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| good_news_about_hell_transcript [2022-06-28 04:46] – Neatnik | good_news_about_hell_transcript [2022-08-02 04:53] – Neatnik | ||
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| MILCHICK: She deserves to have the information presented to her in the proper order. Just as you had. | MILCHICK: She deserves to have the information presented to her in the proper order. Just as you had. | ||
| - | 151 | ||
| < | < | ||
| - | "If the trainee becomes agitated | + | MARK: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | ||
| < | < | ||
| - | She has to ask three times | + | IRVING: |
| - | for you to let her. | + | |
| - | 153 | ||
| < | < | ||
| - | Right. Yes. | + | MARK: Right. Yes. |
| - | 154 | ||
| < | < | ||
| - | Image is good. | + | MARK: Image is good. |
| - | 155 | ||
| < | < | ||
| - | She looks nice. | + | IRVING: |
| - | 156 | ||
| < | < | ||
| - | Okay. You're all set. | + | MILCHICK: |
| - | 157 | ||
| < | < | ||
| - | I just love | + | MILCHICK: |
| - | seeing you all come in like this. | + | |
| - | 158 | ||
| < | < | ||
| - | Go on ahead when you're ready. | + | MILCHICK: |
| - | 159 | ||
| < | < | ||
| - | - All right. | + | IRVING: |
| - | - Okay. | + | MARK: Okay. |
| - | 160 | ||
| < | < | ||
| - | There you go. | + | IRVING: |
| - | 161 | ||
| < | < | ||
| - | Who are you? | + | MARK: Who are you? |
| - | 162 | ||
| < | < | ||
| - | All right. | + | IRVING: |
| - | 163 | ||
| < | < | ||
| - | Who are you? | + | MARK: Who are you? |
| - | 164 | ||
| < | < | ||
| - | - Mark. | + | IRVING: |
| - | - What? | + | MARK: What? |
| - | 165 | ||
| < | < | ||
| - | You skipped the preamble. | + | IRVING: |
| - | 166 | ||
| < | < | ||
| - | Hello? | + | HELLY: |
| - | 167 | ||
| < | < | ||
| - | Shit! | + | MARK: Shit! |
| - | 168 | ||
| < | < | ||
| - | I'm sorry, I got ahead of myself. | + | MARK: I'm sorry, I got ahead of myself. |
| - | 169 | ||
| < | < | ||
| - | - That's it. | + | IRVING: |
| - | - Okay. | + | MARK: Okay. |
| - | 170 | ||
| < | < | ||
| - | Hi there, you on the table. | + | MARK: Hi there, you on the table. I wonder if you'd mind taking a brief survey. |
| - | 171 | ||
| - | < | ||
| - | I wonder if you'd mind | ||
| - | taking a brief survey. | ||
| - | |||
| - | 172 | ||
| < | < | ||
| - | Who is that? | + | HELLY: |
| - | 173 | ||
| < | < | ||
| - | Five questions. | + | MARK: Five questions. Now, I know you're sleepy, but I just bet it'll make you feel right as rain. |
| - | + | ||
| - | 174 | + | |
| - | < | + | |
| - | Now, I know you're sleepy, | + | |
| - | + | ||
| - | 175 | + | |
| - | < | + | |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | ||
| < | < | ||
| - | Who's speaking? | + | HELLY: |
| - | 177 | ||
| < | < | ||
| - | " | + | MARK: " |
| - | 178 | ||
| < | < | ||
| - | Hey! Open the door! | + | HELLY: |
| - | 179 | ||
| < | < | ||
| - | Mark. | + | IRVING: |
| - | 180 | ||
| < | < | ||
| - | I'd be just thrilled to chat, | + | MARK: I'd be just thrilled to chat, once we've run the survey. |
| - | once we've run the survey. | + | |
| - | 181 | ||
| - | < | ||
| - | Shall we begin with question one? | ||
