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| the_you_you_are [2022-08-01 03:17] – Scribe of Kier | the_you_you_are [2023-01-11 12:43] (current) – ↷ Links adapted because of a move operation 5.135.124.186 | ||
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| - | //This article is about the episode. For the book, see [[The You You Are (book)]]// | + | //This article is about the episode. For the book, see //[[The You You Are (book)|The You You Are]]// [[The You You Are (book)|(book)]].// |
| <WRAP infobox> | <WRAP infobox> | ||
| | **The You You Are** {{the_you_you_are.jpg|Title Card}} || | | **The You You Are** {{the_you_you_are.jpg|Title Card}} || | ||
| ^ Episode Number | 1.4 | | ^ Episode Number | 1.4 | | ||
| - | ^ Directed By | [[https:// | + | ^ Directed By | [[https:// |
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Premiered | ^ Premiered | ||
| ^ Runtime | ^ Runtime | ||
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| ===== Synopsis ===== | ===== Synopsis ===== | ||
| - | > //The work// is mysterious and important! <WRAP attribution> | + | > //The work// is mysterious and important! <WRAP attribution> |
| - | Things pick back up in the [[Break Room]] with [[Helena Eagan|Helly]] and [[Seth Milchick|Milchick]]. She repeats the [[Compunction Statement|compunction statement]]. She looks tired. Her eyelids are drooping. Her wound is still bleeding. Again, she fails to read the statement with convincing enough remorse for Milchick. He glances at the clock, which displays 17:14, then clicks over to 17:15. He turns off the projector and the recorder. He announces in a bright voice that they will try again in the morning. | + | Things pick back up in the [[Break Room]] with [[Helena Eagan|Helly]] and [[Seth Milchick|Milchick]]. She repeats the [[Compunction Statement|compunction statement]]. She looks tired. Her eyelids are drooping. Her wound is still bleeding. Again, she fails to read the statement with convincing enough remorse for Milchick. He glances at the clock, which displays 17:14, then clicks over to 17:15.((Season 1, Episode 4, [[The You You Are]] (1:04) )) He turns off the projector and the recorder. He announces in a bright voice that they will try again in the morning. |
| Milchick leads Helly to the elevator and she gets in. “See you tomorrow, Helly,” he says. The elevator door closes. | Milchick leads Helly to the elevator and she gets in. “See you tomorrow, Helly,” he says. The elevator door closes. | ||
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| Burt begins with an amiable greeting to the group, but is interrupted by Dylan who demands to know how he found their office. Mark puts a stop to the tense exchange, asking Burt what they can do for him. Burt says the purpose of his visit is to drop off the new [[Compliance Handbook Tote|Handbook totes]]. They are pre-release, | Burt begins with an amiable greeting to the group, but is interrupted by Dylan who demands to know how he found their office. Mark puts a stop to the tense exchange, asking Burt what they can do for him. Burt says the purpose of his visit is to drop off the new [[Compliance Handbook Tote|Handbook totes]]. They are pre-release, | ||
| - | Irving is eager to take Burt up on his offer immediately. He leaves without Mark and Dylan. | + | Irving is eager to take Burt up on his offer immediately. He leaves without Mark and Dylan. |
| Helly returns to MDR, looking wrecked. “How many times?” Mark asks. “1,072” is Helly’s answer. | Helly returns to MDR, looking wrecked. “How many times?” Mark asks. “1,072” is Helly’s answer. | ||
| - | Irving begins his walk to O&D, following Burt’s directions. | + | Irving begins his walk toward |
| Helly and Dylan, sitting in the [[Kitchenette]], | Helly and Dylan, sitting in the [[Kitchenette]], | ||
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| In MDR they all watch the video. Outie Helly explains that Innie Helly has to accept her life even if she is unhappy with it. With the slightest touch of venom in her voice, Outie Helly says that she is a person, while Innie Helly is not. Outtie Helly makes all the decisions. Further, she threatens Innie Helly with unspecified but terrible consequences if her fingers are cut off. Outie Helly denies the resignation request. | In MDR they all watch the video. Outie Helly explains that Innie Helly has to accept her life even if she is unhappy with it. With the slightest touch of venom in her voice, Outie Helly says that she is a person, while Innie Helly is not. Outtie Helly makes all the decisions. Further, she threatens Innie Helly with unspecified but terrible consequences if her fingers are cut off. Outie Helly denies the resignation request. | ||
