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| good_news_about_hell_transcript [2022-08-02 04:53] – Neatnik | good_news_about_hell_transcript [2022-08-07 02:58] – formatting, add links rickypanther | ||
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| < | < | ||
| - | IRVING: Grumble, grumble. | + | IRVING: Grumble, grumble. These perks are so out of hand. When we'd process a file in the old days, they'd shake our hand and fill up the creamer. |
| - | These perks are so out of hand. When we'd process a file in the old days, they'd shake our hand and fill up the creamer. | + | |
| < | < | ||
| Line 294: | Line 293: | ||
| < | < | ||
| - | COBEL: The Board will be joining us remotely today. | + | COBEL: |
| < | < | ||
| Line 321: | Line 320: | ||
| < | < | ||
| - | COBEL: Mark, would you place your key card on my desk? | + | COBEL: Mark, would you place your [[badge|key card]] on my desk? |
| < | < | ||
| Line 536: | Line 535: | ||
| < | < | ||
| - | MARK: You see, you have been hired to a position on the severed floor of Lumon Industries. | + | MARK: You see, you have been hired to a position on the [[severed floor]] of [[Lumon Industries]]. |
| < | < | ||
| Line 588: | Line 587: | ||
| < | < | ||
| - | MARK: Well, you see, life, like a seesaw, requi... | + | MARK: Well, you see, life, like a seesaw, requi— |
| < | < | ||
| Line 769: | Line 768: | ||
| < | < | ||
| - | [[Devon Scout-Hale|DEVON]]: Did you forget? | + | DEVON: Did you forget? |
| < | < | ||
| Line 830: | Line 829: | ||
| < | < | ||
| - | MARK: I don't know. Pip's. | + | MARK: I don't know. [[pip_s_bar_grille|Pip's]]. |
| < | < | ||
| Line 849: | Line 848: | ||
| MARK: You know. | MARK: You know. | ||
| - | 365 | ||
| < | < | ||
| - | - Okay. | + | MARK: Okay. |
| - | - Hi, baby. | + | DEVON: |
| - | 366 | ||
| < | < | ||
| - | Hi. | + | RICKEN: |
| - | 367 | ||
| < | < | ||
| - | No, what a lot of people overlook, | + | [[Patton|PATTON]]: |
| - | I think, is that life is not food. | + | |
| - | 368 | ||
| < | < | ||
| - | - Right. | + | [[Danise|DANISE]]: |
| - | - You've got life, | + | PATTON: |
| - | 369 | ||
| < | < | ||
| - | this complex quality | + | PATTON: |
| - | of sentience and activity. | + | |
| - | 370 | ||
| - | < | ||
| - | And then you've got food, which is what? | ||
| - | |||
| - | 371 | ||
| < | < | ||
| - | - Yes, what is it? | + | RICKEN: |
| - | - Fuel. | + | PATTON: |
| - | 372 | ||
| < | < | ||
| - | Calories. It's not the same thing. | + | PATTON: |
| - | 373 | ||
| < | < | ||
| - | - Yes, that is spot on, Patton. | + | RICKEN: |
| - | - I definitely agree. | + | [[Rebeck|REBECK]]: |
| - | 374 | ||
| < | < | ||
| - | Though, if I'm... | + | DEVON: |
| - | 375 | ||
| - | < | ||
| - | Sorry, Mark and my dad used to have | ||
| - | " | ||
| - | |||
| - | 376 | ||
| < | < | ||
| - | - True. | + | MARK: True. |
| - | - It was low-hanging fruit. | + | DEVON: |
| - | 377 | ||
| < | < | ||
| - | He did. He was a misdiagnosed alcoholic. | + | RICKEN: |
| - | 378 | ||
| < | < | ||
| - | Now, Mark, Ricken told Rebeck and me | + | DANISE: |
| - | that you're a former history professor. | + | |
| - | 379 | ||
| < | < | ||
| - | Yeah. | + | MARK: Yeah. |
| - | 380 | ||
| < | < | ||
| - | So I'm curious | + | DANISE: |
| - | for your take on all of this. | + | |
| - | 381 | ||
| - | < | ||
| - | The food v life of it. | ||
| - | |||
| - | 382 | ||
| < | < | ||
| - | Well, I'm not sure. | + | MARK: Well, I'm not sure. I taught mostly about World War I. |
