - | 266 | ||
| < | < | ||
| - | You know, sometimes I think… | + | Mark: You know, sometimes I think...she’d want me to get off my ass. And sometimes I think she’s not worried about me at all. She’s just pissed that she’s dead. |
| - | she'd want me to get off my ass. | + | |
| - | 267 | ||
| - | < | ||
| - | And sometimes I think she's | ||
| - | not worried about me at all. | ||
| - | |||
| - | 268 | ||
| - | < | ||
| - | She's just pissed | ||
| - | that she's dead. | ||
| - | |||
| - | 269 | ||
| < | < | ||
| - | Sorry, I know this doesn't | + | Mark: Sorry, I know this doesn’t totally make sense. |
| - | totally make sense. | + | |
| - | 270 | ||
| < | < | ||
| - | She's a part of you. | + | Alexa: |
| - | 271 | ||
| - | < | ||
| - | You know? You can't just | ||
| - | separate yourself... | ||
| - | |||
| - | 272 | ||
| < | < | ||
| - | - Oh, no, but you can, Alexa. | + | Mark: Oh, no, but you can, Alexa. |
| - | - Oh, shit. | + | Alexa: |
| - | 273 | ||
| < | < | ||
| - | With this exciting | + | Mark: With this exciting new procedure. |
| - | new procedure. | + | |
| - | 274 | ||
| < | < | ||
| - | - Walked right into that. | + | Alexa: |
| - | - Yes, you did. | + | Mark: Yes, you did. |
| - | 275 | ||
| < | < | ||
| - | - Love? | + | Ricken: |
| - | - Yeah? | + | Devon: |
| - | 276 | ||
| < | < | ||
| - | - She's here. | + | Ricken: |
| - | - Yeah. | + | Devon: |
| - | 277 | ||
| < | < | ||
| - | Careful. Watch your | + | Ricken: |
| - | step. Right this way. | + | |
| - | 278 | ||
| < | < | ||
| - | - Love it. | + | Cobel: |
| - | - Okay. My girl. There's my girl. | + | Devon: |
| - | 279 | ||
| < | < | ||
| - | Okay. | + | Ricken: |
| - | 280 | ||
| < | < | ||
| - | You must be Devon. | + | Cobel: |
| - | 281 | ||
| < | < | ||
| - | Devon, this is Mrs. Selvig. | + | Ricken: |
| - | 282 | ||
| < | < | ||
| - | Hi. Yeah, and you're Mark's neighbor. | + | Devon: |
| - | Thanks so much for meeting with us. | + | |
| - | 283 | ||
| < | < | ||
| - | Oh, it's a privilege. | + | Cobel: |
| - | 284 | ||
| - | < | ||
| - | I went giddy when Mark mentioned | ||
| - | you were looking for someone. | ||
| - | |||
| - | 285 | ||
| < | < | ||
| - | - So serendipitous. | + | Ricken: |
| - | - I know. | + | Cobel: |
| - | 286 | ||
| < | < | ||
| - | The kelp worked, huh? | + | Ricken: |
| - | 287 | ||
| < | < | ||
| - | And this must be little Eleanor. | + | Cobel: |
| - | + | ||
| - | 288 | + | |
| - | < | + | |
| - | Hello, little Eleanor. | + | |
| - | 289 | ||
| < | < | ||
| - | - You had a vaginal birth, yes? | + | Cobel: |
| - | - Oh, yeah. | + | Devon: |
| - | 290 | ||
| < | < | ||
| - | We should talk about | + | Cobel: |
| - | different nursing positions. | + | |
| - | 291 | ||
| < | < | ||
| - | Oh, and I brought you this. | + | Cobel: |
| - | 292 | ||
| - | < | ||
| - | Shea butter salve | ||
| - | for your nipples. | ||
| - | |||
| - | 293 | ||
| - | < | ||
| - | It's on the house. | ||
| - | |||
| - | 294 | ||
| < | < | ||
| - | - We are talking to a few candidates. | + | Ricken: |
| - | - Of course. | + | Cobel: |
| - | 295 | ||
| < | < | ||
| - | Oh, here we go. | + | Devon: |
| - | 296 | ||
