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in_perpetuity_transcript [2022-06-28 04:42] – Neatnik | in_perpetuity_transcript [2022-08-07 13:00] – begin formatting, add links rickypanther | ||
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<WRAP script> | <WRAP script> | ||
- | 1 | ||
< | < | ||
Petey, are you okay? | Petey, are you okay? | ||
- | 2 | ||
< | < | ||
Petey? | Petey? | ||
- | 3 | ||
< | < | ||
- | Yeah, I'm good. I just slipped. | + | Yeah, I'm good. I just slipped. You should invest in a bath mat, maybe. |
- | You should invest in a bath mat, maybe. | + | |
- | 4 | ||
< | < | ||
- | Yeah, okay. | + | Yeah, okay. The robe is a gift from my brother-in-law. I've never worn it or anything. Sorry, it's weird. |
- | The robe is a gift from my brother-in-law. | + | |
- | 5 | ||
- | < | ||
- | I've never worn it or anything. | ||
- | Sorry, it's weird. | ||
- | |||
- | 6 | ||
< | < | ||
I have pillows. Do you need anything else? | I have pillows. Do you need anything else? | ||
- | 7 | ||
< | < | ||
- | Yeah, I want you to stop | + | Yeah, I want you to stop shitting on this awesome robe. |
- | shitting on this awesome robe. | + | |
- | 8 | ||
< | < | ||
Well, you can keep it. | Well, you can keep it. | ||
- | 9 | ||
< | < | ||
I will. | I will. | ||
- | 10 | ||
< | < | ||
- | Hey. Are you sure nobody can see | + | Hey. Are you sure nobody can see in any of these transoms? |
- | in any of these transoms? | + | |
- | 11 | ||
< | < | ||
- | Yeah. | + | Yeah. And everything' |
- | + | ||
- | 12 | + | |
- | < | + | |
- | And everything' | + | |
- | 13 | ||
< | < | ||
Anybody live in that unit next door? | Anybody live in that unit next door? | ||
- | 14 | ||
< | < | ||
- | No, it's just Mrs. Selvig | + | No, it's just Mrs. Selvig in the other direction. The neighborhood never really filled up, so it's nice. Quiet. |
- | in the other direction. | + | |
- | 15 | ||
- | < | ||
- | The neighborhood never really filled up, | ||
- | so it's nice. Quiet. | ||
- | |||
- | 16 | ||
< | < | ||
Fortress of solitude. | Fortress of solitude. | ||
- | 17 | ||
< | < | ||
- | I still think an occasional mixer | + | I still think an occasional mixer wouldn' |
- | wouldn' | + | |
- | 18 | ||
- | < | ||
- | I checked, and it's | ||
- | not expressly prohibited in the manual. | ||
- | |||
- | 19 | ||
< | < | ||
- | Yeah, I bet! | + | Yeah, I bet! Dude, I pressed Cobel for an all-floor mixer last quarter. She said you'll get one when you earn it, whatever that means. |
- | 20 | ||
- | < | ||
- | Dude, I pressed Cobel | ||
- | for an all-floor mixer last quarter. | ||
- | |||
- | 21 | ||
- | < | ||
- | She said you'll get one when you earn it, | ||
- | whatever that means. | ||
- | |||
- | 22 | ||
< | < | ||
-Cobel? | -Cobel? | ||
- | -I can't imagine Dylan' | + | -I can't imagine Dylan' |
- | + | ||
- | 23 | + | |
- | < | + | |
- | on Sunset Park's gonna help with-- | + | |
- | 24 | ||
< | < | ||
Petey? | Petey? | ||
- | 25 | ||
< | < | ||
You okay? | You okay? | ||
- | 26 | ||
< | < | ||
- | I'm sorry. Yeah. | + | I'm sorry. Yeah. I just-- I get disoriented. It's temporary. |
- | 27 | ||
- | < | ||
- | With this sickness, | ||
- | I just-- I get disoriented. | ||
- | |||
- | 28 | ||
- | < | ||
- | It's temporary. | ||
- | |||
- | 29 | ||
< | < | ||
What's Sunset Park? | What's Sunset Park? | ||
- | 30 | ||
< | < | ||
I don't know. | I don't know. | ||
- | 31 | ||
< | < | ||
- | It's like having two different lives | + | It's like having two different lives suddenly stitched together. But the relativity' |
- | suddenly stitched together. | + | |
- | 32 | ||
- | < | ||
- | But the relativity' | ||
- | |||
- | 33 | ||
- | < | ||
- | So, my first day at Lumon' | ||
- | as far back as my fifth birthday. | ||
- | |||
- | 34 | ||
< | < | ||
- | And with two pasts, | + | And with two pasts, it blurs the present too. But they said it will get better. |
- | it blurs the present too. | + | |
- | 35 | ||
- | < | ||
- | But they said it will get better. | ||
- | |||
- | 36 | ||
< | < | ||
Who's " | Who's " | ||
- | 37 | ||
< | < | ||
- | " | + | " |
- | severance is a blight on mankind. | + | |
- | 38 | ||
- | < | ||
- | And they' | ||
- | |||
- | 39 | ||
< | < | ||
The Whole Mind Collective? | The Whole Mind Collective? | ||
- | 40 | ||
< | < | ||
- | The kids trolling for signatures downtown? | + | The kids trolling for signatures downtown? No, not the fucking WMC. Someone else. |
- | No, not the fucking WMC. | + | |
- | 41 | ||
- | < | ||
- | Someone else. | ||
- | |||
- | 42 | ||
< | < | ||
- | All right. Well-- | + | All right. Well-- So, what do you want from me? |
- | + | ||
- | 43 | + | |
- | < | + | |
- | So, what do you want from me? | + | |
- | 44 | ||
< | < | ||
- | Don't you wanna know | + | Don't you wanna know what you're doing down there? |
- | what you're doing down there? | + | |
- | 45 | ||
< | < | ||
- | Okay, look. | + | Okay, look. You know, I'm not gonna unsever. |
- | You know, I'm not gonna unsever. | + | |
- | 46 | ||
< | < | ||
- | Well, I don't want you to unsever | + | Well, I don't want you to unsever because that's not a word. |
- | because that's not a word. | + | |
- | 47 | ||
< | < | ||
-Reintegration. | -Reintegration. | ||
-All right. Well, whatever. | -All right. Well, whatever. | ||
- | 48 | ||
< | < | ||
- | You know, it hasn't been a blight for me. | + | You know, it hasn't been a blight for me. It's helped |
- | 49 | ||
- | < | ||
- | It's helped me. | ||
- | |||
- | 50 | ||
< | < | ||
- | Okay. What if the cost of that help | + | Okay. What if the cost of that help is that you're murdering people eight hours a day and you don't even know it? |
- | + | ||
- | 51 | + | |
- | < | + | |
- | is that you're murdering people | + | |
- | eight hours a day | + | |
- | + | ||
- | 52 | + | |
- | < | + | |
- | and you don't even know it? | + | |
- | 53 | ||
< | < | ||
Well, am I? | Well, am I? | ||
- | 54 | ||
< | < | ||
- | Look, I found a department. | + | Look, I found a department. One they don't tell us about. One where you don't get to leave. |
- | One they don't tell us about. | + | |
- | 55 | ||
- | < | ||
- | One where you don't get to leave. | ||
- | |||
- | 56 | ||
< | < | ||
Well, don't none of us get to leave? | Well, don't none of us get to leave? | ||
- | 57 | ||
< | < | ||
- | No, I mean you really don't get to leave. | + | No, I mean you really don't get to leave. As in, they' |
- | As in, they' | + | |
- | 58 | ||
< | < | ||
Well, what? Like, chained up, or-- | Well, what? Like, chained up, or-- | ||
- | 59 | ||
< | < | ||
What? | What? | ||
- | 60 | ||
< | < | ||
- | I'm not gonna talk about it in here. | + | I'm not gonna talk about it in here. I don't know if the monitors are bugged. Or if Irving' |
- | 61 | ||
- | < | ||
- | I don't know if the monitors are bugged. | ||
- | Or if Irving' | ||
- | |||
- | 62 | ||
< | < | ||
Petey, we're not at Lumon. | Petey, we're not at Lumon. | ||
- | 63 | ||
< | < | ||
Then where the fuck is June? | Then where the fuck is June? | ||
- | 64 | ||
< | < | ||
I'm sorry, Mark. | I'm sorry, Mark. | ||
- | 65 | ||
< | < | ||
Who's June? | Who's June? | ||
- | 66 | ||
< | < | ||
