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the_subtle_inconsistencies_of_severance [2022-07-18 08:43] – Saeidthe_subtle_inconsistencies_of_severance [2022-08-18 19:32] (current) – Saeid
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 ===== Inconsistencies (in order of appearance) ===== ===== Inconsistencies (in order of appearance) =====
  
-==== 1. Incoherent dates on Mark’s watch ====+==== Incoherent dates on Mark’s watch ====
  
 <WRAP gallery-container> <WRAP gallery-container>
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 **Explanation:** At the beginning of [[Good News About Hell]], as [[Mark Scout|Mark]] is about to leave his car to go to work, he glances at his watch, which shows the date as ''4''.((Season 1, Episode 1, [[Good News About Hell]] (6:00) )) On the same day, as he is leaving work, his watch shows the date as ''5'',((Season 1, Episode 1, [[Good News About Hell]] (33:57) )) implying that a full day has passed. This is most probably not the case, as spending thirty-two consecutive hours at the office is likely to raise some questions. In a later episode, Mark’s watch shows the date as ''4'' again, further supporting the idea that these are inconsistencies. **Explanation:** At the beginning of [[Good News About Hell]], as [[Mark Scout|Mark]] is about to leave his car to go to work, he glances at his watch, which shows the date as ''4''.((Season 1, Episode 1, [[Good News About Hell]] (6:00) )) On the same day, as he is leaving work, his watch shows the date as ''5'',((Season 1, Episode 1, [[Good News About Hell]] (33:57) )) implying that a full day has passed. This is most probably not the case, as spending thirty-two consecutive hours at the office is likely to raise some questions. In a later episode, Mark’s watch shows the date as ''4'' again, further supporting the idea that these are inconsistencies.
  
-==== 2. Continuity error at the receptionist ====+==== Continuity error at the receptionist ====
  
 {{ receptionist.gif |The receptionist makes a call before allowing Mark to proceed}} {{ receptionist.gif |The receptionist makes a call before allowing Mark to proceed}}
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 It is possible that this was done on purpose to illustrate a severed person’s damaged perception of time. However, comparing the time Mark leaves his car after glancing at his watch to when he arrives at the [[Severed Floor]] shows that only four minutes have passed, lending credence to the idea that this may have been a continuity error. It is possible that this was done on purpose to illustrate a severed person’s damaged perception of time. However, comparing the time Mark leaves his car after glancing at his watch to when he arrives at the [[Severed Floor]] shows that only four minutes have passed, lending credence to the idea that this may have been a continuity error.
  
-==== 3. Slightly tilted clock ====+==== Slightly tilted clock ====
  
 {{ tilted_clock.gif |Slightly tilted clock}} {{ tilted_clock.gif |Slightly tilted clock}}
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 **Explanation:** The show introduces [[Judd]] in the very first episode, a security guard who sits outside the elevator to the Severed Floor, with a retro-styled flip clock right above his desk. The same composition of his desk is shown twice during the episode, the first time when Mark is heading in((Season 1, Episode 1, [[Good News About Hell]] (8:33) )) and another when he is leaving.((Season 1, Episode 1, [[Good News About Hell]] (33:55) )) In the second instance where the clock is showing ''05:25'', it appears to be slightly tilted upward on its right side. **Explanation:** The show introduces [[Judd]] in the very first episode, a security guard who sits outside the elevator to the Severed Floor, with a retro-styled flip clock right above his desk. The same composition of his desk is shown twice during the episode, the first time when Mark is heading in((Season 1, Episode 1, [[Good News About Hell]] (8:33) )) and another when he is leaving.((Season 1, Episode 1, [[Good News About Hell]] (33:55) )) In the second instance where the clock is showing ''05:25'', it appears to be slightly tilted upward on its right side.
  
-==== 4. Typos and similar errors ====+This could be a function of multiple shooting days, weeks, or as the creators have indicated, possibly even months. If this section of the set had been disassembled to accommodate a different scene, moved, or jostled, it could have knocked the clock askew.
  
