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| good_news_about_hell_transcript [2022-06-27 02:29] – Neatnik | good_news_about_hell_transcript [2023-03-24 19:22] (current) – Scribe of Kier | ||
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| - | < | + | < |
| - | [[Mark Scout|MARK]]: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | MARK: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | [[Helena Eagan|HELLY]]: Hello? | + | Helly: Hello? |
| - | < | + | < |
| - | MARK: I'm sorry, I got ahead of myself. | + | Mark: I’m sorry, I got ahead of myself. |
| - | < | + | < |
| - | MARK: Hi there, you on the table. I wonder if you'd mind taking a brief survey. | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | < | + | < |
| - | HELLY: Who is that? | + | Helly: Who is that? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | MARK: Now, I know you're sleepy, but I just bet it'll make you feel right as rain. | + | Mark: Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | < | + | < |
| - | HELLY: Who's speaking? | + | Helly: Who’s speaking? |
| - | < | + | < |
| - | HELLY: Oh, God. | + | Helly: Oh, God. |
| - | < | + | < |
| - | HELLY: Hey! Open the door! | + | Helly: Hey! Open the door! |
| - | < | + | < |
| - | MARK: I'd be just thrilled to chat once we've run the survey. Shall we begin with question one? | + | Mark: I’d be just thrilled to chat once we’ve run the survey. Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: I'm not taking your survey. | + | Helly: I’m not taking your survey. |
| - | < | + | < |
| - | MARK: Shall we begin with question one? | + | Mark: Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: Let me out of here. | + | Helly: Let me out of here. |
| - | < | + | < |
| - | HELLY: Hey! | + | Helly: Hey! |
| - | < | + | < |
| - | HELLY: Open the door! | + | Helly: Open the door! |
| - | < | + | < |
| - | HELLY: Fuck. | + | Helly: Fuck. |
| - | < | + | < |
| - | HELLY: Hey! Let me out! | + | Helly: Hey! Let me out! |
| - | < | + | < |
| - | HELLY: Hey. | + | Helly: Hey. |
| - | < | + | < |
| - | MARK: Hello. | + | Mark: Hello. |
| - | < | + | < |
| - | HELLY: Five questions? | + | Helly: Five questions? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | HELLY: What do I get at the end? | + | Helly: What do I get at the end? |
| - | < | + | < |
| - | MARK: Depends on your answers. | + | Mark: Depends on your answers. |
| - | < | + | < |
| - | HELLY: Okay. | + | Helly: Okay. |
| - | < | + | < |
| - | MARK: Great. Off we go. Now to start, who are you? | + | Mark: Great. Off we go. Now to start, who are you? |
| - | < | + | < |
| - | HELLY: That's the first question? | + | Helly: That’s the first question? |
| - | < | + | < |
| - | MARK: First name will do. | + | Mark: First name will do. |
| - | < | + | < |
| - | HELLY: I don't... | + | Helly: I don’t... |
| - | < | + | < |
| - | MARK: It's okay. If you can't answer the question, feel free to say, " | + | Mark: It’s okay. If you can’t answer the question, feel free to say, " |
| - | < | + | < |
| - | HELLY: What is this? | + | Helly: What is this? |
| - | < | + | < |
| - | MARK: Okay, unknown. | + | Mark: Okay, unknown. |
| - | < | + | < |
| - | MARK: Question two, in which US state or territory were you born? | + | Mark: Question two, in which US state or territory were you born? |
| - | < | + | < |
| - | HELLY: Wait. | + | Helly: Wait. |
| - | MARK: Which state or territory, please? | + | Mark: Which state or territory, please? |
| - | < | + | < |
| - | HELLY: I don't know. | + | Helly: I don’t know. |
| - | MARK: Unknown. | + | Mark: Unknown. |
| - | < | + | < |
| - | MARK: Question three, please name any US state or territory. | + | Mark: Question three, please name any US state or territory. |
| - | < | + | < |
| - | HELLY: Fuck. I... | + | Helly: Fuck. I... |
| - | MARK: First that comes to mind. | + | Mark: First that comes to mind. |
| - | < | + | < |
| - | HELLY: I don't know. Delaware. What is this? | + | Helly: I don’t know. Delaware. What is this? |
| - | MARK: Delaware. | + | Mark: Delaware. |
| - | < | + | < |
| - | MARK: Question four, what is [[Kier Eagan|Mr. Eagan]]'s favorite breakfast? | + | Mark: Question four, what is Mr. Eagan’s favorite breakfast? |
| - | < | + | < |
| - | HELLY: I don't... That one makes no sense. | + | Helly: I don’t... That one makes no sense. |
| - | < | + | < |
| - | MARK: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother's eyes? | + | Mark: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother’s eyes? |
| - | < | + | < |
| - | HELLY: Okay, what's hap... What's happening? | + | Helly: Okay, what’s hap... What’s happening? |
| - | < | + | < |
| - | MARK: Unknown. So that's unknown, unknown, Delaware, unknown, unknown. | + | Mark: Unknown. So that’s unknown, unknown, Delaware, unknown, unknown. |
| - | < | + | < |
| - | HELLY: What the hell did you do to me? | + | Helly: What the hell did you do to me? |
| - | < | + | < |
| - | MARK: That's a perfect score. | + | Mark: That’s a perfect score. |
| - | < | + | < |
| - | [[Florence|FLORENCE]]: Are you ready for Mr. Scout? | + | Florence: Are you ready for Mr. Scout? |
| - | < | + | < |
| - | FLORENCE: Thank you. | + | Florence: Thank you. |
| - | < | + | < |
| - | FLORENCE: Go ahead. | + | Florence: Go ahead. |
| - | < | + | < |
| - | [[Judd|JUDD]]: Mr. Scout. | + | Judd: Mr. Scout. |
| - | < | + | < |
| - | MARK: Hi, Judd. | + | Mark: Hi, Judd. |
| - | < | + | < |
| - | JUDD: All right, see you this evening. | + | Judd: All right, see you this evening. |
| - | MARK: Yep, see you soon. | + | Mark: Yep, see you soon. |
| - | < | + | < |
| - | [[Dylan George|DYLAN]]: You're breathing shitty. | + | Dylan: You’re breathing shitty. |
| - | MARK: Sorry. | + | Mark: Sorry. |
| - | < | + | < |
| - | DYLAN: You sick? | + | Dylan: You sick? |
| - | < | + | < |
| - | MARK: Maybe. Petey was sniffling yesterday. | + | Mark: Maybe. Petey was sniffling yesterday. |
| - | < | + | < |
| - | DYLAN: If you breathe on me, I'll rip your larynx out. | + | Dylan: If you breathe on me, I’ll rip your larynx out. |
| - | < | + | < |
| - | MARK: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. | + | Mark: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. |
| - | < | + | < |
| - | MARK: Oh. | + | Mark: Oh. |
| - | < | + | < |
| - | DYLAN: Petey better not be out for the day, 'cause I'm about zero seconds from wrapping the Tumwater file, and he needs to process it. | + | Dylan: Petey better not be out for the day, ’cause I’m about zero seconds from wrapping the Tumwater file, and he needs to process it. |
| - | < | + | < |
| - | MARK: I think he's out. | + | Mark: I think he’s out. |
| - | < | + | < |
| - | DYLAN: If he doesn't process today, they won't know until Tuesday of next week. It's typical Lumon bullshit. | + | Dylan: If he doesn’t process today, they won’t know until Tuesday of next week. It’s typical Lumon bullshit. |
| - | < | + | < |
| - | MARK: Careful, guy. | + | Mark: Careful, guy. |
| - | < | + | < |
| - | [[Irving | + | Irving: Hi, kids. What’s for dinner? |
| - | < | + | < |
| - | DYLAN: Goddamn it, Irv. We warned you. | + | Dylan: Goddamn it, Irv. We warned you. |
| - | < | + | < |
| - | IRVING: About the greeting? You were kidding. | + | Irving: About the greeting? You were kidding. |
| - | < | + | < |
| - | DYLAN: No, we sincerely hate it. How many reasons did we come up with? | + | Dylan: No, we sincerely hate it. How many reasons did we come up with? |
| - | < | + | < |
| - | MARK: Eight. | + | Mark: Eight. |
| - | DYLAN: Eight reasons. | + | Dylan: Eight reasons. |
| - | < | + | < |
| - | DYLAN: Chief among them the latent condescension. | + | Dylan: Chief among them the latent condescension. |
| - | < | + | < |
| - | MARK: And it's confusing. Like, did the kids make you dinner in this scenario? Or... | + | Mark: And it’s confusing. Like, did the kids make you dinner in this scenario? Or... |
| - | < | + | < |
| - | DYLAN: Yeah. What kind of a shit dad are you? | + | Dylan: Yeah. What kind of a shit dad are you? |
| - | < | + | < |
| - | IRVING: No Petey? | + | Irving: No Petey? |
| - | MARK: We think he's sick. | + | Mark: We think he’s sick. |
| - | < | + | < |
| - | IRVING: Oh, no. And Dylan's about to wrap [[Tumwater]] today. | + | Irving: Oh, no. And Dylan’s about to wrap Tumwater today. |
| - | < | + | < |
| - | DYLAN: Yeah, and if he doesn't see me finish, I might get passed over for [[refiner of the quarter]] and miss out on my goddamn | + | Dylan: Yeah, and if he doesn’t see me finish, I might get passed over for refiner of the quarter and miss out on my goddamn waffle party. |
| - | < | + | < |
| - | IRVING: Grumble, grumble. | + | Irving: Grumble, grumble. These perks are so out of hand. When we’d process a file in the old days, they’d shake our hand and fill up the creamer. |
| - | These perks are so out of hand. When we'd process a file in the old days, they'd shake our hand and fill up the creamer. | + | |
| - | < | + | < |
| - | DYLAN: I still don't buy they actually incentivized creamer. | + | Dylan: I still don’t buy they actually incentivized creamer. |
| - | < | + | < |
| - | IRVING: They did. And back then, we were grateful for it. | + | Irving: They did. And back then, we were grateful for it. |
| - | < | + | < |
| - | DYLAN: That's fucked, dude. | + | Dylan: That’s fucked, dude. |
| - | < | + | < |
| - | IRVING: Yes, very fucked. To put in an honest day's work and not get a children's breakfast in return. | + | Irving: Yes, very fucked. To put in an honest day’s work and not get a children’s breakfast in return. |
| - | < | + | < |
| - | DYLAN: Irv's got claws today. | + | Dylan: Irv’s got claws today. |
| - | < | + | < |
| - | [[Seth | + | Milchick: Good morning, Macrodata Refinement. |
| - | < | + | < |
| - | IRVING: Hi, Mr. Milchick. | + | Irving: Hi, Mr. Milchick. |
| - | < | + | < |
| - | MILCHICK: Mark, could I have a word? | + | Milchick: Mark, could I have a word? |
| - | < | + | < |
| - | MILCHICK: Last time you saw Ms. Cobel, she was in her old office. Now she's in her new office. It's a completely different office. | + | Milchick: Last time you saw Ms. Cobel, she was in her old office. Now she’s in her new office. It’s a completely different office. |
| - | < | + | < |
| - | MARK: What's this about? | + | Mark: What’s this about? |
| - | < | + | < |
| - | MILCHICK: She'd never say so, but I know a compliment about the office would just make her day. | + | Milchick: She’d never say so, but I know a compliment about the office would just make her day. |
| - | < | + | < |
| - | [[Harmony | + | Cobel: Mark? Come in. Shut the thing. |
| - | < | + | < |
| - | MARK: Nice office. | + | Mark: Nice office. |
| - | < | + | < |
| - | COBEL: It's horrid. | + | Cobel: It’s horrid. |
| - | < | + | < |
| - | MARK: Yeah, the old one was better. | + | Mark: Yeah, the old one was better. |
| - | < | + | < |
| - | COBEL: Oh... You look awful. You look hungover. Have a seat. | + | Cobel: Oh... You look awful. You look hungover. Have a seat. |
| - | < | + | < |
| - | COBEL: The Board will be joining us remotely today. | + | Cobel:The Boardwill |
| - | < | + | < |
| - | COBEL: I have Mark S. at my desk. | + | Cobel: I have Mark S. at my desk. |
| - | < | + | < |
| - | MARK: Oh, uh, hello. I assume this is about me acting as department chief today. Okay. Well... I mean, I've subbed for Petey before, so it shouldn't be that big a thing. | + | Mark: Oh, uh, hello. I assume this is about me acting as department chief today. Okay. Well... I mean, I’ve subbed for Petey before, so it shouldn’t be that big a thing. |
| - | < | + | < |
| - | COBEL: Petey is no longer with this company. | + | Cobel: Petey is no longer with this company. |
| - | < | + | < |
| - | MARK: I'm sorry? | + | Mark: I’m sorry? |
| - | < | + | < |
| - | COBEL: I said, Petey is no longer with this company. | + | Cobel: I said, Petey is no longer with this company. |
| - | < | + | < |
| - | MILCHICK: I'm sorry, Mark. You guys were one of my favorite office friendships. | + | Milchick: I’m sorry, Mark. You guys were one of my favorite office friendships. |
| - | < | + | < |
| - | MARK: I mean, there should have been some notice of this. What happened? | + | Mark: I mean, there should have been some notice of this. What happened? |
| - | < | + | < |
| - | MILCHICK: We'd love to tell you, but unfortunately, | + | Milchick: We’d love to tell you, but unfortunately, |
| - | < | + | < |
| - | COBEL: Mark, would you place your key card on my desk? | + | Cobel: Mark, would you place your key card on my desk? |
| - | < | + | < |
| - | COBEL: Mark S., at this time I confer upon you the freedom to serve Kier in the advanced role of Macrodata Refinement department chief. Congratulations. | + | Cobel: Mark S., at this time I confer upon you the freedom to serve Kier in the advanced role of Macrodata Refinement department chief. Congratulations. |
| - | < | + | < |
| - | COBEL: Oh, a handshake is available upon request. | + | Cobel: Oh, a handshake is available upon request. |
| - | < | + | < |
| - | MARK: Thank you. May I have a handshake? | + | Mark: Thank you. May I have a handshake? |
| - | < | + | < |
| - | COBEL: I know you haven't run a training before, but Irving will be there to shadow. Just stick to the flowchart and escalate properly depending on dialectics. You'll be fine. | + | Cobel: I know you haven’t run a training before, but Irving will be there to shadow. Just stick to the flowchart and escalate properly depending on dialectics. You’ll be fine. |
| - | < | + | < |
| - | MILCHICK: If you need to take a few minutes... | + | Milchick: If you need to take a few minutes... |
| - | MARK: Thank you. I don't. | + | Mark: Thank you. I don’t. |
| - | < | + | < |
| - | MARK: Oh, and, uh, thank you to the Board as well. | + | Mark: Oh, and, uh, thank you to the Board as well. |
| - | < | + | < |
| - | COBEL: The Board won't be contributing to this meeting vocally. | + | Cobel: The Board won’t be contributing to this meeting vocally. |
| - | < | + | < |
| - | IRVING: Our last refiner, who was a woman, was... | + | Irving: Our last refiner, who was a woman, was... |
| - | < | + | < |
| - | MARK: Carol. Dylan's old seat. | + | Mark: Carol. Dylan’s old seat. |
| - | < | + | < |
| - | IRVING: Don't be sad. | + | Irving: Don’t be sad. |
| - | < | + | < |
| - | MARK: I'm fine. We'll be fine. | + | Mark: I’m fine. We’ll be fine. |
| - | < | + | < |
| - | IRVING: I know you and Petey were close. He was the only one who really appreciated your humor. | + | Irving: I know you and Petey were close. He was the only one who really appreciated your humor. |
| - | < | + | < |
| - | MARK: Everything's fine. So, I'm supposed to start with just the input survey? Isn't that a little weird? | + | Mark: Everything’s fine. So, I’m supposed to start with just the input survey? Isn’t that a little weird? |
| - | < | + | < |
| - | MILCHICK: It's standard. Just start at 1A and continue by line, based on her answers. | + | Milchick: It’s standard. Just start at 1A and continue by line, based on her answers. |
| - | < | + | < |
| - | MARK: Well, what if I just talk to her? | + | Mark: Well, what if I just talk to her? |
| - | < | + | < |
| - | MILCHICK: She deserves to have the information presented to her in the proper order. Just as you had. | + | Milchick: She deserves to have the information presented to her in the proper order. Just as you had. |
| - | 151 | + | < |
| - | < | + | Mark: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | "If the trainee becomes agitated | + | |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | + | < |
| - | < | + | Irving: |
| - | She has to ask three times | + | |
| - | for you to let her. | + | |
| - | 153 | + | < |
| - | < | + | Mark: Right. Yes. |
| - | Right. Yes. | + | |
| - | 154 | + | < |
| - | < | + | Mark: Image is good. |
| - | Image is good. | + | |
| - | 155 | + | < |
| - | < | + | Irving: |
| - | She looks nice. | + | |
| - | 156 | + | < |
| - | < | + | Milchick: |
| - | Okay. You're all set. | + | |
| - | 157 | + | < |
| - | < | + | Milchick: |
| - | I just love | + | |
| - | seeing you all come in like this. | + | |
| - | 158 | + | < |
| - | < | + | Milchick: |
| - | Go on ahead when you're ready. | + | |
| - | 159 | + | < |
| - | < | + | Irving: |
| - | - All right. | + | Mark: Okay. |
| - | - Okay. | + | |
| - | 160 | + | < |
| - | < | + | Irving: |
| - | There you go. | + | |
| - | 161 | + | < |
| - | < | + | Mark: Who are you? |
| - | Who are you? | + | |
| - | 162 | + | < |
| - | < | + | Irving: |
| - | All right. | + | |
| - | 163 | + | < |
| - | < | + | Mark: Who are you? |
| - | Who are you? | + | |
| - | 164 | + | < |
| - | < | + | Irving: |
| - | - Mark. | + | Mark: What? |
| - | - What? | + | |
| - | 165 | + | < |
| - | < | + | Irving: |
| - | You skipped the preamble. | + | |
| - | 166 | + | < |
| - | < | + | Helly: |
| - | Hello? | + | |
| - | 167 | + | < |
| - | < | + | Mark: Shit! |
| - | Shit! | + | |
| - | 168 | + | < |
| - | < | + | Mark: I’m sorry, I got ahead of myself. |
| - | I'm sorry, I got ahead of myself. | + | |
| - | 169 | + | < |
| - | < | + | Irving: |
| - | - That's it. | + | Mark: Okay. |
| - | - Okay. | + | |
| - | 170 | + | < |
| - | < | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | Hi there, you on the table. | + | |
| - | 171 | + | < |
| - | < | + | Helly: Who is that? |
| - | I wonder if you'd mind | + | |
| - | taking a brief survey. | + | |
| - | 172 | + | < |
| - | < | + | Mark: Five questions. Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | Who is that? | + | |
| - | 173 | + | < |
| - | < | + | Helly: Who’s speaking? |
| - | Five questions. | + | |
| - | 174 | + | < |
| - | < | + | Mark: " |
| - | Now, I know you're sleepy, | + | |
| - | 175 | + | < |
| - | < | + | Helly: Hey! Open the door! |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | + | < |
| - | < | + | Irving: Mark. |
| - | Who's speaking? | + | |
| - | 177 | + | < |
| - | < | + | Mark: I’d be just thrilled to chat, once we’ve run the survey. Shall we begin with question one? |
| - | " | + | |
| - | 178 | + | < |
| - | < | + | Helly: I’m not taking your survey. |
| - | Hey! Open the door! | + | |
| - | 179 | + | < |
| - | < | + | Mark: Shall we begin with question one? |
| - | Mark. | + | |
| - | 180 | + | < |
| - | < | + | Helly: Let me out of here. Hey! |
| - | I'd be just thrilled to chat, | + | |
| - | once we've run the survey. | + | |
| - | 181 | + | < |
| - | < | + | Helly: Open the door! |
| - | Shall we begin with question one? | + | Irving: She’s not supposed to do that. |
| - | 182 | + | < |
| - | < | + | Helly: Hey! |
| - | I'm not taking your survey. | + | |
| - | 183 | + | < |
| - | < | + | Irving: She’s going to break in. |
| - | Shall we begin with question one? | + | |
| - | 184 | + | < |
| - | < | + | Helly: |
| - | Let me out of here. Hey! | + | Mark: No, she’s not. |
| - | 185 | + | < |
| - | < | + | Milchick: Are you seeing this? |
| - | - Open the door! | + | |
| - | - She's not supposed to do that. | + | |
| - | 186 | + | < |
| - | < | + | Cobel: I’m watching. |
| - | Hey! | + | |
| - | 187 | + | < |
| - | < | + | Milchick: Should I help? |
| - | She's going to break in. | + | |
| - | 188 | + | < |
| - | < | + | Cobel: You should |
| - | - Let me out! | + | |
| - | - No, she' | + | |
| - | 189 | + | < |
| - | < | + | Mark: That’s a perfect score. |
| - | Are you seeing this? | + | |
| - | 190 | + | < |
| - | < | + | Mark: Now, I think I know where our disconnect is coming from. |
| - | I'm watching. | + | |
| - | 191 | + | < |
| - | < | + | Helly: What? |
| - | Should I help? | + | Mark: Well, there was a preamble, which I was supposed to read before the survey, to lead into the questions and... But I unfortunately skipped that and went straight into the survey. |
| - | 192 | + | < |
| - | < | + | Helly: Am I livestock? |
| - | You should not. | + | |
| - | 193 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | That's a perfect score. | + | |
| - | 194 | + | < |
| - | < | + | Helly: Like, did you grow me as food and that’s why I have no memories? |
| - | Now, I think I know where | + | |
| - | our disconnect is coming from. | + | |
| - | 195 | + | < |
| - | < | + | Mark: You think we grew a full human, gave you consciousness... |
| - | - What? | + | |
| - | - Well, there was a preamble, | + | |
| - | 196 | + | < |
| - | < | + | Helly: |
| - | which I was supposed to read | + | Mark: did your nails and... |
| - | before the survey, | + | |
| - | 197 | + | < |
| - | < | + | Helly: I don’t know. I don’t know you. |
| - | to lead into the questions and... | + | |
| - | 198 | + | < |
| - | < | + | Mark: No, you’re not livestock. Good Lord. |
| - | But I unfortunately skipped that | + | |
| - | and went straight into the survey. | + | |
| - | 199 | + | < |
| - | < | + | Helly: Then what’s my name? |
| - | Am I livestock? | + | |
| - | 200 | + | < |
| - | < | + | Mark: Helly. Your name is Helly. Helly R. |
| - | I'm sorry? | + | |
| - | 201 | + | < |
| - | < | + | Mark: Please. |
| - | Like, did you grow me as food | + | |
| - | and that's why I have no memories? | + | |
| - | 202 | + | < |
| - | < | + | Mark: Thank you for taking the welcome survey. I can sense that the questions made you feel afraid or disoriented. Well, the good news is, you’re at an orientation. |
| - | You think we grew a full human, | + | |
| - | gave you consciousness... | + | |
| - | 203 | + | < |
| - | < | + | Mark: You see, you have been hired to a position on the Severed Floor of Lumon Industries. |
| - | - I don't know. | + | |
| - | - did your nails and... | + | |
| - | 204 | + | < |
| - | < | + | Helly: The what floor? |
| - | I don't know. I don't know you. | + | |
| - | 205 | + | < |
| - | < | + | Mark: I understand |
| - | No, you're not livestock. Good Lord. | + | |
| - | 206 | + | < |
| - | < | + | Mark: Ow! Fuck! |
| - | Then what's my name? | + | |
| - | 207 | + | < |
| - | < | + | Mark: That locks from out there! |
| - | Helly. | + | |
| - | 208 | + | < |
| - | < | + | Helly: Let me out! |
| - | Your name is Helly. Helly R. | + | Mark: God! |
| - | 209 | + | < |
| - | < | + | Mark: Can we just take a beat? Please. |
| - | Please. | + | |
| - | 210 | + | < |
| - | < | + | Mark: Please. |
| - | Thank you for taking the welcome survey. | + | |
| - | 211 | + | < |
| - | < | + | Mark: Okay, my name’s Mark. And, uh... So, I... |
| - | I can sense that the questions | + | |
| - | made you feel afraid or disoriented. | + | |
| - | 212 | + | < |
| - | < | + | Mark: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | Well, the good news is, | + | |
| - | you're at an orientation. | + | |
| - | 213 | + | < |
| - | < | + | Mark: And when I realized I couldn’t answer, I told that voice that I would find him and kill him. |
| - | You see, you have | + | |
| - | been hired to a position | + | |
| - | 214 | + | < |
| - | < | + | Mark: I don’t know why I said that. I mean, I was scared too. |
| - | on the severed floor | + | |
| - | of Lumon Industries. | + | |
| - | 215 | + | < |
| - | < | + | Helly: Did you kill the voice? |
| - | The what floor? | + | |
| - | 216 | + | < |
| - | < | + | Mark: No. |
| - | I understand you're confused | + | |
| - | about the severance procedure. | + | |
| - | 217 | + | < |
| - | < | + | Mark: No, that voice’s name was Petey, and he became my best friend. |
| - | Before we hop on that, | + | |
| - | 218 | + | < |
| - | < | + | Mark: So, look, you know, there is a life to be had here, Helly. |
| - | let's chat about something I bet you | + | |
| - | have heard of, the work/life balance. | + | |
| - | 219 | + | < |
| - | < | + | Helly: A life to be had? |
| - | To start, imagine yourself as a seesaw. | + | |
| - | 220 | + | < |
| - | < | + | Mark: Well, you see, life, like a seesaw, requi— |
| - | Fuck! | + | |
| - | 221 | + | < |
| - | < | + | Helly: Let me the fuck out of here! |
| - | That locks from out there! | + | |
| - | 222 | + | < |
| - | < | + | Mark: Ask me again. |
| - | - Let me out! | + | Helly: What? |
| - | - God! | + | |
| - | 223 | + | < |
| - | < | + | Mark: You’ve asked twice to be let go. Ask one more time. |
| - | Can we just take a beat? Please. | + | |
| - | 224 | + | < |
| - | < | + | Helly: Mark. |
| - | Please. | + | Mark: Yeah? |
| - | 225 | + | < |
| - | < | + | Helly: I would like to leave the building now. |
| - | Okay, my name's Mark. | + | |
| - | 226 | + | < |
| - | < | + | Mark: I understand you don’t feel it’s working out for you here at Lumon. While disappointed, |
| - | And... So, I... | + | |
| - | 227 | + | < |
| - | < | + | Mark: Irv. |
| - | You know, few years back, | + | |
| - | I woke up on this table. | + | |
| - | 228 | + | < |
| - | < | + | Mark: The departments are pretty spaced out, but it’ll all fill in one day. They’re planning an expansion. |
| - | In this room. | + | |
| - | 229 | + | < |
| - | < | + | Helly: |
| - | And a disembodied voice | + | |
| - | asked me 19 times who I was. | + | |
| - | 230 | + | < |
| - | < | + | Mark: No. You’re a replacement. |
| - | And when I realized I couldn' | + | |
| - | 231 | + | < |
| - | < | + | Helly: Replacement for who? Why are you saying |
| - | I told that voice that I would find him | + | |
| - | and kill him. | + | |
| - | 232 | + | < |
| - | < | + | Mark: Here’s your stairwell. Just past the bend. |
| - | I don't know why I said that. | + | |
| - | I mean, I was scared too. | + | |
| - | 233 | + | < |
| - | < | + | Helly: You’re not coming with me? |
| - | Did you kill the voice? | + | |
| - | 234 | + | < |
| - | < | + | Mark: I’m not allowed to see. |
| - | No. | + | |
| - | 235 | + | < |
| - | < | + | Helly: Excuse me? |
| - | No, that voice' | + | |
| - | and he became my best friend. | + | |
| - | 236 | + | < |
| - | < | + | Mark: Well, once you leave, you... I just can’t watch you leave. |
| - | So, look, you know, | + | |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | + | < |
| - | < | + | Helly: Of course you can’t. |
| - | A life to be had? | + | |
| - | 238 | + | < |
| - | < | + | Helly: What the hell? |
| - | Well, you see, | + | |
| - | life, like a seesaw, requi... | + | |
| - | 239 | + | < |
| - | < | + | Helly: Am I dead? |
| - | Let me the fuck out of here! | + | Mark: No. |
| - | 240 | + | < |
| - | < | + | Helly: This isn’t, like, hell or something? |
| - | - Ask me again. | + | Mark: No. |
| - | - What? | + | |
| - | 241 | + | < |
| - | < | + | Helly: Then why the fuck can’t I leave? |
| - | You've asked twice to be let go. | + | |
| - | Ask one more time. | + | |
| - | 242 | + | < |
| - | < | + | Mark: Well, you did leave, just now. Out into the stairwell at least. |
| - | - Mark. | + | |
| - | - Yeah? | + | |
| - | 243 | + | < |
| - | < | + | Mark: You left, but you came back. |
| - | I would like to leave the building now. | + | |
| - | 244 | + | < |
| - | < | + | Helly: |
| - | I understand you don't feel | + | Mark: You did. Come on. |
| - | it's working out for you here at Lumon. | + | |
| - | 245 | + | < |
| - | < | + | Cobel: Weaponizing office equipment on your first day. You are gonna be fun. Look, I do sympathize. I’ve wanted |
| - | While disappointed, I'd hate to | + | |
| - | keep you somewhere you're not happy. | + | |
| - | 246 | + | < |
| - | < | + | Helly: Why is that? |
| - | So, let's get you outta here. | + | |
| - | 247 | + | < |
| - | < | + | Cobel: Because it’s a video. |
| - | Irv. | + | |
| - | 248 | + | < |
| - | < | + | Cobel: Welcome to Lumon, Helly. |
| - | The departments are pretty spaced out, | + | |
| - | but it'll all fill in one day. | + | |
| - | 249 | + | < |
| - | < | + | Cobel: Have a seat. |
| - | They' | + | |
| - | 250 | + | < |
| - | < | + | Mark: Are you mad at me? |
| - | And I'm, what, part of that? | + | |
| - | 251 | + | < |
| - | < | + | Cobel: For the incompetence or the disobedience? |
| - | No. You're a replacement. | + | |
| - | 252 | + | < |
| - | < | + | Mark: Well... |
| - | Replacement for who? | + | Cobel: Yes! |
| - | 253 | + | < |
| - | < | + | Cobel: You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is, hell is just the product of a morbid human imagination. The bad news is, whatever humans can imagine, they can usually create. |
| - | Why are you saying | + | |
| - | that like you hate it? | + | |
| - | 254 | + | < |
| - | < | + | Mark: I don’t know what that means. |
| - | Here's your stairwell. | + | |
| - | Just past the bend. | + | |
| - | 255 | + | < |
| - | < | + | Cobel: A department like yours can go so good or so bad. You know what makes the difference? The people. |
| - | You're not coming with me? | + | |
| - | 256 | + | < |
| - | < | + | Milchick: You can have a seat. |
| - | I'm not allowed to see. | + | |
| - | 257 | + | < |
| - | < | + | Milchick: Okay, go ahead and have a seat. |
| - | Excuse me? | + | |
| - | 258 | + | < |
| - | < | + | Helly: My name is Helly R. I’m making this video roughly two hours before it will be shown to me. I have, of my own free accord, elected to undergo the procedure colloquially known as severance. I give consent for my perceptual chronologies to be surgically split, separating my memories between my work life and my personal life. I acknowledge that, henceforth, my access to my memories will be spatially dictated. I will be unable to access outside recollections whilst on Lumon’s severed basement floor, nor retain work memories upon my ascent. I am aware that this alteration is comprehensive and irreversible. I make these statements freely. |
| - | Well, once you leave, you... | + | |
| - | 259 | + | < |
| - | < | + | Milchick: Okay, that’s a wrap. |
| - | I just can't watch you leave. | + | |
| - | 260 | + | < |
| - | < | + | Milchick: Okay. Go ahead. |
| - | Of course you can't. | + | |
| - | 261 | + | < |
| - | < | + | Helly: So I’ll never leave here? |
| - | What the hell? | + | |
| - | 262 | + | < |
| - | < | + | Mark: You’ll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won’t feel like it. Not to this version of you anyway. |
| - | - Am I dead? | + | |
| - | - No. | + | |
| - | 263 | + | < |
| - | < | + | Helly: Do I have a family? |
| - | - This isn't, like, hell or something? | + | |
| - | - No. | + | |
| - | 264 | + | < |
| - | < | + | Mark: You’ll never know. |
| - | Then why the fuck can't I leave? | + | |
| - | 265 | + | < |
| - | < | + | Helly: And I have no choice. |
| - | Well, you did leave, just now. | + | |
| - | Out into the stairwell at least. | + | |
| - | 266 | + | < |
| - | < | + | Mark: Well, every time you find yourself here, it’s because |
| - | You left, but you came back. | + | |
| - | 267 | + | < |
| - | < | + | Irving: Hello. |
| - | - I did not. | + | |
| - | - You did. | + | |
| - | 268 | + | < |
| - | < | + | Mark: Good night. |
| - | Come on. | + | |
| - | 269 | + | < |
| - | < | + | Judd: Good night. |
| - | Weaponizing office equipment | + | |
| - | on your first day. | + | |
| - | 270 | + | < |
| - | < | + | Mark: "Dear Mark, Whilst carrying boxes in a room today, you slipped on an overhead projector slide and sustained a minor blow to the temple." |
| - | You are gonna be fun. | + | |
| - | 271 | + | < |
| - | < | + | Helly: Hey! |
| - | Look, I do sympathize. | + | |
| - | 272 | + | < |
| - | < | + | Mark: Sorry. |
| - | I've wanted to pummel | + | |
| - | but I am his employer. | + | |
| - | 273 | + | < |
| - | < | + | Helly: Maybe keep your eyes on the icy road. |
| - | And he is your department chief. | + | |
| - | 274 | + | < |
| - | < | + | Mark: Sorry. |
| - | So we'll both have to be strong. | + | |
| - | 275 | + | < |
| - | < | + | Television: //Indeed, this gnat will spend much of its three to seven-day life...// |
| - | The good news is, there' | + | |
| - | one part left of your orientation, | + | |
| - | 276 | + | < |
| - | < | + | Mark: No, I know, Mrs. Selvig. It’s just, it was in my space again. Yeah. Well, trash comes tomorrow night. Tonight’s recycling. Yeah, it is weird, but that’s how they do it. And with both yours, there’s no room for... |
| - | which Mark can't possibly derail. | + | |
| - | 277 | + | < |
| - | < | + | Devon: Hey. |
| - | Why is that? | + | Mark: Hey. |
| - | 278 | + | < |
| - | < | + | Devon: Did you forget? |
| - | Because it's a video. | + | |
| - | 279 | + | < |
| - | < | + | Mark: Oh, yeah. Shit. |
| - | Welcome to Lumon, Helly. | + | |
| - | 280 | + | < |
| - | < | + | Devon: That’s okay. |
| - | Have a seat. | + | |
| - | 281 | + | < |
| - | < | + | Mark: Sorry. |
| - | Are you mad at me? | + | Devon: That’s fine. |
| - | 282 | + | < |
| - | < | + | Devon: Do you wanna put on pants, and I’ll... |
| - | For the incompetence | + | Mark: I’m wearing pants. |
| - | or the disobedience? | + | |
| - | 283 | + | < |
| - | < | + | Devon: meet you in... Those are not pants. |
| - | - Well... | + | |
| - | - Yes! | + | |
| - | 284 | + | < |
| - | < | + | Mark: So if there’s no dinner, how is it dinner? |
| - | You know, my mother was an atheist. | + | |
| - | 285 | + | < |
| - | < | + | Devon: Okay. |
| - | She used to say that there was | + | Mark: Like... |
| - | good news and bad news about hell. | + | |
| - | 286 | + | < |
| - | < | + | Devon: You actually owe me this. |
| - | The good news is, | + | |
| - | 287 | + | < |
| - | < | + | Mark: Do I? |
| - | hell is just the product | + | Devon: Yep. |
| - | of a morbid human imagination. | + | |
| - | 288 | + | < |
| - | < | + | Devon: You remember that time when we were kids and I was a way better sibling than you? |
| - | The bad news is, | + | |
| - | 289 | + | < |
| - | < | + | Mark: Must have slipped my mind. |
| - | whatever humans can imagine, | + | |
| - | they can usually create. | + | |
| - | 290 | + | < |
| - | < | + | Devon: Also, I know we’re nearing the anniversary, |
| - | I don' | + | |
| - | 291 | + | < |
| - | < | + | Mark: Nope. |
| - | A department like yours | + | |
| - | can go so good or so bad. | + | |
| - | 292 | + | < |
| - | < | + | Devon: This is nice. When did you get it? |
| - | You know what makes the difference? | + | |
| - | 293 | + | < |
| - | < | + | Mark: Something from work, and they apologized. |
| - | The people. | + | |
| - | 294 | + | < |
| - | < | + | Devon: They apologized. Thank God. Did they tack an explanation onto that apology? |
| - | You can have a seat. | + | |
| - | 295 | + | < |
| - | < | + | Mark: It’s fine. Got a gift card. |
| - | Okay, go ahead and have a seat. | + | |
| - | 296 | + | < |
| - | < | + | Devon: You got a gift card. Where’s he going to? |
| - | My name is Helly R. | + | |
| - | 297 | + | < |
| - | < | + | Mark: I don’t know. Pip’s. |
| - | I'm making this video | + | |
| - | 298 | + | < |
| - | < | + | Devon: Of course |
| - | roughly two hours | + | |
| - | before | + | |
| - | 299 | + | < |
| - | < | + | Mark: I will, without you. |
| - | I have, of my own free accord, | + | |
| - | elected to undergo the procedure | + | |
| - | 300 | + | < |
| - | < | + | Ricken: There’s our captive. |
| - | colloquially known as severance. | + | |
| - | 301 | + | < |
| - | < | + | Mark: Hi, Rick. |
| - | I give consent for my perceptual | + | Ricken: Ricken. Come on, it’s Ricken. |
| - | chronologies to be surgically split, | + | |
| - | 302 | + | < |
| - | < | + | Ricken: You, sir, look at peace. |
| - | separating my memories between | + | Mark: You know. |
| - | my work life and my personal life. | + | |
| - | 303 | + | < |
| - | < | + | Mark: Okay. |
| - | I acknowledge that, henceforth, | + | Devon: Hi, baby. |
| - | 304 | + | < |
| - | < | + | Ricken: Hi. |
| - | my access to my memories | + | |
| - | will be spatially dictated. | + | |
| - | 305 | + | < |
| - | < | + | Patton: No, what a lot of people overlook, |
| - | I will be unable to access | + | |
| - | outside recollections | + | |
| - | 306 | + | < |
| - | < | + | Danise: Right. |
| - | whilst on Lumon' | + | Patton: You’ve got life, |
| - | severed basement floor, | + | |
| - | 307 | + | < |
| - | < | + | Patton: this complex quality of sentience and activity. And then you’ve got food, which is what? |
| - | nor retain work memories upon my ascent. | + | |
| - | 308 | + | < |
| - | < | + | Ricken: Yes, what is it? |
| - | I am aware that this alteration | + | Patton: Fuel. |
| - | 309 | + | < |
| - | < | + | Patton: Calories. It’s not the same thing. |
| - | is comprehensive and irreversible. | + | |
| - | 310 | + | < |
| - | < | + | Ricken: Yes, that is spot on, Patton. |
| - | I make these statements freely. | + | Rebeck: |
| - | 311 | + | < |
| - | < | + | Devon: Though, if I’m...Sorry, |
| - | Okay, that' | + | |
| - | 312 | + | < |
| - | < | + | Mark: True. |
| - | Okay. | + | Devon: It was low-hanging fruit. |
| - | 313 | + | < |
| - | < | + | Ricken: He did. He was a misdiagnosed alcoholic. |
| - | Go ahead. | + | |
| - | 314 | + | < |
| - | < | + | Danise: Now, Mark, Ricken told Rebeck and me that you’re a former history professor. |
| - | So I'll never leave here? | + | |
| - | 315 | + | < |
| - | < | + | Mark: Yeah. |
| - | You'll leave at 5:00. | + | |
| - | 316 | + | < |
| - | < | + | Danise: So, I’m curious for your take on all of this. The food v life of it. |
| - | Well, actually, | + | |
| - | they stagger our exits, so 5:15. | + | |
| - | 317 | + | < |
| - | < | + | Mark: Well, I’m not sure. I taught mostly about World War I. |
| - | But it won't feel like it. | + | |
| - | Not to this version of you anyway. | + | |
| - | 318 | + | < |
| - | < | + | Patton: Okay. Well, I got one for you. I was just reading this think piece about the comparative levels of violence and warfare throughout history. |
| - | Do I have a family? | + | |
| - | 319 | + | < |
| - | < | + | Ricken: Nerd alert. |
| - | You'll never know. | + | |
| - | 320 | + | < |
| - | < | + | Patton: War porn, I know. |
| - | And I have no choice. | + | |
| - | 321 | + | < |
| - | < | + | Patton: But anyway, in it, he said that the people actually called |
| - | Well, every time you find yourself here, | + | |
| - | it's because you chose to come back. | + | |
| - | 322 | + | < |
| - | < | + | Ricken: Is that right? |
| - | Hello. | + | |
| - | 323 | + | < |
| - | < | + | Mark: Well, you know, no one would’ve called it World War I ’cause World War II hadn’t happened yet. |
| - | Good night. | + | |
| - | 324 | + | < |
| - | < | + | Danise: Wow. |
| - | Good night. | + | Ricken: Of course. |
| - | 325 | + | < |
| - | < | + | Patton: That’s absolutely right. |
| - | "Dear Mark, | + | Ricken: Duh. |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | + | < |
| - | < | + | Rebeck: That’s so true. |
| - | you slipped on an | + | |
| - | overhead projector slide | + | |
| - | 327 | + | < |
| - | < | + | Devon: This is why we bring this guy. |
| - | and sustained a minor | + | |
| - | blow to the temple." | + | |
| - | 328 | + | < |
| - | < | + | Ricken: Mark’s late wife, Gemma, was an educator as well. Russian literature. |
| - | Hey! | + | |
| - | 329 | + | < |
| - | < | + | Rebeck: I love literature. |
| - | Sorry. | + | Ricken: Right? |
| - | 330 | + | < |
| - | < | + | Ricken: But Mark is a Lumon man now. |
| - | Maybe keep your eyes on the icy road. | + | |
| - | 331 | + | < |
| - | < | + | Devon: Ricken. |
| - | Sorry. | + | Patton: Really? |
| - | 332 | + | < |
| - | < | + | Mark: Yeah. About two years. |
| - | Indeed, this gnat will spend | + | |
| - | much of its three to seven-day life... | + | |
| - | 333 | + | < |
| - | < | + | Rebeck: Do you design the medicines? |
| - | No, I know, Mrs. Selvig. | + | Mark: No. |
| - | It's just, it was in my space again. | + | |
| - | 334 | + | < |
| - | < | + | Patton: I thought Lumon was more on the tech side of things. |
| - | Yeah. Well, trash comes tomorrow night. | + | |
| - | Tonight' | + | |
| - | 335 | + | < |
| - | < | + | Danise: They began in the 1800s. |
| - | Yeah, it is weird, | + | Ricken: Really? |
| - | but that's how they do it. | + | |
| - | 336 | + | < |
| - | < | + | Danise: Topical salves, right? |
| - | And with both yours, | + | |
| - | there' | + | |
| - | 337 | + | < |
| - | < | + | Rebeck: What don’t they make? |
| - | - Hey. | + | |
| - | - Hey. | + | |
| - | 338 | + | < |
| - | < | + | Mark: Yeah, but I’m in the corporate archives division, so... |
| - | Did you forget? | + | |
| - | 339 | + | < |
| - | < | + | Patton: So you know all the dirty secrets. |
| - | Oh, yeah. Shit. | + | |
| - | 340 | + | < |
| - | < | + | Mark: No, not really. |
| - | That's okay. | + | Ricken: No. |
| - | 341 | + | < |
| - | < | + | Ricken: Mark’s work is sensitive enough as to require the severance procedure. |
| - | - Sorry. | + | |
| - | - That's fine. | + | |
| - | 342 | + | < |
| - | < | + | Danise: Well. |
| - | - Do you wanna put on pants, and I' | + | |
| - | - I'm wearing pants. | + | |
| - | 343 | + | < |
| - | < | + | Danise: That’s something, isn’t it? |
| - | meet you in... Those are not pants. | + | |
| - | 344 | + | < |
| - | < | + | Devon: Yeah. It’s also, I think, something that’s his choice to tell people or not. |
| - | So if there's no | + | |
| - | dinner, how is it dinner? | + | |
| - | 345 | + | < |
| - | < | + | Devon: Right, Ricken? |
| - | - Okay. | + | Ricken: Oh, my God. |
| - | - Like... | + | |
| - | 346 | + | < |
| - | < | + | Mark: No. No. |
| - | You actually owe me this. | + | Ricken: Oh, God, Mark. |
| - | 347 | + | < |
| - | < | + | