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| in_perpetuity_transcript [2022-05-15 20:36] – ↷ Links adapted because of a move operation Neatnik | in_perpetuity_transcript [2023-04-24 02:04] (current) – Scribe of Kier | ||
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| <WRAP infobox> | <WRAP infobox> | ||
| - | | **In Perpetuity (Script)** || | + | | **In Perpetuity (Transcript)** || |
| ^ Episode Number | 1.3 | | ^ Episode Number | 1.3 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| - | ^ Previous | + | ^ Previous |
| - | ^ Next Script | + | ^ Next Transcript |
| </ | </ | ||
| - | ====== In Perpetuity (Script) ====== | + | ====== In Perpetuity (Transcript) ====== |
| - | This is the script | + | This is the transcript |
| - | ===== Script | + | ===== Transcript |
| <WRAP script> | <WRAP script> | ||
| - | 1 | + | < |
| - | < | + | Mark: Petey, are you okay? |
| - | Petey, are you okay? | + | |
| - | 2 | + | < |
| - | < | + | Mark: Petey? |
| - | Petey? | + | |
| - | 3 | + | < |
| - | < | + | Petey: |
| - | Yeah, I'm good. I just slipped. | + | |
| - | You should invest in a bath mat, maybe. | + | |
| - | 4 | + | < |
| - | < | + | Mark: Yeah, okay. The robe is a gift from my brother-in-law. I’ve never worn it or anything. Sorry, it’s weird. |
| - | Yeah, okay. | + | |
| - | The robe is a gift from my brother-in-law. | + | |
| - | 5 | + | < |
| - | < | + | Mark: I have pillows. Do you need anything |
| - | I've never worn it or anything. | + | |
| - | Sorry, it's weird. | + | |
| - | 6 | + | < |
| - | < | + | Petey: Yeah, I want you to stop shitting on this awesome robe. |
| - | I have pillows. Do you need anything else? | + | |
| - | 7 | + | < |
| - | < | + | Mark: Well, you can keep it. |
| - | Yeah, I want you to stop | + | |
| - | shitting on this awesome robe. | + | |
| - | 8 | + | < |
| - | < | + | Petey: I will. |
| - | Well, you can keep it. | + | |
| - | 9 | + | < |
| - | < | + | Petey: Hey. Are you sure nobody can see in any of these transoms? |
| - | I will. | + | |
| - | 10 | + | < |
| - | < | + | Mark: Yeah. And everything’s locked upstairs. |
| - | Hey. Are you sure nobody can see | + | |
| - | in any of these transoms? | + | |
| - | 11 | + | < |
| - | < | + | Petey: Anybody live in that unit next door? |
| - | Yeah. | + | |
| - | 12 | + | < |
| - | < | + | Mark: No, it’s just Mrs. Selvig in the other direction. The neighborhood never really filled up, so it’s nice. Quiet. |
| - | And everything' | + | |
| - | 13 | + | < |
| - | < | + | Petey: Fortress of solitude. |
| - | Anybody live in that unit next door? | + | |
| - | 14 | + | < |
| - | < | + | Irving: I still think an occasional mixer wouldn’t hurt anything. I checked, and it’s not expressly prohibited |
| - | No, it's just Mrs. Selvig | + | |
| - | in the other direction. | + | |
| - | 15 | + | < |
| - | < | + | Petey: Yeah, I bet! Dude, I pressed Cobel for an all-floor mixer last quarter. She said you’ll get one when you earn it, whatever that means. |
| - | The neighborhood never really filled up, | + | |
| - | so it's nice. Quiet. | + | |
| - | 16 | + | < |
| - | < | + | Mark: Cobel? |
| - | Fortress of solitude. | + | Petey: I can’t imagine Dylan’s 4% on Sunset Park’s gonna help with— |
| - | 17 | + | < |
| - | < | + | Mark: Petey? You okay? |
| - | I still think an occasional mixer | + | |
| - | wouldn' | + | |
| - | 18 | + | < |
| - | < | + | Petey: |
| - | I checked, and it's | + | |
| - | not expressly prohibited in the manual. | + | |
| - | 19 | + | < |
| - | < | + | Mark: What’s Sunset Park? |
| - | Yeah, I bet! | + | |
| - | 20 | + | < |
| - | < | + | Petey: |
| - | Dude, I pressed Cobel | + | |
| - | for an all-floor mixer last quarter. | + | |
| - | 21 | + | < |
| - | < | + | Petey: It’s like having two different lives suddenly stitched together. But the relativity’s fucked. So, my first day at Lumon’s as far back as my fifth birthday. |
| - | She said you'll get one when you earn it, | + | |
| - | whatever that means. | + | |
| - | 22 | + | < |
| - | < | + | Petey: And with two pasts, it blurs the present too. But they said it will get better. |
| - | -Cobel? | + | |
| - | -I can't imagine Dylan' | + | |
| - | 23 | + | < |
| - | < | + | Mark: Who’s " |
| - | on Sunset Park's gonna help with-- | + | |
| - | 24 | + | < |
| - | < | + | Petey: " |
| - | Petey? | + | |
| - | 25 | + | < |
| - | < | + | Mark: The Whole Mind Collective? |
| - | You okay? | + | |
| - | 26 | + | < |
| - | < | + | Petey: The kids trolling for signatures downtown? No, not the fucking WMC. Someone else. |
| - | I'm sorry. Yeah. | + | |
| - | 27 | + | < |
| - | < | + | Mark: All right. Well— So, what do you want from me? |
| - | With this sickness, | + | |
| - | I just-- I get disoriented. | + | |
| - | 28 | + | < |
| - | < | + | Petey: Don’t you wanna know what you’re doing down there? |
| - | It's temporary. | + | |
| - | 29 | + | < |
| - | < | + | Mark: Okay, look. You know, I’m not gonna unsever. |
| - | What's Sunset Park? | + | |
| - | 30 | + | < |
| - | < | + | Petey: Well, I don’t want you to unsever because that’s not a word. |
| - | I don't know. | + | |
| - | 31 | + | < |
| - | < | + | Petey: Reintegration. |
| - | It's like having two different lives | + | Mark: All right. Well, whatever. |
| - | suddenly stitched together. | + | |
| - | 32 | + | < |
| - | < | + | Mark: You know, it hasn’t been a blight for me. It’s helped me. |
| - | But the relativity' | + | |
| - | 33 | + | < |
| - | < | + | Petey: Okay. What if the cost of that help is that you’re murdering people eight hours a day and you don’t even know it? |
| - | So, my first day at Lumon' | + | |
| - | as far back as my fifth birthday. | + | |
| - | 34 | + | < |
| - | < | + | Mark: Well, am I? |
| - | And with two pasts, | + | |
| - | it blurs the present too. | + | |
| - | 35 | + | < |
| - | < | + | Petey: Look, I found a department. One they don’t tell us about. One where you don’t |
| - | But they said it will get better. | + | |
| - | 36 | + | < |
| - | < | + | Mark: Well, don’t none of us get to leave? |
| - | Who's " | + | |
| - | 37 | + | < |
| - | < | + | Petey: No, I mean you really don’t get to leave. As in, they’re down there right now. |
| - | " | + | |
| - | severance is a blight on mankind. | + | |
| - | 38 | + | < |
| - | < | + | Mark: Well, what? Like, chained up, or— |
| - | And they' | + | |
| - | 39 | + | < |
| - | < | + | Mark: What? |
| - | The Whole Mind Collective? | + | |
| - | 40 | + | < |
| - | < | + | Petey: I’m not gonna talk about it in here. I don’t know if the monitors are bugged. Or if Irving’s gonna walk in. |
| - | The kids trolling for signatures downtown? | + | |
| - | No, not the fucking WMC. | + | |
| - | 41 | + | < |
| - | < | + | Mark: Petey, we’re not at Lumon. |
| - | Someone else. | + | |
| - | 42 | + | < |
| - | < | + | Petey: Then where the fuck is June? |
| - | All right. Well-- | + | |
| - | 43 | + | < |
| - | < | + | Petey: I’m sorry, Mark. |
| - | So, what do you want from me? | + | |
| - | 44 | + | < |
| - | < | + | Mark: Who’s June? |
| - | Don't you wanna know | + | |
| - | what you're doing down there? | + | |
| - | 45 | + | < |
| - | < | + | Petey: June is my daughter. Greatest kid on Earth and a hell of a guitar player. |
| - | Okay, look. | + | |
| - | You know, I'm not gonna unsever. | + | |
| - | 46 | + | < |
| - | < | + | Petey: How happy are you that you asked me to stay here? |
| - | Well, I don't want you to unsever | + | |
| - | because that's not a word. | + | |
| - | 47 | + | < |
| - | < | + | Cobel: Oh, Mark. Are you all right? |
| - | -Reintegration. | + | |
| - | -All right. Well, whatever. | + | |
| - | 48 | + | < |
| - | < | + | Steven: But what do you say, Natalie, to the woman who became pregnant at work less than a month after her company went severed? |
| - | You know, it hasn't been a blight for me. | + | |
| - | 49 | + | < |
| - | < | + | Natalie: Well, first, I’d suggest she reveal her identity if she wants an honest conversation |
| - | It's helped me. | + | |
| - | 50 | + | < |
| - | < | + | Natalie: about her experience. |
| - | Okay. What if the cost of that help | + | Steven: How could she have that conversation when her workie was the one involved— |
| + | Natalie: Okay, first of all, workie? | ||
| - | 51 | + | < |
| - | < | + | Steven: That, as I understand, |
| - | is that you're murdering people | + | |
| - | eight hours a day | + | |
| - | 52 | + | < |
| - | < | + | Natalie: I think it’s exactly the condescending verbiage that I’d expect from a group trying to save people from their own choices. |
| - | and you don't even know it? | + | |
| - | 53 | + | < |
| - | < | + | Steven: Choices? Did her insie have a— |
| - | Well, am I? | + | |
| - | 54 | + | < |
| - | < | + | Natalie: Insie? Where are you getting these terms? |
| - | Look, I found a department. | + | |
| - | One they don't tell us about. | + | |
| - | 55 | + | < |
| - | < | + | Steven: Fine. Call it someone who’s had their brain split in half— |
| - | One where you don't get to leave. | + | |
| - | 56 | + | < |
| - | < | + | Natalie: That has nothing |