- | June is my daughter. Greatest kid on Earth | + | June is my daughter. Greatest kid on Earth and a hell of a guitar player. |
- | and a hell of a guitar player. | + | |
- | 67 | ||
< | < | ||
- | How happy are you | + | How happy are you that you asked me to stay here? |
- | that you asked me to stay here? | + | |
- | 68 | ||
< | < | ||
- | Oh, Mark. | + | Oh, Mark. Are you all right? |
- | 69 | ||
- | < | ||
- | Are you all right? | ||
- | |||
- | 70 | ||
< | < | ||
- | But what do you say, Natalie, | + | But what do you say, Natalie, to the woman who became pregnant at work less than a month after her company went severed? |
- | to the woman who became pregnant at work | + | |
- | 71 | ||
- | < | ||
- | less than a month | ||
- | after her company went severed? | ||
- | |||
- | 72 | ||
< | < | ||
- | Well, first, | + | Well, first, I'd suggest she reveal her identity |
- | I'd suggest she reveal her identity | + | |
- | 73 | ||
- | < | ||
- | if she wants an honest conversation | ||
- | |||
- | 74 | ||
< | < | ||
-about her experience. | -about her experience. | ||
- | -How could she have that conversation | + | -How could she have that conversation when her workie was the one involved-- |
- | + | ||
- | 75 | + | |
- | < | + | |
- | -when her workie was the one involved-- | + | |
-Okay, first of all, workie? | -Okay, first of all, workie? | ||
- | 76 | ||
< | < | ||
- | That, as I understand, | + | That, as I understand, is the preferred term among-- |
- | is the preferred term among-- | + | |
- | 77 | ||
< | < | ||
- | I think it's exactly the condescending | + | I think it's exactly the condescending verbiage that I'd expect from a group trying to save people from their own choices. |
- | verbiage that I'd expect | + | |
- | + | ||
- | 78 | + | |
- | < | + | |
- | from a group trying to save people | + | |
- | from their own choices. | + | |
- | 79 | ||
< | < | ||
Choices? Did her insie have a-- | Choices? Did her insie have a-- | ||
- | 80 | ||
< | < | ||
Insie? Where are you getting these terms? | Insie? Where are you getting these terms? | ||
- | 81 | ||
< | < | ||
- | Fine. Call it someone | + | Fine. Call it someone who's had their brain split in half-- |
- | who's had their brain split in half-- | + | |
- | 82 | ||
< | < | ||
- | That has nothing to do | + | That has nothing to do with what we do at Lumon nor any severance procedure. |
- | with what we do at Lumon | + | |
- | 83 | ||
- | < | ||
- | nor any severance procedure. | ||
- | |||
- | 84 | ||
< | < | ||
- | I understand you don't wanna answer | + | I understand you don't wanna answer my questions… |
- | my questions… | + | |
- | 85 | ||
< | < | ||
-I'm answering your questions. | -I'm answering your questions. | ||
-…because it'll reveal that you are | -…because it'll reveal that you are | ||
- | 86 | ||
< | < | ||
-complicit in something totally immoral. | -complicit in something totally immoral. | ||
-What' | -What' | ||
- | 87 | ||
< | < | ||
Tell me it's not true. | Tell me it's not true. | ||
- | 88 | ||
< | < | ||
Well, I want to, but I can't. See? | Well, I want to, but I can't. See? | ||
- | 89 | ||
< | < | ||
- | …continuing through the greater basin, | + | …continuing through the greater basin, |
- | 90 | ||
- | < | ||
- | probably into the afternoon, | ||
- | just as we predicted yesterday. | ||
- | |||
- | 91 | ||
- | < | ||
- | The good news is, those clouds should | ||
- | dissipate somewhere over the Ganz area, | ||
- | |||
- | 92 | ||
- | < | ||
- | leaving a clear, sunny day, | ||
- | for our friends in and around Kier. | ||
- | |||
- | 93 | ||
- | < | ||
- | That said, | ||
- | the cold's not letting up anywhere. | ||
- | |||
- | 94 | ||
- | < | ||
- | And those roads are going to remain | ||
- | icy throughout the week | ||
- | |||
- | 95 | ||
- | < | ||
- | and on into the weekend. | ||
- | |||
- | 96 | ||
- | < | ||
- | So wherever you're headed, | ||
- | please do commute with care. | ||
- | |||
- | 97 | ||
< | < | ||
Petey. | Petey. | ||
- | 98 | ||
< | < | ||
Wake up, Petey. Petey? | Wake up, Petey. Petey? | ||
- | 99 | ||
< | < | ||
Hey. | Hey. | ||
- | 100 | ||
< | < | ||
It's morning. You are in my basement. | It's morning. You are in my basement. | ||
- | 101 | ||
< | < | ||
Right. | Right. | ||
- | 102 | ||
< | < | ||
- | So I'm going to work like you said. | + | So I'm going to work like you said. You can stay here if you want. |
- | You can stay here if you want. | + | |
- | 103 | ||
< | < | ||
- | I just wanna let you know, | + | I just wanna let you know, I'm not gonna reintegrate, |
- | 104 | ||
- | < | ||
- | I'm not gonna reintegrate, | ||
- | |||
- | 105 | ||
< | < | ||
Okay. | Okay. | ||
- | 106 | ||
< | < | ||
- | I lost my wife a couple years ago | + | I lost my wife a couple years ago in a car accident. |
- | in a car accident. | + | |
- | 107 | ||
- | < | ||
- | This is-- It's helping me, you know? | ||
- | |||
- | 108 | ||
< | < | ||
-I'm sorry, Mark. | -I'm sorry, Mark. | ||
-No, no, no. No. | -No, no, no. No. | ||
- | 109 | ||
< | < | ||
- | At work… | + | At work...you' |
- | 110 | ||
- | < | ||
- | you'd come in sometimes with red eyes. | ||
- | |||
- | 111 | ||
- | < | ||
- | We had a joke | ||
- | that you had an elevator allergy. | ||
- | |||
- | 112 | ||
- | < | ||
- | There was even a song for it. | ||
- | |||
- | 113 | ||
- | < | ||
- | But I always wondered. | ||
- | |||
- | 114 | ||
< | < | ||
- | You carry the hurt with you. | + | You carry the hurt with you. You feel it down there too. You just don't know what it is. |
- | 115 | ||
- | < | ||
- | You feel it down there too. | ||
- | You just don't know what it is. | ||
- | |||
- | 116 | ||
< | < | ||
- | Okay. | + | Okay. Why don't you grab whatever you want up in the fridge? I should be back around 6:00. |
- | + | ||
- | 117 | + | |
- | < | + | |
- | Why don't you grab | + | |
- | whatever you want up in the fridge? | + | |
- | + | ||
- | 118 | + | |
- | < | + | |
- | I should be back around 6:00. | + | |
- | 119 | ||
< | < | ||
Hi! | Hi! | ||
- | 120 | ||
< | < | ||
-Hey. | -Hey. | ||
-Mark, I'm sorry for the racket! | -Mark, I'm sorry for the racket! | ||
- | 121 | ||
< | < | ||
I'm just deicing my stoop. | I'm just deicing my stoop. | ||
- | 122 | ||
< | < | ||
No worries. Thanks again for the cookies. | No worries. Thanks again for the cookies. | ||
- | 123 | ||
< | < | ||
I'll bring by more! | I'll bring by more! | ||
- | 124 | ||
< | < | ||
Please. | Please. | ||
- | 125 | ||
< | < | ||
- | -Mr. Scout, how are you doing? | + | [[Judd|JUDD]]: |
- | -Hey, Judd. | + | MARK: Hey, Judd. |
- | 126 | ||
< | < | ||
- | I did a thing. | + | [[Helena Eagan|HELLY]]: |
- | I deleted the scary numbers. | + | |
- | 127 | ||
< | < | ||
When? | When? | ||
- | 128 | ||
< | < | ||
-Yesterday. You were gone. | -Yesterday. You were gone. | ||
-I was? | -I was? | ||
- | 129 | ||
< | < | ||
- | Oh, yeah. Dylan took over training | + | Oh, yeah. Dylan took over training in your stead to great success. |
- | in your stead to great success. | + | |
- | 130 | ||
< | < | ||
- | You look trim, Mark. | + | You look trim, Mark. I wonder if you were food poisoned. |
- | I wonder if you were food poisoned. | + | |