| - | |||
| - | 182 | ||
| < | < | ||
| - | I'm not taking your survey. | + | HELLY: |
| - | 183 | ||
| < | < | ||
| - | Shall we begin with question one? | + | MARK: Shall we begin with question one? |
| - | 184 | ||
| < | < | ||
| - | Let me out of here. Hey! | + | HELLY: |
| - | 185 | ||
| < | < | ||
| - | - Open the door! | + | HELLY: |
| - | - She's not supposed to do that. | + | IRVING: |
| - | 186 | ||
| < | < | ||
| - | Hey! | + | HELLY: |
| - | 187 | ||
| < | < | ||
| - | She's going to break in. | + | IRVING: |
| - | 188 | ||
| < | < | ||
| - | - Let me out! | + | HELLY: |
| - | - No, she's not. | + | MARK: No, she's not. |
| - | 189 | ||
| < | < | ||
| - | Are you seeing this? | + | MILCHICK: |
| - | 190 | ||
| < | < | ||
| - | I'm watching. | + | COBEL: |
| - | 191 | ||
| < | < | ||
| - | Should I help? | + | MIKCHICK: |
| - | 192 | ||
| < | < | ||
| - | You should not. | + | COBEL: |
| - | 193 | ||
| < | < | ||
| - | That's a perfect score. | + | MARK: That's a perfect score. |
| - | 194 | ||
| < | < | ||
| - | Now, I think I know where | + | MARK: Now, I think I know where our disconnect is coming from. |
| - | our disconnect is coming from. | + | |
| - | 195 | ||
| < | < | ||
| - | - What? | + | HELLY: |
| - | - Well, there was a preamble, | + | MARK: Well, there was a preamble, |
| - | 196 | ||
| - | < | ||
| - | which I was supposed to read | ||
| - | before the survey, | ||
| - | |||
| - | 197 | ||
| - | < | ||
| - | to lead into the questions and... | ||
| - | |||
| - | 198 | ||
| - | < | ||
| - | But I unfortunately skipped that | ||
| - | and went straight into the survey. | ||
| - | |||
| - | 199 | ||
| < | < | ||
| - | Am I livestock? | + | HELLY: |
| - | 200 | ||
| < | < | ||
| - | I'm sorry? | + | MARK: I'm sorry? |
| - | 201 | ||
| < | < | ||
| - | Like, did you grow me as food | + | HELLY: |
| - | and that's why I have no memories? | + | |
| - | 202 | ||
| < | < | ||
| - | You think we grew a full human, | + | MARK: You think we grew a full human, gave you consciousness... |
| - | gave you consciousness... | + | |
| - | 203 | ||
| < | < | ||
| - | - I don't know. | + | HELLY: |
| - | - did your nails and... | + | MARK: |
| - | 204 | ||
| < | < | ||
| - | I don't know. I don't know you. | + | HELLY: |
| - | 205 | ||
| < | < | ||
| - | No, you're not livestock. Good Lord. | + | MARK: No, you're not livestock. Good Lord. |
| - | 206 | ||
| < | < | ||
| - | Then what's my name? | + | HELLY: |
| - | 207 | ||
| < | < | ||
| - | Helly. | + | MARK: Helly. Your name is Helly. Helly R. |
| - | 208 | ||
| - | < | ||
| - | Your name is Helly. Helly R. | ||
| - | |||
| - | 209 | ||
| < | < | ||
| - | Please. | + | MARK: Please. |
| - | 210 | ||
| < | < | ||
| - | Thank you for taking the welcome survey. | + | MARK: Thank you for taking the welcome survey. I can sense that the questions made you feel afraid or disoriented. Well, the good news is, you're at an orientation. |
| - | 211 | ||
| - | < | ||
| - | I can sense that the questions | ||
| - | made you feel afraid or disoriented. | ||
| - | |||
| - | 212 | ||
| - | < | ||
| - | Well, the good news is, | ||
| - | you're at an orientation. | ||
| - | |||
