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| hide_and_seek_transcript [2022-05-17 02:31] – Neatnik | hide_and_seek_transcript [2022-09-11 19:50] (current) – Saeid | ||
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| | **Hide and Seek (Transcript)** || | | **Hide and Seek (Transcript)** || | ||
| ^ Episode Number | 1.6 | | ^ Episode Number | 1.6 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| ^ Previous Transcript | [[the_grim_barbarity_of_optics_and_design_transcript]] | | ^ Previous Transcript | [[the_grim_barbarity_of_optics_and_design_transcript]] | | ||
| ^ Next Transcript | [[defiant_jazz_transcript]] | | ^ Next Transcript | [[defiant_jazz_transcript]] | | ||
| Line 15: | Line 15: | ||
| <WRAP script> | <WRAP script> | ||
| - | 1 | + | < |
| - | < | + | Cobel: |
| - | Graner. | + | |
| - | 2 | + | < |
| - | < | + | Graner: |
| - | We ran the data from | + | |
| - | Kilmer's head like you asked. | + | |
| - | 3 | + | < |
| - | < | + | Cobel: Whose was it? |
| - | We found the signature from the | + | |
| - | console they used to hack the chip. | + | |
| - | 4 | + | < |
| - | < | + | Graner: Ours. I think it’s traceable to Reghabi. |
| - | Whose was it? | + | |
| - | 5 | + | < |
| - | < | + | Cobel: Reghabi. |
| - | Ours. | + | Graner: Yep. |
| - | 6 | + | < |
| - | < | + | Graner: She cracked reintegration. |
| - | I think it's | + | |
| - | traceable to Reghabi. | + | |
| - | 7 | + | < |
| - | < | + | Cobel: "Tame in me the tempers four that I may serve thee evermore. Place in me the values nine that I may feel thy touch divine." |
| - | - Reghabi. | + | |
| - | - Yep. | + | |
| - | 8 | + | < |
| - | < | + | Irving: Can I come in? |
| - | She cracked reintegration. | + | |
| - | I'll find her. | + | |
| - | 9 | + | < |
| - | < | + | Burt: Yeah. Yeah. |
| - | "Tame in me the tempers four" | + | |
| - | 10 | + | < |
| - | < | + | Irving: You found this? |
| - | that I may serve thee evermore. | + | |
| - | 11 | + | < |
| - | < | + | Burt: A while back. I come here sometimes, just me. Now, I want to show it to you. |
| - | Place in me the values nine | + | |
| - | 12 | + | < |
| - | < | + | Irving: It’s beautiful. |
| - | "that I may feel | + | |
| - | thy touch divine." | + | |
| - | 13 | + | < |
| - | < | + | Burt: It could be just for us. Our secret place. |
| - | Can I come in? | + | |
| - | 14 | + | < |
| - | < | + | Irving: Finally. |
| - | Yeah. Yeah. | + | |
| - | 15 | + | < |
| - | < | + | Irving: What I mean to say is that your O&D colleagues are very nice, but they’re also… |
| - | You found this? | + | |
| - | 16 | + | < |
| - | < | + | Burt: Always around. |
| - | A while back. | + | Irving: Yes. |
| - | 17 | + | < |
| - | < | + | Burt: Is this okay? |
| - | I come here sometimes, just me. | + | |
| - | 18 | + | < |
| - | < | + | Burt: Irving, you know, the Lumon manual doesn’t say anything about lip-to-lip contact. |
| - | Now, I want to show it to you. | + | |
| - | 19 | + | < |
| - | < | + | Irving: |
| - | It's beautiful. | + | |
| - | 20 | + | < |
| - | < | + | Burt: This can’t |
| - | It could be just for | + | |
| - | us. Our secret place. | + | |
| - | 21 | + | < |
| - | < | + | Irving: No. |
| - | Finally. | + | |
| - | 22 | + | < |
| - | < | + | Burt: Not romantic… at all? |
| - | What I mean to say is that your | + | |
| - | O&D colleagues are very nice, | + | |
| - | 23 | + | < |
| - | < | + | Irving: I’m truly sorry... I’m just not ready. |
| - | but they' | + | |
| - | 24 | + | < |
| - | < | + | Irving: I’m... I’m sorry. |
| - | - Always around. | + | |
| - | - Yes. | + | |
| - | 25 | + | < |
| - | < | + | Burt: It’s fine. |
| - | Is this okay? | + | |
| - | 26 | + | < |
| - | < | + | Burt: Just stay. Stay here with me. |
| - | Irving, you know, the Lumon manual doesn' | + | |
| - | say anything about lip-to-lip contact. | + | |
| - | 27 | + | < |
| - | < | + | Devon: You did so good. Now we’re gonna go home and see if you’ll eat. Please. |
| - | It does discourage romantic | + | |
| - | fraternization, | + | |
| - | 28 | + | < |
| - | < | + | Devon: Looks like we both made it through. |
| - | This can't be romantic then. | + | |
| - | 29 | + | < |
| - | < | + | Gabby: Oh, hello. |
| - | No. | + | Devon: Hi. |
| - | 30 | + | < |
| - | < | + | Devon: Devon. From the retreat. I accosted you for your coffee. |
| - | Not romantic… at all? | + | |
| - | 31 | + | < |
| - | < | + | Devon: He’s beautiful. He looks like a William. |
| - | I'm truly sorry… | + | |
| - | 32 | + | < |
| - | < | + | Gabby: His name’s Bradley, actually. |
| - | I'm just not ready. | + | |
| - | 33 | + | < |
| - | < | + | Devon: Not William? |
| - | I'm... I'm sorry. | + | |
| - | 34 | + | < |
| - | < | + | Devon: You changed it? |
| - | It's fine. | + | Angelo: Did we leave the juice boxes in the car? |
| - | 35 | + | < |
| - | < | + | Gabby: We must have, yeah. |
| - | Just stay. | + | |
| - | 36 | + | < |
| - | < | + | Angelo: Hi. Angelo Arteta. |
| - | Stay here with me. | + | |
| - | 37 | + | < |
| - | < | + | Devon: I’m Devon. Nice to meet you. |
| - | You did so good. | + | |
| - | 38 | + | < |
| - | < | + | Angelo: Congratulations there. |
| - | Now we're gonna go home and | + | Devon: Oh, thank you. |
| - | see if you'll eat. Please. | + | |
| - | 39 | + | < |
| - | < | + | Angelo: You two know each other? |
| - | Looks like we both | + | |
| - | made it through. | + | |
| - | 40 | + | < |
| - | < | + | Devon: Yeah, I was... We were... Met at the birthing cottages. |
| - | - Oh, hello. | + | |
| - | - Hi. | + | |
| - | 41 | + | < |
| - | < | + | Angelo: Nice to meet you too, Devon. |
| - | Devon. | + | Devon: Yeah. You too. |
| - | 42 | + | < |
| - | < | + | Devon: Wow-kazow. |
| - | I accosted you for your coffee. | + | |
| - | 43 | + | < |
| - | < | + | Angelo: We should go. |
| - | He's beautiful. | + | |
| - | 44 | + | < |
| - | < | + | Gabby: Bye. Bye. |
| - | He looks like a William. | + | Devon: Bye, you guys. |
| - | 45 | + | < |
| - | < | + | Devon: Bye, Bradley. |
| - | His name's Bradley, actually. | + | |
| - | 46 | + | < |
| - | < | + | Angelo: Declan, Kai, come on. |
| - | Not William? | + | |
| - | 47 | + | < |
| - | < | + | Devon: What in the fuckity fuck? |
| - | - You changed it? | + | |
| - | - Did we leave the juice boxes in the car? | + | |
| - | 48 | + | < |
| - | < | + | Devon: Sorry. |
| - | We must have, yeah. | + | |
| - | 49 | + | < |
| - | < | + | Ricken (voiceover): |
| - | Hi. Angelo Arteta. | + | |
| - | 50 | + | < |
| - | < | + | Ricken (voiceover): |
| - | I'm Devon. Nice to meet you. | + | |
| - | 51 | + | < |