-=== a. Training manual ===+==== Placement of armchairs ==== 
 + 
 +{{ severed_floor_lobby_1.png?1400x800 |Mark met by Cobel and Milchick in the Severed Floor lobby}} 
 + 
 +**Explanation:** The Severed Floor lobby has four leather armchairs, placed on a carpet with rectangles of varying shades of green. In at least two instances, including a behind-the-scene photo, the armchairs appear to be lined up on the edge of the second rectangle. However, the placement isn’t consistent throughout the first season. 
 + 
 +<WRAP gallery-container> 
 + 
 +<WRAP gallery-item> 
 +{{severed_floor_lobby_2.png?1400x800|Mark arriving at the Severed Floor}} \\ Mark arriving at the Severed Floor((Season 1, Episode 1, [[Good News About Hell]] (9:20) )) 
 +</WRAP> 
 + 
 +<WRAP gallery-item> 
 +{{severed_floor_lobby_bts.jpg?800x450|A behind-the-scene photo of the lobby}} \\ A behind-the-scene photo of the lobby 
 +</WRAP> 
 + 
 +<WRAP gallery-item> 
 +{{severed_floor_lobby_3.png?1400x800|Mark waiting for the elevator}} \\ Mark waiting for the elevator((Season 1, Episode 8, [[What’s for Dinner?]] (31:01) )) 
 +</WRAP> 
 + 
 +</WRAP> 
 + 
 +==== The Senior Refiner Morning Checklist ==== 
 + 
 +{{ mdr_entrance.jpg?1400x800 |Mark enters Macrodata Refinement at the beginning of the workday}} 
 + 
 +**Explanation:** After a seemingly long walk through the maze-like corridors of Lumon, Mark finally arrives at [[Macrodata Refinement]]. In the frame shown above, the metal hanging pocket on the wall—in which the [[Senior Refiner Morning Checklist]] and general announcements are placed—appears empty. However, as the scene progresses, the checklist looks to be in its proper spot, marking a minor break in the continuity. This also reaffirms the notion that the morning checklist is a routine procedure. 
 + 
 +<WRAP gallery-container> 
 + 
 +<WRAP gallery-item> 
 +{{mark_sitting_at_his_desk.jpg?1200x800|Mark settling at his desk}} \\ Mark settling at his desk((Season 1, Episode 1, [[Good News About Hell]] (11:08) )) 
 +</WRAP> 
 + 
 +<WRAP gallery-item> 
 +{{mark_and_milchick.jpg?1200x800|Mark and Milchick leaving Macrodata Refinement}} \\ Mark and Milchick leaving Macrodata Refinement((Season 1, Episode 1, [[Good News About Hell]] (13:06) )) 
 +</WRAP> 
 + 
 +</WRAP> 
 + 
 +==== Typos and similar errors ==== 
 + 
 +=== Training manual ===
  
 <WRAP gallery-container> <WRAP gallery-container>
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 There are various examples of comma misuse or omission as well, although typos and grammatical errors are commonplace in corporate and government documents. There are various examples of comma misuse or omission as well, although typos and grammatical errors are commonplace in corporate and government documents.
  
-=== b. The Orientation Booklet ===+=== The Orientation Booklet ===
  
-{{ mdr_introduction_booklet.png?1500x850 |The Orientation Booklet}}+{{ mdr_introduction_booklet.png?1400x800 |The Orientation Booklet}}
  
-**Explanation:** In the scene where [[Helena Eagan|Helly]] is browsing [[The Lexington Letter#The Macrodata Refiner’s Orientation Booklet|The Macrodata Refiner’s Orientation Booklet]], an extra article (''the'') can be noticed within the text next to the waving [[Sevy]]: <wrap hi>We know you may be curious about **the** what the numbers mean.</wrap>((Season 1, Episode 2, [[Half Loop]] (9:36) )) This was later fixed in “[[The Lexington Letter]],” a tie-in digital book published on Apple Books.+**Explanation:** In the scene where [[Helena Eagan|Helly]] is browsing [[The_Macrodata_Refiner’s Orientation Booklet]], an extra article (''the'') can be noticed within the text next to the waving [[Sevy]]: <wrap hi>We know you may be curious about **the** what the numbers mean.</wrap>((Season 1, Episode 2, [[Half Loop]] (9:36) )) This was later fixed in //[[severance-_the_lexington_letter]]//, a tie-in digital book published on Apple Books.
  