| - | 213 | ||
| < | < | ||
| - | You see, you have | + | MARK: You see, you have been hired to a position |
| - | been hired to a position | + | |
| - | 214 | ||
| - | < | ||
| - | on the severed floor | ||
| - | of Lumon Industries. | ||
| - | |||
| - | 215 | ||
| < | < | ||
| - | The what floor? | + | HELLY: |
| - | 216 | ||
| < | < | ||
| - | I understand you're confused | + | MARK: I understand you're confused about the severance procedure. Before we hop on that, let's chat about something I bet you have heard of, the work/life balance. To start, imagine yourself as a seesaw. |
| - | about the severance procedure. | + | |
| - | + | ||
| - | 217 | + | |
| - | < | + | |
| - | Before we hop on that, | + | |
| - | + | ||
| - | 218 | + | |
| - | < | + | |
| - | let's chat about something I bet you | + | |
| - | have heard of, the work/life balance. | + | |
| - | + | ||
| - | 219 | + | |
| - | < | + | |
| - | To start, imagine yourself as a seesaw. | + | |
| - | 220 | ||
| < | < | ||
| - | Fuck! | + | MARK: Ow! Fuck! |
| - | 221 | ||
| < | < | ||
| - | That locks from out there! | + | MARK: That locks from out there! |
| - | 222 | ||
| < | < | ||
| - | - Let me out! | + | HELLY: |
| - | - God! | + | MARK: |
| - | 223 | ||
| < | < | ||
| - | Can we just take a beat? Please. | + | MARK: Can we just take a beat? Please. |
| - | 224 | ||
| < | < | ||
| - | Please. | + | MARK: Please. |
| - | 225 | ||
| < | < | ||
| - | Okay, my name's Mark. | + | MARK: Okay, my name's Mark. And, uh... So, I... |
| - | 226 | ||
| - | < | ||
| - | And... So, I... | ||
| - | |||
| - | 227 | ||
| < | < | ||
| - | You know, few years back, | + | MARK: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | I woke up on this table. | + | |
| - | 228 | ||
| - | < | ||
| - | In this room. | ||
| - | |||
| - | 229 | ||
| - | < | ||
| - | And a disembodied voice | ||
| - | asked me 19 times who I was. | ||
| - | |||
| - | 230 | ||
| < | < | ||
| - | And when I realized I couldn' | + | MARK: And when I realized I couldn' |
| - | 231 | ||
| - | < | ||
| - | I told that voice that I would find him | ||
| - | and kill him. | ||
| - | |||
| - | 232 | ||
| < | < | ||
| - | I don't know why I said that. | + | MARK: I don't know why I said that. I mean, I was scared too. |
| - | I mean, I was scared too. | + | |
| - | 233 | ||
| < | < | ||
| - | Did you kill the voice? | + | HELLY: |
| - | 234 | ||
| < | < | ||
| - | No. | + | MARK: No. |
| - | 235 | ||
| < | < | ||
| - | No, that voice' | + | MARK: No, that voice' |
| - | and he became my best friend. | + | |
| - | 236 | ||
| < | < | ||
| - | So, look, you know, | + | MARK: So, look, you know, there is a life to be had here, Helly. |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | ||
| < | < | ||
| - | A life to be had? | + | HELLY: |
| - | 238 | ||
| < | < | ||
| - | Well, you see, | + | MARK: Well, you see, life, like a seesaw, requi... |
| - | life, like a seesaw, requi... | + | |
| - | 239 | ||
| < | < | ||
| - | Let me the fuck out of here! | + | HELLY: |
| - | 240 | ||
| < | < | ||
| - | - Ask me again. | + | MARK: Ask me again. |
| - | - What? | + | HELLY: |
| - | 241 | ||
| < | < | ||