| - | < | + | Irving: We should return to O&D immediately. All of us. Today. |
| - | - Congratulations there. | + | |
| - | - Oh, thank you. | + | |
| - | 52 | + | < |
| - | < | + | Dylan: Someone’s eager to fraternize. |
| - | You two know each other? | + | |
| - | 53 | + | < |
| - | < | + | Irving: Fraternization has nothing to do with it. This could be the start of us uniting the departments |
| - | Yeah, I was... We were... | + | |
| - | Met at the birthing cottages. | + | |
| - | 54 | + | < |
| - | < | + | Dylan: Maybe his ghost can officiate your wedding. |
| - | - Nice to meet you too, Devon. | + | |
| - | - Yeah. You too. | + | |
| - | 55 | + | < |
| - | < | + | Irving: This is inappropriate workplace commentary. And I’m self-reporting you. |
| - | Wow-kazow. | + | |
| - | 56 | + | < |
| - | < | + | Dylan: You’re reporting me to yourself? |
| - | We should go. | + | |
| - | 57 | + | < |
| - | < | + | Mark: Okay. You said they were making things? |
| - | - Bye. Bye. | + | |
| - | - Bye, you guys. | + | |
| - | 58 | + | < |
| - | < | + | Irving: Yes, in some kind of machines. We didn’t ask what. |
| - | Bye, Bradley. | + | |
| - | 59 | + | < |
| - | < | + | Dylan: It’s the clubs they murder those goats with. |
| - | Declan, Kai, come on. | + | |
| - | 60 | + | < |
| - | < | + | Helly: Shut up. |
| - | What in the fuckity fuck? | + | |
| - | 61 | + | < |
| - | < | + | Helly: I agree with Irving. O&D is the next piece of this. |
| - | Sorry. | + | |
| - | 62 | + | < |
| - | < | + | Helly: Now, once we’ve mapped the whole floor... |
| - | What does camaraderie mean? | + | Irving: To be clear, I do not approve of mapping. |
| - | 63 | + | < |
| - | < | + | Helly: Right. |
| - | Most linguists agree it comes | + | |
| - | from the Latin " | + | |
| - | 64 | + | < |
| - | < | + | Helly: What if we go on another |
| - | which means "a device used | + | |
| - | to take a photograph." | + | |
| - | 65 | + | < |
| - | < | + | Mark: What... I don’t know. I mean, we still have a lot of work to do, so… |
| - | And of course, the best photographs | + | |
| - | are of groups of happy friends | + | |
| - | 66 | + | < |
| - | < | + | Helly: Oh, right. |
| - | who love each other deeply. | + | |
| - | 67 | + | < |
| - | < | + | Helly: The work is mysterious and important. |
| - | But I think camaraderie | + | |
| - | than smiling together in photos. | + | |
| - | 68 | + | < |
| - | < | + | Mark: That’s good. That sounds just like me. |
| - | It's standing together | + | |
| - | in hard times. | + | |
| - | 69 | + | < |
| - | < | + | Helly: I know. |
| - | It's recognizing a common | + | |
| - | struggle in another person | + | |
| - | 70 | + | < |
| - | < | + | Helly: Back to work, slackers. |
| - | and reaching out to | + | |
| - | offer them a loving hand. | + | |
| - | 71 | + | < |
| - | < | + | Helly: Praise Kier. |
| - | We should return | + | |
| - | to O&D immediately. | + | |
| - | 72 | + | < |
| - | < | + | Dylan: Hey. Are you fraternizing too? |
| - | All of us. Today. | + | |
| - | 73 | + | < |
| - | < | + | Mark: What? No, I... |
| - | Someone' | + | |
| - | 74 | + | < |
| - | < | + | Mark: I’m a leader who cares about his employees and takes their requests seriously. |
| - | Fraternization has | + | |
| - | nothing to do with it. | + | |
| - | 75 | + | < |
| - | < | + | Dylan: Really? |
| - | This could be the start of | + | Mark: Yeah. |
| - | us uniting the departments | + | |
| - | 76 | + | < |
| - | < | + | Dylan: Look at you all dewy mouthed. |
| - | the way Kier always intended. | + | |
| - | 77 | + | < |
| - | < | + | Dylan: You never smile at me. |
| - | Maybe his ghost can | + | Irving: He’s right, Mark. |
| - | officiate your wedding. | + | |
| - | 78 | + | < |
| - | < | + | Irving: You are sparing with the facial encouragements. |
| - | This is inappropriate workplace | + | |
| - | commentary. And I'm self-reporting you. | + | |
| - | 79 | + | < |
| - | < | + | Mark: That’s ridiculous. I smile all the time. |
| - | You're reporting me to yourself? | + | |
| - | 80 | + | < |
| - | < | + | Milchick: Hey there. What are you all talking about? |
| - | Okay. You said they | + | |
| - | were making things? | + | |
| - | 81 | + | < |
| - | < | + | Irving: Just... |
| - | Yes, in some kind of | + | |
| - | machines. We didn't ask what. | + | |
| - | 82 | + | < |
| - | < | + | Mark: We’re... |
| - | It's the clubs they | + | Irving: Dis... |
| - | murder those goats with. | + | |
| - | 83 | + | < |
| - | < | + | Mark: Discussing the... |
| - | Shut up. | + | Irving: Yes, Mrs... |
| - | 84 | + | < |
| - | < | + | Mark: Ms. Casey. Ms. Casey. |
| - | I agree with Irving. O&D | + | Irving: Ms. Casey. Yeah. |
| - | is the next piece of this. | + | |
| - | 85 | + | < |
| - | < | + | Mark: Wait, where is she? |
| - | - Now, once we've mapped the whole floor... | + | |
| - | - To be clear, I do not approve of mapping. | + | |
| - | 86 | + | < |
| - | < | + | Cobel: Part-time Innies may not be as socialized and sophisticated as yourself, but they still must be held accountable for their actions. |
| - | Right. | + | |
| - | 87 | + | < |
| - | < | + | Cobel: Ms. Casey was told to supervise Helly, and she failed at that task. |
| - | What if we go on another | + | |
| - | " | + | |
| - | 88 | + | < |
| - | < | + | Mark: Because I snuck Helly out. I mean, if anyone should |
| - | Could be fun. | + | |
| - | 89 | + | < |
| - | < | + | Cobel: Valiance. Not a core principle, but sweet. |
| - | What... I don't know. | + | |
| - | 90 | + | < |
| - | < | + | Cobel: Who won’t you go to the break room for? |
| - | I mean, we still have a | + | |
| - | lot of work to do, so… | + | |
| - | 91 | + | < |
| - | < | + | Cobel: She’s just a wellness counselor, Mark. |
| - | Oh, right. | + | |
| - | 92 | + | < |
| - | < | + | Mark: Yes, but she shouldn’t be punished. |
| - | The work is mysterious | + | |
| - | and important. | + | |
| - | 93 | + | < |
| - | < | + | Mark: I mean, I thought Helly needed a walk. I mean, I’m allowed to do that. |
| - | That's good. That | + | |
| - | sounds just like me. | + | |
| - | 94 | + | < |
| - | < | + | Cobel: Just a walk? |
| - | I know. | + | |
| - | 95 | + | < |
| - | < | + | Mark: Yeah. |
| - | Back to work, slackers. | + | |
| - | 96 | + | < |
| - | < | + | Cobel: Or were you sniffing around other departments while your department falls woefully below quota? |
| - | Praise Kier. | + | |
| - | 97 | + | < |
| - | < | + | Mark: She almost died. |
| - | Hey. | + | |
| - | 98 | + | < |
| - | < | + | Cobel: It’s not your job to play nursemaid to every new refiner. |
| - | Are you fraternizing too? | + | |
| - | 99 | + | < |