| - | I taught mostly about World War I. | + | |
| - | 383 | ||
| < | < | ||
| - | Okay. Well, I got one for you. | + | PATTON: |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | I was just reading this think piece | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | 386 | ||
| < | < | ||
| - | Nerd alert. | + | RICKEN: |
| - | 387 | ||
| < | < | ||
| - | War porn, I know. | + | PATTON: |
| - | 388 | ||
| < | < | ||
| - | But anyway, in it, he said that the | + | PATTON: |
| - | people actually called it the Great War. | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | Apparently, it would have been a | + | |
| - | faux pas to have called it World War I. | + | |
| - | 390 | ||
| < | < | ||
| - | Is that right? | + | RICKEN: |
| - | 391 | ||
| < | < | ||
| - | Well, you know, | + | MARK: Well, you know, no one would' |
| - | no one would' | + | |
| - | 392 | ||
| - | < | ||
| - | 'cause World War II hadn't happened yet. | ||
| - | |||
| - | 393 | ||
| < | < | ||
| - | - Wow. | + | DANISE: |
| - | - Of course. | + | RICKEN: |
| - | 394 | ||
| < | < | ||
| - | - That's absolutely right. | + | PATTON: |
| - | - Duh. | + | RICKEN: |
| - | 395 | ||
| < | < | ||
| - | That's so true. | + | REBECK: |
| - | 396 | ||
| < | < | ||
| - | This is why we bring this guy. | + | DEVON: |
| - | 397 | ||
| < | < | ||
| - | Mark's late wife, Gemma, was an educator | + | RICKEN: |
| - | as well. Russian literature. | + | |
| - | 398 | ||
| < | < | ||
| - | - I love literature. | + | REBECK: |
| - | - Right? | + | RICKEN: |
| - | 399 | ||
| < | < | ||
| - | But Mark is a Lumon man now. | + | RICKEN: |
| - | 400 | ||
| < | < | ||
| - | - Ricken. | + | DEVON: |
| - | - Really? | + | PATTON: |
| - | 401 | ||
| < | < | ||
| - | Yeah. About two years. | + | MARK: Yeah. About two years. |
| - | 402 | ||
| < | < | ||
| - | - Do you design the medicines? | + | REBECK: |
| - | - No. | + | MARK: No. |
| - | 403 | ||
| < | < | ||
| - | I thought Lumon | + | PATTON: |
| - | was more on the tech side of things. | + | |
| - | 404 | ||
| < | < | ||
| - | - They began in the 1800s. | + | DANISE: |
| - | - Really? | + | RICKEN: |
| - | 405 | ||
| < | < | ||
| - | Topical salves, right? | + | DANISE: |
| - | 406 | ||
| < | < | ||
| - | What don't they make? | + | REBECK: |
| - | 407 | ||
| < | < | ||
| - | Yeah, but I'm in | + | MARK: Yeah, but I'm in the corporate archives division, so... |
| - | the corporate archives division, so... | + | |
| - | 408 | ||
| < | < | ||
| - | So you know all the dirty secrets. | + | PATTON: |
| - | 409 | ||
| < | < | ||
| - | - No, not really. | + | MARK: No, not really. |
| - | - No. | + | RICKEN: |
| - | 410 | ||
| < | < | ||
| - | Mark's work is sensitive enough | + | RICKEN: |
| - | as to require the severance procedure. | + | |
| - | 411 | ||
| < | < | ||
| - | Well. | + | DANISE: |
| - | 412 | ||
| < | < | ||
| - | That's something, isn't it? | + | DANISE: |
| - | 413 | ||
| < | < | ||
| - | Yeah. It's also, I think, something | + | DEVON: |
| - | that's his choice to tell people or not. | + | |
| - | 414 | ||
| < | < | ||
| - | - Right, Ricken? | + | DEVON: |
| - | - Oh, my God. | + | RICKEN: |
| - | 415 | ||
| < | < | ||
| - | - No. No. | + | MARK: No. No. |
| - | - Oh, God, Mark. | + | RICKEN: |
| - | 416 | ||
| < | < | ||
| - | - Please forgive me. | + | RICKEN: |
| - | - No. It's okay. I don't care. | + | MARK: No. It's okay. I don't care. |
| - | 417 | ||
| < | < | ||
| - | - My apologies. | + | RICKEN: |
| - | - No, I think it's fascinating. | + | DANISE: |
