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the_grim_barbarity_of_optics_and_design_transcript [2022-08-09 04:17] – formatting rickypanther | the_grim_barbarity_of_optics_and_design_transcript [2022-08-12 12:57] (current) – Saeid | ||
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| **The Grim Barbarity of Optics and Design (Transcript)** || | | **The Grim Barbarity of Optics and Design (Transcript)** || | ||
^ Episode Number | 1.5 | | ^ Episode Number | 1.5 | | ||
- | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
^ Previous Transcript | [[the_you_you_are_transcript]] | | ^ Previous Transcript | [[the_you_you_are_transcript]] | | ||
^ Next Transcript | [[hide_and_seek_transcript]] | | ^ Next Transcript | [[hide_and_seek_transcript]] | | ||
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< | < | ||
- | [[Mark Scout|MARK]]: Helly leave? | + | Mark: Helly leave? |
< | < | ||
- | [[Dylan George|DYLAN]]: Yeah. | + | Dylan: Yeah. |
< | < | ||
- | MARK: Maybe you should get out of here. | + | Mark: Maybe you should get out of here. |
< | < | ||
- | DYLAN: I know. Just wrapping up. Sorry, I love the work. | + | Dylan: I know. Just wrapping up. Sorry, I love the work. |
< | < | ||
- | MARK: Jesus. Help! Help! | + | Mark: Jesus. Help! Help! |
< | < | ||
- | [[Doug | + | Graner: Goddamn it! |
< | < | ||
- | MARK: Oh... Oh, my God. | + | Mark: Oh... Oh, my God. |
< | < | ||
- | MARK: Is she okay? | + | Mark: Is she okay? |
< | < | ||
- | MARK: Helly? | + | Mark: Helly? |
< | < | ||
- | GRANER: Mark, get in the elevator. | + | Graner: Mark, get in the elevator. |
- | MARK: Helly? Helly! | + | Mark: Helly? Helly! |
< | < | ||
- | GRANER: Get in the elevator! | + | Graner: Get in the elevator! |
< | < | ||
- | MARK: Is she okay? | + | Mark: Is she okay? |
< | < | ||
- | MARK: Judd. | + | Mark: Judd. |
- | [[Judd|JUDD]]: Mr. Scout, you have a good evening. | + | Judd: Mr. Scout, you have a good evening. |
< | < | ||
- | MARK: Will do. Same to you. | + | Mark: Will do. Same to you. |
< | < | ||
- | MARK: Is she alive? | + | Mark: Is she alive? |
< | < | ||
- | [[Harmony | + | Cobel: Have a seat, Mark. |
< | < | ||
- | COBEL: She's in the hospital. She has severe bruising but, thankfully, no permanent damage. | + | Cobel: She’s in the hospital. She has severe bruising but, thankfully, no permanent damage. |
< | < | ||
- | MARK: Okay. Okay, so you... You're letting her go? | + | Mark: Okay. Okay, so, you... You’re letting her go? |
< | < | ||
- | COBEL: Helly's outie has no intention of resigning... | + | Cobel: Helly’s Outie has no intention of resigning... |
< | < | ||
- | MARK: She almost died. She doesn't wanna be here. | + | Mark: She almost died. She doesn’t wanna be here. |
< | < | ||
- | COBEL: And she will be back at her desk in a few days. | + | Cobel: And she will be back at her desk in a few days. |
< | < | ||
- | MARK: Is that enough time? | + | Mark: Is that enough time? |
< | < | ||
- | COBEL: This happened on your watch, Mark S. And you can thank Kier himself it went the way it did. | + | Cobel: This happened on your watch, Mark S. And you can thank Kier himself it went the way it did. |
< | < | ||
- | COBEL: Have a productive day. | + | Cobel: Have a productive day. |
< | < | ||
- | //[[Ricken | + | Ricken (voiceover): \\What is it to fail?\\ |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | GRANER: Ran the diagnostics. | + | Graner: Ran the diagnostics. |
< | < | ||
- | COBEL: And? | + | Cobel: And? |
< | < | ||
- | GRANER: Full synaptic coupling. Petey Kilmer's memory was reintegrated. You were right, Harmony. | + | Graner: Full synaptic coupling. Petey Kilmer’s memory was reintegrated. You were right, Harmony. |
< | < | ||
- | GRANER: We should celebrate. | + | Graner: We should celebrate. |
< | < | ||
- | GRANER: I figure you'll take a beat before telling the Board, especially after what happened with Helly R. | + | Graner: I figure you’ll take a beat before telling the Board, especially after what happened with Helly R. |
< | < | ||
- | GRANER: Jesus. You haven't told them. | + | Graner: Jesus. You haven’t told them. |
< | < | ||
- | COBEL: Comb the chip data for source signatures. | + | Cobel: Comb the chip data for source signatures. |
< | < | ||
- | GRANER: It's saved, so you can keep it. A gift. | + | Graner: It’s saved, so you can keep it. A gift. |
< | < | ||
- | COBEL: Please find out who did this. I'd like to deliver everything to the Board at once. | + | Cobel: Please find out who did this. I’d like to deliver everything to the Board at once. |
< | < | ||
- | MARK: Oh, shit. | + | Mark: Oh, shit. |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | // | + | Ricken |
< | < | ||
- | [[ALEXA|ALEXA]]: Oh, hey. | + | Alexa: Oh, hey. |
< | < | ||
- | MARK: Hey. Hey. | + | Mark: Hey. Hey. |
< | < | ||
- | ALEXA: Did you forget that I was gonna be here? | + | Alexa: Did you forget that I was gonna be here? |
< | < | ||
- | MARK: Slightly. | + | Mark: Slightly. |
- | ALEXA: Mmm. | + | Alexa: Mmm. |
< | < | ||
- | MARK: Look, I'm, uh, sorry about the other night. I… | + | Mark: Look, I’m, uh, sorry about the other night. I… |
< | < | ||
- | ALEXA: Yeah, no, it's fine. | + | Alexa: Yeah, no, it’s fine. |
< | < | ||
- | MARK: Yeah. | + | Mark: Yeah. |
< | < | ||
- | ALEXA: She's doing great, by the way. | + | Alexa: She’s doing great, by the way. |
- | MARK: Yeah? | + | Mark: Yeah? |
< | < | ||
- | ALEXA: Yeah. | + | Alexa: Yeah. |
- | MARK: Okay. | + | Mark: Okay. |
< | < | ||
- | ALEXA: The contractions are about 20 minutes apart, so we still have some time. | + | Alexa: The contractions are about 20 minutes apart, so, we still have some time. |
< | < | ||
