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| the_grim_barbarity_of_optics_and_design_transcript [2022-05-15 20:48] – Neatnik | the_grim_barbarity_of_optics_and_design_transcript [2022-08-12 12:57] (current) – Saeid | ||
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| | **The Grim Barbarity of Optics and Design (Transcript)** || | | **The Grim Barbarity of Optics and Design (Transcript)** || | ||
| ^ Episode Number | 1.5 | | ^ Episode Number | 1.5 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[the_you_you_are_transcript]] | | ^ Previous Transcript | [[the_you_you_are_transcript]] | | ||
| ^ Next Transcript | [[hide_and_seek_transcript]] | | ^ Next Transcript | [[hide_and_seek_transcript]] | | ||
| Line 15: | Line 15: | ||
| <WRAP script> | <WRAP script> | ||
| - | 1 | + | < |
| - | < | + | Mark: Helly leave? |
| - | Helly leave? | + | |
| - | 2 | + | < |
| - | < | + | Dylan: |
| - | Yeah. | + | |
| - | 3 | + | < |
| - | < | + | Mark: Maybe you should get out of here. |
| - | Maybe you should get out of here. | + | |
| - | 4 | + | < |
| - | < | + | Dylan: |
| - | I know. Just wrapping up. | + | |
| - | 5 | + | < |
| - | < | + | Mark: Jesus. Help! Help! |
| - | Sorry, I love the work. | + | |
| - | 6 | + | < |
| - | < | + | Graner: Goddamn it! |
| - | Jesus. | + | |
| - | 7 | + | < |
| - | < | + | Mark: Oh... Oh, my God. |
| - | Help! | + | |
| - | 8 | + | < |
| - | < | + | Mark: Is she okay? |
| - | Help! | + | |
| - | 9 | + | < |
| - | < | + | Mark: Helly? |
| - | Goddamn it! | + | |
| - | 10 | + | < |
| - | < | + | Graner: Mark, get in the elevator. |
| - | Oh... Oh, my God. | + | Mark: Helly? Helly! |
| - | 11 | + | < |
| - | < | + | Graner: Get in the elevator! |
| - | Is she okay? | + | |
| - | 12 | + | < |
| - | < | + | Mark: Is she okay? |
| - | Helly? | + | |
| - | 13 | + | < |
| - | < | + | Mark: Judd. |
| - | - Mark, get in the elevator. | + | Judd: Mr. Scout, you have a good evening. |
| - | - Helly? Helly! | + | |
| - | 14 | + | < |
| - | < | + | Mark: Will do. Same to you. |
| - | Get in the elevator! | + | |
| - | 15 | + | < |
| - | < | + | Mark: Is she alive? |
| - | Is she okay? | + | |
| - | 16 | + | < |
| - | < | + | Cobel: Have a seat, Mark. |
| - | - Judd. | + | |
| - | - Mr. Scout, you have a good evening. | + | |
| - | 17 | + | < |
| - | < | + | Cobel: She’s in the hospital. She has severe bruising but, thankfully, no permanent damage. |
| - | Will do. Same to you. | + | |
| - | 18 | + | < |
| - | < | + | Mark: Okay. Okay, so, you... You’re letting her go? |
| - | Is she alive? | + | |
| - | 19 | + | < |
| - | < | + | Cobel: Helly’s Outie has no intention of resigning... |
| - | Have a seat, Mark. | + | |
| - | 20 | + | < |
| - | < | + | Mark: She almost died. She doesn’t wanna be here. |
| - | She's in the hospital. | + | |
| - | 21 | + | < |
| - | < | + | Cobel: And she will be back at her desk in a few days. |
| - | She has severe bruising but, | + | |
| - | thankfully, no permanent damage. | + | |
| - | 22 | + | < |
| - | < | + | Mark: Is that enough time? |
| - | Okay. | + | |
| - | 23 | + | < |
| - | < | + | Cobel: This happened on your watch, Mark S. And you can thank Kier himself it went the way it did. |
| - | Okay, so you... You're letting her go? | + | |
| - | 24 | + | < |
| - | < | + | Cobel: Have a productive day. |
| - | Helly' | + | |
| - | no intention of resigning... | + | |
| - | 25 | + | < |
| - | < | + | Ricken (voiceover): |
| - | She almost died. | + | |
| - | She doesn' | + | |
| - | 26 | + | < |
| - | < | + | Ricken (voiceover): |
| - | And she will be back at her desk | + | |
| - | in a few days. | + | |
| - | 27 | + | < |
| - | < | + | Ricken (voiceover): |
| - | Is that enough time? | + | |
| - | 28 | + | < |
| - | < | + | Ricken (voiceover): |
| - | This happened on your watch, Mark S. | + | |
| - | 29 | + | < |
| - | < | + | Ricken (voiceover): |
| - | And you can thank Kier himself | + | |
| - | it went the way it did. | + | |
| - | 30 | + | < |
| - | < | + | Ricken (voiceover): |
| - | Have a productive day. | + | |
| - | 31 | + | < |
| - | < | + | Ricken (voiceover): |
| - | < | + | |
| - | 32 | + | < |
| - | < | + | Ricken (voiceover): |
| - | <i>My failure to break into the literary | + | |
| - | world in my 20s was devastating,</ | + | |
| - | 33 | + | < |
| - | < | + | Ricken (voiceover): |
| - | < | + | |
| - | 34 | + | < |
| - | < | + | Ricken (voiceover): |
| - | < | + | |
| - | but literature itself.</i> | + | |
| - | 35 | + | < |
| - | < | + | Graner: Ran the diagnostics. |
| - | < | + | |
| - | my place in that world,</ | + | |
| - | 36 | + | < |
| - | < | + | Cobel: And? |
| - | <i>I would first need to break it entirely.</ | + | |
| - | 37 | + | < |
| - | < | + | Graner: Full synaptic coupling. Petey Kilmer’s memory was reintegrated. You were right, Harmony. |
| - | < | + | |
| - | 38 | + | < |
| - | < | + | Graner: We should celebrate. |
| - | <i>A society with festering workers | + | |
| - | cannot flourish,</ | + | |
| - | 39 | + | < |
| - | < | + | Graner: I figure you’ll take a beat before telling the Board, especially after what happened |
| - | < | + | |
| - | cannot skip.</i> | + | |
| - | 40 | + | < |
| - | < | + | Graner: Jesus. You haven’t told them. |
| - | < | + | |
| - | machines cannot think for themselves.</i> | + | |
| - | 41 | + | < |
| - | < | + | Cobel: Comb the chip data for source signatures. |
| - | < | + | |
| - | whereas man is made of skin.</i> | + | |
| - | 42 | + | < |
| - | < | + | Graner: It’s saved, so you can keep it. A gift. |
| - | < | + | |
| - | do not fight for my freedom.</i> | + | |
| - | 43 | + | < |
| - | < | + | Cobel: Please find out who did this. I’d like to deliver everything to the Board at once. |
| - | < | + | |
| - | of the soldier fighting next to you.</i> | + | |
| - | 44 | + | < |
| - | < | + | Mark: Oh, shit. |
| - | < | + | |
| - | for you both.</i> | + | |
| - | 45 | + | < |
| - | < | + | Ricken (voicemail): |
| - | <i>A good person will follow | + | |
| - | 46 | + | < |
| - | < | + | Ricken (voicemail): |
| - | < | + | |
| - | 47 | + | < |
| - | < | + | Ricken (voicemail): |
| - | < | + | |
| - | 48 | + | < |
| - | < | + | Alexa: Oh, hey. |
| - | <i>At the center of " | + | |
| - | 49 | + | < |
| - | < | + | Mark: Hey. Hey. |
| - | < | + | |
| - | if your hand is in a fist.</i> | + | |
| - | 50 | + | < |
| - | < | + | Alexa: Did you forget that I was gonna be here? |
| - | < | + | |
| - | to fit a system, dear reader,</ | + | |
| - | 51 | + | < |
| - | < | + | Mark: Slightly. |
| - | < | + | Alexa: Mmm. |
| - | it's truly you that must change</ | + | |
| - | 52 | + | < |
| - | < | + | Mark: Look, I’m, uh, sorry about the other night. I… |
| - | < | + | |
| - | 53 | + | < |
| - | < | + | Alexa: Yeah, no, it’s fine. |
| - | Ran the diagnostics. | + | |
| - | 54 | + | < |
| - | < | + | Mark: Yeah. |
| - | And? | + | |
| - | 55 | + | < |
| - | < | + | Alexa: She’s doing great, by the way. |
| - | Full synaptic coupling. | + | Mark: Yeah? |
| - | Petey Kilmer' | + | |
| - | 56 | + | < |
| - | < | + | Alexa: Yeah. |
| - | You were right, Harmony. | + | Mark: Okay. |
| - | 57 | + | < |
| - | < | + | Alexa: The contractions are about 20 minutes apart, so, we still have some time. |
| - | We should celebrate. | + | |
| - | 58 | + | < |
| - | < | + | Alexa: Ricken is doing this thing where he cries over her. So, I’m...I’m giving them some privacy. |
| - | I figure you'll take a beat | + | |
| - | before telling the Board, | + | |
| - | 59 | + | < |
| - | < | + | Mark: Sounds good. |
| - | especially after | + | |
| - | what happened with Helly R. | + | |
| - | 60 | + | < |
| - | < | + | Mark: Hey, thank you for, uh, you know, taking care of her. |
| - | Jesus. You haven' | + | |
| - | 61 | + | < |
| - | < | + | Alexa: Yeah. Of course. |