| - | < | + | Mark: Okay, so what is my job? |
| - | What? No, I... | + | |
| - | 100 | + | < |
| - | < | + | Cobel: Are you really asking me that? |
| - | I'm a leader who cares | + | |
| - | about his employees | + | |
| - | 101 | + | < |
| - | < | + | Mark: Yeah. What is it we actually do here? |
| - | and takes their | + | |
| - | requests seriously. | + | |
| - | 102 | + | < |
| - | < | + | Cobel: We serve Kier, you child! |
| - | - Really? | + | |
| - | - Yeah. | + | |
| - | 103 | + | < |
| - | < | + | Cobel: And until you get that through your mildewed little brain and hit quota, MDR’s hallway privileges are hereby revoked. So get your little ass back to your desk and stay there until you’re told to move. |
| - | Look at you all dewy mouthed. | + | |
| - | 104 | + | < |
| - | < | + | Dylan: Goddamn tragedy for the ages. |
| - | - You never smile at me. | + | |
| - | - He's right, Mark. | + | |
| - | 105 | + | < |
| - | < | + | Dylan: MDR will mourn the " |
| - | You are sparing with the | + | |
| - | facial encouragements. | + | |
| - | 106 | + | < |
| - | < | + | Helly: Oh, yeah? |
| - | That's ridiculous. I | + | |
| - | smile all the time. | + | |
| - | 107 | + | < |
| - | < | + | Dylan: And to think I wore this nice-ass shirt for her today. |
| - | Hey there. | + | |
| - | 108 | + | < |
| - | < | + | Helly: When you picked that shirt, |
| - | What are you all talking about? | + | |
| - | 109 | + | < |
| - | < | + | Dylan: Well, maybe love transcends severance. |
| - | Just... | + | |
| - | 110 | + | < |
| - | < | + | Helly: You think so? |
| - | - We' | + | Dylan: No. |
| - | - Dis... | + | |
| - | 111 | + | < |
| - | < | + | Dylan: What about you and Mark? |
| - | - Discussing the... | + | |
| - | - Yes, Mrs... | + | |
| - | 112 | + | < |
| - | < | + | Helly: What? |
| - | - Ms. Casey. Ms. Casey. | + | |
| - | - Ms. Casey. Yeah. | + | |
| - | 113 | + | < |
| - | < | + | Dylan: You two enjoy sneaking off the other day? "Baby goats"? |
| - | Wait, where is she? | + | |
| - | 114 | + | < |
| - | < | + | Helly: Why are you saying it like that? |
| - | Part-time innies may not be as | + | |
| - | socialized and sophisticated as yourself, | + | |
| - | 115 | + | < |
| - | < | + | Helly: Are you implying that "baby goats" is code for sex with Mark S.? |
| - | but they still must be held | + | |
| - | accountable | + | |
| - | 116 | + | < |
| - | < | + | Helly: Wow. |
| - | Ms. Casey was told to supervise | + | |
| - | Helly, and she failed at that task. | + | |
| - | 117 | + | < |
| - | < | + | Dylan: Is "baby goats" code for sex with Mark S.? |
| - | Because I snuck Helly out. | + | |
| - | 118 | + | < |
| - | < | + | Helly: No, they were actual goats. Why would we call it that? |
| - | I mean, if anyone should be | + | |
| - | in the break room, it's me. | + | |
| - | 119 | + | < |
| - | < | + | Dylan: Okay. Yeah, I believe you. |
| - | Valiance. | + | |
| - | 120 | + | < |
| - | < | + | Helly: Mark. |
| - | Not a core principle, but sweet. | + | |
| - | 121 | + | < |
| - | < | + | Dylan: You find out what happened? |
| - | Who won't you go to | + | |
| - | the break room for? | + | |
| - | 122 | + | < |
| - | < | + | Mark: She’s in the break room. |
| - | She's just a wellness | + | |
| - | counselor, Mark. | + | |
| - | 123 | + | < |
| - | < | + | Helly: Shit. Is that because of us? |
| - | Yes, but she | + | |
| - | shouldn' | + | |
| - | 124 | + | < |
| - | < | + | Mark: And we’re not allowed in the outer hallways anymore till we hit quota, so no more interdepartmental visits! |
| - | I mean, I thought | + | |
| - | Helly needed a walk. | + | |
| - | 125 | + | < |
| - | < | + | Dylan: Are you serious? |
| - | I mean, I'm allowed to do that. | + | |
| - | 126 | + | < |
| - | < | + | Irving: I’m...I’m sorry, Mark. It’s... It’s my fault... That I’ve been setting |
| - | Just a walk? | + | |
| - | 127 | + | < |
| - | < | + | Mark: Which way did you say it was to O&D? |
| - | Yeah. | + | |
| - | 128 | + | < |
| - | < | + | Cobel: Milchick! |
| - | Or were you sniffing | + | |
| - | around other departments | + | |
| - | 129 | + | < |
| - | < | + | Milchick: I’m on it. |
| - | while your department | + | |
| - | falls woefully below quota? | + | |
| - | 130 | + | < |
| - | < | + | Helly: This is more people than I’ve ever seen. |
| - | She almost died. | + | |
| - | 131 | + | < |
| - | < | + | Mark: Same. |
| - | It's not your job to play | + | |
| - | nursemaid to every new refiner. | + | |
| - | 132 | + | < |
| - | < | + | Burt: It’s okay. I know change can be disorienting, but MDR is here now. |
| - | Okay, so what is my job? | + | |
| - | 133 | + | < |
| - | < | + | Burt: You are welcome here, much as I hope all of us will be welcome to visit you at your place of endeavors. |
| - | Are you really asking me that? | + | |
| - | 134 | + | < |
| - | < | + | Burt: Now go on. Surely you must have some questions for them. |
| - | Yeah. | + | |
| - | 135 | + | < |
| - | < | + | Elizabeth: So, it’s called Macrodata Refinement? What do you refine? |
| - | What is it we actually | + | |
| - | 136 | + | < |
| - | < | + | Irving: Is that a watering can? |
| - | We serve Kier, you child! | + | |
| - | 137 | + | < |
| - | < | + | Burt: We think it might be supplies for the executive wing upstairs. |
| - | And until you get that through your | + | |
| - | mildewed little brain and hit quota, | + | |
| - | 138 | + | < |
| - | < | + | Burt: Then again, last week’s output had more of an aggressive feel. |
| - | MDR's hallway privileges | + | |
| - | are hereby revoked. | + | |
| - | 139 | + | < |
| - | < | + | Elizabeth: The hatchets weren’t aggressive. |
| - | So get your little ass back to your desk | + | |
| - | and stay there until you're told to move. | + | |
| - | 140 | + | < |
| - | < | + | Helly: Hatchets? |
| - | Goddamn tragedy for the ages. | + | |
| - | 141 | + | < |
| - | < | + | Mark: We’ve been trying to figure out how it all fits together. |
| - | MDR will mourn the " | + | |
| - | energy shared by Ms. Casey and myself. | + | |
| - | 142 | + | < |
| - | < | + | Mark: We found a department the opposite way from here that’s, well, raising baby goats. |
| - | Oh, yeah? | + | |
| - | 143 | + | < |
| - | < | + | Burt: Raising baby goats? |
| - | And to think I wore this | + | |
| - | nice-ass shirt for her today. | + | |
| - | 144 | + | < |
| - | < | + | Burt: There is a lot unknown to us as well, but we keep plugging along. It’s important work, obviously. |
| - | When you picked that shirt, | + | |
| - | you didn't know she existed. | + | |
| - | 145 | + | < |