| - | Well, don't none of us get to leave? | + | |
| - | 57 | + | < |
| - | < | + | Steven: |
| - | No, I mean you really | + | |
| - | As in, they' | + | |
| - | 58 | + | < |
| - | < | + | Natalie: I’m answering your questions. |
| - | Well, what? Like, chained up, or-- | + | Steven: ...because it’ll reveal that you are |
| - | 59 | + | < |
| - | < | + | Steven: complicit in something totally immoral. |
| - | What? | + | Natalie: |
| - | 60 | + | < |
| - | < | + | Television (voice): Tell me it’s not true. |
| - | I'm not gonna talk about it in here. | + | |
| - | 61 | + | < |
| - | < | + | Television (voice): Well, I want to, but I can’t. See? |
| - | I don't know if the monitors are bugged. | + | |
| - | Or if Irving' | + | |
| - | 62 | + | < |
| - | < | + | Weather Channel (voice): ...continuing through the greater basin, probably into the afternoon, just as we predicted yesterday. The good news is, those clouds should dissipate somewhere over the Ganz area, leaving a clear, sunny day, for our friends in and around Kier. That said, the cold’s |
| - | Petey, we' | + | |
| - | 63 | + | < |
| - | < | + | Mark: Petey. Wake up, Petey. Petey? |
| - | Then where the fuck is June? | + | |
| - | 64 | + | < |
| - | < | + | Petey: Hey. |
| - | I'm sorry, Mark. | + | |
| - | 65 | + | < |
| - | < | + | Mark: It’s morning. You are in my basement. |
| - | Who's June? | + | |
| - | 66 | + | < |
| - | < | + | Petey: Right. |
| - | June is my daughter. Greatest kid on Earth | + | |
| - | and a hell of a guitar player. | + | |
| - | 67 | + | < |
| - | < | + | Mark: So I’m going to work like you said. You can stay here if you want. I just wanna let you know, I’m not gonna reintegrate, |
| - | How happy are you | + | |
| - | that you asked me to stay here? | + | |
| - | 68 | + | < |
| - | < | + | Petey: Okay. |
| - | Oh, Mark. | + | |
| - | 69 | + | < |
| - | < | + | Mark: I lost my wife a couple years ago in a car accident. This is— It’s helping me, you know? |
| - | Are you all right? | + | |
| - | 70 | + | < |
| - | < | + | Petey: I’m sorry, Mark. |
| - | But what do you say, Natalie, | + | Mark: No, no, no. No. |
| - | to the woman who became pregnant at work | + | |
| - | 71 | + | < |
| - | < | + | Petey: At work...you’d come in sometimes with red eyes. We had a joke that you had an elevator allergy. There was even a song for it. But I always wondered. |
| - | less than a month | + | |
| - | after her company went severed? | + | |
| - | 72 | + | < |
| - | < | + | Petey: You carry the hurt with you. You feel it down there too. You just don’t know what it is. |
| - | Well, first, | + | |
| - | I'd suggest she reveal her identity | + | |
| - | 73 | + | < |
| - | < | + | Mark: Okay. Why don’t you grab whatever you want up in the fridge? I should be back around 6:00. |
| - | if she wants an honest conversation | + | |
| - | 74 | + | < |
| - | < | + | Cobel: Hi! |
| - | -about her experience. | + | |
| - | -How could she have that conversation | + | |
| - | 75 | + | < |
| - | < | + | Mark: Hey. |
| - | -when her workie was the one involved-- | + | Cobel: Mark, I’m sorry for the racket! |
| - | -Okay, first of all, workie? | + | |
| - | 76 | + | < |
| - | < | + | Cobel: |
| - | That, as I understand, | + | |
| - | is the preferred term among-- | + | |
| - | 77 | + | < |
| - | < | + | Mark: No worries. Thanks again for the cookies. |
| - | I think it's exactly | + | |
| - | verbiage that I'd expect | + | |
| - | 78 | + | < |
| - | < | + | Cobel: I’ll bring by more! |
| - | from a group trying to save people | + | |
| - | from their own choices. | + | |
| - | 79 | + | < |
| - | < | + | Mark: Please. |
| - | Choices? Did her insie have a-- | + | |
| - | 80 | + | < |
| - | < | + | Judd: Mr. Scout, how are you doing? |
| - | Insie? Where are you getting these terms? | + | Mark: Hey, Judd. |
| - | 81 | + | < |
| - | < | + | Helly: I did a thing. I deleted the scary numbers. |
| - | Fine. Call it someone | + | |
| - | who's had their brain split in half-- | + | |
| - | 82 | + | < |
| - | < | + | Mark: When? |
| - | That has nothing to do | + | |
| - | with what we do at Lumon | + | |
| - | 83 | + | < |
| - | < | + | Helly: Yesterday. You were gone. |
| - | nor any severance procedure. | + | Mark: I was? |
| - | 84 | + | < |
| - | < | + | Irving: Oh, yeah. Dylan took over training in your stead to great success. |
| - | I understand you don't wanna answer | + | |
| - | my questions… | + | |
| - | 85 | + | < |
| - | < | + | Irving: You look trim, Mark. I wonder if you were food poisoned. |
| - | -I'm answering your questions. | + | |
| - | -…because it'll reveal that you are | + | |
| - | 86 | + | < |
| - | < | + | Dylan: Welcome back, boss. New photos come in? |
| - | -complicit in something totally immoral. | + | |
| - | -What' | + | |
| - | 87 | + | < |
| - | < | + | Irving: Oh, good. You can finally get rid of those old ones. |
| - | Tell me it's not true. | + | |
| - | 88 | + | < |
| - | < | + | Helly: You may as well skip it actually, ’cause |
| - | Well, I want to, but I can't. See? | + | |
| - | 89 | + | < |
| - | < | + | Mark: You did submit it? |
| - | …continuing through the greater basin, | + | Helly: I did. |
| - | 90 | + | < |
| - | < | + | Helly: It’s good. It means you won’t get sent to the break room anymore. |
| - | probably into the afternoon, | + | |
| - | just as we predicted yesterday. | + | |
| - | 91 | + | < |
| - | < | + | Milchick: Hello, Refiners. |
| - | The good news is, those clouds should | + | |
| - | dissipate somewhere over the Ganz area, | + | |
| - | 92 | + | < |
| - | < | + | Irving: Hello, Mr. Milchick. |
| - | leaving a clear, sunny day, | + | |
| - | for our friends in and around Kier. | + | |
| - | 93 | + | < |
| - | < | + | Milchick: Mark, I spoke to your Outie yesterday. He sounded just shattered |
| - | That said, | + | |
| - | the cold' | + | |
| - | 94 | + | < |
| - | < | + | Mark: Sure. Should be easier without me in the audience. |
| - | And those roads are going to remain | + | |
| - | icy throughout | + | |
| - | 95 | + | < |
| - | < | + | Irving: Mark used to find it funny to interrupt Petey’s announcements. With gas having. |
| - | and on into the weekend. | + | |
| - | 96 | + | < |
| - | < | + | Mark: Okay, quiet down, all. I’m Mark, your new announcements person. Just a couple things here. |
| - | So wherever you're headed, | + | |
| - | please do commute with care. | + | |
| - | 97 | + | < |
| - | < | + | Dylan: Why are you standing weird? Stand normal. |
| - | Petey. | + | |
| - | 98 | + | < |
| - | < | + | Mark: I’m— I’m standing great. |
| - | Wake up, Petey. Petey? | + | |
| - | 99 | + | < |
| - | < | + | Helly: Are you uncomfortable? |
| - | Hey. | + | |
| - | 100 | + | < |
| - | < | + | Mark: Okay, there’s been some garbage |
| - | It's morning. You are in my basement. | + | |
| - | 101 | + | < |
| - | < | + | Mark: As a reminder, Post-it Notes are not to be put on faces. They clog your Outie’s pores. |
| - | Right. | + | |
| - | 102 | + | < |
| - | < | + | Dylan: That one’s about me. I do this beloved character, Sticky Head. |
| - | So I'm going to work like you said. | + | |
| - | You can stay here if you want. | + | |
| - | 103 | + | < |
| - | < | + | Mark: Also, please refrain from boasting about previously earned waffle parties? |
| - | I just wanna let you know, | + | |
| - | 104 | + | < |
| - | < | + | Dylan: Feeling attacked. |
| - | I'm not gonna reintegrate, | + | |
| - | 105 | + | < |
| - | < | + | Mark: And lastly— |
| - | Okay. | + | |
| - | 106 | + | < |
| - | < | + | Mark: Well, I’ve never seen a resignation request get such a quick turnaround. |
| - | I lost my wife a couple years ago | + | |
| - | in a car accident. | + | |
| - | 107 | + | < |
| - | < | + | Helly: Do I have to finish out the day or can I skip out now? |
| - | This is-- It's helping me, you know? | + | |
| - | 108 | + | < |
| - | < | + | Mark: Lastly, Helly’s resignation request...was denied. |
| - | -I'm sorry, Mark. | + | |
| - | -No, no, no. No. | + | |
| - | 109 | + | < |
| - | < | + | Helly: Yeah, no, that can’t be right. My Outie wouldn’t do that. |
| - | At work… | + | |
| - | 110 | + | < |
| - | < | + | Mark: You know, Petey used to say— |
| - | you'd come in sometimes with red eyes. | + | |
| - | 111 | + | < |
| - | < | + | Ricken: This is so fun. Shall I, you know, tiptoe up and sneak to the door? |
| - | We had a joke | + | |
| - | that you had an elevator allergy. | + | |
| - | 112 | + | < |
| - | < | + | Devon: He’s at work, baby. It doesn’t matter. |
| - | There was even a song for it. | + | Ricken: How do you know? |
| - | 113 | + | < |
| - | < | + | Devon: Because his car’s not here. |
| - | But I always wondered. | + | Ricken: Maybe he played hooky. |
| - | 114 | + | < |
| - | < | + | Devon: Can you go do it? ’Cause I gotta pee. |
| - | You carry the hurt with you. | + | |
| - | 115 | + | < |
| - | < | + | Ricken: Yes. |
| - | You feel it down there too. | + | |
| - | You just don't know what it is. | + | |
| - | 116 | + | < |
| - | < | + | Ricken: Against the door, or to the side? |
| - | Okay. | + | |
| - | 117 | + | < |
| - | < | + | Devon: I think either’s really good. |