| - | At home, Mark views a website for the [[Damona Birthing Retreat]] while talking to [[devon_scout-hale]] on the phone. Mark doesn’t think much of it, and assumes using it for the upcoming birth it is all Ricken’s idea. | + | At home, Mark views a website for the [[Damona Birthing Retreat]] while talking to [[devon_scout-hale|Devon]] on the phone. Mark doesn’t think much of it, and assumes using it for the upcoming birth it is all Ricken’s idea. |
| Mark gets a news alert on his phone. //The Kier Chronicle// reports, “Severed Lumon Worker Dies after Collapsing from ‘Unknown Ailment.’” The picture below the headline is Petey’s work photo. Mark thinks about the phone he hid in the basement, which is still buzzing. | Mark gets a news alert on his phone. //The Kier Chronicle// reports, “Severed Lumon Worker Dies after Collapsing from ‘Unknown Ailment.’” The picture below the headline is Petey’s work photo. Mark thinks about the phone he hid in the basement, which is still buzzing. | ||
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| It’s Petey’s funeral. Mrs. Selvig approaches Mark before the service begins. She asks him why he’s there. He makes up an excuse about thinking he could have known Petey since the paper said he worked at Lumon. Selvig claims Petey was a good customer of hers at her shop. Mark goes to the bar and orders a red wine. | It’s Petey’s funeral. Mrs. Selvig approaches Mark before the service begins. She asks him why he’s there. He makes up an excuse about thinking he could have known Petey since the paper said he worked at Lumon. Selvig claims Petey was a good customer of hers at her shop. Mark goes to the bar and orders a red wine. | ||
| - | Mrs. Selvig approaches a young woman in the viewing room. It is [[June Kilmer|Petey’s daughter]]. They have an awkward conversation. | + | Mrs. Selvig approaches a young woman in the viewing room. It is Petey’s daughter |
| At the bar, a woman introduces herself to Mark, explaining that she is [[Nina|Peter’s ex-wife]]. She realizes Mark must be from Lumon. With a slightly judgmental tone, she remarks that Mark never really knew Petey at all. June comes in and she and her mother leave together. | At the bar, a woman introduces herself to Mark, explaining that she is [[Nina|Peter’s ex-wife]]. She realizes Mark must be from Lumon. With a slightly judgmental tone, she remarks that Mark never really knew Petey at all. June comes in and she and her mother leave together. | ||
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| Sitting in her office the next day, Ms. Cobel slides a zip top plastic bag across her desk. A severance chip is in it. “That’s Petey?” Melchick asks. “That’s Petey,” Cobel affirms. She asks Melchick to take the chip to diagnostics. | Sitting in her office the next day, Ms. Cobel slides a zip top plastic bag across her desk. A severance chip is in it. “That’s Petey?” Melchick asks. “That’s Petey,” Cobel affirms. She asks Melchick to take the chip to diagnostics. | ||
| - | [[Ms. Casey]] comes into Cobel’s office. Cobel asks her to do a special [[Wellness]] session for Mark S. Melchick inquires what the problem is. Cobel quietly insists, “He just needs it. Trust me.” | + | [[Ms. Casey]] comes into Cobel’s office. Cobel asks her to do a special [[wellness_center]] session for Mark S. Melchick inquires what the problem is. Cobel quietly insists, “He just needs it. Trust me.” |
| Burt completes the hanging of a new Kier painting above a drinking fountain. Irving, coming around the corner, spies him and steps out of sight. Burt inspects his work and has a sip from the fountain. Irving comes up behind him. “//[[Kier Invites You to Drink of His Water]]//, | Burt completes the hanging of a new Kier painting above a drinking fountain. Irving, coming around the corner, spies him and steps out of sight. Burt inspects his work and has a sip from the fountain. Irving comes up behind him. “//[[Kier Invites You to Drink of His Water]]//, | ||
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| ===== Trivia ===== | ===== Trivia ===== | ||
| - | * Petey’s funeral ceremony program(([[The You You Are]] ([[The You You Are Transcript# | + | * Petey’s funeral ceremony program((Season 1, Episode 4, [[The You You Are]] (30:01) )) lists Stephen Davan as guitar accompanist, |