| - | Comb the chip data for source signatures. | + | |
| - | 62 | + | < |
| - | < | + | Ricken: Babe, I just don’t wanna be like my father. |
| - | It's saved, so you can keep it. | + | |
| - | 63 | + | < |
| - | < | + | Devon: I know, baby. I think it’s good you’re getting it out now. It’s okay. |
| - | A gift. | + | |
| - | 64 | + | < |
| - | < | + | Mark: Hey. I’m looking for baby camp? |
| - | Please find out who did this. | + | |
| - | 65 | + | < |
| - | < | + | Ricken: Ooh. The uncle-to-be. Welcome, Mark. |
| - | I'd like to deliver everything | + | |
| - | to the Board at once. | + | |
| - | 66 | + | < |
| - | < | + | Devon: Yay! I’m so glad you’re here. I didn’t know if they were gonna wake you up from work or whatever. |
| - | Oh, shit. | + | |
| - | 67 | + | < |
| - | < | + | Mark: Oh, no, I just saw the message when I got off. Sorry. |
| - | < | + | |
| - | 68 | + | < |
| - | < | + | Devon: No, it’s been pretty boring so far. |
| - | < | + | |
| - | in, um, severed Mark form,</ | + | |
| - | 69 | + | < |
| - | < | + | Mark: All right. Well, uh, glad to be here in this cozy nook. |
| - | < | + | |
| - | so this baby is officially coming.</i> | + | |
| - | 70 | + | < |
| - | < | + | Mark: Wow. |
| - | <i>Uh, we're headed | + | Devon: Dude, did you see the one next door? |
| - | to the birthing retreat now,</ | + | |
| - | 71 | + | < |
| - | < | + | Mark: Yeah. |
| - | <i>so please come.</i> | + | Ricken: It’s, like, psychotically expensive. |
| - | 72 | + | < |
| - | < | + | Devon: It’s like a freakin’ lodge. I hate whoever’s in there. |
| - | < | + | |
| - | 73 | + | < |
| - | < | + | Ricken: It’s just fat cats making fat kittens. |
| - | < | + | |
| - | is continuing toward the birth canal,</ | + | |
| - | 74 | + | < |
| - | < | + | Devon: Yeah. |
| - | <i>so it would be really great | + | |
| - | if you were here.</i> | + | |
| - | 75 | + | < |
| - | < | + | Mark: Oh, shit. |
| - | <i>I don't know if they let you | + | |
| - | have your phone down there...</ | + | |
| - | 76 | + | < |
| - | < | + | Ricken: It’s a contraction. |
| - | < | + | |
| - | 77 | + | < |
| - | < | + | Devon: Fuck. |
| - | < | + | Ricken: Mark, say a secret |
| - | Ricken | + | |
| - | 78 | + | < |
| - | < | + | Devon: He doesn’t have to, babe. |
| - | < | + | |
| - | Wondering if you're lost.</ | + | |
| - | 79 | + | < |
| - | < | + | Mark: What? |
| - | <i>We are in cabin six,</ | + | Ricken: The fetus is drawn to clear air. |
| - | 80 | + | < |
| - | < | + | Ricken: Purging secrets can create a soul void that speeds |
| - | < | + | |
| - | and at the end of the row.</i> | + | |
| - | 81 | + | < |
| - | < | + | Mark: Okay, and we want that? |
| - | < | + | |
| - | one of the more affordably sized units,</ | + | |
| - | 82 | + | < |
| - | < | + | Ricken: Oh, we do. |
| - | < | + | Devon: Hey, baby, not right now. |
| - | 83 | + | < |
| - | < | + | Ricken: |
| - | < | + | |
| - | 84 | + | < |
| - | < | + | Ricken: There. Good. |
| - | Oh, hey. | + | Mark: The book? |
| - | 85 | + | < |
| - | < | + | Devon: We left a copy of his new book on your doorstep. |
| - | Hey. Hey. | + | |
| - | 86 | + | < |
| - | < | + | Ricken: Five days ago. Five full days. |
| - | Did you forget that I was gonna be here? | + | |
| - | 87 | + | < |
| - | < | + | Mark: Okay, well, I definitely haven’t seen that. I mean, it must’ve been stolen or something. I... |
| - | - Slightly. | + | |
| - | - Mmm. | + | |
| - | 88 | + | < |
| - | < | + | Ricken: What? That was an advanced copy. |
| - | Look, I'm, uh, | + | |
| - | sorry about the other night. I… | + | |
| - | 89 | + | < |
| - | < | + | Ricken: Oh, my God. Oh, my God. Oh! |
| - | Yeah, no, it's fine. | + | |
| - | 90 | + | < |
| - | < | + | Mark: Are you okay? |
| - | Yeah. | + | Ricken: Oh, my God. |
| - | 91 | + | < |
| - | < | + | Devon: I’m okay. |
| - | - She's doing great, by the way. | + | Ricken: Whew! |
| - | - Yeah? | + | |
| - | 92 | + | < |
| - | < | + | Ricken: It’s fine. It’s all fine. Ooh. |
| - | - Yeah. | + | |
| - | - Okay. | + | |
| - | 93 | + | < |
| - | < | + | Ricken: Okay, okay. I’m okay. Are you okay? |
| - | The contractions are about | + | |
| - | 20 minutes apart, | + | |
| - | 94 | + | < |
| - | < | + | Devon: Okay. |
| - | so we still have some time. | + | |
| - | 95 | + | < |
| - | < | + | Devon: I’m good. |
| - | Ricken is doing this thing | + | Ricken: Yeah? |
| - | where he cries over her. | + | |
| - | 96 | + | < |
| - | < | + | Devon: Yeah, I’m gonna go get coffee. |
| - | So, I'm... | + | Ricken: Really? |
| - | 97 | + | < |
| - | < | + | Devon: Yeah. I think. |
| - | I'm giving them some privacy. | + | |
| - | 98 | + | < |
| - | < | + | Ricken: Are you sure? Um... |
| - | Sounds good. | + | Devon: Thank you. Oh, thanks, bud. |
| - | 99 | + | < |
| - | < | + | Devon: All right. I’ll be back. |
| - | Hey, thank you for, uh, | + | Ricken: Yeah. |
| - | you know, taking care of her. | + | |
| - | 100 | + | < |
| - | < | + | Ricken: Okay. Be careful. |
| - | Yeah. Of course. | + | |
| - | 101 | + | < |
| - | < | + | Ricken: Well, this is good. We can finish setting up the room. |
| - | Babe, I just don't wanna be | + | |
| - | like my father. | + | |
| - | 102 | + | < |
| - | < | + | Ricken: Um… Oh. |
| - | I know, baby. I think it's good | + | |
| - | you're getting it out now. | + | |
| - | 103 | + | < |
| - | < | + | Ricken: Mark, would you help me hang the kelp? |
| - | It's okay. | + | |
| - | 104 | + | < |
| - | < | + | Mark: Hang the kelp? Why? |
| - | Hey. I'm looking for baby camp? | + | |
| - | 105 | + | < |
| - | < | + | Ricken: Do you really want me to explain it? |
| - | Ooh. | + | |
| - | The uncle-to-be. Welcome, Mark. | + | |
| - | 106 | + | < |
| - | < | + | Devon: Hi. Hi. Excuse me? Sir? Sir... Hey. |
| - | Yay! I'm so glad you're here. | + | |
| - | 107 | + | < |
| - | < | + | Devon: What the fuck, man? Oh, my Go... |
| - | I didn't know if they were gonna | + | |
| - | wake you up from work or whatever. | + | |
| - | 108 | + | < |
| - | < | + | Devon: Hi, I’m so sorry. I’m another pregnant lady. I’m from over there. |
| - | Oh, no, I just saw the message | + | |
| - | when I got off. Sorry. | + | |
| - | 109 | + | < |
| - | < | + | Gabby: Um, okay. |
| - | No, it's been pretty boring so far. | + | |
| - | 110 | + | < |
| - | < | + | Devon: Yeah? Yes. Thank you. Thank Christ. |
| - | All right. Well, uh, | + | |
| - | glad to be here in this cozy nook. | + | |
| - | 111 | + | < |
| - | < | + | Devon: Hi. Thank you so much. I’m gonna squeeze right past you. Ooh. I’m Devon. |
| - | - Wow. | + | |
| - | - Dude, did you see the one next door? | + | |
| - | 112 | + | < |
| - | < | + | Gabby: Gabby. |
| - | - Yeah. | + | |
| - | - It's, like, psychotically expensive. | + | |
| - | 113 | + | < |
| - | < | + | Devon: Thank you for narcotics. My husband is driving me fucking crazy. My brother’s... depressing me. |
| - | It's like a freakin' | + | |
| - | I hate whoever' | + | |
| - | 114 | + | < |
| - | < | + | Gabby: Is it your first? |
| - | It's just fat cats making fat kittens. | + | |
| - | 115 | + | < |
| - | < | + | Devon: |
| - | Yeah. | + | |
| - | 116 | + | < |
| - | < | + | Gabby: My third. I’m naming him William. |
| - | Oh, shit. | + | |
| - | 117 | + | < |
| - | < | + | Devon: Three kiddos. I’m so fucking scared of ruining one child. How do you handle it? |
| - | It's a contraction. | + | |
| - | 118 | + | < |
| - | < | + | Gabby: Lotta help, I guess. |
| - | - Fuck. | + | Devon: Yeah. |
| - | - Mark, say a secret quickly. | + | |
| - | 119 | + | < |
| - | < | + | Devon: Holy shit, by the way, how about this cabin? It’s so nice. Are you rich? |
| - | He doesn' | + | |
| - | 120 | + | < |
| - | < | + | Ricken: Because really...if the thief reads the book, it will have been worth it. In fact, I bet you he turns himself in afterward. |
