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| in_perpetuity_transcript [2022-08-08 01:38] – typo rickypanther | in_perpetuity_transcript [2023-04-24 02:04] (current) – Scribe of Kier | ||
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| | **In Perpetuity (Transcript)** || | | **In Perpetuity (Transcript)** || | ||
| ^ Episode Number | 1.3 | | ^ Episode Number | 1.3 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[half_loop_transcript]] | | ^ Previous Transcript | [[half_loop_transcript]] | | ||
| ^ Next Transcript | [[the_you_you_are_transcript]] | | ^ Next Transcript | [[the_you_you_are_transcript]] | | ||
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| < | < | ||
| - | [[Mark Scout|MARK]]: Petey, are you okay? | + | Mark: Petey, are you okay? |
| < | < | ||
| - | MARK: Petey? | + | Mark: Petey? |
| < | < | ||
| - | [[Peter Kilmer|PETEY]]: Yeah, I'm good. I just slipped. You should invest in a bath mat, maybe. | + | Petey: Yeah, I’m good. I just slipped. You should invest in a bath mat, maybe. |
| < | < | ||
| - | MARK: Yeah, okay. The robe is a gift from my brother-in-law. I've never worn it or anything. Sorry, it's weird. | + | Mark: Yeah, okay. The robe is a gift from my brother-in-law. I’ve never worn it or anything. Sorry, it’s weird. |
| < | < | ||
| - | MARK: I have pillows. Do you need anything else? | + | Mark: I have pillows. Do you need anything else? |
| < | < | ||
| - | PETEY: Yeah, I want you to stop shitting on this awesome robe. | + | Petey: Yeah, I want you to stop shitting on this awesome robe. |
| < | < | ||
| - | MARK: Well, you can keep it. | + | Mark: Well, you can keep it. |
| < | < | ||
| - | PETEY: I will. | + | Petey: I will. |
| < | < | ||
| - | PETEY: Hey. Are you sure nobody can see in any of these transoms? | + | Petey: Hey. Are you sure nobody can see in any of these transoms? |
| < | < | ||
| - | MARK: Yeah. And everything's locked upstairs. | + | Mark: Yeah. And everything’s locked upstairs. |
| < | < | ||
| - | PETEY: Anybody live in that unit next door? | + | Petey: Anybody live in that unit next door? |
| < | < | ||
| - | MARK: No, it's just Mrs. Selvig in the other direction. The neighborhood never really filled up, so it's nice. Quiet. | + | Mark: No, it’s just Mrs. Selvig in the other direction. The neighborhood never really filled up, so it’s nice. Quiet. |
| < | < | ||
| - | PETEY: Fortress of solitude. | + | Petey: Fortress of solitude. |
| < | < | ||
| - | [[Irving | + | Irving: I still think an occasional mixer wouldn’t hurt anything. I checked, and it’s not expressly prohibited in the manual. |
| < | < | ||
| - | PETEY: Yeah, I bet! Dude, I pressed Cobel for an all-floor mixer last quarter. She said you'll get one when you earn it, whatever that means. | + | Petey: Yeah, I bet! Dude, I pressed Cobel for an all-floor mixer last quarter. She said you’ll get one when you earn it, whatever that means. |
| < | < | ||
| - | MARK: Cobel? | + | Mark: Cobel? |
| - | PETEY: I can't imagine Dylan's 4% on Sunset Park's gonna help with-- | + | Petey: I can’t imagine Dylan’s 4% on Sunset Park’s gonna help with— |
| < | < | ||
| - | MARK: Petey? You okay? | + | Mark: Petey? You okay? |
| < | < | ||
| - | PETEY: I'm sorry. Yeah. I just-- I get disoriented. It's temporary. | + | Petey: I’m sorry. Yeah. I just— I get disoriented. It’s temporary. |
| < | < | ||
| - | MARK: What's Sunset Park? | + | Mark: What’s Sunset Park? |
| < | < | ||
| - | PETEY: I don't know. | + | Petey: I don’t know. |
| < | < | ||
| - | PETEY: It's like having two different lives suddenly stitched together. But the relativity's fucked. So, my first day at Lumon's as far back as my fifth birthday. | + | Petey: It’s like having two different lives suddenly stitched together. But the relativity’s fucked. So, my first day at Lumon’s as far back as my fifth birthday. |
| < | < | ||
| - | PETEY: And with two pasts, it blurs the present too. But they said it will get better. | + | Petey: And with two pasts, it blurs the present too. But they said it will get better. |
| < | < | ||
| - | MARK: Who's " | + | Mark: Who’s " |
| < | < | ||
| - | PETEY: " | + | Petey: " |
| < | < | ||
| - | MARK: The [[Whole Mind Collective]]? | + | Mark: The Whole Mind Collective? |
| < | < | ||
| - | PETEY: The kids trolling for signatures downtown? No, not the fucking WMC. Someone else. | + | Petey: The kids trolling for signatures downtown? No, not the fucking WMC. Someone else. |
| < | < | ||
| - | MARK: All right. Well-- So, what do you want from me? | + | Mark: All right. Well— So, what do you want from me? |
| < | < | ||
| - | PETEY: Don't you wanna know what you're doing down there? | + | Petey: Don’t you wanna know what you’re doing down there? |
| < | < | ||
| - | MARK: Okay, look. You know, I'm not gonna unsever. | + | Mark: Okay, look. You know, I’m not gonna unsever. |
| < | < | ||
| - | PETEY: Well, I don't want you to unsever because that's not a word. | + | Petey: Well, I don’t want you to unsever because that’s not a word. |
| < | < | ||
| - | PETEY: Reintegration. | + | Petey: Reintegration. |
| - | MARK: All right. Well, whatever. | + | Mark: All right. Well, whatever. |
| < | < | ||
| - | MARK: You know, it hasn't been a blight for me. It's helped me. | + | Mark: You know, it hasn’t been a blight for me. It’s helped me. |
| < | < | ||
| - | PETEY: Okay. What if the cost of that help is that you're murdering people eight hours a day and you don't even know it? | + | Petey: Okay. What if the cost of that help is that you’re murdering people eight hours a day and you don’t even know it? |
| < | < | ||
| - | MARK: Well, am I? | + | Mark: Well, am I? |
| < | < | ||
| - | PETEY: Look, I found a department. One they don't tell us about. One where you don't get to leave. | + | Petey: Look, I found a department. One they don’t tell us about. One where you don’t get to leave. |
| < | < | ||
| - | MARK: Well, don't none of us get to leave? | + | Mark: Well, don’t none of us get to leave? |
| < | < | ||
| - | PETEY: No, I mean you really don't get to leave. As in, they're down there right now. | + | Petey: No, I mean you really don’t get to leave. As in, they’re down there right now. |
| < | < | ||
| - | MARK: Well, what? Like, chained up, or-- | + | Mark: Well, what? Like, chained up, or— |
| < | < | ||
| - | MARK: What? | + | Mark: What? |
| < | < | ||
| - | PETEY: I'm not gonna talk about it in here. I don't know if the monitors are bugged. Or if Irving's gonna walk in. | + | Petey: I’m not gonna talk about it in here. I don’t know if the monitors are bugged. Or if Irving’s gonna walk in. |
| < | < | ||
| - | MARK: Petey, we're not at [[Lumon Industries|Lumon]]. | + | Mark: Petey, we’re not at Lumon. |
| < | < | ||
| - | PETEY: Then where the fuck is June? | + | Petey: Then where the fuck is June? |
| < | < | ||
| - | PETEY: I'm sorry, Mark. | + | Petey: I’m sorry, Mark. |
| < | < | ||