| - | Why don't you grab | + | |
| - | whatever you want up in the fridge? | + | |
| - | 118 | + | < |
| - | < | + | Ricken: Do you think he’ll |
| - | I should | + | Devon: I do. |
| - | 119 | + | < |
| - | < | + | Ricken: My babe, I’m gonna put it off to the side. |
| - | Hi! | + | |
| - | 120 | + | < |
| - | < | + | Devon: Awesome. |
| - | -Hey. | + | |
| - | -Mark, I'm sorry for the racket! | + | |
| - | 121 | + | < |
| - | < | + | Ricken: Perfect. |
| - | I'm just deicing my stoop. | + | Devon: Good. |
| - | 122 | + | < |
| - | < | + | Ricken: I mean, it’s perfect. |
| - | No worries. Thanks again for the cookies. | + | Devon: Yes. |
| - | 123 | + | < |
| - | < | + | Ricken: He’s gonna be so excited. |
| - | I'll bring by more! | + | |
| - | 124 | + | < |
| - | < | + | Devon: Yeah. |
| - | Please. | + | Ricken: I hope he comes home early. |
| - | 125 | + | < |
| - | < | + | Devon: He’s not going to. |
| - | -Mr. Scout, how are you doing? | + | |
| - | -Hey, Judd. | + | |
| - | 126 | + | < |
| - | < | + | Mark: Hey. What’s that? Sudoku? |
| - | I did a thing. | + | |
| - | I deleted the scary numbers. | + | |
| - | 127 | + | < |
| - | < | + | Petey: It’s nothing. |
| - | When? | + | |
| - | 128 | + | < |
| - | < | + | Mark: What were you drawing? |
| - | -Yesterday. You were gone. | + | |
| - | -I was? | + | |
| - | 129 | + | < |
| - | < | + | Petey: You getting back to work, in cubist form. |
| - | Oh, yeah. Dylan took over training | + | |
| - | in your stead to great success. | + | |
| - | 130 | + | < |
| - | < | + | Mark: Kay, two things. How do you know what cubist form is? And what the fuck are you wearing? |
| - | You look trim, Mark. | + | |
| - | I wonder if you were food poisoned. | + | |
| - | 131 | + | < |
| - | < | + | Petey: Oh, fuck. |
| - | Welcome back, boss. New photos come in? | + | |
| - | 132 | + | < |
| - | < | + | Cobel: No. |
| - | Oh, good. You can finally get rid | + | |
| - | of those old ones. | + | |
| - | 133 | + | < |
| - | < | + | Cobel: Yes? |
| - | You may as well skip it actually, | + | |
| - | 'cause I put in my resignation request. | + | |
| - | 134 | + | < |
| - | < | + | Cobel: What did he tell her after the announcement? |
| - | -You did submit it? | + | |
| - | -I did. | + | |
| - | 135 | + | < |
| - | < | + | Cobel: No, it’s not so bad. |
| - | It's good. It means you won't get sent | + | |
| - | to the break room anymore. | + | |
| - | 136 | + | < |
| - | < | + | Cobel: Just mildly aggressive. |
| - | Hello, Refiners. | + | |
| - | 137 | + | < |
| - | < | + | Cobel: Did you give her directed praise? |
| - | Hello, Mr. Milchick. | + | |
| - | 138 | + | < |
| - | < | + | Cobel: Uh-huh. Uh-huh. |
| - | Mark, I spoke to your outie yesterday. | + | |
| - | 139 | + | < |
| - | < | + | Mark: Hey, Helly? |
| - | He sounded just shattered | + | |
| - | not to be at work. | + | |
| - | 140 | + | < |
| - | < | + | Helly: Go away. |
| - | But now that you're here, | + | |
| - | 141 | + | < |
| - | < | + | Mark: Are you okay? |
| - | care to read your first morning | + | Helly: I’m fine. |
| - | announcements as department head? | + | |
| - | 142 | + | < |
| - | < | + | Mark: I mean, it’s been, like, 45 minutes. |
| - | Sure. | + | |
| - | 143 | + | < |
| - | < | + | Helly: I’m using the bathroom. |
| - | Should be easier | + | |
| - | without me in the audience. | + | |
| - | 144 | + | < |
| - | < | + | Mark: Okay. It’s just— It has been a while. |
| - | Mark used to find it funny | + | |
| - | to interrupt Petey's announcements. | + | |
| - | 145 | + | < |
| - | < | + | Helly: I’m fine, Mark. |
| - | With gas having. | + | Mark: I think I need to come in. |
| - | 146 | + | < |
| - | < | + | Mark: That’s— |
| - | Okay, quiet down, all. | + | Helly: No! |
| - | I'm Mark, your new announcements person. | + | |
| - | 147 | + | < |
| - | < | + | Mark: I am going to come in, so get ready. Do the things |
| - | Just a couple | + | |
| - | 148 | + | < |
| - | < | + | Helly: No! |
| - | Why are you standing weird? Stand normal. | + | |
| - | 149 | + | < |
| - | < | + | Mark: Okay, here I come. I’m sorry. |
| - | I'm-- I'm standing great. | + | Helly: Mark, no! I’m not decent! |
| - | 150 | + | < |
| - | < | + | Helly: Do— Jesus. |
| - | Are you uncomfortable? | + | Mark: I’m sorry. I’m— |
| - | We could all look away? | + | |
| - | 151 | + | < |
| - | < | + | Mark: Writing the note directly on your skin. Well, unfortunately, the detectors can pick up lettering anywhere. |
| - | Okay, there' | + | |
| - | in the recycling. | + | |
| - | 152 | + | < |
| - | < | + | Helly: Does this look like lettering to you? |
| - | Please, everybody, don't do that. | + | |
| - | 153 | + | < |
| - | < | + | Mark: Well, if you put your arms together. |
| - | As a reminder, | + | |
| - | Post-it Notes are not to be put on faces. | + | |
| - | 154 | + | < |
| - | < | + | Mark: Not bad. I thought you were starting to, like, be okay here. |
| - | They clog your outie' | + | |
| - | 155 | + | < |
| - | < | + | Helly: What, ’cause I did the numbers thing? |
| - | That one's about me. | + | |
| - | I do this beloved character, Sticky Head. | + | |
| - | 156 | + | < |
| - | < | + | Mark: Well, you got a win. You know, a lot of people find joy in that. |
| - | Also, please refrain from boasting | + | |
| - | about previously earned waffle parties? | + | |
| - | 157 | + | < |
| - | < | + | Helly: It literally causes fear. |
| - | Feeling attacked. | + | |
| - | 158 | + | < |
| - | < | + | Mark: That’s just one subset of numbers. The others are more comforting— |
| - | And lastly-- | + | |
| - | 159 | + | < |
| - | < | + | Helly: Mark, I don’t wanna work here with you. So don’t burst into the bathroom with your pathetic boss voice on and try to convince me that I do. |
| - | Well, I've never seen a resignation | + | |
| - | request get such a quick turnaround. | + | |
| - | 160 | + | < |
| - | < | + | Mark: Okay, I’ll give you five minutes |
| - | Do I have to finish out the day | + | |
| - | or can I skip out now? | + | |
| - | 161 | + | < |
| - | < | + | Helly: Or what? |
| - | Lastly, | + | |
| - | 162 | + | < |
| - | < | + | Mark: Do you want Graner to use the bad soap? |
| - | was denied. | + | |
| - | 163 | + | < |
| - | < | + | Helly: There’s bad soap? |
| - | Yeah, no, that can't be right. | + | |
| - | 164 | + | < |
| - | < | + | Helly: Thanks, boss. Yeah, I fucking love working here. |
| - | My outie wouldn' | + | |
| - | 165 | + | < |
| - | < | + | Irving: Mark. |
| - | You know, Petey used to say-- | + | Mark: Irv. |
| - | 166 | + | < |
| - | < | + | Irving: I was listening at the door. I heard it all. |
| - | This is so fun. | + | |
| - | 167 | + | < |
| - | < | + | Mark: Okay. |
| - | Shall I, you know, | + | Irving: |
| - | tiptoe up and sneak to the door? | + | |
| - | 168 | + | < |
| - | < | + | Mark: It’s fine. |
| - | -He's at work, baby. It doesn' | + | |
| - | -How do you know? | + | |
| - | 169 | + | < |
| - | < | + | Irving: The loathing with which she spoke to you. |
| - | -Because his car's not here. | + | |
| - | -Maybe he played hooky. | + | |
| - | 170 | + | < |
| - | < | + | Mark: Well, acclimating takes time. |
| - | Can you go do it? 'Cause I gotta pee. | + | |
| - | 171 | + | < |
| - | < | + | Irving: And guidance. |
| - | Yes. | + | |
| - | 172 | + | < |
| - | < | + | Mark: What’s on your mind, Irving? |
| - | Against the door, or to the side? | + | |
| - | 173 | + | < |
| - | < | + | Irving: Dylan was going on all yesterday about incentives, pencil erasers and waffle parties, as though that’s why we’re here. That’s not why we’re here. If it’s a deeper meaning she craves, she should see the Perpetuity Wing. |
| - | I think either' | + | |
| - | 174 | + | < |
| - | < | + | Mark: She can read about all that stuff in the handbook. |
| - | -Do you think he'll be surprised? | + | |
| - | -I do. | + | |
| - | 175 | + | < |
| - | < | + | Irving: You know it’s different |
| - | My babe, I'm gonna put it off to the side. | + | |
| - | 176 | + | < |
| - | < | + | Mark: It just seems premature. I mean, that place is a lot. |
| - | Awesome. | + | |
| - | 177 | + | < |
| - | < | + | Irving: Correct. That place is everything. |
| - | -Perfect. | + | |
| - | -Good. | + | |
| - | 178 | + | < |
| - | < | + | Milchick: How’d the check go? |
| - | -I mean, it's perfect. | + | |
| - | -Yes. | + | |
| - | 179 | + | < |
| - | < | + | Cobel: There was a package left at his door from someone. Open it, would you? |
| - | He's gonna be so excited. | + | |
| - | 180 | + | < |
| - | < | + | Cobel: Oh, God. |
| - | -Yeah. | + | Milchick: Is this the brother-in-law? |
| - | -I hope he comes home early. | + | |
| - | 181 | + | < |
| - | < | + | Cobel: Ricken. His fifth book. |
| - | He's not going to. | + | |
| - | 182 | + | < |
| - | < | + | Milchick: " |
| - | Hey. What's that? Sudoku? | + | |
| - | 183 | + | < |
| - | < | + | Cobel: Check it for messages, just to be safe. |
| - | It's nothing. | + | |
| - | 184 | + | < |
| - | < | + | Milchick: Mark. |
| - | What were you drawing? | + | |
| - | 185 | + | < |
| - | < | + | Milchick: Can I help you? |