| - | You've asked twice to be let go. | + | MARK: You've asked twice to be let go. Ask one more time. |
| - | Ask one more time. | + | |
| - | 242 | ||
| < | < | ||
| - | - Mark. | + | HELLY: |
| - | - Yeah? | + | MARK: |
| - | 243 | ||
| < | < | ||
| - | I would like to leave the building now. | + | HELLY: |
| - | 244 | ||
| < | < | ||
| - | I understand you don't feel | + | MARK: I understand you don't feel it's working out for you here at Lumon. While disappointed, |
| - | it's working out for you here at Lumon. | + | |
| - | + | ||
| - | 245 | + | |
| - | < | + | |
| - | While disappointed, | + | |
| - | keep you somewhere you're not happy. | + | |
| - | + | ||
| - | 246 | + | |
| - | < | + | |
| - | So, let's get you outta here. | + | |
| - | 247 | ||
| < | < | ||
| - | Irv. | + | MARK: Irv. |
| - | 248 | ||
| < | < | ||
| - | The departments are pretty spaced out, | + | MARK: The departments are pretty spaced out, but it'll all fill in one day. They' |
| - | but it'll all fill in one day. | + | |
| - | 249 | ||
| - | < | ||
| - | They' | ||
| - | |||
| - | 250 | ||
| < | < | ||
| - | And I'm, what, part of that? | + | HELLY: |
| - | 251 | ||
| < | < | ||
| - | No. You're a replacement. | + | MARK: No. You're a replacement. |
| - | 252 | ||
| < | < | ||
| - | Replacement for who? | + | HELLY: |
| - | 253 | ||
| - | < | ||
| - | Why are you saying | ||
| - | that like you hate it? | ||
| - | |||
| - | 254 | ||
| < | < | ||
| - | Here's your stairwell. | + | MARK: Here's your stairwell. Just past the bend. |
| - | Just past the bend. | + | |
| - | 255 | ||
| < | < | ||
| - | You're not coming with me? | + | HELLY: |
| - | 256 | ||
| < | < | ||
| - | I'm not allowed to see. | + | MARK: I'm not allowed to see. |
| - | 257 | ||
| < | < | ||
| - | Excuse me? | + | HELLY: |
| - | 258 | ||
| < | < | ||
| - | Well, once you leave, you... | + | MARK: Well, once you leave, you... I just can't watch you leave. |
| - | + | ||
| - | 259 | + | |
| - | < | + | |
| - | I just can't watch you leave. | + | |
| - | 260 | ||
| < | < | ||
| - | Of course you can't. | + | HELLY: |
| - | 261 | ||
| < | < | ||
| - | What the hell? | + | HELLY: |
| - | 262 | ||
| < | < | ||
| - | - Am I dead? | + | HELLY: |
| - | - No. | + | MARK: No. |
| - | 263 | ||
| < | < | ||
| - | - This isn't, like, hell or something? | + | HELLY: |
| - | - No. | + | MARK: No. |
| - | 264 | ||
| < | < | ||
| - | Then why the fuck can't I leave? | + | HELLY: |
| - | 265 | ||
| < | < | ||
| - | Well, you did leave, just now. | + | MARK: Well, you did leave, just now. Out into the stairwell at least. |
| - | Out into the stairwell at least. | + | |
| - | 266 | ||
| < | < | ||
| - | You left, but you came back. | + | MARK: You left, but you came back. |
| - | 267 | ||
| < | < | ||
| - | - I did not. | + | HELLY: |
| - | - You did. | + | MARK: You did. Come on. |
| - | + | ||
| - | 268 | + | |
| - | < | + | |
| - | Come on. | + | |
| - | 269 | ||
| < | < | ||
| - | Weaponizing office equipment | + | COBEL: |
| - | on your first day. | + | |
| - | 270 | ||
| - | < | ||
| - | You are gonna be fun. | ||
| - | |||
| - | 271 | ||
| - | < | ||
| - | Look, I do sympathize. | ||
| - | |||
| - | 272 | ||