| - | 418 | ||
| < | < | ||
| - | I mean, I wish I could do it. | + | DANISE: |
| - | 419 | ||
| - | < | ||
| - | I'd just always be thinking about, | ||
| - | you know, the other one. | ||
| - | |||
| - | 420 | ||
| < | < | ||
| - | Well, there is no other one. | + | MARK: Well, there is no other one. It's me. I do the job. |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | 422 | ||
| < | < | ||
| - | I just don't grasp the visceral element. | + | DANISE: |
| - | What does it feel like? | + | |
| - | 423 | ||
| < | < | ||
| - | Well, it's simple. | + | PATTON: |
| - | One's memories are bifurcated, | + | |
| - | 424 | ||
| - | < | ||
| - | so when you're not at work, you have no | ||
| - | recollection of what it is you do there. | ||
| - | |||
| - | 425 | ||
| - | < | ||
| - | Did I get that right, Mark? | ||
| - | |||
| - | 426 | ||
| < | < | ||
| - | - Well, it' | + | MARK: Well, it' |
| - | - So you walk in at 9:00 a.m., | + | DANISE: |
| - | 427 | ||
| < | < | ||
| - | and then suddenly it's 5:00, | + | DANISE: |
| - | and you're leaving? | + | |
| - | 428 | ||
| < | < | ||
| - | - Well, they stagger us a little, so... | + | MARK: Well, they stagger us a little, so... |
| - | - They stagger you? | + | DANISE: |
| - | 429 | ||
| < | < | ||
| - | And then, conversely, when you're at | + | PATTON: |
| - | work, you can't access outside memories. | + | |
| - | 430 | ||
| - | < | ||
| - | So, in effect, | ||
| - | that version of you is trapped there. | ||
| - | |||
| - | 431 | ||
| < | < | ||
| - | Well... | + | RICKEN: |
| - | 432 | ||
| < | < | ||
| - | - Well, I mean, not trapped, but... | + | PATTON: |
| - | - But what? | + | MARK: But what? |
| - | 433 | ||
| < | < | ||
| - | No, no. I'm curious. What were you | + | MARK: No, no. I'm curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | gonna say? But not trapped, but what? | + | |
| - | 434 | ||
| - | < | ||
| - | What were you saying? | ||
| - | |||
| - | 435 | ||
| < | < | ||
| - | So I suppose we know where you fall | + | DANISE: |
| - | on the congressional goings-on. | + | |
| - | 436 | ||
| < | < | ||
| - | Okay, I think we may be | + | RICKEN: |
| - | 437 | ||
| < | < | ||
| - | - missing the point here. | + | RICKEN: |
| - | - Yeah. | + | DEVON: |
| - | 438 | ||
| < | < | ||
| - | The point is that Mark made a decision. | + | RICKEN: |
| - | + | Morally. Scientifically. But, Mark, I stand behind you without reservation. | |
| - | 439 | + | |
| - | < | + | |
| - | And that decision was controversial, | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | ethically and socially. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Morally. Scientifically. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But, Mark, I stand behind you | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | without reservation. | + | |
| - | 444 | ||
| < | < | ||
| - | - So well said. | + | DANISE: |
| - | - Thank you. | + | RICKEN: |
| - | 445 | ||
| < | < | ||
| - | - Absolutely. | + | PATTON: |
| - | - I definitely stand behind Mark. | + | REBECK: |
| - | 446 | ||
| < | < | ||
| - | Wow. | + | MARK: Wow. Thank you. That's very sweet. |
| - | 447 | ||
| - | < | ||
| - | Thank you. That's very sweet. | ||
| - | |||
| - | 448 | ||
| < | < | ||
| - | Well, we're at the point | + | RICKEN: |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | 452 | ||
| < | < | ||
| - | - Oh, yeah. No, absolutely. | + | PATTON: |
| - | - Right? | + | RICKEN: |
| - | 453 | ||
| < | < | ||