-=== c. Credits ===+=== Credits ===
  
 <WRAP gallery-container> <WRAP gallery-container>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{credits_1.jpg?800|Felicia misspelled as “Felica”}} \\ [[Felicia]] misspelled as “Felica”((Season 1, Episode 3, [[In Perpetuity]] (56:04) ))+{{credits_1.jpg?1200x800|Felicia misspelled as “Felica”}} \\ [[Felicia]] misspelled as “Felica”((Season 1, Episode 3, [[In Perpetuity]] (56:04) ))
 </WRAP> </WRAP>
  
-<WRAP gallery-item> 
-{{credits_2.jpg?800|Male dancer’s ram head mask misattributed to sheep}} \\ Male [[The Four Tempers Dancers|dancer]]’s ram head mask misattributed to sheep((Season 1, Episode 8, [[What’s for Dinner?]] (46:00) )) 
 </WRAP> </WRAP>
  
-</WRAP>+=== The You You Are excerpt ===
  
-=== d. The You You Are excerpt === +{{ the_you_you_are_excerpt.jpg?1400x800 |The You You Are excerpt}}
- +
-{{ the_you_you_are_excerpt.jpg?1500x850 |The You You Are excerpt}}+
  
 **Explanation:** This excerpt from //[[The You You Are]]//’s ninth chapter, titled “The Quitting Bell,”((Season 1, Episode 4, [[The You You Are]] (41:04) )) uses question marks in incorrect ways. In the second paragraph, the following sentence does not require a question mark at the end: <wrap hi>Imagine, for instance, if our tragic concessions worker awoke one day, and instead of coming in for his shift, simply said “No**?**”</wrap> Since this is an indirect question, it should end with a period.((//The Chicago Manual of Style//, 17th ed. (Chicago: University of Chicago Press, 2017), 6.69.)) In the next sentence, a question mark is well needed; however, the placement of it is incorrect. As per American style guides, such as //The Associated Press Stylebook// or //The Chicago Manual of Style//, the question mark and exclamation point go within the quotation marks only when they apply to the quoted matter. They are placed outside when they apply to the whole sentence. The sentence should read, <wrap hi>What if, when someone asked him for Lalabees, his answer was a firm and confident “**no**”**?**</wrap> **Explanation:** This excerpt from //[[The You You Are]]//’s ninth chapter, titled “The Quitting Bell,”((Season 1, Episode 4, [[The You You Are]] (41:04) )) uses question marks in incorrect ways. In the second paragraph, the following sentence does not require a question mark at the end: <wrap hi>Imagine, for instance, if our tragic concessions worker awoke one day, and instead of coming in for his shift, simply said “No**?**”</wrap> Since this is an indirect question, it should end with a period.((//The Chicago Manual of Style//, 17th ed. (Chicago: University of Chicago Press, 2017), 6.69.)) In the next sentence, a question mark is well needed; however, the placement of it is incorrect. As per American style guides, such as //The Associated Press Stylebook// or //The Chicago Manual of Style//, the question mark and exclamation point go within the quotation marks only when they apply to the quoted matter. They are placed outside when they apply to the whole sentence. The sentence should read, <wrap hi>What if, when someone asked him for Lalabees, his answer was a firm and confident “**no**”**?**</wrap>
  
-=== e. Different spelling of Macrodata Refinement ===+=== Different spelling of Macrodata Refinement ===
  
