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| <WRAP infobox> | <WRAP infobox> | ||
| - | | **Half Loop (Script)** || | + | | **Half Loop (Transcript)** || |
| ^ Episode Number | 1.2 | | ^ Episode Number | 1.2 | | ||
| - | ^ Written By | [[https:// | + | ^ Written By | [[https:// |
| - | ^ Previous | + | ^ Previous |
| - | ^ Next Script | + | ^ Next Transcript |
| </ | </ | ||
| - | ====== Half Loop (Script) ====== | + | ====== Half Loop (Transcript) ====== |
| - | This is the script | + | This is the transcript |
| - | ===== Script | + | ===== Transcript |
| <WRAP script> | <WRAP script> | ||
| - | < | + | < |
| - | [[Helena Eagan|HELLY]]: I acknowledge that, henceforth, my access to my memories will be spatially dictated. I will be unable to access outside recollections whilst on Lumon's severed basement floor, nor retain work memories upon my ascent. I am aware that this alteration is comprehensive and irreversible. I make these statements freely. | + | Helly: I acknowledge that, henceforth, my access to my memories will be spatially dictated. I will be unable to access outside recollections whilst on Lumon’s severed basement floor, nor retain work memories upon my ascent. I am aware that this alteration is comprehensive and irreversible. I make these statements freely. |
| - | < | + | < |
| - | [[Seth | + | Milchick: Okay, that’s a wrap. Come with me, please. |
| - | 11 | + | < |
| - | < | + | Milchick: |
| - | So your work personage will be waking | + | |
| - | in a few hours on the severed floor. | + | |
| - | 12 | + | < |
| - | < | + | Helly: Okay. |
| - | But the next time you yourself | + | |
| - | will be sentient will be this evening, | + | |
| - | 13 | + | < |
| - | < | + | Milchick: The elevator |
| - | in the elevator | + | |
| - | 14 | + | < |
| - | < | + | Milchick: Oh, man. I love seeing the sunrise on his face. |
| - | Okay. | + | |
| - | 15 | + | < |
| - | < | + | Milchick: You know he used to drink three raw eggs in milk each morning? |
| - | The elevator has a handrail at hip-level | + | |
| - | if you feel dizzy. | + | |
| - | 16 | + | < |
| - | < | + | Helly: I’ve heard. |
| - | Oh, man. | + | |
| - | 17 | + | < |
| - | < | + | Milchick: His favorite breakfast. |
| - | I love seeing the sunrise on his face. | + | |
| - | 18 | + | < |
| - | < | + | Milchick: We’ll get you prepped |
| - | You know he used to drink three raw eggs | + | |
| - | in milk each morning? | + | |
| - | 19 | + | < |
| - | < | + | Milchick: Good morning, Lawrence. |
| - | I've heard. | + | Lawrence: Good morning. |
| - | 20 | + | < |
| - | < | + | Helly: They say it doesn’t hurt. |
| - | His favorite breakfast. | + | |
| - | 21 | + | < |
| - | < | + | Milchick: Just relax. |
| - | We'll get you prepped in here. | + | |
| - | 22 | + | < |
| - | < | + | Milchick: Little vibration now. |
| - | - Good morning, Lawrence. | + | |
| - | - Good morning. | + | |
| - | 23 | + | < |
| - | < | + | Milchick: I’ll be upstairs after to let you know how it went. |
| - | They say it doesn' | + | |
| - | 24 | + | < |
| - | < | + | Helly: Sorry if I freak out on you a little. |
| - | Just relax. | + | |
| - | 25 | + | < |
| - | < | + | Milchick: Don’t worry. I’m very excited to meet you. |
| - | Little vibration now. | + | |
| - | 26 | + | < |
| - | < | + | Milchick: Hey, Helly. |
| - | I'll be upstairs after | + | |
| - | to let you know how it went. | + | |
| - | 27 | + | < |
| - | < | + | Helly: Woah, what’s happening? |
| - | Sorry if I freak out on you a little. | + | |
| - | 28 | + | < |
| - | < | + | Milchick: Great to see you. |
| - | Don't worry. I'm very | + | |
| - | excited | + | |
| - | 29 | + | < |
| - | < | + | Milchick: Your orientation’s been so much fun. |
| - | Hey, Helly. | + | |
| - | 30 | + | < |
| - | < | + | Helly: Uh, where am I? |
| - | What's happening? | + | |
| - | 31 | + | < |
| - | < | + | Milchick: Okay, so sometimes when a new hire is adjusting to a severed space, we help by bringing them here to the stairwell, |
| - | Great to see you. | + | |
| - | 32 | + | < |
| - | < | + | Helly: Oh, no. I’m trying to leave? |
| - | Your orientation' | + | |
| - | 33 | + | < |
| - | < | + | Milchick: No, no. It’s all part of the process. If you wanna spin around and head back in, that should be that. |
| - | Where am I? | + | |
| - | 34 | + | < |
| - | < | + | Milchick: Hey, there. |
| - | Okay, so sometimes when a new hire | + | |
| - | is adjusting to a severed space, | + | |
| - | 35 | + | < |
| - | < | + | Helly: What the hell? |
| - | we help by bringing them here | + | Milchick: That’s okay. Not a problem. Wanna give it another shot? Maybe with a little oomph? |
| - | to the stairwell, | + | |
| - | 36 | + | < |
| - | < | + | Milchick: Hi. I’m at the stairwell. It’s going fair. No, she’s... |
| - | to experience | + | |
| - | 37 | + | < |
| - | < | + | Helly: Fuck! |
| - | Oh, no. I'm trying to leave? | + | |
| - | 38 | + | < |
| - | < | + | Milchick: I’ma call you back. |
| - | No, no. | + | |
| - | 39 | + | < |
| - | < | + | Milchick: Wow. You’re an inquisitive one. |
| - | It's all part of the process. | + | |
| - | 40 | + | < |
| - | < | + | Helly: I don’t |
| - | If you wanna spin around | + | |
| - | and head back in, that should be that. | + | |
| - | 41 | + | < |
| - | < | + | Milchick: You’re learning that you do. Hey, when we heard you were coming here, it was like a miracle. It’s amazing what you’re doing. |
| - | Hey, there. | + | |
| - | 42 | + | < |
| - | < | + | Milchick: Hey, old-timer! One day down. |
| - | - What the hell? | + | |
| - | - That's okay. | + | |
| - | 43 | + | < |
| - | < | + | Helly: Hey. |
| - | Not a problem. | + | |
| - | 44 | + | < |
| - | < | + | Mark: Hey. |
| - | Wanna give it another shot? | + | |
| - | 45 | + | < |
| - | < | + | Helly: So it’s tomorrow now? |
| - | Maybe with a little oomph? | + | |
| - | 46 | + | < |
| - | < | + | Mark: Uh, yeah. Well, it’s Monday. |
| - | Hi. | + | |
| - | 47 | + | < |
| - | < | + | Helly: A weekend just happened? |
| - | I'm at the stairwell. | + | Mark: Yeah. |
| - | 48 | + | < |
| - | < | + | Helly: I don’t even feel like I left. |
| - | It's going fair. | + | |
| - | 49 | + | < |
| - | < | + | Mark: Yeah, that’s how nights and weekends feel here. |
| - | No, she's... | + | |
| - | 50 | + | < |
| - | < | + | Helly: Like nothing? |
| - | Fuck! | + | |
| - | 51 | + | < |
| - | < | + | Mark: Well, you get used to it. I mean, I find it helps to focus on the effects of sleep since we don’t actually get to experience it. You may feel rejuvenated or happy. Less tense in the shoulders. Spry. |
| - | I'ma call you back. | + | |
| - | 52 | + | < |
| - | < | + | Helly: So it’s 09:05? |
| - | Wow. | + | |
| - | 53 | + | < |
| - | < | + | Mark: Yeah, they stagger the entries too so we don’t meet on the outside. It’s important apparently. |
| - | You're an inquisitive one. | + | |
| - | 54 | + | < |
| - | < | + | Helly: So I guess we’re not friends. |
| - | I don't wanna be in there, do I? | + | |
| - | 55 | + | < |
| - | < | + | Mark: Guess not. |
| - | You're learning that you do. | + | |
| - | 56 | + | < |
| - | < | + | Dylan: My current file’s called " |
| - | Hey, when we heard you were coming here, | + | |
| - | it was like a miracle. | + | |
| - | 57 | + | < |
| - | < | + | Helly: Should I be taking notes? |
| - | It's amazing what you're doing. | + | |
| - | 58 | + | < |
| - | < | + | Mark: No. |
| - | Hey, old-timer! | + | Dylan: I’ve got it 96% sorted, which means I’ve earned four of the five tier incentives, including the erasers and the finger traps that you see displayed here. 100% is tier five. That gets you a caricature portrait. You’ll note I’ve accrued an embarrassment of wealth in that regard. |
| - | 59 | + | < |
| - | < | + | Helly: Wow. |
| - | One day down. | + | Dylan: Correct. |
| - | 60 | + | < |
| - | < | + | Dylan: Each one of these? Finished file in the can. |
| - | Hey. | + | |
| - | 61 | + | < |
| - | < | + | Helly: So that’s the highest award? |
| - | Hey. | + | |
| - | 62 | + | < |
| - | < | + | Dylan: Percentage-wise, |
| - | So it's tomorrow now? | + | |
| - | 63 | + | < |
| - | < | + | Helly: I’m sorry, a waffle party? |
| - | Yeah. | + | |
| - | 64 | + | < |
| - | < | + | Dylan: Okay, hazards on, eager lemur. I’m a dead lock for that this quarter, so don’t get your hopes up. |
| - | Well, it's Monday. | + | |
| - | 65 | + | < |
| - | < | + | Helly: What about Mark’s crystal head cube? |
| - | - A weekend just happened? | + | |
| - | - Yeah. | + | |
| - | 66 | + | < |
| - | < | + | Dylan: That’s not a prize, that’s just something they gave him. |
| - | I don't even feel like I left. | + | |
| - | 67 | + | < |
| - | < | + | Mark: Helly, could you flip on this console? |
| - | Yeah, that's how nights | + | |
| - | and weekends feel here. | + | |
| - | 68 | + | < |
| - | < | + | Mark: Okay. |
| - | Like nothing? | + | |
| - | 69 | + | < |
| - | < | + | Mark: That’s... Excuse me. |
| - | Well, you get used to it. | + | |
| - | 70 | + | < |
| - | < | + | Irving: Mark, sorry to interrupt. I know you’re training Helly. I just noticed you’ve removed the group photos from the desks. |
| - | I mean, I find it helps to | + | |
| - | focus on the effects of sleep | + | |
| - | 71 | + | < |
| - | < | + | Mark: Yeah. We’re gonna take the new ones at Helly’s party today. |
| - | since we don't actually | + | |
| - | get to experience it. | + | |
| - | 72 | + | < |
| - | < | + | Irving: Hmm. |
| - | You may feel rejuvenated or happy. | + | |
| - | 73 | + | < |
