Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revision | ||
| what_s_for_dinner_transcript [2022-06-27 02:34] – Neatnik | what_s_for_dinner_transcript [2022-08-12 12:59] (current) – Saeid | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| <WRAP infobox> | <WRAP infobox> | ||
| - | | **What's For Dinner? (Transcript)** || | + | | **What’s For Dinner? (Transcript)** || |
| ^ Episode Number | 1.8 | | ^ Episode Number | 1.8 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[defiant_jazz_transcript]] | | ^ Previous Transcript | [[defiant_jazz_transcript]] | | ||
| ^ Next Transcript | [[the_we_we_are_transcript]] | | ^ Next Transcript | [[the_we_we_are_transcript]] | | ||
| Line 15: | Line 15: | ||
| <WRAP script> | <WRAP script> | ||
| - | 1 | ||
| < | < | ||
| - | All right, Radar. Okay, | + | Irving: |
| - | come on. Let's go. | + | |
| - | 2 | ||
| < | < | ||
| - | - Going good? | + | Mark: Going good? |
| - | - Yep. | + | Helly: |
| - | 3 | ||
| < | < | ||
| - | Yeah? | + | Mark: Yeah? |
| - | 4 | ||
| < | < | ||
| - | - Think you'll have it by... | + | Mark: Think you’ll have it by... |
| - | - I'll get there. | + | Helly: |
| - | 5 | ||
| < | < | ||
| - | - She's not gonna make it, is she? | + | Dylan: |
| - | - You should be at your desks. | + | Mark: You should be at your desks. |
| - | 6 | ||
| < | < | ||
| - | We've both been done a | + | Dylan: |
| - | week. What is there to do? | + | |
| - | 7 | ||
| < | < | ||
| - | - Is she gonna make it? | + | Dylan: |
| - | - She's gonna make it. | + | Mark: She’s gonna make it. |
| - | 8 | ||
| < | < | ||
| - | Mark. | + | Irving: |
| - | 9 | ||
| < | < | ||
| - | Yes? | + | Mark: Yes? |
| - | 10 | ||
| < | < | ||
| - | - Don't laugh. | + | Irving: |
| - | - At? | + | Mark: At? |
| - | 11 | ||
| < | < | ||
| - | I just wonder if it might be | + | Irving: |
| - | helpful for us to stand behind her | + | |
| - | 12 | ||
| - | < | ||
| - | and perhaps chant her name. | ||
| - | |||
| - | 13 | ||
| < | < | ||
| - | Okay. She'll make it. | + | Mark: Okay. She’ll make it. Just let her focus. |
| - | Just let her focus. | + | |
| - | 14 | ||
| < | < | ||
| - | How's she doing? | + | Cobel: |
| - | 15 | ||
| < | < | ||
| - | Gonna be down to the wire. | + | Milchick: |
| - | 16 | ||
| < | < | ||
| - | She'll make it. | + | Cobel: |
| - | 17 | ||
| < | < | ||
| - | Let's prep for | + | Cobel: |
| - | when she makes it. | + | |
| - | 18 | ||
| < | < | ||
| - | And I want to schedule | + | Cobel: Oh. And I want to schedule |
| - | 19 | ||
| - | < | ||
| - | a end-of-the-quarter | ||
| - | wellness session for Mark… | ||
| - | |||
| - | 20 | ||
| - | < | ||
| - | One last time. | ||
| - | |||
| - | 21 | ||
| < | < | ||
| - | Really? | + | Milchick: |
| - | 22 | ||
| < | < | ||
| - | Seth. | + | Cobel: |
| - | 23 | ||
| - | < | ||
| - | I know that this has | ||
| - | been a trying quarter, | ||
| - | |||
| - | 24 | ||
| - | < | ||
| - | and you have availed | ||
| - | yourself well. | ||
| - | |||
| - | 25 | ||
| - | < | ||
| - | Mr. Graner sits with Kier now, | ||
| - | |||
| - | 26 | ||
| - | < | ||
| - | and I imagine they' | ||
| - | very satisfied with you. | ||
| - | |||
| - | 27 | ||
| < | < | ||
| - | Hey. | + | Helly: |
| - | 28 | ||
| < | < | ||
| - | Did you… | + | Mark: Did you… |
| - | 29 | ||
| < | < | ||
| - | I think I did. | + | Helly: |
| - | 30 | ||
| < | < | ||
| - | - She do it? | + | Dylan: |
| - | - She did it! | + | Mark: She did it! |
| - | 31 | ||
| < | < | ||
| - | Fuck and yes. | + | Dylan: |
| - | 32 | ||
| < | < | ||
| - | Oh, my goodness. | + | Irving: |
| - | 33 | ||
| < | < | ||
| - | I knew you could do it, Helly R. | + | Kier Eagan: |
| - | 34 | ||
| - | < | ||
| - | Even in your darkest moments, | ||
| - | I could see you arriving here. | ||
| - | |||
| - | 35 | ||
| - | < | ||
| - | In refining your macrodata file, you have | ||
| - | brought glory to this company and to me. | ||
| - | |||
| - | 36 | ||
| - | < | ||
| - | Kier Eagan. | ||
| - | |||
| - | 37 | ||
| - | < | ||
| - | I... I love you. | ||
| - | |||
| - | 38 | ||
| - | < | ||
| - | But now I must away, for there are | ||