- | 131 | ||
< | < | ||
- | Welcome back, boss. New photos come in? | + | [[Dylan George|DYLAN]]: |
- | 132 | ||
< | < | ||
- | Oh, good. You can finally get rid | + | Oh, good. You can finally get rid of those old ones. |
- | of those old ones. | + | |
- | 133 | ||
< | < | ||
- | You may as well skip it actually, | + | You may as well skip it actually, 'cause I put in my resignation request. |
- | 'cause I put in my resignation request. | + | |
- | 134 | ||
< | < | ||
-You did submit it? | -You did submit it? | ||
-I did. | -I did. | ||
- | 135 | ||
< | < | ||
- | It's good. It means you won't get sent | + | It's good. It means you won't get sent to the break room anymore. |
- | to the break room anymore. | + | |
- | 136 | ||
< | < | ||
- | Hello, Refiners. | + | [[Seth Milchick|MILCHICK]]: |
- | 137 | ||
< | < | ||
Hello, Mr. Milchick. | Hello, Mr. Milchick. | ||
- | 138 | ||
< | < | ||
- | Mark, I spoke to your outie yesterday. | + | Mark, I spoke to your outie yesterday. |
- | 139 | ||
- | < | ||
- | He sounded just shattered | ||
- | not to be at work. | ||
- | |||
- | 140 | ||
- | < | ||
- | But now that you're here, | ||
- | |||
- | 141 | ||
- | < | ||
- | care to read your first morning | ||
- | announcements as department head? | ||
- | |||
- | 142 | ||
< | < | ||
Sure. | Sure. | ||
- | 143 | ||
< | < | ||
- | Should be easier | + | Should be easier without me in the audience. |
- | without me in the audience. | + | |
- | 144 | ||
< | < | ||
- | Mark used to find it funny | + | Mark used to find it funny to interrupt Petey' |
- | to interrupt Petey' | + | |
- | + | ||
- | 145 | + | |
- | < | + | |
- | With gas having. | + | |
- | 146 | ||
< | < | ||
- | Okay, quiet down, all. | + | Okay, quiet down, all. I'm Mark, your new announcements person. |
- | I'm Mark, your new announcements person. | + | |
- | 147 | ||
< | < | ||
Just a couple things here. | Just a couple things here. | ||
- | 148 | ||
< | < | ||
Why are you standing weird? Stand normal. | Why are you standing weird? Stand normal. | ||
- | 149 | ||
< | < | ||
I'm-- I'm standing great. | I'm-- I'm standing great. | ||
- | 150 | ||
< | < | ||
- | Are you uncomfortable? | + | Are you uncomfortable? |
- | We could all look away? | + | |
- | 151 | ||
< | < | ||
- | Okay, there' | + | Okay, there' |
- | in the recycling. | + | |
- | 152 | ||
- | < | ||
- | Please, everybody, don't do that. | ||
- | |||
- | 153 | ||
< | < | ||
- | As a reminder, | + | As a reminder, Post-it Notes are not to be put on faces. They clog your outie' |
- | Post-it Notes are not to be put on faces. | + | |
- | + | ||
- | 154 | + | |
- | < | + | |
- | They clog your outie' | + | |
- | 155 | ||
< | < | ||
- | That one's about me. | + | That one's about me. I do this beloved character, Sticky Head. |
- | I do this beloved character, Sticky Head. | + | |
- | 156 | ||
< | < | ||
- | Also, please refrain from boasting | + | Also, please refrain from boasting about previously earned |
- | about previously earned waffle parties? | + | |
- | 157 | ||
< | < | ||
Feeling attacked. | Feeling attacked. | ||
- | 158 | ||
< | < | ||
And lastly-- | And lastly-- | ||
- | 159 | ||
< | < | ||
- | Well, I've never seen a resignation | + | Well, I've never seen a resignation request get such a quick turnaround. |
- | request get such a quick turnaround. | + | |
- | 160 | ||
< | < | ||
- | Do I have to finish out the day | + | Do I have to finish out the day or can I skip out now? |
- | or can I skip out now? | + | |
- | 161 | ||
< | < | ||
- | Lastly, Helly' | + | Lastly, Helly' |
- | 162 | ||
- | < | ||
- | was denied. | ||
- | |||
- | 163 | ||
< | < | ||
- | Yeah, no, that can't be right. | + | Yeah, no, that can't be right. My outie wouldn' |
- | 164 | ||
- | < | ||
- | My outie wouldn' | ||
- | |||
- | 165 | ||
< | < | ||
You know, Petey used to say-- | You know, Petey used to say-- | ||
- | 166 | ||
< | < | ||
- | This is so fun. | + | [[Ricken Hale|RICKEN]]: |
- | + | ||
- | 167 | + | |
- | < | + | |
- | Shall I, you know, | + | |
- | tiptoe up and sneak to the door? | + | |
- | 168 | ||
< | < | ||
- | -He's at work, baby. It doesn' | + | [[Devon Scout-Hale|DEVON]]: |
- | -How do you know? | + | RICKEN: |
- | 169 | ||
< | < | ||
-Because his car's not here. | -Because his car's not here. | ||
-Maybe he played hooky. | -Maybe he played hooky. | ||
- | 170 | ||
< | < | ||
Can you go do it? 'Cause I gotta pee. | Can you go do it? 'Cause I gotta pee. | ||
- | 171 | ||
< | < | ||
Yes. | Yes. | ||
- | 172 | ||
< | < | ||
Against the door, or to the side? | Against the door, or to the side? | ||
- | 173 | ||
< | < | ||
I think either' | I think either' | ||
- | 174 | ||
< | < | ||
-Do you think he'll be surprised? | -Do you think he'll be surprised? | ||
-I do. | -I do. | ||
- | 175 | ||
< | < | ||
My babe, I'm gonna put it off to the side. | My babe, I'm gonna put it off to the side. | ||
- | 176 | ||
< | < | ||
Awesome. | Awesome. | ||
- | 177 | ||
< | < | ||
-Perfect. | -Perfect. | ||
-Good. | -Good. | ||
- | 178 | ||
< | < | ||
-I mean, it's perfect. | -I mean, it's perfect. | ||
-Yes. | -Yes. | ||
- | 179 | ||
< | < | ||
He's gonna be so excited. | He's gonna be so excited. | ||
- | 180 | ||
< | < | ||
-Yeah. | -Yeah. | ||
-I hope he comes home early. | -I hope he comes home early. | ||
- | 181 | ||
< | < | ||
He's not going to. | He's not going to. | ||
- | 182 | ||
< | < | ||
Hey. What's that? Sudoku? | Hey. What's that? Sudoku? | ||
- | 183 | ||
< | < | ||
It's nothing. | It's nothing. | ||
- | 184 | ||
< | < | ||
What were you drawing? | What were you drawing? | ||
- | 185 | ||
< | < | ||
You getting back to work, in cubist form. | You getting back to work, in cubist form. | ||
- | 186 | ||
< | < | ||
- | Kay, two things. | + | Kay, two things. How do you know what cubist form is? And what the fuck are you wearing? |
- | How do you know what cubist form is? | + | |
- | 187 | ||
- | < | ||
- | And what the fuck are you wearing? | ||
- | |||
- | 188 | ||
< | < | ||
Oh, fuck. | Oh, fuck. | ||
- | 189 | ||
< | < | ||
No. | No. | ||
- | 190 | ||
< | < | ||
Yes? | Yes? | ||
- | 191 | ||
< | < | ||
- | What did he tell her | + | What did he tell her after the announcement? |
- | after the announcement? | + | |
- | 192 | ||
< | < | ||
No, it's not so bad. | No, it's not so bad. | ||
- | 193 | ||
< | < | ||
Just mildly aggressive. | Just mildly aggressive. | ||
- | 194 | ||
< | < | ||
Did you give her directed praise? | Did you give her directed praise? | ||
- | 195 | ||
< | < | ||
- | Uh-huh. Uh-huh. | + | Uh-huh. Uh-huh. I'm coming. |
- | + | ||
- | 196 | + | |
- | < | + | |
- | I'm coming. | + | |
- | 197 | ||
< | < | ||
Hey, Helly? | Hey, Helly? | ||
- | 198 | ||
< | < | ||
Go away. | Go away. | ||
- | 199 | ||
< | < | ||
-Are you okay? | -Are you okay? | ||
-I'm fine. | -I'm fine. | ||
- | 200 | ||
< | < | ||
I mean, it's been, like, 45 minutes. | I mean, it's been, like, 45 minutes. | ||
- | 201 | ||
< | < | ||
I'm using the bathroom. | I'm using the bathroom. | ||
- | 202 | ||
< | < | ||
Okay. It's just-- It has been a while. | Okay. It's just-- It has been a while. | ||
- | 203 | ||
< | < | ||
