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in_perpetuity_transcript [2022-06-27 02:32] – Neatnik | in_perpetuity_transcript [2023-04-24 02:04] (current) – Scribe of Kier | ||
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| **In Perpetuity (Transcript)** || | | **In Perpetuity (Transcript)** || | ||
^ Episode Number | 1.3 | | ^ Episode Number | 1.3 | | ||
- | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
^ Previous Transcript | [[half_loop_transcript]] | | ^ Previous Transcript | [[half_loop_transcript]] | | ||
^ Next Transcript | [[the_you_you_are_transcript]] | | ^ Next Transcript | [[the_you_you_are_transcript]] | | ||
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<WRAP script> | <WRAP script> | ||
- | 1 | ||
< | < | ||
- | Petey, are you okay? | + | Mark: Petey, are you okay? |
- | 2 | ||
< | < | ||
- | Petey? | + | Mark: Petey? |
- | 3 | ||
< | < | ||
- | Yeah, I'm good. I just slipped. | + | Petey: |
- | You should invest in a bath mat, maybe. | + | |
- | 4 | ||
< | < | ||
- | Yeah, okay. | + | Mark: Yeah, okay. The robe is a gift from my brother-in-law. I’ve never worn it or anything. Sorry, it’s weird. |
- | The robe is a gift from my brother-in-law. | + | |
- | 5 | ||
- | < | ||
- | I've never worn it or anything. | ||
- | Sorry, it's weird. | ||
- | |||
- | 6 | ||
< | < | ||
- | I have pillows. Do you need anything else? | + | Mark: I have pillows. Do you need anything else? |
- | 7 | ||
< | < | ||
- | Yeah, I want you to stop | + | Petey: |
- | shitting on this awesome robe. | + | |
- | 8 | ||
< | < | ||
- | Well, you can keep it. | + | Mark: Well, you can keep it. |
- | 9 | ||
< | < | ||
- | I will. | + | Petey: |
- | 10 | ||
< | < | ||
- | Hey. Are you sure nobody can see | + | Petey: |
- | in any of these transoms? | + | |
- | 11 | ||
< | < | ||
- | Yeah. | + | Mark: Yeah. And everything’s locked upstairs. |
- | 12 | ||
- | < | ||
- | And everything' | ||
- | |||
- | 13 | ||
< | < | ||
- | Anybody live in that unit next door? | + | Petey: |
- | 14 | ||
< | < | ||
- | No, it's just Mrs. Selvig | + | Mark: No, it’s just Mrs. Selvig in the other direction. The neighborhood never really filled up, so it’s nice. Quiet. |
- | in the other direction. | + | |
- | 15 | ||
- | < | ||
- | The neighborhood never really filled up, | ||
- | so it's nice. Quiet. | ||
- | |||
- | 16 | ||
< | < | ||
- | Fortress of solitude. | + | Petey: |
- | 17 | ||
< | < | ||
- | I still think an occasional mixer | + | Irving: |
- | wouldn't hurt anything. | + | |
- | 18 | ||
- | < | ||
- | I checked, and it's | ||
- | not expressly prohibited in the manual. | ||
- | |||
- | 19 | ||
< | < | ||
- | Yeah, I bet! | + | Petey: |
- | + | ||
- | 20 | + | |
- | < | + | |
- | Dude, I pressed Cobel | + | |
- | for an all-floor mixer last quarter. | + | |
- | + | ||
- | 21 | + | |
- | < | + | |
- | She said you'll get one when you earn it, | + | |
- | whatever that means. | + | |
- | 22 | ||
< | < | ||
- | -Cobel? | + | Mark: Cobel? |
- | -I can't imagine Dylan's 4% | + | Petey: |
- | 23 | ||
- | < | ||
- | on Sunset Park's gonna help with-- | ||
- | |||
- | 24 | ||
< | < | ||
- | Petey? | + | Mark: Petey? You okay? |
- | 25 | ||
- | < | ||
- | You okay? | ||
- | |||
- | 26 | ||
< | < | ||
- | I'm sorry. Yeah. | + | Petey: |
- | 27 | ||
- | < | ||
- | With this sickness, | ||
- | I just-- I get disoriented. | ||
- | |||
- | 28 | ||
- | < | ||
- | It's temporary. | ||
- | |||
- | 29 | ||
< | < | ||
- | What's Sunset Park? | + | Mark: What’s Sunset Park? |
- | 30 | ||
< | < | ||
- | I don't know. | + | Petey: |
- | 31 | ||
< | < | ||
- | It's like having two different lives | + | Petey: |
- | suddenly stitched together. | + | |
- | + | ||
- | 32 | + | |
- | < | + | |
- | But the relativity's fucked. | + | |
- | + | ||
- | 33 | + | |
- | < | + | |
- | So, my first day at Lumon's | + | |
- | as far back as my fifth birthday. | + | |
- | 34 | ||
< | < | ||
- | And with two pasts, | + | Petey: |
- | it blurs the present too. | + | |
- | 35 | ||
- | < | ||
- | But they said it will get better. | ||
- | |||
- | 36 | ||
< | < | ||
- | Who's " | + | Mark: Who’s " |
- | 37 | ||
< | < | ||
- | " | + | Petey: |
- | severance is a blight on mankind. | + | |
- | 38 | ||
- | < | ||
- | And they' | ||
- | |||
- | 39 | ||
< | < | ||
- | The Whole Mind Collective? | + | Mark: The Whole Mind Collective? |
- | 40 | ||
< | < | ||
- | The kids trolling for signatures downtown? | + | Petey: |
- | No, not the fucking WMC. | + | |
- | + | ||
- | 41 | + | |
- | < | + | |
- | Someone else. | + | |
- | 42 | ||
< | < | ||
- | All right. Well-- | + | Mark: All right. Well— So, what do you want from me? |
- | 43 | ||
- | < | ||
- | So, what do you want from me? | ||
- | |||
- | 44 | ||
< | < | ||
- | Don't you wanna know | + | Petey: |
- | what you're doing down there? | + | |
- | 45 | ||
< | < | ||
- | Okay, look. | + | Mark: Okay, look. You know, I’m not gonna unsever. |
- | You know, I'm not gonna unsever. | + | |
- | 46 | ||
< | < | ||
- | Well, I don't want you to unsever | + | Petey: |
- | because that's not a word. | + | |
- | 47 | ||
< | < | ||
- | -Reintegration. | + | Petey: |
- | -All right. Well, whatever. | + | Mark: All right. Well, whatever. |
- | 48 | ||
< | < | ||
- | You know, it hasn't been a blight for me. | + | Mark: You know, it hasn’t been a blight for me. It’s helped me. |
- | + | ||
- | 49 | + | |
- | < | + | |
- | It's helped me. | + | |
- | 50 | ||
< | < | ||
- | Okay. What if the cost of that help | + | Petey: |
- | 51 | ||
- | < | ||
- | is that you're murdering people | ||
- | eight hours a day | ||
- | |||
- | 52 | ||
- | < | ||
- | and you don't even know it? | ||
- | |||
- | 53 | ||
< | < | ||
- | Well, am I? | + | Mark: Well, am I? |
- | 54 | ||
< | < | ||
- | Look, I found a department. | + | Petey: |
- | One they don't tell us about. | + | |
- | + | ||
- | 55 | + | |
- | < | + | |
- | One where you don't get to leave. | + | |
- | 56 | ||
< | < | ||
- | Well, don't none of us get to leave? | + | Mark: Well, don’t none of us get to leave? |
- | 57 | ||
< | < | ||
- | No, I mean you really don't get to leave. | + | Petey: |
- | As in, they're down there right now. | + | |
- | 58 | ||
< | < | ||
- | Well, what? Like, chained up, or-- | + | Mark: Well, what? Like, chained up, or— |
- | 59 | ||
< | < | ||
- | What? | + | Mark: What? |
- | 60 | ||
< | < | ||
- | I'm not gonna talk about it in here. | + | Petey: |
- | 61 | ||
- | < | ||
- | I don't know if the monitors are bugged. | ||
- | Or if Irving' | ||
- | |||
- | 62 | ||
< | < | ||
- | Petey, we're not at Lumon. | + | Mark: Petey, we’re not at Lumon. |