| - | - What? | + | |
| - | - The fetus is drawn to clear air. | + | |
| - | 121 | + | < |
| - | < | + | Ricken: Listen, I know the last time you were in a medical facility was for Gemma. |
| - | Purging secrets can create a soul void | + | |
| - | that speeds | + | |
| - | 122 | + | < |
| - | < | + | Mark: Oh, is that what this is? A medical facility? |
| - | Okay, and we want that? | + | |
| - | 123 | + | < |
| - | < | + | Ricken: Of course, the baby’s middle name could’ve been so lovely a tribute to her, but...I understand you were unable to be comfortable with it. |
| - | - Oh, we do. | + | |
| - | - Hey, baby, not right now. | + | |
| - | 124 | + | < |
| - | < | + | Mark: Your kid deserves her own name without some...big, feely baggage. |
| - | It's fine, I'll start. Um, Mark… | + | |
| - | 125 | + | < |
| - | < | + | Devon: Yes. Ooh. |
| - | I love you, and I feel hurt | + | |
| - | that you haven' | + | |
| - | 126 | + | < |
| - | < | + | Devon: Psst. I got coffee. |
| - | to thank me for the book yet. | + | |
| - | 127 | + | < |
| - | < | + | Mark: Toll, please. |
| - | - There. Good. | + | |
| - | - The book? | + | |
| - | 128 | + | < |
| - | < | + | Devon: I made friends with the richest lady in baby camp. She was...quiet, |
| - | We left a copy of his new book | + | |
| - | on your doorstep. | + | |
| - | 129 | + | < |
| - | < | + | Mark: I’d imagine she’s spoken for. |
| - | Five days ago. Five full days. | + | |
| - | 130 | + | < |
| - | < | + | Devon: |
| - | Okay, well, | + | |
| - | I definitely haven' | + | |
| - | 131 | + | < |
| - | < | + | Mark: I bet she wouldn’t. |
| - | I mean, it must' | + | |
| - | or something. I... | + | |
| - | 132 | + | < |
| - | < | + | Devon: I bet you could ask her. |
| - | What? | + | Mark: Oh. Okay. |
| - | 133 | + | < |
| - | < | + | Devon: Ah. |
| - | That was an advanced copy. | + | Mark: You okay? Do you want me to go get her? |
| - | 134 | + | < |
| - | < | + | Devon: No, no, no. Hold on, can I squeeze your hand? |
| - | Oh, my God. Oh, my God. Oh! | + | |
| - | 135 | + | < |
| - | < | + | Mark: Yeah. There we go. All right. |
| - | - Are you okay? | + | |
| - | - Oh, my God. | + | |
| - | 136 | + | < |
| - | < | + | Mark: Need me to tell a secret? |
| - | - I'm okay. | + | Devon: Yeah, go ahead. |
| - | - Whew! | + | |
| - | 137 | + | < |
| - | < | + | Devon: Give me your dark shit. |
| - | It's fine. It's all fine. | + | |
| - | 138 | + | < |
| - | < | + | Mark: Well, so, uh... |
| - | Ooh. | + | |
| - | 139 | + | < |
| - | < | + | Mark: Um...I kinda think Lumon might be up to something. |
| - | Okay, okay. I'm okay. Are you okay? | + | |
| - | 140 | + | < |
| - | < | + | Devon: What do you mean? Like, with your paychecks? |
| - | Okay. | + | |
| - | 141 | + | < |
| - | < | + | Mark: No, I’ve just been hearing stuff. Just around. |
| - | - I'm good. | + | |
| - | - Yeah? | + | |
| - | 142 | + | < |
| - | < | + | Devon: Who’ve you been talking to? |
| - | - Yeah, I'm gonna go get coffee. | + | |
| - | - Really? | + | |
| - | 143 | + | < |
| - | < | + | Mark: So... Um... |
| - | Yeah. I think. I'm gonna get going. | + | |
| - | 144 | + | < |
| - | < | + | Devon: What? |
| - | - Are you sure? Um… | + | |
| - | - Thank you. Oh, thanks, bud. | + | |
| - | 145 | + | < |
| - | < | + | Mark: Do you remember the businessman? |
| - | - All right. I'll be back. | + | |
| - | - Yeah. | + | |
| - | 146 | + | < |
| - | < | + | Ricken: Oh. |
| - | Okay. Be careful. | + | |
| - | 147 | + | < |
| - | < | + | Devon: Holy fucking pit of hell! |
| - | Well, this is good. | + | |
| - | We can finish setting up the room. | + | |
| - | 148 | + | < |
| - | < | + | Ricken: Okay. Darling, you okay? |
| - | Um… Oh. | + | |
| - | 149 | + | < |
| - | < | + | Devon: Why do people do this? |
| - | Mark, would you help me hang the kelp? | + | Mark: Uh, I’ll go get Alexa. |
| - | 150 | + | < |
| - | < | + | Ricken: Great. |
| - | Hang the kelp? Why? | + | Devon: Don’t touch me, baby. |
| - | 151 | + | < |
| - | < | + | Ricken: Okay. |
| - | Do you really want me to explain it? | + | Devon: Ah! |
| - | 152 | + | < |
| - | < | + | Alexa: One more big push. |
| - | Hi. | + | Ricken: Oh, my God. |
| - | 153 | + | < |
| - | < | + | Alexa: |
| - | Hi. Excuse me? | + | Devon: Ah! |
| - | 154 | + | < |
| - | < | + | Devon: It hurt... It hurts. |
| - | Sir? | + | Alexa: I know it hurts but she’s right here. |
| - | 155 | + | < |
| - | < | + | Alexa: I can see her. She’s crowning. Okay? |
| - | Sir... | + | Devon: Oh, my God. |
| - | 156 | + | < |
| - | < | + | Alexa: All right, now. You know, I can see her. Here she comes. |
| - | Hey. | + | |
| - | 157 | + | < |
| - | < | + | |
| - | What the fuck, man? Oh, my Go... | + | |
| - | + | ||
| - | 158 | + | |
| - | < | + | |
| - | Hi, I'm so sorry. | + | |
| - | I'm another pregnant lady. | + | |
| - | + | ||
| - | 159 | + | |
| - | < | + | |
| - | I'm from over there. | + | |
| - | I just came out on a coffee run, | + | |
| - | + | ||
| - | 160 | + | |
| - | < | + | |
| - | and I got distracted | + | |
| - | by your beautiful coffee, | + | |
| - | + | ||
| - | 161 | + | |
| - | < | + | |
| - | and I was wondering if there' | + | |
| - | you could hook me up. | + | |
| - | + | ||
| - | 162 | + | |
| - | < | + | |
| - | Um, okay. | + | |
| - | + | ||
| - | 163 | + | |
| - | < | + | |
| - | Yeah? Yes. Thank you. Thank Christ. | + | |
| - | + | ||
| - | 164 | + | |
| - | < | + | |
| - | Hi. Thank you so much. | + | |
| - | + | ||
| - | 165 | + | |
| - | < | + | |
| - | I'm gonna squeeze right past you. | + | |
| - | + | ||
| - | 166 | + | |
| - | < | + | |
| - | Ooh. I'm Devon. | + | |
| - | + | ||
| - | 167 | + | |
| - | < | + | |
| - | Gabby. | + | |
| - | + | ||
| - | 168 | + | |
| - | < | + | |
| - | Thank you for narcotics. | + | |
| - | + | ||
| - | 169 | + | |
| - | < | + | |
| - | My husband is driving me fucking crazy. | + | |
| - | + | ||
| - | 170 | + | |
| - | < | + | |
| - | My brother' | + | |
| - | + | ||
| - | 171 | + | |
| - | < | + | |
| - | Is it your first? | + | |
| - | + | ||
| - | 172 | + | |
| - | < | + | |
| - | Yeah. Yours? | + | |
| - | + | ||
| - | 173 | + | |
| - | < | + | |
| - | My third. | + | |
| - | + | ||
| - | 174 | + | |
| - | < | + | |
| - | I'm naming him William. | + | |
| - | + | ||
| - | 175 | + | |
| - | < | + | |
| - | Three kiddos. I'm so fucking scared | + | |
| - | of ruining one child. | + | |
| - | + | ||
| - | 176 | + | |
| - | < | + | |
| - | How do you handle it? | + | |
| - | + | ||
| - | 177 | + | |
| - | < | + | |
| - | - Lotta help, I guess. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 178 | + | |
| - | < | + | |
| - | Holy shit, by the way, | + | |
| - | how about this cabin? It's so nice. | + | |
| - | + | ||
| - | 179 | + | |
| - | < | + | |
| - | Are you rich? | + | |
| - | + | ||
| - | 180 | + | |
| - | < | + | |
| - | Because really… | + | |
| - | if the thief reads the book, | + | |
| - | + | ||
| - | 181 | + | |
| - | < | + | |
| - | it will have been worth it. | + | |
| - | + | ||
| - | 182 | + | |
| - | < | + | |
| - | In fact, I bet you | + | |
| - | he turns himself in afterward. | + | |
| - | + | ||
| - | 183 | + | |
| - | < | + | |
| - | Listen, I know the last time you were | + | |
| - | in a medical facility was for Gemma. | + | |
| - | + | ||
| - | 184 | + | |
| - | < | + | |
| - | Oh, is that what this is? | + | |
| - | A medical facility? | + | |
| - | + | ||
| - | 185 | + | |
| - | < | + | |
| - | Of course, the baby's middle name could' | + | |
| - | been so lovely a tribute to her, but… | + | |
| - | + | ||
| - | 186 | + | |
| - | < | + | |
| - | I understand you were unable | + | |
| - | to be comfortable with it. | + | |
| - | + | ||
| - | 187 | + | |
| - | < | + | |
| - | Your kid deserves her own name | + | |