-I'm fine, Mark. | -I'm fine, Mark. | ||
-I think I need to come in. | -I think I need to come in. | ||
- | 204 | ||
< | < | ||
-That' | -That' | ||
-No! | -No! | ||
- | 205 | ||
< | < | ||
- | I am going to come in, so get ready. | + | I am going to come in, so get ready. Do the things you need to do 'cause I'm comin' in. |
- | 206 | ||
- | < | ||
- | Do the things you need to do | ||
- | 'cause I'm comin' in. | ||
- | |||
- | 207 | ||
< | < | ||
No! | No! | ||
- | 208 | ||
< | < | ||
-Okay, here I come. I'm sorry. | -Okay, here I come. I'm sorry. | ||
-Mark, no! I'm not decent! | -Mark, no! I'm not decent! | ||
- | 209 | ||
< | < | ||
-Do-- Jesus. | -Do-- Jesus. | ||
-I'm sorry. I'm-- | -I'm sorry. I'm-- | ||
- | 210 | ||
< | < | ||
- | Writing the note directly on your skin. | + | Writing the note directly on your skin. Well, unfortunately, |
- | 211 | ||
- | < | ||
- | Well, unfortunately, | ||
- | can pick up lettering anywhere. | ||
- | |||
- | 212 | ||
< | < | ||
Does this look like lettering to you? | Does this look like lettering to you? | ||
- | 213 | ||
< | < | ||
Well, if you put your arms together. | Well, if you put your arms together. | ||
- | 214 | ||
< | < | ||
Not bad. | Not bad. | ||
- | 215 | ||
< | < | ||
- | I thought you were starting to, | + | I thought you were starting to, like, be okay here. |
- | like, be okay here. | + | |
- | 216 | ||
< | < | ||
What, 'cause I did the numbers thing? | What, 'cause I did the numbers thing? | ||
- | 217 | ||
< | < | ||
- | Well, you got a win. You know, | + | Well, you got a win. You know, a lot of people find joy in that. |
- | a lot of people find joy in that. | + | |
- | 218 | ||
< | < | ||
It literally causes fear. | It literally causes fear. | ||
- | 219 | ||
< | < | ||
- | That's just one subset of numbers. | + | That's just one subset of numbers. The others are more comforting-- |
- | The others are more comforting-- | + | |
- | 220 | ||
< | < | ||
- | Mark, I don't wanna work here with you. | + | Mark, I don't wanna work here with you. So don't burst into the bathroom with your pathetic boss voice on and try to convince me that I do. |
- | 221 | ||
- | < | ||
- | So don't burst into the bathroom | ||
- | with your pathetic boss voice on | ||
- | |||
- | 222 | ||
- | < | ||
- | and try to convince me that I do. | ||
- | |||
- | 223 | ||
< | < | ||
- | Okay, I'll give you five minutes | + | Okay, I'll give you five minutes to scrub your arms. |
- | to scrub your arms. | + | |
- | 224 | ||
< | < | ||
Or what? | Or what? | ||
- | 225 | ||
< | < | ||
Do you want Graner to use the bad soap? | Do you want Graner to use the bad soap? | ||
- | 226 | ||
< | < | ||
There' | There' | ||
- | 227 | ||
< | < | ||
- | Thanks, boss. | + | Thanks, boss. Yeah, I fucking love working here. |
- | 228 | ||
- | < | ||
- | Yeah, I fucking love working here. | ||
- | |||
- | 229 | ||
< | < | ||
-Mark. | -Mark. | ||
-Irv. | -Irv. | ||
- | 230 | ||
< | < | ||
- | I was listening at the door. | + | I was listening at the door. I heard it all. |
- | I heard it all. | + | |
- | 231 | ||
< | < | ||
-Okay. | -Okay. | ||
- | -I am troubled by you having | + | -I am troubled by you having |
- | 232 | ||
- | < | ||
- | high-stress exchanges like that | ||
- | so fresh off your food poisoning. | ||
- | |||
- | 233 | ||
< | < | ||
It's fine. | It's fine. | ||
- | 234 | ||
< | < | ||
The loathing with which she spoke to you. | The loathing with which she spoke to you. | ||
- | 235 | ||
< | < | ||
Well, acclimating takes time. | Well, acclimating takes time. | ||
- | 236 | ||
< | < | ||
And guidance. | And guidance. | ||
- | 237 | ||
< | < | ||
What's on your mind, Irving? | What's on your mind, Irving? | ||
- | 238 | ||
< | < | ||
- | Dylan was going on all yesterday | + | Dylan was going on all yesterday about incentives, pencil erasers and waffle parties, as though that's why we're here. That's not why we're here. If it's a deeper meaning she craves, she should see the perpetuity wing. |
- | about incentives, | + | |
- | + | ||
- | 239 | + | |
- | < | + | |
- | pencil erasers and waffle parties, | + | |
- | as though that's why we're here. | + | |
- | + | ||
- | 240 | + | |
- | < | + | |
- | That's not why we're here. | + | |
- | + | ||
- | 241 | + | |
- | < | + | |
- | If it's a deeper meaning she craves, | + | |
- | she should see the perpetuity wing. | + | |
- | 242 | ||
< | < | ||
- | She can read about all that stuff | + | She can read about all that stuff in the handbook. |
- | in the handbook. | + | |
- | 243 | ||
< | < | ||
- | You know it's different to be there. | + | You know it's different to be there. To see it. |
- | To see it. | + | |
- | 244 | ||
< | < | ||
- | It just seems premature. | + | It just seems premature. I mean, that place is a lot. |
- | I mean, that place is a lot. | + | |
- | 245 | ||
< | < | ||
Correct. That place is everything. | Correct. That place is everything. | ||
- | 246 | ||
< | < | ||
How'd the check go? | How'd the check go? | ||
- | 247 | ||
< | < | ||
- | There was a package left at his door | + | There was a package left at his door from someone. Open it, would you? |
- | from someone. Open it, would you? | + | |
- | 248 | ||
< | < | ||
-Oh, God. | -Oh, God. | ||
-Is this the brother-in-law? | -Is this the brother-in-law? | ||
- | 249 | ||
< | < | ||
Ricken. His fifth book. | Ricken. His fifth book. | ||
- | 250 | ||
< | < | ||
- | " | + | " |
- | Emotionally Nude in Front of My Wife." | + | |
- | 251 | ||
< | < | ||
Check it for messages, just to be safe. | Check it for messages, just to be safe. | ||
- | 252 | ||
< | < | ||
Mark. | Mark. | ||
- | 253 | ||
< | < | ||
-Can I help you? | -Can I help you? | ||
-Does she have a moment? | -Does she have a moment? | ||
- | 254 | ||
< | < | ||
- | Did you fill out an official request | + | Did you fill out an official request for supervisory interaction? |
- | for supervisory interaction? | + | |
- | 255 | ||
< | < | ||
-No, I-- | -No, I-- | ||
-It's fine. Come in. | -It's fine. Come in. | ||
- | 256 | ||
< | < | ||
Sorry. I can fill out the form. | Sorry. I can fill out the form. | ||
- | 257 | ||
< | < | ||
What is it? | What is it? | ||
- | 258 | ||
< | < | ||
Get the door. | Get the door. | ||
- | 259 | ||
< | < | ||
- | Irving thought we should take Helly | + | Irving thought we should take Helly to the perpetuity wing today. |
- | to the perpetuity wing today. | + | |
- | 260 | ||
< | < | ||
- | Well, it's a good thing | + | Well, it's a good thing I made Irving department chief. |
- | I made Irving department chief. | + | |
- | 261 | ||
< | < | ||
- | Sorry. I think I should take Helly | + | Sorry. I think I should take Helly and the team to the perpetuity wing. |
- | and the team to the perpetuity wing. | + | |
- | 262 | ||
< | < | ||
- | And have you filled out | + | And have you filled out a common-space reservation slip? |
- | a common-space reservation slip? | + | |
- | 263 | ||
< | < | ||
-No, I-- | -No, I-- | ||
-Mark. | -Mark. | ||
- | 264 | ||
< | < | ||
- | I'm sorry. I've just been-- I don't know. | + | I'm sorry. I've just been-- I don't know. It's been weird since Petey left. I mean, you know, he was-- He set the tone. |