| - | others who need me around the world. | ||
| - | |||
| - | 39 | ||
| - | < | ||
| - | Goodbye, Helly | ||
| - | R., and thank you. | ||
| - | |||
| - | 40 | ||
| < | < | ||
| - | Boom! That's quota. We did it. | + | Dylan: |
| - | 41 | ||
| < | < | ||
| - | Good work. | + | Mark: Good work. |
| - | 42 | ||
| < | < | ||
| - | So it's on now? | + | Irving: |
| - | 43 | ||
| < | < | ||
| - | Oh, Mark. I don't | + | Cobel: |
| - | know how you knew | + | |
| - | 44 | ||
| - | < | ||
| - | for the end of the quarter | ||
| - | I wanted a heart attack. | ||
| - | |||
| - | 45 | ||
| < | < | ||
| - | Well, we made it, despite | + | Mark: Well, we made it, despite a staffing shake-up. |
| - | a staffing shake-up. | + | |
| - | 46 | ||
| < | < | ||
| - | Yes, and spending half of your | + | Cobel: |
| - | time farting around the halls. | + | |
| - | 47 | ||
| - | < | ||
| - | Still, yes. You made it. | ||
| - | |||
| - | 48 | ||
| - | < | ||
| - | Have you decided who you want | ||
| - | to stay for the waffle party? | ||
| - | |||
| - | 49 | ||
| < | < | ||
| - | I was thinking Dylan. | + | Mark: I was thinking Dylan. |
| - | 50 | ||
| < | < | ||
| - | You know you can choose | + | Cobel: |
| - | yourself or anyone but Dylan. | + | |
| - | 51 | ||
| < | < | ||
| - | Yeah, but it's more his thing, | + | Mark: Yeah, but it’s more his thing, and he really worked hard. |
| - | and he really worked hard. | + | |
| - | 52 | ||
| < | < | ||
| - | Well, I'll make | + | Cobel: |
| - | the arrangements. | + | |
| - | 53 | ||
| < | < | ||
| - | - Great. | + | Mark: Great. |
| - | - But before you celebrate, | + | Cobel: |
| - | 54 | ||
| - | < | ||
| - | I'd like you to | ||
| - | drop by wellness. | ||
| - | |||
| - | 55 | ||
| < | < | ||
| - | Really? | + | Mark: Really? |
| - | 56 | ||
| < | < | ||
| - | Yes. I'm having all department | + | Cobel: |
| - | heads do it end-of-quarter. | + | |
| - | + | ||
| - | 57 | + | |
| - | < | + | |
| - | With all of this stress and | + | |
| - | Mr. Graner retiring and everything. | + | |
| - | 58 | ||
| < | < | ||
| - | Of course. | + | Mark: Of course. |
| - | 59 | ||
| < | < | ||
| - | Mark, all sarcasm aside… | + | Cobel: |
| - | 60 | ||
| < | < | ||
| - | Yeah. | + | Mark: Yeah. |
| - | 61 | ||
| < | < | ||
| - | Thank you. | + | Cobel: |
| - | 62 | ||
| < | < | ||
| - | I... | + | Cobel: |
| - | 63 | ||
| - | < | ||
| - | Lumon needed this. | ||
| - | |||
| - | 64 | ||
| < | < | ||
| - | Mark. | + | Ms. Casey: |
| - | 65 | ||
| < | < | ||
| - | Ms. Casey. | + | Mark: Ms. Casey. |
| - | 66 | ||
| < | < | ||
| - | Where'd the tree go? | + | Mark: Where’d the tree go? |
| - | 67 | ||
| < | < | ||
| - | You can have a seat. | + | Ms. Casey: |
| - | 68 | ||
| < | < | ||
| - | Why's everything in boxes? | + | Mark: Why’s everything in boxes? |
| - | 69 | ||
| < | < | ||
| - | Evidently Lumon's been blessed | + | Ms. Casey: |
| - | with a new wellness director. | + | |
| - | 70 | ||
| - | < | ||
| - | So I'll be retiring at the conclusion | ||
| - | of this session, and the room is... | ||
| - | |||
| - | 71 | ||
| < | < | ||
| - | What? Wait. | + | Mark: What? Wait. When did they tell you? |
| - | 72 | ||
| - | < | ||
| - | When did they tell you? | ||
| - | |||
| - | 73 | ||
| < | < | ||
| - | Just now. Just a moment ago. | + | Ms. Casey: |
| - | 74 | ||
| < | < | ||
| - | Mark S., | + | Ms. Casey: |
| - | + | ||
| - | 75 | + | |
| - | < | + | |
| - | you have successfully led your | + | |
| - | department, Macrodata Refinement, | + | |
| - | + | ||
| - | 76 | + | |
| - | < | + | |
| - | to meet their quarterly quota, | + | |
| - | + | ||
| - | 77 | + | |
| - | < | + | |
| - | and are thus eligible for this | + | |
| - | special, augmented wellness session. | + | |
| - | 78 | ||
| < | < | ||
| - | I didn't think you'd get fired. | + | Mark: I didn’t think you’d get fired. |
| - | 79 | ||
| < | < | ||
| - | " | + | Ms. Casey: |
| - | 80 | ||
| - | < | ||
| - | Your outie has brightened | ||
| - | people' | ||
| - | |||
| - | 81 | ||
| - | < | ||
| - | Your outie makes time | ||
| - | for people, even when... | ||
| - | |||
| - | 82 | ||
| < | < | ||