-{{security_office_id_numbers.png?1500x850|Macrodata Refinement spelled as “Macro Data Refinement”}}+{{ security_office_id_numbers.png?1400x800 |Macrodata Refinement spelled as “Macro Data Refinement”}}
  
-**Explanation:** Across the season, the //Macrodata// in [[Macrodata Refinement]] is spelled as one word. However, during one scene in the [[Security Office]],((Season 1, Episode 8, [[What’s for Dinner?]] (43:17) )) a different spelling is spotted—Macro Data Refinement.+**Explanation:** Across the season, the //Macrodata// in Macrodata Refinement is spelled as one word. However, during one scene in the [[Security Office]],((Season 1, Episode 8, [[What’s for Dinner?]] (43:17) )) a different spelling is spotted—Macro Data Refinement.
  
-==== 5. Dylan’s potato chips ====+==== Dylan’s potato chips ====
  
-{{ dylans_chips.jpg |Dylan eating chips in one of Petey’s hallucination}}+{{ dylans_chips.jpg?1400x800 |Dylan eating chips in one of Petey’s flashbacks}}
  
 <WRAP figure right> <WRAP figure right>
Line 114: Line 152:
 </WRAP> </WRAP>
  
-**Explanation:** During one of [[Peter Kilmer|Petey]]’s hallucinations, [[Dylan George]] is seen eating potato chips that he had gotten from the [[Kitchenette Vending Machine|kitchenette vending machine]].((Season 1, Episode 3, [[In Perpetuity]] (1:20) )) However, no such item seems to exist in the current vending machine.+**Explanation:** During one of [[Peter Kilmer|Petey]]’s flashbacks, [[Dylan George]] is seen eating potato chips that he had gotten from the [[Kitchenette Vending Machine|kitchenette vending machine]].((Season 1, Episode 3, [[In Perpetuity]] (1:20) )) However, no such item seems to exist in the current vending machine.
  
-Two possibilities arise: (1) Due to Petey’s mental and physical state after [[Reintegration|reintegration]], it is likely that he is misremembering the memory; or (2) the potato chips used to be available in the past but not anymore.+A number of possibilities arise: (1) Due to Petey’s mental and physical state after [[Reintegration|reintegration]], it is likely that he is misremembering the memory; (2) the potato chips used to be available in the past but not anymore; or (3) the chips may have come with his Lumon lunch.
  
-\\ \\ \\ \\ \\ \\ \\ +\\ \\ \\ \\ \\ \\
- +
-==== 6. Varying versions of Petey’s map ====+
  
 <WRAP center round important 90%> <WRAP center round important 90%>
-**Warning:** The GIF contains flashing images and may be discomforting. Be advised.+**Warning:** The following GIFs contain flashing images that may cause discomfort. Please be advised.
 </WRAP> </WRAP>
 +
 +==== Petey’s hair in flashback scenes ====
 +
 +{{ petey_s_hair.gif |Petey’s different hairstyle in flashback scenes}}
 +
 +**Explanation:** While in Mark’s basement, Petey finds himself having flashbacks to a time at Lumon.((Season 1, Episode 3, [[In Perpetuity]] (17:27) )) As the experience progresses, his environment keeps changing between Macrodata Refinement and the basement; however, Petey retains his outfit and continues to work behind his desk, indicating that the scenes are shown to be continuous. As the GIF above displays, Petey’s hairstyle and facial hair appear different in the two scenes.
 +
 +==== Same pattern of wetness across different days ====
 +
 +{{ wet_lumon_logo.gif |Same pattern of wetness across different days}}
 +
 +**Explanation:** The concrete Lumon logo sits beautifully on the front stairs of the company building. The first time it is shown up-close is when Mark is leaving work late one day,((Season 1, Episode 3, [[In Perpetuity]] (51:00) )) and it seems wet from the melted snow. The next time a close-up appears is in a later episode,((Season 1, Episode 6, [[Hide and Seek]] (36:21) )) a few days later, when workers are installing a locking door for Macrodata Refinement. By comparing the two, it is revealed that the pattern of wetness is the same in both instances, which are supposed to be days apart.
 +
 +This continuity error is likely due to the fact that cinematographers often shoot all of the scenes that take place at a certain location while they are at that location. Jessica Lee Gagné, the show’s Director of Photography, also confirms this in an interview.((Davidson, Denton (May 6, 2022). [[https://youtu.be/jADhZp0r9fU?t=1215|“Jessica Lee Gagné on Why ‘Any Cinematographer Would Be Afraid’ of ‘Severance.’”]] //Gold Derby//.)) Additionally, the Lumon logo appears to be a CGI overlay to the real location, and therefore so must be the wetness of the concrete.
 +
 +==== Varying versions of Petey’s map ====
  