| - | without some… | + | |
| - | + | ||
| - | 188 | + | |
| - | < | + | |
| - | Big, feely baggage. | + | |
| - | + | ||
| - | 189 | + | |
| - | < | + | |
| - | Yes. | + | |
| - | + | ||
| - | 190 | + | |
| - | < | + | |
| - | Ooh. | + | |
| - | + | ||
| - | 191 | + | |
| - | < | + | |
| - | Psst. | + | |
| - | + | ||
| - | 192 | + | |
| - | < | + | |
| - | I got coffee. | + | |
| - | + | ||
| - | 193 | + | |
| - | < | + | |
| - | Toll, please. | + | |
| - | + | ||
| - | 194 | + | |
| - | < | + | |
| - | I made friends | + | |
| - | with the richest lady in baby camp. | + | |
| - | + | ||
| - | 195 | + | |
| - | < | + | |
| - | She was… | + | |
| - | + | ||
| - | 196 | + | |
| - | < | + | |
| - | Quiet, but she was nice. | + | |
| - | + | ||
| - | 197 | + | |
| - | < | + | |
| - | Very cute. I should send you up there. | + | |
| - | + | ||
| - | 198 | + | |
| - | < | + | |
| - | I'd imagine she's spoken for. | + | |
| - | + | ||
| - | 199 | + | |
| - | < | + | |
| - | I bet Alexa would give you another shot. | + | |
| - | + | ||
| - | 200 | + | |
| - | < | + | |
| - | I bet she wouldn' | + | |
| - | + | ||
| - | 201 | + | |
| - | < | + | |
| - | - I bet you could ask her. | + | |
| - | - Oh. Okay. | + | |
| - | + | ||
| - | 202 | + | |
| - | < | + | |
| - | - Ah. | + | |
| - | - You okay? Do you want me to go get her? | + | |
| - | + | ||
| - | 203 | + | |
| - | < | + | |
| - | No, no, no. Hold on, | + | |
| - | can I squeeze your hand? | + | |
| - | + | ||
| - | 204 | + | |
| - | < | + | |
| - | Yeah. There we go. | + | |
| - | + | ||
| - | 205 | + | |
| - | < | + | |
| - | All right. | + | |
| - | + | ||
| - | 206 | + | |
| - | < | + | |
| - | - Need me to tell a secret? | + | |
| - | - Yeah, go ahead. | + | |
| - | + | ||
| - | 207 | + | |
| - | < | + | |
| - | Give me your dark shit. | + | |
| - | + | ||
| - | 208 | + | |
| - | < | + | |
| - | Well, so, uh… | + | |
| - | + | ||
| - | 209 | + | |
| - | < | + | |
| - | Um… | + | |
| - | + | ||
| - | 210 | + | |
| - | < | + | |
| - | I kinda think Lumon might be | + | |
| - | up to something. | + | |
| - | + | ||
| - | 211 | + | |
| - | < | + | |
| - | What do you mean? | + | |
| - | Like, with your paychecks? | + | |
| - | + | ||
| - | 212 | + | |
| - | < | + | |
| - | No, I've just been hearing stuff. | + | |
| - | Just around. | + | |
| - | + | ||
| - | 213 | + | |
| - | < | + | |
| - | Who've you been talking to? | + | |
| - | + | ||
| - | 214 | + | |
| - | < | + | |
| - | So… | + | |
| - | + | ||
| - | 215 | + | |
| - | < | + | |
| - | Um… | + | |
| - | + | ||
| - | 216 | + | |
| - | < | + | |
| - | What? | + | |
| - | + | ||
| - | 217 | + | |
| - | < | + | |
| - | Do you remember the businessman? | + | |
| - | + | ||
| - | 218 | + | |
| - | < | + | |
| - | Oh. | + | |
| - | + | ||
| - | 219 | + | |
| - | < | + | |
| - | Holy fucking pit of hell! | + | |
| - | + | ||
| - | 220 | + | |
| - | < | + | |
| - | Okay. Darling, you okay? | + | |
| - | + | ||
| - | 221 | + | |
| - | < | + | |
| - | - Why do people do this? | + | |
| - | - Uh, I'll go get Alexa. | + | |
| - | + | ||
| - | 222 | + | |
| - | < | + | |
| - | - Great. | + | |
| - | - Don't touch me, baby. | + | |
| - | + | ||
| - | 223 | + | |
| - | < | + | |
| - | - Okay. | + | |
| - | - Ah! | + | |
| - | + | ||
| - | 224 | + | |
| - | < | + | |
| - | - One more big push. | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 225 | + | |
| - | < | + | |
| - | She's right here. | + | |
| - | She's right here. You're doing so great. | + | |
| - | + | ||
| - | 226 | + | |
| - | < | + | |
| - | - It hurt... It hurts. | + | |
| - | - I know it hurts but she's right here. | + | |
| - | + | ||
| - | 227 | + | |
| - | < | + | |
| - | - I can see her. She's crowning. Okay? | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 228 | + | |
| - | < | + | |
| - | All right, now. You know, | + | |
| - | I can see her. Here she comes. | + | |
| - | + | ||
| - | 229 | + | |
| - | < | + | |
| Whew. | Whew. | ||
| - | 230 | + | < |
| - | < | + | Devon: |
| - | - Oh, my God. | + | Alexa: |
| - | - She's coming. | + | |
| - | 231 | + | < |
| - | < | + | Ricken: Oh, my God. Oh, my God. |
| - | Oh, my God. | + | |
| - | 232 | + | < |
| - | < | + | Devon: |
| - | Oh, my God. | + | |
| - | 233 | + | < |
| - | < | + | Ricken: Thank you. Oh, she did great. I’m gonna pass out. |
| - | Oh! | + | |
| - | 234 | + | < |
| - | < | + | Milchick: She was in Outie form at the time she woke up. |
| - | Thank you. | + | |
| - | Oh, she did great. I'm gonna pass out. | + | |
| - | 235 | + | < |
| - | < | + | Milchick: So, this will be Innie Helly’s first conscious experience since the hanging. |
| - | < | + | |
| - | at the time she woke up.</i> | + | |
| - | 236 | + | < |
| - | < | + | Milchick: When she sees you, it’s important your eyes be kind. |
| - | So this will be innie Helly's first | + | |
| - | conscious experience since the hanging. | + | |
| - | 237 | + | < |
| - | < | + | Milchick: Do you know how to make your eyes kind? |
| - | When she sees you, | + | |
| - | it's important | + | |
| - | 238 | + | < |
| - | < | + | Mark: Um... |
| - | Do you know how to make your eyes kind? | + | |
| - | 239 | + | < |
| - | < | + | Mark: You’re okay. You’re okay. It’s all right. |
| - | Um… | + | |
| - | 240 | + | < |
| - | < | + | Mark: So, they locked away the extension cords and other dangerous items so, you know, you should be safe. And if you wanna focus on looking for happy numbers for a while, that’s fine. |
| - | You're okay. | + | |
| - | 241 | + | < |
| - | < | + | Mark: Yeah. |
| - | You're okay. It's all right. | + | |
| - | 242 | + | < |
| - | < | + | Mark: Do you wanna talk about it? |
| - | So they locked away the extension cords | + | |
| - | and other dangerous items so, you know, | + | |
| - | 243 | + | < |
| - | < | + | Irving: We should |
| - | you should | + | |
| - | 244 | + | < |
| - | < | + | Dylan: She just needs to start earning perks, dude. I’d end my life if I didn’t have any finger traps yet. You know, what one of us should do is lend her our trap until she has one of her own. Yeah, but not me though ’cause I already contributed the idea. It’s only fair. |
| - | And if you wanna focus on | + | |
| - | looking for happy numbers for a while, | + | |
| - | 245 | + | < |
| - | < | + | Mark: Ms. Casey. |
| - | that's fine. | + | |
| - | 246 | + | < |
| - | < | + | Ms. Casey: I’m here to observe Helly R. |
| - | Yeah. | + | |
| - | 247 | + | < |
| - | < | + | Mark: Oh. Uh, no one told me. |
| - | Do you wanna talk about it? | + | |
| - | 248 | + | < |
| - | < | + | Ms. Casey: Ms. Cobel’s orders. I am to watch her for signs of sadness, and verbally encourage her to forgo further suicide attempts. |
| - | We should hide | + | |
| - | inspirational handbook quotes | + | |
| - | 249 | + | < |
| - | < | + | Ms. Casey: Upon request, I can also perform a hug. |
| - | around the office for her to stumble upon. | + | |
| - | 250 | + | < |
| - | < | + | Dylan: You know I’ve been, uh, exhibiting signs of sadness. Could I get one of those? |
| - | She just needs | + | |
| - | to start earning perks, dude. | + | |
| - | 251 | + | < |
| - | < | + | Ms. Casey: No. |
| - | I'd end my life | + | |
| - | if I didn't have any finger traps yet. | + | |
| - | 252 | + | < |
| - | < | + | Helly: Did you get all that? |
| - | You know, what one of us should do | + | |
| - | is lend her our trap | + | |
| - | 253 | + | < |
| - | < | + | Ms. Casey: Are you upset? |
| - | until she has one of her own. | + | |
| - | 254 | + | < |
| - | < | + | Helly: No. I’m peachy. |
| - | Yeah, but not me though | + | |
| - | ' | + | |
| - | 255 | + | < |
| - | < | + | Ms. Casey: If you’re upset, you can request a... |
| - | It's only fair. | + | |
| - | 256 | + | < |
| - | < | + | Helly: A hug. I know. I’m good. |