| < | < | ||
| - | - Sorry. Sorry. | + | Devon: |
| - | - Yeah. | + | Ricken: |
| - | 297 | ||
| < | < | ||
| - | Oh, no, don't be sorry. | + | Cobel: |
| - | That's what babies do. | + | |
| - | 298 | ||
| - | < | ||
| - | May I? | ||
| - | |||
| - | 299 | ||
| < | < | ||
| - | Yeah, yeah. | + | Devon: |
| - | 300 | ||
| < | < | ||
| - | Darling. | + | Cobel: |
| - | 301 | ||
| - | < | ||
| - | There, there, there. Okay. | ||
| - | |||
| - | 302 | ||
| < | < | ||
| - | …seventy hundred one, | + | Dylan’s son: ...seventy hundred one, seventy hundred two, seventy hundred forty-three, |
| - | + | ||
| - | 303 | + | |
| - | < | + | |
| - | seventy hundred two, | + | |
| - | + | ||
| - | 304 | + | |
| - | < | + | |
| - | seventy hundred forty-three, | + | |
| - | + | ||
| - | 305 | + | |
| - | < | + | |
| - | seventy hundred forty-six, | + | |
| - | + | ||
| - | 306 | + | |
| - | < | + | |
| - | seventy hundred forty-eight… | + | |
| - | 307 | ||
| < | < | ||
| - | Dylan. | + | Milchick: |
| - | 308 | ||
| - | < | ||
| - | I've awoken you at home. I | ||
| - | need to know where you put it. | ||
| - | |||
| - | 309 | ||
| < | < | ||
| - | Where I put what? | + | Dylan: |
| - | 310 | ||
| < | < | ||
| - | The ideographic card | + | Milchick: |
| - | you took from O&D. | + | |
| < | < | ||
| - | MILCHICK: I saw the footage of you taking it. Did you smuggle it out? Is it here? | + | Milchick: I saw the footage of you taking it. Did you smuggle it out? Is it here? |
| < | < | ||
| - | DYLAN: Holy shit, is this my house? | + | Dylan: Holy shit, is this my house? |
| < | < | ||
| - | MILCHICK: Dylan, listen. You have no idea how sensitive this information is. If someone paid you to smuggle out that card... | + | Milchick: Dylan, listen. You have no idea how sensitive this information is. If someone paid you to smuggle out that card... |
| < | < | ||
| - | DYLAN: No, no. I just... I put it in the bathroom. Second stall, behind the toilet. | + | Dylan: No, no. I just... I put it in the bathroom. Second stall, behind the toilet. |
| < | < | ||
| - | MILCHICK: Thank you. | + | Milchick: Thank you. |
| < | < | ||
| - | DYLAN: I didn't even know what it was. | + | Dylan: I didn’t even know what it was. |
| - | 320 | ||
| < | < | ||
| - | - That's fine too. | + | Milchick: |
| - | - Daddy. | + | Dylan’s son: Daddy. |
| - | 321 | ||
| < | < | ||
| - | Daddy. | + | Dylan’s son: Daddy. |
| - | 322 | ||
| < | < | ||
| - | Wh... What the fuck? | + | Dylan: |
| - | 323 | ||
| < | < | ||
| - | We told you to count to a | + | Milchick: |
| - | thousand and wait outside. | + | |
| - | 324 | ||
| < | < | ||
| - | Is that my kid? | + | Dylan: |
| - | 325 | ||
| < | < | ||
| - | End it. | + | Milchick: |
| - | 326 | ||
| < | < | ||
| - | Daddy. | + | Dylan’s son: Daddy. |
| - | 327 | ||
| < | < | ||
| - | We good here? | + | Dylan: |
| - | 328 | ||
| < | < | ||
| - | We're good. | + | Milchick: |
| - | 329 | ||
| < | < | ||
| - | So, should we... | + | Mark: So, should we... We should probably call our cars. |
| - | 330 | ||
| - | < | ||
| - | We should probably | ||
| - | call our cars. | ||
| - | |||
| - | 331 | ||