| - | < | + | Mark: Okay, this is the Siena file. Now, all the data you see falls into one of four essential categories. And we group each line of code, and then sort it evenly between five digital buckets. |
| - | Less tense in the shoulders. Spry. | + | |
| - | 74 | + | < |
| - | < | + | Helly: Party. |
| - | So it's 09:05? | + | |
| - | 75 | + | < |
| - | < | + | Mark: Just poke around first. Use the arrows. |
| - | Yeah, they stagger the entries too | + | |
| - | so we don't meet on the outside. | + | |
| - | 76 | + | < |
| - | < | + | Irving: I do think the old photos are supposed to stay on the desk until the new ones come in. |
| - | It's important apparently. | + | |
| - | 77 | + | < |
| - | < | + | Mark: Right. |
| - | So I guess we're not friends. | + | |
| - | 78 | + | < |
| - | < | + | Helly: Should this mean something to me? |
| - | Guess not. | + | Mark: No. |
| - | 79 | + | < |
| - | < | + | Mark: No, all the data comes from upstairs fully encoded. |
| - | My current file's called " | + | |
| - | 80 | + | < |
| - | < | + | Helly: Then how do I categorize it? |
| - | which I started some 11 weeks back. | + | |
| - | 81 | + | < |
| - | < | + | Helly: What? |
| - | " | + | |
| - | 82 | + | < |
| - | < | + | Mark: Each category of numbers presents in such an order as to elicit an emotional response in the refiner. So, Cat 1 numbers, for example, feel a certain way on sight. They’ll |
| - | Should I be taking notes? | + | |
| - | 83 | + | < |
| - | < | + | Helly: Scary? |
| - | - No. | + | |
| - | - I've got it 96% sorted, | + | |
| - | 84 | + | < |
| - | < | + | Mark: I know. |
| - | which means I've earned | + | |
| - | four of the five tier incentives, | + | |
| - | 85 | + | < |
| - | < | + | Helly: My job is to scroll through this spreadsheet |
| - | including the erasers | + | |
| - | traps that you see displayed here. | + | |
| - | 86 | + | < |
| - | < | + | Dylan: It sounds dumb, and Mark said it dumb. |
| - | 100% is tier five. | + | |
| - | That gets you a caricature portrait. | + | |
| - | 87 | + | < |
| - | < | + | Helly: Are the numbers bloody? Do they chant? |
| - | You'll note I've accrued an | + | |
| - | embarrassment of wealth in that regard. | + | |
| - | 88 | + | < |
| - | < | + | Mark: It doesn’t make sense till you see it, and it takes a while to see. |
| - | - Wow. | + | |
| - | - Correct. | + | |
| - | 89 | + | < |
| - | < | + | Irving: Hey, Mark. I just printed out the passage |
| - | Each one of these? | + | |
| - | Finished file in the can. | + | |
| - | 90 | + | < |
| - | < | + | Mark: Thank you. |
| - | So that's the highest award? | + | Irving: Sorry. |
| - | 91 | + | < |
| - | < | + | Helly: Am I trapped here? |
| - | Percentage-wise, | + | |
| - | 92 | + | < |
| - | < | + | Mark: In what way? |
| - | But if we hit our numbers | + | |
| - | by quarter' | + | |
| - | 93 | + | < |
| - | < | + | Helly: Like if it turns out I hate this and I want to quit, is that an option? |
| - | one of us gets named | + | |
| - | refiner of the quarter, | + | |
| - | 94 | + | < |
| - | < | + | Mark: Look. If you’re really unhappy, |
| - | and that shit gets you a waffle party. | + | |
| - | 95 | + | < |
| - | < | + | Dylan: And good luck getting that approved. |
| - | I'm sorry, a waffle party? | + | |
| - | 96 | + | < |
| - | < | + | Mark: Well, they do tend to be rejected. Plus, you know... |
| - | Okay, hazards on, eager lemur. | + | |
| - | 97 | + | < |
| - | < | + | Helly: What? |
| - | I'm a dead lock for that this quarter, | + | |
| - | so don't get your hopes up. | + | |
| - | 98 | + | < |
| - | < | + | Mark: Well, since this perceptual version of you only exists at Lumon, I mean, quitting would effectively end your life. I mean, in so much as you’ve come to know it. |
| - | What about Mark's crystal head cube? | + | |
| - | 99 | + | < |
| - | < | + | Milchick: Hello, Refiners. |
| - | That's not a prize, | + | |
| - | that's just something they gave him. | + | |
| - | 100 | + | < |
| - | < | + | Dylan: Sweet. Melon bar. |
| - | Helly, could you flip on this console? | + | |
| - | 101 | + | < |
| - | < | + | Irving: Hi, Mr. Milchick. |
| - | Okay. | + | |
| - | 102 | + | < |
| - | < | + | Milchick: Helly, welcome. |
| - | That' | + | |
| - | 103 | + | < |
| - | < | + | Milchick: I’m agog at how well I can tell you’re already fitting in. The office feels whole. Now, let’s get this party started. |
| - | Mark, sorry to interrupt. | + | |
| - | I know you're training Helly. | + | |
| - | 104 | + | < |
| - | < | + | Irving: Well, my name is Irving, as you all know. And I’ve worked here for three years, and something about me is that I know all nine core Lumon principles. |
| - | I just noticed | + | |
| - | the group photos from the desks. | + | |
| - | 105 | + | < |
| - | < | + | Milchick: Awesome. What’s your favorite? |
| - | Yeah. We're gonna take the new ones | + | |
| - | at Helly's party today. | + | |
| - | 106 | + | < |
| - | < | + | Irving: All nine. But today, I think I’d say, " |
| - | Okay, this is the Siena file. | + | |
| - | 107 | + | < |
| - | < | + | Milchick: Great. |
| - | Now, all the data you see | + | |
| - | 108 | + | < |
| - | < | + | Milchick: No trust fall today, Irv. |
| - | falls into one of four | + | |
| - | essential categories. | + | |
| - | 109 | + | < |
| - | < | + | Irving: Right. |
| - | And we group each line of code, | + | |
| - | 110 | + | < |
| - | < | + | Helly: No. No. |
| - | and then sort it evenly | + | |
| - | between five digital buckets. | + | |
| - | 111 | + | < |
| - | < | + | Helly: Hello, I’m Helly. I’ve been at Lumon for, like...ten hours total, and... |
| - | Party. | + | |
| - | 112 | + | < |
| - | < | + | Helly: I’m sorry, I don’t know anything about myself. |
| - | Just poke around first. Use the arrows. | + | |
| - | 113 | + | < |
| - | < | + | Milchick: Sure you do, Helly. |
| - | I do think the old photos are supposed | + | |
| - | to stay on the desk | + | |
| - | 114 | + | < |
| - | < | + | Helly: I really don’t. I guess I went home last night, but I don’t know if home is a house, or an apartment, or if I live with a family... |
| - | until the new ones come in. | + | |
| - | 115 | + | < |
| - | < | + | Dylan: I like to think my Outie lives on, like, a riverboat. |
| - | Right. | + | |
| - | 116 | + | < |
| - | < | + | Helly: I’m sorry, Outies are... |
| - | - Should this mean something to me? | + | |
| - | - No. | + | |
| - | 117 | + | < |
| - | < | + | Mark: They’re us on the outside. |
| - | No, all the data | + | |
| - | comes from upstairs fully encoded. | + | |
| - | 118 | + | < |
| - | < | + | Milchick: You saw yours yesterday in the video. |
| - | Then how do I categorize it? | + | |
| - | 119 | + | < |
| - | < | + | Helly: Right. I actually have a few things to say to her. Can I record something back? |
| - | What? | + | |
| - | 120 | + | < |
| - | < | + | Milchick: So, what you’ll find here is that communication between selves is pretty curtailed. |
| - | Each category of numbers | + | |
| - | presents in such an order as to elicit | + | |
| - | 121 | + | < |
| - | < | + | Helly: So, what if I write her a note? |
| - | an emotional response in the refiner. | + | |
| - | 122 | + | < |
| - | < | + | Milchick: Fortunately, |
| - | So, Cat 1 numbers, for example, | + | |
| - | feel a certain way on sight. | + | |
| - | 123 | + | < |
| - | < | + | Mark: Yeah... |
| - | They'll be sort of disconcerting, scary. | + | |
| - | 124 | + | < |
| - | < | + | Milchick: That’s right. Right. |
| - | Scary? | + | |
| - | 125 | + | < |
| - | < | + | Helly: Sure. Okay, well what if I... |
| - | I know. | + | |
| - | 126 | + | < |
| - | < | + | Milchick: I don’t think you’re quite getting the game here, Helly. May I? |
| - | My job is to scroll | + | |
| - | through this spreadsheet | + | |
| - | 127 | + | < |
| - | < | + | Milchick: Guys, this is Helly. She’s thirty years old, she’s allergic to almonds |
| - | and look for numbers that are scary? | + | |
| - | 128 | + | < |
| - | < | + | Mark: Wow. Well, that’s a lot to follow. So, I’ll just say that I’m Mark. Been with Lumon about two years, and I absolutely love this game. |
| - | It sounds dumb, and Mark said it dumb. | + | |
| - | 129 | + | < |
| - | < | + | Milchick: Nice try, pal, but you said that last time. |
| - | Are the numbers bloody? Do they chant? | + | |
| - | 130 | + | < |
| - | < | + | Mark: Fair enough. Well, I...I broke protocol this morning. |
| - | It doesn' | + | |
| - | and it takes a while to see. | + | |
| - | 131 | + | < |
| - | < | + | Mark: I was dusting the old group photos, the ones with Petey, and it just...made me feel sad. And, I guess, worried that I won’t be able to run MDR like he did. |
| - | Hey, Mark. I just printed out | + | |
| - | 132 | + | < |
| - | < | + | Dylan: That tracks. I have similar worries. |
| - | the passage of the handbook | + | |
| - | on changing out group photos. | + | |
| - | 133 | + | < |
| - | < | + | Mark: So I...took ’em from the cubicles and put ’em in the storage closet, which we’re not supposed to do. |
| - | Just might be good to peruse | + | |
| - | when you're between things. | + | |
| - | 134 | + | < |
| - | < | + | Irving: I recall this. I objected. |
| - | - Thank you. | + | |
| - | - Sorry. | + | |
| - | 135 | + | < |
| - | < | + | Milchick: Thank you for telling me, Mark. I actually find your reaction sweet. Though, it is puzzling you have an outburst like this for Petey, and not for, say, Carol D. |
| - | Am I trapped here? | + | |
| - | 136 | + | < |
| - | < | + | Mark: But we knew Carol D. was leaving beforehand. I mean, her Outie filmed a thank-you. Petey was just gone. |
| - | In what way? | + | |