| - | You getting back to work, in cubist form. | + | Mark: Does she have a moment? |
| - | 186 | + | < |
| - | < | + | Milchick: Did you fill out an official request for supervisory interaction? |
| - | Kay, two things. | + | |
| - | How do you know what cubist form is? | + | |
| - | 187 | + | < |
| - | < | + | Mark: No, I— |
| - | And what the fuck are you wearing? | + | Cobel: It’s fine. Come in. |
| - | 188 | + | < |
| - | < | + | Mark: Sorry. I can fill out the form. |
| - | Oh, fuck. | + | |
| - | 189 | + | < |
| - | < | + | Cobel: What is it? Get the door. |
| - | No. | + | |
| - | 190 | + | < |
| - | < | + | Mark: Irving thought we should take Helly to the Perpetuity Wing today. |
| - | Yes? | + | |
| - | 191 | + | < |
| - | < | + | Cobel: Well, it’s a good thing I made Irving department chief. |
| - | What did he tell her | + | |
| - | after the announcement? | + | |
| - | 192 | + | < |
| - | < | + | Mark: Sorry. I think I should take Helly and the team to the Perpetuity Wing. |
| - | No, it's not so bad. | + | |
| - | 193 | + | < |
| - | < | + | Cobel: And have you filled out a common-space reservation slip? |
| - | Just mildly aggressive. | + | |
| - | 194 | + | < |
| - | < | + | Mark: No, I— |
| - | Did you give her directed praise? | + | Cobel: Mark. |
| - | 195 | + | < |
| - | < | + | Mark: I’m sorry. I’ve just been— I don’t know. It’s been weird since Petey left. I mean, you know, he was— He set the tone. |
| - | Uh-huh. Uh-huh. | + | |
| - | 196 | + | < |
| - | < | + | Cobel: If Petey were the tone-setter you’re lionizing him as, he’d still be here. |
| - | I'm coming. | + | |
| - | 197 | + | < |
| - | < | + | Mark: What does that mean? |
| - | Hey, Helly? | + | |
| - | 198 | + | < |
| - | < | + | Cobel: Are you gonna make me throw my mug at you? |
| - | Go away. | + | |
| - | 199 | + | < |
| - | < | + | Mark: I— Why would you— |
| - | -Are you okay? | + | |
| - | -I'm fine. | + | |
| - | 200 | + | < |
| - | < | + | Cobel: Get MDR to its numbers. |
| - | I mean, it's been, like, 45 minutes. | + | Mark: Okay. |
| - | 201 | + | < |
| - | < | + | Cobel: Mark? |
| - | I'm using the bathroom. | + | |
| - | 202 | + | < |
| - | < | + | Cobel: What I just did was something I knew that you could handle and grow from. It was very painful for me. I hope that you’ll let it help you. |
| - | Okay. It's just-- It has been a while. | + | |
| - | 203 | + | < |
| - | < | + | Mark: Open or closed? |
| - | -I'm fine, Mark. | + | |
| - | -I think I need to come in. | + | |
| - | 204 | + | < |
| - | < | + | Cobel: Both. |
| - | -That' | + | |
| - | -No! | + | |
| - | 205 | + | < |
| - | < | + | Mark: I’ll just— |
| - | I am going to come in, so get ready. | + | |
| - | 206 | + | < |
| - | < | + | Dylan: My delts are embarrassingly good today. My Outie does muscle shows for sure. |
| - | Do the things you need to do | + | |
| - | 'cause I'm comin' in. | + | |
| - | 207 | + | < |
| - | < | + | Irving: If your Outie did muscle shows, you wouldn’t have to work here. |
| - | No! | + | |
| - | 208 | + | < |
| - | < | + | Dylan: |
| - | -Okay, here I come. I'm sorry. | + | |
| - | -Mark, no! I'm not decent! | + | |
| - | 209 | + | < |
| - | < | + | Irving: |
| - | -Do-- Jesus. | + | |
| - | -I'm sorry. I'm-- | + | |
| - | 210 | + | < |
| - | < | + | Dylan: No. My guess is that they do it piecemeal per muscle. So… |
| - | Writing the note directly on your skin. | + | |
| - | 211 | + | < |
| - | < | + | Irving: No, I don’t think so. |
| - | Well, unfortunately, | + | Dylan: Best delt, 30 bucks. |
| - | can pick up lettering anywhere. | + | |
| - | 212 | + | < |
| - | < | + | Dylan: Best ab, 20 bucks. Biceps are a little flashier, 75 bucks. |
| - | Does this look like lettering to you? | + | |
| - | 213 | + | < |
| - | < | + | Irving: I would think lats carry a high value. They’re considered very attractive in muscle-building circles. And in society at large. |
| - | Well, if you put your arms together. | + | |
| - | 214 | + | < |
| - | < | + | Dylan: Lats are bullshit, dude— |
| - | Not bad. | + | |
| - | 215 | + | < |
| - | < | + | Irving: The center of a good physique. |
| - | I thought you were starting to, | + | Dylan: You are alone on this one, Irv… |
| - | like, be okay here. | + | |
| - | 216 | + | < |
| - | < | + | Irving: You’ve never noticed my lats? |
| - | What, 'cause I did the numbers thing? | + | Dylan: ...I assure you. Never once. |
| - | 217 | + | < |
| - | < | + | Irving: You don’t understand why my posture’s ramrod straight. You see how… |
| - | Well, you got a win. You know, | + | |
| - | a lot of people find joy in that. | + | |
| - | 218 | + | < |
| - | < | + | Mark: Thirsty? |
| - | It literally causes fear. | + | |
| - | 219 | + | < |
| - | < | + | Mark: Hey, just in case you find this relevant for some reason, the code detectors can read messages hidden inside the body as well. Also, when that happens, it’s Milchick’s job to extract the message from you. And when he asks how long ago you ingested it, I really can’t recommend honesty enough. It’s easier for you both if he knows which end to start from. |
| - | That' | + | |
| - | The others are more comforting-- | + | |
| - | 220 | + | < |
| - | < | + | Mark: Another good try though. |
| - | Mark, I don't wanna work here with you. | + | |
| - | 221 | + | < |
| - | < | + | Mark: Go shut down your workstation. We’re taking a trip. |
| - | So don't burst into the bathroom | + | |
| - | with your pathetic boss voice on | + | |
| - | 222 | + | < |
| - | < | + | Dylan: The power is in your calves. |
| - | and try to convince me that I do. | + | |
| - | 223 | + | < |
| - | < | + | Irving: ...and it’s always been that way. I can tell you that right now, young boy. |
| - | Okay, I'll give you five minutes | + | |
| - | to scrub your arms. | + | |
| - | 224 | + | < |
| - | < | + | Irving: All eight CEOs have been of the Eagan lineage. A line dating back to the founder. |
| - | Or what? | + | |
| - | 225 | + | < |
| - | < | + | Irving: I have a mnemonic poem to help you remember their names. I authored it myself, and of course, it falls outside corporate canon, and it’s poetically imperfect, |
| - | Do you want Graner | + | |
| - | 226 | + | < |
| - | < | + | Irving: Ambrose is sometimes unfairly maligned as a black sheep in the annals of the family. |
| - | There' | + | |
| - | 227 | + | < |
| - | < | + | Helly: What’s this? |
| - | Thanks, boss. | + | |
| - | 228 | + | < |
| - | < | + | Irving: And it certainly wasn’t my intent to slight him further, |
| - | Yeah, I fucking love working here. | + | |
| - | 229 | + | < |
| - | < | + | Irving: but I think you’ll find… |
| - | -Mark. | + | Helly: "Eagan Bingo"? |
| - | -Irv. | + | |
| - | 230 | + | < |
| - | < | + | Dylan: Hey. Eagan Bingo. |
| - | I was listening at the door. | + | |
| - | I heard it all. | + | |
| - | 231 | + | < |
| - | < | + | Mark: We shouldn’t, |
| - | -Okay. | + | Irving: |
| - | -I am troubled by you having | + | |
| - | 232 | + | < |
| - | < | + | Helly: Hey, what the hell is Eagan Bingo? |
| - | high-stress exchanges like that | + | |
| - | so fresh off your food poisoning. | + | |
| - | 233 | + | < |
| - | < | + | Dylan: |
| - | It's fine. | + | |
| - | 234 | + | < |
| - | < | + | Mark: Optics and Design. |
| - | The loathing with which she spoke to you. | + | |
| - | 235 | + | < |
| - | < | + | Burt: Macrodata Refinement. |
| - | Well, acclimating takes time. | + | |
| - | 236 | + | < |
| - | < | + | Irving: Burt. |
| - | And guidance. | + | |
| - | 237 | + | < |
| - | < | + | Burt: Hi. I trust that your session was good. |
| - | What's on your mind, Irving? | + | |
| - | 238 | + | < |
| - | < | + | Irving: Great, very restorative. |
| - | Dylan was going on all yesterday | + | |
| - | about incentives, | + | |
| - | 239 | + | < |
| - | < | + | Mark: Wa— You two know each other? |
| - | pencil erasers and waffle parties, | + | |
| - | as though that's why we're here. | + | |
| - | 240 | + | < |
| - | < | + | Irving: We were just admiring some Lumon artwork together, very briefly. |
| - | That's not why we're here. | + | |
| - | 241 | + | < |
| - | < | + | Burt: Remember, we’ll have those new handbook totes soon. |
| - | If it's a deeper meaning she craves, | + | |
| - | she should see the perpetuity wing. | + | |
| - | 242 | + | < |
| - | < | + | Irving: So exciting. |
| - | She can read about all that stuff | + | |
| - | in the handbook. | + | |
| - | 243 | + | < |
| - | < | + | Dylan: Thanks for the tip. You got some business or are you just out for a fucking stroll? |
| - | You know it's different to be there. | + | |
| - | To see it. | + | |
| - | 244 | + | < |
| - | < | + | Mark: Dylan. |
| - | It just seems premature. | + | Dylan: What? I just. I just. I think you guys are cool, |
| - | I mean, that place is a lot. | + | |
| - | 245 | + | < |
| - | < | + | Dylan: and I’m just wondering what you’re up to. It’s rare seeing you out of your hole. |
| - | Correct. That place is everything. | + | |
| - | 246 | + | < |
| - | < | + | Felicia: Egg drop challenge in the Team-building Space. Tight department like us gotta keep our synergy up. |