| - | Hey, let me talk to somebody. | + | Mark: Hey, let me talk to somebody. |
| - | 83 | ||
| < | < | ||
| - | I really liked being in the | + | Ms. Casey: |
| - | office with you all that day. | + | |
| - | 84 | ||
| < | < | ||
| - | I know I vexed you. | + | Ms. Casey: |
| - | 85 | ||
| - | < | ||
| - | I know I'm… strange. | ||
| - | |||
| - | 86 | ||
| < | < | ||
| - | No, you're not strange. | + | Mark: No, you’re not strange. |
| - | 87 | ||
| < | < | ||
| - | My life has been 107 hours long. | + | Ms. Casey: |
| - | + | ||
| - | 88 | + | |
| - | < | + | |
| - | Most of that has been | + | |
| - | these half-hour sessions. | + | |
| - | 89 | ||
| < | < | ||
| - | For me, my favorite | + | Ms. Casey: |
| - | time was the eight hours | + | |
| - | 90 | ||
| - | < | ||
| - | I spent in your | ||
| - | department watching Helly. | ||
| - | |||
| - | 91 | ||
| - | < | ||
| - | It's the longest | ||
| - | I've ever been awake. | ||
| - | |||
| - | 92 | ||
| - | < | ||
| - | I suppose it's what you | ||
| - | could call my good old days. | ||
| - | |||
| - | 93 | ||
| < | < | ||
| - | There must be | + | Mark: There must be something we can do. |
| - | something we can do. | + | |
| - | 94 | ||
| < | < | ||
| - | Why do you care | + | Ms. Casey: |
| - | what happens to me? | + | |
| - | 95 | ||
| < | < | ||
| - | Because we're people, | + | Mark: Because we’re people, not parts of people. |
| - | not parts of people. | + | |
| - | 96 | ||
| < | < | ||
| - | Even with what little they | + | Mark: Even with what little they gave us, these are our lives. |
| - | gave us, these are our lives. | + | |
| - | 97 | ||
| < | < | ||
| - | No one gets to | + | Mark: No one gets to just turn you off. |
| - | just turn you off. | + | |
| - | 98 | ||
| < | < | ||
| - | You're nice, Mark. | + | Ms. Casey: |
| - | 99 | ||
| < | < | ||
| - | " | + | Ms. Casey: |
| - | 100 | ||
| - | < | ||
| - | Your outie can set up a | ||
| - | tent in under three minutes. | ||
| - | |||
| - | 101 | ||
| - | < | ||
| - | Your outie knows a beautiful | ||
| - | rock from a plain one. | ||
| - | |||
| - | 102 | ||
| - | < | ||
| - | Your outie likes giving... | ||
| - | |||
| - | 103 | ||
| < | < | ||
| - | You know it's good, right? | + | Milchick: |
| - | 104 | ||
| - | < | ||
| - | That they don't | ||
| - | remember each other? | ||
| - | |||
| - | 105 | ||
| < | < | ||
| - | It means the chips work. | + | Milchick: |
| - | 106 | ||
| - | < | ||
| - | It's a win. | ||
| - | |||
| - | 107 | ||
| < | < | ||
| - | Take her back down | + | Cobel: |
| - | + | ||
| - | 108 | + | |
| - | < | + | |
| - | to the testing floor, please. | + | |
| - | 109 | ||
| < | < | ||
| - | Do you know if I'm | + | Ms. Casey: |
| - | happy up there? | + | |
| - | 110 | ||
| < | < | ||
| - | Of course. | + | Milchick: |
| - | 111 | ||
| - | < | ||
| - | You do all sorts of | ||
| - | wonderful things. | ||
| - | |||
| - | 112 | ||
| < | < | ||
| - | - Could I just... | + | Ms. Casey: |
| - | - I'm sorry. | + | Milchick: |
| - | 113 | ||
| < | < | ||
| - | I just have so much to do today. | + | Milchick: |
| - | 114 | ||
| < | < | ||
| - | On you go. | + | Milchick: |
| - | 115 | ||
| < | < | ||
| - | - Mark. | + | Helly: |
| - | - Where were you? | + | Irving: |
| - | 116 | ||
| < | < | ||
| - | They gave me a wellness check. | + | Mark: They gave me a wellness check. |
| - | 117 | ||
| < | < | ||
| - | Okay. You're all set | + | Mark: Okay. You’re all set for the waffle party. |
| - | for the waffle party. | + | |
| - | 118 | ||
| < | < | ||
| - | How's Ms. Casey? | + | Dylan: |
| - | 119 | ||
| - | < | ||
| - | I mean, I'm over her, but | ||
| - | I still wanna be friends. | ||
| - | |||
| - | 120 | ||
| < | < | ||
| - | - They fired her. | + | Mark: They fired her. |
| - | - What? | + | Dylan: |
| - | 121 | ||
| < | < | ||
| - | Yeah. She just found out. | + | Mark: Yeah. She just found out. |
| - | 122 | ||
| < | < | ||
| - | Well, can we help her? Is | + | Helly: |
| - | there anything we can do? | + | |
| - | 123 | ||
| < | < | ||
| - | I don't know. | + | Mark: I don’t know. |
| - | 124 | ||
| < | < | ||
| - | Is everyone sure | + | Mark: Is everyone sure they wanna do this? |