- | 265 | ||
- | < | ||
- | It's been weird since Petey left. | ||
- | |||
- | 266 | ||
- | < | ||
- | I mean, you know, he was-- | ||
- | He set the tone. | ||
- | |||
- | 267 | ||
< | < | ||
- | If Petey were | + | If Petey were the tone-setter you're lionizing him as, he'd still be here. |
- | the tone-setter you're lionizing him as, | + | |
- | + | ||
- | 268 | + | |
- | < | + | |
- | he'd still be here. | + | |
- | 269 | ||
< | < | ||
What does that mean? | What does that mean? | ||
- | 270 | ||
< | < | ||
Are you gonna make me throw my mug at you? | Are you gonna make me throw my mug at you? | ||
- | 271 | ||
< | < | ||
I-- Why would you-- | I-- Why would you-- | ||
- | 272 | ||
< | < | ||
-Get MDR to its numbers. | -Get MDR to its numbers. | ||
-Okay. | -Okay. | ||
- | 273 | ||
< | < | ||
Mark? | Mark? | ||
- | 274 | ||
< | < | ||
- | What I just did was something I knew | + | What I just did was something I knew that you could handle and grow from. It was very painful for me. I hope that you'll let it help you. |
- | that you could handle and grow from. | + | |
- | 275 | ||
- | < | ||
- | It was very painful for me. | ||
- | |||
- | 276 | ||
- | < | ||
- | I hope that you'll let it help you. | ||
- | |||
- | 277 | ||
< | < | ||
Open or closed? | Open or closed? | ||
- | 278 | ||
< | < | ||
Both. | Both. | ||
- | 279 | ||
< | < | ||
I'll just-- | I'll just-- | ||
- | 280 | ||
< | < | ||
- | My delts are embarrassingly good today. | + | My delts are embarrassingly good today. My outie does muscle shows for sure. |
- | My outie does muscle shows for sure. | + | |
- | 281 | ||
< | < | ||
- | If your outie did muscle shows, | + | If your outie did muscle shows, you wouldn' |
- | you wouldn' | + | |
- | 282 | ||
< | < | ||
- | I'm sorry, do you know | + | I'm sorry, do you know how much muscle shows pay? No, none of us can know that. |
- | how much muscle shows pay? | + | |
- | 283 | ||
- | < | ||
- | No, none of us can know that. | ||
- | |||
- | 284 | ||
< | < | ||
- | I imagine it's a tiered system. | + | I imagine it's a tiered system. Perhaps there are monetary prizes for gold, silver and bronze. |
- | + | ||
- | 285 | + | |
- | < | + | |
- | Perhaps there are monetary | + | |
- | prizes for gold, silver and bronze. | + | |
- | 286 | ||
< | < | ||
- | No. My guess is that | + | No. My guess is that they do it piecemeal per muscle. So… |
- | they do it piecemeal per muscle. So… | + | |
- | 287 | ||
< | < | ||
-No, I don't think so. | -No, I don't think so. | ||
-Best delt, 30 bucks. | -Best delt, 30 bucks. | ||
- | 288 | ||
< | < | ||
- | Best ab, 20 bucks. | + | Best ab, 20 bucks. Biceps are a little flashier, 75 bucks. |
- | Biceps are a little flashier, 75 bucks. | + | |
- | 289 | ||
< | < | ||
- | I would think lats carry a high value. | + | I would think lats carry a high value. They' |
- | 290 | ||
- | < | ||
- | They' | ||
- | in muscle-building circles. | ||
- | |||
- | 291 | ||
- | < | ||
- | And in society at large. | ||
- | |||
- | 292 | ||
< | < | ||
Lats are bullshit, dude-- | Lats are bullshit, dude-- | ||
- | 293 | ||
< | < | ||
-The center of a good physique. | -The center of a good physique. | ||
-You are alone on this one, Irv… | -You are alone on this one, Irv… | ||
- | 294 | ||
< | < | ||
-You' | -You' | ||
-…I assure you. Never once. | -…I assure you. Never once. | ||
- | 295 | ||
< | < | ||
- | You don't understand why my posture' | + | You don't understand why my posture' |
- | ramrod straight. You see how… | + | |
- | 296 | ||
< | < | ||
Thirsty? | Thirsty? | ||
- | 297 | ||
< | < | ||
- | Hey, just in case | + | Hey, just in case you find this relevant for some reason, |
- | you find this relevant for some reason, | + | |
- | 298 | ||
- | < | ||
- | the code detectors can read messages | ||
- | hidden inside the body as well. | ||
- | |||
- | 299 | ||
- | < | ||
- | Also, when that happens, it's Milchick' | ||
- | job to extract the message from you. | ||
- | |||
- | 300 | ||
- | < | ||
- | And when he asks | ||
- | how long ago you ingested it, | ||
- | |||
- | 301 | ||
- | < | ||
- | I really can't recommend honesty enough. | ||
- | |||
- | 302 | ||
- | < | ||
- | It's easier for you both | ||
- | if he knows which end to start from. | ||
- | |||
- | 303 | ||
< | < | ||
Another good try though. | Another good try though. | ||
- | 304 | ||
< | < | ||
- | Go shut down your workstation. | + | Go shut down your workstation. We're taking a trip. |
- | We're taking a trip. | + | |
- | 305 | ||
< | < | ||
The power is in your calves. | The power is in your calves. | ||
- | 306 | ||
< | < | ||
- | …and it's always been that way. | + | …and it's always been that way. I can tell you that right now, young boy. |
- | I can tell you that right now, young boy. | + | |
- | 307 | ||
< | < | ||
- | All eight CEOs have been | + | All eight CEOs have been of the Eagan lineage. A line dating back to the founder. |
- | of the Eagan lineage. | + | |
- | 308 | ||
- | < | ||
- | A line dating back to the founder. | ||
- | |||
- | 309 | ||
< | < | ||
- | I have a mnemonic poem | + | I have a mnemonic poem to help you remember their names. I authored it myself, and of course, it falls outside corporate canon, and it's poetically imperfect, to be sure. There' |
- | to help you remember their names. | + | |
- | + | ||
- | 310 | + | |
- | < | + | |
- | I authored it myself, and of course, | + | |
- | it falls outside corporate canon, | + | |
- | + | ||
- | 311 | + | |
- | < | + | |
- | and it's poetically imperfect, to be sure. | + | |
- | + | ||
- | 312 | + | |
- | < | + | |
- | There' | + | |
- | of " | + | |
- | + | ||
- | 313 | + | |
- | < | + | |
- | which was necessary | + | |
- | to further the narrative, but regrettable. | + | |
- | 314 | ||
< | < | ||
- | Ambrose is sometimes unfairly maligned as | + | Ambrose is sometimes unfairly maligned as a black sheep in the annals of the family. |
- | a black sheep in the annals of the family. | + | |
- | 315 | ||
< | < | ||
What's this? | What's this? | ||
- | 316 | ||
< | < | ||
- | And it certainly wasn't my intent | + | And it certainly wasn't my intent to slight him further, |
- | to slight him further, | + | |
- | 317 | ||
< | < | ||
-but I think you'll find… | -but I think you'll find… | ||
-" | -" | ||
- | 318 | ||
< | < | ||
Hey. Eagan bingo. | Hey. Eagan bingo. | ||
- | 319 | ||
< | < | ||
-We shouldn' | -We shouldn' | ||
-…for when we arrive… | -…for when we arrive… | ||
- | 320 | ||
< | < | ||
Hey, what the hell is Eagan bingo? | Hey, what the hell is Eagan bingo? | ||
- | 321 | ||
< | < | ||
- | It's how you don't die of boredom | + | It's how you don't die of boredom in the perpetuity wing. And come on, it'll be an excellent opportunity for everyone except Irv to bond. |
- | in the perpetuity wing. | + | |
- | 322 | ||
- | < | ||
- | And come on, | ||
- | it'll be an excellent opportunity | ||
- | |||
- | 323 | ||
- | < | ||
- | for everyone except Irv to bond. | ||
- | |||
- | 324 | ||
< | < | ||
Optics and Design. | Optics and Design. | ||
- | 325 | ||
< | < | ||
Macrodata Refinement. | Macrodata Refinement. | ||
- | 326 | ||
< | < | ||
Burt. | Burt. | ||
- | 327 | ||
< | < | ||