 {{ petey_s_map_difference.gif |Varying versions of Petey’s map}} {{ petey_s_map_difference.gif |Varying versions of Petey’s map}}
  
-[[Petey’s Map|Petey’s map]] is shown up-close a few times, once when Mark discovers it for the first time((Season 1, Episode 3, [[In Perpetuity]] (49:05) )) and at another point in a later episode when he is looking at it in a bathroom stall.((Season 1, Episode 4, [[The You You Are]] (6:28) )) Comparing the two closely, as demonstrated in the GIF above, reveals that they are not the same, meaning they are two almost-identical versions of the same drawing.+**Explanation:** [[Petey’s Map|Petey’s map]] is shown up-close a few times, once when Mark discovers it for the first time((Season 1, Episode 3, [[In Perpetuity]] (49:05) )) and at another point in a later episode when he is looking at it in a bathroom stall.((Season 1, Episode 4, [[The You You Are]] (6:28) )) Comparing the two closely, as demonstrated in the GIF above, reveals that they are not the same, meaning they are two almost-identical versions of the same drawing.
  
-==== 7. Different bins ====+==== Different bins ==== 
 + 
 +<WRAP figure right> 
 +{{mdr_bin_kier_logo.jpg?800x1000|An MDR bin with Kier’s face}} 
 +An MDR bin with Kier Eagan’s face((A prop from the Severance Activation event at San Diego Comic-Con 2022)) 
 +</WRAP>
  
 <WRAP gallery-container> <WRAP gallery-container>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{mdr_bins_1.jpg?800|MDR’s printer area features two bins, one with a recycling logo on it}} \\ MDR’s printer area features two bins, one with a recycling logo on it((Season 1, Episode 4, [[The You You Are]] (8:46) ))+{{mdr_bins_1.jpg?1400x800|MDR’s printer area features two bins, one with a recycling logo on it}} \\ MDR’s printer area features two bins, one with a recycling logo on it((Season 1, Episode 4, [[The You You Are]] (8:46) ))
 </WRAP> </WRAP>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{mdr_bins_2.jpg?800|The same recycling bin now has a different logo}} \\ The same recycling bin now has a different logo((Season 1, Episode 4, [[The You You Are]] (9:01) ))+{{mdr_bins_2.jpg?1400x800|The same recycling bin now has a different logo}} \\ The same recycling bin now has a different logo((Season 1, Episode 4, [[The You You Are]] (9:01) ))
 </WRAP> </WRAP>
  