- | 63 | ||
< | < | ||
- | Then where the fuck is June? | + | Petey: |
- | 64 | ||
< | < | ||
- | I'm sorry, Mark. | + | Petey: |
- | 65 | ||
< | < | ||
- | Who's June? | + | Mark: Who’s June? |
- | 66 | ||
< | < | ||
- | June is my daughter. Greatest kid on Earth | + | Petey: |
- | and a hell of a guitar player. | + | |
- | 67 | ||
< | < | ||
- | How happy are you | + | Petey: |
- | that you asked me to stay here? | + | |
- | 68 | ||
< | < | ||
- | Oh, Mark. | + | Cobel: |
- | 69 | ||
- | < | ||
- | Are you all right? | ||
- | |||
- | 70 | ||
< | < | ||
- | But what do you say, Natalie, | + | Steven: |
- | to the woman who became pregnant at work | + | |
- | 71 | ||
- | < | ||
- | less than a month | ||
- | after her company went severed? | ||
- | |||
- | 72 | ||
< | < | ||
- | Well, first, | + | Natalie: |
- | I'd suggest she reveal her identity | + | |
- | 73 | ||
- | < | ||
- | if she wants an honest conversation | ||
- | |||
- | 74 | ||
< | < | ||
- | -about her experience. | + | Natalie: |
- | -How could she have that conversation | + | Steven: |
- | + | Natalie: | |
- | 75 | + | |
- | < | + | |
- | -when her workie was the one involved-- | + | |
- | -Okay, first of all, workie? | + | |
- | 76 | ||
< | < | ||
- | That, as I understand, | + | Steven: |
- | is the preferred term among-- | + | |
- | 77 | ||
< | < | ||
- | I think it's exactly the condescending | + | Natalie: |
- | verbiage that I'd expect | + | |
- | 78 | ||
- | < | ||
- | from a group trying to save people | ||
- | from their own choices. | ||
- | |||
- | 79 | ||
< | < | ||
- | Choices? Did her insie have a-- | + | Steven: |
- | 80 | ||
< | < | ||
- | Insie? Where are you getting these terms? | + | Natalie: |
- | 81 | ||
< | < | ||
- | Fine. Call it someone | + | Steven: |
- | who's had their brain split in half-- | + | |
- | 82 | ||
< | < | ||
- | That has nothing to do | + | Natalie: |
- | with what we do at Lumon | + | |
- | + | ||
- | 83 | + | |
- | < | + | |
- | nor any severance procedure. | + | |
- | 84 | ||
< | < | ||
- | I understand you don't wanna answer | + | Steven: |
- | my questions… | + | |
- | 85 | ||
< | < | ||
- | -I'm answering your questions. | + | Natalie: |
- | -…because it'll reveal that you are | + | Steven: ...because it’ll reveal that you are |
- | 86 | ||
< | < | ||
- | -complicit in something totally immoral. | + | Steven: |
- | -What's immoral is-- | + | Natalie: |
- | 87 | ||
< | < | ||
- | Tell me it's not true. | + | Television (voice): |
- | 88 | ||
< | < | ||
- | Well, I want to, but I can't. See? | + | Television (voice): |
- | 89 | ||
< | < | ||
- | …continuing through the greater basin, | + | Weather Channel (voice): ...continuing through the greater basin, |
- | 90 | ||
- | < | ||
- | probably into the afternoon, | ||
- | just as we predicted yesterday. | ||
- | |||
- | 91 | ||
- | < | ||
- | The good news is, those clouds should | ||
- | dissipate somewhere over the Ganz area, | ||
- | |||
- | 92 | ||
- | < | ||
- | leaving a clear, sunny day, | ||
- | for our friends in and around Kier. | ||
- | |||
- | 93 | ||
- | < | ||
- | That said, | ||
- | the cold's not letting up anywhere. | ||
- | |||
- | 94 | ||
- | < | ||
- | And those roads are going to remain | ||
- | icy throughout the week | ||
- | |||
- | 95 | ||
- | < | ||
- | and on into the weekend. | ||
- | |||
- | 96 | ||
- | < | ||
- | So wherever you're headed, | ||
- | please do commute with care. | ||
- | |||
- | 97 | ||
< | < | ||
- | Petey. | + | Mark: Petey. |
- | 98 | ||
- | < | ||
- | Wake up, Petey. Petey? | ||
- | |||
- | 99 | ||
< | < | ||
- | Hey. | + | Petey: |
- | 100 | ||
< | < | ||
- | It's morning. You are in my basement. | + | Mark: It’s morning. You are in my basement. |
- | 101 | ||
< | < | ||
- | Right. | + | Petey: |
- | 102 | ||
< | < | ||
- | So I'm going to work like you said. | + | Mark: So I’m going to work like you said. You can stay here if you want. I just wanna let you know, I’m not gonna reintegrate, |
- | You can stay here if you want. | + | |
- | + | ||
- | 103 | + | |
- | < | + | |
- | I just wanna let you know, | + | |
- | + | ||
- | 104 | + | |
- | < | + | |
- | I'm not gonna reintegrate, | + | |
- | 105 | ||
< | < | ||
- | Okay. | + | Petey: |
- | 106 | ||
< | < | ||
- | I lost my wife a couple years ago | + | Mark: I lost my wife a couple years ago in a car accident. |
- | in a car accident. | + | |
- | 107 | ||
- | < | ||
- | This is-- It's helping me, you know? | ||
- | |||
- | 108 | ||
< | < | ||
- | -I'm sorry, Mark. | + | Petey: |
- | -No, no, no. No. | + | Mark: No, no, no. No. |
- | 109 | ||
< | < | ||
- | At work… | + | Petey: |
- | 110 | ||
- | < | ||
- | you'd come in sometimes with red eyes. | ||
- | |||
- | 111 | ||
- | < | ||
- | We had a joke | ||
- | that you had an elevator allergy. | ||
- | |||
- | 112 | ||
- | < | ||
- | There was even a song for it. | ||
- | |||
- | 113 | ||
- | < | ||
- | But I always wondered. | ||
- | |||
- | 114 | ||
< | < | ||
- | You carry the hurt with you. | + | Petey: |
- | 115 | ||
- | < | ||
- | You feel it down there too. | ||
- | You just don't know what it is. | ||
- | |||
- | 116 | ||
< | < | ||
- | Okay. | + | Mark: Okay. Why don’t you grab whatever you want up in the fridge? I should be back around 6:00. |
- | + | ||
- | 117 | + | |
- | < | + | |
- | Why don't you grab | + | |
- | whatever you want up in the fridge? | + | |
- | + | ||
- | 118 | + | |
- | < | + | |
- | I should be back around 6:00. | + | |
- | 119 | ||
< | < | ||
- | Hi! | + | Cobel: |
- | 120 | ||
< | < | ||
- | -Hey. | + | Mark: Hey. |
- | -Mark, I'm sorry for the racket! | + | Cobel: |
- | 121 | ||
< | < | ||
- | I'm just deicing my stoop. | + | Cobel: |
- | 122 | ||
< | < | ||
- | No worries. Thanks again for the cookies. | + | Mark: No worries. Thanks again for the cookies. |
- | 123 | ||
< | < | ||
- | I'll bring by more! | + | Cobel: |
- | 124 | ||
< | < | ||
- | Please. | + | Mark: Please. |
- | 125 | ||
< | < | ||
- | -Mr. Scout, how are you doing? | + | Judd: Mr. Scout, how are you doing? |
- | -Hey, Judd. | + | Mark: Hey, Judd. |
- | 126 | ||
< | < | ||
- | I did a thing. | + | Helly: |
- | I deleted the scary numbers. | + | |
- | 127 | ||
< | < | ||
- | When? | + | Mark: When? |
- | 128 | ||
< | < | ||
- | -Yesterday. You were gone. | + | Helly: |
- | -I was? | + | Mark: I was? |
- | 129 | ||
< | < | ||
- | Oh, yeah. Dylan took over training | + | Irving: |
- | in your stead to great success. | + | |
- | 130 | ||
< | < | ||
- | You look trim, Mark. | + | Irving: |
- | I wonder if you were food poisoned. | + | |
- | 131 | ||
< | < | ||
- | Welcome back, boss. New photos come in? | + | Dylan: |