| - | they wanna do this? | + | |
| - | 125 | ||
| < | < | ||
| - | Any Macrodats ready to party? | + | Milchick: |
| - | 126 | ||
| < | < | ||
| - | Yeah. | + | Mark: Yeah. |
| - | 127 | ||
| < | < | ||
| - | Dylan G.'s waffle party will | + | Milchick: |
| - | commence at close of day. | + | |
| - | 128 | ||
| - | < | ||
| - | In the meantime, | ||
| - | |||
| - | 129 | ||
| - | < | ||
| - | I've ordered the pre-waffle party | ||
| - | egg bar social for everyone. | ||
| - | |||
| - | 130 | ||
| < | < | ||
| - | Yes! Pay dirt! Yeah! | + | Dylan: |
| - | 131 | ||
| < | < | ||
| - | All of you deserve this | + | Milchick: |
| - | for reaching quota. | + | |
| - | 132 | ||
| < | < | ||
| - | But before we begin… | + | Milchick: |
| - | 133 | ||
| - | < | ||
| - | A very special gift for | ||
| - | a very special Dylan. | ||
| - | |||
| - | 134 | ||
| < | < | ||
| - | Our three-time R of the Q! | + | Milchick: |
| - | + | ||
| - | 135 | + | |
| - | < | + | |
| - | A man whose mind is as | + | |
| - | sharp as his incisors. | + | |
| - | 136 | ||
| < | < | ||
| - | Right, bud? | + | Milchick: |
| - | 137 | ||
| < | < | ||
| - | Open it. | + | Helly: |
| - | 138 | ||
| < | < | ||
| - | Yeah, I bet you'd like that, | + | Dylan: |
| - | fuckers. But my prize, my eyes, so… | + | |
| - | 139 | ||
| < | < | ||
| - | Maybe you should | + | Milchick: |
| - | show them, Dylan. | + | |
| - | + | ||
| - | 140 | + | |
| - | < | + | |
| - | Show them what you requested. | + | |
| - | 141 | ||
| < | < | ||
| - | Yeah, show us, man. | + | Mark: Yeah, show us, man. |
| - | 142 | ||
| < | < | ||
| - | Fine. | + | Dylan: |
| - | 143 | ||
| < | < | ||
| - | Okay, yeah. Let's switch | + | Milchick: |
| - | up the vibe in here. | + | |
| - | 144 | ||
| < | < | ||
| - | Good? | + | Mark: Good? |
| - | 145 | ||
| < | < | ||
| - | Jesus, this is actually good. | + | Helly: |
| - | 146 | ||
| < | < | ||
| - | Yeah, the egg bar | + | Dylan: |
| - | is coveted as fuck. | + | |
| - | 147 | ||
| < | < | ||
| - | Look at this thing over here. | + | Milchick: |
| - | 148 | ||
| - | < | ||
| - | Looking good. | ||
| - | |||
| - | 149 | ||
| < | < | ||
| - | I should be the | + | Helly: |
| - | one to stay behind. | + | |
| - | 150 | ||
| < | < | ||
| - | Nope. | + | Dylan: |
| - | 151 | ||
| < | < | ||
| - | Don't you wanna | + | Helly: |
| - | see your kid again? | + | |
| - | 152 | ||
| < | < | ||
| - | What we're doing tonight | + | Dylan: |
| - | is just the first step. | + | |
| - | 153 | ||
| < | < | ||
| - | Are you sure? | + | Helly: |
| - | 154 | ||
| < | < | ||
| - | Helly R. Attempted | + | Natalie: |
| - | suicide three weeks ago. | + | |
| - | 155 | ||
| < | < | ||
| - | Yes, she did. | + | Cobel: |
| - | 156 | ||
| < | < | ||
| - | How could you not tell us? | + | Natalie: |
| - | 157 | ||
| < | < | ||
| - | Did Milchick give you those? | + | Cobel: |
| - | 158 | ||
| < | < | ||
| - | Answer the question. | + | Natalie: |
| - | 159 | ||
| < | < | ||
| - | Am I speaking with the Board? | + | Cobel: |
| - | 160 | ||
| < | < | ||
| - | We also know that you've | + | Natalie: |
| - | been spending time | + | |
| - | 161 | ||
| - | < | ||
| - | at the home of Mark | ||
| - | Scout' | ||
| - | |||
| - | 162 | ||
| < | < | ||
| - | Right. | + | Cobel: |
| - | 163 | ||
| < | < | ||
| - | It has been decided that you be suspended | + | Natalie: |
| - | from your position, effective immediately. | + | |
| - | 164 | + | < |
| - | < | + | Cobel: Go— |
| - | You are fired. | + | |
| - | 165 | ||
| - | < | ||
| - | Go... | ||
| - | |||
| - | 166 | ||
| < | < | ||
| - | Oh, fuck off, Natalie! | + | Cobel: |
| - | + | ||
| - | 167 | + | |
| - | < | + | |
| - | Is the Board even there? | + | |
| - | 168 | ||
| < | < | ||
| - | Yes. | + | The Board: |
| - | 169 | ||
| < | < | ||
| - | I'm sorry. That was rude. | + | Cobel: |
| - | 170 | ||
| < | < | ||
| - | I can explain everything to | + | Cobel: |
| - | the Board tonight, please. | + | |
| - | 171 | ||
| < | < | ||
| - | The Board has | + | Natalie: |
| - | concluded the call. | + | |
| - | 172 | ||
| < | < | ||
| - | "Endow in each swing of your ax | + | Irving: |