| - | MARK: Who's June? | + | Mark: Who’s June? |
| < | < | ||
| - | PETEY: June is my daughter. Greatest kid on Earth and a hell of a guitar player. | + | Petey: June is my daughter. Greatest kid on Earth and a hell of a guitar player. |
| < | < | ||
| - | PETEY: How happy are you that you asked me to stay here? | + | Petey: How happy are you that you asked me to stay here? |
| < | < | ||
| - | [[Harmony | + | Cobel: Oh, Mark. Are you all right? |
| < | < | ||
| - | [[Steven|STEVEN]]: But what do you say, Natalie, to the woman who became pregnant at work less than a month after her company went severed? | + | Steven: But what do you say, Natalie, to the woman who became pregnant at work less than a month after her company went severed? |
| < | < | ||
| - | [[Natalie|NATALIE]]: Well, first, I'd suggest she reveal her identity if she wants an honest conversation | + | Natalie: Well, first, I’d suggest she reveal her identity if she wants an honest conversation |
| < | < | ||
| - | NATALIE: about her experience. | + | Natalie: about her experience. |
| - | STEVEN: How could she have that conversation when her workie was the one involved-- | + | Steven: How could she have that conversation when her workie was the one involved— |
| - | NATALIE: Okay, first of all, workie? | + | Natalie: Okay, first of all, workie? |
| < | < | ||
| - | STEVEN: That, as I understand, is the preferred term among-- | + | Steven: That, as I understand, is the preferred term among— |
| < | < | ||
| - | NATALIE: I think it's exactly the condescending verbiage that I'd expect from a group trying to save people from their own choices. | + | Natalie: I think it’s exactly the condescending verbiage that I’d expect from a group trying to save people from their own choices. |
| < | < | ||
| - | STEVEN: Choices? Did her insie have a-- | + | Steven: Choices? Did her insie have a— |
| < | < | ||
| - | NATALIE: Insie? Where are you getting these terms? | + | Natalie: Insie? Where are you getting these terms? |
| < | < | ||
| - | STEVEN: Fine. Call it someone who's had their brain split in half-- | + | Steven: Fine. Call it someone who’s had their brain split in half— |
| < | < | ||
| - | NATALIE: That has nothing to do with what we do at Lumon nor any severance procedure. | + | Natalie: That has nothing to do with what we do at Lumon nor any severance procedure. |
| < | < | ||
| - | STEVEN: I understand you don't wanna answer my questions… | + | Steven: I understand you don’t wanna answer my questions… |
| < | < | ||
| - | NATALIE: I'm answering your questions. | + | Natalie: I’m answering your questions. |
| - | STEVEN: ...because it'll reveal that you are | + | Steven: ...because it’ll reveal that you are |
| < | < | ||
| - | STEVEN: complicit in something totally immoral. | + | Steven: complicit in something totally immoral. |
| - | NATALIE: What's immoral is-- | + | Natalie: What’s immoral is— |
| < | < | ||
| - | TELEVISION | + | Television |
| < | < | ||
| - | TELEVISION | + | Television |
| < | < | ||
| - | WEATHER CHANNEL | + | Weather Channel |
| < | < | ||
| - | MARK: Petey. Wake up, Petey. Petey? | + | Mark: Petey. Wake up, Petey. Petey? |
| < | < | ||
| - | PETEY: Hey. | + | Petey: Hey. |
| < | < | ||
| - | MARK: It's morning. You are in my basement. | + | Mark: It’s morning. You are in my basement. |
| < | < | ||
| - | PETEY: Right. | + | Petey: Right. |
| < | < | ||
| - | MARK: So I'm going to work like you said. You can stay here if you want. I just wanna let you know, I'm not gonna reintegrate, | + | Mark: So I’m going to work like you said. You can stay here if you want. I just wanna let you know, I’m not gonna reintegrate, |
| < | < | ||
| - | PETEY: Okay. | + | Petey: Okay. |
| < | < | ||
| - | MARK: I lost my wife a couple years ago in a car accident. This is-- It's helping me, you know? | + | Mark: I lost my wife a couple years ago in a car accident. This is— It’s helping me, you know? |
| < | < | ||
| - | PETEY: I'm sorry, Mark. | + | Petey: I’m sorry, Mark. |
| - | MARK: No, no, no. No. | + | Mark: No, no, no. No. |
| < | < | ||
| - | PETEY: At work...you'd come in sometimes with red eyes. We had a joke that you had an elevator allergy. There was even a [[elevator_allergy_song|song]] for it. But I always wondered. | + | Petey: At work...you’d come in sometimes with red eyes. We had a joke that you had an elevator allergy. There was even a song for it. But I always wondered. |
| < | < | ||
| - | PETEY: You carry the hurt with you. You feel it down there too. You just don't know what it is. | + | Petey: You carry the hurt with you. You feel it down there too. You just don’t know what it is. |
| < | < | ||
| - | MARK: Okay. Why don't you grab whatever you want up in the fridge? I should be back around 6:00. | + | Mark: Okay. Why don’t you grab whatever you want up in the fridge? I should be back around 6:00. |
| < | < | ||
| - | COBEL: Hi! | + | Cobel: Hi! |
| < | < | ||
| - | MARK: Hey. | + | Mark: Hey. |
| - | COBEL: Mark, I'm sorry for the racket! | + | Cobel: Mark, I’m sorry for the racket! |
| < | < | ||
| - | COBEL: I'm just deicing my stoop. | + | Cobel: I’m just deicing my stoop. |
| < | < | ||
| - | MARK: No worries. Thanks again for the cookies. | + | Mark: No worries. Thanks again for the cookies. |
| < | < | ||
| - | COBEL: I'll bring by more! | + | Cobel: I’ll bring by more! |
| < | < | ||
| - | MARK: Please. | + | Mark: Please. |
| < | < | ||
| - | [[Judd|JUDD]]: Mr. Scout, how are you doing? | + | Judd: Mr. Scout, how are you doing? |
| - | MARK: Hey, Judd. | + | Mark: Hey, Judd. |
| < | < | ||
| - | [[Helena Eagan|HELLY]]: I did a thing. I deleted the scary numbers. | + | Helly: I did a thing. I deleted the scary numbers. |
| < | < | ||
| - | MARK: When? | + | Mark: When? |
| < | < | ||
| - | HELLY: Yesterday. You were gone. | + | Helly: Yesterday. You were gone. |
| - | MARK: I was? | + | Mark: I was? |
| < | < | ||
| - | IRVING: Oh, yeah. Dylan took over training in your stead to great success. | + | Irving: Oh, yeah. Dylan took over training in your stead to great success. |
| < | < | ||
| - | IRVING: You look trim, Mark. I wonder if you were food poisoned. | + | Irving: You look trim, Mark. I wonder if you were food poisoned. |
| < | < | ||
| - | [[Dylan George|DYLAN]]: Welcome back, boss. New photos come in? | + | Dylan: Welcome back, boss. New photos come in? |
| < | < | ||
| - | IRVING: Oh, good. You can finally get rid of those old ones. | + | Irving: Oh, good. You can finally get rid of those old ones. |
| < | < | ||
| - | HELLY: You may as well skip it actually, | + | Helly: You may as well skip it actually, |
| < | < | ||
| - | MARK: You did submit it? | + | Mark: You did submit it? |
| - | HELLY: I did. | + | Helly: I did. |
| < | < | ||
| - | HELLY: It's good. It means you won't get sent to the [[break room]] anymore. | + | Helly: It’s good. It means you won’t get sent to the break room anymore. |
| < | < | ||