| < | < | ||
| - | Yeah. | + | Alexa: |
| - | 332 | ||
| < | < | ||
| - | Oh, wow. | + | Mark: Oh, wow. That’s June. |
| - | 333 | ||
| - | < | ||
| - | That's June. | ||
| - | |||
| - | 334 | ||
| < | < | ||
| - | Hey, this is tonight. | + | Mark: Hey, this is tonight. Like, right now. Should... Should we go to this, maybe? |
| - | Like, right now. | + | |
| - | + | ||
| - | 335 | + | |
| - | < | + | |
| - | Should... Should we | + | |
| - | go to this, maybe? | + | |
| - | 336 | ||
| < | < | ||
| - | What is it? | + | Alexa: |
| - | 337 | ||
| < | < | ||
| - | Well, it's this band. I... | + | Mark: Well, it’s this band. I... I kind of know one of them. If it’s lame, we’ll leave. |
| - | I kind of know one of them. | + | |
| - | 338 | ||
| - | < | ||
| - | If it's lame, we'll leave. | ||
| - | |||
| - | 339 | ||
| < | < | ||
| - | You mean if it isn't | + | Alexa: |
| - | as cool as we are. | + | |
| - | 340 | ||
| < | < | ||
| - | Exactly. | + | Mark: Exactly. |
| - | 341 | ||
| < | < | ||
| - | I am feeling very old right now. | + | Mark: I am feeling very old right now. |
| - | 342 | ||
| < | < | ||
| - | No, you totally fit in. | + | Alexa: |
| - | Don't worry about it. | + | |
| - | 343 | ||
| < | < | ||
| - | Hi. Two beers, please. | + | Mark: Hi. Two beers, please. |
| - | 344 | ||
| < | < | ||
| - | Hello. | + | Mark: Hello. Thank you. |
| - | 345 | ||
| - | < | ||
| - | Thank you. | ||
| - | |||
| - | 346 | ||
| < | < | ||
| - | Hi. Who's doing sound in this | + | Lead Singer: |
| - | alleyway tonight? It's terrible. | + | |
| - | 347 | ||
| - | < | ||
| - | All right, let's | ||
| - | get this over with. | ||
| - | |||
| - | 348 | ||
| < | < | ||
| - | Summer rain As I work these days | + | Lead Singer (singing): //Summer rain As I work these days\\ I feel a callus on my heart\\ ’Cause every day’s the same.\\ Broken heart, broken spirit.\\ Skylark’s fires smash a window...// |
| - | + | ||
| - | 349 | + | |
| - | < | + | |
| - | I feel a callus on my heart | + | |
| - | 'Cause every day's the same. | + | |
| - | + | ||
| - | 350 | + | |
| - | < | + | |
| - | Broken heart, broken spirit. | + | |
| - | + | ||
| - | 351 | + | |
| - | < | + | |
| - | Skylark's fires smash a window… | + | |
| - | 352 | ||
| < | < | ||
| - | No filming, you fuck. | + | Guy at Venue: |
| - | 353 | ||
| < | < | ||
| - | Sure, thank you. | + | Mark: Sure, thank you. |
| - | 354 | ||
| < | < | ||
| - | You can make this all come true Build | + | Lead Singer (singing): //You can make this all come true\\ Build a sky in my eye that perfect blue\\ I hate you, Lumon You took my first love.\\ Fuck you, Lumon, it’s never enough.\\ You think that you can fight me You are wrong to even try me.\\ Fuck you, Lumon!\\ I hate you, Lumon!// |
| - | a sky in my eye that perfect blue | + | |
| - | 355 | ||
| - | < | ||
| - | I hate you, Lumon You | ||
| - | took my first love. | ||
| - | |||
| - | 356 | ||
| - | < | ||
| - | Fuck you, Lumon, | ||
| - | it's never enough. | ||
| - | |||
| - | 357 | ||
| - | < | ||
| - | You think that you can fight me | ||
| - | You are wrong to even try me. | ||
| - | |||
| - | 358 | ||
| - | < | ||