| - | Ms. Casey. | + | |
| - | 257 | + | < |
| - | < | + | Mark: Irv. |
| - | I'm here to observe Helly R. | + | |
| - | 258 | + | < |
| - | < | + | Mark: We lose you again there, buddy? |
| - | Oh. Uh, no one told me. | + | |
| - | 259 | + | < |
| - | < | + | Mark: Irv? |
| - | Ms. Cobel' | + | |
| - | I am to watch her for signs of sadness, | + | |
| - | 260 | + | < |
| - | < | + | Irving: I have to go to O&D. Something’s come up. And I... I’d like to seek Burt’s counsel. |
| - | and verbally encourage her | + | |
| - | to forgo further suicide attempts. | + | |
| - | 261 | + | < |
| - | < | + | Mark: Well… Okay, fine. Just make a copy of that map in case we have to come find you. |
| - | Upon request, I can also perform | + | |
| - | 262 | + | < |
| - | < | + | Irving: Oh, God. |
| - | You know I've been, uh, exhibiting signs | + | |
| - | of sadness. Could I get one of those? | + | |
| - | 263 | + | < |
| - | < | + | Milchick: Oh, no. I’m sorry, Irving. We must have sent this print job here by mistake. You weren’t supposed to see this. |
| - | No. | + | |
| - | 264 | + | < |
| - | < | + | Irving: What are these? |
| - | Did you get all that? | + | |
| - | 265 | + | < |
| - | < | + | Milchick: Nothing. A joke for Ms. Cobel. |
| - | Are you upset? | + | |
| - | 266 | + | < |
| - | < | + | Irving: It’s the O&D coup, isn’t it? The one that Dylan talks about, huh? Did that actually happen, Mr. Milchick? |
| - | No. I'm peachy. | + | |
| - | 267 | + | < |
| - | < | + | Milchick: Of course not. Nothing like that could happen here. |
| - | If you're upset, you can request a... | + | |
| - | 268 | + | < |
| - | < | + | Dylan: It’s proof. It is ironclad proof. |
| - | A hug. I know. I'm good. | + | |
| - | 269 | + | < |
| - | < | + | Irving: Milchick says it didn’t happen. And why would one department physically attack another? Lumon wouldn’t just then give them all the other department’s resources. |
| - | Irv. | + | |
| - | 270 | + | < |
| - | < | + | Dylan: Does O&D know that? Are we even sure about it? Because with seven people, there is a lot that they could do to us. |
| - | We lose you again there, buddy? | + | |
| - | 271 | + | < |
| - | < | + | Irving: I could ask... |
| - | Irv? | + | Dylan: Your new friend, |
| - | 272 | + | < |
| - | < | + | Dylan: who lied to you about the size of his department? How do we know what else he isn’t being kosher about? |
| - | I have to go to O&D. | + | |
| - | 273 | + | < |
| - | < | + | Cobel: You ran a 266 on Irving B.? |
| - | Something' | + | |
| - | 274 | + | < |
| - | < | + | Milchick: Yeah. Just now. |
| - | And I... I'd like to seek Burt's counsel. | + | |
| - | 275 | + | < |
| - | < | + | Cobel: Huh. |
| - | Well… | + | |
| - | 276 | + | < |
| - | < | + | Milchick: I thought it might dissuade him from spending so much time with Burt G. |
| - | Okay, fine. Just make a copy of that map | + | |
| - | in case we have to come find you. | + | |
| - | 277 | + | < |
| - | < | + | Milchick: I’m sorry. Should I have consulted you? |
| - | Oh, God. | + | |
| - | 278 | + | < |
| - | < | + | Cobel: No, no. Good initiative. |
| - | Oh, no. I'm sorry, Irving. | + | |
| - | 279 | + | < |
| - | < | + | Milchick: I saw Ms. Casey down there. You’re having her watch Helly R. |
| - | We must have sent this print job here by | + | |
| - | mistake. You weren' | + | |
| - | 280 | + | < |
| - | < | + | Cobel: I am. |
| - | What are these? | + | |
| - | 281 | + | < |
| - | < | + | Milchick: May I ask why? |
| - | Nothing. A joke for Ms. Cobel. | + | |
| - | 282 | + | < |
| - | < | + | Cobel: "The light of discovery shines truer upon a virgin meadow than a beaten path." |
| - | It's the O&D coup, isn't it? | + | |
| - | The one that Dylan talks about, huh? | + | |
| - | 283 | + | < |
| - | < | + | Cobel: I’m trying something new with Ms. Casey. Keep it between us. |
| - | Did that actually happen, Mr. Milchick? | + | |
| - | 284 | + | < |
| - | < | + | Milchick: Right. |
| - | Of course not. | + | |
| - | Nothing like that could happen here. | + | |
| - | 285 | + | < |
| - | < | + | Ms. Casey: Helly R. |
| - | It's proof. It is ironclad proof. | + | |
| - | 286 | + | < |
| - | < | + | Helly: Hi, Ms. Casey. |
| - | Milchick says it didn't happen. | + | |
| - | 287 | + | < |
| - | < | + | Ms. Casey: Please describe for me your time in the restroom. |
| - | And why would one department | + | |
| - | physically attack another? | + | |
| - | 288 | + | < |
| - | < | + | Mark: Oh, no. I’m so sorry, Ms. Casey. I just... I-I... Ugh. I turned and... |
| - | Lumon wouldn' | + | |
| - | all the other department' | + | |
| - | 289 | + | < |
| - | < | + | Dylan: Bet you’re drunk. What’d your mouth taste like when you got in today? |
| - | Does O&D know that? | + | |
| - | Are we even sure about it? | + | |
| - | 290 | + | < |
| - | < | + | Ms. Casey: Helly R., you have to come with me to distribution supply. |
| - | Because with seven people, | + | |
| - | there is a lot that they could do to us. | + | |
| - | 291 | + | < |
| - | < | + | Mark: That’s okay. I can watch Helly R. While you’re gone. It’s only a few minutes, right? |
| - | - I could ask... | + | |
| - | - Your new friend, | + | |
| - | 292 | + | < |
| - | < | + | Ms. Casey: Distribution supply is eight minutes, round trip. |
| - | who lied to you | + | |
| - | about the size of his department? | + | |
| - | 293 | + | < |
| - | < | + | Dylan: You know, I go to distribution supply all the time, so, I could, uh... If you... |
| - | How do we know | + | |
| - | what else he isn't being kosher about? | + | |
| - | 294 | + | < |
| - | < | + | Helly: Well, that’s one less horrible thing. For eight minutes anyway. |
| - | You ran a 266 on Irving B.? | + | |
| - | 295 | + | < |
| - | < | + | Mark: Helly, I just realized I haven’t shown you where we keep the extra pen caps. It’s not far. Do you mind? |
| - | Yeah. Just now. | + | |
| - | 296 | + | < |
| - | < | + | Helly: I’m good, thanks. |
| - | Huh. | + | |
| - | 297 | + | < |
| - | < | + | Mark: Nah, you’re right. We shouldn’t go anywhere without Ms. Casey. |
| - | I thought it might dissuade him | + | |
| - | from spending so much time with Burt G. | + | |
| - | 298 | + | < |
| - | < | + | Dylan: Careful out there, boss. Weird energy about. |
| - | I'm sorry. Should I have consulted you? | + | |
| - | 299 | + | < |
| - | < | + | Helly: So, where are all these pen caps at? |
| - | No, no. Good initiative. | + | |
| - | 300 | + | < |
| - | < | + | Mark: How are you doing, Helly? |
| - | I saw Ms. Casey down there. | + | |
| - | 301 | + | < |
| - | < | + | Helly: Jesus. Did you make up the pen caps to ask me that? |
| - | You're having her watch Helly R. | + | |
| - | 302 | + | < |
| - | < | + | Mark: Well, I just wanted to talk. |
| - | I am. | + | |
| - | 303 | + | < |
| - | < | + | Helly: |
| - | May I ask why? | + | |
| - | 304 | + | < |
| - | < | + | Mark: Oh. Come here. |
| - | "The light of discovery shines truer | + | |
| - | upon a virgin meadow than a beaten path." | + | |
| - | 305 | + | < |
| - | < | + | Mark: Come on. |
| - | I'm trying something new with Ms. Casey. | + | |
| - | 306 | + | < |
| - | < | + | Mark: Here. |
| - | Keep it between us. | + | |
| - | 307 | + | < |
| - | < | + | Helly: Petey’s map. |
| - | Right. | + | |
| - | 308 | + | < |
| - | < | + | Mark: Yeah. Since you’ve been gone, I’ve been trying to recreate it on my lunch breaks. |
| - | Helly R. | + | |
| - | 309 | + | < |
| - | < | + | Mark: And...I thought maybe if we work on it together, we can... You know. |
| - | Hi, Ms. Casey. | + | |
| - | 310 | + | < |
| - | < | + | Helly: I’m not your new Petey. |
| - | Please describe for me | + | |
| - | your time in the restroom. | + | |
| - | 311 | + | < |
| - | < | + | Mark: Helly. |
| - | Oh, no. I'm so sorry, Ms. Casey. | + | |