- | ALEXA: Ricken is doing this thing where he cries over her. So, I'm...I'm giving them some privacy. | + | Alexa: Ricken is doing this thing where he cries over her. So, I’m...I’m giving them some privacy. |
< | < | ||
- | MARK: Sounds good. | + | Mark: Sounds good. |
< | < | ||
- | MARK: Hey, thank you for, uh, you know, taking care of her. | + | Mark: Hey, thank you for, uh, you know, taking care of her. |
< | < | ||
- | ALEXA: Yeah. Of course. | + | Alexa: Yeah. Of course. |
< | < | ||
- | RICKEN: Babe, I just don't wanna be like my father. | + | Ricken: Babe, I just don’t wanna be like my father. |
< | < | ||
- | [[Devon Scout-Hale|DEVON]]: I know, baby. I think it's good you're getting it out now. It's okay. | + | Devon: I know, baby. I think it’s good you’re getting it out now. It’s okay. |
< | < | ||
- | MARK: Hey. I'm looking for baby camp? | + | Mark: Hey. I’m looking for baby camp? |
< | < | ||
- | RICKEN: Ooh. The uncle-to-be. Welcome, Mark. | + | Ricken: Ooh. The uncle-to-be. Welcome, Mark. |
< | < | ||
- | DEVON: Yay! I'm so glad you're here. I didn't know if they were gonna wake you up from work or whatever. | + | Devon: Yay! I’m so glad you’re here. I didn’t know if they were gonna wake you up from work or whatever. |
< | < | ||
- | MARK: Oh, no, I just saw the message when I got off. Sorry. | + | Mark: Oh, no, I just saw the message when I got off. Sorry. |
< | < | ||
- | DEVON: No, it's been pretty boring so far. | + | Devon: No, it’s been pretty boring so far. |
< | < | ||
- | MARK: All right. Well, uh, glad to be here in this cozy nook. | + | Mark: All right. Well, uh, glad to be here in this cozy nook. |
< | < | ||
- | MARK: Wow. | + | Mark: Wow. |
- | DEVON: Dude, did you see the one next door? | + | Devon: Dude, did you see the one next door? |
< | < | ||
- | MARK: Yeah. | + | Mark: Yeah. |
- | RICKEN: It's, like, psychotically expensive. | + | Ricken: It’s, like, psychotically expensive. |
< | < | ||
- | DEVON: It's like a freakin' | + | Devon: It’s like a freakin’ lodge. I hate whoever’s in there. |
< | < | ||
- | RICKEN: It's just fat cats making fat kittens. | + | Ricken: It’s just fat cats making fat kittens. |
< | < | ||
- | DEVON: Yeah. | + | Devon: Yeah. |
< | < | ||
- | MARK: Oh, shit. | + | Mark: Oh, shit. |
< | < | ||
- | RICKEN: It's a contraction. | + | Ricken: It’s a contraction. |
< | < | ||
- | DEVON: Fuck. | + | Devon: Fuck. |
- | RICKEN: Mark, say a secret quickly. | + | Ricken: Mark, say a secret quickly. |
< | < | ||
- | DEVON: He doesn't have to, babe. | + | Devon: He doesn’t have to, babe. |
< | < | ||
- | MARK: What? | + | Mark: What? |
- | RICKEN: The fetus is drawn to clear air. | + | Ricken: The fetus is drawn to clear air. |
< | < | ||
- | RICKEN: Purging secrets can create a soul void that speeds the labor. | + | Ricken: Purging secrets can create a soul void that speeds the labor. |
< | < | ||
- | MARK: Okay, and we want that? | + | Mark: Okay, and we want that? |
< | < | ||
- | RICKEN: Oh, we do. | + | Ricken: Oh, we do. |
- | DEVON: Hey, baby, not right now. | + | Devon: Hey, baby, not right now. |
< | < | ||
- | RICKEN:It's fine, I'll start. Um, Mark...I love you, and I feel hurt that you haven't called me to thank me for the book yet. | + | Ricken:It’s fine, I’ll start. Um, Mark...I love you, and I feel hurt that you haven’t called me to thank me for the book yet. |
< | < | ||
- | RICKEN: There. Good. | + | Ricken: There. Good. |
- | MARK: The book? | + | Mark: The book? |
< | < | ||
- | DEVON: We left a copy of his new book on your doorstep. | + | Devon: We left a copy of his new book on your doorstep. |
< | < | ||
- | RICKEN: Five days ago. Five full days. | + | Ricken: Five days ago. Five full days. |
< | < | ||
- | MARK: Okay, well, I definitely haven't seen that. I mean, it must've been stolen or something. I... | + | Mark: Okay, well, I definitely haven’t seen that. I mean, it must’ve been stolen or something. I... |
< | < | ||
- | RICKEN: What? That was an advanced copy. | + | Ricken: What? That was an advanced copy. |
< | < | ||
- | RICKEN: Oh, my God. Oh, my God. Oh! | + | Ricken: Oh, my God. Oh, my God. Oh! |
< | < | ||
- | MARK: Are you okay? | + | Mark: Are you okay? |
- | RICKEN: Oh, my God. | + | Ricken: Oh, my God. |
< | < | ||
- | DEVON: I'm okay. | + | Devon: I’m okay. |
- | RICKEN: Whew! | + | Ricken: Whew! |
< | < | ||
- | RICKEN: It's fine. It's all fine. Ooh. | + | Ricken: It’s fine. It’s all fine. Ooh. |
< | < | ||
- | RICKEN: Okay, okay. I'm okay. Are you okay? | + | Ricken: Okay, okay. I’m okay. Are you okay? |
< | < | ||
- | DEVON: Okay. | + | Devon: Okay. |
< | < | ||
- | DEVON: I'm good. | + | Devon: I’m good. |
- | RICKEN: Yeah? | + | Ricken: Yeah? |
< | < | ||
- | DEVON: Yeah, I'm gonna go get coffee. | + | Devon: Yeah, I’m gonna go get coffee. |
- | RICKEN: Really? | + | Ricken: Really? |
< | < | ||
- | DEVON: Yeah. I think. I'm gonna get going. | + | Devon: Yeah. I think. I’m gonna get going. |
< | < | ||
- | RICKEN: Are you sure? Um... | + | Ricken: Are you sure? Um... |
- | DEVON: Thank you. Oh, thanks, bud. | + | Devon: Thank you. Oh, thanks, bud. |
< | < | ||
- | DEVON: All right. I'll be back. | + | Devon: All right. I’ll be back. |
- | RICKEN: Yeah. | + | Ricken: Yeah. |
< | < | ||
- | RICKEN: Okay. Be careful. | + | Ricken: Okay. Be careful. |
< | < | ||
- | RICKEN: Well, this is good. We can finish setting up the room. | + | Ricken: Well, this is good. We can finish setting up the room. |
< | < | ||
- | RICKEN: Um… Oh. | + | Ricken: Um… Oh. |
< | < | ||
- | RICKEN: Mark, would you help me hang the kelp? | + | Ricken: Mark, would you help me hang the kelp? |
< | < | ||
- | MARK: Hang the kelp? Why? | + | Mark: Hang the kelp? Why? |
< | < | ||