| - | How' | + | |
| - | 247 | + | < |
| - | < | + | Dylan: Egg drop challenge. You buy this fucking shit? |
| - | There was a package left at his door | + | |
| - | from someone. Open it, would you? | + | |
| - | 248 | + | < |
| - | < | + | Felicia: And what are you guys doing? |
| - | -Oh, God. | + | Burt: Felicia. |
| - | -Is this the brother-in-law? | + | |
| - | 249 | + | < |
| - | < | + | Mark: Perpetuity wing visit. This is Helly, our new refiner. |
| - | Ricken. His fifth book. | + | |
| - | 250 | + | < |
| - | < | + | Irving: This is— |
| - | " | + | Burt: Welcome, Helly. |
| - | Emotionally Nude in Front of My Wife." | + | |
| - | 251 | + | < |
| - | < | + | Burt: Well, we should get back. Can’t leave the nest empty. |
| - | Check it for messages, just to be safe. | + | |
| - | 252 | + | < |
| - | < | + | Mark: Good to see you, O&D. |
| - | Mark. | + | |
| - | 253 | + | < |
| - | < | + | Dylan: Those eggs look like shit. |
| - | -Can I help you? | + | |
| - | -Does she have a moment? | + | |
| - | 254 | + | < |
| - | < | + | Mark: Irving, come on. |
| - | Did you fill out an official request | + | |
| - | for supervisory interaction? | + | |
| - | 255 | + | < |
| - | < | + | Cobel: Seth? |
| - | -No, I-- | + | |
| - | -It's fine. Come in. | + | |
| - | 256 | + | < |
| - | < | + | Cobel: Natalie. |
| - | Sorry. I can fill out the form. | + | |
| - | 257 | + | < |
| - | < | + | Natalie: Harmony, hello. |
| - | What is it? | + | |
| - | 258 | + | < |
| - | < | + | Cobel: I wasn’t expecting— Is this about Helena? |
| - | Get the door. | + | |
| - | 259 | + | < |
| - | < | + | Natalie: No, this is about Peter Kilmer. And I should |
| - | Irving thought we should | + | |
| - | to the perpetuity wing today. | + | |
| - | 260 | + | < |
| - | < | + | Natalie: The Board would like you to speak first. |
| - | Well, it's a good thing | + | |
| - | I made Irving department chief. | + | |
| - | 261 | + | < |
| - | < | + | Cobel: Oh, yes. Of course. |
| - | Sorry. I think I should take Helly | + | |
| - | and the team to the perpetuity wing. | + | |
| - | 262 | + | < |
| - | < | + | Cobel: Salutations. |
| - | And have you filled out | + | |
| - | a common-space reservation slip? | + | |
| - | 263 | + | < |
| - | < | + | Cobel: So, the search for Kilmer continues. |
| - | -No, I-- | + | |
| - | -Mark. | + | |
| - | 264 | + | < |
| - | < | + | Natalie: Okay. So, the Board is conveying pretty strongly that the severance procedure is provenly irreversible. |
| - | I'm sorry. I've just been-- I don't know. | + | |
| - | 265 | + | < |
| - | < | + | Cobel: Yes— |
| - | It's been weird since Petey left. | + | |
| - | 266 | + | < |
| - | < | + | Natalie: And that this knowledge should be a given for a person managing a severed floor. |
| - | I mean, you know, he was-- | + | |
| - | He set the tone. | + | |
| - | 267 | + | < |
| - | < | + | Cobel: Yes, of course. |
| - | If Petey were | + | |
| - | the tone-setter you're lionizing him as, | + | |
| - | 268 | + | < |
| - | < | + | Natalie: While, of course, getting MDR to their projected numbers by the quarterly deadline in three weeks. |
| - | he'd still be here. | + | |
| - | 269 | + | < |
| - | < | + | Cobel: Yes, of course. We are quickly rekindling our yield down here with our nimble new refiner. |
| - | What does that mean? | + | |
| - | 270 | + | < |
| - | < | + | Cobel: And for what it’s worth, I’d like— |
| - | Are you gonna make me throw my mug at you? | + | Natalie: The Board has concluded the call. |
| - | 271 | + | < |
| - | < | + | Cobel: Yes, okay. Thank you. |
| - | I-- Why would you-- | + | |
| - | 272 | + | < |
| - | < | + | Cobel: And may I ask— |
| - | -Get MDR to its numbers. | + | Natalie: Goodbye, Harmony. |
| - | -Okay. | + | |
| - | 273 | + | < |
| - | < | + | Helly: There’s seriously a two-person department? Like, they only ever see each other? |
| - | Mark? | + | |
| - | 274 | + | < |
| - | < | + | Irving: For the most part. It’s lonely, |
| - | What I just did was something I knew | + | |
| - | that you could handle and grow from. | + | |
| - | 275 | + | < |
| - | < | + | Dylan: And unnatural. Perverse. |
| - | It was very painful for me. | + | |
| - | 276 | + | < |
| - | < | + | Mark: O&D is nice. |
| - | I hope that you'll let it help you. | + | |
| - | 277 | + | < |
| - | < | + | Dylan: No, they’re not. Nor do they share our values. Kier sorted the departments by virtue. Macrodats are clever and true, while O&D’s more cruelty-centered. |
| - | Open or closed? | + | |
| - | 278 | + | < |
| - | < | + | Helly: How many departments are there? |
| - | Both. | + | |
| - | 279 | + | < |
| - | < | + | Dylan: Probably 30. |
| - | I'll just-- | + | Mark: Around five. |
| - | 280 | + | < |
| - | < | + | Irving: No one’s quite sure. |
| - | My delts are embarrassingly good today. | + | |
| - | My outie does muscle shows for sure. | + | |
| - | 281 | + | < |
| - | < | + | Dylan: O&D tried a violent coup on the others decades ago, and that’s why they reduced them down to two. And that’s why they keep us all so far apart now. |
| - | If your outie did muscle shows, | + | |
| - | you wouldn' | + | |
| - | 282 | + | < |
| - | < | + | Irving: That’s an absolute fiction. |
| - | I'm sorry, do you know | + | |
| - | how much muscle shows pay? | + | |
| - | 283 | + | < |
| - | < | + | Helly: Did they ever kill anyone? |
| - | No, none of us can know that. | + | |
| - | 284 | + | < |
| - | < | + | Mark: Nope. There was no coup. No one killed anyone. |
| - | I imagine it's a tiered system. | + | |
| - | 285 | + | < |
| - | < | + | Helly: Then why don’t we ever hang out? |
| - | Perhaps there are monetary | + | |
| - | prizes for gold, silver and bronze. | + | |
| - | 286 | + | < |
| - | < | + | Mark: I mean, I’m 99% sure there was no coup. |
| - | No. My guess is that | + | |
| - | they do it piecemeal per muscle. So… | + | |
| - | 287 | + | < |
| - | < | + | Helly: If they come back and attack us, I think we should kill Mark. |
| - | -No, I don' | + | |
| - | -Best delt, 30 bucks. | + | |
| - | 288 | + | < |
| - | < | + | Mark: Oh, yeah? |
| - | Best ab, 20 bucks. | + | Helly: Yeah. |
| - | Biceps are a little flashier, 75 bucks. | + | |
| - | 289 | + | < |
| - | < | + | Helly: So they think we’re crazy with nothing to lose. |
| - | I would think lats carry a high value. | + | |
| - | 290 | + | < |
| - | < | + | Dylan: Smart. That’s smart. |
| - | They' | + | |
| - | in muscle-building circles. | + | |
| - | 291 | + | < |
| - | < | + | Helly: Like, I’m imagining them rounding a corner, and we’re all blood-soaked, |
| - | And in society at large. | + | |
| - | 292 | + | < |
| - | < | + | Mark: Just— Seems like they’d recognize my face. Maybe if you wore it inside out? |
| - | Lats are bullshit, dude-- | + | |
| - | 293 | + | < |
| - | < | + | Irving: We’re here. |
| - | -The center of a good physique. | + | |
| - | -You are alone on this one, Irv… | + | |
| - | 294 | + | < |
| - | < | + | Irving: "Come now, children of my industry, and know the children of my blood." |
| - | -You' | + | |
| - | -…I assure you. Never once. | + | |
| - | 295 | + | < |
| - | < | + | Helly: Whoa. |
| - | You don't understand why my posture' | + | |
| - | ramrod straight. You see how… | + | |
| - | 296 | + | < |
| - | < | + | Irving: That’s Jame Eagan. Current CEO. Remarkable man. |
| - | Thirsty? | + | |
| - | 297 | + | < |
| - | < | + | Dylan: Handsome too. See those brows? |
| - | Hey, just in case | + | |
| - | you find this relevant for some reason, | + | |
| - | 298 | + | < |
| - | < | + | Irving: All the center displays are for a past Eagan CEO. But the whole back part is Kier. |
| - | the code detectors can read messages | + | |
| - | hidden inside | + | |
| - | 299 | + | < |
| - | < | + | Kier Eagan (recording): |
| - | Also, when that happens, it's Milchick' | + | |
| - | job to extract the message | + | |
| - | 300 | + | < |
| - | < | + | Myrtle Eagan (recording): |
| - | And when he asks | + | |
| - | how long ago you ingested it, | + | |
| - | 301 | + | < |
| - | < | + | Mark: Look, you got one. |
| - | I really can't recommend honesty enough. | + | |
| - | 302 | + | < |
| - | < | + | Myrtle Eagan (recording): |
| - | It's easier for you both | + | |
| - | if he knows which end to start from. | + | |
| - | 303 | + | < |
| - | < | + | Irving: It’s okay if you cry. |
| - | Another good try though. | + | Myrtle Eagan (recording): |
| - | 304 | + | < |
| - | < | + | Irving: She was five CEOs ago. They’d never had a woman before. And she told her father at age seven, she was going to be the first. |
| - | Go shut down your workstation. | + | |
| - | We're taking | + | |
| - | 305 | + | < |
| - | < | + | Myrtle Eagan (recording): |
| - | The power is in your calves. | + | |
| - | 306 | + | < |
| - | < | + | Irving: Isn’t |
| - | …and it's always been that way. | + | Myrtle Eagan (recording): |
| - | I can tell you that right now, young boy. | + | |
| - | 307 | + | < |
| - | < | + | Helly: It’s beautiful. |
| - | All eight CEOs have been | + | Myrtle |
| - | of the Eagan lineage. | + | |
| - | 308 | + | < |