| - | 137 | + | < |
| - | < | + | Mark: And I mean, I... I don’t know if he’s at some new job or drunk on a beach, or dead... |
| - | Like if it turns out I hate this | + | |
| - | and I want to quit, is that an option? | + | |
| - | 138 | + | < |
| - | < | + | Milchick: That’s enough, please. |
| - | Look. | + | |
| - | 139 | + | < |
| - | < | + | Milchick: I think this is a good time to remind ourselves that things like deaths happen outside of here. Not here. A life at Lumon is protected from such things. And I think a great potential response to that from all of you is gratitude. |
| - | If you're really unhappy, | + | |
| - | 140 | + | < |
| - | < | + | Milchick: I also think that melon isn’t getting any tastier. |
| - | you can submit a resignation request | + | |
| - | with your outside self for review. | + | |
| - | 141 | + | < |
| - | < | + | Mark: Hey, sorry I derailed your game. |
| - | And good luck getting that approved. | + | |
| - | 142 | + | < |
| - | < | + | Helly: I thought I already had, but then, yeah, you made it way worse. |
| - | Well, they do tend to be rejected. | + | |
| - | Plus, you know... | + | |
| - | 143 | + | < |
| - | < | + | Helly: So, how are you gonna figure out if Petey’s okay? |
| - | What? | + | |
| - | 144 | + | < |
| - | < | + | Mark: I think Milchick was pretty clear. |
| - | Well, since this perceptual | + | |
| - | version of you only exists at Lumon, | + | |
| - | 145 | + | < |
| - | < | + | Helly: You’re just done asking about your best friend because our babysitter told you to stop? |
| - | I mean, quitting | + | |
| - | would effectively end your life. | + | |
| - | 146 | + | < |
| - | < | + | Mark: You know, Milchick’s a nice man. When he says something, it’s best to listen. |
| - | I mean, in so much | + | |
| - | as you've come to know it. | + | |
| - | 147 | + | < |
| - | < | + | Helly: I don’t care. |
| - | Hello, Refiners. | + | Mark: ’Cause he can’t always be nice like that. |
| - | 148 | + | < |
| - | < | + | Milchick: Okay, Refiners! |
| - | Sweet. Melon bar. | + | |
| - | 149 | + | < |
| - | < | + | Milchick: Let’s get this new group photo before the melon bloat sets in. |
| - | Hi, Mr. Milchick. | + | |
| - | 150 | + | < |
| - | < | + | Irving: At last. |
| - | Helly, welcome. | + | |
| - | 151 | + | < |
| - | < | + | Milchick: All right. Great big smiles. Remember, |
| - | I'm agog at how well I can tell | + | |
| - | you're already fitting in. | + | |
| - | 152 | + | < |
| - | < | + | Milchick: Say " |
| - | The office feels whole. | + | |
| - | 153 | + | < |
| - | < | + | Refiners: Gratitude! |
| - | Now, let's get this party started. | + | |
| - | 154 | + | < |
| - | < | + | Milchick: Say "cheer." |
| - | Well, my name is | + | |
| - | Irving, as you all know. | + | |
| - | 155 | + | < |
| - | < | + | Refiners: Cheer! |
| - | And I've worked here for three years, | + | |
| - | 156 | + | < |
| - | < | + | Milchick: Helly? What are you doing? |
| - | and something about me is that | + | |
| - | I know all nine core Lumon principles. | + | |
| - | 157 | + | < |
| - | < | + | Helly: I just think I’m not gonna work here anymore. Sorry. |
| - | Awesome. What's your favorite? | + | |
| - | 158 | + | < |
| - | < | + | Mark: What do you mean? |
| - | All nine. | + | |
| - | 159 | + | < |
| - | < | + | Helly: |
| - | But today, | + | |
| - | 160 | + | < |
| - | < | + | Helly: I don’t wanna do the file-sorting thing or the never-seeing-the-sun-thing or the disappearing-friends thing. |
| - | Great. | + | |
| - | 161 | + | < |
| - | < | + | Helly: I just don’t want any of it. |
| - | No trust fall today, Irv. | + | Mark: We told you there’s code detectors. |
| - | 162 | + | < |
| - | < | + | Helly: Do you know that? Have you tried? Because frankly, it sounds made-up. |
| - | Right. | + | |
| - | 163 | + | < |
| - | < | + | Mark: Helly! |
| - | No. No. | + | |
| - | 164 | + | < |
| - | < | + | Mark: Helly! |
| - | Hello, I' | + | |
| - | 165 | + | < |
| - | < | + | Mark: Please, you don’t know... |
| - | I've been at Lumon for, like... | + | |
| - | 166 | + | < |
| - | < | + | Helly: Oh, God. Come on. |
| - | ten hours total, and... | + | |
| - | 167 | + | < |
| - | < | + | Mark: Shit. Mr. Graner? |
| - | I'm sorry, | + | |
| - | I don't know anything about myself. | + | |
| - | 168 | + | < |
| - | < | + | Graner: Come on out. |
| - | Sure you do, Helly. | + | |
| - | 169 | + | < |
| - | < | + | Graner: What have we got here? |
| - | I really don't. | + | |
| - | 170 | + | < |
| - | < | + | Graner: Perhaps you’d better come with me. |
| - | I guess I went home last night, | + | |
| - | 171 | + | < |
| - | < | + | Mark: Mr. Graner. |
| - | but I don't know if home is a house, | + | |
| - | or an apartment, | + | |
| - | 172 | + | < |
| - | < | + | Mark: Hey. I see you’ve found my wayward trainee. Appreciate your help, sir, as always. |
| - | or if I live with a family... | + | |
| - | 173 | + | < |
| - | < | + | Mark: The note. So, this is embarrassing, |
| - | I like to think my outie lives on, | + | |
| - | like, a riverboat. | + | |
| - | 174 | + | < |
| - | < | + | Mark: Sorry. This is Helly. Helly, Mr. Graner. |
| - | I'm sorry, outies are... | + | |
| - | 175 | + | < |
| - | < | + | Mark: Yeah. |
| - | They' | + | |
| - | 176 | + | < |
| - | < | + | Mark: Yeah, so if Helly tripped |
| - | You saw yours yesterday in the video. | + | |
| - | 177 | + | < |
| - | < | + | Graner: Big department chief now, Mark S.? |
| - | Right. I actually have a few things to | + | |
| - | say to her. Can I record something back? | + | |
| - | 178 | + | < |
| - | < | + | Mark: Well... |
| - | So what you'll find here is that | + | |
| - | communication between selves | + | |
| - | 179 | + | < |
| - | < | + | Graner: On you, then. Let’s go. |
| - | is pretty curtailed. | + | |
| - | 180 | + | < |
| - | < | + | Cobel: Mark. |
| - | So what if I write her a note? | + | |
| - | 181 | + | < |
| - | < | + | Mark: So, you’re a doula? |
| - | Fortunately, the elevators are equipped | + | |
| - | with something called "code detectors." | + | |
| - | 182 | + | < |
| - | < | + | Alexa: A midwife, actually. |
| - | So messages can't be passed through. | + | |
| - | 183 | + | < |
| - | < | + | Mark: And how many deliveries have you, I don’t know, seen? |
| - | Yeah... They' | + | |
| - | for written symbols. | + | |
| - | 184 | + | < |
| - | < | + | Alexa: Over 300? This is mostly back in Montana. |
| - | A Lumon original, apparently. | + | |
| - | 185 | + | < |
| - | < | + | Mark: Wow. That’s so cool. |
| - | That's right. Right. | + | Alexa: Yeah. |
| - | 186 | + | < |
| - | < | + | Mark: That’s such a high amount. |
| - | Sure. Okay, well what if I... | + | |
| - | 187 | + | < |
| - | < | + | Alexa: Yeah. We get two a day. Depending. |
| - | I don't think you're quite | + | |
| - | getting the game here, Helly. | + | |
| - | 188 | + | < |
| - | < | + | Mark: So, is that, like, ten a week? Like, in a five-day work week, or... |
| - | May I? | + | |
| - | 189 | + | < |
| - | < | + | Alexa: Yeah, or so. |
| - | Guys, this is Helly. | + | Mark: Yeah. Okay. |
| - | 190 | + | < |
| - | < | + | Alexa: Are you vetting me for your sister? |
| - | She's 30 years old, she's allergic | + | Mark: No. Oh, no. You seem great. |
| - | to almonds and has weak enamel. | + | |
| - | 191 | + | < |
| - | < | + | Alexa: Yeah, I’m kidding. |
| - | At 5' | + | Mark: I know. |
| - | tallest person in your office, | + | |
| - | 192 | + | < |
| - | < | + | Mark: Thank you. |
| - | and her hair | + | |
| - | is what we call shoulder-length. | + | |
| - | 193 | + | < |
| - | < | + | Alexa: So, Lumon? |
| - | And seeing her here with you all, I'd | + | |
| - | say she most definitely has a family. | + | |
| - | 194 | + | < |
| - | < | + | Mark: Yeah. |
| - | Wow. Well, that's a lot to follow. | + | Alexa: Like half this town. |
| - | 195 | + | < |
| - | < | + | Mark: And half of me. That was a joke. |
| - | So I'll just say that I' | + | |
| - | 196 | + | < |
| - | < | + | Alexa: It was funny. |
| - | Been with Lumon about two years, | + | |
| - | and I absolutely love this game. | + | |
| - | 197 | + | < |
| - | < | + | Mark: Yeah. I’m in the archives division, sort of a corporate historian, apparently. |
| - | Nice try, pal, | + | |
| - | but you said that last time. | + | |
| - | + | ||
| - | 198 | + | |
| - | < | + | |
| - | Fair enough. | + | |
| - | + | ||
| - | 199 | + | |
| - | < | + | |
| - | Well, I... | + | |
| - | + | ||
| - | 200 | + | |
| - | < | + | |
| - | I broke protocol this morning. | + | |
| - | + | ||
| - | 201 | + | |
| - | < | + | |
| - | I was dusting the old group photos, | + | |
| - | the ones with Petey, | + | |
| - | + | ||
| - | 202 | + | |
| - | < | + | |
| - | and it just... | + | |
| - | + | ||
| - | 203 | + | |
| - | < | + | |
| - | made me feel sad. | + | |
| - | + | ||
| - | 204 | + | |
| - | < | + | |
| - | And, I guess, | + | |
| - | + | ||
| - | 205 | + | |
| - | < | + | |
| - | worried that I won't be able to | + | |
| - | run MDR like he did. | + | |
| - | + | ||
| - | 206 | + | |
| - | < | + | |
| - | That tracks. I have similar worries. | + | |
| - | + | ||
| - | 207 | + | |
| - | < | + | |
| - | So I... | + | |
| - | + | ||
| - | 208 | + | |
| - | < | + | |
| - | took 'em from the cubicles | + | |
| - | and put 'em in the storage closet, | + | |
| - | + | ||
| - | 209 | + | |
| - | < | + | |
| - | which we're not supposed to do. | + | |
| - | + | ||
| - | 210 | + | |
| - | < | + | |
| - | I recall this. I objected. | + | |
| - | + | ||
| - | 211 | + | |
| - | < | + | |