| - | I just... I-I... Ugh. I turned and... | + | |
| - | 312 | + | < |
| - | < | + | Ms. Casey: Helly R.? |
| - | Bet you're drunk. What'd your mouth | + | |
| - | taste like when you got in today? | + | |
| - | 313 | + | < |
| - | < | + | Irving: Mark took her to look at pen caps. |
| - | Helly R., you have to come with me | + | Ms. Casey: Where? |
| - | to distribution supply. | + | |
| - | 314 | + | < |
| - | < | + | Ms. Casey: Now? |
| - | That's okay. | + | Dylan: They’re fine. |
| - | I can watch Helly R. While you're gone. | + | |
| - | 315 | + | < |
| - | < | + | Irving: Just at the end of the storage wing. |
| - | It's only a few minutes, right? | + | |
| - | 316 | + | < |
| - | < | + | Ms. Casey: Burt G. Is in the conference room. |
| - | Distribution supply is eight minutes, | + | |
| - | round trip. | + | |
| - | 317 | + | < |
| - | < | + | Irving: Burt. |
| - | You know, I go to distribution supply | + | |
| - | all the time, so I could, uh... If you... | + | |
| - | 318 | + | < |
| - | < | + | Burt: Irving. |
| - | Well, that's one less horrible thing. | + | |
| - | 319 | + | < |
| - | < | + | Irving: What are you doing here? |
| - | For eight minutes anyway. | + | |
| - | 320 | + | < |
| - | < | + | Burt: Oh. You know, I was turned around. |
| - | Helly, I just realized I haven' | + | |
| - | where we keep the extra pen caps. | + | |
| - | 321 | + | < |
| - | < | + | Burt: |
| - | It's not far. Do you mind? | + | |
| - | 322 | + | < |
| - | < | + | Irving: Well, I... |
| - | I'm good, thanks. | + | |
| - | 323 | + | < |
| - | < | + | Irving: Dylan! Oh, my God! What are... |
| - | Nah, you're right. We shouldn' | + | Burt: Irving. |
| - | anywhere without Ms. Casey. | + | |
| - | 324 | + | < |
| - | < | + | Irving: What are you doing? |
| - | Careful out there, boss. | + | |
| - | 325 | + | < |
| - | < | + | Dylan: He was coming at you. |
| - | Weird energy about. | + | Irving: Let him out! |
| - | 326 | + | < |
| - | < | + | Dylan: Out? Why the fuck is he here? |
| - | So where are all these pen caps at? | + | Irving: Let him out! |
| - | 327 | + | < |
| - | < | + | Burt: What’s wrong with you? |
| - | How are you doing, Helly? | + | Dylan: You saw that painting. |
| - | 328 | + | < |
| - | < | + | Dylan: You want to get disemboweled today? |
| - | Jesus. Did you make up the pen caps | + | |
| - | to ask me that? | + | |
| - | 329 | + | < |
| - | < | + | Dylan: Hey, where’s your friends? Plural. As in, the six fucking people you’ve been hiding from us. |
| - | Well, I just wanted to talk. | + | |
| - | 330 | + | < |
| - | < | + | Irving: Oh, my word. I... I... I... |
| - | I'm really bad, Mark. | + | |
| - | 331 | + | < |
| - | < | + | Irving: I need a manager! |
| - | Thanks for noticing. | + | |
| - | 332 | + | < |
| - | < | + | Burt: Irving, wait. Don’t go. |
| - | Oh. Come here. | + | |
| - | 333 | + | < |
| - | < | + | Irving: I... We... |
| - | Come on. | + | Dylan: I know what you’re up to. |
| - | 334 | + | < |
| - | < | + | Burt: What is wrong with you? Open the door. |
| - | Here. | + | Irving: Manager! |
| - | 335 | + | < |
| - | < | + | Burt: Open the door. |
| - | Petey' | + | |
| - | 336 | + | < |
| - | < | + | Irving: We need a manager. We need a manager. |
| - | Yeah. Since you've been gone, I've been | + | Burt: Irving! |
| - | trying to recreate it on my lunch breaks. | + | |
| - | 337 | + | < |
| - | < | + | Burt: Irving! |
| - | And… | + | |
| - | 338 | + | < |
| - | < | + | Mark: Helly? |
| - | I thought maybe | + | |
| - | if we work on it together, we can… | + | |
| - | 339 | + | < |
| - | < | + | Mark: Helly. |
| - | You know. | + | |
| - | 340 | + | < |
| - | < | + | Mark: Helly. |
| - | I'm not your new Petey. | + | |
| - | 341 | + | < |
| - | < | + | Helly: Where the fuck are we? |
| - | Helly. | + | |
| - | 342 | + | < |
| - | < | + | Mark: Look, don’t you want to at least... |
| - | < | + | |
| - | 343 | + | < |
| - | < | + | Helly: I told her I wanted out, and she told me I wasn’t a person. My own self told me that. |
| - | - Mark took her to look at pen caps. | + | |
| - | - Where? | + | |
| - | 344 | + | < |
| - | < | + | Mark: Yeah, and... and that’s horrible. But don’t focus on her. What do you want? In here? |
| - | - Now? | + | |
| - | - They' | + | |
| - | 345 | + | < |
| - | < | + | Helly: What I want is for her to wake up while the life drains out of her and to know it was me who did it. |
| - | Just at the end of the storage wing. | + | |
| - | 346 | + | < |
| - | < | + | Burt: If I could just explain... |
| - | Burt G. Is in the conference room. | + | Dylan: Save it, marauder. |
| - | 347 | + | < |
| - | < | + | Irving: I checked the whole storage wing. No sign of him or Helly. |
| - | Burt. | + | |
| - | 348 | + | < |
| - | < | + | Dylan: Shit. O&D has probably killed them already. |
| - | Irving. | + | |
| - | 349 | + | < |
| - | < | + | Burt: Irving, what? |
| - | What are you doing here? | + | |
| - | 350 | + | < |
| - | < | + | Irving: Our department chief and new hire have gone missing. Do you know where they are? |
| - | Oh. You know, I was turned around. | + | |
| - | 351 | + | < |
| - | < | + | Burt: No, I j... I just came to see you. |
| - | Actually, I... | + | |
| - | 352 | + | < |
| - | < | + | Irving: And the rest of your department? |
| - | I was looking for you. | + | |
| - | I hadn't heard from you. | + | |
| - | 353 | + | < |
| - | < | + | Burt: They’re back in O&D, Irving. I know I said it was just Felicia and me... |
| - | Well, I... | + | |
| - | 354 | + | < |
| - | < | + | Irving: If you came here to see me, then why are you in the conference room? Why not come right to the office? |
| - | - Dylan! Oh, my God! What are... | + | |
| - | - Irving. | + | |
| - | 355 | + | < |
| - | < | + | Burt: I didn’t know why you hadn’t been back, and I didn’t wanna scare you again. Like with the hand thing. |
| - | What are you doing? | + | |
| - | 356 | + | < |
| - | < | + | Irving: You didn’t scare me. |
| - | - He was coming at you. | + | |
| - | - Let him out! | + | |
| - | 357 | + | < |
| - | < | + | Burt: Or embarrass you. Look, I was working |
| - | - Out? Why the fuck is he here? | + | |
| - | - Let him out! | + | |
| - | 358 | + | < |
| - | < | + | Irving: A joke? |
| - | - What's wrong with you? | + | Burt: To say when I got in. |
| - | - You saw that painting. | + | |
| - | 359 | + | < |
| - | < | + | Dylan: Prove it. Tell it. |
| - | You want to get disemboweled today? | + | |
| - | 360 | + | < |
| - | < | + | Burt: I hadn’t worked it out yet. |
| - | Hey, where' | + | |
| - | 361 | + | < |
| - | < | + | Irving: Why did you lie about the number of people |
| - | As in, the six fucking | + | |
| - | you've been hiding from us. | + | |
| - | 362 | + | < |
| - | < | + | Burt: Because...we don’t trust your guys. |
| - | Oh, my word. I... I... I... | + | |
| - | 363 | + | < |
| - | < | + | Dylan: You? The king of fucks don’t trust us? |
| - | I need a manager! | + | Burt: I do. |
| - | 364 | + | < |
| - | < | + | Burt: But people just talk about MDR. Stupid old stories, jokes even. |
| - | Irving, wait. Don't go. | + | |
| - | 365 | + | < |
| - | < | + | Irving: What do you mean? |
| - | - I... We... | + | |
| - | - I know what you're up to. | + | |
| - | 366 | + | < |
| - | < | + | Burt: I... It’s literally silly. Like, they say you all have pouches. |
| - | - What is wrong with you? Open the door. | + | |
| - | - Manager! | + | |
| - | 367 | + | < |
| - | < | + | Irving: Pouches? Like to c-carry young? |
| - | < | + | Burt: Yes. |
| - | 368 | + | < |
| - | < | + | Burt: According to some, you each have a larval offspring that will jump out and attack if we get too close. |
| - | <i>- We need a manager. We need a manager.</ | + | |
| - | <i>- Irving!</ | + | |
| - | 369 | + | < |