- | RICKEN: Do you really want me to explain it? | + | Ricken: Do you really want me to explain it? |
< | < | ||
- | DEVON: Hi. Hi. Excuse me? Sir? Sir... Hey. | + | Devon: Hi. Hi. Excuse me? Sir? Sir... Hey. |
< | < | ||
- | DEVON: What the fuck, man? Oh, my Go... | + | Devon: What the fuck, man? Oh, my Go... |
< | < | ||
- | DEVON: Hi, I'm so sorry. I'm another pregnant lady. I'm from over there. I just came out on a coffee run, and I got distracted by your beautiful coffee, and I was wondering if there's any chance you could hook me up. | + | Devon: Hi, I’m so sorry. I’m another pregnant lady. I’m from over there. I just came out on a coffee run, and I got distracted by your beautiful coffee, and I was wondering if there’s any chance you could hook me up. |
< | < | ||
- | [[Gabby Arteta|GABBY]]: Um, okay. | + | Gabby: Um, okay. |
< | < | ||
- | DEVON: Yeah? Yes. Thank you. Thank Christ. | + | Devon: Yeah? Yes. Thank you. Thank Christ. |
< | < | ||
- | DEVON: Hi. Thank you so much. I'm gonna squeeze right past you. Ooh. I'm Devon. | + | Devon: Hi. Thank you so much. I’m gonna squeeze right past you. Ooh. I’m Devon. |
< | < | ||
- | GABBY: Gabby. | + | Gabby: Gabby. |
< | < | ||
- | DEVON: Thank you for narcotics. My husband is driving me fucking crazy. My brother's... depressing me. | + | Devon: Thank you for narcotics. My husband is driving me fucking crazy. My brother’s... depressing me. |
< | < | ||
- | GABBY: Is it your first? | + | Gabby: Is it your first? |
< | < | ||
- | DEVON: Yeah. Yours? | + | Devon: Yeah. Yours? |
< | < | ||
- | GABBY: My third. I'm naming him William. | + | Gabby: My third. I’m naming him William. |
< | < | ||
- | DEVON: Three kiddos. I'm so fucking scared of ruining one child. How do you handle it? | + | Devon: Three kiddos. I’m so fucking scared of ruining one child. How do you handle it? |
< | < | ||
- | GABBY: Lotta help, I guess. | + | Gabby: Lotta help, I guess. |
- | DEVON: Yeah. | + | Devon: Yeah. |
< | < | ||
- | DEVON: Holy shit, by the way, how about this cabin? It's so nice. Are you rich? | + | Devon: Holy shit, by the way, how about this cabin? It’s so nice. Are you rich? |
< | < | ||
- | RICKEN: Because really...if the thief reads the book, it will have been worth it. In fact, I bet you he turns himself in afterward. | + | Ricken: Because really...if the thief reads the book, it will have been worth it. In fact, I bet you he turns himself in afterward. |
< | < | ||
- | RICKEN: Listen, I know the last time you were in a medical facility was for [[Gemma]]. | + | Ricken: Listen, I know the last time you were in a medical facility was for Gemma. |
< | < | ||
- | MARK: Oh, is that what this is? A medical facility? | + | Mark: Oh, is that what this is? A medical facility? |
< | < | ||
- | RICKEN: Of course, the baby's middle name could've been so lovely a tribute to her, but...I understand you were unable to be comfortable with it. | + | Ricken: Of course, the baby’s middle name could’ve been so lovely a tribute to her, but...I understand you were unable to be comfortable with it. |
< | < | ||
- | MARK: Your kid deserves her own name without some...big, feely baggage. | + | Mark: Your kid deserves her own name without some...big, feely baggage. |
< | < | ||
- | DEVON: Yes. Ooh. | + | Devon: Yes. Ooh. |
< | < | ||
- | DEVON: Psst. I got coffee. | + | Devon: Psst. I got coffee. |
< | < | ||
- | MARK: Toll, please. | + | Mark: Toll, please. |
< | < | ||
- | DEVON: I made friends with the richest lady in baby camp. She was...quiet, | + | Devon: I made friends with the richest lady in baby camp. She was...quiet, |
< | < | ||
- | MARK: I'd imagine she's spoken for. | + | Mark: I’d imagine she’s spoken for. |
< | < | ||
- | DEVON: I bet Alexa would give you another shot. | + | Devon: I bet Alexa would give you another shot. |
< | < | ||
- | MARK: I bet she wouldn't. | + | Mark: I bet she wouldn’t. |
< | < | ||
- | DEVON: I bet you could ask her. | + | Devon: I bet you could ask her. |
- | MARK: Oh. Okay. | + | Mark: Oh. Okay. |
< | < | ||
- | DEVON: Ah. | + | Devon: Ah. |
- | MARK: You okay? Do you want me to go get her? | + | Mark: You okay? Do you want me to go get her? |
< | < | ||
- | DEVON: No, no, no. Hold on, can I squeeze your hand? | + | Devon: No, no, no. Hold on, can I squeeze your hand? |
< | < | ||
- | MARK: Yeah. There we go. All right. | + | Mark: Yeah. There we go. All right. |
< | < | ||
- | MARK: Need me to tell a secret? | + | Mark: Need me to tell a secret? |
- | DEVON: Yeah, go ahead. | + | Devon: Yeah, go ahead. |
< | < | ||
- | DEVON: Give me your dark shit. | + | Devon: Give me your dark shit. |
< | < | ||
- | MARK: Well, so, uh... | + | Mark: Well, so, uh... |
< | < | ||
- | MARK: Um...I kinda think Lumon might be up to something. | + | Mark: Um...I kinda think Lumon might be up to something. |
< | < | ||
- | DEVON: What do you mean? Like, with your paychecks? | + | Devon: What do you mean? Like, with your paychecks? |
< | < | ||
- | MARK: No, I've just been hearing stuff. Just around. | + | Mark: No, I’ve just been hearing stuff. Just around. |
< | < | ||
- | DEVON: Who've you been talking to? | + | Devon: Who’ve you been talking to? |
< | < | ||
- | MARK: So... Um... | + | Mark: So... Um... |
< | < | ||
- | DEVON: What? | + | Devon: What? |
< | < | ||
- | MARK: Do you remember the businessman? | + | Mark: Do you remember the businessman? |
< | < | ||
- | RICKEN: Oh. | + | Ricken: Oh. |
< | < | ||
- | DEVON: Holy fucking pit of hell! | + | Devon: Holy fucking pit of hell! |
< | < | ||
- | RICKEN: Okay. Darling, you okay? | + | Ricken: Okay. Darling, you okay? |
< | < | ||
- | DEVON: Why do people do this? | + | Devon: Why do people do this? |
- | MARK: Uh, I'll go get Alexa. | + | Mark: Uh, I’ll go get Alexa. |