| - | < | ||
| - | I've wanted to pummel Mark myself, | ||
| - | but I am his employer. | ||
| - | |||
| - | 273 | ||
| - | < | ||
| - | And he is your department chief. | ||
| - | |||
| - | 274 | ||
| - | < | ||
| - | So we'll both have to be strong. | ||
| - | |||
| - | 275 | ||
| - | < | ||
| - | The good news is, there' | ||
| - | one part left of your orientation, | ||
| - | |||
| - | 276 | ||
| - | < | ||
| - | which Mark can't possibly derail. | ||
| - | |||
| - | 277 | ||
| < | < | ||
| - | Why is that? | + | HELLY: |
| - | 278 | ||
| < | < | ||
| - | Because it's a video. | + | COBEL: |
| - | 279 | ||
| < | < | ||
| - | Welcome to Lumon, Helly. | + | COBEL: |
| - | 280 | ||
| < | < | ||
| - | Have a seat. | + | COBEL: |
| - | 281 | ||
| < | < | ||
| - | Are you mad at me? | + | MARK: Are you mad at me? |
| - | 282 | ||
| < | < | ||
| - | For the incompetence | + | COBEL: |
| - | or the disobedience? | + | |
| - | 283 | ||
| < | < | ||
| - | - Well... | + | MARK: Well... |
| - | - Yes! | + | COBEL: |
| - | 284 | ||
| < | < | ||
| - | You know, my mother was an atheist. | + | COBEL: |
| - | 285 | ||
| - | < | ||
| - | She used to say that there was | ||
| - | good news and bad news about hell. | ||
| - | |||
| - | 286 | ||
| - | < | ||
| - | The good news is, | ||
| - | |||
| - | 287 | ||
| - | < | ||
| - | hell is just the product | ||
| - | of a morbid human imagination. | ||
| - | |||
| - | 288 | ||
| - | < | ||
| - | The bad news is, | ||
| - | |||
| - | 289 | ||
| - | < | ||
| - | whatever humans can imagine, | ||
| - | they can usually create. | ||
| - | |||
| - | 290 | ||
| < | < | ||
| - | I don't know what that means. | + | MARK: I don't know what that means. |
| - | 291 | ||
| < | < | ||
| - | A department like yours | + | COBEL: |
| - | can go so good or so bad. | + | |
| - | 292 | ||
| - | < | ||
| - | You know what makes the difference? | ||
| - | |||
| - | 293 | ||
| - | < | ||
| - | The people. | ||
| - | |||
| - | 294 | ||
| < | < | ||
| - | You can have a seat. | + | MILCHICK: |
| - | 295 | ||
| < | < | ||
| - | Okay, go ahead and have a seat. | + | MILCHICK: |
| - | 296 | ||
| < | < | ||
| - | My name is Helly R. | + | HELLY: |
| - | 297 | ||
| - | < | ||
| - | I'm making this video | ||
| - | |||
| - | 298 | ||
| - | < | ||
| - | roughly two hours | ||
| - | before it will be shown to me. | ||
| - | |||
| - | 299 | ||
| - | < | ||
| - | I have, of my own free accord, | ||
| - | elected to undergo the procedure | ||
| - | |||
| - | 300 | ||
| - | < | ||
| - | colloquially known as severance. | ||
| - | |||
| - | 301 | ||
| - | < | ||
| - | I give consent for my perceptual | ||
| - | chronologies to be surgically split, | ||
| - | |||
| - | 302 | ||
| - | < | ||
| - | separating my memories between | ||
| - | my work life and my personal life. | ||
| - | |||
| - | 303 | ||
| - | < | ||
| - | I acknowledge that, henceforth, | ||
| - | |||
| - | 304 | ||
| - | < | ||
| - | my access to my memories | ||
| - | will be spatially dictated. | ||
| - | |||
| - | 305 | ||
| - | < | ||
| - | I will be unable to access | ||
| - | outside recollections | ||
| - | |||
| - | 306 | ||
| - | < | ||