| - | 173 | ||
| - | < | ||
| - | or swipe of your pen the | ||
| - | sum of your affections, | ||
| - | |||
| - | 174 | ||
| - | < | ||
| - | that through me | ||
| - | they may be purified | ||
| - | |||
| - | 175 | ||
| - | < | ||
| - | and returned. | ||
| - | |||
| - | 176 | ||
| - | < | ||
| - | No higher purpose may | ||
| - | be found than this. | ||
| - | |||
| - | 177 | ||
| - | < | ||
| - | "Nor any… higher love." | ||
| - | |||
| - | 178 | ||
| < | < | ||
| - | I figured it out. | + | Helly: |
| - | + | ||
| - | 179 | + | |
| - | < | + | |
| - | The goats lay the eggs. | + | |
| - | 180 | ||
| < | < | ||
| - | Oh, my God. You got it! | + | Mark: Oh, my God. You got it! |
| - | 181 | ||
| < | < | ||
| - | You scared about tonight? | + | Helly: |
| - | 182 | ||
| < | < | ||
| - | Yeah. | + | Mark: Yeah. I’m scared of getting caught. |
| - | 183 | ||
| - | < | ||
| - | I'm scared of getting caught. | ||
| - | |||
| - | 184 | ||
| < | < | ||
| - | They left us unattended, and | + | Helly: |
| - | thought we'd be too dumb to notice. | + | |
| - | + | ||
| - | 185 | + | |
| - | < | + | |
| - | They won't see this coming. | + | |
| - | 186 | ||
| < | < | ||
| - | Or we won't wake up. | + | Mark: Or we won’t wake up. |
| - | 187 | ||
| < | < | ||
| - | Or we're all assholes out there. | + | Mark: Or we’re all assholes out there. |
| - | 188 | ||
| < | < | ||
| - | Well, that's a given for me. | + | Helly: |
| - | 189 | ||
| < | < | ||
| - | You know, I just hope it turns | + | Mark: You know, I just hope it turns out I have things I care about. Like, for real. |
| - | out I have things I care about. | + | |
| - | 190 | ||
| - | < | ||
| - | Like, for real. | ||
| - | |||
| - | 191 | ||
| < | < | ||
| - | You pretended to care | + | Helly: |
| - | about me pretty well. | + | |
| - | 192 | ||
| < | < | ||
| - | You're easy to | + | Mark: You’re easy to pretend to care about. |
| - | pretend to care about. | + | |
| - | 193 | ||
| < | < | ||
| - | Thank you. | + | Helly: |
| - | + | ||
| - | 194 | + | |
| - | < | + | |
| - | As are you. | + | |
| - | 195 | ||
| < | < | ||
| - | Thanks. | + | Mark: Thanks. |
| - | 196 | ||
| < | < | ||
| - | Okay, Refiners! | + | Milchick: |
| - | 197 | ||
| < | < | ||
| - | I need to see about a management | + | Milchick: |
| - | issue, and this party is over. | + | |
| - | 198 | ||
| < | < | ||
| - | I'll leave the food. | + | Milchick: |
| - | 199 | ||
| < | < | ||
| - | Thank you, Mr. Milchick. | + | Irving: |
| - | 200 | ||
| < | < | ||
| - | Dylan, I'll be back to escort | + | Milchick: |
| - | you to perpetuity | + | |
| - | 201 | ||
| < | < | ||
| - | Key card. | + | Milchick: |
| - | 202 | ||
| < | < | ||
| - | On you go then. | + | Milchick: |
| - | 203 | ||
| < | < | ||
| - | Okay, look, you don't mess | + | Mark: Okay, look, you don’t mess with any other departments. |
| - | with any other departments. | + | |
| - | 204 | ||
| < | < | ||
| - | - It's just us three. | + | Mark: It’s just us three. |
| - | - I know. | + | Dylan: |
| - | 205 | ||
| < | < | ||
| - | The machine's designed | + | Helly: |
| - | to be operated by two... | + | |
| - | 206 | ||
| < | < | ||
| - | Two people. I'll be fine. | + | Dylan: |
| - | 207 | ||
| - | < | ||
| - | Can I have the stuff, please? | ||
| - | |||
| - | 208 | ||
| < | < | ||
| - | Now, look, it's likely we'll | + | Mark: Now, look, it’s likely we’ll all wake up around people. |
| - | all wake up around people. | + | |
| - | 209 | ||
| - | < | ||
| - | Could be driving or skiing, | ||
| - | whatever we do up there. | ||
| - | |||
| - | 210 | ||
| - | < | ||
| - | So be ready for anything | ||
| - | as you go up the elevator. | ||
| - | |||
| - | 211 | ||
| - | < | ||
| - | Okay? | ||
| - | |||
| - | 212 | ||
| < | < | ||
| - | The important thing is you find | + | Mark: The important thing is you find someone it seems you can trust, and you tell them everything. |
| - | someone it seems you can trust, | + | |
| - | + | ||
| - | 213 | + | |
| - | < | + | |
| - | and you tell them everything. | + | |
| - | 214 | ||
| < | < | ||
| - | And we don't know how long | + | Helly: |
| - | Dylan will be able to give us, | + | |