< | < | ||
- | RICKEN: Great. | + | Ricken: Great. |
- | DEVON: Don't touch me, baby. | + | Devon: Don’t touch me, baby. |
< | < | ||
- | RICKEN: Okay. | + | Ricken: Okay. |
- | DEVON: Ah! | + | Devon: Ah! |
< | < | ||
- | ALEXA: One more big push. | + | Alexa: One more big push. |
- | RICKEN: Oh, my God. | + | Ricken: Oh, my God. |
< | < | ||
- | ALEXA:She's right here. She's right here. You're doing so great. | + | Alexa:She’s right here. She’s right here. You’re doing so great. |
- | DEVON: Ah! | + | Devon: Ah! |
< | < | ||
- | DEVON: It hurt... It hurts. | + | Devon: It hurt... It hurts. |
- | ALEXA: I know it hurts but she's right here. | + | Alexa: I know it hurts but she’s right here. |
< | < | ||
- | ALEXA: I can see her. She's crowning. Okay? | + | Alexa: I can see her. She’s crowning. Okay? |
- | DEVON: Oh, my God. | + | Devon: Oh, my God. |
< | < | ||
- | ALEXA: All right, now. You know, I can see her. Here she comes. | + | Alexa: All right, now. You know, I can see her. Here she comes. |
< | < | ||
Line 515: | Line 515: | ||
< | < | ||
- | DEVON: Oh, my God. | + | Devon: Oh, my God. |
- | ALEXA: She's coming. | + | Alexa: She’s coming. |
< | < | ||
- | RICKEN: Oh, my God. Oh, my God. | + | Ricken: Oh, my God. Oh, my God. |
< | < | ||
- | DEVON: Oh! | + | Devon: Oh! |
< | < | ||
- | RICKEN: Thank you. Oh, she did great. I'm gonna pass out. | + | Ricken: Thank you. Oh, she did great. I’m gonna pass out. |
< | < | ||
- | // | + | Milchick: She was in Outie form at the time she woke up. |
< | < | ||
- | MILCHICK: So this will be innie Helly's first conscious experience since the hanging. | + | Milchick: So, this will be Innie Helly’s first conscious experience since the hanging. |
< | < | ||
- | MILCHICK: When she sees you, it's important your eyes be kind. | + | Milchick: When she sees you, it’s important your eyes be kind. |
< | < | ||
- | MILCHICK: Do you know how to make your eyes kind? | + | Milchick: Do you know how to make your eyes kind? |
< | < | ||
- | MARK: Um... | + | Mark: Um... |
< | < | ||
- | MARK: You're okay. You're okay. It's all right. | + | Mark: You’re okay. You’re okay. It’s all right. |
< | < | ||
- | MARK: So, they locked away the extension cords and other dangerous items so, you know, you should be safe. And if you wanna focus on looking for happy numbers for a while, that's fine. | + | Mark: So, they locked away the extension cords and other dangerous items so, you know, you should be safe. And if you wanna focus on looking for happy numbers for a while, that’s fine. |
< | < | ||
- | MARK: Yeah. | + | Mark: Yeah. |
< | < | ||
- | MARK: Do you wanna talk about it? | + | Mark: Do you wanna talk about it? |
< | < | ||
- | [[Irving | + | Irving: We should hide inspirational handbook quotes around the office for her to stumble upon. |
< | < | ||
- | DYLAN: She just needs to start earning perks, dude. I'd end my life if I didn't have any [[finger traps|finger traps]] | + | Dylan: She just needs to start earning perks, dude. I’d end my life if I didn’t have any finger traps yet. You know, what one of us should do is lend her our trap until she has one of her own. Yeah, but not me though |
< | < | ||
- | MARK: Ms. Casey. | + | Mark: Ms. Casey. |
< | < | ||
- | [[Ms. Casey|MS. CASEY]]: I'm here to observe Helly R. | + | Ms. Casey: I’m here to observe Helly R. |
< | < | ||
- | MARK: Oh. Uh, no one told me. | + | Mark: Oh. Uh, no one told me. |
< | < | ||
- | MS. CASEY: Ms. Cobel's orders. I am to watch her for signs of sadness, and verbally encourage her to forgo further suicide attempts. | + | Ms. Casey: Ms. Cobel’s orders. I am to watch her for signs of sadness, and verbally encourage her to forgo further suicide attempts. |
< | < | ||
- | MS. CASEY: Upon request, I can also perform a hug. | + | Ms. Casey: Upon request, I can also perform a hug. |
< | < | ||
- | DYLAN: You know I've been, uh, exhibiting signs of sadness. Could I get one of those? | + | Dylan: You know I’ve been, uh, exhibiting signs of sadness. Could I get one of those? |
< | < | ||
- | MS. CASEY: No. | + | Ms. Casey: No. |
< | < | ||
- | [[Helena Eagan|HELLY]]: Did you get all that? | + | Helly: Did you get all that? |
< | < | ||
- | MS. CASEY: Are you upset? | + | Ms. Casey: Are you upset? |
< | < | ||
- | HELLY: No. I'm peachy. | + | Helly: No. I’m peachy. |
< | < | ||
- | MS. CASEY: If you're upset, you can request a... | + | Ms. Casey: If you’re upset, you can request a... |
< | < | ||
- | HELLY: A hug. I know. I'm good. | + | Helly: A hug. I know. I’m good. |
< | < | ||
- | MARK: Irv. | + | Mark: Irv. |
< | < | ||
- | MARK: We lose you again there, buddy? | + | Mark: We lose you again there, buddy? |
< | < | ||
- | MARK: Irv? | + | Mark: Irv? |
< | < | ||
- | IRVING: I have to go to O&D. Something's come up. And I... I'd like to seek Burt's counsel. | + | Irving: I have to go to O&D. Something’s come up. And I... I’d like to seek Burt’s counsel. |
< | < | ||
- | MARK: Well… Okay, fine. Just make a copy of that map in case we have to come find you. | + | Mark: Well… Okay, fine. Just make a copy of that map in case we have to come find you. |
< | < | ||
- | IRVING: Oh, God. | + | Irving: Oh, God. |
< | < | ||
- | MILCHICK: Oh, no. I'm sorry, Irving. We must have sent this print job here by mistake. You weren't supposed to see this. | + | Milchick: Oh, no. I’m sorry, Irving. We must have sent this print job here by mistake. You weren’t supposed to see this. |
< | < | ||
- | IRVING: What are these? | + | Irving: What are these? |
< | < | ||
- | MILCHICK: Nothing. A joke for Ms. Cobel. | + | Milchick: Nothing. A joke for Ms. Cobel. |
< | < | ||