| - | whilst on Lumon' | ||
| - | severed basement floor, | ||
| - | |||
| - | 307 | ||
| - | < | ||
| - | nor retain work memories upon my ascent. | ||
| - | |||
| - | 308 | ||
| - | < | ||
| - | I am aware that this alteration | ||
| - | |||
| - | 309 | ||
| - | < | ||
| - | is comprehensive and irreversible. | ||
| - | |||
| - | 310 | ||
| - | < | ||
| - | I make these statements freely. | ||
| - | |||
| - | 311 | ||
| < | < | ||
| - | Okay, that's a wrap. | + | MILCHICK: |
| - | 312 | ||
| < | < | ||
| - | Okay. | + | MILCHICK: |
| - | + | ||
| - | 313 | + | |
| - | < | + | |
| - | Go ahead. | + | |
| - | 314 | ||
| < | < | ||
| - | So I'll never leave here? | + | HELLY: |
| - | 315 | ||
| < | < | ||
| - | You'll leave at 5:00. | + | MARK: You'll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won't feel like it. Not to this version of you anyway. |
| - | 316 | ||
| - | < | ||
| - | Well, actually, | ||
| - | they stagger our exits, so 5:15. | ||
| - | |||
| - | 317 | ||
| - | < | ||
| - | But it won't feel like it. | ||
| - | Not to this version of you anyway. | ||
| - | |||
| - | 318 | ||
| < | < | ||
| - | Do I have a family? | + | HELLY: |
| - | 319 | ||
| < | < | ||
| - | You'll never know. | + | MARK: You'll never know. |
| - | 320 | ||
| < | < | ||
| - | And I have no choice. | + | HELLY: |
| - | 321 | ||
| < | < | ||
| - | Well, every time you find yourself here, | + | MARK: Well, every time you find yourself here, it's because you chose to come back. |
| - | it's because you chose to come back. | + | |
| - | 322 | ||
| < | < | ||
| - | Hello. | + | IRVING: |
| - | 323 | ||
| < | < | ||
| - | Good night. | + | MARK: Good night. |
| - | 324 | ||
| < | < | ||
| - | Good night. | + | JUDD: Good night. |
| - | 325 | ||
| < | < | ||
| - | "Dear Mark, | + | MARK: "Dear Mark, Whilst carrying boxes in a room today, |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | ||
| - | < | ||
| - | you slipped on an | ||
| - | overhead projector slide | ||
| - | |||
| - | 327 | ||
| - | < | ||
| - | and sustained a minor | ||
| - | blow to the temple." | ||
| - | |||
| - | 328 | ||
| < | < | ||
| - | Hey! | + | HELLY: |
| - | 329 | ||
| < | < | ||
| - | Sorry. | + | MARK: Sorry. |
| - | 330 | ||
| < | < | ||
| - | Maybe keep your eyes on the icy road. | + | HELLY: |
| - | 331 | ||
| < | < | ||
| - | Sorry. | + | MARK: Sorry. |
| - | 332 | ||
| < | < | ||
| - | Indeed, this gnat will spend | + | TELEVISION: |
| - | much of its three to seven-day life... | + | |
| - | 333 | ||
| < | < | ||
| - | No, I know, Mrs. Selvig. | + | MARK: No, I know, Mrs. Selvig. It's just, it was in my space again. Yeah. Well, trash comes tomorrow night. Tonight' |
| - | It's just, it was in my space again. | + | |
| - | + | ||
| - | 334 | + | |
| - | < | + | |
| - | Yeah. Well, trash comes tomorrow night. | + | |
| - | Tonight' | + | |
| - | + | ||
| - | 335 | + | |
| - | < | + | |
| - | Yeah, it is weird, | + | |
| - | but that's how they do it. | + | |
| - | + | ||
| - | 336 | + | |
| - | < | + | |
| - | And with both yours, | + | |
| - | there' | + | |
| - | 337 | ||
| < | < | ||
| - | - Hey. | + | [[Devon Scout-Hale|DEVON]]: |
| - | - Hey. | + | MARK: Hey. |