| - | < | + | Helly: It almost makes me wish I remembered my own childhood. |
| - | A line dating back to the founder. | + | |
| - | 309 | + | < |
| - | < | + | Myrtle Eagan (recording): |
| - | I have a mnemonic poem | + | |
| - | to help you remember their names. | + | |
| - | 310 | + | < |
| - | < | + | Irving: It’s an unnatural state for a person to have no history. History makes us someone. Gives us a context. A shape. But waking up on that table, I was shapeless. But then I learned that I work for a company that has been actively caring for mankind since 1866. |
| - | I authored it myself, and of course, | + | |
| - | it falls outside corporate canon, | + | |
| - | 311 | + | < |
| - | < | + | Irving: Look. Each of these is a real smile from someone on the outside. Someone Lumon Industries has helped. And they rotate these through. The true number of smiles may well be in the millions. |
| - | and it's poetically imperfect, to be sure. | + | |
| - | 312 | + | < |
| - | < | + | Helly: So what are we, like, a dental company? |
| - | There' | + | |
| - | of " | + | |
| - | 313 | + | < |
| - | < | + | Irving: No. My point is you’re part of a history now. |
| - | which was necessary | + | |
| - | to further the narrative, but regrettable. | + | |
| - | 314 | + | < |
| - | < | + | Mark: A noble one. |
| - | Ambrose is sometimes unfairly maligned as | + | Irving: And that’s so much more mea— |
| - | a black sheep in the annals of the family. | + | |
| - | 315 | + | < |
| - | < | + | Dylan: They update the mouth wall? |
| - | What's this? | + | |
| - | 316 | + | < |
| - | < | + | Irving: It’s not called the "mouth wall." |
| - | And it certainly wasn't my intent | + | |
| - | to slight him further, | + | |
| - | 317 | + | < |
| - | < | + | Dylan: Damn, they took down the chick I like. |
| - | -but I think you'll find… | + | |
| - | -" | + | |
| - | 318 | + | < |
| - | < | + | Dylan: Are you guys ready to go? |
| - | Hey. Eagan bingo. | + | Irving: We just got here. |
| - | 319 | + | < |
| - | < | + | Irving: She hasn’t even seen the Kier part yet. |
| - | -We shouldn' | + | |
| - | -…for when we arrive… | + | |
| - | 320 | + | < |
| - | < | + | Irving: Gerhardt. |
| - | Hey, what the hell is Eagan bingo? | + | |
| - | 321 | + | < |
| - | < | + | Helly: Jesus. |
| - | It's how you don't die of boredom | + | Irving: No. Kier. |
| - | in the perpetuity wing. | + | |
| - | 322 | + | < |
| - | < | + | Helly: It’s his house? |
| - | And come on, | + | |
| - | it'll be an excellent opportunity | + | |
| - | 323 | + | < |
| - | < | + | Irving: A perfect replica. |
| - | for everyone except Irv to bond. | + | |
| - | 324 | + | < |
| - | < | + | Mark: Pretty cool, huh? |
| - | Optics and Design. | + | |
| - | 325 | + | < |
| - | < | + | Helly: Yeah, pretty cool. |
| - | Macrodata Refinement. | + | |
| - | 326 | + | < |
| - | < | + | Irving: The bedroom of Kier, just as he might have left it. |
| - | Burt. | + | |
| - | 327 | + | < |
| - | < | + | Helly: Well, this is thorough. |
| - | Hi. | + | |
| - | 328 | + | < |
| - | < | + | Dylan: |
| - | I trust that your session was good. | + | |
| - | 329 | + | < |
| - | < | + | Irving: Stop treating this like some kind of beer party. |
| - | Great, very restorative. | + | |
| - | 330 | + | < |
| - | < | + | Dylan: That’s not fair. Up till now, I’ve been reverent as shit. |
| - | Wa-- You two know each other? | + | |
| - | 331 | + | < |
| - | < | + | Irving: Mark. |
| - | We were just admiring | + | Mark: Yeah? |
| - | some Lumon artwork together, very briefly. | + | |
| - | 332 | + | < |
| - | < | + | Irving: Were you about to… bed sit? |
| - | Remember, we'll have | + | |
| - | those new handbook totes soon. | + | |
| - | 333 | + | < |
| - | < | + | Mark: No. Nuh-uh. |
| - | So exciting. | + | |
| - | 334 | + | < |
| - | < | + | Irving: What’s that in your pocket, Mark? |
| - | Thanks for the tip. You got business, | + | |
| - | or you out for a stroll? | + | |
| - | 335 | + | < |
| - | < | + | Mark: I— |
| - | -Dylan. | + | |
| - | -What? | + | |
| - | 336 | + | < |
| - | < | + | Irving: Oh, God, Mark. Still? |
| - | and I'm just wondering what you're up to. | + | |
| - | It's rare seeing you out of your hole. | + | |
| - | 337 | + | < |
| - | < | + | Mark: It’s… for fun. |
| - | Egg drop challenge | + | |
| - | in the team-building space. | + | |
| - | 338 | + | < |
| - | < | + | Irving: It’s the Perpetuity Wing. It’s the Eagans. It’s the living soul of Lumon and everything she stands for, not a bingo match. |
| - | Tight department like us | + | |
| - | gotta keep our synergy up. | + | |
| - | 339 | + | < |
| - | < | + | Mark: Look, Kier said, "Keep a merry humor ever in your heart." |
| - | Egg drop challenge. | + | |
| - | You buy this fucking shit? | + | |
| - | 340 | + | < |
| - | < | + | Irving: Did you give one to the trainee? Of course, you did. She’s starved for meaning here. So, of course, you’d pervert our founder’s message with jokes and impiety. That’s definitely what she needs from her department chief. |
| - | -And what are you guys doing? | + | |
| - | -Felicia. | + | |
| - | 341 | + | < |
| - | < | + | Mark: Hey, I didn’t want to be department chief. I didn’t ask for Petey to disappear and for— |
| - | Perpetuity wing visit. | + | |
| - | This is Helly, our new refiner. | + | |
| - | 342 | + | < |
| - | < | + | Mark: Helly? |
| - | -This is-- | + | |
| - | -Welcome, | + | |
| - | 343 | + | < |
| - | < | + | Dylan: Uh-oh. |
| - | Well, we should get back. | + | |
| - | Can't leave the nest empty. | + | |
| - | 344 | + | < |
| - | < | + | Mark: Helly? Shit. |
| - | Good to see you, O&D. | + | |
| - | 345 | + | < |
| - | < | + | Mark: Helly! |
| - | Those eggs look like shit. | + | |
| - | 346 | + | < |
| - | < | + | Milchick: This is… Jesus. |
| - | Irving, come on. | + | |
| - | 347 | + | < |
| - | < | + | Mark: Helly! |
| - | Seth? | + | |
| - | 348 | + | < |
| - | < | + | Mark: Helly! |
| - | Natalie. | + | |
| - | 349 | + | < |
| - | < | + | Mark: Helly! |
| - | Harmony, hello. | + | |
| - | 350 | + | < |
| - | < | + | Helly: No! |
| - | I wasn't expecting-- Is this about Helena? | + | |
| - | 351 | + | < |
| - | < | + | Mark: Goddamn it, Helly. |
| - | No, this is about Peter Kilmer. | + | |
| - | 352 | + | < |
| - | < | + | Graner: This way, please, Helly R. |
| - | And I should tell you | + | |
| - | that the Board is joining us. | + | |
| - | 353 | + | < |
| - | < | + | Graner: On you go. |
| - | The Board would like you to speak first. | + | |
| - | 354 | + | < |
| - | < | + | Milchick: I’m truly sorry to see you here, Helly. I hoped you’d just settle in. I know Mark’s been trying so hard to get you to feel happy. |
| - | Oh, yes. Of course. | + | |
| - | 355 | + | < |
| - | < | + | Helly: Look, you seem like a smart person. But don’t you see how fucked up this is? |
| - | Salutations. | + | |
| - | 356 | + | < |
| - | < | + | Helly: You can’t keep— |
| - | So the search for Kilmer continues. | + | Milchick: Not right now, Helly. |
| - | 357 | + | < |
| - | < | + | Milchick: Sit. Please. Hands on the table, please. |
| - | I will say this. | + | |
| - | 358 | + | < |
| - | < | + | Milchick: I’m bringing up the compunction statement for Helly R. |
| - | Not to be alarmist, | + | |
| - | but prior to his departure, | + | |
| - | 359 | + | < |
| - | < | + | Helly: What is this? |
| - | there were some troubling signs | + | |
| - | of possible… reintegration. | + | |
| - | 360 | + | < |
| - | < | + | Milchick: Read it. |
| - | Okay. | + | |
| - | 361 | + | < |
| - | < | + | Helly: I don’t want to. |
| - | So, the Board is conveying pretty strongly | + | |
| - | 362 | + | < |
| - | < | + | Milchick: No. Do. |
| - | that the severance procedure is | + | |
| - | provenly irreversible. | + | |
| - | 363 | + | < |
| - | < | + | Helly: " |
| - | Yes-- | + | |
| - | 364 | + | < |
| - | < | + | Milchick: I’m afraid you don’t mean it. |
| - | And that this knowledge should be a given | + | |
| - | for a person managing a severed floor. | + | |
| - | 365 | + | < |
| - | < | + | Helly: Excuse me? |
| - | Yes, of course. | + | |
| - | 366 | + | < |
| - | < | + | Milchick: Again, please. |
| - | While, of course, getting MDR | + | |
| - | to their projected numbers | + | |
| - | 367 | + | < |
| - | < | + | Helly: " |
| - | by the quarterly deadline | + | |
| - | 368 | + | < |
| - | < | + | Milchick: Again. |
| - | Yes, of course. | + | |
| - | 369 | + | < |
| - | < | + | Helly: Really? |
| - | We are quickly rekindling our yield | + | |
| - | down here with our nimble new refiner. | + | |
| - | 370 | + | < |
| - | < | + | Dylan: Fun day. See you tomorrow. |
| - | -And for what it's worth, I'd like-- | + | |
| - | -The Board has concluded the call. | + | |
| - | 371 | + | < |
| - | < | + | Mark: Yeah. |
| - | Yes, okay. Thank you. | + | |
| - | 372 | + | < |
| - | < | + | Dylan: Do you want me to get these? |
| - | -And may I ask-- | + | |
| - | -Goodbye, Harmony. | + | |
| - | 373 | + | < |
| - | < | + | Mark: Yeah, go ahead. |
| - | There' | + | |
| - | Like, they only ever see each other? | + | |
| - | 374 | + | < |