| - | Thank you for telling me, Mark. | + | |
| - | + | ||
| - | 212 | + | |
| - | < | + | |
| - | I actually find your reaction sweet. | + | |
| - | + | ||
| - | 213 | + | |
| - | < | + | |
| - | Though, it is puzzling you have | + | |
| - | an outburst like this for Petey, | + | |
| - | + | ||
| - | 214 | + | |
| - | < | + | |
| - | and not for, say, Carol D. | + | |
| - | + | ||
| - | 215 | + | |
| - | < | + | |
| - | But we knew | + | |
| - | Carol D. was leaving beforehand. | + | |
| - | + | ||
| - | 216 | + | |
| - | < | + | |
| - | I mean, her outie filmed a thank-you. | + | |
| - | + | ||
| - | 217 | + | |
| - | < | + | |
| - | Petey was just gone. | + | |
| - | + | ||
| - | 218 | + | |
| - | < | + | |
| - | And I mean, I... I don't know | + | |
| - | + | ||
| - | 219 | + | |
| - | < | + | |
| - | if he's at some new job | + | |
| - | or drunk on a beach, or dead... | + | |
| - | + | ||
| - | 220 | + | |
| - | < | + | |
| - | That's enough, please. | + | |
| - | + | ||
| - | 221 | + | |
| - | < | + | |
| - | I think this is a good time | + | |
| - | to remind ourselves | + | |
| - | + | ||
| - | 222 | + | |
| - | < | + | |
| - | that things like deaths | + | |
| - | happen outside of here. | + | |
| - | + | ||
| - | 223 | + | |
| - | < | + | |
| - | Not here. | + | |
| - | + | ||
| - | 224 | + | |
| - | < | + | |
| - | A life at Lumon is protected | + | |
| - | from such things. | + | |
| - | + | ||
| - | 225 | + | |
| - | < | + | |
| - | And I think a great potential response | + | |
| - | to that from all of you is gratitude. | + | |
| - | + | ||
| - | 226 | + | |
| - | < | + | |
| - | I also think | + | |
| - | that melon isn't getting any tastier. | + | |
| - | + | ||
| - | 227 | + | |
| - | < | + | |
| - | Hey, sorry I derailed your game. | + | |
| - | + | ||
| - | 228 | + | |
| - | < | + | |
| - | I thought I already had, but then, yeah, | + | |
| - | you made it way worse. | + | |
| - | + | ||
| - | 229 | + | |
| - | < | + | |
| - | So how are you gonna figure out | + | |
| - | if Petey' | + | |
| - | + | ||
| - | 230 | + | |
| - | < | + | |
| - | I think Milchick was pretty clear. | + | |
| - | + | ||
| - | 231 | + | |
| - | < | + | |
| - | You're just done | + | |
| - | asking about your best friend | + | |
| - | + | ||
| - | 232 | + | |
| - | < | + | |
| - | because our babysitter told you to stop? | + | |
| - | + | ||
| - | 233 | + | |
| - | < | + | |
| - | You know, Milchick' | + | |
| - | + | ||
| - | 234 | + | |
| - | < | + | |
| - | When he says something, | + | |
| - | it's best to listen. | + | |
| - | + | ||
| - | 235 | + | |
| - | < | + | |
| - | - I don't care. | + | |
| - | - 'Cause he can't always be nice like that. | + | |
| - | + | ||
| - | 236 | + | |
| - | < | + | |
| - | Okay, Refiners! | + | |
| - | + | ||
| - | 237 | + | |
| - | < | + | |
| - | Let's get this new group photo | + | |
| - | before the melon bloat sets in. | + | |
| - | + | ||
| - | 238 | + | |
| - | < | + | |
| - | At last. | + | |
| - | + | ||
| - | 239 | + | |
| - | < | + | |
| - | All right. Great big smiles. Remember, | + | |
| - | you're gonna be looking at this every day. | + | |
| - | + | ||
| - | 240 | + | |
| - | < | + | |
| - | Say " | + | |
| - | + | ||
| - | 241 | + | |
| - | < | + | |
| - | Gratitude! | + | |
| - | + | ||
| - | 242 | + | |
| - | < | + | |
| - | Say " | + | |
| - | + | ||
| - | 243 | + | |
| - | < | + | |
| - | Cheer! | + | |
| - | + | ||
| - | 244 | + | |
| - | < | + | |
| - | Helly? What are you doing? | + | |
| - | + | ||
| - | 245 | + | |
| - | < | + | |
| - | I just think | + | |
| - | I'm not gonna work here anymore. Sorry. | + | |
| - | + | ||
| - | 246 | + | |
| - | < | + | |
| - | What do you mean? | + | |
| - | + | ||
| - | 247 | + | |
| - | < | + | |
| - | I quit. | + | |
| - | + | ||
| - | 248 | + | |
| - | < | + | |
| - | I don't wanna do the file-sorting thing | + | |
| - | + | ||
| - | 249 | + | |
| - | < | + | |
| - | or the never-seeing-the-sun-thing | + | |
| - | or the disappearing-friends thing. | + | |
| - | + | ||
| - | 250 | + | |
| - | < | + | |
| - | - I just don't want any of it. | + | |
| - | - We told you there' | + | |
| - | + | ||
| - | 251 | + | |
| - | < | + | |
| - | Do you know that? Have you tried? | + | |
| - | Because frankly, it sounds made-up. | + | |
| - | + | ||
| - | 252 | + | |
| - | < | + | |
| - | Helly! | + | |
| - | + | ||
| - | 253 | + | |
| - | < | + | |
| - | Helly! | + | |
| - | + | ||
| - | 254 | + | |
| - | < | + | |
| - | Please, you don't know... | + | |
| - | + | ||
| - | 255 | + | |
| - | < | + | |
| - | Oh, God. Come on. | + | |
| - | + | ||
| - | 256 | + | |
| - | < | + | |
| - | Shit. Mr. Graner? | + | |
| - | + | ||
| - | 257 | + | |
| - | < | + | |
| - | Come on out. | + | |
| - | + | ||
| - | 258 | + | |
| - | < | + | |
| - | What have we got here? | + | |
| - | + | ||
| - | 259 | + | |
| - | < | + | |
| - | Perhaps you'd better come with me. | + | |
| - | + | ||
| - | 260 | + | |
| - | < | + | |
| - | Mr. Graner. | + | |
| - | + | ||
| - | 261 | + | |
| - | < | + | |
| - | Hey. I see you've found | + | |
| - | my wayward trainee. | + | |
| - | + | ||
| - | 262 | + | |
| - | < | + | |
| - | Appreciate your help, sir, as always. | + | |
| - | + | ||
| - | 263 | + | |
| - | < | + | |
| - | The note. | + | |
| - | + | ||
| - | 264 | + | |
| - | < | + | |
| - | So, this is embarrassing, | + | |
| - | but it's my first time training, | + | |
| - | + | ||
| - | 265 | + | |
| - | < | + | |
| - | and I must' | + | |
| - | data-smuggling rules with Helly. | + | |
| - | + | ||
| - | 266 | + | |
| - | < | + | |
| - | Sorry. This is Helly. | + | |
| - | + | ||
| - | 267 | + | |
| - | < | + | |
| - | Helly, Mr. Graner. | + | |
| - | + | ||
| - | 268 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 269 | + | |
| - | < | + | |
| - | Yeah, so if Helly | + | |
| - | tripped the code detectors, | + | |
| - | + | ||
| - | 270 | + | |
| - | < | + | |
| - | that one, it's on me | + | |
| - | and I apologize for that, sir. | + | |
| - | + | ||
| - | 271 | + | |
| - | < | + | |
| - | Earnestly. | + | |
| - | + | ||
| - | 272 | + | |
| - | < | + | |
| - | Big department chief now, Mark S.? | + | |
| - | + | ||
| - | 273 | + | |
| - | < | + | |
| - | Well... | + | |
| - | + | ||
| - | 274 | + | |
| - | < | + | |
| - | On you, then. Let's go. | + | |
| - | + | ||
| - | 275 | + | |
| - | < | + | |
| - | Mark. | + | |
| - | + | ||
| - | 276 | + | |
| - | < | + | |
| - | So you're a doula? | + | |
| - | + | ||
| - | 277 | + | |
| - | < | + | |
| - | A midwife, actually. | + | |
| - | + | ||
| - | 278 | + | |
| - | < | + | |
| - | And how many deliveries have you, | + | |
| - | I don't know, seen? | + | |
| - | + | ||
| - | 279 | + | |
| - | < | + | |
| - | Over 300? | + | |
| - | + | ||
| - | 280 | + | |
| - | < | + | |
| - | This is mostly back in Montana. | + | |
| - | + | ||
| - | 281 | + | |
| - | < | + | |
| - | - Wow. That's so cool. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 282 | + | |
| - | < | + | |
| - | That's such a high amount. | + | |
| - | + | ||
| - | 283 | + | |
| - | < | + | |
| - | Yeah. We get two a day. | + | |
| - | + | ||
| - | 284 | + | |
| - | < | + | |
| - | Depending. | + | |
| - | + | ||
| - | 285 | + | |
| - | < | + | |
| - | So, is that, like, ten a week? | + | |
| - | + | ||
| - | 286 | + | |
| - | < | + | |
| - | Like, in a five-day work week, or... | + | |
| - | + | ||
| - | 287 | + | |
| - | < | + | |
| - | - Yeah, or so. | + | |
| - | - Yeah. Okay. | + | |
| - | + | ||
| - | 288 | + | |
| - | < | + | |
| - | - Are you vetting me for your sister? | + | |
| - | - No. Oh, no. You seem great. | + | |
| - | + | ||
| - | 289 | + | |
| - | < | + | |
| - | - Yeah, I'm kidding. | + | |
| - | - I know. | + | |
| - | + | ||
| - | 290 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 291 | + | |
| - | < | + | |
| - | So, Lumon? | + | |
| - | + | ||
| - | 292 | + | |
| - | < | + | |
| - | - Yeah. | + | |
| - | - Like half this town. | + | |
| - | + | ||
| - | 293 | + | |
| - | < | + | |
| - | And half of me. That was a joke. | + | |
| - | + | ||
| - | 294 | + | |
| - | < | + | |
| - | It was funny. | + | |
| - | + | ||
| - | 295 | + | |
| - | < | + | |
| - | Yeah. I'm in the archives division, sort | + | |
| - | of a corporate historian, apparently. | + | |
| - | + | ||
| - | 296 | + | |
| - | < | + | |
| - | So a lot of sensitive | + | |
| material, hence the... | material, hence the... | ||
| - | 297 | + | < |
| - | < | + | Alexa: |
| - | So you don't know... | + | |
| - | + | ||
| - | 298 | + | |
| - | < | + | |
| - | who you work with, or what you do, | + | |
| - | or... or anything? | + | |
| - | + | ||
| - | 299 | + | |
| - | < | + | |
| - | Yeah, that's the idea. | + | |
| - | + | ||
| - | 300 | + | |
| - | < | + | |
| - | - What if you snuck in a note? | + | |
| - | - You can't sneak notes. | + | |
| - | + | ||
| - | 301 | + | |
| - | < | + | |
| - | So... | + | |
| - | + | ||
| - | 302 | + | |
| - | < | + | |
| - | - you could have a girlfriend at Lumon... | + | |
| - | - Thank you. | + | |
| - | + | ||
| - | 303 | + | |
| - | < | + | |
| - | ...and not know it. | + | |
| - | + | ||
| - | 304 | + | |
| - | < | + | |
| - | And if you met someone out here, | + | |
| - | you wouldn' | + | |
| - | + | ||
| - | 305 | + | |
| - | < | + | |
| - | Like, you could get | + | |
| - | married and have kids, | + | |
| - | + | ||
| - | 306 | + | |
| - | < | + | |
| - | and just forget they exist | + | |
| - | for eight hours every day, | + | |
| - | + | ||
| - | 307 | + | |
| - | < | + | |
| - | for your whole life. | + | |
| - | + | ||
| - | 308 | + | |