| - | [[Seth | + | Milchick: Hello, Refiners. |
| < | < | ||
| - | IRVING: Hello, Mr. Milchick. | + | Irving: Hello, Mr. Milchick. |
| < | < | ||
| - | MILCHICK: Mark, I spoke to your outie yesterday. He sounded just shattered not to be at work. But now that you're here, care to read your first morning announcements as department head? | + | Milchick: Mark, I spoke to your Outie yesterday. He sounded just shattered not to be at work. But now that you’re here, care to read your first morning announcements as department head? |
| < | < | ||
| - | MARK: Sure. Should be easier without me in the audience. | + | Mark: Sure. Should be easier without me in the audience. |
| < | < | ||
| - | IRVING: Mark used to find it funny to interrupt Petey's announcements. With gas having. | + | Irving: Mark used to find it funny to interrupt Petey’s announcements. With gas having. |
| < | < | ||
| - | MARK: Okay, quiet down, all. I'm Mark, your new announcements person. Just a couple things here. | + | Mark: Okay, quiet down, all. I’m Mark, your new announcements person. Just a couple things here. |
| < | < | ||
| - | DYLAN: Why are you standing weird? Stand normal. | + | Dylan: Why are you standing weird? Stand normal. |
| < | < | ||
| - | MARK: I'm-- I'm standing great. | + | Mark: I’m— I’m standing great. |
| < | < | ||
| - | HELLY: Are you uncomfortable? | + | Helly: Are you uncomfortable? |
| < | < | ||
| - | MARK: Okay, there's been some garbage in the recycling. Please, everybody, don't do that. | + | Mark: Okay, there’s been some garbage in the recycling. Please, everybody, don’t do that. |
| < | < | ||
| - | MARK: As a reminder, Post-it Notes are not to be put on faces. They clog your outie's pores. | + | Mark: As a reminder, Post-it Notes are not to be put on faces. They clog your Outie’s pores. |
| < | < | ||
| - | DYLAN: That one's about me. I do this beloved character, Sticky Head. | + | Dylan: That one’s about me. I do this beloved character, Sticky Head. |
| < | < | ||
| - | MARK: Also, please refrain from boasting about previously earned | + | Mark: Also, please refrain from boasting about previously earned waffle parties? |
| < | < | ||
| - | DYLAN: Feeling attacked. | + | Dylan: Feeling attacked. |
| < | < | ||
| - | MARK: And lastly-- | + | Mark: And lastly— |
| < | < | ||
| - | MARK: Well, I've never seen a resignation request get such a quick turnaround. | + | Mark: Well, I’ve never seen a resignation request get such a quick turnaround. |
| < | < | ||
| - | HELLY: Do I have to finish out the day or can I skip out now? | + | Helly: Do I have to finish out the day or can I skip out now? |
| < | < | ||
| - | MARK: Lastly, Helly's resignation request...was denied. | + | Mark: Lastly, Helly’s resignation request...was denied. |
| < | < | ||
| - | HELLY: Yeah, no, that can't be right. My outie wouldn't do that. | + | Helly: Yeah, no, that can’t be right. My Outie wouldn’t do that. |
| < | < | ||
| - | MARK: You know, Petey used to say-- | + | Mark: You know, Petey used to say— |
| < | < | ||
| - | [[Ricken | + | Ricken: This is so fun. Shall I, you know, tiptoe up and sneak to the door? |
| < | < | ||
| - | [[Devon Scout-Hale|DEVON]]: He's at work, baby. It doesn't matter. | + | Devon: He’s at work, baby. It doesn’t matter. |
| - | RICKEN: How do you know? | + | Ricken: How do you know? |
| < | < | ||
| - | DEVON: Because his car's not here. | + | Devon: Because his car’s not here. |
| - | RICKEN: Maybe he played hooky. | + | Ricken: Maybe he played hooky. |
| < | < | ||
| - | DEVON: Can you go do it? 'Cause I gotta pee. | + | Devon: Can you go do it? ’Cause I gotta pee. |
| < | < | ||
| - | RICKEN: Yes. | + | Ricken: Yes. |
| < | < | ||
| - | RICKEN: Against the door, or to the side? | + | Ricken: Against the door, or to the side? |
| < | < | ||
| - | DEVON: I think either's really good. | + | Devon: I think either’s really good. |
| < | < | ||
| - | RICKEN: Do you think he'll be surprised? | + | Ricken: Do you think he’ll be surprised? |
| - | DEVON: I do. | + | Devon: I do. |
| < | < | ||
| - | RICKEN: My babe, I'm gonna put it off to the side. | + | Ricken: My babe, I’m gonna put it off to the side. |
| < | < | ||
| - | DEVON: Awesome. | + | Devon: Awesome. |
| < | < | ||
| - | RICKEN: Perfect. | + | Ricken: Perfect. |
| - | DEVON: Good. | + | Devon: Good. |
| < | < | ||
| - | RICKEN: I mean, it's perfect. | + | Ricken: I mean, it’s perfect. |
| - | DEVON: Yes. | + | Devon: Yes. |
| < | < | ||
| - | RICKEN: He's gonna be so excited. | + | Ricken: He’s gonna be so excited. |
| < | < | ||
| - | DEVON: Yeah. | + | Devon: Yeah. |
| - | RICKEN: I hope he comes home early. | + | Ricken: I hope he comes home early. |
| < | < | ||
| - | DEVON: He's not going to. | + | Devon: He’s not going to. |
| < | < | ||
| - | MARK: Hey. What's that? Sudoku? | + | Mark: Hey. What’s that? Sudoku? |
| < | < | ||
| - | PETEY: It's nothing. | + | Petey: It’s nothing. |
| < | < | ||
| - | MARK: What were you drawing? | + | Mark: What were you drawing? |
| < | < | ||
| - | PETEY: You getting back to work, in cubist form. | + | Petey: You getting back to work, in cubist form. |
| < | < | ||
| - | MARK: Kay, two things. How do you know what cubist form is? And what the fuck are you wearing? | + | Mark: Kay, two things. How do you know what cubist form is? And what the fuck are you wearing? |
| < | < | ||
| - | PETEY: Oh, fuck. | + | Petey: Oh, fuck. |
| < | < | ||
| - | COBEL: No. | + | Cobel: No. |
| < | < | ||
| - | COBEL: Yes? | + | Cobel: Yes? |
| < | < | ||
| - | COBEL: What did he tell her after the announcement? | + | Cobel: What did he tell her after the announcement? |
| < | < | ||
| - | COBEL: No, it's not so bad. | + | Cobel: No, it’s not so bad. |
| < | < | ||
| - | COBEL: Just mildly aggressive. | + | Cobel: Just mildly aggressive. |
| < | < | ||
| - | COBEL: Did you give her directed praise? | + | Cobel: Did you give her directed praise? |
| < | < | ||
| - | COBEL: Uh-huh. Uh-huh. I'm coming. | + | Cobel: Uh-huh. Uh-huh. I’m coming. |
| < | < | ||
| - | MARK: Hey, Helly? | + | Mark: Hey, Helly? |
| < | < | ||
| - | HELLY: Go away. | + | Helly: Go away. |
| < | < | ||
| - | MARK: Are you okay? | + | Mark: Are you okay? |
| - | HELLY: I'm fine. | + | Helly: I’m fine. |
| < | < | ||
| - | MARK: I mean, it's been, like, 45 minutes. | + | Mark: I mean, it’s been, like, 45 minutes. |
| < | < | ||
| - | HELLY: I'm using the bathroom. | + | Helly: I’m using the bathroom. |
| < | < | ||
| - | MARK: Okay. It's just-- It has been a while. | + | Mark: Okay. It’s just— It has been a while. |
| < | < | ||
| - | HELLY: I'm fine, Mark. | + | Helly: I’m fine, Mark. |
| - | MARK: I think I need to come in. | + | Mark: I think I need to come in. |
| < | < | ||
| - | MARK: That's-- Okay? | + | Mark: That’s— Okay? |
| - | HELLY: No! | + | Helly: No! |
| < | < | ||