| - | 215 | ||
| - | < | ||
| - | so we can't get distracted | ||
| - | digging into our lives. | ||
| - | |||
| - | 216 | ||
| < | < | ||
| - | Right. The mission | + | Irving: |
| - | is the priority. | + | |
| - | 217 | ||
| < | < | ||
| - | I probably should've | + | Mark: I probably should’ve told you guys… |
| - | told you guys… | + | |
| - | 218 | ||
| < | < | ||
| - | But I kept this. | + | Mark: But I kept this. And there was a part of it that— Well… |
| - | 219 | ||
| - | < | ||
| - | And there was a | ||
| - | part of it that... | ||
| - | |||
| - | 220 | ||
| - | < | ||
| - | Well… | ||
| - | |||
| - | 221 | ||
| < | < | ||
| - | "Our job… is to taste free air." | + | Mark: "Our job… is to taste free air." Your so-called boss may own the clock that taunts you from the wall. |
| - | + | ||
| - | 222 | + | |
| - | < | + | |
| - | Your so-called boss may own the | + | |
| - | clock that taunts you from the wall. | + | |
| - | 223 | ||
| < | < | ||
| - | - But, my..." | + | Mark: But, my..." |
| - | - "But, my friends, the hour is yours." | + | Dylan: |
| - | 224 | ||
| < | < | ||
| - | Page 197 slaps. | + | Dylan: |
| - | 225 | ||
| < | < | ||
| - | Okay, kids. | + | Irving: |
| - | 226 | ||
| - | < | ||
| - | Let's find out | ||
| - | what's for dinner. | ||
| - | |||
| - | 227 | ||
| < | < | ||
| - | You think we're about | + | Helly: |
| - | to meet our spouses? | + | |
| - | 228 | ||
| < | < | ||
| - | Maybe. | + | Mark: Maybe. |
| - | 229 | ||
| < | < | ||
| - | Maybe it's each other. | + | Helly: |
| - | + | ||
| - | 230 | + | |
| - | < | + | |
| - | That'd be a hoot. | + | |
| - | 231 | ||
| < | < | ||
| - | Yeah. | + | Mark: Yeah. |
| - | 232 | ||
| < | < | ||
| - | Yeah, like, mid-argument | + | Mark: Yeah, like, mid-argument over car wash coupons. |
| - | over car wash coupons. | + | |
| - | 233 | ||
| < | < | ||
| - | " | + | Helly: |
| - | cutting them wrong!" | + | |
| - | 234 | ||
| < | < | ||
| - | - Okay. | + | Helly: |
| - | - All right. | + | Mark: All right. |
| - | 235 | ||
| < | < | ||
| - | In case we don't come back. | + | Helly: |
| - | 236 | ||
| - | < | ||
| - | Or, I don't know, in case we do? | ||
| - | |||
| - | 237 | ||
| < | < | ||
| - | Right. | + | Mark: Right. |
| - | 238 | ||
| < | < | ||
| - | Good luck out there, boss. | + | Helly: |
| - | 239 | ||
| < | < | ||
| - | "Type. Trackball. Type. Flip. | + | Dylan: |
| - | + | ||
| - | 240 | + | |
| - | < | + | |
| - | Trackball. Enter. Shift. Enter." | + | |
| - | + | ||
| - | 241 | + | |
| - | < | + | |
| - | Okay. | + | |
| - | 242 | ||
| < | < | ||
| - | Are you ready, Dylan G.? | + | Milchick: |
| - | 243 | ||
| < | < | ||
| - | Dylan G.? | + | Milchick: |
| - | 244 | ||
| < | < | ||
| - | I'll be out in a minute! | + | Dylan: |
| - | 245 | ||
| < | < | ||
| - | " | + | Dylan: |
| - | 246 | ||
| < | < | ||
| - | Enjoy. | + | Milchick: |
| - | 247 | ||
| < | < | ||
| - | Fuck her goddamn soul | + | Cobel: |
| - | forever into hell! | + | |
| - | 248 | ||
| - | < | ||
| - | Filth and fucking fire | ||
| - | until she fucking dies! | ||
| - | |||
| - | 249 | ||
| - | < | ||
| - | Fuck her and her | ||
| - | fucking fake smile! | ||
| - | |||
| - | 250 | ||
| < | < | ||
| - | Oh, God. | + | Cobel: |
| - | 251 | ||
| - | < | ||
| - | Fuck her goddamn soul! | ||
| - | |||
| - | 252 | ||
| < | < | ||
| - | No. | + | Cobel: |
| - | 253 | ||
| < | < | ||
| - | Why? | + | Cobel: |
| - | 254 | ||
| < | < | ||
| - | Mark. | + | Cobel: |
| - | 255 | ||
| < | < | ||
| - | Hi, Mrs. Selvig. | + | Mark: Hi, Mrs. Selvig. |
| - | 256 | ||
| - | < | ||
| - | Sorry to just pop over… | ||
| - | |||
| - | 257 | ||
| < | < | ||
| - | Yes? What is it? | + | Cobel: |
| - | 258 | ||
| < | < | ||
| - | Well, I'm headed to | + | Mark: Well, I’m headed to Devon and Ricken’s. |
| - | Devon and Ricken's. | + | |
| - | 259 | ||
| < | < | ||
| - | - They have that party tonight. | + | Mark: They have that party tonight. |
| - | - And? | + | Cobel: |
| - | 260 | ||
| < | < | ||
| - | Well, Devon asked me to double-check, | + | Mark: Well, Devon asked me to double-check, |
| - | see if you're interested in coming. | + | |