- | IRVING: It's the O&D coup, isn't it? The one that Dylan talks about, huh? Did that actually happen, Mr. Milchick? | + | Irving: It’s the O&D coup, isn’t it? The one that Dylan talks about, huh? Did that actually happen, Mr. Milchick? |
< | < | ||
- | MILCHICK: Of course not. Nothing like that could happen here. | + | Milchick: Of course not. Nothing like that could happen here. |
< | < | ||
- | DYLAN: It's proof. It is ironclad proof. | + | Dylan: It’s proof. It is ironclad proof. |
< | < | ||
- | IRVING: Milchick says it didn't happen. And why would one department physically attack another? Lumon wouldn't just then give them all the other department's resources. | + | Irving: Milchick says it didn’t happen. And why would one department physically attack another? Lumon wouldn’t just then give them all the other department’s resources. |
< | < | ||
- | DYLAN: Does O&D know that? Are we even sure about it? Because with seven people, there is a lot that they could do to us. | + | Dylan: Does O&D know that? Are we even sure about it? Because with seven people, there is a lot that they could do to us. |
< | < | ||
- | IRVING: I could ask... | + | Irving: I could ask... |
- | DYLAN: Your new friend, | + | Dylan: Your new friend, |
< | < | ||
- | DYLAN: who lied to you about the size of his department? How do we know what else he isn't being kosher about? | + | Dylan: who lied to you about the size of his department? How do we know what else he isn’t being kosher about? |
< | < | ||
- | COBEL: You ran a 266 on Irving B.? | + | Cobel: You ran a 266 on Irving B.? |
< | < | ||
- | MILCHICK: Yeah. Just now. | + | Milchick: Yeah. Just now. |
< | < | ||
- | COBEL: Huh. | + | Cobel: Huh. |
< | < | ||
- | MILCHICK: I thought it might dissuade him from spending so much time with Burt G. | + | Milchick: I thought it might dissuade him from spending so much time with Burt G. |
< | < | ||
- | MILCHICK: I'm sorry. Should I have consulted you? | + | Milchick: I’m sorry. Should I have consulted you? |
< | < | ||
- | COBEL: No, no. Good initiative. | + | Cobel: No, no. Good initiative. |
< | < | ||
- | MILCHICK: I saw Ms. Casey down there. You're having her watch Helly R. | + | Milchick: I saw Ms. Casey down there. You’re having her watch Helly R. |
< | < | ||
- | COBEL: I am. | + | Cobel: I am. |
< | < | ||
- | MILCHICK: May I ask why? | + | Milchick: May I ask why? |
< | < | ||
- | COBEL: "The light of discovery shines truer upon a virgin meadow than a beaten path." | + | Cobel: "The light of discovery shines truer upon a virgin meadow than a beaten path." |
< | < | ||
- | COBEL: I'm trying something new with Ms. Casey. Keep it between us. | + | Cobel: I’m trying something new with Ms. Casey. Keep it between us. |
< | < | ||
- | MILCHICK: Right. | + | Milchick: Right. |
< | < | ||
- | MS. CASEY: Helly R. | + | Ms. Casey: Helly R. |
< | < | ||
- | HELLY: Hi, Ms. Casey. | + | Helly: Hi, Ms. Casey. |
< | < | ||
- | MS. CASEY: Please describe for me your time in the restroom. | + | Ms. Casey: Please describe for me your time in the restroom. |
< | < | ||
- | MARK: Oh, no. I'm so sorry, Ms. Casey. I just... I-I... Ugh. I turned and... | + | Mark: Oh, no. I’m so sorry, Ms. Casey. I just... I-I... Ugh. I turned and... |
< | < | ||
- | DYLAN: Bet you're drunk. What'd your mouth taste like when you got in today? | + | Dylan: Bet you’re drunk. What’d your mouth taste like when you got in today? |
< | < | ||
- | MS. CASEY: Helly R., you have to come with me to distribution supply. | + | Ms. Casey: Helly R., you have to come with me to distribution supply. |
< | < | ||
- | MARK: That's okay. I can watch Helly R. While you're gone. It's only a few minutes, right? | + | Mark: That’s okay. I can watch Helly R. While you’re gone. It’s only a few minutes, right? |
< | < | ||
- | MS. CASEY: Distribution supply is eight minutes, round trip. | + | Ms. Casey: Distribution supply is eight minutes, round trip. |
< | < | ||
- | DYLAN: You know, I go to distribution supply all the time, so I could, uh... If you... | + | Dylan: You know, I go to distribution supply all the time, so, I could, uh... If you... |
< | < | ||
- | HELLY: Well, that's one less horrible thing. For eight minutes anyway. | + | Helly: Well, that’s one less horrible thing. For eight minutes anyway. |
< | < | ||
- | MARK: Helly, I just realized I haven't shown you where we keep the extra pen caps. It's not far. Do you mind? | + | Mark: Helly, I just realized I haven’t shown you where we keep the extra pen caps. It’s not far. Do you mind? |
< | < | ||
- | HELLY: I'm good, thanks. | + | Helly: I’m good, thanks. |
< | < | ||
- | MARK: Nah, you're right. We shouldn't go anywhere without Ms. Casey. | + | Mark: Nah, you’re right. We shouldn’t go anywhere without Ms. Casey. |
< | < | ||
- | DYLAN: Careful out there, boss. Weird energy about. | + | Dylan: Careful out there, boss. Weird energy about. |
< | < | ||
- | HELLY: So, where are all these pen caps at? | + | Helly: So, where are all these pen caps at? |
< | < | ||
- | MARK: How are you doing, Helly? | + | Mark: How are you doing, Helly? |
< | < | ||
- | HELLY: Jesus. Did you make up the pen caps to ask me that? | + | Helly: Jesus. Did you make up the pen caps to ask me that? |
< | < | ||
- | MARK: Well, I just wanted to talk. | + | Mark: Well, I just wanted to talk. |
< | < | ||
- | HELLY: I'm really bad, Mark. Thanks for noticing. | + | Helly: I’m really bad, Mark. Thanks for noticing. |
< | < | ||
- | MARK: Oh. Come here. | + | Mark: Oh. Come here. |
< | < | ||
- | MARK: Come on. | + | Mark: Come on. |
< | < | ||
- | MARK: Here. | + | Mark: Here. |
< | < | ||
- | HELLY: [[Petey's map]]. | + | Helly: Petey’s map. |
< | < | ||