Hi. | Hi. | ||
- | 328 | ||
< | < | ||
I trust that your session was good. | I trust that your session was good. | ||
- | 329 | ||
< | < | ||
Great, very restorative. | Great, very restorative. | ||
- | 330 | ||
< | < | ||
Wa-- You two know each other? | Wa-- You two know each other? | ||
- | 331 | ||
< | < | ||
- | We were just admiring | + | We were just admiring some Lumon artwork together, very briefly. |
- | some Lumon artwork together, very briefly. | + | |
- | 332 | ||
< | < | ||
- | Remember, we'll have | + | Remember, we'll have those new handbook totes soon. |
- | those new handbook totes soon. | + | |
- | 333 | ||
< | < | ||
So exciting. | So exciting. | ||
- | 334 | ||
< | < | ||
- | Thanks for the tip. You got business, | + | Thanks for the tip. You got business, or you out for a stroll? |
- | or you out for a stroll? | + | |
- | 335 | ||
< | < | ||
-Dylan. | -Dylan. | ||
-What? I think you guys are cool, | -What? I think you guys are cool, | ||
- | 336 | ||
< | < | ||
- | and I'm just wondering what you're up to. | + | and I'm just wondering what you're up to. It's rare seeing you out of your hole. |
- | It's rare seeing you out of your hole. | + | |
- | 337 | ||
< | < | ||
- | Egg drop challenge | + | [[Felicia|FELICIA]]: |
- | in the team-building space. | + | |
- | 338 | ||
- | < | ||
- | Tight department like us | ||
- | gotta keep our synergy up. | ||
- | |||
- | 339 | ||
< | < | ||
- | Egg drop challenge. | + | Egg drop challenge. You buy this fucking shit? |
- | You buy this fucking shit? | + | |
- | 340 | ||
< | < | ||
- | -And what are you guys doing? | + | FELICIA: |
- | -Felicia. | + | BURT: Felicia. |
- | 341 | ||
< | < | ||
- | Perpetuity wing visit. | + | Perpetuity wing visit. This is Helly, our new refiner. |
- | This is Helly, our new refiner. | + | |
- | 342 | ||
< | < | ||
-This is-- | -This is-- | ||
-Welcome, Helly. | -Welcome, Helly. | ||
- | 343 | ||
< | < | ||
- | Well, we should get back. | + | Well, we should get back. Can't leave the nest empty. |
- | Can't leave the nest empty. | + | |
- | 344 | ||
< | < | ||
Good to see you, O&D. | Good to see you, O&D. | ||
- | 345 | ||
< | < | ||
Those eggs look like shit. | Those eggs look like shit. | ||
- | 346 | ||
< | < | ||
Irving, come on. | Irving, come on. | ||
- | 347 | ||
< | < | ||
Seth? | Seth? | ||
- | 348 | ||
< | < | ||
Natalie. | Natalie. | ||
- | 349 | ||
< | < | ||
- | Harmony, hello. | + | [[Natalie|NATALIE]]: |
- | 350 | ||
< | < | ||
I wasn't expecting-- Is this about Helena? | I wasn't expecting-- Is this about Helena? | ||
- | 351 | ||
< | < | ||
No, this is about Peter Kilmer. | No, this is about Peter Kilmer. | ||
- | 352 | ||
< | < | ||
- | And I should tell you | + | And I should tell you that [[the Board]] is joining us. |
- | that the Board is joining us. | + | |
- | 353 | ||
< | < | ||
The Board would like you to speak first. | The Board would like you to speak first. | ||
- | 354 | ||
< | < | ||
Oh, yes. Of course. | Oh, yes. Of course. | ||
- | 355 | ||
< | < | ||
Salutations. | Salutations. | ||
- | 356 | ||
< | < | ||
- | So the search for Kilmer continues. | + | So, the search for Kilmer continues. I will say this. Not to be alarmist, but prior to his departure, there were some troubling signs of possible… reintegration. |
- | 357 | ||
- | < | ||
- | I will say this. | ||
- | |||
- | 358 | ||
- | < | ||
- | Not to be alarmist, | ||
- | but prior to his departure, | ||
- | |||
- | 359 | ||
- | < | ||
- | there were some troubling signs | ||
- | of possible… reintegration. | ||
- | |||
- | 360 | ||
< | < | ||
- | Okay. | + | Okay. So, the Board is conveying pretty strongly that the severance procedure is provenly irreversible. |
- | 361 | ||
- | < | ||
- | So, the Board is conveying pretty strongly | ||
- | |||
- | 362 | ||
- | < | ||
- | that the severance procedure is | ||
- | provenly irreversible. | ||
- | |||
- | 363 | ||
< | < | ||
Yes-- | Yes-- | ||
- | 364 | ||
< | < | ||
- | And that this knowledge should be a given | + | And that this knowledge should be a given for a person managing a severed floor. |
- | for a person managing a severed floor. | + | |
- | 365 | ||
< | < | ||
Yes, of course. | Yes, of course. | ||
- | 366 | ||
< | < | ||
- | While, of course, getting MDR | + | While, of course, getting MDR to their projected numbers by the quarterly deadline in three weeks. |
- | to their projected numbers | + | |
- | + | ||
- | 367 | + | |
- | < | + | |
- | by the quarterly deadline in three weeks. | + | |
- | 368 | ||
< | < | ||
Yes, of course. | Yes, of course. | ||
- | 369 | ||
< | < | ||
- | We are quickly rekindling our yield | + | We are quickly rekindling our yield down here with our nimble new refiner. |
- | down here with our nimble new refiner. | + | |
- | 370 | ||
< | < | ||
-And for what it's worth, I'd like-- | -And for what it's worth, I'd like-- | ||
-The Board has concluded the call. | -The Board has concluded the call. | ||
- | 371 | ||
< | < | ||
Yes, okay. Thank you. | Yes, okay. Thank you. | ||
- | 372 | ||
< | < | ||
-And may I ask-- | -And may I ask-- | ||
-Goodbye, Harmony. | -Goodbye, Harmony. | ||
- | 373 | ||
< | < | ||
- | There' | + | There' |
- | Like, they only ever see each other? | + | |
- | 374 | ||
< | < | ||
For the most part. It's lonely, I suspect. | For the most part. It's lonely, I suspect. | ||
- | 375 | ||
< | < | ||
And unnatural. Perverse. | And unnatural. Perverse. | ||
- | 376 | ||
< | < | ||
O&D is nice. | O&D is nice. | ||
- | 377 | ||
< | < | ||
- | No, they' | + | No, they' |
- | Nor do they share our values. | + | |
- | 378 | ||
< | < | ||
- | Kier sorted the departments by virtue. | + | Kier sorted the departments by virtue. Macrodats are clever and true, while O& |
- | 379 | ||
- | < | ||
- | Macrodats are clever and true, | ||
- | while O& | ||
- | |||
- | 380 | ||
< | < | ||
How many departments are there? | How many departments are there? | ||
- | 381 | ||
< | < | ||
-Probably 30. | -Probably 30. | ||
-Around five. | -Around five. | ||
- | 382 | ||
< | < | ||
No one's quite sure. | No one's quite sure. | ||
- | 383 | ||
< | < | ||
- | O&D tried a violent coup on the others | + | O&D tried a violent coup on the others decades ago, and that's why they reduced them down to two. And that's why they keep us all so far apart now. |
- | decades ago, | + | |
- | 384 | ||
- | < | ||
- | and that's why | ||
- | they reduced them down to two. | ||
- | |||
- | 385 | ||
- | < | ||
- | And that's why they keep us all | ||
- | so far apart now. | ||
- | |||
- | 386 | ||
< | < | ||
That's an absolute fiction. | That's an absolute fiction. | ||
- | 387 | ||
< | < | ||
Did they ever kill anyone? | Did they ever kill anyone? | ||
- | 388 | ||
< | < | ||
- | Nope. There was no coup. | + | Nope. There was no coup. No one killed anyone. |
- | No one killed anyone. | + | |
- | 389 | ||
< | < | ||
Then why don't we ever hang out? | Then why don't we ever hang out? | ||
- | 390 | ||
< | < | ||
I mean, I'm 99% sure there was no coup. | I mean, I'm 99% sure there was no coup. | ||
- | 391 | ||
< | < | ||
- | If they come back and attack us, | + | If they come back and attack us, I think we should kill Mark. |