| - | 261 | ||
| < | < | ||
| - | I am sorry, Mark. I'm just... I'm not | + | Cobel: |
| - | feeling quite myself this evening. | + | |
| - | 262 | ||
| < | < | ||
| - | Oh, no. I get it. | + | Mark: Oh, no. I get it. I mean, it’s not a funeral. So... |
| - | 263 | ||
| - | < | ||
| - | I mean, it's not | ||
| - | a funeral. So... | ||
| - | |||
| - | 264 | ||
| < | < | ||
| - | You know, maybe I | + | Cobel: |
| - | could drive my own car. | + | |
| - | 265 | ||
| < | < | ||
| - | Yes! | + | Mark: Yes! |
| - | 266 | ||
| < | < | ||
| - | And that way I could leave if | + | Cobel: |
| - | I'm uncomfortable or afraid. | + | |
| - | 267 | ||
| < | < | ||
| - | Sure, yeah. That sounds great. | + | Mark: Sure, yeah. That sounds great. |
| - | 268 | ||
| < | < | ||
| - | Hey. | + | Irving: |
| - | + | ||
| - | 269 | + | |
| - | < | + | |
| - | Did you miss me? | + | |
| - | 270 | ||
| < | < | ||
| - | - The elusive Mark. | + | Ricken: |
| - | - Never thought of myself as elusive. | + | Mark: Never thought of myself as elusive. |
| - | 271 | ||
| < | < | ||
| - | Welcome. Welcome. | + | Ricken: |
| - | 272 | ||
| < | < | ||
| - | Okay. The reading | + | Ricken: |
| - | starts in eight minutes. | + | |
| - | 273 | ||
| - | < | ||
| - | Mark, you've got your | ||
| - | copy to follow along, yes? | ||
| - | |||
| - | 274 | ||
| < | < | ||
| - | I... You know, I think | + | Mark: I... You know, I think I left it by my bed. |
| - | I left it by my bed. | + | |
| - | 275 | ||
| < | < | ||
| - | Shoot. Really? | + | Ricken: |
| - | 276 | ||
| < | < | ||
| - | - Okay, shoot! | + | Ricken: |
| - | - Indeed. Yeah, I'm sorry. | + | Mark: Indeed. Yeah, I’m sorry. |
| - | 277 | ||
| < | < | ||
| - | And it's a 15-minute drive back, | + | Ricken: |
| - | so you could still catch... | + | |
| - | 278 | ||
| - | < | ||
| - | You know what? It's fine. | ||
| - | |||
| - | 279 | ||
| < | < | ||
| - | - Unless you want to. | + | Ricken: |
| - | - Well… | + | Mark: Well… |
| - | 280 | ||
| < | < | ||
| - | My friends. | + | Devon: |
| - | 281 | ||
| < | < | ||
| - | - Hey. | + | Mark: Hey. |
| - | - Hi. | + | Devon: |
| - | 282 | ||
| < | < | ||
| - | Baby's first party for Daddy. | + | Ricken: |
| - | 283 | ||
| < | < | ||
| - | Look, she's so drunk. | + | Mark: Look, she’s so drunk. |
| - | 284 | ||
| < | < | ||
| - | So there is so | + | Devon: |
| - | much food in there. | + | |
| - | 285 | ||
| < | < | ||
| - | Rebeck! She may be willing | + | Ricken: |
| - | to share her copy with you. | + | |
| - | + | ||
| - | 286 | + | |
| - | < | + | |
| - | But I should ask her directly, | + | |
| - | or she might be offended. | + | |
| - | 287 | ||
| < | < | ||
| - | - Excuse me. | + | Ricken: |
| - | - Okay. | + | Mark & Devon: |
| - | 288 | ||
| < | < | ||
| - | - He is on it. | + | Mark: He is on it. |
| - | - I know. | + | Devon: |
| - | 289 | ||
| < | < | ||
| - | - Sister and brother. | + | Devon: |
| - | - Alone at last. | + | Mark: Alone at last. |
| - | 290 | ||
| < | < | ||
| - | Gross. Hey, do you | + | Devon: |
| - | wanna give me your coat? | + | |
| - | 291 | ||
| < | < | ||
| - | This is nice. | + | Mark: This is nice. |
| - | 292 | ||
| < | < | ||
| - | - Yeah? | + | Devon: |
| - | - Yeah. | + | Mark: Yeah. |
| - | 293 | ||
| < | < | ||
| - | - You're a good wife and mother and stuff. | + | Mark: You’re a good wife and mother and stuff. |
| - | - Thanks. | + | Devon: |
| - | 294 | ||
| < | < | ||
| - | Oh, yeah. All glory unto Devon. | + | Devon: |
| - | 295 | ||
| < | < | ||
| - | Yeah, all glory, and screw you. | + | Mark: Yeah, all glory, and screw you. |
| - | 296 | ||
| < | < | ||
| - | - Hey, we should talk later. | + | Mark: Hey, we should talk later. |
| - | - Yeah? | + | Devon: |
| - | 297 | ||
| < | < | ||
| - | Yeah. I've been pondering a | + | Mark: Yeah. I’ve been pondering a decently-sized life change. |
| - | decently-sized life change. | + | |
| - | 298 | ||
| < | < | ||
| - | Uh-oh. | + | Devon: |
| - | 299 | ||
| < | < | ||
| - | Well, I gotta float around and | + | Devon: |
| - | host, but thank you for being here. | + | |
| - | 300 | ||
| < | < | ||