| - | < | + | Irving: Everything we do here is important. |
| - | Well, maybe love | + | |
| - | transcends severance. | + | |
| - | 146 | + | < |
| - | < | + | Helly: It’s important because it actually is or because you’re saying it is? |
| - | - You think so? | + | |
| - | - No. | + | |
| - | 147 | + | < |
| - | < | + | Mark: Look, maybe we should work together on this. |
| - | What about you and Mark? | + | |
| - | 148 | + | < |
| - | < | + | Felicia: Together doing what, exactly? |
| - | What? | + | |
| - | 149 | + | < |
| - | < | + | Mark: I don’t know. Finding out why there are goats. Or, you know, finding out how big this place is or how many of us there are. |
| - | You two enjoy sneaking | + | |
| - | off the other day? | + | |
| - | 150 | + | < |
| - | < | + | Mark: I mean, why won’t they tell us what we’re doing here? What-What are they so afraid of? |
| - | "Baby goats"? | + | |
| - | 151 | + | < |
| - | < | + | Mark: If the Eagan philosophy is illumination above all... |
| - | Why are you saying it like that? | + | |
| - | 152 | + | < |
| - | < | + | Irving: Illumination beyond all. But yes. |
| - | Are you implying that "baby goats" | + | |
| - | is code for sex with Mark S.? | + | |
| - | 153 | + | < |
| - | < | + | Mark: Then why doesn’t that include us? |
| - | Wow. | + | |
| - | 154 | + | < |
| - | < | + | Mark: Why are we down here still working in the dark? |
| - | Is "baby goats" code | + | |
| - | for sex with Mark S.? | + | |
| - | 155 | + | < |
| - | < | + | Dylan: That was poetic as shit, man. |
| - | No, they were actual goats. | + | |
| - | 156 | + | < |
| - | < | + | Mark: Thanks. |
| - | Why would we call it that? | + | |
| - | 157 | + | < |
| - | < | + | Burt: Mark is right. |
| - | Okay. Yeah, I believe you. | + | |
| - | 158 | + | < |
| - | < | + | Irving: |
| - | Mark. | + | Burt: He is. |
| - | 159 | + | < |
| - | < | + | Burt: Irving, Kier would want us to feel the warm embrace of knowledge and truth. That way we could be true partners in his teachings. |
| - | You find out what happened? | + | |
| - | 160 | + | < |
| - | < | + | Mark: Exactly. |
| - | She's in the break room. | + | |
| - | 161 | + | < |
| - | < | + | Burt: I think, as the two department chiefs, Mark and I should make contact with this goat department, see what they know. And we can each bring one aide-de-camp. |
| - | Shit. Is that because of us? | + | |
| - | 162 | + | < |
| - | < | + | Mark: We’re not children, Mr. Milchick. We didn’t do anything wrong. |
| - | And we're not allowed in the outer | + | |
| - | hallways anymore till we hit quota, | + | |
| - | 163 | + | < |
| - | < | + | Cobel (singing): //Kier, chosen one, Kier.\\ Kier, brilliant one, Kier.\\ Brings the bounty to the plain Through the torment, through the rains.\\ Progress, knowledge Show no fear.\\ Kier, chosen one, Kier.// |
| - | so no more | + | |
| - | interdepartmental visits! | + | |
| - | 164 | + | < |
| - | < | + | Cobel: I trusted |
| - | Are you serious? | + | |
| - | 165 | + | < |
| - | < | + | Cobel: Escort him to the break room. |
| - | I'm… | + | |
| - | 166 | + | < |
| - | < | + | Mark: I’m sorry. |
| - | I'm sorry, Mark. | + | |
| - | It's... It's my fault… | + | |
| - | 167 | + | < |
| - | < | + | Alexa: What happened to your hand? |
| - | That I've been setting a bad | + | |
| - | example as the senior-most refiner. | + | |
| - | 168 | + | < |
| - | < | + | Mark: Apparently, I jammed my hand at work replenishing a watercooler. Or at least that’s what they tell me. |
| - | Which way did you | + | |
| - | say it was to O&D? | + | |
| - | 169 | + | < |
| - | < | + | Alexa: Those jugs are very heavy. |
| - | Milchick! | + | |
| - | 170 | + | < |
| - | < | + | Mark: Indeed they are. |
| - | I'm on it. | + | |
| - | 171 | + | < |
| - | < | + | Waiter: Another merlot? |
| - | This is more people | + | |
| - | than I've ever seen. | + | |
| - | 172 | + | < |
| - | < | + | Alexa: I’m fine, thanks. |
| - | Same. | + | |
| - | 173 | + | < |
| - | < | + | Mark: I’m good with water, thank you. |
| - | It's okay. | + | |
| - | 174 | + | < |
| - | < | + | Mark: Have you seen the princess? |
| - | I know change can | + | |
| - | be disorienting, | + | |
| - | 175 | + | < |
| - | < | + | Alexa: No, not since her birth. But I did talk on the phone with your sister. |
| - | but MDR is here now. | + | |
| - | 176 | + | < |
| - | < | + | Alexa: I don’t know how much she tells you about her... |
| - | You are welcome here, | + | |
| - | 177 | + | < |
| - | < | + | Mark: Latching difficulties? |
| - | much as I hope all of us will be welcome | + | Alexa: Yes. |
| - | to visit you at your place of endeavors. | + | |
| - | 178 | + | < |
| - | < | + | Mark: I-I’m aware. Maybe too aware. I don’t know. |
| - | Now go on. Surely you must | + | |
| - | have some questions for them. | + | |
| - | 179 | + | < |
| - | < | + | Alexa: Well, she just wanted the names of some lactation consultants. |
| - | So, it's called | + | |
| - | Macrodata Refinement? | + | |
| - | 180 | + | < |
| - | < | + | Mark: Well, it’s not something serious, is it? |
| - | What do you refine? | + | |
| - | 181 | + | < |
| - | < | + | Alexa: No. It’s very common. |
| - | Is that a watering can? | + | |
| - | 182 | + | < |
| - | < | + | Mark: Still, |
| - | We think it might be supplies | + | |
| - | for the executive wing upstairs. | + | |
| - | 183 | + | < |
| - | < | + | Alexa: Ricken? Yes. |
| - | Then again, last week's output | + | Mark: ...Ricken. |
| - | had more of an aggressive feel. | + | |
| - | 184 | + | < |
| - | < | + | Alexa: Did you ever think about having kids? |
| - | The hatchets weren' | + | |
| - | 185 | + | < |
| - | < | + | Mark: With Gemma? |
| - | Hatchets? | + | |
| - | 186 | + | < |
| - | < | + | Alexa: Yes. |
| - | We've been trying to figure | + | |
| - | out how it all fits together. | + | |
| - | 187 | + | < |
| - | < | + | Mark: Yeah, we tried for a little while. It wasn’t really working. |
| - | We found a department the | + | |
| - | opposite way from here | + | |
| - | 188 | + | < |
| - | < | + | Mark: We talked about adopting at one point, but...I don’t know. Then you think, "Okay, this is the life you’ve been given. And, um, that’s another life, and you don’t get that one. So do something with this." |
| - | that's, well, | + | |
| - | raising baby goats. | + | |
| - | 189 | + | < |
| - | < | + | Alexa: That’s very healthy. |
| - | Raising baby goats? | + | |
| - | 190 | + | < |
| - | < | + | Mark: Well, it’s mostly stuff she said. She was very pragmatic. Always had a plan B. |
| - | There is a lot unknown to us as | + | |
| - | well, but we keep plugging along. | + | |
| - | 191 | + | < |
| - | < | + | Mark: You know, one time we were supposed to go on this camping trip and... Is it weird that I’m talking about her right now? |
| - | It's important work, obviously. | + | |
| - | 192 | + | < |
| - | < | + | Mark: I feel like... |
| - | Everything we do | + | Alexa: No, I think it’s also healthy. |
| - | here is important. | + | |
| - | 193 | + | < |
| - | < | + | Mark: Yeah, but we’re on a date. I... |
| - | It's important because it actually | + | |
| - | is or because you're saying it is? | + | |
| - | 194 | + | < |
| - | < | + | Alexa: I haven’t walked out on you yet. |
| - | Look, maybe we should | + | |
| - | work together | + | |
| - | 195 | + | < |
| - | < | + | Mark: You know, sometimes I think...she’d want me to get off my ass. And sometimes I think she’s not worried about me at all. She’s just pissed that she’s dead. |
| - | Together doing what, exactly? | + | |
| - | 196 | + | < |
| - | < | + | Mark: Sorry, |
| - | I don' | + | |
| - | out why there are goats. | + | |
| - | 197 | + | < |
| - | < | + | Alexa: She’s a part of you. You know? You can’t just separate yourself... |
| - | Or, you know, finding | + | |
| - | out how big this place is | + | |
| - | 198 | + | < |
| - | < | + | Mark: Oh, no, but you can, Alexa. |
| - | or how many of us there are. | + | Alexa: Oh, shit. |
| - | 199 | + | < |
| - | < | + | Mark: With this exciting new procedure. |
| - | I mean, why won't they tell | + | |
| - | us what we're doing here? | + | |
| - | 200 | + | < |
| - | < | + | Alexa: Walked right into that. |
| - | What-What are they so afraid of? | + | Mark: Yes, you did. |
| - | 201 | + | < |
| - | < | + | Ricken: Love? |
| - | If the Eagan philosophy is | + | Devon: Yeah? |
| - | illumination above all... | + | |
| - | 202 | + | < |
| - | < | + | Ricken: She’s here. |
| - | Illumination beyond all. | + | Devon: Yeah. |
| - | 203 | + | < |
| - | < | + | Ricken: Careful. Watch your step. Right this way. |
| - | But yes. | + | |
| - | 204 | + | < |
| - | < | + | Cobel: Love it. |
| - | Then why doesn' | + | Devon: Okay. My girl. There’s my girl. |
| - | that include us? | + | |
| - | 205 | + | < |
| - | < | + | Ricken: Okay. |
| - | Why are we down here | + | |
| - | still working in the dark? | + | |
| - | 206 | + | < |
| - | < | + | Cobel: You must be Devon. |
| - | That was poetic as shit, man. | + | |
| - | 207 | + | < |
| - | < | + | Ricken: Devon, this is Mrs. Selvig. |
| - | Thanks. | + | |
| - | 208 | + | < |
| - | < | + | Devon: Hi. Yeah, and you’re |
| - | Mark is right. | + | |
| - | 209 | + | < |
| - | < | + | Cobel: Oh, it’s a privilege. I went giddy when Mark mentioned you were looking for someone. |
| - | - He is? | + | |
| - | - He is. | + | |
| - | 210 | + | < |
| - | < | + | Ricken: So serendipitous. |
| - | Irving, Kier would want us to feel the | + | Cobel: I know. |
| - | warm embrace of knowledge and truth. | + | |
| - | 211 | + | < |
| - | < | + | Ricken: The kelp worked, huh? |
| - | That way we could be true | + | |
| - | partners in his teachings. | + | |
| - | 212 | + | < |
| - | < | + | Cobel: And this must be little Eleanor. Hello, little Eleanor. |
| - | Exactly. | + | |
| - | 213 | + | < |
| - | < | + | Cobel: You had a vaginal birth, yes? |
| - | I think, as the two | + | Devon: Oh, yeah. |
| - | department chiefs, | + | |
| - | 214 | + | < |
| - | < | + | Cobel: We should |
| - | Mark and I should | + | |
| - | goat department, see what they know. | + | |
| - | 215 | + | < |
| - | < | + | Cobel: Oh, and I brought you this. Shea butter salve for your nipples. It’s on the house. |
| - | And we can each bring | + | |
| - | one aide-de-camp. | + | |
| - | 216 | + | < |
| - | < | + | Ricken: |
| - | We're not children, Mr. Milchick. | + | Cobel: Of course. |
| - | We didn't do anything wrong. | + | |
| - | 217 | + | < |
| - | < | + | Devon: Oh, here we go. |
| - | Kier, chosen one, Kier. | + | |
| - | 218 | + | < |
| - | < | + | Devon: Sorry. Sorry. |
| - | Kier, brilliant one, Kier. | + | Ricken: Yeah. |
| - | 219 | + | < |
| - | < | + | Cobel: Oh, no, don’t be sorry. That’s what babies do. May I? |
| - | Brings the bounty to the plain Through | + | |
| - | the torment, through the rains. | + | |
| - | 220 | + | < |
| - | < | + | Devon: Yeah, yeah. |
| - | Progress, knowledge | + | |
| - | Show no fear. | + | |
| - | 221 | + | < |
| - | < | + | Cobel: Darling. There, there, there. Okay. |
| - | Kier, chosen one. | + | |
| - | 222 | + | < |
| - | < | + | Dylan’s son: ...seventy hundred one, seventy hundred two, seventy hundred forty-three, |
| - | Kier. | + | |
| - | 223 | + | < |
| - | < | + | Milchick: Dylan. |
| - | I trusted | + | |
| - | you abused that trust. | + | |
| - | 224 | + | < |
| - | < | + | Dylan: Where I put what? |
| - | Your inefficiency and | + | |
| - | free-range chicken roaming | + | |
| - | 225 | + | < |
| - | < | + | Milchick: The ideographic card you took from O&D. |
| - | is ultimately your | + | |
| - | responsibility. | + | |
| - | 226 | + | < |
| - | < | + | Milchick: I saw the footage of you taking it. Did you smuggle it out? Is it here? |
| - | Escort him to the break room. | + | |
| - | 227 | + | < |
| - | < | + | Dylan: Holy shit, is this my house? |
| - | I'm sorry. | + | |
| - | 228 | + | < |
| - | < | + | Milchick: Dylan, listen. You have no idea how sensitive this information is. If someone paid you to smuggle out that card... |
| - | What happened | + | |
| - | 229 | + | < |
| - | < | + | Dylan: No, no. I just... I put it in the bathroom. Second stall, behind the toilet. |
| - | Apparently, I jammed my hand at | + | |
| - | work replenishing a watercooler. | + | |
| - | 230 | + | < |
| - | < | + | Milchick: Thank you. |
| - | Or at least that' | + | |
| - | what they tell me. | + | |
| - | 231 | + | < |
| - | < | + | Dylan: I didn’t even know what it was. |
| - | Those jugs are very heavy. | + | |
| - | 232 | + | < |
| - | < | + | Milchick: That’s fine too. |
| - | Indeed they are. | + | Dylan’s son: Daddy. |
| - | 233 | + | < |
| - | < | + | Dylan’s son: Daddy. |
| - | Another merlot? | + | |
| - | 234 | + | < |
| - | < | + | Dylan: Wh... What the fuck? |
| - | I'm fine, thanks. | + | |
| - | 235 | + | < |
| - | < | + | Milchick: We told you to count to a thousand and wait outside. |
| - | I'm good with water, thank you. | + | |
| - | 236 | + | < |
| - | < | + | Dylan: Is that my kid? |
| - | Have you seen the princess? | + | |
| - | 237 | + | < |
| - | < | + | Milchick: End it. |
| - | No, not since her birth. | + | |
| - | 238 | + | < |
| - | < | + | Dylan’s son: Daddy. |
| - | But I did talk on the | + | |
| - | phone with your sister. | + | |
| - | 239 | + | < |
| - | < | + | Dylan: We good here? |
| - | I don't know how much she | + | |
| - | tells you about her... | + | |
| - | 240 | + | < |
| - | < | + | Milchick: We’re good. |
| - | - Latching difficulties? | + | |
| - | - Yes. | + | |
| - | 241 | + | < |
| - | < | + | Mark: So, should we... We should probably call our cars. |
| - | I-I'm aware. Maybe too | + | |
| - | aware. I don't know. | + | |
| - | 242 | + | < |
| - | < | + | Alexa: Yeah. |
| - | Well, she just wanted the names | + | |
| - | of some lactation consultants. | + | |
| - | 243 | + | < |
| - | < | + | Mark: Oh, wow. That’s June. |
| - | Well, it's not something | + | |
| - | serious, is it? | + | |
| - | 244 | + | < |
| - | < | + | Mark: Hey, this is tonight. Like, right now. Should... Should we go to this, maybe? |
| - | No. It's very common. | + | |
| - | 245 | + | < |
| - | < | + | Alexa: What is it? |
| - | Still, | + | |
| - | to get an expert opinion. | + | |
| - | 246 | + | < |
| - | < | + | Mark: Well, it’s this band. I... I kind of know one of them. If it’s lame, we’ll leave. |
| - | I mean, from someone other than… | + | |
| - | 247 | + | < |
| - | < | + | Alexa: You mean if it isn’t as cool as we are. |
| - | - Ricken? Yes. | + | |
| - | - …Ricken. | + | |
| - | 248 | + | < |
| - | < | + | Mark: Exactly. |
| - | Did you ever think | + | |
| - | about having kids? | + | |
| - | 249 | + | < |
| - | < | + | Mark: I am feeling very old right now. |
| - | With Gemma? | + | |
| - | 250 | + | < |
| - | < | + | Alexa: No, you totally fit in. Don’t worry about it. |
| - | Yes. | + | |
| - | 251 | + | < |
| - | < | + | Mark: Hi. Two beers, please. |
| - | Yeah, we tried for | + | |
| - | a little while. | + | |
| - | 252 | + | < |
| - | < | + | Mark: Hello. Thank you. |
| - | It wasn't really working. | + | |
| - | 253 | + | < |
| - | < | + | Lead Singer: Hi. Who’s doing sound in this alleyway tonight? It’s terrible. All right, let’s get this over with. |
| - | We talked about adopting | + | |
| - | at one point, but… | + | |
| - | 254 | + | < |
| - | < | + | Lead Singer (singing): //Summer rain As I work these days\\ I feel a callus on my heart\\ ’Cause every day’s the same.\\ Broken heart, broken spirit.\\ Skylark’s fires smash a window...// |
| - | I don't know. Then you think, " | + | |
| - | this is the life you've been given." | + | |
| - | 255 | + | < |
| - | < | + | Guy at Venue: No filming, you fuck. |
| - | And, um, that's another life, | + | |
| - | and you don't get that one. | + | |
| - | 256 | + | < |
| - | < | + | Mark: Sure, thank you. |
| - | "So do something with this." | + | |
| - | 257 | + | < |
| - | < | + | Lead Singer (singing): //You can make this all come true\\ Build a sky in my eye that perfect blue\\ I hate you, Lumon You took my first love.\\ Fuck you, Lumon, it’s never enough.\\ You think that you can fight me You are wrong to even try me.\\ Fuck you, Lumon!\\ I hate you, Lumon!// |
| - | That's very healthy. | + | |
| - | 258 | + | < |
| - | < | + | June: Fuck you, Lumon! |
| - | Well, it's mostly | + | |
| - | stuff she said. | + | |
| - | 259 | + | < |
| - | < | + | Lead Singer (singing): //Fuck you, Lumon You took my first love\\ I hate you, Lumon It’s never enough.// |
| - | She was very pragmatic. | + | |
| - | 260 | + | < |
| - | < | + | Mark (singing): //Fuck you, Lumon.// |
| - | Always had a plan B. | + | |
| - | 261 | + | < |
| - | < | + | Mark & Alexa (singing): //I hate you, Lumon!// |
| - | You know, one time we were supposed | + | |
| - | to go on this camping trip and... | + | |
| - | 262 | + | < |
| - | < | + | Mark (singing): //Fuck you, Lumon! |
| - | Is it weird that I'm | + | |
| - | talking about her right now? | + | |
| - | 263 | + | < |
| - | < | + | Alexa: What’s happening? This is depraved. |
| - | - I feel like... | + | |
| - | - No, I think it's also healthy. | + | |
| - | 264 | + | < |
| - | < | + | Mark: Hi. Hey, I’m… |
| - | Yeah, but we're on a date. I... | + | |
| - | 265 | + | < |
| - | < | + | June: The guy from work. |
| - | I haven' | + | Mark: Yeah. |
| - | 266 | + | < |
| - | < | + | Mark: How are you holding up? Sorry. This is my friend, Alexa. This is June. |
| - | You know, sometimes I think… | + | |
| - | she'd want me to get off my ass. | + | |
| - | 267 | + | < |
| - | < | + | Alexa: Hey. You guys are really good. |
| - | And sometimes I think she's | + | June: Yeah. |
| - | not worried about me at all. | + | |
| - | 268 | + | < |
| - | < | + | June: Are we? I’m pretty sure we suck. |
| - | She's just pissed | + | |
| - | that she's dead. | + | |
| - | 269 | + | < |
| - | < | + | Mark: Well, that last song was great. |
| - | Sorry, I know this doesn' | + | |
| - | totally make sense. | + | |
| - | 270 | + | < |
| - | < | + | June: Write what you know, right? |
| - | She's a part of you. | + | Mark: Yeah. |
| - | 271 | + | < |
| - | < | + | Mark: Your dad would’ve really liked it, I bet. |
| - | You know? You can't just | + | |
| - | separate yourself... | + | |
| - | 272 | + | < |
| - | < | + | June: Really? |
| - | - Oh, no, but you can, Alexa. | + | Mark: Yeah. |
| - | - Oh, shit. | + | |
| - | 273 | + | < |
| - | < | + | June: How the fuck would you even know that? |
| - | With this exciting | + | |
| - | new procedure. | + | |
| - | 274 | + | < |
| - | < | + | Guy at Venue: Hey, fuck you, man. |
| - | - Walked right into that. | + | |
| - | - Yes, you did. | + | |
| - | 275 | + | < |
| - | < | + | Mark: I think we’re gonna take off. |
| - | - Love? | + | |
| - | - Yeah? | + | |
| - | 276 | + | < |
| - | < | + | June: Yeah. |
| - | - She's here. | + | |
| - | - Yeah. | + | |
| - | 277 | + | < |
| - | < | + | Mark: So...She’s the daughter of someone I worked with. He died. And it’s... It’s been difficult to piece toge... |
| - | Careful. Watch your | + | |
| - | step. Right this way. | + | |
| - | 278 | + | < |
| - | < | + | Graner: Harmony. |
| - | - Love it. | + | |
| - | - Okay. My girl. There' | + | |
| - | 279 | + | < |
| - | < | + | Cobel: Did you find her? |
| - | Okay. | + | |
| - | 280 | + | < |
| - | < | + | Graner: I got a tip from a campus cop at Ganz College. She... What the fuck are you wearing? |
| - | You must be Devon. | + | |
| - | 281 | + | < |
| - | < | + | Cobel: I was doing some private research. |
| - | Devon, this is Mrs. Selvig. | + | |
| - | 282 | + | < |
| - | < | + | Graner: What’s that a euphemism |
| - | Hi. Yeah, and you're Mark's neighbor. | + | |
| - | Thanks so much for meeting with us. | + | |
| - | 283 | + | < |
| - | < | + | Cobel: Doug, I’ve had a day. And I’m still trying to figure out what part of this conversation couldn’t have happened on the phone. |
| - | Oh, it' | + | |
| - | 284 | + | < |
| - | < | + | Graner: Someone’s holed up in one of Ganz’s old lab buildings. The dean’s told security to look the other way. Probably is Reghabi. |
| - | I went giddy when Mark mentioned | + | |
| - | you were looking for someone. | + | |
| - | 285 | + | < |
| - | < | + | Cobel: It is her. |
| - | - So serendipitous. | + | |
| - | - I know. | + | |
| - | 286 | + | < |
| - | < | + | Graner: Wanna come with me and find out? |
| - | The kelp worked, huh? | + | |
| - | 287 | + | < |
| - | < | + | Cobel: No, I do not. Let me know when you have her. |
| - | And this must be little Eleanor. | + | |
| - | 288 | + | < |
| - | < | + | Graner: Oh, maintenance is installing tonight. I think it’s a good call. |
| - | Hello, little Eleanor. | + | |
| - | 289 | + | < |
| - | < | + | Graner: So, you’re like a nurse or something? |
| - | - You had a vaginal birth, yes? | + | |
| - | - Oh, yeah. | + | |
| - | 290 | + | < |
| - | < | + | Mark: Hello? |
| - | We should talk about | + | |
| - | different nursing positions. | + | |
| - | 291 | + | < |
| - | < | + | Reghabi: Who is this? |
| - | Oh, and I brought you this. | + | |
| - | 292 | + | < |
| - | < | + | Mark: A friend of Petey’s. |
| - | Shea butter salve | + | |
| - | for your nipples. | + | |
| - | 293 | + | < |
| - | < | + | Mark: Hello? Are... Are you there? |
| - | It's on the house. | + | |
| - | 294 | + | < |
| - | < | + | Reghabi: Is this Mark Scout? |
| - | - We are talking to a few candidates. | + | |
| - | - Of course. | + | |
| - | 295 | + | < |
| - | < | + | Reghabi: What did he tell you before he died? |
| - | Oh, here we go. | + | |
| - | 296 | + | < |
| - | < | + | Mark: Nothing. |
| - | - Sorry. Sorry. | + | |
| - | - Yeah. | + | |
| - | 297 | + | < |
| - | < | + | Mark: I just...I-I-I... I wanna...I wanna understand. |
| - | Oh, no, don't be sorry. | + | |
| - | That's what babies do. | + | |
| - | 298 | + | < |
| - | < | + | Reghabi: Can you meet me now? |
| - | May I? | + | |
| - | 299 | + | < |
| - | < | + | Reghabi: Are you alone? |
| - | Yeah, yeah. | + | |
| - | 300 | + | < |
| - | < | + | Mark: Yeah, it’s just me. |
| - | Darling. | + | |
| - | 301 | + | < |
| - | < | + | Mark: I used to teach at this school. |
| - | There, there, there. Okay. | + | |
| - | 302 | + | < |
| - | < | + | Reghabi: I know. |
| - | …seventy hundred one, | + | |
| - | 303 | + | < |
| - | < | + | Mark: Who are you? |
| - | seventy hundred two, | + | |
| - | 304 | + | < |
| - | < | + | Reghabi: Come with me. |
| - | seventy hundred forty-three, | + | |
| - | + | ||
| - | 305 | + | |
| - | < | + | |
| - | seventy hundred forty-six, | + | |
| - | + | ||
| - | 306 | + | |
| - | < | + | |
| - | seventy hundred forty-eight… | + | |
| - | + | ||
| - | 307 | + | |
| - | < | + | |
| - | Dylan. | + | |
| - | + | ||
| - | 308 | + | |
| - | < | + | |
| - | I've awoken you at home. I | + | |
| - | need to know where you put it. | + | |
| - | + | ||
| - | 309 | + | |
| - | < | + | |
| - | Where I put what? | + | |
| - | + | ||
| - | 310 | + | |
| - | < | + | |
| - | The ideographic card | + | |
| - | you took from O&D. | + | |
| - | + | ||
| - | < | + | |
| - | MILCHICK: I saw the footage of you taking it. Did you smuggle it out? Is it here? | + | |
| - | + | ||
| - | < | + | |
| - | DYLAN: Holy shit, is this my house? | + | |
| - | + | ||
| - | < | + | |
| - | MILCHICK: Dylan, listen. You have no idea how sensitive this information is. If someone paid you to smuggle out that card... | + | |
| - | + | ||
| - | < | + | |
| - | DYLAN: No, no. I just... I put it in the bathroom. Second stall, behind the toilet. | + | |
| - | + | ||
| - | < | + | |
| - | MILCHICK: Thank you. | + | |
| - | + | ||
| - | < | + | |
| - | DYLAN: I didn't even know what it was. | + | |
| - | + | ||
| - | 320 | + | |
| - | < | + | |
| - | - That's fine too. | + | |
| - | - Daddy. | + | |
| - | + | ||
| - | 321 | + | |
| - | < | + | |
| - | Daddy. | + | |
| - | + | ||
| - | 322 | + | |
| - | < | + | |
| - | Wh... What the fuck? | + | |
| - | + | ||
| - | 323 | + | |
| - | < | + | |
| - | We told you to count to a | + | |
| - | thousand and wait outside. | + | |
| - | + | ||
| - | 324 | + | |
| - | < | + | |
| - | Is that my kid? | + | |
| - | + | ||
| - | 325 | + | |
| - | < | + | |
| - | End it. | + | |
| - | + | ||
| - | 326 | + | |
| - | < | + | |
| - | Daddy. | + | |
| - | + | ||
| - | 327 | + | |
| - | < | + | |
| - | We good here? | + | |
| - | + | ||
| - | 328 | + | |
| - | < | + | |
| - | We're good. | + | |
| - | + | ||
| - | 329 | + | |
| - | < | + | |
| - | So, should we... | + | |
| - | + | ||
| - | 330 | + | |
| - | < | + | |
| - | We should probably | + | |
| - | call our cars. | + | |
| - | + | ||
| - | 331 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 332 | + | |
| - | < | + | |
| - | Oh, wow. | + | |
| - | + | ||
| - | 333 | + | |
| - | < | + | |
| - | That's June. | + | |
| - | + | ||
| - | 334 | + | |
| - | < | + | |
| - | Hey, this is tonight. | + | |
| - | Like, right now. | + | |
| - | + | ||
| - | 335 | + | |
| - | < | + | |
| - | Should... Should we | + | |
| - | go to this, maybe? | + | |
| - | + | ||
| - | 336 | + | |
| - | < | + | |
| - | What is it? | + | |
| - | + | ||
| - | 337 | + | |
| - | < | + | |
| - | Well, it's this band. I... | + | |
| - | I kind of know one of them. | + | |
| - | + | ||
| - | 338 | + | |
| - | < | + | |
| - | If it's lame, we'll leave. | + | |
| - | + | ||
| - | 339 | + | |
| - | < | + | |
| - | You mean if it isn' | + | |
| - | as cool as we are. | + | |
| - | + | ||
| - | 340 | + | |
| - | < | + | |
| - | Exactly. | + | |
| - | + | ||
| - | 341 | + | |
| - | < | + | |
| - | I am feeling very old right now. | + | |
| - | + | ||
| - | 342 | + | |
| - | < | + | |
| - | No, you totally fit in. | + | |
| - | Don't worry about it. | + | |
| - | + | ||
| - | 343 | + | |
| - | < | + | |
| - | Hi. Two beers, please. | + | |
| - | + | ||
| - | 344 | + | |
| - | < | + | |
| - | Hello. | + | |
| - | + | ||
| - | 345 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 346 | + | |
| - | < | + | |
| - | Hi. Who's doing sound in this | + | |
| - | alleyway tonight? It's terrible. | + | |
| - | + | ||
| - | 347 | + | |
| - | < | + | |
| - | All right, let' | + | |
| - | get this over with. | + | |
| - | + | ||
| - | 348 | + | |
| - | < | + | |
| - | Summer rain As I work these days | + | |
| - | + | ||
| - | 349 | + | |
| - | < | + | |
| - | I feel a callus on my heart | + | |
| - | 'Cause every day's the same. | + | |