- | MARK: Yeah. Since you've been gone, I've been trying to recreate it on my lunch breaks. | + | Mark: Yeah. Since you’ve been gone, I’ve been trying to recreate it on my lunch breaks. |
< | < | ||
- | MARK: And...I thought maybe if we work on it together, we can... You know. | + | Mark: And...I thought maybe if we work on it together, we can... You know. |
< | < | ||
- | HELLY: I'm not your new [[Peter Kilmer|Petey]]. | + | Helly: I’m not your new Petey. |
< | < | ||
- | MARK: Helly. | + | Mark: Helly. |
< | < | ||
- | //MS. CASEY: Helly R.?// | + | Ms. Casey: Helly R.? |
< | < | ||
- | IRVING: Mark took her to look at pen caps. | + | Irving: Mark took her to look at pen caps. |
- | MS. CASEY: Where? | + | Ms. Casey: Where? |
< | < | ||
- | MS. CASEY: Now? | + | Ms. Casey: Now? |
- | DYLAN: They're fine. | + | Dylan: They’re fine. |
< | < | ||
- | IRVING: Just at the end of the storage wing. | + | Irving: Just at the end of the storage wing. |
< | < | ||
- | MS. CASEY: Burt G. Is in the conference room. | + | Ms. Casey: Burt G. Is in the conference room. |
< | < | ||
- | IRVING: Burt. | + | Irving: Burt. |
< | < | ||
- | [[Burt Goodman|BURT]]: Irving. | + | Burt: Irving. |
< | < | ||
- | IRVING: What are you doing here? | + | Irving: What are you doing here? |
< | < | ||
- | BURT: Oh. You know, I was turned around. | + | Burt: Oh. You know, I was turned around. |
< | < | ||
- | BURT:Actually, I...I was looking for you. I hadn't heard from you. | + | Burt:Actually, I...I was looking for you. I hadn’t heard from you. |
< | < | ||
- | IRVING: Well, I... | + | Irving: Well, I... |
< | < | ||
- | IRVING: Dylan! Oh, my God! What are... | + | Irving: Dylan! Oh, my God! What are... |
- | BURT: Irving. | + | Burt: Irving. |
< | < | ||
- | IRVING: What are you doing? | + | Irving: What are you doing? |
< | < | ||
- | DYLAN: He was coming at you. | + | Dylan: He was coming at you. |
- | IRVING: Let him out! | + | Irving: Let him out! |
< | < | ||
- | DYLAN: Out? Why the fuck is he here? | + | Dylan: Out? Why the fuck is he here? |
- | IRVING: Let him out! | + | Irving: Let him out! |
< | < | ||
- | BURT: What's wrong with you? | + | Burt: What’s wrong with you? |
- | DYLAN: You saw that painting. | + | Dylan: You saw that painting. |
< | < | ||
- | DYLAN: You want to get disemboweled today? | + | Dylan: You want to get disemboweled today? |
< | < | ||
- | DYLAN: Hey, where's your friends? Plural. As in, the six fucking people you've been hiding from us. | + | Dylan: Hey, where’s your friends? Plural. As in, the six fucking people you’ve been hiding from us. |
< | < | ||
- | IRVING: Oh, my word. I... I... I... | + | Irving: Oh, my word. I... I... I... |
< | < | ||
- | IRVING: I need a manager! | + | Irving: I need a manager! |
< | < | ||
- | BURT: Irving, wait. Don't go. | + | Burt: Irving, wait. Don’t go. |
< | < | ||
- | IRVING: I... We... | + | Irving: I... We... |
- | DYLAN: I know what you're up to. | + | Dylan: I know what you’re up to. |
< | < | ||
- | BURT: What is wrong with you? Open the door. | + | Burt: What is wrong with you? Open the door. |
- | IRVING: Manager! | + | Irving: Manager! |
< | < | ||
- | //BURT: Open the door.// | + | Burt: Open the door. |
< | < | ||
- | //IRVING: We need a manager. We need a manager.// | + | Irving: We need a manager. We need a manager. |
- | //BURT: Irving!// | + | Burt: Irving! |
< | < | ||
- | BURT: Irving! | + | Burt: Irving! |
< | < | ||
- | MARK: Helly? | + | Mark: Helly? |
< | < | ||
- | MARK: Helly. | + | Mark: Helly. |
< | < | ||
- | MARK: Helly. | + | Mark: Helly. |
< | < | ||
- | HELLY: Where the fuck are we? | + | Helly: Where the fuck are we? |
< | < | ||
- | MARK: Look, don't you want to at least... | + | Mark: Look, don’t you want to at least... |
< | < | ||
- | HELLY: I told her I wanted out, and she told me I wasn't a person. My own self told me that. | + | Helly: I told her I wanted out, and she told me I wasn’t a person. My own self told me that. |
< | < | ||
- | MARK: Yeah, and... and that's horrible. But don't focus on her. What do you want? In here? | + | Mark: Yeah, and... and that’s horrible. But don’t focus on her. What do you want? In here? |
< | < | ||
- | HELLY: What I want is for her to wake up while the life drains out of her and to know it was me who did it. | + | Helly: What I want is for her to wake up while the life drains out of her and to know it was me who did it. |
< | < | ||
- | BURT: If I could just explain... | + | Burt: If I could just explain... |
- | DYLAN: Save it, marauder. | + | Dylan: Save it, marauder. |
< | < | ||
- | IRVING: I checked the whole storage wing. No sign of him or Helly. | + | Irving: I checked the whole storage wing. No sign of him or Helly. |
< | < | ||
- | DYLAN: Shit. O&D has probably killed them already. | + | Dylan: Shit. O&D has probably killed them already. |
< | < | ||
- | BURT: Irving, what? | + | Burt: Irving, what? |
< | < | ||
- | IRVING: Our department chief and new hire have gone missing. Do you know where they are? | + | Irving: Our department chief and new hire have gone missing. Do you know where they are? |
< | < | ||
- | BURT: No, I j... I just came to see you. | + | Burt: No, I j... I just came to see you. |
< | < | ||
- | IRVING: And the rest of your department? | + | Irving: And the rest of your department? |
< | < | ||
- | BURT: They're back in O&D, Irving. I know I said it was just Felicia and me... | + | Burt: They’re back in O&D, Irving. I know I said it was just Felicia and me... |
< | < | ||
- | IRVING: If you came here to see me, then why are you in the conference room? Why not come right to the office? | + | Irving: If you came here to see me, then why are you in the conference room? Why not come right to the office? |
< | < | ||