| - | I was saying, my friend in Lima hasn't | + | PATTON: |
| - | had a food-based dinner event in... | + | |
| - | 454 | ||
| < | < | ||
| - | If I give you $3,000, | + | DEVON: |
| - | will you forgive me? | + | |
| - | 455 | ||
| < | < | ||
| - | Well, because your child | + | MARK: Well, because your child is innocent of tonight' |
| - | is innocent of tonight' | + | |
| - | 456 | ||
| - | < | ||
| - | I'll wait until after it's born | ||
| - | to murder you. | ||
| - | |||
| - | 457 | ||
| < | < | ||
| - | Oh, my God. Here you go, buddy. | + | DEVON: |
| - | 458 | ||
| < | < | ||
| - | Thank you. | + | MARK: Thank you. |
| - | 459 | ||
| < | < | ||
| - | Hey, how's the good doctor therapy man | + | DEVON: |
| - | with that weird little mustache? | + | |
| - | 460 | ||
| < | < | ||
| - | You're not going? | + | DEVON: |
| - | 461 | ||
| < | < | ||
| - | Well, the work thing' | + | MARK: Well, the work thing' |
| - | 462 | ||
| < | < | ||
| - | Yeah. | + | DEVON: |
| - | 463 | ||
| < | < | ||
| - | I'm proud of you for taking that job. | + | DEVON: |
| - | I really am. | + | |
| - | 464 | ||
| - | < | ||
| - | And I think she would' | ||
| - | I know she would' | ||
| - | |||
| - | 465 | ||
| < | < | ||
| - | I just feel like forgetting about her | + | DEVON: |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | 467 | ||
| < | < | ||
| - | You wanna crash here, | + | DEVON: |
| - | since you're already here? | + | |
| - | 468 | ||
| < | < | ||
| - | No. | + | MARK: No. |
| - | 469 | ||
| < | < | ||
| - | Why? | + | DEVON: |
| - | 470 | ||
| < | < | ||
| - | Your house smells like pregnancy. | + | MARK: Your house smells like pregnancy. |
| - | 471 | ||
| < | < | ||
| - | Yeah, I'm just not grasping | + | DEVON: |
| - | the visceral element of it. | + | |
| - | 472 | ||
| < | < | ||
| - | She is fun, wasn't she? | + | DEVON: |
| - | 473 | ||
| < | < | ||
| - | - You're definitely staying here tonight. | + | DEVON: |
| - | - No, I'm not. | + | MARK: No, I'm not. |
| - | 474 | ||
| < | < | ||
| - | I'm making all the bedsheets myself, | + | RICKEN: |
| - | 475 | ||
| - | < | ||
| - | so I won't finish with the big one | ||
| - | for some time. | ||
| - | |||
| - | 476 | ||
| - | < | ||
| - | But the twin is comfortable, | ||
| - | |||
| - | 477 | ||
| - | < | ||
| - | and the pajamas were made | ||
| - | on a Baltic handloom, | ||
| - | |||
| - | 478 | ||
| - | < | ||
| - | so you'll sleep well. | ||
| - | |||
| - | 479 | ||
| < | < | ||
| - | Thanks. | + | MARK: Thanks. I still don't quite get the three beds. |
| - | I still don't quite get the three beds. | + | |
| - | 480 | ||
| < | < | ||
| - | - Right. | + | RICKEN: |
| - | - Ricken' | + | DEVON: |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | that switching out the beds | + | |
| - | as the child grows can wound that child. | + | |
| - | 482 | ||
| < | < | ||
| - | Irreparably. | + | RICKEN: |
| - | 483 | ||
| < | < | ||
| - | But if you provide said child | + | RICKEN: |
| - | with all of its beds upon birth, | + | |
| - | 484 | ||
| - | < | ||
| - | you allow it to progress across the room | ||
| - | at its own rate. | ||
| - | |||
| - | 485 | ||
| < | < | ||
| - | Got it. Yeah. | + | MARK: Got it. Yeah. |
| - | 486 | ||
| < | < | ||
| - | Yeah. | + | RICKEN: |
| - | 487 | ||
| < | < | ||
| - | I think people really | + | RICKEN: |
| - | enjoyed you tonight, Mark. | + | |
| - | 488 | ||
| < | < | ||
| - | Good. | + | MARK: Good. |
| - | 489 | ||
| < | < | ||
| - | All right, baby. | + | DEVON: |
| 490 | 490 | ||
| < | < | ||