| - | Fuck you, Lumon! | ||
| - | |||
| - | 359 | ||
| - | < | ||
| - | I hate you, Lumon! | ||
| - | |||
| - | 360 | ||
| < | < | ||
| - | Fuck you, Lumon! | + | June: Fuck you, Lumon! |
| - | 361 | ||
| < | < | ||
| - | Fuck you, Lumon You | + | Lead Singer (singing): //Fuck you, Lumon You took my first love\\ I hate you, Lumon It’s never enough.// |
| - | took my first love | + | |
| - | + | ||
| - | 362 | + | |
| - | < | + | |
| - | I hate you, Lumon | + | |
| - | It's never enough. | + | |
| - | 363 | ||
| < | < | ||
| - | Fuck you, Lumon. | + | Mark (singing): //Fuck you, Lumon.// |
| - | 364 | ||
| < | < | ||
| - | I hate you, Lumon! | + | Mark & Alexa (singing): //I hate you, Lumon!// |
| - | 365 | ||
| < | < | ||
| - | Fuck you, Lumon! | + | Mark (singing): //Fuck you, Lumon! |
| - | 366 | ||
| - | < | ||
| - | I hate you, Lumon! | ||
| - | |||
| - | 367 | ||
| < | < | ||
| - | What's happening? | + | Alexa: |
| - | This is depraved. | + | |
| - | 368 | ||
| < | < | ||
| - | Hi. | + | Mark: Hi. Hey, I’m… |
| - | 369 | ||
| - | < | ||
| - | Hey, I'm… | ||
| - | |||
| - | 370 | ||
| < | < | ||
| - | - The guy from work. | + | June: The guy from work. |
| - | - Yeah. | + | Mark: Yeah. |
| - | 371 | ||
| < | < | ||
| - | How are you holding up? | + | Mark: How are you holding up? Sorry. This is my friend, Alexa. This is June. |
| - | + | ||
| - | 372 | + | |
| - | < | + | |
| - | Sorry. This is my friend, Alexa. | + | |
| - | + | ||
| - | 373 | + | |
| - | < | + | |
| - | This is June. | + | |
| - | 374 | ||
| < | < | ||
| - | - Hey. You guys are really good. | + | Alexa: |
| - | - Yeah. | + | June: Yeah. |
| - | 375 | ||
| < | < | ||
| - | Are we? I'm pretty sure we suck. | + | June: Are we? I’m pretty sure we suck. |
| - | 376 | ||
| < | < | ||
| - | Well, that last song was great. | + | Mark: Well, that last song was great. |
| - | 377 | ||
| < | < | ||
| - | - Write what you know, right? | + | June: Write what you know, right? |
| - | - Yeah. | + | Mark: Yeah. |
| - | 378 | ||
| < | < | ||
| - | Your dad would've | + | Mark: Your dad would’ve really liked it, I bet. |
| - | really liked it, I bet. | + | |
| - | 379 | ||
| < | < | ||
| - | - Really? | + | June: Really? |
| - | - Yeah. | + | Mark: Yeah. |
| - | 380 | ||
| < | < | ||
| - | How the fuck would | + | June: How the fuck would you even know that? |
| - | you even know that? | + | |
| - | 381 | ||
| < | < | ||
| - | Hey, fuck you, man. | + | Guy at Venue: |
| - | 382 | ||
| < | < | ||
| - | I think we're gonna take off. | + | Mark: I think we’re gonna take off. |
| - | 383 | ||
| < | < | ||
| - | Yeah. | + | June: Yeah. |
| - | 384 | ||
| < | < | ||
| - | So… | + | Mark: So...She’s the daughter of someone I worked with. He died. And it’s... It’s been difficult to piece toge... |
| - | 385 | ||
| - | < | ||
| - | She's the daughter of | ||
| - | someone I worked with. | ||
| - | |||
| - | 386 | ||
| - | < | ||
| - | He died. | ||
| - | |||
| - | 387 | ||
| - | < | ||
| - | And it' | ||
| - | difficult to piece toge... | ||
| - | |||
| - | 388 | ||
| < | < | ||
| - | Harmony. | + | Graner: |
| - | 389 | ||
| < | < | ||