- | BURT: I didn't know why you hadn't been back, and I didn't wanna scare you again. Like with the hand thing. | + | Burt: I didn’t know why you hadn’t been back, and I didn’t wanna scare you again. Like with the hand thing. |
< | < | ||
- | IRVING: You didn't scare me. | + | Irving: You didn’t scare me. |
< | < | ||
- | BURT: Or embarrass you. Look, I was working out a joke. | + | Burt: Or embarrass you. Look, I was working out a joke. |
< | < | ||
- | IRVING: A joke? | + | Irving: A joke? |
- | BURT: To say when I got in. | + | Burt: To say when I got in. |
< | < | ||
- | DYLAN: Prove it. Tell it. | + | Dylan: Prove it. Tell it. |
< | < | ||
- | BURT: I hadn't worked it out yet. | + | Burt: I hadn’t worked it out yet. |
< | < | ||
- | IRVING: Why did you lie about the number of people in your department? | + | Irving: Why did you lie about the number of people in your department? |
< | < | ||
- | BURT: Because...we don't trust your guys. | + | Burt: Because...we don’t trust your guys. |
< | < | ||
- | DYLAN: You? The king of fucks don't trust us? | + | Dylan: You? The king of fucks don’t trust us? |
- | BURT: I do. | + | Burt: I do. |
< | < | ||
- | BURT: But people just talk about MDR. Stupid old stories, jokes even. | + | Burt: But people just talk about MDR. Stupid old stories, jokes even. |
< | < | ||
- | IRVING: What do you mean? | + | Irving: What do you mean? |
< | < | ||
- | BURT: I... It's literally silly. Like, they say you all have pouches. | + | Burt: I... It’s literally silly. Like, they say you all have pouches. |
< | < | ||
- | IRVING: Pouches? Like to c-carry young? | + | Irving: Pouches? Like to c-carry young? |
- | BURT: Yes. | + | Burt: Yes. |
< | < | ||
- | BURT: According to some, you each have a larval offspring that will jump out and attack if we get too close. | + | Burt: According to some, you each have a larval offspring that will jump out and attack if we get too close. |
< | < | ||
- | DYLAN: That's fucking psycho. | + | Dylan: That’s fucking psycho. |
< | < | ||
- | BURT: I mean, it's a joke of course, but I don't know. | + | Burt: I mean, it’s a joke of course, but I don’t know. |
< | < | ||
- | BURT: The sentiment, you know, somehow holds. People are weird. | + | Burt: The sentiment, you know, somehow holds. People are weird. |
< | < | ||
- | IRVING: Yeah. | + | Irving: Yeah. |
- | BURT: Though, I'd be remiss not to say | + | Burt: Though, I’d be remiss not to say |
< | < | ||
- | BURT: that in this theory, the larva eventually eats and replaces you. | + | Burt: that in this theory, the larva eventually eats and replaces you. |
< | < | ||
- | IRVING: Oh. | + | Irving: Oh. |
- | BURT: Which, Irving, would solve the mystery… | + | Burt: Which, Irving, would solve the mystery… |
< | < | ||
- | BURT: Of your youthful energy. | + | Burt: Of your youthful energy. |
< | < | ||
- | IRVING: Irv. Irv? | + | Irving: Irv. Irv? |
< | < | ||
- | IRVING: Excuse me. | + | Irving: Excuse me. |
- | BURT: Where are you going? | + | Burt: Where are you going? |
< | < | ||
- | IRVING: Yes? | + | Irving: Yes? |
< | < | ||
- | DYLAN: Are you sweet on this guy? | + | Dylan: Are you sweet on this guy? |
< | < | ||
- | IRVING: You disapprove? | + | Irving: You disapprove? |
< | < | ||
- | DYLAN: I do. I do disapprove. | + | Dylan: I do. I do disapprove. |
< | < | ||
- | IRVING: Uh, certainly the handbook forbids taking heart to other employees. | + | Irving: Uh, certainly the handbook forbids taking heart to other employees. |
< | < | ||
- | DYLAN: Rat-fuck the handbook. This guy's O and goddamn D, who are duplicitous snakes to a one. It's not safe. | + | Dylan: Rat-fuck the handbook. This guy’s O and goddamn D, who are duplicitous snakes to a one. It’s not safe. |
< | < | ||
- | [[Goat Wrangler|GOAT WRANGLER]]: They're not ready. You can't take them yet. They're not ready. It isn't time! | + | Goat Wrangler: They’re not ready. You can’t take them yet. They’re not ready. It isn’t time! |
< | < | ||
- | HELLY: Oh, we don't... | + | Helly: Oh, we don’t... |
- | GOAT WRANGLER: Get the hell out of here. | + | Goat Wrangler: Get the hell out of here. |
< | < | ||
- | GOAT WRANGLER: Go! | + | Goat Wrangler: Go! |
< | < | ||
- | //BURT: "The Grim Barbarity of Optics and Design"? | + | Burt: "The Grim Barbarity of Optics and Design"? |
< | < | ||
- | IRVING: That's what it said. Mm-hmm. | + | Irving: That’s what it said. Mm-hmm. |
< | < | ||
- | BURT: There's definitely no painting by that name. What kind of barbarities were we enacting? | + | Burt: There’s definitely no painting by that name. What kind of barbarities were we enacting? |
< | < | ||
- | IRVING: It doesn't matter. I don't think it was real. I mean, I'll have to confer with my larva, of course. | + | Irving: It doesn’t matter. I don’t think it was real. I mean, I’ll have to confer with my larva, of course. |
< | < | ||
- | BURT: I'm... I'm sorry you had to do this. | + | Burt: I’m... I’m sorry you had to do this. |
- | IRVING: It's all right. | + | Irving: It’s all right. |
< | < | ||
- | IRVING: I mean, you know that relationships beyond the, uh, platonic are frowned upon anyway. | + | Irving: I mean, you know that relationships beyond the, uh, platonic are frowned upon anyway. |
< | < | ||
- | BURT: Is that what we are? | + | Burt: Is that what we are? |
< | < | ||
- | IRVING: Well, uh, Burt G., at this time I, uh, formally release you from MDR's supervision. | + | Irving: Well, uh, Burt G., at this time I, uh, formally release you from MDR’s supervision. |
< | < | ||
- | IRVING: As Kier said, "Be ever merry." | + | Irving: As Kier said, "Be ever merry." |
< | < | ||
- | BURT: Would you like to come in? There is something in the storeroom I'd like to show you. And Dylan, of course. | + | Burt: Would you like to come in? There is something in the storeroom I’d like to show you. And Dylan, of course. |