| - | - You ready, baby? | + | DEVON: |
| - | - Yeah. | + | RICKEN: |
| - | 491 | ||
| < | < | ||
| - | - Let's go. | + | DEVON: |
| - | - Sweet dreams. | + | RICKEN: |
| - | 492 | ||
| < | < | ||
| - | Thanks. | + | MARK: Thanks. |
| < | < | ||
| Line 1438: | Line 1174: | ||
| DEVON: Good night, milady. | DEVON: Good night, milady. | ||
| - | 495 | ||
| < | < | ||
| - | Hey. | + | DEVON: |
| - | 496 | ||
| < | < | ||
| - | Hey. | + | MARK: Hey. |
| - | 497 | ||
| < | < | ||
| - | How long you been up? | + | DEVON: |
| - | 498 | ||
| < | < | ||
| - | A while. | + | MARK: A while. |
| - | 499 | ||
| < | < | ||
| - | There was a businessman | + | MARK: There was a businessman in the yard last night. |
| - | in the yard last night. | + | |
| - | 500 | ||
| < | < | ||
| - | - A businessman? | + | DEVON: |
| - | - Yeah. | + | MARK: Yeah. |
| - | 501 | ||
| < | < | ||
| - | Entry-level or management? | + | DEVON: |
| - | 502 | ||
| < | < | ||
| - | I'm serious. | + | MARK: I'm serious. |
| - | 503 | ||
| < | < | ||
| - | There was seriously a man | + | DEVON: |
| - | in my yard last night? | + | |
| - | 504 | ||
| < | < | ||
| - | Yeah. | + | MARK: Yeah. |
| - | 505 | ||
| < | < | ||
| - | Holy shit. | + | DEVON: |
| - | 506 | ||
| < | < | ||
| - | He, you know, looked at me weird, | + | MARK: He, you know, looked at me weird, like he knew me. |
| - | like he knew me. | + | |
| - | 507 | ||
| < | < | ||
| - | Did the prowler invading my home | + | DEVON: |
| - | make you feel seen? | + | |
| - | 508 | ||
| < | < | ||
| - | So seen. | + | MARK: So seen. |
| - | 509 | ||
| < | < | ||
| - | Well, there' | + | DEVON: |
| - | It's probably just a stumbler. | + | |
| - | 510 | ||
| - | < | ||
| - | Speaking of which, | ||
| - | you still smell like a distillery. | ||
| - | |||
| - | 511 | ||
| < | < | ||
| - | I'm sorry, | + | MARK: I'm sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | ||
| < | < | ||
| - | You've been sitting on that one. | + | DEVON: |
| - | 514 | ||
| < | < | ||
| - | Hello. | + | MARK: Hello. |
| - | 515 | ||
| < | < | ||
| - | Okay. So, recycling was | + | MARK: Okay. So, recycling was last night, Mrs. Selvig. Tonight' |
| - | last night, Mrs. Selvig. | + | |
| - | + | ||
| - | 516 | + | |
| - | < | + | |
| - | Tonight' | + | |
| - | + | ||
| - | 517 | + | |
| - | < | + | |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | 518 | ||
| < | < | ||
| - | Yeah. Okay. | + | MARK: Yeah. Okay. |
| - | 519 | ||
| < | < | ||
| - | You know, I actually can't talk | + | MARK: You know, I actually can't talk right now. I'm out at dinner. But... |
| - | right now. I'm out at dinner. But... | + | |
| - | 520 | ||
| < | < | ||
| - | No, by myself. | + | MARK: No, by myself. |
| - | 521 | ||
| < | < | ||
| - | Pip's Bar and Grille. | + | MARK: Pip's Bar and Grille. |
| - | 522 | ||
| < | < | ||
| - | Excuse me. | + | MARK: Excuse me. |
| - | 523 | ||
| < | < | ||
| - | Hang up. Quickly. | + | [Peter Kilmer|PETEY]]: |
| - | 524 | ||
| < | < | ||
| - | I'm sorry, Mrs. Selvig. | + | MARK: I'm sorry, Mrs. Selvig. They' |
| - | They' | + | |
| < | < | ||
| PETEY: Hi, kids. What's for dinner? | PETEY: Hi, kids. What's for dinner? | ||
| - | 526 | ||
| < | < | ||
| - | I'm sorry. You don't get that reference. | + | PETEY: |
| - | 527 | ||
| < | < | ||
| - | Are you following me? | + | MARK: Are you following me? |
| - | 528 | ||
| < | < | ||
| - | Your voice is different here. | + | PETEY: |
| - | 529 | ||
| - | < | ||
| - | Worse. | ||
| - | |||
| - | 530 | ||