 </WRAP> </WRAP>
  
-**Explanation:** In [[The You You Are]], Irving is quite eager to visit [[Optics and Design]], and with Dylan and Mark unable to discourage him, he soon embarks on his trip. In the background of this scene, there are two bins next to the printer machine, with one of them clearly marked for recycling. After a camera cut, the same scene now features a different bin with an unknown logo.+**Explanation:** In [[The You You Are]], Irving is quite eager to visit [[Optics and Design]], and with Dylan and Mark unable to discourage him, he soon embarks on his trip. In the background of this scene, there are two bins next to the printer machine, with one of them clearly marked for recycling. After a camera cut, the same scene now features a different bin with [[Kier Eagan]]’s face. 
 + 
 +Perhaps, the Macrodata Refinement employee who keeps putting trash in the recycling bin((Season 1, Episode 3, [[In Perpetuity]] ([[In Perpetuity Transcript#section001400591|14:00]]) )) is confused by the different bins. 
 + 
 +==== Reused elevator scene ==== 
 + 
 +{{ elevator_scene_comparison.jpg?1500x1500 |Elevator scene comparison}} 
 + 
 +**Explanation:** During the reading montage in episode five, Mark is shown calling the elevator and stepping inside to leave the floor.((Season 1, Episode 5, [[The Grim Barbarity of Optics and Design]] (6:57) )) The same elevator scene reappears later on in episode eight, when Mark is about to leave after Helly.((Season 1, Episode 8, [[What’s for Dinner?]] (31:03) )) For a video comparison, please see [[https://imgur.com/a/orFsiTE|here]].
  
-==== 8. Party hats ====+==== Party hats ====
  
 <WRAP gallery-container> <WRAP gallery-container>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{milchick_mdr_1.jpg?800|Milchick rolling the MDE cart}} \\ Milchick rolling the MDE cart((Season 1, Episode 7, [[Defiant Jazz]] (22:23) ))+{{milchick_mdr_1.jpg?1200x800|Milchick rolling the MDE cart}} \\ Milchick rolling the MDE cart((Season 1, Episode 7, [[Defiant Jazz]] (22:23) ))
 </WRAP> </WRAP>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{milchick_mdr_2.jpg?800|Milchick plugging in the MDE cart to the floor power outlet}} \\ Milchick plugging in the MDE cart to the floor power outlet((Season 1, Episode 7, [[Defiant Jazz]] (22:27) ))+{{milchick_mdr_2.jpg?1200x800|Milchick plugging in the MDE cart to the floor power outlet}} \\ Milchick plugging in the MDE cart to the floor power outlet((Season 1, Episode 7, [[Defiant Jazz]] (22:27) ))
 </WRAP> </WRAP>
  
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 **Explanation:** As [[Seth Milchick|Milchick]] first rolls the [[Music Dance Experience|MDE]] cart into the office, three party hats are visible on the bottom shelf. There are, from left to right, a light blue, a striped, and a cyan hat. In a frame that follows, the cyan and striped hats switch places. **Explanation:** As [[Seth Milchick|Milchick]] first rolls the [[Music Dance Experience|MDE]] cart into the office, three party hats are visible on the bottom shelf. There are, from left to right, a light blue, a striped, and a cyan hat. In a frame that follows, the cyan and striped hats switch places.
  
-==== 9. Fly/gnat ====+==== Fly/gnat ====
  
-{{ fly_dylan.png?1500x850 |A fly or gnat behind Dylan}}+{{ fly_dylan.png?1400x800 |A fly or gnat behind Dylan}}
  
 <WRAP figure right> <WRAP figure right>
-{{gnat_seven_day.png?1500x850|A man on the TV talks about a gnat}}+{{gnat_seven_day.png?1400x800|A man on the TV talks about a gnat}}
 A man on the TV talks about a gnat A man on the TV talks about a gnat
 </WRAP> </WRAP>
  
-**Explanation:** Just as Dylan takes a turn and is about to head into the Security Office, a fly or gnat can be seen entering and leaving the frame just behind the character.((Season 1, Episode 8, [[What’s for Dinner?]] (40:49) )) Considering that director Ben Stiller has said during a Q&A panel(([[https://youtu.be/yOP5CcuSahw?list=PL-BEbYR5bDWpS1yuQjaXB_XDV9QzxYp7e&t=2056|Scott Menzel (May 14, 2022). “Severance FYC Event Q&A Panel.” Hollywood Critics Association.]])) that they erased the housing development around Bell Works—the iconic building that houses the [[Lumon Industries]] headquarters—using visual effects, it raises the question why they decided to leave the fly in.+**Explanation:** Just as Dylan takes a turn and is about to head into the Security Office, a fly or gnat can be seen entering and leaving the frame just behind the character.((Season 1, Episode 8, [[What’s for Dinner?]] (40:49) )) Considering that director Ben Stiller has said during a Q&A panel((Menzel, Scott (May 14, 2022). [[https://youtu.be/yOP5CcuSahw?list=PL-BEbYR5bDWpS1yuQjaXB_XDV9QzxYp7e&t=2056|“Severance FYC Event Q&A Panel.”]] //Hollywood Critics Association//.)) that they erased the housing development around Bell Works—the iconic building that houses the [[Lumon Industries]] headquarters—using visual effects, it raises the question why they decided to leave the fly in.
  