| - | MARK: I am going to come in, so get ready. Do the things you need to do 'cause I'm comin' | + | Mark: I am going to come in, so get ready. Do the things you need to do ’cause I’m comin’ in. |
| < | < | ||
| - | HELLY: No! | + | Helly: No! |
| < | < | ||
| - | MARK: Okay, here I come. I'm sorry. | + | Mark: Okay, here I come. I’m sorry. |
| - | HELLY: Mark, no! I'm not decent! | + | Helly: Mark, no! I’m not decent! |
| < | < | ||
| - | HELLY: Do-- Jesus. | + | Helly: Do— Jesus. |
| - | MARK: I'm sorry. I'm-- | + | Mark: I’m sorry. I’m— |
| < | < | ||
| - | MARK: Writing the note directly on your skin. Well, unfortunately, | + | Mark: Writing the note directly on your skin. Well, unfortunately, |
| < | < | ||
| - | HELLY: Does this look like lettering to you? | + | Helly: Does this look like lettering to you? |
| < | < | ||
| - | MARK: Well, if you put your arms together. | + | Mark: Well, if you put your arms together. |
| < | < | ||
| - | MARK: Not bad. I thought you were starting to, like, be okay here. | + | Mark: Not bad. I thought you were starting to, like, be okay here. |
| < | < | ||
| - | HELLY: What, 'cause I did the numbers thing? | + | Helly: What, ’cause I did the numbers thing? |
| < | < | ||
| - | MARK: Well, you got a win. You know, a lot of people find joy in that. | + | Mark: Well, you got a win. You know, a lot of people find joy in that. |
| < | < | ||
| - | HELLY: It literally causes fear. | + | Helly: It literally causes fear. |
| < | < | ||
| - | MARK: That's just one subset of numbers. The others are more comforting-- | + | Mark: That’s just one subset of numbers. The others are more comforting— |
| < | < | ||
| - | HELLY: Mark, I don't wanna work here with you. So don't burst into the bathroom with your pathetic boss voice on and try to convince me that I do. | + | Helly: Mark, I don’t wanna work here with you. So don’t burst into the bathroom with your pathetic boss voice on and try to convince me that I do. |
| < | < | ||
| - | MARK: Okay, I'll give you five minutes to scrub your arms. | + | Mark: Okay, I’ll give you five minutes to scrub your arms. |
| < | < | ||
| - | HELLY: Or what? | + | Helly: Or what? |
| < | < | ||
| - | MARK: Do you want Graner to use [[The Bad Soap|the bad soap]]? | + | Mark: Do you want Graner to use the bad soap? |
| < | < | ||
| - | HELLY: There's bad soap? | + | Helly: There’s bad soap? |
| < | < | ||
| - | HELLY: Thanks, boss. Yeah, I fucking love working here. | + | Helly: Thanks, boss. Yeah, I fucking love working here. |
| < | < | ||
| - | IRVING: Mark. | + | Irving: Mark. |
| - | MARK: Irv. | + | Mark: Irv. |
| < | < | ||
| - | IRVING: I was listening at the door. I heard it all. | + | Irving: I was listening at the door. I heard it all. |
| < | < | ||
| - | MARK: Okay. | + | Mark: Okay. |
| - | IRVING: I am troubled by you having high-stress exchanges like that so fresh off your food poisoning. | + | Irving: I am troubled by you having high-stress exchanges like that so fresh off your food poisoning. |
| < | < | ||
| - | MARK: It's fine. | + | Mark: It’s fine. |
| < | < | ||
| - | IRVING: The loathing with which she spoke to you. | + | Irving: The loathing with which she spoke to you. |
| < | < | ||
| - | MARK: Well, acclimating takes time. | + | Mark: Well, acclimating takes time. |
| < | < | ||
| - | IRVING: And guidance. | + | Irving: And guidance. |
| < | < | ||
| - | MARK: What's on your mind, Irving? | + | Mark: What’s on your mind, Irving? |
| < | < | ||
| - | IRVING: Dylan was going on all yesterday about incentives, pencil erasers and waffle parties, as though that's why we're here. That's not why we're here. If it's a deeper meaning she craves, she should see the [[perpetuity wing]]. | + | Irving: Dylan was going on all yesterday about incentives, pencil erasers and waffle parties, as though that’s why we’re here. That’s not why we’re here. If it’s a deeper meaning she craves, she should see the Perpetuity Wing. |
| < | < | ||
| - | MARK: She can read about all that stuff in the handbook. | + | Mark: She can read about all that stuff in the handbook. |
| < | < | ||
| - | IRVING: You know it's different to be there. To see it. | + | Irving: You know it’s different to be there. To see it. |
| < | < | ||
| - | MARK: It just seems premature. I mean, that place is a lot. | + | Mark: It just seems premature. I mean, that place is a lot. |
| < | < | ||
| - | IRVING: Correct. That place is everything. | + | Irving: Correct. That place is everything. |
| < | < | ||
| - | MILCHICK: How'd the check go? | + | Milchick: How’d the check go? |
| < | < | ||
| - | COBEL: There was a package left at his door from someone. Open it, would you? | + | Cobel: There was a package left at his door from someone. Open it, would you? |
| < | < | ||
| - | COBEL: Oh, God. | + | Cobel: Oh, God. |
| - | MILCHICK: Is this the brother-in-law? | + | Milchick: Is this the brother-in-law? |
| < | < | ||
| - | COBEL: Ricken. | + | Cobel: Ricken. His fifth book. |
| < | < | ||
| - | MILCHICK: " | + | Milchick: " |
| < | < | ||
| - | COBEL: Check it for messages, just to be safe. | + | Cobel: Check it for messages, just to be safe. |
| < | < | ||
| - | MILCHICK: Mark. | + | Milchick: Mark. |
| < | < | ||
| - | MILCHICK: Can I help you? | + | Milchick: Can I help you? |
| - | MARK: Does she have a moment? | + | Mark: Does she have a moment? |
| < | < | ||
| - | MILCHICK: Did you fill out an official request for supervisory interaction? | + | Milchick: Did you fill out an official request for supervisory interaction? |
| < | < | ||
| - | MARK: No, I-- | + | Mark: No, I— |
| - | COBEL: It's fine. Come in. | + | Cobel: It’s fine. Come in. |
| < | < | ||
| - | MARK: Sorry. I can fill out the form. | + | Mark: Sorry. I can fill out the form. |
| < | < | ||
| - | COBEL: What is it? Get the door. | + | Cobel: What is it? Get the door. |
| < | < | ||
| - | MARK: Irving thought we should take Helly to the Perpetuity Wing today. | + | Mark: Irving thought we should take Helly to the Perpetuity Wing today. |
| < | < | ||
| - | COBEL: Well, it's a good thing I made Irving department chief. | + | Cobel: Well, it’s a good thing I made Irving department chief. |
| < | < | ||
| - | MARK: Sorry. I think I should take Helly and the team to the Perpetuity Wing. | + | Mark: Sorry. I think I should take Helly and the team to the Perpetuity Wing. |
| < | < | ||
| - | COBEL: And have you filled out a common-space reservation slip? | + | Cobel: And have you filled out a common-space reservation slip? |
| < | < | ||
| - | MARK: No, I-- | + | Mark: No, I— |
| - | COBEL: Mark. | + | Cobel: Mark. |
| < | < | ||
| - | MARK: I'm sorry. I've just been-- I don't know. It's been weird since Petey left. I mean, you know, he was-- He set the tone. | + | Mark: I’m sorry. I’ve just been— I don’t know. It’s been weird since Petey left. I mean, you know, he was— He set the tone. |
| < | < | ||
| - | COBEL: If Petey were the tone-setter you're lionizing him as, he'd still be here. | + | Cobel: If Petey were the tone-setter you’re lionizing him as, he’d still be here. |