| - | + | ||
| - | 350 | + | |
| - | < | + | |
| - | Broken heart, broken spirit. | + | |
| - | + | ||
| - | 351 | + | |
| - | < | + | |
| - | Skylark' | + | |
| - | + | ||
| - | 352 | + | |
| - | < | + | |
| - | No filming, you fuck. | + | |
| - | + | ||
| - | 353 | + | |
| - | < | + | |
| - | Sure, thank you. | + | |
| - | + | ||
| - | 354 | + | |
| - | < | + | |
| - | You can make this all come true Build | + | |
| - | a sky in my eye that perfect blue | + | |
| - | + | ||
| - | 355 | + | |
| - | < | + | |
| - | I hate you, Lumon You | + | |
| - | took my first love. | + | |
| - | + | ||
| - | 356 | + | |
| - | < | + | |
| - | Fuck you, Lumon, | + | |
| - | it's never enough. | + | |
| - | + | ||
| - | 357 | + | |
| - | < | + | |
| - | You think that you can fight me | + | |
| - | You are wrong to even try me. | + | |
| - | + | ||
| - | 358 | + | |
| - | < | + | |
| - | Fuck you, Lumon! | + | |
| - | + | ||
| - | 359 | + | |
| - | < | + | |
| - | I hate you, Lumon! | + | |
| - | + | ||
| - | 360 | + | |
| - | < | + | |
| - | Fuck you, Lumon! | + | |
| - | + | ||
| - | 361 | + | |
| - | < | + | |
| - | Fuck you, Lumon You | + | |
| - | took my first love | + | |
| - | + | ||
| - | 362 | + | |
| - | < | + | |
| - | I hate you, Lumon | + | |
| - | It's never enough. | + | |
| - | + | ||
| - | 363 | + | |
| - | < | + | |
| - | Fuck you, Lumon. | + | |
| - | + | ||
| - | 364 | + | |
| - | < | + | |
| - | I hate you, Lumon! | + | |
| - | + | ||
| - | 365 | + | |
| - | < | + | |
| - | Fuck you, Lumon! | + | |
| - | + | ||
| - | 366 | + | |
| - | < | + | |
| - | I hate you, Lumon! | + | |
| - | + | ||
| - | 367 | + | |
| - | < | + | |
| - | What's happening? | + | |
| - | This is depraved. | + | |
| - | + | ||
| - | 368 | + | |
| - | < | + | |
| - | Hi. | + | |
| - | + | ||
| - | 369 | + | |
| - | < | + | |
| - | Hey, I' | + | |
| - | + | ||
| - | 370 | + | |
| - | < | + | |
| - | - The guy from work. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 371 | + | |
| - | < | + | |
| - | How are you holding up? | + | |
| - | + | ||
| - | 372 | + | |
| - | < | + | |
| - | Sorry. This is my friend, Alexa. | + | |
| - | + | ||
| - | 373 | + | |
| - | < | + | |
| - | This is June. | + | |
| - | + | ||
| - | 374 | + | |
| - | < | + | |
| - | - Hey. You guys are really good. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | Are we? I'm pretty sure we suck. | + | |
| - | + | ||
| - | 376 | + | |
| - | < | + | |
| - | Well, that last song was great. | + | |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | - Write what you know, right? | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 378 | + | |
| - | < | + | |
| - | Your dad would' | + | |
| - | really liked it, I bet. | + | |
| - | + | ||
| - | 379 | + | |
| - | < | + | |
| - | - Really? | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | How the fuck would | + | |
| - | you even know that? | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | Hey, fuck you, man. | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | I think we're gonna take off. | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | So… | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | She's the daughter of | + | |
| - | someone I worked with. | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | He died. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | And it' | + | |
| - | difficult to piece toge... | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | Harmony. | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | Did you find her? | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | I got a tip from a campus | + | |
| - | cop at Ganz College. | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | She... What the fuck | + | |
| - | are you wearing? | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | I was doing some | + | |
| - | private research. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | What's that a euphemism for? | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | Doug, I've had a day. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | And I'm still | + | |
| - | trying to figure out | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | what part of this conversation | + | |
| - | couldn' | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | Someone' | + | |
| - | of Ganz's old lab buildings. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | The dean's told security | + | |
| - | to look the other way. | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | Probably is Reghabi. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | It is her. | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Wanna come with me and find out? | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | No, I do not. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | Let me know when you have her. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | Oh, maintenance is | + | |
| - | installing tonight. | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | I think it's a good call. | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | So, you're like a | + | |
| - | nurse or something? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | Hello? | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | Who is this? | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | A friend of Petey' | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | Hello? Are... Are you there? | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | Is this Mark Scout? | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | What did he tell | + | |
| - | you before he died? | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | Nothing. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | I just... | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | I-I-I... I wanna... | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | I wanna understand. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | Can you meet me now? | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | Are you alone? | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | Yeah, it's just me. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | I used to teach at this school. | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | I know. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | Who are you? | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Come with me. | + | |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
hide_and_seek_transcript.1652754698.txt.gz · Last modified: 2022-05-17 02:31 by Neatnik
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