| - | < | + | Dylan: That’s fucking psycho. |
| - | Irving! | + | |
| - | 370 | + | < |
| - | < | + | Burt: I mean, it’s a joke of course, but I don’t know. |
| - | Helly? | + | |
| - | 371 | + | < |
| - | < | + | Burt: The sentiment, you know, somehow holds. People are weird. |
| - | Helly. | + | |
| - | 372 | + | < |
| - | < | + | Irving: Yeah. |
| - | Helly. | + | Burt: Though, I’d be remiss not to say |
| - | 373 | + | < |
| - | < | + | Burt: that in this theory, |
| - | Where the fuck are we? | + | |
| - | 374 | + | < |
| - | < | + | Irving: Oh. |
| - | Look, don't you want to get these to... | + | Burt: Which, Irving, would solve the mystery… |
| - | 375 | + | < |
| - | < | + | Burt: Of your youthful energy. |
| - | I told her I wanted out, | + | |
| - | and she told me I wasn't a person. | + | |
| - | 376 | + | < |
| - | < | + | Irving: Irv. Irv? |
| - | My own self told me that. | + | |
| - | 377 | + | < |
| - | < | + | Irving: Excuse me. |
| - | Yeah, and... and that's horrible. | + | Burt: Where are you going? |
| - | But don't focus on her. | + | |
| - | 378 | + | < |
| - | < | + | Irving: Yes? |
| - | What do you want? In here? | + | |
| - | 379 | + | < |
| - | < | + | Dylan: Are you sweet on this guy? |
| - | What I want is for her to wake up | + | |
| - | while the life drains out of her | + | |
| - | 380 | + | < |
| - | < | + | Irving: You disapprove? |
| - | and to know it was me who did it. | + | |
| - | 381 | + | < |
| - | < | + | Dylan: |
| - | - If I could just explain... | + | |
| - | - Save it, marauder. | + | |
| - | 382 | + | < |
| - | < | + | Irving: Uh, certainly |
| - | I checked | + | |
| - | No sign of him or Helly. | + | |
| - | 383 | + | < |
| - | < | + | Dylan: Rat-fuck the handbook. This guy’s |
| - | Shit. O&D has probably | + | |
| - | killed them already. | + | |
| - | 384 | + | < |
| - | < | + | Goat Wrangler: They’re not ready. You can’t take them yet. They’re not ready. It isn’t time! |
| - | Irving, what? | + | |
| - | 385 | + | < |
| - | < | + | Helly: Oh, we don’t... |
| - | Our department chief and new hire have | + | Goat Wrangler: Get the hell out of here. |
| - | gone missing. Do you know where they are? | + | |
| - | 386 | + | < |
| - | < | + | Goat Wrangler: Go! |
| - | No, I j... I just came to see you. | + | |
| - | 387 | + | < |
| - | < | + | Burt: "The Grim Barbarity |
| - | And the rest of your department? | + | |
| - | 388 | + | < |
| - | < | + | Irving: That’s what it said. Mm-hmm. |
| - | They' | + | |
| - | I know I said it was just Felicia and me... | + | |
| - | 389 | + | < |
| - | < | + | Burt: There’s definitely no painting by that name. What kind of barbarities were we enacting? |
| - | If you came here to see me, | + | |
| - | then why are you in the conference room? | + | |
| - | 390 | + | < |
| - | < | + | Irving: It doesn’t matter. I don’t think it was real. I mean, I’ll have to confer with my larva, of course. |
| - | Why not come right to the office? | + | |
| - | 391 | + | < |
| - | < | + | Burt: I’m... |
| - | I didn't know why you hadn't been back, | + | Irving: It’s all right. |
| - | and I didn't wanna scare you again. | + | |
| - | 392 | + | < |
| - | < | + | Irving: I mean, you know that relationships beyond |
| - | Like with the hand thing. | + | |
| - | 393 | + | < |
| - | < | + | Burt: Is that what we are? |
| - | You didn't scare me. | + | |
| - | 394 | + | < |
| - | < | + | Irving: Well, uh, Burt G., at this time I, uh, formally release you from MDR’s supervision. |
| - | Or embarrass you. | + | |
| - | Look, I was working out a joke. | + | |
| - | 395 | + | < |
| - | < | + | Irving: As Kier said, "Be ever merry." |
| - | - A joke? | + | |
| - | - To say when I got in. | + | |
| - | 396 | + | < |
| - | < | + | Burt: Would you like to come in? There is something in the storeroom I’d like to show you. And Dylan, of course. |
| - | Prove it. Tell it. | + | |
| - | 397 | + | < |
| - | < | + | Irving: //The Courtship of Kier and Imogen//. |
| - | I hadn't worked it out yet. | + | |
| - | 398 | + | < |
| - | < | + | Burt: He met his wife while a stewman |
| - | Why did you lie about | + | |
| - | the number of people | + | |
| - | 399 | + | < |
| - | < | + | Dylan: Damn dumb being here. |
| - | Because… | + | |
| - | 400 | + | < |
| - | < | + | Burt: She was a swab girl. |
| - | …we don't trust your guys. | + | |
| - | 401 | + | < |
| - | < | + | Irving: |
| - | - You? The king of fucks don't trust us? | + | |
| - | - I do. | + | |
| - | 402 | + | < |
| - | < | + | Burt: I know, but if this interpretation is correct... |
| - | But people just talk about MDR. | + | |
| - | Stupid old stories, jokes even. | + | |
| - | 403 | + | < |
| - | < | + | Irving: they met as colleagues. Took heart to each other as colleagues. |
| - | What do you mean? | + | |
| - | 404 | + | < |
| - | < | + | Burt: Mmm. |
| - | I… | + | Irving: Hmm. |
| - | 405 | + | < |
| - | < | + | Irving: Makes you wonder how something could be wrong if Kier... |
| - | It's literally silly. | + | |
| - | Like, they say you all have pouches. | + | |
| - | 406 | + | < |
| - | < | + | Dylan: Get away from him! You lying fuck! |
| - | - Pouches? Like to c-carry young? | + | Burt: Dylan, what? |
| - | - Yes. | + | |
| - | 407 | + | < |
| - | < | + | Irving: Dylan! |
| - | According to some, | + | Dylan: He claims he doesn’t know |
| - | you each have a larval offspring | + | |
| - | 408 | + | < |
| - | < | + | Dylan: about this painting, meanwhile, it’s sitting on his shelf. |
| - | that will jump out and attack | + | |
| - | if we get too close. | + | |
| - | 409 | + | < |
| - | < | + | Burt: That isn’t. |
| - | That's fucking psycho. | + | Irving: Irv, we need to go. Now. |
| - | 410 | + | < |
| - | < | + | Irving: It’s not the same. |
| - | I mean, it's a joke of course, | + | |
| - | but I don't know. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | The sentiment, you know, somehow holds. | + | |
| - | People are weird. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | - Yeah. | + | |
| - | - Though, I'd be remiss not to say | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | that in this theory, the larva | + | |
| - | eventually eats and replaces you. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | - Oh. | + | |
| - | - Which, | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | Of your youthful energy. | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | Irv. Irv? | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | - Excuse me. | + | |
| - | - Where are you going? | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | Yes? | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | Are you sweet on this guy? | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | You disapprove? | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | I do. I do disapprove. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | Uh, certainly the handbook forbids | + | |
| - | taking heart to other employees. | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Rat-fuck the handbook. | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | This guy's O and goddamn D, | + | |
| - | who are duplicitous snakes to a one. | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | It's not safe. | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | They' | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | You can't take them yet. | + | |
| - | They' | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | It isn't time! | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | - Oh, we don' | + | |
| - | - Get the hell out of here. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | Go! | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | "< | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | That's what it said. Mm-hmm. | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | There' | + | |