| < | < | ||
| - | MARK: What does that mean? | + | Mark: What does that mean? |
| < | < | ||
| - | COBEL: Are you gonna make me throw my mug at you? | + | Cobel: Are you gonna make me throw my mug at you? |
| < | < | ||
| - | MARK: I-- Why would you-- | + | Mark: I— Why would you— |
| < | < | ||
| - | COBEL: Get MDR to its numbers. | + | Cobel: Get MDR to its numbers. |
| - | MARK: Okay. | + | Mark: Okay. |
| < | < | ||
| - | COBEL: Mark? | + | Cobel: Mark? |
| < | < | ||
| - | COBEL: What I just did was something I knew that you could handle and grow from. It was very painful for me. I hope that you'll let it help you. | + | Cobel: What I just did was something I knew that you could handle and grow from. It was very painful for me. I hope that you’ll let it help you. |
| < | < | ||
| - | MARK: Open or closed? | + | Mark: Open or closed? |
| < | < | ||
| - | COBEL: Both. | + | Cobel: Both. |
| < | < | ||
| - | MARK: I'll just-- | + | Mark: I’ll just— |
| < | < | ||
| - | DYLAN: My delts are embarrassingly good today. My outie does muscle shows for sure. | + | Dylan: My delts are embarrassingly good today. My Outie does muscle shows for sure. |
| < | < | ||
| - | IRVING: If your outie did muscle shows, you wouldn't have to work here. | + | Irving: If your Outie did muscle shows, you wouldn’t have to work here. |
| < | < | ||
| - | DYLAN: I'm sorry, do you know how much muscle shows pay? No, none of us can know that. | + | Dylan: I’m sorry, do you know how much muscle shows pay? No, none of us can know that. |
| < | < | ||
| - | IRVING: I imagine it's a tiered system. Perhaps there are monetary prizes for gold, silver and bronze. | + | Irving: I imagine it’s a tiered system. Perhaps there are monetary prizes for gold, silver and bronze. |
| < | < | ||
| - | DYLAN: No. My guess is that they do it piecemeal per muscle. So… | + | Dylan: No. My guess is that they do it piecemeal per muscle. So… |
| < | < | ||
| - | IRVING: No, I don't think so. | + | Irving: No, I don’t think so. |
| - | DYLAN: Best delt, 30 bucks. | + | Dylan: Best delt, 30 bucks. |
| < | < | ||
| - | DYLAN: Best ab, 20 bucks. Biceps are a little flashier, 75 bucks. | + | Dylan: Best ab, 20 bucks. Biceps are a little flashier, 75 bucks. |
| < | < | ||
| - | IRVING: I would think lats carry a high value. They're considered very attractive in muscle-building circles. And in society at large. | + | Irving: I would think lats carry a high value. They’re considered very attractive in muscle-building circles. And in society at large. |
| < | < | ||
| - | DYLAN: Lats are bullshit, dude-- | + | Dylan: Lats are bullshit, dude— |
| < | < | ||
| - | IRVING: The center of a good physique. | + | Irving: The center of a good physique. |
| - | DYLAN: You are alone on this one, Irv… | + | Dylan: You are alone on this one, Irv… |
| < | < | ||
| - | IRVING: You've never noticed my lats? | + | Irving: You’ve never noticed my lats? |
| - | DYLAN: ...I assure you. Never once. | + | Dylan: ...I assure you. Never once. |
| < | < | ||
| - | IRVING: You don't understand why my posture's ramrod straight. You see how… | + | Irving: You don’t understand why my posture’s ramrod straight. You see how… |
| < | < | ||
| - | MARK: Thirsty? | + | Mark: Thirsty? |
| < | < | ||
| - | MARK: Hey, just in case you find this relevant for some reason, the [[code detectors]] can read messages hidden inside the body as well. Also, when that happens, it's Milchick's job to extract the message from you. And when he asks how long ago you ingested it, I really can't recommend honesty enough. It's easier for you both if he knows which end to start from. | + | Mark: Hey, just in case you find this relevant for some reason, the code detectors can read messages hidden inside the body as well. Also, when that happens, it’s Milchick’s job to extract the message from you. And when he asks how long ago you ingested it, I really can’t recommend honesty enough. It’s easier for you both if he knows which end to start from. |
| < | < | ||
| - | MARK: Another good try though. | + | Mark: Another good try though. |
| < | < | ||
| - | MARK: Go shut down your workstation. We're taking a trip. | + | Mark: Go shut down your workstation. We’re taking a trip. |
| < | < | ||
| - | DYLAN: The power is in your calves. | + | Dylan: The power is in your calves. |
| < | < | ||
| - | IRVING: ...and it's always been that way. I can tell you that right now, young boy. | + | Irving: ...and it’s always been that way. I can tell you that right now, young boy. |
| < | < | ||
| - | IRVING: All eight CEOs have been of the Eagan lineage. A line dating back to the founder. | + | Irving: All eight CEOs have been of the Eagan lineage. A line dating back to the founder. |
| < | < | ||
| - | IRVING: I have a mnemonic poem to help you remember their names. I authored it myself, and of course, it falls outside corporate canon, and it's poetically imperfect, to be sure. There's a slant rhyme in the second verse. of " | + | Irving: I have a mnemonic poem to help you remember their names. I authored it myself, and of course, it falls outside corporate canon, and it’s poetically imperfect, to be sure. There’s a slant rhyme in the second verse. of " |
| < | < | ||
| - | IRVING: Ambrose is sometimes unfairly maligned as a black sheep in the annals of the family. | + | Irving: Ambrose is sometimes unfairly maligned as a black sheep in the annals of the family. |
| < | < | ||
| - | HELLY: What's this? | + | Helly: What’s this? |
| < | < | ||
| - | IRVING: And it certainly wasn't my intent to slight him further, | + | Irving: And it certainly wasn’t my intent to slight him further, |
| < | < | ||
| - | IRVING: but I think you'll find… | + | Irving: but I think you’ll find… |
| - | HELLY: "[[Eagan Bingo]]"? | + | Helly: "Eagan Bingo"? |
| < | < | ||
| - | DYLAN: Hey. Eagan Bingo. | + | Dylan: Hey. Eagan Bingo. |
| < | < | ||
| - | MARK: We shouldn't, right? This-- | + | Mark: We shouldn’t, right? This— |
| - | IRVING: ...for when we arrive… | + | Irving: ...for when we arrive… |
| < | < | ||
| - | HELLY: Hey, what the hell is Eagan Bingo? | + | Helly: Hey, what the hell is Eagan Bingo? |
| < | < | ||
| - | DYLAN: It's how you don't die of boredom in the perpetuity wing. And come on, it'll be an excellent opportunity for everyone except Irv to bond. | + | Dylan: It’s how you don’t die of boredom in the perpetuity wing. And come on, it’ll be an excellent opportunity for everyone except Irv to bond. |
| < | < | ||
| - | MARK: Optics and Design. | + | Mark: Optics and Design. |
| < | < | ||
| - | BURT: Macrodata Refinement. | + | Burt: Macrodata Refinement. |
| < | < | ||
| - | IRVING: Burt. | + | Irving: Burt. |
| < | < | ||
| - | BURT: Hi. I trust that your session was good. | + | Burt: Hi. I trust that your session was good. |
| < | < | ||
| - | IRVING: Great, very restorative. | + | Irving: Great, very restorative. |
| < | < | ||
| - | MARK: Wa-- You two know each other? | + | Mark: Wa— You two know each other? |
| < | < | ||
| - | IRVING: We were just admiring some Lumon artwork together, very briefly. | + | Irving: We were just admiring some Lumon artwork together, very briefly. |
| < | < | ||
| - | BURT: Remember, we'll have those new handbook totes soon. | + | Burt: Remember, we’ll have those new handbook totes soon. |
| < | < | ||
| - | IRVING: So exciting. | + | Irving: So exciting. |
| < | < | ||
| - | DYLAN: Thanks for the tip. You got business, or you out for a stroll? | + | Dylan: Thanks for the tip. You got some business or are you just out for a fucking |
| < | < | ||
| - | -MARK: Dylan. | + | Mark: Dylan. |
| - | -DYLAN: What? I think you guys are cool, | + | Dylan: What? I just. I just. I think you guys are cool, |
| < | < | ||
| - | DYLAN: and I'm just wondering what you're up to. It's rare seeing you out of your hole. | + | Dylan: and I’m just wondering what you’re up to. It’s rare seeing you out of your hole. |
| < | < | ||
| - | [[Felicia|FELICIA]]: Egg drop challenge in the [[Team-building Space]]. Tight department like us gotta keep our synergy up. | + | Felicia: Egg drop challenge in the Team-building Space. Tight department like us gotta keep our synergy up. |
| < | < | ||
| - | DYLAN: Egg drop challenge. You buy this fucking shit? | + | Dylan: Egg drop challenge. You buy this fucking shit? |
| < | < | ||
| - | FELICIA: And what are you guys doing? | + | Felicia: And what are you guys doing? |
| - | BURT: Felicia. | + | Burt: Felicia. |
| < | < | ||
| - | MARK: Perpetuity wing visit. This is Helly, our new refiner. | + | Mark: Perpetuity wing visit. This is Helly, our new refiner. |
| < | < | ||
| - | IRVING: This is-- | + | Irving: This is— |
| - | BURT: Welcome, Helly. | + | Burt: Welcome, Helly. |
| < | < | ||
| - | BURT: Well, we should get back. Can't leave the nest empty. | + | Burt: Well, we should get back. Can’t leave the nest empty. |
| < | < | ||
| - | MARK: Good to see you, O&D. | + | Mark: Good to see you, O&D. |
| < | < | ||
| - | DYLAN: Those eggs look like shit. | + | Dylan: Those eggs look like shit. |
| < | < | ||
| - | MARK: Irving, come on. | + | Mark: Irving, come on. |
| < | < | ||
| - | COBEL: Seth? | + | Cobel: Seth? |
| < | < | ||
| - | COBEL: Natalie. | + | Cobel: Natalie. |
| < | < | ||
| - | NATALIE: Harmony, hello. | + | Natalie: Harmony, hello. |
| < | < | ||
| - | COBEL: I wasn't expecting-- Is this about Helena? | + | Cobel: I wasn’t expecting— Is this about Helena? |
| < | < | ||
| - | NATALIE: No, this is about Peter Kilmer. And I should tell you that [[the Board]] is joining us. | + | Natalie: No, this is about Peter Kilmer. And I should tell you that the Board is joining us. |
| < | < | ||
| - | NATALIE: The Board would like you to speak first. | + | Natalie: The Board would like you to speak first. |
| < | < | ||
| - | COBEL: Oh, yes. Of course. | + | Cobel: Oh, yes. Of course. |
| < | < | ||
| - | COBEL: Salutations. | + | Cobel: Salutations. |
| < | < | ||
| - | COBEL: So, the search for Kilmer continues. I will say this. Not to be alarmist, but prior to his departure, there were some troubling signs of possible… reintegration. | + | Cobel: So, the search for Kilmer continues. I will say this. Not to be alarmist, but prior to his departure, there were some troubling signs of possible… reintegration. |
| < | < | ||
| - | NATALIE: Okay. So, the Board is conveying pretty strongly that the severance procedure is provenly irreversible. | + | Natalie: Okay. So, the Board is conveying pretty strongly that the severance procedure is provenly irreversible. |
| < | < | ||
| - | COBEL: Yes-- | + | Cobel: Yes— |
| < | < | ||
| - | NATALIE: And that this knowledge should be a given for a person managing a severed floor. | + | Natalie: And that this knowledge should be a given for a person managing a severed floor. |
| < | < | ||
| - | COBEL: Yes, of course. | + | Cobel: Yes, of course. |
| < | < | ||
| - | NATALIE: While, of course, getting MDR to their projected numbers by the quarterly deadline in three weeks. | + | Natalie: While, of course, getting MDR to their projected numbers by the quarterly deadline in three weeks. |
| < | < | ||
| - | COBEL: Yes, of course. We are quickly rekindling our yield down here with our nimble new refiner. | + | Cobel: Yes, of course. We are quickly rekindling our yield down here with our nimble new refiner. |
| < | < | ||
| - | COBEL: And for what it's worth, I'd like-- | + | Cobel: And for what it’s worth, I’d like— |
| - | NATALIE: The Board has concluded the call. | + | Natalie: The Board has concluded the call. |
| < | < | ||
| - | COBEL: Yes, okay. Thank you. | + | Cobel: Yes, okay. Thank you. |
| < | < | ||
| - | COBEL: And may I ask-- | + | Cobel: And may I ask— |
| - | NATALIE: Goodbye, Harmony. | + | Natalie: Goodbye, Harmony. |
| < | < | ||
| - | HELLY: There's seriously a two-person department? Like, they only ever see each other? | + | Helly: There’s seriously a two-person department? Like, they only ever see each other? |
| < | < | ||
| - | IRVING: For the most part. It's lonely, I suspect. | + | Irving: For the most part. It’s lonely, I suspect. |
| < | < | ||
| - | DYLAN: And unnatural. Perverse. | + | Dylan: And unnatural. Perverse. |
| < | < | ||
| - | MARK: O&D is nice. | + | Mark: O&D is nice. |
| < | < | ||
| - | DYLAN: No, they're not. Nor do they share our values. Kier sorted the departments by virtue. Macrodats are clever and true, while O&D's more cruelty-centered. | + | Dylan: No, they’re not. Nor do they share our values. Kier sorted the departments by virtue. Macrodats are clever and true, while O&D’s more cruelty-centered. |
| < | < | ||
| - | HELLY: How many departments are there? | + | Helly: How many departments are there? |
| < | < | ||
| - | DYLAN: Probably 30. | + | Dylan: Probably 30. |
| - | MARK: Around five. | + | Mark: Around five. |
| < | < | ||
| - | IRVING: No one's quite sure. | + | Irving: No one’s quite sure. |
| < | < | ||
| - | DYLAN: O&D tried a violent coup on the others decades ago, and that's why they reduced them down to two. And that's why they keep us all so far apart now. | + | Dylan: O&D tried a violent coup on the others decades ago, and that’s why they reduced them down to two. And that’s why they keep us all so far apart now. |
| < | < | ||
| - | IRVING: That's an absolute fiction. | + | Irving: That’s an absolute fiction. |
| < | < | ||
| - | HELLY: Did they ever kill anyone? | + | Helly: Did they ever kill anyone? |
| < | < | ||
| - | MARK: Nope. There was no coup. No one killed anyone. | + | Mark: Nope. There was no coup. No one killed anyone. |
| < | < | ||
| - | HELLY: Then why don't we ever hang out? | + | Helly: Then why don’t we ever hang out? |
| < | < | ||
| - | MARK: I mean, I'm 99% sure there was no coup. | + | Mark: I mean, I’m 99% sure there was no coup. |
| < | < | ||
| - | HELLY: If they come back and attack us, I think we should kill Mark. | + | Helly: If they come back and attack us, I think we should kill Mark. |
| < | < | ||
| - | MARK: Oh, yeah? | + | Mark: Oh, yeah? |
| - | HELLY: Yeah. | + | Helly: Yeah. |
| < | < | ||
| - | HELLY: So they think we're crazy with nothing to lose. | + | Helly: So they think we’re crazy with nothing to lose. |
| < | < | ||
| - | DYLAN: Smart. That's smart. | + | Dylan: Smart. That’s smart. |
| < | < | ||
| - | HELLY: Like, I'm imagining them rounding a corner, and we're all blood-soaked, | + | Helly: Like, I’m imagining them rounding a corner, and we’re all blood-soaked, |
| < | < | ||
| - | MARK: Just-- Seems like they'd recognize my face. Maybe if you wore it inside out? | + | Mark: Just— Seems like they’d recognize my face. Maybe if you wore it inside out? |
| < | < | ||
| - | IRVING: We're here. | + | Irving: We’re here. |
| < | < | ||
| - | IRVING: "Come now, children of my industry, and know the children of my blood." | + | Irving: "Come now, children of my industry, and know the children of my blood." |
| < | < | ||
| - | HELLY: Whoa. | + | Helly: Whoa. |
| < | < | ||
| - | IRVING: That's [[Jame Eagan]]. Current CEO. Remarkable man. | + | Irving: That’s Jame Eagan. Current CEO. Remarkable man. |
| < | < | ||
| - | DYLAN: Handsome too. See those brows? | + | Dylan: Handsome too. See those brows? |
| < | < | ||
| - | IRVING: All the center displays are for a past Eagan CEO. But the whole back part is Kier. | + | Irving: All the center displays are for a past Eagan CEO. But the whole back part is Kier. |
| < | < | ||
| - | [[Kier Eagan|KIER EAGAN]] | + | Kier Eagan (recording): I know that death is near upon me, because people have begun to ask what I see as my life’s great achievement. They wish to know how they should remember me as I rot. In my life, I have identified four components, which I call tempers, from which are derived every human soul. Woe. Frolic. Dread. Malice. Each man’s character is defined by the precise ratio that resides in him. I walked into the cave of my own mind, and there I tamed them. Should you tame the tempers as I did mine, then the world shall become but your appendage. It is this great and consecrated power that I hope to pass on to all of you, my children. |
| < | < | ||
| - | [[Myrtle Eagan|MYRTLE]] | + | Myrtle Eagan (recording): I think that to be an Eagan, either a true Eagan or anyone working in this Lumon family, what you are is the keeper of an ethos, a compact of values that we have long held as precious, and which I do believe will one day save this world. And that ethos goes all the way back through my blood... |
| < | < | ||
| - | MARK: Look, you got one. | + | Mark: Look, you got one. |
| < | < | ||
| - | MYRTLE | + | Myrtle Eagan (recording): to where we all started, with Kier. |
| < | < | ||
| - | IRVING: It's okay if you cry. | + | Irving: It’s okay if you cry. |
| - | MYRTLE | + | Myrtle Eagan (recording): When I was a girl, my father would make me whisper... |
| < | < | ||
| - | IRVING: She was five CEOs ago. They'd never had a woman before. And she told her father at age seven, she was going to be the first. | + | Irving: She was five CEOs ago. They’d never had a woman before. And she told her father at age seven, she was going to be the first. |
| < | < | ||
| - | MYRTLE | + | Myrtle Eagan (recording): Vision. Verve. |
| < | < | ||
| - | IRVING: Isn't that lovely? | + | Irving: Isn’t that lovely? |
| - | MYRTLE | + | Myrtle Eagan (recording): Wit. |
| < | < | ||
| - | HELLY: It's beautiful. | + | Helly: It’s beautiful. |
| - | MYRTLE | + | Myrtle Eagan (recording): Cheer. |
| < | < | ||
| - | HELLY: It almost makes me wish I remembered my own childhood. | + | Helly: It almost makes me wish I remembered my own childhood. |
| < | < | ||
| - | MYRTLE | + | Myrtle Eagan (recording): Nimbleness. Probity. Wiles. |
| < | < | ||
| - | IRVING: It's an unnatural state for a person to have no history. History makes us someone. Gives us a context. A shape. But waking up on that table, I was shapeless. But then I learned that I work for a company that has been actively caring for mankind since 1866. | + | Irving: It’s an unnatural state for a person to have no history. History makes us someone. Gives us a context. A shape. But waking up on that table, I was shapeless. But then I learned that I work for a company that has been actively caring for mankind since 1866. |
| < | < | ||
| - | IRVING: Look. Each of these is a real smile from someone on the outside. Someone Lumon Industries has helped. And they rotate these through. The true number of smiles may well be in the millions. | + | Irving: Look. Each of these is a real smile from someone on the outside. Someone Lumon Industries has helped. And they rotate these through. The true number of smiles may well be in the millions. |
| < | < | ||
| - | HELLY: So what are we, like, a dental company? | + | Helly: So what are we, like, a dental company? |
| < | < | ||
| - | IRVING: No. My point is you're part of a history now. | + | Irving: No. My point is you’re part of a history now. |
| < | < | ||
| - | MARK: A noble one. | + | Mark: A noble one. |
| - | IRVING: And that's so much more mea-- | + | Irving: And that’s so much more mea— |
| < | < | ||
| - | DYLAN: They update the [[lumon_legacy_of_joy|mouth wall]]? | + | Dylan: They update the mouth wall? |
| < | < | ||
| - | IRVING: It's not called the "mouth wall." | + | Irving: It’s not called the "mouth wall." |
| < | < | ||
| - | DYLAN: Damn, they took down the chick I like. | + | Dylan: Damn, they took down the chick I like. |
| < | < | ||
| - | DYLAN: Are you guys ready to go? | + | Dylan: Are you guys ready to go? |
| - | IRVING: We just got here. | + | Irving: We just got here. |
| < | < | ||
| - | IRVING: She hasn't even seen the Kier part yet. | + | Irving: She hasn’t even seen the Kier part yet. |
| < | < | ||
| - | IRVING: [[Gerhardt | + | Irving: Gerhardt. |
| < | < | ||
| - | HELLY: Jesus. | + | Helly: Jesus. |
| - | IRVING: No. Kier. | + | Irving: No. Kier. |
| < | < | ||
| - | HELLY: It's his house? | + | Helly: It’s his house? |
| < | < | ||
| - | IRVING: [[kier_eagan_replica_house|A perfect replica]]. | + | Irving: A perfect replica. |
| < | < | ||
| - | MARK: Pretty cool, huh? | + | Mark: Pretty cool, huh? |
| < | < | ||
| - | HELLY: Yeah, pretty cool. | + | Helly: Yeah, pretty cool. |
| < | < | ||
| - | IRVING: The bedroom of Kier, just as he might have left it. | + | Irving: The bedroom of Kier, just as he might have left it. |
| < | < | ||
| - | HELLY: Well, this is thorough. | + | Helly: Well, this is thorough. |
| < | < | ||
| - | DYLAN: I hate this place. It smells like 19th century ass. | + | Dylan: I hate this place. It smells like 19th century ass. |
| < | < | ||
| - | IRVING: Stop treating this like some kind of beer party. | + | Irving: Stop treating this like some kind of beer party. |
| < | < | ||
| - | DYLAN: That's not fair. Up till now, I've been reverent as shit. | + | Dylan: That’s not fair. Up till now, I’ve been reverent as shit. |
| < | < | ||
| - | IRVING: Mark. | + | Irving: Mark. |
| - | MARK: Yeah? | + | Mark: Yeah? |
| < | < | ||
| - | IRVING: Were you about to… bed sit? | + | Irving: Were you about to… bed sit? |
| < | < | ||
| - | MARK: No. Nuh-uh. | + | Mark: No. Nuh-uh. |
| < | < | ||
| - | IRVING: What's that in your pocket, Mark? | + | Irving: What’s that in your pocket, Mark? |
| < | < | ||
| - | MARK: I-- | + | Mark: I— |
| < | < | ||
| - | IRVING: Oh, God, Mark. Still? | + | Irving: Oh, God, Mark. Still? |
| < | < | ||
| - | MARK: It's… for fun. | + | Mark: It’s… for fun. |
| < | < | ||
| - | IRVING: It's the Perpetuity Wing. It's the Eagans. It's the living soul of Lumon and everything she stands for, not a bingo match. | + | Irving: It’s the Perpetuity Wing. It’s the Eagans. It’s the living soul of Lumon and everything she stands for, not a bingo match. |
| < | < | ||
| - | MARK: Look, Kier said, "Keep a merry humor ever in your heart." | + | Mark: Look, Kier said, "Keep a merry humor ever in your heart." |
| < | < | ||
| - | IRVING: Did you give one to the trainee? Of course, you did. She's starved for meaning here. So, of course, you'd pervert our founder's message with jokes and impiety. That's definitely what she needs from her department chief. | + | Irving: Did you give one to the trainee? Of course, you did. She’s starved for meaning here. So, of course, you’d pervert our founder’s message with jokes and impiety. That’s definitely what she needs from her department chief. |
| < | < | ||
| - | MARK: Hey, I didn't want to be department chief. I didn't ask for Petey to disappear and for-- | + | Mark: Hey, I didn’t want to be department chief. I didn’t ask for Petey to disappear and for— |
| < | < | ||
| - | MARK: Helly? | + | Mark: Helly? |
| < | < | ||
| - | DYLAN: Uh-oh. | + | Dylan: Uh-oh. |
| < | < | ||
| - | MARK: Helly? Shit. | + | Mark: Helly? Shit. |
| < | < | ||
| - | MARK: Helly! | + | Mark: Helly! |
| < | < | ||
| - | MILCHICK: This is… Jesus. | + | Milchick: This is… Jesus. |
| < | < | ||
| - | MARK: Helly! | + | Mark: Helly! |
| < | < | ||
| - | MARK: Helly! | + | Mark: Helly! |
| < | < | ||
| - | MARK: Helly! | + | Mark: Helly! |
| < | < | ||
| - | HELLY: No! | + | Helly: No! |
| < | < | ||
| - | MARK: Goddamn it, Helly. | + | Mark: Goddamn it, Helly. |
| < | < | ||
| - | [[Doug | + | Graner: This way, please, Helly R. |
| < | < | ||
| - | GRANER: On you go. | + | Graner: On you go. |
| < | < | ||
| - | MILCHICK: I'm truly sorry to see you here, Helly. I hoped you'd just settle in. I know Mark's been trying so hard to get you to feel happy. | + | Milchick: I’m truly sorry to see you here, Helly. I hoped you’d just settle in. I know Mark’s been trying so hard to get you to feel happy. |
| < | < | ||
| - | HELLY: Look, you seem like a smart person. But don't you see how fucked up this is? | + | Helly: Look, you seem like a smart person. But don’t you see how fucked up this is? |
| < | < | ||
| - | HELLY: You can't keep-- | + | Helly: You can’t keep— |
| - | MILCHICK: Not right now, Helly. | + | Milchick: Not right now, Helly. |
| < | < | ||
| - | MILCHICK: Sit. Please. Hands on the table, please. | + | Milchick: Sit. Please. Hands on the table, please. |
| < | < | ||
| - | MILCHICK: I'm bringing up the compunction statement for Helly R. | + | Milchick: I’m bringing up the compunction statement for Helly R. |
| < | < | ||
| - | HELLY: What is this? | + | Helly: What is this? |
| < | < | ||
| - | MILCHICK: Read it. | + | Milchick: Read it. |
| < | < | ||
| - | HELLY: I don't want to. | + | Helly: I don’t want to. |
| < | < | ||
| - | MILCHICK: No. Do. | + | Milchick: No. Do. |
| < | < | ||
| - | HELLY: " | + | Helly: " |
| < | < | ||
| - | MILCHICK: I'm afraid you don't mean it. | + | Milchick: I’m afraid you don’t mean it. |
| < | < | ||
| - | HELLY: Excuse me? | + | Helly: Excuse me? |
| < | < | ||
| - | MILCHICK: Again, please. | + | Milchick: Again, please. |
| < | < | ||
| - | HELLY: " | + | Helly: " |
| < | < | ||
| - | MILCHICK: Again. | + | Milchick: Again. |
| < | < | ||
| - | HELLY: Really? | + | Helly: Really? |
| < | < | ||
| - | DYLAN: Fun day. See you tomorrow. | + | Dylan: Fun day. See you tomorrow. |
| < | < | ||
| - | MARK: Yeah. | + | Mark: Yeah. |
| < | < | ||
| - | DYLAN: Do you want me to get these? | + | Dylan: Do you want me to get these? |
| < | < | ||
| - | MARK: Yeah, go ahead. | + | Mark: Yeah, go ahead. |
| < | < | ||
| - | PETEY: I haven't any tokens. I can't eat with no tokens. | + | Petey: I haven’t any tokens. I can’t eat with no tokens. |
| < | < | ||
| - | PETEY: Hey! I need tokens so I can eat! | + | Petey: Hey! I need tokens so I can eat! |
| < | < | ||
| - | [[Checkout Girl|CHECKOUT GIRL]]: Oh, my God. | + | Checkout Girl: Oh, my God. |
| < | < | ||
| - | MARK: Petey? Petey? | + | Mark: Petey? Petey? |
| < | < | ||
| - | COP 1: All right now. Take it slow. | + | Cop 1 (voice): All right now. Take it slow. |
| < | < | ||
| - | COP 2: Did you happen to see which direction he came from? | + | Cop 2 (voice): Did you happen to see which direction he came from? |
| < | < | ||
| - | COP 3: I'm just gonna grab the stretcher. I'll be right back. | + | Cop 3 (voice): I’m just gonna grab the stretcher. I’ll be right back. |
| < | < | ||
| - | COP 4: Can you get an ID on this guy? | + | Cop 4 (voice): Can you get an ID on this guy? |
| < | < | ||
| - | BYSTANDER: I guess he's from nearby. He came in with a robe on. That was it. | + | BYSTANDER |
| < | < | ||
| - | COP 3: He's down. He's down. | + | Cop 3 (voice): He’s down. He’s down. |
| < | < | ||
| - | COP 1: Sir. Sir, sir, sir. Can you hear me? | + | Cop 1 (voice): Sir. Sir, sir, sir. Can you hear me? |
| < | < | ||
| - | COP 2: You got that? Just stand back. | + | Cop 2 (voice): You got that? Just stand back. |
| < | < | ||
| - | COP 2: Yeah, dispatch, I got a 10-53 at a convenience store on 42nd. | + | Cop 2 (voice): Yeah, dispatch, I got a 10-53 at a convenience store on 42nd. |
| < | < | ||
| - | COP 2: Call that in, please. | + | Cop 2 (voice): Call that in, please. |
| < | < | ||
| - | COP 3: Is he breathing? | + | Cop 3 (voice): Is he breathing? |
| - | COP 1: No, he's not breathing, man. | + | Cop 1 (voice): No, he’s not breathing, man. |
| < | < | ||
| - | COP 3: Yeah, yeah, yeah. Give me the bpm. | + | Cop 3 (voice): Yeah, yeah, yeah. Give me the bpm. |
| < | < | ||
| - | COP 2: You okay? You okay? | + | Cop 2 (voice): You okay? You okay? |
| - | COP 3: Get him on the board. | + | Cop 3 (voice): Get him on the board. |
| </ | </ | ||
| {{tag> | {{tag> | ||
in_perpetuity_transcript.1659922732.txt.gz · Last modified: 2022-08-08 01:38 by rickypanther
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