| - | < | + | Petey: I haven’t any tokens. I can’t eat with no tokens. |
| - | For the most part. It's lonely, | + | |
| - | 375 | + | < |
| - | < | + | Petey: Hey! I need tokens so I can eat! |
| - | And unnatural. Perverse. | + | |
| - | 376 | + | < |
| - | < | + | Checkout Girl: Oh, my God. |
| - | O&D is nice. | + | |
| - | 377 | + | < |
| - | < | + | Mark: Petey? Petey? |
| - | No, they' | + | |
| - | Nor do they share our values. | + | |
| - | 378 | + | < |
| - | < | + | Cop 1 (voice): All right now. Take it slow. |
| - | Kier sorted the departments by virtue. | + | |
| - | 379 | + | < |
| - | < | + | Cop 2 (voice): Did you happen to see which direction he came from? |
| - | Macrodats are clever and true, | + | |
| - | while O& | + | |
| - | 380 | + | < |
| - | < | + | Cop 3 (voice): I’m just gonna grab the stretcher. I’ll be right back. |
| - | How many departments are there? | + | |
| - | 381 | + | < |
| - | < | + | Cop 4 (voice): Can you get an ID on this guy? |
| - | -Probably 30. | + | |
| - | -Around five. | + | |
| - | 382 | + | < |
| - | < | + | BYSTANDER (voice): I guess he’s from nearby. He came in with a robe on. That was it. |
| - | No one's quite sure. | + | |
| - | 383 | + | < |
| - | < | + | Cop 3 (voice): He’s down. He’s down. |
| - | O&D tried a violent coup on the others | + | |
| - | decades ago, | + | |
| - | 384 | + | < |
| - | < | + | Cop 1 (voice): Sir. Sir, sir, sir. Can you hear me? |
| - | and that's why | + | |
| - | they reduced them down to two. | + | |
| - | 385 | + | < |
| - | < | + | Cop 2 (voice): You got that? Just stand back. |
| - | And that's why they keep us all | + | |
| - | so far apart now. | + | |
| - | 386 | + | < |
| - | < | + | Cop 2 (voice): Yeah, dispatch, I got a 10-53 at a convenience store on 42nd. |
| - | That's an absolute fiction. | + | |
| - | 387 | + | < |
| - | < | + | Cop 2 (voice): Call that in, please. |
| - | Did they ever kill anyone? | + | |
| - | 388 | + | < |
| - | < | + | Cop 3 (voice): Is he breathing? |
| - | Nope. There was no coup. | + | Cop 1 (voice): |
| - | No one killed anyone. | + | |
| - | 389 | + | < |
| - | < | + | Cop 3 (voice): Yeah, yeah, yeah. Give me the bpm. |
| - | Then why don't we ever hang out? | + | |
| - | 390 | + | < |
| - | < | + | Cop 2 (voice): You okay? You okay? |
| - | I mean, I'm 99% sure there was no coup. | + | Cop 3 (voice): |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | If they come back and attack us, | + | |
| - | I think we should kill Mark. | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | -Oh, yeah? | + | |
| - | -Yeah. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | So they think we're crazy | + | |
| - | with nothing to lose. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | Smart. That's smart. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | Like, I'm imagining them rounding | + | |
| - | a corner, and we're all blood-soaked, | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | and I'm wearing your face, | + | |
| - | and they' | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | And I'm like, | + | |
| - | "The last person who fucked with us." | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | And that's just feeling like | + | |
| - | a really powerful image to me. | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | Just-- Seems like | + | |
| - | they'd recognize my face. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | Maybe if you wore it inside out? | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | We're here. | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | "Come now, children of my industry, | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | and know the children of my blood." | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | Whoa. | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | That's Jame Eagan. | + | |
| - | Current CEO. Remarkable man. | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | Handsome too. See those brows? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | All the center displays are for | + | |
| - | a past Eagan CEO. | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | But the whole back part is Kier. | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | I know that death is near upon me, | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | because people have begun to ask | + | |
| - | what I see as my life's great achievement. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | They wish to know | + | |
| - | how they should remember me as I rot. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | In my life, I have identified | + | |
| - | four components, which I call tempers, | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | from which are derived every human soul. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | Woe. Frolic. Dread. Malice. | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | Each man's character is defined | + | |
| - | by the precise ratio | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | that resides in him. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | I walked into the cave | + | |
| - | of my own mind, and there I tamed them. | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | Should you tame the tempers as I did mine, | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | then the world shall become | + | |
| - | but your appendage. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | It is this great and consecrated power | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | that I hope to pass on | + | |
| - | to all of you, my children. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | I think that to be an Eagan, | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | either a true Eagan | + | |
| - | or anyone working in this Lumon family, | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | what you are is the keeper of an ethos, | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | a compact of values | + | |
| - | that we have long held as precious, | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | and which I do believe | + | |
| - | will one day save this world. | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | And that ethos goes all the way back | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | -through my blood… | + | |
| - | -Look, you got one. | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | …to where we all started, with Kier. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | -It's okay if you cry. | + | |
| - | -When I was a girl, | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | my father would make me whisper… | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | She was five CEOs ago. | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | They'd never had a woman before. | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | And she told her father at age seven, | + | |
| - | she was going to be the first. | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | Vision. Verve. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | -Isn't that lovely? | + | |
| - | -Wit. | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | -It's beautiful. | + | |
| - | -Cheer. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | It almost makes me wish | + | |
| - | I remembered my own childhood. | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | Nimbleness. Probity. Wiles. | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | It's an unnatural state | + | |
| - | for a person to have no history. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | History makes us someone. | + | |
| - | Gives us a context. A shape. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But waking up on that table, | + | |
| - | I was shapeless. | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | But then I learned | + | |
| - | that I work for a company | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | that has been actively caring | + | |
| - | for mankind since 1866. | + | |
| - | + | ||
| - | < | + | |
| - | IRVING: Look. Each of these is a real smile from someone on the outside. Someone Lumon Industries has helped. And they rotate these through. The true number of smiles may well be in the millions. | + | |
| - | + | ||
| - | < | + | |
| - | HELLY: So what are we, like, a dental company? | + | |
| - | + | ||
| - | < | + | |
| - | IRVING: No. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | My point is you're part of a history now. | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | -A noble one. | + | |
| - | -And that's so much more mea-- | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | They update the mouth wall? | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | It's not called the "mouth wall." | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | Damn, they took down the chick I like. | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | -Are you guys ready to go? | + | |
| - | -We just got here. | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | She hasn't even seen the Kier part yet. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | Gerhardt. | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | -Jesus. | + | |