| < | < | ||
| - | - Okay, who the fuck are you? | + | MARK: Okay, who the fuck are you? |
| - | - Petey. | + | PETEY: |
| - | 531 | ||
| < | < | ||
| - | My name is Petey. I'm from work. | + | PETEY: |
| - | 532 | ||
| < | < | ||
| - | Well, that's not plausible. | + | MARK: Well, that's not plausible. Everyone in my department is... |
| - | Everyone in my department is... | + | |
| - | 533 | ||
| < | < | ||
| - | Severed. Severed. I was. | + | PETEY: |
| - | 534 | ||
| < | < | ||
| - | Okay. Well, severance | + | MARK: Okay. Well, severance is pretty permanent. |
| - | is pretty permanent. | + | |
| - | 535 | ||
| < | < | ||
| - | Yeah. Bypassing the implant wasn't easy. | + | PETEY: |
| - | I had help. | + | |
| - | 536 | ||
| < | < | ||
| - | So, what, you were unhappy at work? | + | MARK: So, what, you were unhappy at work? |
| - | 537 | ||
| < | < | ||
| - | - And instead of lodging a complaint, you... | + | MARK: And instead of lodging a complaint, you... |
| - | - No. | + | PETEY: |
| < | < | ||
| Line 1631: | Line 1296: | ||
| < | < | ||
| - | MARK: Right. Okay. So... | + | MARK: Right. Okay. So...You' |
| - | + | ||
| - | < | + | |
| - | MARK: You've unsevered. | + | |
| - | + | ||
| - | < | + | |
| - | MARK: And now you, what, think they' | + | |
| < | < | ||
| - | PETEY: Yeah. | + | PETEY: Yeah. " |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| < | < | ||
| Line 1655: | Line 1311: | ||
| < | < | ||
| - | PETEY: Nothing down there is what they say. If something happens to me, the things I know need to stay known. | + | PETEY: Nothing down there is what they say. If something happens to me, the things I know need to stay known. I'd prefer it be by a friend. |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| < | < | ||
| Line 1667: | Line 1320: | ||
| < | < | ||
| - | PETEY: Mark, sorry about the card. and I know it's not appropriate. | + | PETEY: Mark, sorry about the card. and I know it's not appropriate. Though I'm sure you'd be a really fucking awesome niece. We used to wonder what kind of men we were on the outside, what choices we had made and why. I used to think it would take a monster to put someone in a place like that office. Especially if the person was himself. But we're not monsters, Mark. Not real ones. |
| - | + | ||
| - | < | + | |
| - | Though I'm sure you'd be a really fucking awesome niece. | + | |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| < | < | ||
| - | PETEY: If you don't wanna know what's going on down there, I won't force it. | + | PETEY: If you don't wanna know what's going on down there, I won't force it. But if you do, there' |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| - | + | ||
| - | < | + | |
| - | PETEY: | + | |
| < | < | ||
| Line 1712: | Line 1344: | ||
| < | < | ||
| - | COBEL: You know, my mother was a Catholic. | + | COBEL: You know, my mother was a Catholic. She used to say it takes the saints eight hours to bless a sleeping child. I hope you aren't rushing the saints. |
| - | + | ||
| - | < | + | |
| - | COBEL: | + | |
| - | + | ||
| - | < | + | |
| - | MARK: I hope you aren't rushing the saints. | + | |
| < | < | ||
| - | COBEL: Well, I'll give them ample time tonight. | + | MARK: Well, I'll give them ample time tonight. Good night, Mrs. Selvig. |
| - | + | ||
| - | < | + | |
| - | MARK: Good night, Mrs. Selvig. | + | |
| < | < | ||
good_news_about_hell_transcript.txt · Last modified: 2023-03-24 19:22 by Scribe of Kier
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