- | I think we should kill Mark. | + | |
- | 392 | ||
< | < | ||
-Oh, yeah? | -Oh, yeah? | ||
-Yeah. | -Yeah. | ||
- | 393 | ||
< | < | ||
- | So they think we're crazy | + | So they think we're crazy with nothing to lose. |
- | with nothing to lose. | + | |
- | 394 | ||
< | < | ||
Smart. That's smart. | Smart. That's smart. | ||
- | 395 | ||
< | < | ||
- | Like, I'm imagining them rounding | + | Like, I'm imagining them rounding a corner, and we're all blood-soaked, |
- | a corner, and we're all blood-soaked, | + | |
- | 396 | ||
- | < | ||
- | and I'm wearing your face, | ||
- | and they' | ||
- | |||
- | 397 | ||
- | < | ||
- | And I'm like, | ||
- | "The last person who fucked with us." | ||
- | |||
- | 398 | ||
- | < | ||
- | And that's just feeling like | ||
- | a really powerful image to me. | ||
- | |||
- | 399 | ||
< | < | ||
- | Just-- Seems like | + | Just-- Seems like they'd recognize my face. Maybe if you wore it inside out? |
- | they'd recognize my face. | + | |
- | + | ||
- | 400 | + | |
- | < | + | |
- | Maybe if you wore it inside out? | + | |
- | 401 | ||
< | < | ||
We're here. | We're here. | ||
- | 402 | ||
< | < | ||
- | "Come now, children of my industry, | + | "Come now, children of my industry, |
- | 403 | ||
- | < | ||
- | and know the children of my blood." | ||
- | |||
- | 404 | ||
< | < | ||
Whoa. | Whoa. | ||
- | 405 | ||
< | < | ||
- | That's Jame Eagan. | + | That's Jame Eagan. Current CEO. Remarkable man. |
- | Current CEO. Remarkable man. | + | |
- | 406 | ||
< | < | ||
Handsome too. See those brows? | Handsome too. See those brows? | ||
- | 407 | ||
< | < | ||
- | All the center displays are for | + | All the center displays are for a past Eagan CEO. But the whole back part is Kier. |
- | a past Eagan CEO. | + | |
- | 408 | ||
- | < | ||
- | But the whole back part is Kier. | ||
- | |||
- | 409 | ||
< | < | ||
- | I know that death is near upon me, | + | [[Kier Eagan|KIER EAGAN]] (RECORDING): |
- | + | ||
- | 410 | + | |
- | < | + | |
- | because people have begun to ask | + | |
- | what I see as my life's great achievement. | + | |
- | + | ||
- | 411 | + | |
- | < | + | |
- | They wish to know | + | |
- | how they should remember me as I rot. | + | |
- | + | ||
- | 412 | + | |
- | < | + | |
- | In my life, I have identified | + | |
- | four components, which I call tempers, | + | |
- | + | ||
- | 413 | + | |
- | < | + | |
- | from which are derived every human soul. | + | |
- | + | ||
- | 414 | + | |
- | < | + | |
- | Woe. Frolic. Dread. Malice. | + | |
- | + | ||
- | 415 | + | |
- | < | + | |
- | Each man's character is defined | + | |
- | by the precise ratio | + | |
- | + | ||
- | 416 | + | |
- | < | + | |
- | that resides in him. | + | |
- | + | ||
- | 417 | + | |
- | < | + | |
- | I walked into the cave | + | |
- | of my own mind, and there I tamed them. | + | |
- | + | ||
- | 418 | + | |
- | < | + | |
- | Should you tame the tempers as I did mine, | + | |
- | + | ||
- | 419 | + | |
- | < | + | |
- | then the world shall become | + | |
- | but your appendage. | + | |
- | + | ||
- | 420 | + | |
- | < | + | |
- | It is this great and consecrated power | + | |
- | + | ||
- | 421 | + | |
- | < | + | |
- | that I hope to pass on | + | |
- | to all of you, my children. | + | |
< | < | ||
- | [[Myrtle Eagan|MYRTLE]]: | + | [[Myrtle Eagan|MYRTLE]] |
- | + | ||
- | 427 | + | |
- | < | + | |
- | And that ethos goes all the way back | + | |
- | 428 | ||
< | < | ||
- | -through my blood… | ||
-Look, you got one. | -Look, you got one. | ||
- | 429 | ||
< | < | ||
- | …to where we all started, with Kier. | + | MYRTLE (RECORDING): |
- | 430 | ||
< | < | ||
- | -It's okay if you cry. | + | IRVING: |
- | -When I was a girl, | + | MYRTLE (RECORDING): |
- | 431 | ||
- | < | ||
- | my father would make me whisper… | ||
- | |||
- | 432 | ||
< | < | ||
- | She was five CEOs ago. | + | IRVING: |
- | + | ||
- | < | + | |
- | IRVING: | + | |
- | 435 | ||
< | < | ||
- | Vision. Verve. | + | MYRTLE (RECORDING): |
- | 436 | ||
< | < | ||
- | -Isn't that lovely? | + | IRVING: |
- | -Wit. | + | MYRTLE (RECORDING): |
- | 437 | ||
< | < | ||
- | -It's beautiful. | + | HELLY: |
- | -Cheer. | + | MYRTLE (RECORDING): |
- | 438 | ||
< | < | ||
- | It almost makes me wish | + | HELLY: |
- | I remembered my own childhood. | + | |
- | 439 | ||
< | < | ||
- | Nimbleness. Probity. Wiles. | + | MYRTLE (RECORDING): |
- | 440 | ||
< | < | ||
- | It's an unnatural state | + | It's an unnatural state for a person to have no history. History makes us someone. Gives us a context. A shape. But waking up on that table, I was shapeless. But then I learned that I work for a company that has been actively caring for mankind since 1866. |
- | for a person to have no history. | + | |
- | + | ||
- | 441 | + | |
- | < | + | |
- | History makes us someone. | + | |
- | Gives us a context. A shape. | + | |
- | + | ||
- | 442 | + | |
- | < | + | |
- | But waking up on that table, | + | |
- | I was shapeless. | + | |
- | + | ||
- | 443 | + | |
- | < | + | |
- | But then I learned | + | |
- | that I work for a company | + | |
- | + | ||
- | 444 | + | |
- | < | + | |
- | that has been actively caring | + | |
- | for mankind since 1866. | + | |
< | < | ||
Line 1982: | Line 1029: | ||
< | < | ||
- | IRVING: No. | + | IRVING: No. My point is you're part of a history now. |
- | + | ||
- | 452 | + | |
- | < | + | |
- | My point is you're part of a history now. | + | |
- | 453 | ||
< | < | ||
- | -A noble one. | + | MARK: A noble one. |
- | -And that's so much more mea-- | + | IRVING: |
- | 454 | ||
< | < | ||
- | They update the mouth wall? | + | DYLAN: |
- | 455 | ||
< | < | ||
- | It's not called the "mouth wall." | + | IRVING: |
- | 456 | ||
< | < | ||
- | Damn, they took down the chick I like. | + | DYLAN: |
- | 457 | ||
< | < | ||
- | -Are you guys ready to go? | + | DYLAN: |
- | -We just got here. | + | IRVING: |
- | 458 | ||
< | < | ||
- | She hasn't even seen the Kier part yet. | + | IRVING: |
- | 459 | ||
< | < | ||
- | Gerhardt. | + | IRVING: |
- | 460 | ||
< | < | ||
- | -Jesus. | + | HELLY: |
- | -No. Kier. | + | IRVING: |
- | 461 | ||
< | < | ||
- | It's his house? | + | HELLY: |
- | 462 | ||
< | < | ||
A perfect replica. | A perfect replica. | ||
- | 463 | ||
< | < | ||
Pretty cool, huh? | Pretty cool, huh? | ||
- | 464 | ||
< | < | ||
Yeah, pretty cool. | Yeah, pretty cool. | ||
- | 465 | ||
< | < | ||
- | The bedroom of Kier, | + | The bedroom of Kier, just as he might have left it. |
- | just as he might have left it. | + | |
- | 466 | ||
< | < | ||
Well, this is thorough. | Well, this is thorough. | ||
- | 467 | ||
< | < | ||
- | I hate this place. | + | I hate this place. It smells like 19th century ass. |
- | It smells like 19th century ass. | + | |
- | 468 | ||
< | < | ||
- | Stop treating this | + | Stop treating this like some kind of beer party. |
- | like some kind of beer party. | + | |
- | 469 | ||
< | < | ||
- | That's not fair. | + | That's not fair. Up till now, I've been reverent as shit. |
- | Up till now, I've been reverent as shit. | + | |
- | 470 | ||
< | < | ||
-Mark. | -Mark. | ||
-Yeah? | -Yeah? | ||
- | 471 | ||
< | < | ||