| - | -No. Kier. | + | |
| - | + | ||
| - | 461 | + | |
| - | < | + | |
| - | It's his house? | + | |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | A perfect replica. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | Pretty cool, huh? | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | Yeah, pretty cool. | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | The bedroom of Kier, | + | |
| - | just as he might have left it. | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | Well, this is thorough. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | I hate this place. | + | |
| - | It smells like 19th century ass. | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | Stop treating this | + | |
| - | like some kind of beer party. | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | That's not fair. | + | |
| - | Up till now, I've been reverent as shit. | + | |
| - | + | ||
| - | 470 | + | |
| - | < | + | |
| - | -Mark. | + | |
| - | -Yeah? | + | |
| - | + | ||
| - | 471 | + | |
| - | < | + | |
| - | Were you about to… bed sit? | + | |
| - | + | ||
| - | 472 | + | |
| - | < | + | |
| - | No. Nuh-uh. | + | |
| - | + | ||
| - | 473 | + | |
| - | < | + | |
| - | What's that in your pocket, Mark? | + | |
| - | + | ||
| - | 474 | + | |
| - | < | + | |
| - | I-- | + | |
| - | + | ||
| - | 475 | + | |
| - | < | + | |
| - | Oh, God, Mark. Still? | + | |
| - | + | ||
| - | 476 | + | |
| - | < | + | |
| - | It' | + | |
| - | + | ||
| - | 477 | + | |
| - | < | + | |
| - | It's the perpetuity wing. | + | |
| - | + | ||
| - | 478 | + | |
| - | < | + | |
| - | It's the Eagans. | + | |
| - | + | ||
| - | 479 | + | |
| - | < | + | |
| - | It's the living soul of Lumon | + | |
| - | and everything she stands for, | + | |
| - | + | ||
| - | 480 | + | |
| - | < | + | |
| - | not a bingo match. | + | |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | Look, Kier said, | + | |
| - | "Keep a merry humor ever in your heart." | + | |
| - | + | ||
| - | 482 | + | |
| - | < | + | |
| - | Did you give one to the trainee? | + | |
| - | + | ||
| - | 483 | + | |
| - | < | + | |
| - | Of course, you did. | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | She's starved for meaning here. | + | |
| - | + | ||
| - | 485 | + | |
| - | < | + | |
| - | So, of course, you'd pervert | + | |
| - | our founder' | + | |
| - | + | ||
| - | 486 | + | |
| - | < | + | |
| - | with jokes and impiety. | + | |
| - | + | ||
| - | 487 | + | |
| - | < | + | |
| - | That's definitely what she needs | + | |
| - | from her department chief. | + | |
| - | + | ||
| - | 488 | + | |
| - | < | + | |
| - | Hey, I didn't want to be department chief. | + | |
| - | + | ||
| - | 489 | + | |
| - | < | + | |
| - | I didn't ask for Petey to disappear | + | |
| - | and for-- | + | |
| - | + | ||
| - | 490 | + | |
| - | < | + | |
| - | Helly? | + | |
| - | + | ||
| - | 491 | + | |
| - | < | + | |
| - | Uh-oh. | + | |
| - | + | ||
| - | 492 | + | |
| - | < | + | |
| - | Helly? | + | |
| - | + | ||
| - | 493 | + | |
| - | < | + | |
| - | Shit. | + | |
| - | + | ||
| - | 494 | + | |
| - | < | + | |
| - | Helly! | + | |
| - | + | ||
| - | 495 | + | |
| - | < | + | |
| - | This is… Jesus. | + | |
| - | + | ||
| - | 496 | + | |
| - | < | + | |
| - | Helly! | + | |
| - | + | ||
| - | 497 | + | |
| - | < | + | |
| - | Helly! | + | |
| - | + | ||
| - | 498 | + | |
| - | < | + | |
| - | Helly! | + | |
| - | + | ||
| - | 499 | + | |
| - | < | + | |
| - | No! | + | |
| - | + | ||
| - | 500 | + | |
| - | < | + | |
| - | Goddamn it, Helly. | + | |
| - | + | ||
| - | 501 | + | |
| - | < | + | |
| - | This way, please, Helly R. | + | |
| - | + | ||
| - | 502 | + | |
| - | < | + | |
| - | On you go. | + | |
| - | + | ||
| - | 503 | + | |
| - | < | + | |
| - | I'm truly sorry to see you here, Helly. | + | |
| - | + | ||
| - | 504 | + | |
| - | < | + | |
| - | I hoped you'd just settle in. | + | |
| - | + | ||
| - | 505 | + | |
| - | < | + | |
| - | I know Mark's been trying so hard | + | |
| - | to get you to feel happy. | + | |
| - | + | ||
| - | 506 | + | |
| - | < | + | |
| - | Look, you seem like a smart person. | + | |
| - | But don't you see how fucked up this is? | + | |
| - | + | ||
| - | 507 | + | |
| - | < | + | |
| - | -You can't keep-- | + | |
| - | -Not right now, Helly. | + | |
| - | + | ||
| - | 508 | + | |
| - | < | + | |
| - | Sit. Please. | + | |
| - | + | ||
| - | 509 | + | |
| - | < | + | |
| - | Hands on the table, please. | + | |
| - | + | ||
| - | 510 | + | |
| - | < | + | |
| - | I'm bringing up the compunction statement | + | |
| - | for Helly R. | + | |
| - | + | ||
| - | 511 | + | |
| - | < | + | |
| - | What is this? | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | Read it. | + | |
| - | + | ||
| - | 513 | + | |
| - | < | + | |
| - | I don't want to. | + | |
| - | + | ||
| - | 514 | + | |
| - | < | + | |
| - | No. Do. | + | |
| - | + | ||
| - | 515 | + | |
| - | < | + | |
| - | " | + | |
| - | I have caused this world. | + | |
| - | + | ||
| - | 516 | + | |
| - | < | + | |
| - | None may atone for my actions but me, | + | |
| - | + | ||
| - | 517 | + | |
| - | < | + | |
| - | and only in me shall their stain live on. | + | |
| - | + | ||
| - | 518 | + | |
| - | < | + | |
| - | I am thankful to have been caught, | + | |
| - | + | ||
| - | 519 | + | |
| - | < | + | |
| - | my fall cut short | + | |
| - | by those with wizened hands. | + | |
| - | + | ||
| - | 520 | + | |
| - | < | + | |
| - | All I can be is sorry, | + | |
| - | and that is all I am." | + | |
| - | + | ||
| - | 521 | + | |
| - | < | + | |
| - | I'm afraid you don't mean it. | + | |
| - | + | ||
| - | 522 | + | |
| - | < | + | |
| - | Excuse me? | + | |
| - | + | ||
| - | 523 | + | |
| - | < | + | |
| - | Again, please. | + | |
| - | + | ||
| - | 524 | + | |
| - | < | + | |
| - | " | + | |
| - | I have caused this world. | + | |
| - | + | ||
| - | 525 | + | |
| - | < | + | |
| - | None may atone for my actions but me, | + | |
| - | + | ||
| - | 526 | + | |
| - | < | + | |
| - | and only in me shall their stain live on. | + | |
| - | + | ||
| - | 527 | + | |
| - | < | + | |
| - | I am thankful to have been caught, | + | |
| - | + | ||
| - | 528 | + | |
| - | < | + | |
| - | my fall cut short | + | |
| - | by those with wizened hands. | + | |
| - | + | ||
| - | 529 | + | |
| - | < | + | |
| - | All I can be is sorry, | + | |
| - | and that is all I am." | + | |
| - | + | ||
| - | 530 | + | |
| - | < | + | |
| - | Again. | + | |
| - | + | ||
| - | 531 | + | |
| - | < | + | |
| - | Really? | + | |
| - | + | ||
| - | 532 | + | |
| - | < | + | |
| - | Fun day. | + | |
| - | + | ||
| - | 533 | + | |
| - | < | + | |
| - | See you tomorrow. | + | |
| - | + | ||
| - | 534 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 535 | + | |
| - | < | + | |
| - | Do you want me to get these? | + | |
| - | + | ||
| - | 536 | + | |
| - | < | + | |
| - | Yeah, go ahead. | + | |
| - | + | ||
| - | 537 | + | |
| - | < | + | |
| - | I haven' | + | |
| - | I can't eat with no tokens. | + | |
| - | + | ||
| - | 538 | + | |
| - | < | + | |
| - | Hey! | + | |
| - | + | ||
| - | 539 | + | |
| - | < | + | |
| - | I need tokens so I can eat! | + | |
| - | + | ||
| - | 540 | + | |
| - | < | + | |
| - | Oh, my God. | + | |
| - | + | ||
| - | 541 | + | |
| - | < | + | |
| - | Petey? | + | |
| - | + | ||
| - | 542 | + | |
| - | < | + | |
| - | Petey? | + | |
| - | + | ||
| - | 543 | + | |
| - | < | + | |
| - | All right now. Take it slow. | + | |
| - | + | ||
| - | 544 | + | |
| - | < | + | |
| - | Did you happen to see | + | |
| - | which direction he came from? | + | |
| - | + | ||
| - | 545 | + | |
| - | < | + | |
| - | I'm just gonna grab the stretcher. | + | |
| - | I'll be right back. | + | |
| - | + | ||
| - | 546 | + | |
| - | < | + | |
| - | Can you get an ID on this guy? | + | |
| - | + | ||
| - | 547 | + | |
| - | < | + | |
| - | I guess he's from nearby. | + | |
| - | He came in with a robe on. That was it. | + | |
| - | + | ||
| - | 548 | + | |
| - | < | + | |
| - | He's down. He's down. | + | |
| - | + | ||
| - | 549 | + | |
| - | < | + | |
| - | Sir. Sir, sir, sir. Can you hear me? | + | |
| - | + | ||
| - | 550 | + | |
| - | < | + | |
| - | You got that? Just stand back. | + | |
| - | + | ||
| - | 551 | + | |
| - | < | + | |
| - | Yeah, dispatch, I got a 10-53 | + | |
| - | at a convenience store on 42nd. | + | |
| - | + | ||
| - | 552 | + | |
| - | < | + | |
| - | Call that in, please. | + | |
| - | + | ||
| - | 553 | + | |
| - | < | + | |
| - | -Is he breathing? | + | |
| - | -No, he's not breathing, man. | + | |
| - | + | ||
| - | 554 | + | |
| - | < | + | |
| - | Yeah, yeah, yeah. Give me the bpm. | + | |
| - | + | ||
| - | 555 | + | |
| - | < | + | |
| - | -You okay? You okay? | + | |
| - | -Get him on the board. | + | |
| </ | </ | ||
| - | {{tag>scripts}} | + | {{tag>Transcripts}} |
in_perpetuity_transcript.1652647001.txt.gz · Last modified: 2022-05-15 20:36 by Neatnik
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