| - | 338 | ||
| < | < | ||
| - | Did you forget? | + | [[Devon Scout-Hale|DEVON]]: |
| - | 339 | ||
| < | < | ||
| - | Oh, yeah. Shit. | + | MARK: Oh, yeah. Shit. |
| - | 340 | ||
| < | < | ||
| - | That's okay. | + | DEVON: |
| - | 341 | ||
| < | < | ||
| - | - Sorry. | + | MARK: Sorry. |
| - | - That's fine. | + | DEVON: |
| - | 342 | ||
| < | < | ||
| - | - Do you wanna put on pants, and I' | + | DEVON: |
| - | - I'm wearing pants. | + | MARK: I'm wearing pants. |
| - | 343 | ||
| < | < | ||
| - | meet you in... Those are not pants. | + | DEVON: |
| - | 344 | ||
| < | < | ||
| - | So if there' | + | MARK: So if there' |
| - | dinner, how is it dinner? | + | |
| - | 345 | ||
| < | < | ||
| - | - Okay. | + | DEVON: |
| - | - Like... | + | MARK: Like... |
| - | 346 | ||
| < | < | ||
| - | You actually owe me this. | + | DEVON: |
| - | 347 | ||
| < | < | ||
| - | - Do I? | + | MARK: Do I? |
| - | - Yep. | + | DEVON: |
| - | 348 | ||
| < | < | ||
| - | You remember that time when we were kids | + | DEVON: |
| - | and I was a way better sibling than you? | + | |
| - | 349 | ||
| < | < | ||
| - | Must have slipped my mind. | + | MARK: Must have slipped my mind. |
| - | 350 | ||
| < | < | ||
| - | Also, | + | DEVON: |
| - | I know we're nearing the anniversary, | + | |
| - | 351 | ||
| - | < | ||
| - | so I just thought | ||
| - | maybe you'd wanna be around people. | ||
| - | |||
| - | 352 | ||
| < | < | ||
| - | Nope. | + | MARK: Nope. |
| - | 353 | ||
| < | < | ||
| - | This is nice. When did you get it? | + | DEVON: |
| - | 354 | ||
| < | < | ||
| - | Something from work, | + | MARK: Something from work, and they apologized. |
| - | and they apologized. | + | |
| - | 355 | ||
| < | < | ||
| - | They apologized. Thank God. | + | DEVON: |
| - | + | ||
| - | 356 | + | |
| - | < | + | |
| - | Did they tack an explanation | + | |
| - | onto that apology? | + | |
| - | 357 | ||
| < | < | ||
| - | It's fine. Got a gift card. | + | MARK: It's fine. Got a gift card. |
| - | 358 | ||
| < | < | ||
| - | You got a gift card. | + | DEVON: |
| - | Where' | + | |
| - | 359 | ||
| < | < | ||
| - | I don't know. Pip's. | + | MARK: I don't know. Pip's. |
| - | 360 | ||
| < | < | ||
| - | Of course it's Pip's. Well, enjoy. | + | DEVON: |
| - | 361 | ||
| < | < | ||
| - | I will, without you. | + | MARK: I will, without you. |
| - | 362 | ||
| < | < | ||
| - | There' | + | [[Ricken Hale|RICKEN]]: |
| - | 363 | ||
| < | < | ||
| - | - Hi, Rick. | + | MARK: Hi, Rick. |
| - | - Ricken. Come on, it's Ricken. | + | RICKEN: |
| - | 364 | ||
| < | < | ||
| - | - You, sir, look at peace. | + | RICKEN: |
| - | - You know. | + | MARK: You know. |
| 365 | 365 | ||
| Line 2035: | Line 1571: | ||
| They' | They' | ||
| - | 525 | ||
| < | < | ||
| - | Hi, kids. What's for dinner? | + | PETEY: |
| 526 | 526 | ||
| Line 2092: | Line 1627: | ||
| - No. | - No. | ||
| - | 538 | ||
| < | < | ||
| - | I tried that first. So did you. | + | PETEY: |
| - | 539 | ||
| < | < | ||
| - | Right. Okay. So... | + | MARK: Right. Okay. So... |
| - | 540 | ||
| < | < | ||
| - | You've unsevered. | + | MARK: You've unsevered. |
| - | 541 | ||
| < | < | ||