Were you about to… bed sit? | Were you about to… bed sit? | ||
- | 472 | ||
< | < | ||
No. Nuh-uh. | No. Nuh-uh. | ||
- | 473 | ||
< | < | ||
What's that in your pocket, Mark? | What's that in your pocket, Mark? | ||
- | 474 | ||
< | < | ||
I-- | I-- | ||
- | 475 | ||
< | < | ||
Oh, God, Mark. Still? | Oh, God, Mark. Still? | ||
- | 476 | ||
< | < | ||
It' | It' | ||
- | 477 | ||
< | < | ||
- | It's the perpetuity wing. | + | It's the perpetuity wing. It's the Eagans. It's the living soul of Lumon and everything she stands for, not a bingo match. |
- | 478 | ||
- | < | ||
- | It's the Eagans. | ||
- | |||
- | 479 | ||
- | < | ||
- | It's the living soul of Lumon | ||
- | and everything she stands for, | ||
- | |||
- | 480 | ||
- | < | ||
- | not a bingo match. | ||
- | |||
- | 481 | ||
< | < | ||
- | Look, Kier said, | + | Look, Kier said, "Keep a merry humor ever in your heart." |
- | "Keep a merry humor ever in your heart." | + | |
- | 482 | ||
< | < | ||
- | Did you give one to the trainee? | + | Did you give one to the trainee? |
- | 483 | ||
- | < | ||
- | Of course, you did. | ||
- | |||
- | 484 | ||
- | < | ||
- | She's starved for meaning here. | ||
- | |||
- | 485 | ||
- | < | ||
- | So, of course, you'd pervert | ||
- | our founder' | ||
- | |||
- | 486 | ||
- | < | ||
- | with jokes and impiety. | ||
- | |||
- | 487 | ||
- | < | ||
- | That's definitely what she needs | ||
- | from her department chief. | ||
- | |||
- | 488 | ||
< | < | ||
- | Hey, I didn't want to be department chief. | + | Hey, I didn't want to be department chief. I didn't ask for Petey to disappear and for-- |
- | + | ||
- | 489 | + | |
- | < | + | |
- | I didn't ask for Petey to disappear | + | |
- | and for-- | + | |
- | 490 | ||
< | < | ||
Helly? | Helly? | ||
- | 491 | ||
< | < | ||
Uh-oh. | Uh-oh. | ||
- | 492 | ||
< | < | ||
Helly? | Helly? | ||
- | 493 | ||
< | < | ||
Shit. | Shit. | ||
- | 494 | ||
< | < | ||
Helly! | Helly! | ||
- | 495 | ||
< | < | ||
This is… Jesus. | This is… Jesus. | ||
- | 496 | ||
< | < | ||
Helly! | Helly! | ||
- | 497 | ||
< | < | ||
Helly! | Helly! | ||
- | 498 | ||
< | < | ||
Helly! | Helly! | ||
- | 499 | ||
< | < | ||
No! | No! | ||
- | 500 | ||
< | < | ||
Goddamn it, Helly. | Goddamn it, Helly. | ||
- | 501 | ||
< | < | ||
- | This way, please, Helly R. | + | [[Doug Graner|GRANER]]: |
- | 502 | ||
< | < | ||
- | On you go. | + | GRANER: |
- | 503 | ||
< | < | ||
- | I'm truly sorry to see you here, Helly. | + | MILCHICK: |
- | 504 | ||
- | < | ||
- | I hoped you'd just settle in. | ||
- | |||
- | 505 | ||
- | < | ||
- | I know Mark's been trying so hard | ||
- | to get you to feel happy. | ||
- | |||
- | 506 | ||
< | < | ||
- | Look, you seem like a smart person. | + | HELLY: |
- | But don't you see how fucked up this is? | + | |
- | 507 | ||
< | < | ||
- | -You can't keep-- | + | HELLY: |
- | -Not right now, Helly. | + | MILCHICK: |
- | 508 | ||
< | < | ||
- | Sit. Please. | + | MILCHICK: |
- | + | ||
- | 509 | + | |
- | < | + | |
- | Hands on the table, please. | + | |
- | 510 | ||
< | < | ||
- | I'm bringing up the compunction statement | + | MILCHICK: |
- | for Helly R. | + | |
- | 511 | ||
< | < | ||
- | What is this? | + | HELLY: |
- | 512 | ||
< | < | ||
- | Read it. | + | MILCHICK: |
- | 513 | ||
< | < | ||
- | I don't want to. | + | HELLY: |
- | 514 | ||
< | < | ||
- | No. Do. | + | MILCHICK: |
- | 515 | ||
< | < | ||
- | " | + | HELLY: |
- | I have caused this world. | + | |
- | 516 | ||
- | < | ||
- | None may atone for my actions but me, | ||
- | |||
- | 517 | ||
- | < | ||
- | and only in me shall their stain live on. | ||
- | |||
- | 518 | ||
- | < | ||
- | I am thankful to have been caught, | ||
- | |||
- | 519 | ||
- | < | ||
- | my fall cut short | ||
- | by those with wizened hands. | ||
- | |||
- | 520 | ||
- | < | ||
- | All I can be is sorry, | ||
- | and that is all I am." | ||
- | |||
- | 521 | ||
< | < | ||
- | I'm afraid you don't mean it. | + | MILCHICK: |
- | 522 | ||
< | < | ||
- | Excuse me? | + | HELLY: |
- | 523 | ||
< | < | ||
- | Again, please. | + | MILCHICK: |
- | 524 | ||
< | < | ||
- | " | + | HELLY: |
- | I have caused this world. | + | |
- | 525 | ||
- | < | ||
- | None may atone for my actions but me, | ||
- | |||
- | 526 | ||
- | < | ||
- | and only in me shall their stain live on. | ||
- | |||
- | 527 | ||
- | < | ||
- | I am thankful to have been caught, | ||
- | |||
- | 528 | ||
- | < | ||
- | my fall cut short | ||
- | by those with wizened hands. | ||
- | |||
- | 529 | ||
- | < | ||
- | All I can be is sorry, | ||
- | and that is all I am." | ||
- | |||
- | 530 | ||
< | < | ||
- | Again. | + | MILCHICK: |
- | 531 | ||
< | < | ||
- | Really? | + | HELLY: |
- | 532 | ||
< | < | ||
- | Fun day. | + | DYLAN: |
- | + | ||
- | 533 | + | |
- | < | + | |
- | See you tomorrow. | + | |
- | 534 | ||
< | < | ||
- | Yeah. | + | MARK: Yeah. |
- | 535 | ||
< | < | ||
- | Do you want me to get these? | + | DYLAN: |
- | 536 | ||
< | < | ||
- | Yeah, go ahead. | + | MARK: Yeah, go ahead. |
- | 537 | ||
< | < | ||
- | I haven' | + | PETEY: |
- | I can't eat with no tokens. | + | |
- | 538 | ||
< | < | ||
- | Hey! | + | PETEY: |
- | 539 | ||
- | < | ||
- | I need tokens so I can eat! | ||
- | |||
- | 540 | ||
< | < | ||
- | Oh, my God. | + | [[Checkout Girl|CHECKOUT GIRL]]: |
- | 541 | ||
< | < | ||
- | Petey? | + | MARK: Petey? Petey? |
- | + | ||
- | 542 | + | |
- | < | + | |
- | Petey? | + | |
- | 543 | ||
< | < | ||
- | All right now. Take it slow. | + | COP 2: All right now. Take it slow. |
- | 544 | ||
< | < | ||
- | Did you happen to see | + | COP 1: Did you happen to see which direction he came from? |
- | which direction he came from? | + | |
- | 545 | ||
< | < | ||
- | I'm just gonna grab the stretcher. | + | COP 2: I'm just gonna grab the stretcher. I'll be right back. |
- | I'll be right back. | + | |
- | 546 | ||
< | < | ||
- | Can you get an ID on this guy? | + | COP 3: Can you get an ID on this guy? |
- | 547 | ||
< | < | ||
- | I guess he's from nearby. | + | CHECKOUT GIRL: I guess he's from nearby. He came in with a robe on. That was it. |
- | He came in with a robe on. That was it. | + | |
- | 548 | ||
< | < | ||
- | He's down. He's down. | + | COP 1: He's down. He's down. |
- | 549 | ||
< | < | ||
- | Sir. Sir, sir, sir. Can you hear me? | + | COP 2: Sir. Sir, sir, sir. Can you hear me? |
- | 550 | ||
< | < | ||
- | You got that? Just stand back. | + | COP 1: You got that? Just stand back. |
- | 551 | ||
< | < | ||
- | Yeah, dispatch, I got a 10-53 | + | COP 1: Yeah, dispatch, I got a 10-53 at a convenience store on 42nd. |
- | at a convenience store on 42nd. | + | |
- | 552 | ||
< | < | ||
- | Call that in, please. | + | COP 3: Call that in, please. |
- | 553 | ||
< | < | ||
- | -Is he breathing? | + | COP 3: Is he breathing? |
- | -No, he's not breathing, man. | + | COP 2: No, he's not breathing, man. |
- | 554 | ||
< | < | ||
- | Yeah, yeah, yeah. Give me the bpm. | + | COP 2: Yeah, yeah, yeah. Give me the bpm. |
- | 555 | ||
< | < | ||
- | -You okay? You okay? | + | COP 3: You okay? You okay? |
- | -Get him on the board. | + | COP 2: Get him on the board. |
</ | </ | ||
{{tag> | {{tag> |