< | < | ||
- | IRVING: //[[The Courtship of Kier and Imogene]]//. | + | Irving: //The Courtship of Kier and Imogen//. |
< | < | ||
- | BURT: He met his wife while a stewman in an ether factory. | + | Burt: He met his wife while a stewman in an ether factory. |
< | < | ||
- | DYLAN: Damn dumb being here. | + | Dylan: Damn dumb being here. |
< | < | ||
- | BURT: She was a swab girl. | + | Burt: She was a swab girl. |
< | < | ||
- | IRVING: The handbook just says they were bonded by the spirit of industry. | + | Irving: The handbook just says they were bonded by the spirit of industry. |
< | < | ||
- | BURT: I know, but if this interpretation is correct... | + | Burt: I know, but if this interpretation is correct... |
< | < | ||
- | IRVING: they met as colleagues. Took heart to each other as colleagues. | + | Irving: they met as colleagues. Took heart to each other as colleagues. |
< | < | ||
- | BURT: Mmm. | + | Burt: Mmm. |
- | IRVING: Hmm. | + | Irving: Hmm. |
< | < | ||
- | IRVING: Makes you wonder how something could be wrong if Kier... | + | Irving: Makes you wonder how something could be wrong if Kier... |
< | < | ||
- | DYLAN: Get away from him! You lying fuck! | + | Dylan: Get away from him! You lying fuck! |
- | BURT: Dylan, what? | + | Burt: Dylan, what? |
< | < | ||
- | IRVING: Dylan! | + | Irving: Dylan! |
- | DYLAN: He claims he doesn't know | + | Dylan: He claims he doesn’t know |
< | < | ||
- | DYLAN: about this painting, meanwhile, it's sitting on his shelf. | + | Dylan: about this painting, meanwhile, it’s sitting on his shelf. |
< | < | ||
- | BURT: That isn't. | + | Burt: That isn’t. |
- | IRVING: Irv, we need to go. Now. | + | Irving: Irv, we need to go. Now. |
< | < | ||
- | IRVING: It's not the same. | + | Irving: It’s not the same. |
461 | 461 | ||
< | < | ||
- | DYLAN: What? | + | Dylan: What? |
- | IRVING: Look. | + | Irving: Look. |
< | < | ||
- | IRVING: Look at the badges the raiders are wearing. That's not O&D, Dylan. It's us. | + | Irving: Look at the badges the raiders are wearing. That’s not O&D, Dylan. It’s us. |
< | < | ||
- | BURT: This one's never gone into the hallway rotation. It's called //[[The Macrodata Refinement Calamity]].// | + | Burt: This one’s never gone into the hallway rotation. It’s called //The Macrodata Refinement Calamity.// |
< | < | ||
- | DYLAN: Okay, but we've never done anything like that. | + | Dylan: Okay, but we’ve never done anything like that. |
< | < | ||
- | DYLAN: Why the hell would there be two versions of the same painting? | + | Dylan: Why the hell would there be two versions of the same painting? |
< | < | ||
- | HELLY: I mean, what if the goats are the numbers? Like, we're deciding which goats live and which ones... Oh, God. | + | Helly: I mean, what if the goats are the numbers? Like, we’re deciding which goats live and which ones... Oh, God. |
< | < | ||
- | MARK: I doubt it's that. | + | Mark: I doubt it’s that. |
< | < | ||
- | MARK: Look, um... I know you don't wanna be here. But...I'm glad you are. | + | Mark: Look, um... I know you don’t wanna be here. But...I’m glad you are. |
< | < | ||
- | MARK: And I'm sorry that this is the best I can do right now. | + | Mark: And I’m sorry that this is the best I can do right now. |
< | < | ||
- | HELLY: If you give me the map, I'll clean it up. Your drawing is shit. | + | Helly: If you give me the map, I’ll clean it up. Your drawing is shit. |
< | < | ||
- | MARK: Oh. Hi, uh, Ms. Casey. We were just heading back from our mental health walk. | + | Mark: Oh. Hi, uh, Ms. Casey. We were just heading back from our mental health walk. |
< | < | ||
- | MS. CASEY: You're both unhurt? | + | Ms. Casey: You’re both unhurt? |
< | < | ||
- | HELLY: We... We are. | + | Helly: We... We are. |
< | < | ||
- | MS. CASEY: I'm glad. I was scared. | + | Ms. Casey: I’m glad. I was scared. |
< | < | ||
- | MARK: I'm sorry. | + | Mark: I’m sorry. |
< | < | ||
- | MS. CASEY: I forgive you. | + | Ms. Casey: I forgive you. |
< | < | ||
- | MS. CASEY: Okay, then. | + | Ms. Casey: Okay, then. |
< | < | ||
- | GRANER: You aware what MDR is up to right now? | + | Graner: You aware what MDR is up to right now? |
< | < | ||
- | COBEL: I thought that's what you were paid for. | + | Cobel: I thought that’s what you were paid for. |
< | < | ||
- | GRANER: You're not stopping it? | + | Graner: You’re not stopping it? |
< | < | ||
- | COBEL: "The surest way to tame a prisoner is to let him believe he's free." | + | Cobel: "The surest way to tame a prisoner is to let him believe he’s free." |
< | < | ||
- | GRANER: There's a Kier quote for everything. | + | Graner: There’s a Kier quote for everything. |
< | < | ||
- | GRANER: How many more departments are you gonna let them find? | + | Graner: How many more departments are you gonna let them find? |
< | < | ||
- | COBEL: I'll have a word with Mark. | + | Cobel: I’ll have a word with Mark. |
< | < | ||
- | GRANER: I would be careful. Upstairs wouldn't look kindly on this. | + | Graner: I would be careful. Upstairs wouldn’t look kindly on this. |
< | < | ||
- | COBEL: Yes, Daddy. | + | Cobel: Yes, Daddy. |
< | < | ||
- | COBEL: You can talk to me when you figure out who hacked Kilmer's chip. | + | Cobel: You can talk to me when you figure out who hacked Kilmer’s chip. |
< | < | ||
- | BURT: Excuse me, everyone. I wanna introduce you all to Irving and Dylan. | + | Burt: Excuse me, everyone. I wanna introduce you all to Irving and Dylan. |
< | < | ||
- | BURT: They're from MDR. | + | Burt: They’re from MDR. |
< | < | ||
- | BURT: And they're friends. | + | Burt: And they’re friends. |
</ | </ | ||
{{tag> | {{tag> |