- | 132 | ||
< | < | ||
- | Oh, good. You can finally get rid | + | Irving: |
- | of those old ones. | + | |
- | 133 | ||
< | < | ||
- | You may as well skip it actually, | + | Helly: |
- | 'cause I put in my resignation request. | + | |
- | 134 | ||
< | < | ||
- | -You did submit it? | + | Mark: You did submit it? |
- | -I did. | + | Helly: |
- | 135 | ||
< | < | ||
- | It's good. It means you won't get sent | + | Helly: |
- | to the break room anymore. | + | |
- | 136 | ||
< | < | ||
- | Hello, Refiners. | + | Milchick: |
- | 137 | ||
< | < | ||
- | Hello, Mr. Milchick. | + | Irving: |
- | 138 | ||
< | < | ||
- | Mark, I spoke to your outie yesterday. | + | Milchick: |
- | 139 | ||
- | < | ||
- | He sounded just shattered | ||
- | not to be at work. | ||
- | |||
- | 140 | ||
- | < | ||
- | But now that you're here, | ||
- | |||
- | 141 | ||
- | < | ||
- | care to read your first morning | ||
- | announcements as department head? | ||
- | |||
- | 142 | ||
< | < | ||
- | Sure. | + | Mark: Sure. Should be easier without me in the audience. |
- | 143 | ||
- | < | ||
- | Should be easier | ||
- | without me in the audience. | ||
- | |||
- | 144 | ||
< | < | ||
- | Mark used to find it funny | + | Irving: |
- | to interrupt Petey's announcements. | + | |
- | 145 | ||
- | < | ||
- | With gas having. | ||
- | |||
- | 146 | ||
< | < | ||
- | Okay, quiet down, all. | + | Mark: Okay, quiet down, all. I’m Mark, your new announcements person. Just a couple things here. |
- | I'm Mark, your new announcements person. | + | |
- | + | ||
- | 147 | + | |
- | < | + | |
- | Just a couple things here. | + | |
- | 148 | ||
< | < | ||
- | Why are you standing weird? Stand normal. | + | Dylan: |
- | 149 | ||
< | < | ||
- | I'm-- I'm standing great. | + | Mark: I’m— I’m standing great. |
- | 150 | ||
< | < | ||
- | Are you uncomfortable? | + | Helly: |
- | We could all look away? | + | |
- | 151 | ||
< | < | ||
- | Okay, there's been some garbage | + | Mark: Okay, there’s been some garbage in the recycling. Please, everybody, don’t do that. |
- | in the recycling. | + | |
- | 152 | ||
- | < | ||
- | Please, everybody, don't do that. | ||
- | |||
- | 153 | ||
< | < | ||
- | As a reminder, | + | Mark: As a reminder, Post-it Notes are not to be put on faces. They clog your Outie’s pores. |
- | Post-it Notes are not to be put on faces. | + | |
- | + | ||
- | 154 | + | |
- | < | + | |
- | They clog your outie's pores. | + | |
- | 155 | ||
< | < | ||
- | That one's about me. | + | Dylan: |
- | I do this beloved character, Sticky Head. | + | |
- | 156 | ||
< | < | ||
- | Also, please refrain from boasting | + | Mark: Also, please refrain from boasting about previously earned waffle parties? |
- | about previously earned waffle parties? | + | |
- | 157 | ||
< | < | ||
- | Feeling attacked. | + | Dylan: |
- | 158 | ||
< | < | ||
- | And lastly-- | + | Mark: And lastly— |
- | 159 | ||
< | < | ||
- | Well, I've never seen a resignation | + | Mark: Well, I’ve never seen a resignation request get such a quick turnaround. |
- | request get such a quick turnaround. | + | |
- | 160 | ||
< | < | ||
- | Do I have to finish out the day | + | Helly: |
- | or can I skip out now? | + | |
- | 161 | ||
< | < | ||
- | Lastly, Helly's resignation request… | + | Mark: Lastly, Helly’s resignation request...was denied. |
- | 162 | ||
- | < | ||
- | was denied. | ||
- | |||
- | 163 | ||
< | < | ||
- | Yeah, no, that can't be right. | + | Helly: |
- | + | ||
- | 164 | + | |
- | < | + | |
- | My outie wouldn't do that. | + | |
- | 165 | ||
< | < | ||
- | You know, Petey used to say-- | + | Mark: You know, Petey used to say— |
- | 166 | ||
< | < | ||
- | This is so fun. | + | Ricken: |
- | 167 | ||
- | < | ||
- | Shall I, you know, | ||
- | tiptoe up and sneak to the door? | ||
- | |||
- | 168 | ||
< | < | ||
- | -He's at work, baby. It doesn't matter. | + | Devon: |
- | -How do you know? | + | Ricken: |
- | 169 | ||
< | < | ||
- | -Because his car's not here. | + | Devon: |
- | -Maybe he played hooky. | + | Ricken: |
- | 170 | ||
< | < | ||
- | Can you go do it? 'Cause I gotta pee. | + | Devon: |
- | 171 | ||
< | < | ||
- | Yes. | + | Ricken: |
- | 172 | ||
< | < | ||
- | Against the door, or to the side? | + | Ricken: |
- | 173 | ||
< | < | ||
- | I think either's really good. | + | Devon: |
- | 174 | ||
< | < | ||
- | -Do you think he'll be surprised? | + | Ricken: |
- | -I do. | + | Devon: |
- | 175 | ||
< | < | ||
- | My babe, I'm gonna put it off to the side. | + | Ricken: |
- | 176 | ||
< | < | ||
- | Awesome. | + | Devon: |
- | 177 | ||
< | < | ||
- | -Perfect. | + | Ricken: |
- | -Good. | + | Devon: |
- | 178 | ||
< | < | ||
- | -I mean, it's perfect. | + | Ricken: |
- | -Yes. | + | Devon: |
- | 179 | ||
< | < | ||
- | He's gonna be so excited. | + | Ricken: |
- | 180 | ||
< | < | ||
- | -Yeah. | + | Devon: |
- | -I hope he comes home early. | + | Ricken: |
- | 181 | ||
< | < | ||
- | He's not going to. | + | Devon: |
- | 182 | ||
< | < | ||
- | Hey. What's that? Sudoku? | + | Mark: Hey. What’s that? Sudoku? |
- | 183 | ||
< | < | ||
- | It's nothing. | + | Petey: |
- | 184 | ||
< | < | ||
- | What were you drawing? | + | Mark: What were you drawing? |
- | 185 | ||
< | < | ||
- | You getting back to work, in cubist form. | + | Petey: |
- | 186 | ||
< | < | ||
- | Kay, two things. | + | Mark: Kay, two things. How do you know what cubist form is? And what the fuck are you wearing? |
- | How do you know what cubist form is? | + | |
- | 187 | ||
- | < | ||
- | And what the fuck are you wearing? | ||
- | |||
- | 188 | ||
< | < | ||
- | Oh, fuck. | + | Petey: |
- | 189 | ||
< | < | ||
- | No. | + | Cobel: |
- | 190 | ||
< | < | ||
- | Yes? | + | Cobel: |
- | 191 | ||
< | < | ||
- | What did he tell her | + | Cobel: |
- | after the announcement? | + | |
- | 192 | ||
< | < | ||
- | No, it's not so bad. | + | Cobel: |
- | 193 | ||
< | < | ||
- | Just mildly aggressive. | + | Cobel: |
- | 194 | ||
< | < | ||
- | Did you give her directed praise? | + | Cobel: |
- | 195 | ||
< | < | ||
- | Uh-huh. Uh-huh. | + | Cobel: |
- | + | ||
- | 196 | + | |
- | < | + | |
- | I'm coming. | + | |
- | 197 | ||
< | < | ||
- | Hey, Helly? | + | Mark: Hey, Helly? |
- | 198 | ||
< | < | ||
- | Go away. | + | Helly: |
- | 199 | ||
< | < | ||
- | -Are you okay? | + | Mark: Are you okay? |
- | -I'm fine. | + | Helly: |
- | 200 | ||
< | < | ||
- | I mean, it's been, like, 45 minutes. | + | Mark: I mean, it’s been, like, 45 minutes. |
- | 201 | ||
< | < | ||
- | I'm using the bathroom. | + | Helly: |
- | 202 | ||
< | < | ||
- | Okay. It's just-- It has been a while. | + | Mark: Okay. It’s just— It has been a while. |