| - | Did you find her? | + | Cobel: |
| - | 390 | ||
| < | < | ||
| - | I got a tip from a campus | + | Graner: |
| - | cop at Ganz College. | + | |
| - | 391 | ||
| - | < | ||
| - | She... What the fuck | ||
| - | are you wearing? | ||
| - | |||
| - | 392 | ||
| < | < | ||
| - | I was doing some | + | Cobel: |
| - | private research. | + | |
| - | 393 | ||
| < | < | ||
| - | What's that a euphemism for? | + | Graner: |
| - | 394 | ||
| < | < | ||
| - | Doug, I've had a day. | + | Cobel: |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | And I'm still | + | |
| - | trying to figure out | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | what part of this conversation | + | |
| - | couldn't have happened on the phone. | + | |
| - | 397 | ||
| < | < | ||
| - | Someone's holed up in one | + | Graner: |
| - | of Ganz's old lab buildings. | + | |
| - | 398 | ||
| - | < | ||
| - | The dean's told security | ||
| - | to look the other way. | ||
| - | |||
| - | 399 | ||
| - | < | ||
| - | Probably is Reghabi. | ||
| - | |||
| - | 400 | ||
| < | < | ||
| - | It is her. | + | Cobel: |
| - | 401 | ||
| < | < | ||
| - | Wanna come with me and find out? | + | Graner: |
| - | 402 | ||
| < | < | ||
| - | No, I do not. | + | Cobel: |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | Let me know when you have her. | + | |
| - | 404 | ||
| < | < | ||
| - | Oh, maintenance is | + | Graner: |
| - | installing tonight. | + | |
| - | 405 | ||
| - | < | ||
| - | I think it's a good call. | ||
| - | |||
| - | 406 | ||
| < | < | ||
| - | So, you're like a | + | Graner: |
| - | nurse or something? | + | |
| - | 407 | ||
| < | < | ||
| - | Hello? | + | Mark: Hello? |
| - | 408 | ||
| < | < | ||
| - | Who is this? | + | Reghabi: |
| - | 409 | ||
| < | < | ||
| - | A friend of Petey's. | + | Mark: A friend of Petey’s. |
| - | 410 | ||
| < | < | ||
| - | Hello? Are... Are you there? | + | Mark: Hello? Are... Are you there? |
| - | 411 | ||
| < | < | ||
| - | Is this Mark Scout? | + | Reghabi: |
| - | 412 | ||
| < | < | ||
| - | What did he tell | + | Reghabi: |
| - | you before he died? | + | |
| - | 413 | ||
| < | < | ||
| - | Nothing. | + | Mark: Nothing. |
| - | 414 | ||
| < | < | ||
| - | I just... | + | Mark: I just...I-I-I... I wanna...I wanna understand. |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | I-I-I... I wanna... | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | I wanna understand. | + | |
| - | 417 | ||
| < | < | ||
| - | Can you meet me now? | + | Reghabi: |
| - | 418 | ||
| < | < | ||
| - | Are you alone? | + | Reghabi: |
| - | 419 | ||
| < | < | ||
| - | Yeah, it's just me. | + | Mark: Yeah, it’s just me. |
| - | 420 | ||
| < | < | ||
| - | I used to teach at this school. | + | Mark: I used to teach at this school. |
| - | 421 | ||
| < | < | ||
| - | I know. | + | Reghabi: |
| - | 422 | ||
| < | < | ||
| - | Who are you? | + | Mark: Who are you? |
| - | 423 | ||
| < | < | ||
| - | Come with me. | + | Reghabi: |
| </ | </ | ||
| {{tag> | {{tag> | ||
hide_and_seek_transcript.1656391383.txt.gz · Last modified: 2022-06-28 04:43 by Neatnik
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