| - | < | + | |
| - | That doesn' | + | |
| - | + | ||
| - | 309 | + | |
| - | < | + | |
| - | I think for some people, it's the point. | + | |
| - | + | ||
| - | 310 | + | |
| - | < | + | |
| - | So, as a local, this just feels like | + | |
| - | a reasonable temperature to you? | + | |
| - | + | ||
| - | 311 | + | |
| - | < | + | |
| - | Well, technically, | + | |
| - | + | ||
| - | 312 | + | |
| - | < | + | |
| - | And you're one to talk. | + | |
| - | + | ||
| - | 313 | + | |
| - | < | + | |
| - | Isn't Minnesota, like, | + | |
| - | crazy cold with the lakes? | + | |
| - | + | ||
| - | 314 | + | |
| - | < | + | |
| - | Yes. Minnesota was very cold | + | |
| - | + | ||
| - | 315 | + | |
| - | < | + | |
| - | the one time I visited | + | |
| - | from my home in Montana. | + | |
| - | + | ||
| - | 316 | + | |
| - | < | + | |
| - | So those are different places. | + | |
| - | + | ||
| - | 317 | + | |
| - | < | + | |
| - | So do you live in Lumon housing? | + | |
| - | + | ||
| - | 318 | + | |
| - | < | + | |
| - | You make it sound | + | |
| - | like dorms or something. | + | |
| - | + | ||
| - | 319 | + | |
| - | < | + | |
| - | - No, I just meant that there' | + | |
| - | - I live in Baird Creek. | + | |
| - | + | ||
| - | 320 | + | |
| - | < | + | |
| - | And, yes, they happen to be subsidized | + | |
| - | by the company that employs me. | + | |
| - | + | ||
| - | 321 | + | |
| - | < | + | |
| - | Excuse me, do you have a moment | + | |
| - | for children' | + | |
| - | + | ||
| - | 322 | + | |
| - | < | + | |
| - | And legalized severance | + | |
| - | in the workplace? | + | |
| - | + | ||
| - | 323 | + | |
| - | < | + | |
| - | - Nice. The WMC's out and about. | + | |
| - | - Who? | + | |
| - | + | ||
| - | 324 | + | |
| - | < | + | |
| - | Most severed workers don't see the sun | + | |
| - | their whole lives. | + | |
| - | + | ||
| - | 325 | + | |
| - | < | + | |
| - | The Whole Mind | + | |
| - | Collective. They' | + | |
| - | + | ||
| - | 326 | + | |
| - | < | + | |
| - | Excuse me, do you have a moment | + | |
| - | for children' | + | |
| - | + | ||
| - | 327 | + | |
| - | < | + | |
| - | We're all good. | + | |
| - | + | ||
| - | 328 | + | |
| - | < | + | |
| - | You folks have a moment | + | |
| - | for children' | + | |
| - | + | ||
| - | 329 | + | |
| - | < | + | |
| - | - We do. | + | |
| - | - Great! | + | |
| - | + | ||
| - | 330 | + | |
| - | < | + | |
| - | We're trying to get a measure | + | |
| - | on the ballot | + | |
| - | + | ||
| - | 331 | + | |
| - | < | + | |
| - | to keep mega-corporations like Lumon | + | |
| - | from continuing to force | + | |
| - | + | ||
| - | 332 | + | |
| - | < | + | |
| - | legalized severance on our state. | + | |
| - | + | ||
| - | 333 | + | |
| - | < | + | |
| - | They' | + | |
| - | + | ||
| - | 334 | + | |
| - | < | + | |
| - | That's what they' | + | |
| - | Jame Eagan is trying to sever kids... | + | |
| - | + | ||
| - | 335 | + | |
| - | < | + | |
| - | Okay, well, what about the | + | |
| - | self-mutilating types who do it willingly? | + | |
| - | + | ||
| - | 336 | + | |
| - | < | + | |
| - | I mean, I heard that some of them | + | |
| - | are so deluded | + | |
| - | + | ||
| - | 337 | + | |
| - | < | + | |
| - | they don't even know they' | + | |
| - | + | ||
| - | 338 | + | |
| - | < | + | |
| - | I also heard that if you're severed, | + | |
| - | + | ||
| - | 339 | + | |
| - | < | + | |
| - | you go to two separate hells. | + | |
| - | Is that true? | + | |
| - | + | ||
| - | 340 | + | |
| - | < | + | |
| - | Hey, man, you wanna benefit off | + | |
| - | forced labor, that's up... | + | |
| - | + | ||
| - | 341 | + | |
| - | < | + | |
| - | - Hey, man. Forced labor? | + | |
| - | - ...then that's up to you. | + | |
| - | + | ||
| - | 342 | + | |
| - | < | + | |
| - | Fucking really? | + | |
| - | + | ||
| - | 343 | + | |
| - | < | + | |
| - | - Hey! | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 344 | + | |
| - | < | + | |
| - | - Forced labor? Okay. | + | |
| - | - Really. | + | |
| - | + | ||
| - | 345 | + | |
| - | < | + | |
| - | So people can just, like, self-imprison? | + | |
| - | + | ||
| - | 346 | + | |
| - | < | + | |
| - | Are you captive right now? | + | |
| - | + | ||
| - | 347 | + | |
| - | < | + | |
| - | No, seriously, because your past self | + | |
| - | chose to walk you down here | + | |
| - | + | ||
| - | 348 | + | |
| - | < | + | |
| - | to be an infantilizing prick to people. | + | |
| - | + | ||
| - | 349 | + | |
| - | < | + | |
| - | Severance is subjugation, | + | |
| - | + | ||
| - | 350 | + | |
| - | < | + | |
| - | That's nice language for a... | + | |
| - | + | ||
| - | 351 | + | |
| - | < | + | |
| - | What... What are you? Twelve? | + | |
| - | + | ||
| - | 352 | + | |
| - | < | + | |
| - | Are you 12 years old? | + | |
| - | Are you even in high school yet? | + | |
| - | + | ||
| - | 353 | + | |
| - | < | + | |
| - | Okay. Come on. | + | |
| - | + | ||
| - | 354 | + | |
| - | < | + | |
| - | Mrs. Selvig. | + | |
| - | + | ||
| - | 355 | + | |
| - | < | + | |
| - | Peace offering. | + | |
| - | + | ||
| - | 356 | + | |
| - | < | + | |
| - | Are we fighting? | + | |
| - | + | ||
| - | 357 | + | |
| - | < | + | |
| - | I just keep thinking | + | |
| - | about those damn bins. | + | |
| - | + | ||
| - | 358 | + | |
| - | < | + | |
| - | Well, that is so not necessary, | + | |
| - | but very kind. Thank you. | + | |
| - | + | ||
| - | 359 | + | |
| - | < | + | |
| - | Here, why don't you | + | |
| - | come in? I have milk. | + | |
| - | + | ||
| - | 360 | + | |
| - | < | + | |
| - | - Why, thank you! | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 361 | + | |
| - | < | + | |
| - | I'm experimenting with chamomile, | + | |
| - | so no hard feelings if you gag. | + | |
| - | + | ||
| - | 362 | + | |
| - | < | + | |
| - | I'm sure I won' | + | |
| - | + | ||
| - | 363 | + | |
| - | < | + | |
| - | Still waiting for that third bulb | + | |
| - | to revive itself? | + | |
| - | + | ||
| - | 364 | + | |
| - | < | + | |
| - | Oh, yeah. Keep | + | |
| - | forgetting to change that. | + | |
| - | + | ||
| - | 365 | + | |
| - | < | + | |
| - | My, you smell nice. Were you on a date? | + | |
| - | + | ||
| - | 366 | + | |
| - | < | + | |
| - | Sort of. My sister set me up with, | + | |
| - | like, her doula, or midwife. | + | |
| - | + | ||
| - | 367 | + | |
| - | < | + | |
| - | Didn't really feel like anything. | + | |
| - | + | ||
| - | 368 | + | |
| - | < | + | |
| - | Well, let's see here. I' | + | |
| - | + | ||
| - | 369 | + | |
| - | < | + | |
| - | Wow. | + | |
| - | + | ||
| - | 370 | + | |
| - | < | + | |
| - | This i... These are magic. | + | |
| - | + | ||
| - | 371 | + | |
| - | < | + | |
| - | My late husband was a carpenter, | + | |
| - | + | ||
| - | 372 | + | |
| - | < | + | |
| - | and before he passed, | + | |
| - | + | ||
| - | 373 | + | |
| - | < | + | |
| - | he said he would start building us | + | |
| - | a house in the hereafter. | + | |
| - | + | ||
| - | 374 | + | |
| - | < | + | |
| - | And there would be | + | |
| - | a small guest apartment in the back, | + | |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | in case I found a new man | + | |
| - | before I got there. | + | |
| - | + | ||
| - | 376 | + | |
| - | < | + | |
| - | That' | + | |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | Yes. He even drew blueprints, | + | |
| - | which I keep in my purse. | + | |
| - | + | ||
| - | 378 | + | |
| - | < | + | |
| - | Well, come by the shop, okay? | + | |
| - | + | ||
| - | 379 | + | |
| - | < | + | |
| - | I'll give you a mugwort bath bomb | + | |
| - | that' | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | I'll try to get down there. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | Good night, Mrs. Selvig. | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | The nerve, my new partner' | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | I just think | + | |
| - | you could' | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | You'd better be on the stakeout | + | |
| - | and not... out for a steak. | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | Seth Milchick, Lumon Industries. | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | Mr. Milchick, it's Mark Scout. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | I'm a severed worker. | + | |
| - | Employee number 4502. | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | Mr. Scout, what a pleasure. | + | |
| - | How can I help you? | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | I actually woke up | + | |
| - | not feeling terribly well. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | I'm sorry I'm just now calling. | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | Oh, no. May I ask how serious it is? | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | Well, nothing bad, | + | |
| - | just very minor stomach event. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | Should be back tomorrow. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | Well, I'm sorry. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | I know your innie will be sad | + | |
| - | to have missed the day. | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | You feel better. Okay, Mr. Scout? | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | - Where' | + | |
| - | - Missed you too. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | He should be coming down first now. | + | |
| - | You don't think that... | + | |
| - | 399 | + | < |
| - | < | + | Mark: Yeah, that’s the idea. |