- | 203 | ||
< | < | ||
- | -I'm fine, Mark. | + | Helly: |
- | -I think I need to come in. | + | Mark: I think I need to come in. |
- | 204 | ||
< | < | ||
- | -That's-- Okay? | + | Mark: That’s— Okay? |
- | -No! | + | Helly: |
- | 205 | ||
< | < | ||
- | I am going to come in, so get ready. | + | Mark: I am going to come in, so get ready. Do the things you need to do ’cause I’m comin’ in. |
- | 206 | ||
- | < | ||
- | Do the things you need to do | ||
- | 'cause I'm comin' in. | ||
- | |||
- | 207 | ||
< | < | ||
- | No! | + | Helly: |
- | 208 | ||
< | < | ||
- | -Okay, here I come. I'm sorry. | + | Mark: Okay, here I come. I’m sorry. |
- | -Mark, no! I'm not decent! | + | Helly: |
- | 209 | ||
< | < | ||
- | -Do-- Jesus. | + | Helly: |
- | -I'm sorry. I'm-- | + | Mark: I’m sorry. I’m— |
- | 210 | ||
< | < | ||
- | Writing the note directly on your skin. | + | Mark: Writing the note directly on your skin. Well, unfortunately, |
- | + | ||
- | 211 | + | |
- | < | + | |
- | Well, unfortunately, | + | |
- | can pick up lettering anywhere. | + | |
- | 212 | ||
< | < | ||
- | Does this look like lettering to you? | + | Helly: |
- | 213 | ||
< | < | ||
- | Well, if you put your arms together. | + | Mark: Well, if you put your arms together. |
- | 214 | ||
< | < | ||
- | Not bad. | + | Mark: Not bad. I thought you were starting to, like, be okay here. |
- | 215 | ||
- | < | ||
- | I thought you were starting to, | ||
- | like, be okay here. | ||
- | |||
- | 216 | ||
< | < | ||
- | What, 'cause I did the numbers thing? | + | Helly: |
- | 217 | ||
< | < | ||
- | Well, you got a win. You know, | + | Mark: Well, you got a win. You know, a lot of people find joy in that. |
- | a lot of people find joy in that. | + | |
- | 218 | ||
< | < | ||
- | It literally causes fear. | + | Helly: |
- | 219 | ||
< | < | ||
- | That's just one subset of numbers. | + | Mark: That’s just one subset of numbers. The others are more comforting— |
- | The others are more comforting-- | + | |
- | 220 | ||
< | < | ||
- | Mark, I don't wanna work here with you. | + | Helly: |
- | 221 | ||
- | < | ||
- | So don't burst into the bathroom | ||
- | with your pathetic boss voice on | ||
- | |||
- | 222 | ||
- | < | ||
- | and try to convince me that I do. | ||
- | |||
- | 223 | ||
< | < | ||
- | Okay, I'll give you five minutes | + | Mark: Okay, I’ll give you five minutes to scrub your arms. |
- | to scrub your arms. | + | |
- | 224 | ||
< | < | ||
- | Or what? | + | Helly: |
- | 225 | ||
< | < | ||
- | Do you want Graner to use the bad soap? | + | Mark: Do you want Graner to use the bad soap? |
- | 226 | ||
< | < | ||
- | There's bad soap? | + | Helly: |
- | 227 | ||
< | < | ||
- | Thanks, boss. | + | Helly: |
- | 228 | ||
- | < | ||
- | Yeah, I fucking love working here. | ||
- | |||
- | 229 | ||
< | < | ||
- | -Mark. | + | Irving: |
- | -Irv. | + | Mark: Irv. |
- | 230 | ||
< | < | ||
- | I was listening at the door. | + | Irving: |
- | I heard it all. | + | |
- | 231 | ||
< | < | ||
- | -Okay. | + | Mark: Okay. |
- | -I am troubled by you having | + | Irving: |
- | + | ||
- | 232 | + | |
- | < | + | |
- | high-stress exchanges like that | + | |
- | so fresh off your food poisoning. | + | |
- | 233 | ||
< | < | ||
- | It's fine. | + | Mark: It’s fine. |
- | 234 | ||
< | < | ||
- | The loathing with which she spoke to you. | + | Irving: |
- | 235 | ||
< | < | ||
- | Well, acclimating takes time. | + | Mark: Well, acclimating takes time. |
- | 236 | ||
< | < | ||
- | And guidance. | + | Irving: |
- | 237 | ||
< | < | ||
- | What's on your mind, Irving? | + | Mark: What’s on your mind, Irving? |
- | 238 | ||
< | < | ||
- | Dylan was going on all yesterday | + | Irving: |
- | about incentives, | + | |
- | 239 | ||
- | < | ||
- | pencil erasers and waffle parties, | ||
- | as though that's why we're here. | ||
- | |||
- | 240 | ||
- | < | ||
- | That's not why we're here. | ||
- | |||
- | 241 | ||
- | < | ||
- | If it's a deeper meaning she craves, | ||
- | she should see the perpetuity wing. | ||
- | |||
- | 242 | ||
< | < | ||
- | She can read about all that stuff | + | Mark: She can read about all that stuff in the handbook. |
- | in the handbook. | + | |
- | 243 | ||
< | < | ||
- | You know it's different to be there. | + | Irving: |
- | To see it. | + | |
- | 244 | ||
< | < | ||
- | It just seems premature. | + | Mark: It just seems premature. I mean, that place is a lot. |
- | I mean, that place is a lot. | + | |
- | 245 | ||
< | < | ||
- | Correct. That place is everything. | + | Irving: |
- | 246 | ||
< | < | ||
- | How'd the check go? | + | Milchick: |
- | 247 | ||
< | < | ||
- | There was a package left at his door | + | Cobel: |
- | from someone. Open it, would you? | + | |
- | 248 | ||
< | < | ||
- | -Oh, God. | + | Cobel: |
- | -Is this the brother-in-law? | + | Milchick: |
- | 249 | ||
< | < | ||
- | Ricken. His fifth book. | + | Cobel: |
- | 250 | ||
< | < | ||
- | " | + | Milchick: |
- | Emotionally Nude in Front of My Wife." | + | |
- | 251 | ||
< | < | ||
- | Check it for messages, just to be safe. | + | Cobel: |
- | 252 | ||
< | < | ||
- | Mark. | + | Milchick: |
- | 253 | ||
< | < | ||
- | -Can I help you? | + | Milchick: |
- | -Does she have a moment? | + | Mark: Does she have a moment? |
- | 254 | ||
< | < | ||
- | Did you fill out an official request | + | Milchick: |
- | for supervisory interaction? | + | |
- | 255 | ||
< | < | ||
- | -No, I-- | + | Mark: No, I— |
- | -It's fine. Come in. | + | Cobel: |
- | 256 | ||
< | < | ||
- | Sorry. I can fill out the form. | + | Mark: Sorry. I can fill out the form. |
- | 257 | ||
< | < | ||
- | What is it? | + | Cobel: |
- | + | ||
- | 258 | + | |
- | < | + | |
- | Get the door. | + | |
- | 259 | ||
< | < | ||
- | Irving thought we should take Helly | + | Mark: Irving thought we should take Helly to the Perpetuity Wing today. |
- | to the perpetuity wing today. | + | |
- | 260 | ||
< | < | ||
- | Well, it's a good thing | + | Cobel: |
- | I made Irving department chief. | + | |
- | 261 | ||
< | < | ||
- | Sorry. I think I should take Helly | + | Mark: Sorry. I think I should take Helly and the team to the Perpetuity Wing. |
- | and the team to the perpetuity wing. | + | |
- | 262 | ||
< | < | ||
- | And have you filled out | + | Cobel: |
- | a common-space reservation slip? | + | |
- | 263 | ||
< | < | ||
- | -No, I-- | + | Mark: No, I— |
- | -Mark. | + | Cobel: |
- | 264 | ||
< | < | ||
- | I'm sorry. I've just been-- I don't know. | + | Mark: I’m sorry. I’ve just been— I don’t know. It’s been weird since Petey left. I mean, you know, he was— He set the tone. |
- | 265 | ||
- | < | ||
- | It's been weird since Petey left. | ||
- | |||
- | 266 | ||
- | < | ||
- | I mean, you know, he was-- | ||
- | He set the tone. | ||
- | |||
- | 267 | ||
< | < | ||
- | If Petey were | + | Cobel: |
- | the tone-setter you're lionizing him as, | + | |
- | + | ||
- | 268 | + | |
- | < | + | |
- | he'd still be here. | + | |
- | 269 | ||
< | < | ||
- | What does that mean? | + | Mark: What does that mean? |
- | 270 | ||
< | < | ||
- | Are you gonna make me throw my mug at you? | + | Cobel: |
- | 271 | ||
< | < | ||
- | I-- Why would you-- | + | Mark: I— Why would you— |
- | 272 | ||
< | < | ||
- | -Get MDR to its numbers. | + | Cobel: |
- | -Okay. | + | Mark: Okay. |
- | 273 | ||
< | < | ||
- | Mark? | + | Cobel: |
- | 274 | ||
< | < | ||
- | What I just did was something I knew | + | Cobel: |
- | that you could handle and grow from. | + | |
- | 275 | ||
- | < | ||
- | It was very painful for me. | ||
- | |||
- | 276 | ||
- | < | ||
- | I hope that you'll let it help you. | ||
- | |||
- | 277 | ||
< | < | ||
- | Open or closed? | + | Mark: Open or closed? |
- | 278 | ||
< | < | ||
- | Both. | + | Cobel: |
- | 279 | ||
< | < | ||
- | I'll just-- | + | Mark: I’ll just— |
- | 280 | ||
< | < | ||
- | My delts are embarrassingly good today. | + | Dylan: |
- | My outie does muscle shows for sure. | + | |
- | 281 | ||
< | < | ||
- | If your outie did muscle shows, | + | Irving: |
- | you wouldn't have to work here. | + | |
- | 282 | ||
< | < | ||
- | I'm sorry, do you know | + | Dylan: |
- | how much muscle shows pay? | + | |
- | 283 | ||
- | < | ||
- | No, none of us can know that. | ||
- | |||
- | 284 | ||
< | < | ||
- | I imagine it's a tiered system. | + | Irving: |
- | + | ||
- | 285 | + | |
- | < | + | |
- | Perhaps there are monetary | + | |
- | prizes for gold, silver and bronze. | + | |
- | 286 | ||
< | < | ||
- | No. My guess is that | + | Dylan: |
- | they do it piecemeal per muscle. So… | + | |
- | 287 | ||
< | < | ||
- | -No, I don't think so. | + | Irving: |
- | -Best delt, 30 bucks. | + | Dylan: |
- | 288 | ||
< | < | ||
- | Best ab, 20 bucks. | + | Dylan: |
- | Biceps are a little flashier, 75 bucks. | + | |
- | 289 | ||
< | < | ||
- | I would think lats carry a high value. | + | Irving: |
- | 290 | ||
- | < | ||
- | They' | ||
- | in muscle-building circles. | ||
- | |||
- | 291 | ||
- | < | ||
- | And in society at large. | ||
- | |||
- | 292 | ||
< | < | ||
- | Lats are bullshit, dude-- | + | Dylan: |
- | 293 | ||
< | < | ||
- | -The center of a good physique. | + | Irving: |
- | -You are alone on this one, Irv… | + | Dylan: |
- | 294 | ||
< | < | ||
- | -You've never noticed my lats? | + | Irving: |
- | -…I assure you. Never once. | + | Dylan: ...I assure you. Never once. |
- | 295 | ||
< | < | ||
- | You don't understand why my posture's | + | Irving: |
- | ramrod straight. You see how… | + | |
- | 296 | ||
< | < | ||
- | Thirsty? | + | Mark: Thirsty? |
- | 297 | ||
< | < | ||
- | Hey, just in case | + | Mark: Hey, just in case you find this relevant for some reason, |
- | you find this relevant for some reason, | + | |
- | 298 | ||
- | < | ||
- | the code detectors can read messages | ||
- | hidden inside the body as well. | ||
- | |||
- | 299 | ||
- | < | ||
- | Also, when that happens, it's Milchick' | ||
- | job to extract the message from you. | ||
- | |||
- | 300 | ||
- | < | ||
- | And when he asks | ||
- | how long ago you ingested it, | ||
- | |||
- | 301 | ||
- | < | ||
- | I really can't recommend honesty enough. | ||
- | |||
- | 302 | ||
- | < | ||
- | It's easier for you both | ||
- | if he knows which end to start from. | ||
- | |||
- | 303 | ||
< | < | ||
- | Another good try though. | + | Mark: Another good try though. |
- | 304 | ||
< | < | ||
- | Go shut down your workstation. | + | Mark: Go shut down your workstation. We’re taking a trip. |
- | We're taking a trip. | + | |
- | 305 | ||
< | < | ||
- | The power is in your calves. | + | Dylan: |
- | 306 | ||
< | < | ||
- | …and it's always been that way. | + | Irving: ...and it’s always been that way. I can tell you that right now, young boy. |
- | I can tell you that right now, young boy. | + | |
- | 307 | ||
< | < | ||
- | All eight CEOs have been | + | Irving: |
- | of the Eagan lineage. | + | |
- | 308 | ||
- | < | ||
- | A line dating back to the founder. | ||
- | |||
- | 309 | ||
< | < | ||
- | I have a mnemonic poem | + | Irving: |
- | to help you remember their names. | + | |
- | + | ||
- | 310 | + | |
- | < | + | |
- | I authored it myself, and of course, | + | |
- | it falls outside corporate canon, | + | |
- | + | ||
- | 311 | + | |
- | < | + | |
- | and it's poetically imperfect, to be sure. | + | |
- | + | ||
- | 312 | + | |
- | < | + | |
- | There's a slant rhyme in the second verse. | + | |
- | of " | + | |
- | + | ||
- | 313 | + | |
- | < | + | |
- | which was necessary | + | |
- | to further the narrative, but regrettable. | + | |
- | 314 | ||
< | < | ||
- | Ambrose is sometimes unfairly maligned as | + | Irving: |
- | a black sheep in the annals of the family. | + | |
- | 315 | ||
< | < | ||
- | What's this? | + | Helly: |
- | 316 | ||
< | < | ||
- | And it certainly wasn't my intent | + | Irving: |
- | to slight him further, | + | |
- | 317 | ||
< | < | ||
- | -but I think you'll find… | + | Irving: |
- | -" | + | Helly: |
- | 318 | ||
< | < | ||
- | Hey. Eagan bingo. | + | Dylan: |
- | 319 | ||
< | < | ||
- | -We shouldn't, right? This-- | + | Mark: We shouldn’t, right? This— |
- | -…for when we arrive… | + | Irving: ...for when we arrive… |
- | 320 | ||
< | < | ||
- | Hey, what the hell is Eagan bingo? | + | Helly: |
- | 321 | ||
< | < | ||
- | It's how you don't die of boredom | + | Dylan: |
- | in the perpetuity wing. | + | |
- | + | ||
- | 322 | + | |
- | < | + | |
- | And come on, | + | |
- | it'll be an excellent opportunity | + | |
- | + | ||
- | 323 | + | |
- | < | + | |
- | for everyone except Irv to bond. | + | |
- | 324 | ||
< | < | ||
- | Optics and Design. | + | Mark: Optics and Design. |
- | 325 | ||
< | < | ||
- | Macrodata Refinement. | + | Burt: Macrodata Refinement. |
- | 326 | ||
< | < | ||
- | Burt. | + | Irving: |
- | 327 | ||
< | < | ||
- | Hi. | + | Burt: Hi. I trust that your session was good. |
- | 328 | ||
- | < | ||
- | I trust that your session was good. | ||
- | |||
- | 329 | ||
< | < | ||
- | Great, very restorative. | + | Irving: |
- | 330 | ||
< | < | ||
- | Wa-- You two know each other? | + | Mark: Wa— You two know each other? |
- | 331 | ||
< | < | ||
- | We were just admiring | + | Irving: |
- | some Lumon artwork together, very briefly. | + | |
- | 332 | ||
< | < | ||
- | Remember, we'll have | + | Burt: Remember, we’ll have those new handbook totes soon. |
- | those new handbook totes soon. | + | |
- | 333 | ||
< | < | ||
- | So exciting. | + | Irving: |
- | 334 | ||
< | < | ||
- | Thanks for the tip. You got business, | + | Dylan: |
- | or you out for a stroll? | + | |
- | 335 | ||
< | < | ||
- | -Dylan. | + | Mark: Dylan. |
- | -What? I think you guys are cool, | + | Dylan: |
- | 336 | ||
< | < | ||
- | and I'm just wondering what you're up to. | + | Dylan: |
- | It's rare seeing you out of your hole. | + | |
- | 337 | ||
< | < | ||
- | Egg drop challenge | + | Felicia: |
- | in the team-building | + | |
- | 338 | ||
- | < | ||
- | Tight department like us | ||
- | gotta keep our synergy up. | ||
- | |||
- | 339 | ||
< | < | ||
- | Egg drop challenge. | + | Dylan: |
- | You buy this fucking shit? | + | |
- | 340 | ||
< | < | ||
- | -And what are you guys doing? | + | Felicia: |
- | -Felicia. | + | Burt: Felicia. |
- | 341 | ||
< | < | ||
- | Perpetuity wing visit. | + | Mark: Perpetuity wing visit. This is Helly, our new refiner. |
- | This is Helly, our new refiner. | + | |
- | 342 | ||
< | < | ||
- | -This is-- | + | Irving: |
- | -Welcome, Helly. | + | Burt: Welcome, Helly. |
- | 343 | ||
< | < | ||
- | Well, we should get back. | + | Burt: Well, we should get back. Can’t leave the nest empty. |
- | Can't leave the nest empty. | + | |
- | 344 | ||
< | < | ||
- | Good to see you, O&D. | + | Mark: Good to see you, O&D. |
- | 345 | ||
< | < | ||
- | Those eggs look like shit. | + | Dylan: |
- | 346 | ||
< | < | ||
- | Irving, come on. | + | Mark: Irving, come on. |
- | 347 | ||
< | < | ||
- | Seth? | + | Cobel: |
- | 348 | ||
< | < | ||
- | Natalie. | + | Cobel: |
- | 349 | ||
< | < | ||
- | Harmony, hello. | + | Natalie: |
- | 350 | ||
< | < | ||
- | I wasn't expecting-- Is this about Helena? | + | Cobel: |
- | 351 | ||
< | < | ||
- | No, this is about Peter Kilmer. | + | Natalie: |
- | 352 | ||
- | < | ||
- | And I should tell you | ||
- | that the Board is joining us. | ||
- | |||
- | 353 | ||
< | < | ||
- | The Board would like you to speak first. | + | Natalie: |
- | 354 | ||
< | < | ||
- | Oh, yes. Of course. | + | Cobel: |
- | 355 | ||
< | < | ||
- | Salutations. | + | Cobel: |
- | 356 | ||
< | < | ||
- | So the search for Kilmer continues. | + | Cobel: |
- | 357 | ||
- | < | ||
- | I will say this. | ||
- | |||
- | 358 | ||
- | < | ||
- | Not to be alarmist, | ||
- | but prior to his departure, | ||
- | |||
- | 359 | ||
- | < | ||
- | there were some troubling signs | ||
- | of possible… reintegration. | ||
- | |||
- | 360 | ||
< | < | ||
- | Okay. | + | Natalie: |
- | + | ||
- | 361 | + | |
- | < | + | |
- | So, the Board is conveying pretty strongly | + | |
- | + | ||
- | 362 | + | |
- | < | + | |
- | that the severance procedure is | + | |
- | provenly irreversible. | + | |
- | 363 | ||
< | < | ||
- | Yes-- | + | Cobel: |
- | 364 | ||
< | < | ||
- | And that this knowledge should be a given | + | Natalie: |
- | for a person managing a severed floor. | + | |
- | 365 | ||
< | < | ||
- | Yes, of course. | + | Cobel: |
- | 366 | ||
< | < | ||
- | While, of course, getting MDR | + | Natalie: |
- | to their projected numbers | + | |
- | 367 | ||
- | < | ||
- | by the quarterly deadline in three weeks. | ||
- | |||
- | 368 | ||
< | < | ||
- | Yes, of course. | + | Cobel: |
- | + | ||
- | 369 | + | |
- | < | + | |
- | We are quickly rekindling our yield | + | |
- | down here with our nimble new refiner. | + | |
- | 370 | ||
< | < | ||
- | -And for what it's worth, I'd like-- | + | Cobel: |
- | -The Board has concluded the call. | + | Natalie: |
- | 371 | ||
< | < | ||
- | Yes, okay. Thank you. | + | Cobel: |
- | 372 | ||
< | < | ||
- | -And may I ask-- | + | Cobel: |
- | -Goodbye, Harmony. | + | Natalie: |
- | 373 | ||
< | < | ||
- | There's seriously a two-person department? | + | Helly: |
- | Like, they only ever see each other? | + | |
- | 374 | ||
< | < | ||
- | For the most part. It's lonely, I suspect. | + | Irving: |
- | 375 | ||
< | < | ||
- | And unnatural. Perverse. | + | Dylan: |
- | 376 | ||
< | < | ||
- | O&D is nice. | + | Mark: O&D is nice. |
- | 377 | ||
< | < | ||
- | No, they're not. | + | Dylan: |
- | Nor do they share our values. | + | |
- | 378 | ||
- | < | ||
- | Kier sorted the departments by virtue. | ||
- | |||
- | 379 | ||
- | < | ||
- | Macrodats are clever and true, | ||
- | while O& | ||
- | |||
- | 380 | ||
< | < | ||
- | How many departments are there? | + | Helly: |
- | 381 | ||
< | < | ||
- | -Probably 30. | + | Dylan: |
- | -Around five. | + | Mark: Around five. |
- | 382 | ||
< | < | ||
- | No one's quite sure. | + | Irving: |
- | 383 | ||
< | < | ||
- | O&D tried a violent coup on the others | + | Dylan: |
- | decades ago, | + | |
- | + | ||
- | 384 | + | |
- | < | + | |
- | and that's why | + | |
- | they reduced them down to two. | + | |
- | + | ||
- | 385 | + | |
- | < | + | |
- | And that's why they keep us all | + | |
- | so far apart now. | + | |
- | 386 | ||
< | < | ||
- | That's an absolute fiction. | + | Irving: |
- | 387 | ||
< | < | ||
- | Did they ever kill anyone? | + | Helly: |
- | 388 | ||
< | < | ||
- | Nope. There was no coup. | + | Mark: Nope. There was no coup. No one killed anyone. |
- | No one killed anyone. | + | |
- | 389 | ||
< | < | ||
- | Then why don't we ever hang out? | + | Helly: |
- | 390 | ||
< | < | ||
- | I mean, I'm 99% sure there was no coup. | + | Mark: I mean, I’m 99% sure there was no coup. |
- | 391 | ||
< | < | ||
- | If they come back and attack us, | + | Helly: |
- | I think we should kill Mark. | + | |
- | 392 | ||
< | < | ||
- | -Oh, yeah? | + | Mark: Oh, yeah? |
- | -Yeah. | + | Helly: |
- | 393 | ||
< | < | ||
- | So they think we're crazy | + | Helly: |
- | with nothing to lose. | + | |
- | 394 | ||
< | < | ||
- | Smart. That's smart. | + | Dylan: |
- | 395 | ||
< | < | ||
- | Like, I'm imagining them rounding | + | Helly: |
- | a corner, and we're all blood-soaked, | + | |
- | 396 | ||
- | < | ||
- | and I'm wearing your face, | ||
- | and they' | ||
- | |||
- | 397 | ||
- | < | ||
- | And I'm like, | ||
- | "The last person who fucked with us." | ||
- | |||
- | 398 | ||
- | < | ||
- | And that's just feeling like | ||
- | a really powerful image to me. | ||
- | |||
- | 399 | ||
< | < | ||
- | Just-- Seems like | + | Mark: Just— Seems like they’d recognize my face. Maybe if you wore it inside out? |
- | they'd recognize my face. | + | |
- | + | ||
- | 400 | + | |
- | < | + | |
- | Maybe if you wore it inside out? | + | |
- | 401 | ||
< | < | ||
- | We're here. | + | Irving: |
- | 402 | ||
< | < | ||
- | "Come now, children of my industry, | + | Irving: |
- | 403 | ||
- | < | ||
- | and know the children of my blood." | ||
- | |||
- | 404 | ||
< | < | ||
- | Whoa. | + | Helly: |
- | 405 | ||
< | < | ||
- | That's Jame Eagan. | + | Irving: |
- | Current CEO. Remarkable man. | + | |
- | 406 | ||
< | < | ||
- | Handsome too. See those brows? | + | Dylan: |
- | 407 | ||
< | < | ||
- | All the center displays are for | + | Irving: |
- | a past Eagan CEO. | + | |
- | 408 | ||
- | < | ||
- | But the whole back part is Kier. | ||
- | |||
- | 409 | ||
< | < | ||
- | I know that death is near upon me, | + | Kier Eagan (recording): |
- | + | ||
- | 410 | + | |
- | < | + | |
- | because people have begun to ask | + | |
- | what I see as my life's great achievement. | + | |
- | + | ||
- | 411 | + | |
- | < | + | |
- | They wish to know | + | |
- | how they should remember me as I rot. | + | |
- | + | ||
- | 412 | + | |
- | < | + | |
- | In my life, I have identified | + | |
- | four components, which I call tempers, | + | |
- | + | ||
- | 413 | + | |
- | < | + | |
- | from which are derived every human soul. | + | |
- | + | ||
- | 414 | + | |
- | < | + | |
- | Woe. Frolic. Dread. Malice. | + | |
- | + | ||
- | 415 | + | |
- | < | + | |
- | Each man's character is defined | + | |
- | by the precise ratio | + | |
- | + | ||
- | 416 | + | |
- | < | + | |
- | that resides in him. | + | |
- | + | ||
- | 417 | + | |
- | < | + | |
- | I walked into the cave | + | |
- | of my own mind, and there I tamed them. | + | |
- | + | ||
- | 418 | + | |
- | < | + | |
- | Should you tame the tempers as I did mine, | + | |
- | + | ||
- | 419 | + | |
- | < | + | |
- | then the world shall become | + | |
- | but your appendage. | + | |
- | + | ||
- | 420 | + | |
- | < | + | |
- | It is this great and consecrated power | + | |
- | + | ||
- | 421 | + | |
- | < | + | |
- | that I hope to pass on | + | |
- | to all of you, my children. | + | |
< | < | ||
- | [[Myrtle Eagan|MYRTLE]]: I think that to be an Eagan, either a true Eagan or anyone working in this Lumon family, what you are is the keeper of an ethos, a compact of values that we have long held as precious, and which I do believe will one day save this world. | + | Myrtle Eagan (recording): I think that to be an Eagan, either a true Eagan or anyone working in this Lumon family, what you are is the keeper of an ethos, a compact of values that we have long held as precious, and which I do believe will one day save this world. And that ethos goes all the way back through my blood... |
- | 427 | ||
- | < | ||
- | And that ethos goes all the way back | ||
- | |||
- | 428 | ||
< | < | ||
- | -through my blood… | + | Mark: Look, you got one. |
- | -Look, you got one. | + | |
- | 429 | ||
< | < | ||
- | …to where we all started, with Kier. | + | Myrtle Eagan (recording): |
- | 430 | ||
< | < | ||
- | -It's okay if you cry. | + | Irving: |
- | -When I was a girl, | + | Myrtle Eagan (recording): |
- | 431 | ||
- | < | ||
- | my father would make me whisper… | ||
- | |||
- | 432 | ||
< | < | ||
- | She was five CEOs ago. | + | Irving: |
- | + | ||
- | < | + | |
- | IRVING: | + | |
- | 435 | ||
< | < | ||
- | Vision. Verve. | + | Myrtle Eagan (recording): |
- | 436 | ||
< | < | ||
- | -Isn't that lovely? | + | Irving: |
- | -Wit. | + | Myrtle Eagan (recording): |
- | 437 | ||
< | < | ||
- | -It's beautiful. | + | Helly: |
- | -Cheer. | + | Myrtle Eagan (recording): |
- | 438 | ||
< | < | ||
- | It almost makes me wish | + | Helly: |
- | I remembered my own childhood. | + | |
- | 439 | ||
< | < | ||
- | Nimbleness. Probity. Wiles. | + | Myrtle Eagan (recording): |
- | 440 | ||
< | < | ||
- | It's an unnatural state | + | Irving: |
- | for a person to have no history. | + | |
- | + | ||
- | 441 | + | |
- | < | + | |
- | History makes us someone. | + | |
- | Gives us a context. A shape. | + | |
- | + | ||
- | 442 | + | |
- | < | + | |
- | But waking up on that table, | + | |
- | I was shapeless. | + | |
- | + | ||
- | 443 | + | |
- | < | + | |
- | But then I learned | + | |
- | that I work for a company | + | |
- | + | ||
- | 444 | + | |
- | < | + | |
- | that has been actively caring | + | |
- | for mankind since 1866. | + | |
< | < | ||
- | IRVING: Look. Each of these is a real smile from someone on the outside. Someone Lumon Industries has helped. And they rotate these through. The true number of smiles may well be in the millions. | + | Irving: Look. Each of these is a real smile from someone on the outside. Someone Lumon Industries has helped. And they rotate these through. The true number of smiles may well be in the millions. |
< | < | ||
- | HELLY: So what are we, like, a dental company? | + | Helly: So what are we, like, a dental company? |
< | < | ||
- | IRVING: No. | + | Irving: No. My point is you’re part of a history now. |
- | + | ||
- | 452 | + | |
- | < | + | |
- | My point is you're part of a history now. | + | |
- | 453 | ||
< | < | ||
- | -A noble one. | + | Mark: A noble one. |
- | -And that's so much more mea-- | + | Irving: |
- | 454 | ||
< | < | ||
- | They update the mouth wall? | + | Dylan: |
- | 455 | ||
< | < | ||
- | It's not called the "mouth wall." | + | Irving: |
- | 456 | ||
< | < | ||
- | Damn, they took down the chick I like. | + | Dylan: |
- | 457 | ||
< | < | ||
- | -Are you guys ready to go? | + | Dylan: |
- | -We just got here. | + | Irving: |
- | 458 | ||
< | < | ||
- | She hasn't even seen the Kier part yet. | + | Irving: |
- | 459 | ||
< | < | ||
- | Gerhardt. | + | Irving: |
- | 460 | ||
< | < | ||
- | -Jesus. | + | Helly: |
- | -No. Kier. | + | Irving: |
- | 461 | ||
< | < | ||
- | It's his house? | + | Helly: |
- | 462 | ||
< | < | ||
- | A perfect replica. | + | Irving: |
- | 463 | ||
< | < | ||
- | Pretty cool, huh? | + | Mark: Pretty cool, huh? |
- | 464 | ||
< | < | ||
- | Yeah, pretty cool. | + | Helly: |
- | 465 | ||
< | < | ||
- | The bedroom of Kier, | + | Irving: |
- | just as he might have left it. | + | |
- | 466 | ||
< | < | ||
- | Well, this is thorough. | + | Helly: |
- | 467 | ||
< | < | ||
- | I hate this place. | + | Dylan: |
- | It smells like 19th century ass. | + | |
- | 468 | ||
< | < | ||
- | Stop treating this | + | Irving: |
- | like some kind of beer party. | + | |
- | 469 | ||
< | < | ||
- | That's not fair. | + | Dylan: |
- | Up till now, I've been reverent as shit. | + | |
- | 470 | ||
< | < | ||
- | -Mark. | + | Irving: |
- | -Yeah? | + | Mark: Yeah? |
- | 471 | ||
< | < | ||
- | Were you about to… bed sit? | + | Irving: |
- | 472 | ||
< | < | ||
- | No. Nuh-uh. | + | Mark: No. Nuh-uh. |
- | 473 | ||
< | < | ||
- | What's that in your pocket, Mark? | + | Irving: |
- | 474 | ||
< | < | ||
- | I-- | + | Mark: I— |
- | 475 | ||
< | < | ||
- | Oh, God, Mark. Still? | + | Irving: |
- | 476 | ||
< | < | ||
- | It's… for fun. | + | Mark: It’s… for fun. |
- | 477 | ||
< | < | ||
- | It's the perpetuity wing. | + | Irving: |
- | 478 | ||
- | < | ||
- | It's the Eagans. | ||
- | |||
- | 479 | ||
- | < | ||
- | It's the living soul of Lumon | ||
- | and everything she stands for, | ||
- | |||
- | 480 | ||
- | < | ||
- | not a bingo match. | ||
- | |||
- | 481 | ||
< | < | ||
- | Look, Kier said, | + | Mark: Look, Kier said, "Keep a merry humor ever in your heart." |
- | "Keep a merry humor ever in your heart." | + | |
- | 482 | ||
< | < | ||
- | Did you give one to the trainee? | + | Irving: |
- | 483 | ||
- | < | ||
- | Of course, you did. | ||
- | |||
- | 484 | ||
- | < | ||
- | She's starved for meaning here. | ||
- | |||
- | 485 | ||
- | < | ||
- | So, of course, you'd pervert | ||
- | our founder' | ||
- | |||
- | 486 | ||
- | < | ||
- | with jokes and impiety. | ||
- | |||
- | 487 | ||
- | < | ||
- | That's definitely what she needs | ||
- | from her department chief. | ||
- | |||
- | 488 | ||
< | < | ||
- | Hey, I didn't want to be department chief. | + | Mark: Hey, I didn’t want to be department chief. I didn’t ask for Petey to disappear and for— |
- | + | ||
- | 489 | + | |
- | < | + | |
- | I didn't ask for Petey to disappear | + | |
- | and for-- | + | |
- | 490 | ||
< | < | ||
- | Helly? | + | Mark: Helly? |
- | 491 | ||
< | < | ||
- | Uh-oh. | + | Dylan: |
- | 492 | ||
< | < | ||
- | Helly? | + | Mark: Helly? |
- | 493 | ||
- | < | ||
- | Shit. | ||
- | |||
- | 494 | ||
< | < | ||
- | Helly! | + | Mark: Helly! |
- | 495 | ||
< | < | ||
- | This is… Jesus. | + | Milchick: |
- | 496 | ||
< | < | ||
- | Helly! | + | Mark: Helly! |
- | 497 | ||
< | < | ||
- | Helly! | + | Mark: Helly! |
- | 498 | ||
< | < | ||
- | Helly! | + | Mark: Helly! |
- | 499 | ||
< | < | ||
- | No! | + | Helly: |
- | 500 | ||
< | < | ||
- | Goddamn it, Helly. | + | Mark: Goddamn it, Helly. |
- | 501 | ||
< | < | ||
- | This way, please, Helly R. | + | Graner: |
- | 502 | ||
< | < | ||
- | On you go. | + | Graner: |
- | 503 | ||
< | < | ||
- | I'm truly sorry to see you here, Helly. | + | Milchick: |
- | 504 | ||
- | < | ||
- | I hoped you'd just settle in. | ||
- | |||
- | 505 | ||
- | < | ||
- | I know Mark's been trying so hard | ||
- | to get you to feel happy. | ||
- | |||
- | 506 | ||
< | < | ||
- | Look, you seem like a smart person. | + | Helly: |
- | But don't you see how fucked up this is? | + | |
- | 507 | ||
< | < | ||
- | -You can't keep-- | + | Helly: |
- | -Not right now, Helly. | + | Milchick: |
- | 508 | ||
< | < | ||
- | Sit. Please. | + | Milchick: |
- | + | ||
- | 509 | + | |
- | < | + | |
- | Hands on the table, please. | + | |
- | 510 | ||
< | < | ||
- | I'm bringing up the compunction statement | + | Milchick: |
- | for Helly R. | + | |
- | 511 | ||
< | < | ||
- | What is this? | + | Helly: |
- | 512 | ||
< | < | ||
- | Read it. | + | Milchick: |
- | 513 | ||
< | < | ||
- | I don't want to. | + | Helly: |
- | 514 | ||
< | < | ||
- | No. Do. | + | Milchick: |
- | 515 | ||
< | < | ||
- | " | + | Helly: |
- | I have caused this world. | + | |
- | 516 | ||
- | < | ||
- | None may atone for my actions but me, | ||
- | |||
- | 517 | ||
- | < | ||
- | and only in me shall their stain live on. | ||
- | |||
- | 518 | ||
- | < | ||
- | I am thankful to have been caught, | ||
- | |||
- | 519 | ||
- | < | ||
- | my fall cut short | ||
- | by those with wizened hands. | ||
- | |||
- | 520 | ||
- | < | ||
- | All I can be is sorry, | ||
- | and that is all I am." | ||
- | |||
- | 521 | ||
< | < | ||
- | I'm afraid you don't mean it. | + | Milchick: |
- | 522 | ||
< | < | ||
- | Excuse me? | + | Helly: |
- | 523 | ||
< | < | ||
- | Again, please. | + | Milchick: |
- | 524 | ||
< | < | ||
- | " | + | Helly: |
- | I have caused this world. | + | |
- | 525 | ||
- | < | ||
- | None may atone for my actions but me, | ||
- | |||
- | 526 | ||
- | < | ||
- | and only in me shall their stain live on. | ||
- | |||
- | 527 | ||
- | < | ||
- | I am thankful to have been caught, | ||
- | |||
- | 528 | ||
- | < | ||
- | my fall cut short | ||
- | by those with wizened hands. | ||
- | |||
- | 529 | ||
- | < | ||
- | All I can be is sorry, | ||
- | and that is all I am." | ||
- | |||
- | 530 | ||
< | < | ||
- | Again. | + | Milchick: |
- | 531 | ||
< | < | ||
- | Really? | + | Helly: |
- | 532 | ||
< | < | ||
- | Fun day. | + | Dylan: |
- | + | ||
- | 533 | + | |
- | < | + | |
- | See you tomorrow. | + | |
- | 534 | ||
< | < | ||
- | Yeah. | + | Mark: Yeah. |
- | 535 | ||
< | < | ||
- | Do you want me to get these? | + | Dylan: |
- | 536 | ||
< | < | ||
- | Yeah, go ahead. | + | Mark: Yeah, go ahead. |
- | 537 | ||
< | < | ||
- | I haven't any tokens. | + | Petey: |
- | I can't eat with no tokens. | + | |
- | 538 | ||
< | < | ||
- | Hey! | + | Petey: |
- | 539 | ||
- | < | ||
- | I need tokens so I can eat! | ||
- | |||
- | 540 | ||
< | < | ||
- | Oh, my God. | + | Checkout Girl: Oh, my God. |
- | 541 | ||
< | < | ||
- | Petey? | + | Mark: Petey? Petey? |
- | + | ||
- | 542 | + | |
- | < | + | |
- | Petey? | + | |
- | 543 | ||
< | < | ||
- | All right now. Take it slow. | + | Cop 1 (voice): |
- | 544 | ||
< | < | ||
- | Did you happen to see | + | Cop 2 (voice): |
- | which direction he came from? | + | |
- | 545 | ||
< | < | ||
- | I'm just gonna grab the stretcher. | + | Cop 3 (voice): |
- | I'll be right back. | + | |
- | 546 | ||
< | < | ||
- | Can you get an ID on this guy? | + | Cop 4 (voice): |
- | 547 | ||
< | < | ||
- | I guess he's from nearby. | + | BYSTANDER (voice): |
- | He came in with a robe on. That was it. | + | |
- | 548 | ||
< | < | ||
- | He's down. He's down. | + | Cop 3 (voice): |
- | 549 | ||
< | < | ||
- | Sir. Sir, sir, sir. Can you hear me? | + | Cop 1 (voice): |
- | 550 | ||
< | < | ||
- | You got that? Just stand back. | + | Cop 2 (voice): |
- | 551 | ||
< | < | ||
- | Yeah, dispatch, I got a 10-53 | + | Cop 2 (voice): |
- | at a convenience store on 42nd. | + | |
- | 552 | ||
< | < | ||
- | Call that in, please. | + | Cop 2 (voice): |
- | 553 | ||
< | < | ||
- | -Is he breathing? | + | Cop 3 (voice): |
- | -No, he's not breathing, man. | + | Cop 1 (voice): |
- | 554 | ||
< | < | ||
- | Yeah, yeah, yeah. Give me the bpm. | + | Cop 3 (voice): |
- | 555 | ||
< | < | ||
- | -You okay? You okay? | + | Cop 2 (voice): |
- | -Get him on the board. | + | Cop 3 (voice): |
</ | </ | ||
- | {{tag>transcripts}} | + | {{tag>Transcripts}} |