 Although probably not related, it is interesting to note that in the first episode when Mark is at home, a man on the TV can be heard saying, “Indeed, this gnat will spend much of its three- to seven-day life . . . .”((Season 1, Episode 1, [[Good News About Hell]] ([[Good News About Hell Transcript#section003630566|36:30]]) )) Although probably not related, it is interesting to note that in the first episode when Mark is at home, a man on the TV can be heard saying, “Indeed, this gnat will spend much of its three- to seven-day life . . . .”((Season 1, Episode 1, [[Good News About Hell]] ([[Good News About Hell Transcript#section003630566|36:30]]) ))
  
-==== 10. Mixed-up ID numbers ====+==== Mixed-up ID numbers ====
  
 <WRAP gallery-container> <WRAP gallery-container>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{security_office_id_numbers.png?1500x750|Mark, Dylan, and Irving’s ID numbers visible}} \\ Mark, Dylan, and Irving’s ID numbers visible+{{security_office_id_numbers.png?1400x800|Mark, Dylan, and Irving’s ID numbers visible}} \\ Mark, Dylan, and Irving’s ID numbers visible
 </WRAP> </WRAP>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{security_office_id_numbers_2.png?1500x750|Mark and Helly have incorrect ID numbers}} \\ Mark and Helly have incorrect ID numbers+{{security_office_id_numbers_2.png?1400x800|Mark and Helly have incorrect ID numbers}} \\ Mark and Helly have incorrect ID numbers
 </WRAP> </WRAP>
  
 <WRAP gallery-item> <WRAP gallery-item>
-{{security_office_id_numbers_3.png?1500x750|While Irving’s ID number is intact, Helly now has Mark’s ID number and Mark has Dylan’s}} \\ While Irving’s ID number is intact, Helly now has Mark’s ID number and Mark has Dylan’s+{{security_office_id_numbers_3.png?1400x800|While Irving’s ID number is intact, Helly now has Mark’s ID number and Mark has Dylan’s}} \\ While Irving’s ID number is intact, Helly now has Mark’s ID number and Mark has Dylan’s
 </WRAP> </WRAP>
  
Line 207: Line 272:
 In the subsequent frame where //Helly R.// is added to the screen, it appears that the shift in the names was not anticipated as the three ID numbers remain unchanged. This means that Helly’s ID number is, in fact, Mark’s ID number from the previous screen, while Mark’s ID number is the same as Dylan’s. In the subsequent frame where //Helly R.// is added to the screen, it appears that the shift in the names was not anticipated as the three ID numbers remain unchanged. This means that Helly’s ID number is, in fact, Mark’s ID number from the previous screen, while Mark’s ID number is the same as Dylan’s.
  
-Also, the content of the Transition History column seen in the second image appears to be a direct copy and paste, as all the “In” and “Out” times are exactly the same. This cannot be true since it has been mentioned and implied a number of times that severed employees’ entrances and exists are staggered.+In addition, the content of the Transition History column seen in the second image appears to be a direct copy and paste, as all the “In” and “Out” times are exactly the same. This cannot be true since it has been mentioned and implied a number of times that severed employees’ entrances and exists are staggered.
  
 ===== See Also ===== ===== See Also =====
the_subtle_inconsistencies_of_severance.1658133810.txt.gz · Last modified: 2022-07-18 08:43 by Saeid

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