| - | * Helly’s first Break Room session begins at 15:17(([[In Perpetuity]] ([[In Perpetuity Transcript# | + | * Helly’s first Break Room session begins at 15:17((Season 1, Episode 3, [[In Perpetuity]] (46:00) )) and ends at 17:15. |
| ===== Quotes & Dialogue ===== | ===== Quotes & Dialogue ===== | ||
| - | > Exactly how the wet fuck do you know where this office is? <WRAP attribution> | + | > Exactly how the wet fuck do you know where this office is? <WRAP attribution> |
| - | > **Irving**: Kier's whole original vision saw us all working together. | + | > **Irving**: Kier’s whole original vision saw us all working together. |
| - | > **Dylan**: That was before O&D started disemboweling people's bowels. <WRAP attribution> | + | > **Dylan**: That was before O&D started disemboweling people’s bowels. <WRAP attribution> |
| - | > I like to imagine my outie's love-made with a MILF or two, which is obviously badass, but I do pity the husbands. <WRAP attribution> | + | > I like to imagine my outie’s love-made with a MILF or two, which is obviously badass, but I do pity the husbands. <WRAP attribution> |
| - | > I never thought I'd see the handbook passage depicted visually. It was only up for a month or so, but, man. What a month. <WRAP attribution> | + | > I never thought I’d see the handbook passage depicted visually. It was only up for a month or so, but, man. What a month. <WRAP attribution> |
| - | > Go lick a boot, Mark. <WRAP attribution> | + | > Go lick a boot, Mark. <WRAP attribution> |
| - | > //The work// is mysterious and important. And we deal with the uncertainty it brings us in the way that Kier would've wanted. Together, as a family. <WRAP attribution> | + | > //The work// is mysterious and important. And we deal with the uncertainty it brings us in the way that Kier would’ve wanted. Together, as a family. <WRAP attribution> |
| - | > I could not, with a razor to my throat, be less interested in being your family.< | + | > I could not, with a razor to my throat, be less interested in being your family.< |
| - | > His ego’s pissed ’cause Helly called him out for boot-licking. <WRAP attribution> | + | > His ego’s pissed ’cause Helly called him out for boot-licking. <WRAP attribution> |
| - | > It’s just raining contraband today. <WRAP attribution> | + | > It’s just raining contraband today. <WRAP attribution> |
| - | > Cobel, do I look like I'm fucking around right now? <WRAP attribution> | + | > Cobel, do I look like I’m fucking around right now? <WRAP attribution> |
| - | > Well, boss. I guess this is the part where I should tell you to go to hell. Except you’re already here. <WRAP attribution> | + | > Well, boss. I guess this is the part where I should tell you to go to hell. Except you’re already here. <WRAP attribution> |
| - | > I understand that you're unhappy with the life that you've been given. But you know what? Eventually, we all have to accept reality. So, here it is. I am a person. You are not. I make the decisions. You do not. And if you ever do anything to my fingers, know that I will keep you alive long enough to horribly regret that. Your resignation request is denied. <WRAP attribution> | + | > I understand that you’re unhappy with the life that you’ve been given. But you know what? Eventually, we all have to accept reality. So, here it is. I am a person. You are not. I make the decisions. You do not. And if you ever do anything to my fingers, know that I will keep you alive long enough to horribly regret that. Your resignation request is denied. <WRAP attribution> |
| - | > If you want a hug, go to Hell and find your mother. <WRAP attribution> | + | > If you want a hug, go to Hell and find your mother. <WRAP attribution> |
| - | > Do you ever think that maybe the best way to deal with a fucked-up situation in your life isn’t to just shut your brain off half the time? <WRAP attribution> | + | > Do you ever think that maybe the best way to deal with a fucked-up situation in your life isn’t to just shut your brain off half the time? <WRAP attribution> |
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| * [[List of Severance episodes]] | * [[List of Severance episodes]] | ||
| - | * [[The You You Are Transcript]] | + | * [[The You You Are (Transcript)|The You You Are transcript]] |
| {{page>: | {{page>: | ||
| {{tag> | {{tag> | ||
the_you_you_are.1659323855.txt.gz · Last modified: 2022-08-01 03:17 by Scribe of Kier
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