| - | And now you, what, think they' | + | MARK: And now you, what, think they' |
| - | after you or something? | + | |
| - | 542 | ||
| < | < | ||
| - | Yeah. | + | PETEY: |
| - | 543 | ||
| < | < | ||
| - | " | + | PETEY: |
| - | who's probably out here right now. | + | |
| - | 544 | ||
| < | < | ||
| - | Graner. Okay. | + | MARK: Graner. Okay. Is that, like, a person you know or... |
| - | Is that, like, a person you know or... | + | |
| - | 545 | ||
| < | < | ||
| - | We both know him. We don't like him. | + | PETEY: |
| - | 546 | ||
| < | < | ||
| - | I see. | + | MARK: I see. |
| - | 547 | ||
| < | < | ||
| - | Nothing down there is what they say. | + | PETEY: |
| - | 548 | ||
| - | < | ||
| - | If something happens to me, | ||
| - | |||
| - | 549 | ||
| - | < | ||
| - | the things I know need to stay known. | ||
| - | |||
| - | 550 | ||
| < | < | ||
| - | I'd prefer it be by a friend. | + | PETEY: |
| - | 551 | ||
| < | < | ||
| - | So, we're friends? | + | MARK: So, we're friends? |
| - | 552 | ||
| < | < | ||
| - | I'm your best friend. | + | PETEY: |
| - | 553 | ||
| - | < | ||
| - | You're my very good friend. | ||
| - | |||
| - | 554 | ||
| < | < | ||
| - | Mark, sorry about the card. | + | PETEY: |
| - | 555 | ||
| - | < | ||
| - | I had to grab something, | ||
| - | and I know it's not appropriate. | ||
| - | |||
| - | 556 | ||
| < | < | ||
| - | Though I'm sure you'd be | + | Though I'm sure you'd be a really fucking awesome niece. |
| - | a really fucking awesome niece. | + | |
| - | 557 | ||
| < | < | ||
| - | We used to wonder | + | PETEY: |
| - | what kind of men we were on the outside, | + | |
| - | 558 | ||
| - | < | ||
| - | what choices we had made and why. | ||
| - | |||
| - | 559 | ||
| < | < | ||
| - | I used to think it would take a monster | + | PETEY: |
| - | + | ||
| - | 560 | + | |
| - | < | + | |
| - | to put someone | + | |
| - | in a place like that office. | + | |
| - | 561 | ||
| < | < | ||
| - | Especially if the person was himself. | + | PETEY: |
| - | 562 | ||
| < | < | ||
| - | But we're not monsters, Mark. | + | PETEY: |
| - | Not real ones. | + | |
| - | 563 | ||
| < | < | ||
| - | If you don't wanna know what's | + | PETEY: |
| - | going on down there, I won't force it. | + | |
| - | 564 | ||
| < | < | ||
| - | But if you do, there' | + | PETEY: |
| - | on the back of this card. | + | |
| - | 565 | ||
| < | < | ||
| - | Go alone, and you'll find | + | PETEY: |
| - | the beginning of a very long answer. | + | |
| - | 566 | ||
| < | < | ||
| - | Mark, is that you? | + | COBEL: |
| - | 567 | ||
| < | < | ||
| - | Hi, Mrs. Selvig. | + | MARK: Hi, Mrs. Selvig. |
| - | 568 | ||
| < | < | ||
| - | Will you color me embarrassed | + | COBEL: |
| - | for the mix-up with the bins? | + | |
| - | 569 | ||
| < | < | ||
| - | No, it's no problem. | + | MARK: No, it's no problem. |
| - | 570 | ||
| < | < | ||
| - | How was dinner? | + | COEBL: |
| - | 571 | ||
| < | < | ||
| - | Fine. I'm just, you know, tired. | + | MARK: Fine. I'm just, you know, tired. |
| < | < | ||
good_news_about_hell_transcript.txt · Last modified: 2023-03-24 19:22 by Scribe of Kier
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