| - | He's probably sick. They wouldn' | + | |
| - | bounce him and Petey the same week. | + | |
| - | 400 | + | < |
| - | < | + | Alexa: What if you snuck in a note? |
| - | I certainly hope not. | + | Mark: You can’t sneak notes. |
| - | 401 | + | < |
| - | < | + | Alexa: So... |
| - | Quarterly deadline' | + | |
| - | 402 | + | < |
| - | < | + | Alexa: you could have a girlfriend at Lumon... |
| - | and I'm not looking | + | Mark: Thank you. |
| - | to be department chief. | + | |
| - | 403 | + | < |
| - | < | + | Alexa:...and not know it. And if you met someone out here, you wouldn’t know it in there. Like, you could get married and have kids, and just forget they exist for eight hours every day, for your whole life. |
| - | Wow. Lot a confidence | + | |
| - | who once got disciplined | + | |
| - | 404 | + | < |
| - | < | + | Alexa: |
| - | Sorry. | + | |
| - | 405 | + | < |
| - | < | + | Mark: I think for some people, it’s the point. |
| - | I can't help | + | |
| - | that I was hired older than you. | + | |
| - | 406 | + | < |
| - | < | + | Alexa: So, as a local, this just feels like a reasonable temperature to you? |
| - | It just never stops, huh? | + | |
| - | 407 | + | < |
| - | < | + | Mark: Well, technically, |
| - | Endless toil. | + | |
| - | 408 | + | < |
| - | < | + | Alexa: Yes. Minnesota was very cold the one time I visited from my home in Montana. |
| - | Where' | + | |
| - | 409 | + | < |
| - | < | + | Mark: So those are different places. |
| - | Sick or fired. Probably sick. | + | |
| - | 410 | + | < |
| - | < | + | Alexa: So do you live in Lumon housing? |
| - | They wouldn' | + | |
| - | for my note thing, would they? | + | |
| - | 411 | + | < |
| - | < | + | Mark: You make it sound like dorms or something. |
| - | No. No way. He did his stint | + | |
| - | in the break room yesterday. | + | |
| - | 412 | + | < |
| - | < | + | Alexa: No, I just meant that there’s... |
| - | He said he was ill. | + | Mark: I live in Baird Creek. |
| - | 413 | + | < |
| - | < | + | Mark: And, yes, they happen to be subsidized by the company that employs me. |
| - | Did he sound ill? | + | |
| - | 414 | + | < |
| - | < | + | WMC Activist 1: Excuse me, do you have a moment for children’s brain health? |
| - | I don't know. He said it was abdominal. | + | |
| - | 415 | + | < |
| - | < | + | WMC Activist 2: And legalized severance in the workplace? |
| - | Funny timing. | + | |
| - | 416 | + | < |
| - | < | + | Mark: Nice. The WMC’s out and about. |
| - | The erasers are mostly decorative, | + | Alexa: Who? |
| - | since we don't have pencils. | + | |
| - | 417 | + | < |
| - | < | + | WMC Activist 1: Most severed workers don’t see the sun their whole lives. |
| - | Finger trap is fun, as long as | + | |
| - | you know how to use it safely. | + | |
| - | 418 | + | < |
| - | < | + | Mark: The Whole Mind Collective. They’re great. |
| - | But it's really more about what they | + | |
| - | represent, how far you got in the file. | + | |
| - | 419 | + | < |
| - | < | + | WMC Activist 1: Excuse me, do you have a moment for children’s brain health? |
| - | - But why don't we always finish the files? | + | |
| - | - 'Cause they only keep so long. | + | |
| - | 420 | + | < |
| - | < | + | MAN ON SIDEWALK: We’re all good. |
| - | You know, we finish, on average, | + | |
| - | one in five files before they expire. | + | |
| - | 421 | + | < |
| - | < | + | WMC Activist 1: You folks have a moment for children’s brain health? |
| - | Which is better than it used to be | + | |
| - | before Mark's freshman fluke. | + | |
| - | 422 | + | < |
| - | < | + | Mark: We do. |
| - | What's a freshman fluke? | + | WMC Activist 1: Great! |
| - | 423 | + | < |
| - | < | + | WMC Activist 1: We’re trying to get a measure on the ballot to keep mega-corporations like Lumon from continuing to force legalized severance on our state. |
| - | No! | + | |
| - | 424 | + | < |
| - | < | + | Mark: They’re forcing it now? |
| - | Irv? | + | |
| - | 425 | + | < |
| - | < | + | WMC Activist 2: That’s what they’re lobbying for. And Jame Eagan is trying to sever kids... |
| - | I'm... I'm sorry. | + | |
| - | 426 | + | < |
| - | < | + | Mark: Okay, well, what about the self-mutilating types who do it willingly? I mean, I heard that some of them are so deluded they don’t even know they’re victims. I also heard that if you’re severed, you go to two separate hells. Is that true? |
| - | Irving? | + | |
| - | 427 | + | < |
| - | < | + | WMC Activist 1: Hey, man, you wanna benefit off forced labor, that’s up... |
| - | We'll deduct the time you spent dozing | + | |
| - | from your outie's paycheck. | + | |
| - | 428 | + | < |
| - | < | + | Mark: Hey, man. Forced labor? |
| - | What will be harder to fix, Irving, | + | WMC Activist 1: ...then that’s up to you. |
| - | is my and Ms. Cobel's trust in you. | + | |
| - | 429 | + | < |
| - | < | + | Mark: Fucking really? |
| - | I'm so sorry, sir. I'm just so sorry. | + | |
| - | 430 | + | < |
| - | < | + | Alexa: Hey! |
| - | Well, no one is hankering | + | WMC Activist 1: Yeah. |
| - | to throw you in the break room. | + | |
| - | 431 | + | < |
| - | < | + | Mark: Forced labor? Okay. |
| - | We'll do a wellness check with Ms. Casey | + | WMC Activist 1: Really. |
| - | and go from there, all right? | + | |
| - | 432 | + | < |
| - | < | + | Mark: So people can just, like, self-imprison? |
| - | Thank you, Mr. Milchick. | + | |
| - | 433 | + | < |
| - | < | + | WMC Activist 1: Severance is subjugation, |
| - | Nothing scary yet. | + | |
| - | 434 | + | < |
| - | < | + | Mark: That’s nice language for a... What... What are you? Twelve? Are you 12 years old? Are you even in high school yet? |
| - | Oh, God! A four! | + | |
| - | 435 | + | < |
| - | < | + | Mark: Okay. Come on. |
| - | Don't fuck around. | + | |
| - | 436 | + | < |
| - | < | + | Mark: Mrs. Selvig. |
| - | I told you, you'll understand | + | |
| - | when you see it, so just be patient. | + | |
| - | 437 | + | < |
| - | < | + | Cobel: Peace offering. |
| - | What even are these numbers? | + | |
| - | 438 | + | < |
| - | < | + | Mark: Are we fighting? |
| - | Like, do we even know | + | |
| - | what we're supposedly cleaning? | + | |
| - | 439 | + | < |
| - | < | + | Cobel: I just keep thinking about those damn bins. |
| - | My theory? | + | |
| - | 440 | + | < |
| - | < | + | Mark: Well, that is so not necessary, but very kind. Thank you. |
| - | The sea. | + | |
| - | 441 | + | < |
| - | < | + | Mark: Here, why don’t you come in? I have milk. |
| - | The sea? | + | |
| - | 442 | + | < |
| - | < | + | Cobel: Why, thank you! |
| - | Yeah. Think about it. | + | Mark: Yeah. |
| - | 443 | + | < |
| - | < | + | Cobel: I’m experimenting with chamomile, so no hard feelings |
| - | Okay, if our outies are up there | + | |
| - | severing their brains, | + | |
| - | 444 | + | < |
| - | < | + | Mark: I’m sure I won’t. |
| - | shit must have gotten pretty bad. | + | |
| - | 445 | + | < |
| - | < | + | Cobel: Still waiting for that third bulb to revive itself? |
| - | Famine, plagues, et cetera. | + | |
| - | 446 | + | < |
| - | < | + | Mark: Oh, yeah. Keep forgetting |
| - | So what is a desperate humanity | + | |
| - | 447 | + | < |
| - | < | + | Cobel: My, you smell nice. Were you on a date? |
| - | Populate the sea? | + | |
| - | 448 | + | < |
| - | < | + | Mark: Sort of. My sister set me up with, like, her doula, or midwife. Didn’t really feel like anything. |
| - | Populate the sea. | + | |
| - | 449 | + | < |
| - | < | + | Mark: Well, let’s see here. I’ll... |
| - | But first, they gotta send probes | + | |
| - | down to the sea to clean up | + | |
| - | 450 | + | < |
| - | < | + | Mark: Wow. This i... These are magic. |
| - | all the deadly eels and shit, | + | |
| - | 'cause we can't cohabitate with that. | + | |
| - | 451 | + | < |
| - | < | + | Cobel: My late husband was a carpenter, and before he passed, he said he would start building |
| - | So we send the probes down, | + | |
| - | they send us the data coded, | + | |
| - | 452 | + | < |
| - | < | + | Mark: That’s... so sweet. |
| - | we sense what's eels, and then | + | |
| - | we tell the probes what to blow up. | + | |
| - | 453 | + | < |
| - | < | + | Cobel: Yes. He even drew blueprints, which I keep in my purse. |
| - | This is the leading theory? | + | |
| - | 454 | + | < |
| - | < | + | Cobel: Well, come by the shop, okay? I’ll give you a mugwort bath bomb that’ll make you sleep like a rag doll. |
| - | Nah, Irv thinks we're cutting | + | |
| - | swear words out of movies. | + | |
| - | 455 | + | < |
| - | < | + | Mark: I’ll try to get down there. Good night, Mrs. Selvig. |
| - | But what is it? Like, what... what | + | |
| - | are we actually workin' | + | |
| - | 456 | + | < |
| - | < | + | Television: The nerve, my new partner’s a woman. |
| - | I don't know. | + | |
| - | 457 | + | < |
| - | < | + | Television: |
| - | I thought without severance | + | |
| - | it would make more sense, but... | + | |
| - | 458 | + | < |
| - | < | + | Television: You’d better be on the stakeout and not... out for a steak. |
| - | They separate us | + | |
| - | from the other departments. | + | |
| - | 459 | + | < |
| - | < | + | Milchick: Seth Milchick, Lumon Industries. |
| - | We don't even know how many there are. | + | |
| - | 460 | + | < |
| - | < | + | Mark: Mr. Milchick, it’s Mark Scout. |
| - | But I've been reintegrated | + | |
| - | for two weeks now. | + | |
| - | 461 | + | < |
| - | < | + | Milchick: Mr. Scout, what a pleasure. How can I help you? |
| - | I've been mapping out the floor. | + | |
| - | 462 | + | < |