| - | - Yeah, of course. Yeah. | + | Mark: Yeah, of course. Yeah. |
| - | - Come here. | + | Devon: |
| - | 301 | ||
| < | < | ||
| - | Watch for leakies, Mark. | + | Cobel: |
| - | 302 | ||
| < | < | ||
| - | Hi, Mrs. Selvig. | + | Devon: |
| - | 303 | ||
| < | < | ||
| - | But, Mark, | + | Cobel: |
| - | 304 | ||
| < | < | ||
| - | I am sorry I was | + | Cobel: |
| - | so terse before. | + | |
| - | 305 | ||
| < | < | ||
| - | Oh, no, no, no. | + | Mark: Oh, no, no, no. |
| - | 306 | ||
| < | < | ||
| - | I just had a bad | + | Cobel: |
| - | day at the shop. | + | |
| - | 307 | ||
| < | < | ||
| - | Well, I'm sorry to hear that. | + | Mark: Well, I’m sorry to hear that. But it’s... Glad you’re here now. |
| - | But it's... Glad you're here now. | + | |
| - | 308 | ||
| < | < | ||
| - | Yeah. | + | Cobel: |
| - | 309 | ||
| < | < | ||
| - | Work's just work, right? | + | Mark: Work’s just work, right? |
| - | 310 | ||
| < | < | ||
| - | Yes. | + | Cobel: |
| - | 311 | ||
| < | < | ||
| - | Okay. | + | Dylan: |
| - | 312 | ||
| < | < | ||
| - | Okay, " | + | Dylan: |
| - | timing switch. Type in. Trackball." | + | |
| - | 313 | ||
| < | < | ||
| - | Okay, so this is... | + | Dylan: |
| - | 314 | ||
| - | < | ||
| - | Where' | ||
| - | |||
| - | 315 | ||
| < | < | ||
| - | Shift. | + | Dylan: |
| - | 316 | ||
| < | < | ||
| - | Manage. | + | Dylan: |
| - | + | ||
| - | 317 | + | |
| - | < | + | |
| - | Confirm. Okay. | + | |
| - | 318 | ||
| < | < | ||
| - | That's... | + | Dylan: |
| - | 319 | ||
| < | < | ||
| - | " | + | Dylan: |
| - | 320 | ||
| < | < | ||
| - | Okay. Helly R. | + | Dylan: |
| - | 321 | ||
| < | < | ||
| - | Come on. Come on. Come on. | + | Dylan: |
| - | 322 | ||
| < | < | ||
| - | Mark. | + | Dylan: |
| - | 323 | ||
| - | < | ||
| - | All right. Irving. | ||
| - | |||
| - | 324 | ||
| < | < | ||
| - | Fuck. | + | Dylan: |
| - | 325 | ||
| < | < | ||
| - | Okay, " | + | Dylan: |
| - | 326 | ||
| - | < | ||
| - | Irving, Helly, Mark. | ||
| - | |||
| - | 327 | ||
| < | < | ||
| - | Well, anyway, I | + | Mark: Well, anyway, I should probabl... |
| - | should probabl... | + | |
| - | 328 | ||
| < | < | ||
| - | - I don't mean to be nosy, but… | + | Cobel: |
| - | - No, no. | + | Mark: No, no. |
| - | 329 | ||
| < | < | ||
| - | …I heard you say to Devon | + | Cobel: |
| - | something about a life change? | + | |
| - | 330 | ||
| < | < | ||
| - | Well, I was gonna have a talk | + | Mark: Well, I was gonna have a talk with her about my job actually. |
| - | with her about my job actually. | + | |
| - | 331 | ||
| < | < | ||
| - | At Lumon? | + | Cobel: |
| - | 332 | ||
| < | < | ||
| - | Yeah. | + | Mark: Yeah. |
| - | 333 | ||
| < | < | ||
| - | I was gonna tell her that | + | Mark: I was gonna tell her that I’m thinking I might quit. |
| - | I'm thinking I might quit. | + | |
| - | 334 | ||
| < | < | ||
| - | Quit? | + | Cobel: |
| - | 335 | ||
| < | < | ||
| - | " | + | Dylan: |
| - | 336 | ||
| < | < | ||
| - | " | + | Dylan: |
| - | 337 | ||
| - | < | ||
| - | Yes. | ||
| - | |||
| - | 338 | ||
| < | < | ||
| - | Are you serious? | + | Cobel: |
| - | 339 | ||
| < | < | ||
| - | Yeah. I just... | + | Mark: Yeah. I just... |
| - | 340 | ||
| < | < | ||
| - | This severance thing, it… | + | Mark: This severance thing, it… Not sure I need it anymore. |
| - | + | ||
| - | 341 | + | |
| - | < | + | |
| - | Not sure I need it anymore. | + | |
| - | 342 | ||
| < | < | ||
| - | Okay. | + | Dylan: |
| - | 343 | ||
| < | < | ||
| - | "Now find… A." | + | Dylan: |
| - | 344 | ||
| < | < | ||
| - | Great. | + | Dylan: |
| - | 345 | ||
| < | < | ||
| - | Do it. | + | Cobel: |
| - | 346 | ||
| < | < | ||
| - | Shit. | + | Cobel: |
| - | 347 | ||
| < | < | ||
| - | Come on. | + | Dylan: |
| - | 348 | ||
| < | < | ||
| - | Get away from them, Mark. | + | Cobel: |
| - | 349 | ||
| < | < | ||
| - | Come here. | + | Dylan: |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
what_s_for_dinner_transcript.1656297241.txt.gz · Last modified: 2022-06-27 02:34 by Neatnik
Page Tools
Except where otherwise noted, content on this wiki is licensed under the following license: CC Attribution-Share Alike 4.0 International