| - | no painting by that name. | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | What kind of barbarities were we enacting? | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | It doesn' | + | |
| - | I don't think it was real. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | I mean, I'll have to confer with my larva, | + | |
| - | of course. | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | - I'm... I'm sorry you had to do this. | + | |
| - | - It's all right. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | I mean, you know that | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | relationships beyond the, uh, | + | |
| - | platonic are frowned upon anyway. | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | Is that what we are? | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Well, uh, Burt G., at this time I, uh, | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | formally release you | + | |
| - | from MDR's supervision. | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | As Kier said, "Be ever merry." | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | Would you like to come in? | + | |
| - | + | ||
| - | 445 | + | |
| - | < | + | |
| - | There is something in the storeroom | + | |
| - | I'd like to show you. | + | |
| - | + | ||
| - | 446 | + | |
| - | < | + | |
| - | And Dylan, of course. | + | |
| - | + | ||
| - | 447 | + | |
| - | < | + | |
| - | < | + | |
| - | + | ||
| - | 448 | + | |
| - | < | + | |
| - | He met his wife | + | |
| - | while a stewman in an ether factory. | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | Damn dumb being here. | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | She was a swab girl. | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | The handbook just says they were | + | |
| - | bonded by the spirit of industry. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | I know, | + | |
| - | but if this interpretation is correct, | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | they met as colleagues. | + | |
| - | Took heart to each other as colleagues. | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | - Mmm. | + | |
| - | - Hmm. | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | Makes you wonder | + | |
| - | how something could be wrong if Kier... | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | - Get away from him! You lying fuck! | + | |
| - | - Dylan, what? | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | - Dylan! | + | |
| - | - He claims he doesn' | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | about this painting, meanwhile, | + | |
| - | it's sitting on his shelf. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | - That isn' | + | |
| - | - Irv, we need to go. Now. | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | It's not the same. | + | |
| 461 | 461 | ||
| - | < | + | < |
| - | - What? | + | Dylan: |
| - | - Look. | + | Irving: Look. |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | Look at the badges | + | |
| - | the raiders are wearing. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | That's not O&D, Dylan. It's us. | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | This one's never gone | + | |
| - | into the hallway rotation. | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | It's called | + | |
| - | "< | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | Okay, but we've never done | + | |
| - | anything like that. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | Why the hell would there be | + | |
| - | two versions of the same painting? | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | I mean, what if the goats are the numbers? | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | Like, we're deciding which goats live | + | |
| - | and which ones... Oh, God. | + | |
| - | 470 | + | < |
| - | < | + | Irving: Look at the badges the raiders are wearing. That’s not O&D, Dylan. It’s us. |
| - | I doubt it's that. | + | |
| - | 471 | + | < |
| - | < | + | Burt: This one’s never gone into the hallway rotation. It’s called //The Macrodata Refinement Calamity.// |
| - | Look, um… | + | |
| - | 472 | + | < |
| - | < | + | Dylan: Okay, but we’ve never done anything like that. |
| - | I know you don't wanna be here. But… | + | |
| - | 473 | + | < |
| - | < | + | Dylan: Why the hell would there be two versions of the same painting? |
| - | I'm glad you are. | + | |
| - | 474 | + | < |
| - | < | + | Helly: |
| - | And I'm sorry | + | |
| - | that this is the best I can do right now. | + | |
| - | 475 | + | < |
| - | < | + | Mark: I doubt it’s that. |
| - | If you give me the map, I'll clean it up. | + | |
| - | 476 | + | < |
| - | < | + | Mark: Look, um... I know you don’t wanna be here. But...I’m glad you are. |
| - | Your drawing is shit. | + | |
| - | 477 | + | < |
| - | < | + | Mark: And I’m sorry that this is the best I can do right now. |
| - | Oh. Hi, uh, Ms. Casey. | + | |
| - | 478 | + | < |
| - | < | + | Helly: If you give me the map, I’ll clean it up. Your drawing is shit. |
| - | We were just heading back | + | |
| - | from our mental health walk. | + | |
| - | 479 | + | < |
| - | < | + | Mark: Oh. Hi, uh, Ms. Casey. We were just heading back from our mental health walk. |
| - | You're both unhurt? | + | |
| - | 480 | + | < |
| - | < | + | Ms. Casey: You’re both unhurt? |
| - | We... We are. | + | |
| - | 481 | + | < |
| - | < | + | Helly: We... We are. |
| - | I'm glad. I was scared. | + | |
| - | 482 | + | < |
| - | < | + | Ms. Casey: |
| - | I'm sorry. | + | |
| - | 483 | + | < |
| - | < | + | Mark: I’m sorry. |
| - | I forgive you. | + | |
| - | 484 | + | < |
| - | < | + | Ms. Casey: I forgive you. |
| - | Okay, then. | + | |
| - | 485 | + | < |
| - | < | + | Ms. Casey: Okay, then. |
| - | You aware what MDR is up to right now? | + | |
| - | 486 | + | < |
| - | < | + | Graner: You aware what MDR is up to right now? |
| - | I thought that' | + | |
| - | 487 | + | < |
| - | < | + | Cobel: I thought that’s what you were paid for. |
| - | You're not stopping it? | + | |
| - | 488 | + | < |
| - | < | + | Graner: You’re not stopping it? |
| - | "The surest way to tame a prisoner | + | |
| - | is to let him believe he's free." | + | |
| - | 489 | + | < |
| - | < | + | Cobel: "The surest way to tame a prisoner is to let him believe he’s free." |
| - | There' | + | |
| - | 490 | + | < |
| - | < | + | Graner: There’s a Kier quote for everything. |
| - | How many more departments | + | |
| - | are you gonna let them find? | + | |
| - | 491 | + | < |
| - | < | + | Graner: How many more departments are you gonna let them find? |
| - | I'll have a word with Mark. | + | |
| - | 492 | + | < |
| - | < | + | Cobel: |
| - | I would be careful. | + | |
| - | Upstairs wouldn' | + | |
| - | 493 | + | < |
| - | < | + | Graner: I would be careful. Upstairs wouldn’t look kindly on this. |
| - | Yes, Daddy. | + | |
| - | 494 | + | < |
| - | < | + | Cobel: Yes, Daddy. |
| - | You can talk to me when you figure out | + | |
| - | who hacked Kilmer' | + | |
| - | 495 | + | < |
| - | < | + | Cobel: You can talk to me when you figure out who hacked Kilmer’s chip. |
| - | Excuse | + | |
| - | 496 | + | < |
| - | < | + | Burt: Excuse me, everyone. |
| - | I wanna introduce you all | + | |
| - | to Irving and Dylan. | + | |
| - | 497 | + | < |
| - | < | + | Burt: They’re from MDR. |
| - | They're from MDR. | + | |
| - | 498 | + | < |
| - | < | + | Burt: And they’re friends. |
| - | And they're friends. | + | |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
the_grim_barbarity_of_optics_and_design_transcript.1652647715.txt.gz · Last modified: 2022-05-15 20:48 by Neatnik
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