| - | < | + | Mark: I actually woke up not feeling terribly well. I’m sorry I’m just now calling. |
| - | I hid the original for you when I left. | + | |
| - | 463 | + | < |
| - | < | + | Milchick: Oh, no. May I ask how serious it is? |
| - | You okay? | + | |
| - | 464 | + | < |
| - | < | + | Mark: Well, nothing bad, just very minor stomach event. Should be back tomorrow. |
| - | Sorry. | + | |
| - | 465 | + | < |
| - | < | + | Milchick: Well, I’m sorry. I know your Innie will be sad to have missed the day. You feel better. Okay, Mr. Scout? |
| - | Reintegration sickness. | + | |
| - | 466 | + | < |
| - | < | + | Irving: Where’s Mark? |
| - | Never heard of that one. | + | Dylan: Missed you too. |
| - | 467 | + | < |
| - | < | + | Irving: He should be coming down first now. You don’t think that... |
| - | Because I'm the first dipshit | + | |
| - | that's ever had it. | + | |
| - | 468 | + | < |
| - | < | + | Dylan: He’s probably sick. They wouldn’t bounce him and Petey the same week. |
| - | Plus, living in a cold-ass greenhouse | + | |
| - | doesn' | + | |
| - | 469 | + | < |
| - | < | + | Irving: I certainly hope not. Quarterly deadline’s coming up, and I’m not looking to be department chief. |
| - | Okay, so what is it that happens | + | |
| - | down there that's so bad? | + | |
| - | 470 | + | < |
| - | < | + | Dylan: Wow. Lot a confidence for a man who once got disciplined for dozing. |
| - | There' | + | |
| - | 471 | + | < |
| - | < | + | Dylan: Sorry. That was... |
| - | We go in there when we don't act right. | + | |
| - | 472 | + | < |
| - | < | + | Irving: I can’t help that I was hired older than you. |
| - | What is that? | + | |
| - | 473 | + | < |
| - | < | + | Helly: It just never stops, huh? |
| - | I'm afraid you're not sorry. | + | |
| - | 474 | + | < |
| - | < | + | Dylan: Endless toil. |
| - | Please. I truly am. I'm sorry. | + | |
| - | 475 | + | < |
| - | < | + | Helly: Where’s Mark? |
| - | Please read the statement again. | + | |
| - | 476 | + | < |
| - | < | + | Dylan: Sick or fired. Probably sick. |
| - | Forgive me for the harm | + | |
| - | I have caused this world. | + | |
| - | 477 | + | < |
| - | < | + | Helly: They wouldn’t have fired him for my note thing, would they? |
| - | None may atone for my actions but me, | + | |
| - | and only in me shall their stain live on. | + | |
| - | 478 | + | < |
| - | < | + | Dylan: No. No way. He did his stint in the break room yesterday. |
| - | I am thankful to have been caught, | + | |
| - | 479 | + | < |
| - | < | + | Milchick: He said he was ill. |
| - | my fall cut short | + | |
| - | by those with wizened hands. | + | |
| - | 480 | + | < |
| - | < | + | Cobel: Did he sound ill? |
| - | All I can be is sorry, | + | |
| - | and that is all that I am. | + | |
| - | 481 | + | < |
| - | < | + | Milchick: |
| - | I'm afraid you don't mean it. | + | |
| - | Again, please. | + | |
| - | 482 | + | < |
| - | < | + | Graner: Funny timing. |
| - | Forgive me for the harm | + | |
| - | I have caused this world. | + | |
| - | 483 | + | < |
| - | < | + | Dylan: The erasers are mostly decorative, since we don’t have pencils. |
| - | None may atone for my actions but me. | + | |
| - | 484 | + | < |
| - | < | + | Dylan: Finger trap is fun, as long as you know how to use it safely. But it’s really more about what they represent, how far you got in the file. |
| - | The fuck is that? | + | |
| - | 485 | + | < |
| - | < | + | Helly: But why don’t we always finish |
| - | That' | + | Dylan: ’Cause they only keep so long. |
| - | 486 | + | < |
| - | < | + | Dylan: You know, we finish, on average, one in five files before they expire. Which is better than it used to be before Mark’s freshman fluke. |
| - | I'm... I'm sorry. | + | |
| - | 487 | + | < |
| - | < | + | Helly: What’s a freshman fluke? |
| - | No, I'm sorry, sir. | + | |
| - | 488 | + | < |
| - | < | + | Irving: No! |
| - | I didn't think anybody was out here. | + | |
| - | 489 | + | < |
| - | < | + | Dylan: Irv? |
| - | I'm coming out from my session. | + | |
| - | 490 | + | < |
| - | < | + | Irving: |
| - | I was just going in. | + | |
| - | I was admiring the art while I wait. | + | |
| - | 491 | + | < |
| - | < | + | Milchick: Irving? |
| - | That piece hung in the perpetuity wing | + | |
| - | for many years. | + | |
| - | 492 | + | < |
| - | < | + | Milchick: We’ll deduct the time you spent dozing from your Outie’s paycheck. What will be harder to fix, Irving, is my and Ms. Cobel’s trust in you. |
| - | I know. And it broke my heart | + | |
| - | when they took it down. | + | |
| - | 493 | + | < |
| - | < | + | Irving: I’m so sorry, sir. I’m just so sorry. |
| - | It's better here. It's calming. | + | |
| - | 494 | + | < |
| - | < | + | Milchick: Well, no one is hankering to throw you in the break room. We’ll do a wellness check with Ms. Casey and go from there, all right? |
| - | I'm Irving. Macrodata Refinement. | + | |
| - | 495 | + | < |
| - | < | + | Irving: Thank you, Mr. Milchick. |
| - | Are you a department head? | + | |
| - | 496 | + | < |
| - | < | + | Helly: Nothing scary yet. |
| - | Well, Optics and Design. | + | |
| - | 497 | + | < |
| - | < | + | Helly: Oh, God! A four! |
| - | A two-person department, so, barely. | + | |
| - | 498 | + | < |
| - | < | + | Dylan: Don’t fuck around. I told you, you’ll understand when you see it, so just be patient. |
| - | So this is your work? | + | |
| - | 499 | + | < |
| - | < | + | Helly: What even are these numbers? Like, do we even know what we’re supposedly cleaning? |
| - | We don't paint them. We do hang them. | + | |
| - | 500 | + | < |
| - | < | + | Dylan: My theory? The sea. |
| - | I loved that you did the Ambrose cycle | + | |
| - | in the team-building space last quarter. | + | |
| - | 501 | + | < |
| - | < | + | Helly: The sea? |
| - | I'd never seen it. | + | |
| - | 502 | + | < |
| - | < | + | Dylan: Yeah. Think about it. Okay, if our Outies are up there severing their brains, shit must have gotten pretty bad. Famine, plagues, et cetera. So what is a desperate humanity to do? |
| - | Well, it's rare to meet a sophisticate. | + | |
| - | 503 | + | < |
| - | < | + | Helly: Populate the sea? |
| - | Most people only think of O&D | + | |
| - | when new handbook totes come in. | + | |
| - | 504 | + | < |
| - | < | + | Dylan: Populate the sea. But first, they gotta send probes down to the sea to clean up all the deadly eels and shit, ’cause we can’t cohabitate with that. So, we send the probes down, they send us the data coded, we sense what’s eels, and then we tell the probes what to blow up. |
| - | Well, I love those too. | + | |
| - | 505 | + | < |
| - | < | + | Helly: This is the leading theory? |
| - | Yeah? | + | |
| - | 506 | + | < |
| - | < | + | Dylan: Nah, Irv thinks we’re cutting swear words out of movies. |
| - | There' | + | |
| - | 507 | + | < |
| - | < | + | Mark: But what is it? Like, what... what are we actually workin’ on down there? |
| - | Best design yet, in my view. | + | |
| - | 508 | + | < |
| - | < | + | Petey: I don’t know. I thought without severance it would make more sense, but... They separate us from the other departments. We don’t even know how many there are. But I’ve been reintegrated for two weeks now. I’ve been mapping out the floor. I hid the original for you when I left. |
| - | Wow! Well, that's all | + | |
| - | I'll be thinking about until then. | + | |
| - | 509 | + | < |
| - | < | + | Mark: You okay? |
| - | Irving? | + | |
| - | 510 | + | < |
| - | < | + | Petey: Sorry. Reintegration sickness. |
| - | All right, Irving. | + | |
| - | 511 | + | < |
| - | < | + | Mark: Never heard of that one. |
| - | What I'd like to do is share with you | + | |
| - | some facts about your outie. | + | |
| - | 512 | + | < |
| - | < | + | Petey: |
| - | Because | + | |
| - | these facts should be very pleasing. | + | |
| - | 513 | + | < |
| - | < | + | Mark: Okay, so what is it that happens down there that’s so bad? |
| - | Just relax your body | + | |
| - | and be open to the facts. | + | |
| - | 514 | + | < |
| - | < | + | Petey: There’s this room...We go in there when we don’t act right. |
| - | Try to enjoy each equally. | + | |
| - | 515 | + | < |
| - | < | + | Mark: What is that? |
| - | These facts are not to be shared | + | |
| - | outside this room. | + | |
| - | 516 | + | < |
| - | < | + | Milchick (on tape): I’m afraid you’re not sorry. |
| - | But for now, they're yours to enjoy. | + | |
| - | 517 | + | < |
| - | < | + | Mark (on tape): Please. I truly am. I’m sorry. |
| - | Your outie is generous. | + | |
| - | 518 | + | < |
| - | < | + | Milchick (on tape): Please read the statement again. |
| - | Your outie is fond of music | + | |
| - | and owns many records. | + | |
| - | 519 | + | < |
| - | < | + | Mark (on tape): Forgive me for the harm I have caused this world. None may atone for my actions but me, and only in me shall their stain live on. I am thankful |
| - | Your outie is a friend to children | + | |
| - | and to the elderly | + | |
| - | 520 | + | < |
| - | < | + | Milchick (on tape): I’m afraid you don’t mean it. Again, please. |
| - | Your outie is strong | + | |
| - | and helped someone lift a heavy object. | + | |
| - | 521 | + | < |
| - | < | + | Mark (on tape): Forgive me for the harm I have caused this world. None may atone for my actions but me. |
| - | Your outie attends many dances and | + | |
| - | is popular among the other attendees. | + | |
| - | 522 | + | < |
| - | < | + | Mark: The fuck is that? |
| - | Your outie likes films | + | |
| - | and owns a machine | + | |
| - | 523 | + | < |
| - | < | + | Petey: That’s the break room. |
| - | Your outie is splendid | + | |
| - | and can swim gracefully and well. | + | |
| - | 524 | + | < |
| - | < | + | Burt: I’m... |
| - | I'm sorry. | + | |
| - | 525 | + | < |
| - | < | + | Irving: No, I’m sorry, sir. |
| - | Please try to enjoy each fact equally, | + | |
| - | 526 | + | < |
| - | < | + | Burt: I didn’t think anybody was out here. I’m coming out from my session. |
| - | and not show preference | + | |
| - | for any over the others. | + | |
| - | 527 | + | < |
| - | < | + | Irving: I was just going in. I was admiring the art while I wait. |
| - | That's ten points off. | + | |
| - | You have 90 points remaining. | + | |
| - | 528 | + | < |
| - | < | + | Burt: That piece hung in the Perpetuity Wing for many years. |
| - | - Points? | + | |
| - | - Please don't speak. | + | |
| - | 529 | + | < |
| - | < | + | Irving: I know. And it broke my heart when they took it down. |
| - | Your outie won a game two weeks ago. | + | |
| - | 530 | + | < |
| - | < | + | Burt: It’s better here. It’s calming. |
| - | Your outie values water. | + | |
| - | 531 | + | < |
| - | < | + | Irving: I’m Irving. Macrodata Refinement. Are you a department head? |
| - | A photo of your outie with a trophy | + | |
| - | was once in a newspaper. | + | |
| - | 532 | + | < |
| - | < | + | Burt: Well, Optics and Design. A two-person department, so, barely. |
| - | Your outie has no fear | + | |
| - | of muggers or knaves. | + | |
| - | 533 | + | < |
| - | < | + | Irving: So, this is your work? |
| - | Your outie likes the sound of radar. | + | |
| - | 534 | + | < |
| - | < | + | Burt: We don’t paint them. We do hang them. |
| - | Your outie is skilled | + | |
| - | at kissing and lovemaking. | + | |
| - | 535 | + | < |
| - | < | + | Irving: I loved that you did the Ambrose cycle in the team-building space last quarter. |
| - | I'm sorry. | + | |
| - | 536 | + | < |
| - | < | + | Burt: Well, it’s rare to meet a sophisticate. Most people only think of O&D when new handbook totes come in. |
| - | Please don't respond | + | |
| - | to any specific fact. | + | |
| - | 537 | + | < |
| - | < | + | Irving: Well, I love those too. |
| - | That's ten points off. | + | |
| - | 538 | + | < |
| - | < | + | Burt: Yeah? There’s new ones coming next month. Best design yet, in my view. |
| - | - I was just... | + | |
| - | - Please don't speak further, | + | |
| - | 539 | + | < |
| - | < | + | Irving: Wow! Well, that’s |
| - | or all remaining points will be deducted | + | |
| - | and the wellness session will end. | + | |
| - | 540 | + | < |
| - | < | + | Ms. Casey: Irving? |
| - | Okay. | + | |
| - | 541 | + | < |
| - | < | + | Ms. Casey: All right, Irving. |
| - | - Is it just the elevators? | + | |
| - | - What? | + | |
| - | 542 | + | < |
| - | < | + | Ms. Casey: Your Outie is generous. Your Outie is fond of music and owns many records. Your Outie is a friend to children and to the elderly and the insane. Your Outie is strong and helped someone lift a heavy object. Your Outie attends many dances and is popular among the other attendees. Your Outie likes films and owns a machine that can play them. Your Outie is splendid and can swim gracefully and well. |
| - | With the code detectors. | + | |
| - | Or is it the stairwells too? | + | |
| - | 543 | + | < |
| - | < | + | Ms. Casey: I’m sorry. Please try to enjoy each fact equally, and not show preference for any over the others. That’s ten points off. You have 90 points remaining. |
| - | Jesus. Stairwells too. Why? | + | |
| - | 544 | + | < |
| - | < | + | Irving: Points? |
| - | If no one accepts the resignations, | + | Ms. Casey: Please don’t speak. |
| - | 545 | + | < |
| - | < | + | Ms. Casey: Your Outie won a game two weeks ago. Your Outie values water. A photo of your Outie with a trophy was once in a newspaper. Your Outie has no fear of muggers or knaves. Your Outie likes the sound of radar. Your Outie is skilled |
| - | what makes you think | + | |
| - | they' | + | |
| - | 546 | + | < |
| - | < | + | Ms. Casey: I’m sorry. Please don’t respond to any specific fact. That’s ten points off. |
| - | You gotta let | + | |
| - | the info-smuggling notion go. | + | |
| - | 547 | + | < |
| - | < | + | Irving: I was just... |
| - | Okay, but how good are the scanners? | + | Ms. Casey: Please don’t speak further, |
| - | 548 | + | < |
| - | < | + | Ms. Casey: or all remaining points will be deducted and the wellness session will end. |
| - | Like, what if you wrote the letters | + | |
| - | funky, like one of those robot tests? | + | |
| - | 549 | + | < |
| - | < | + | Irving: Okay. |
| - | - Hi, kids. What's for dinner? | + | |
| - | - Nope! | + | |
| - | 550 | + | < |
| - | < | + | Helly: Is it just the elevators? |
| - | How was wellness? | + | Dylan: What? |
| - | 551 | + | < |
| - | < | + | Helly: With the code detectors. Or is it the stairwells too? |
| - | Great. Very restorative. | + | |
| - | 552 | + | < |
| - | < | + | Dylan: Jesus. Stairwells too. Why? |
| - | I met the O&D department head. | + | |
| - | 553 | + | < |
| - | < | + | Helly: If no one accepts the resignations, what makes you think they’re being delivered at all? |
| - | Burt? I've met that guy. He's a fuck. You | + | |
| - | didn't tell him where we are, did you? | + | < |
| + | Dylan: You gotta let the info-smuggling notion go. | ||
| - | 554 | + | < |
| - | < | + | Helly: Okay, but how good are the scanners? Like, what if you wrote the letters funky, like one of those robot tests? |
| - | Burt's not a fuck. And no. | + | |
| - | 555 | + | < |
| - | < | + | Irving: Hi, kids. What’s |
| - | I'm asking | + | Dylan: Nope! |
| - | of this department. | + | |
| - | 556 | + | < |
| - | < | + | Helly: How was Wellness? |
| - | - I don't need to tell you... | + | |
| - | - That's a myth. | + | |
| - | 557 | + | < |
| - | < | + | Irving: Great. Very restorative. I met the O& |
| - | And don't pretend you care | + | |
| - | about this department. | + | |
| - | 558 | + | < |
| - | < | + | Dylan: Burt? I’ve met that guy. He’s a fuck. You didn’t tell him where we are, did you? |
| - | You just want your waffle party. | + | |
| - | 559 | + | < |
| - | < | + | Irving: Burt’s not a fuck. And no. |
| - | Beg-fucking-pardon. | + | |
| - | We're supposed to like the perks. | + | |
| - | 560 | + | < |
| - | < | + | Dylan: I’m asking for the safety |
| - | "And all in Lumon' | + | |
| - | in the bounty | + | |
| - | 561 | + | < |
| - | < | + | Dylan: I don’t need to tell you... |
| - | Don't pervert a handbook passage | + | Irving: That’s a myth. |
| - | to me, okay? | + | |
| - | 562 | + | < |
| - | < | + | Irving: And don’t pretend you care about this department. You just want your waffle party. |
| - | - Don't do it. | + | |
| - | - Hey, guys? | + | < |
| + | Dylan: Beg-fucking-pardon. We’re supposed to like the perks. "And all in Lumon’s care shall revel in the bounty of the incentives spur." | ||
| - | 563 | + | < |
| - | < | + | Irving: Don’t pervert a handbook passage |
| - | Lumon has been good to us, | + | |
| - | and it is feckless to... | + | |
| - | 564 | + | < |
| - | < | + | Irving: Don’t do it. |
| - | Guys! | + | Helly: Hey, guys? |
| - | 565 | + | < |
| - | < | + | Irving: Lumon has been good to us, and it is feckless to... |
| - | That. | + | |
| - | 566 | + | < |
| - | < | + | Helly: Guys! |
| - | Yep. | + | |
| - | 567 | + | < |
| - | < | + | Helly: That. |
| - | Why is... Why is it... | + | |
| - | 568 | + | < |
| - | < | + | Dylan: Yep. |
| - | You okay. Just fence off | + | |
| - | the bad data like I showed you. | + | |
| - | 569 | + | < |
| - | < | + | Helly: Why is... Why is it... |
| - | Can you see the perimeter? | + | |
| - | 570 | + | < |
| - | < | + | Dylan: You okay. Just fence off the bad data like I showed you. |
| - | And bin it. | + | |
| - | 571 | + | < |
| - | < | + | Irving: Can you see the perimeter? |
| - | Boom. Fucking refined. | + | |
| - | 572 | + | < |
| - | < | + | Dylan: And bin it. |
| - | All right, Helly. Hip, hip. | + | |
| - | 573 | + | < |
| - | < | + | Dylan: Boom. Fucking refined. |
| - | They were scary. The numbers were scary. | + | |
| - | 574 | + | < |
| - | < | + | Irving: All right, Helly. Hip, hip. |
| - | Here's the couch. | + | |
| - | I'll find you a sleeping bag. | + | |
| - | 575 | + | < |
| - | < | + | Helly: They were scary. The numbers were scary. |
| - | And you can use the shower if you want. | + | |
| - | 576 | + | < |
| - | < | + | Mark: Here’s the couch. I’ll find you a sleeping bag. And you can use the shower if you want. |
| - | What are you trying to say? | + | |
| - | 577 | + | < |
| - | < | + | Petey: What are you trying to say? |
| - | Thanks for doing this, Mark. | + | |
| - | 578 | + | < |
| - | < | + | Petey: Thanks for doing this, Mark. |
| - | Well, I, you know, figured my work self | + | |
| - | would be pissed | + | |
| - | 579 | + | < |
| - | < | + | Mark: Well, I, you know, figured my work self would be pissed |
| - | if I let you sleep in a greenhouse. | + | |
| - | 580 | + | < |
| - | < | + | Mark: Light’s on the left. |
| - | Light's on the left. | + | |
| - | 581 | + | < |
| - | < | + | Mark: You okay in there? |
| - | You okay in there? | + | |
| - | 582 | + | < |
| - | < | + | Petey: |
| - | Yeah! Yeah, I'm good. | + | |
| - | 583 | + | < |
| - | < | + | Mark: Petey, are you okay? |
| - | Petey, are you okay? | + | |
| </ | </ | ||
| - | {{tag>scripts}} | + | {{tag>Transcripts}} |
half_loop_transcript.1652646652.txt.gz · Last modified: 2022-05-15 20:30 by Neatnik
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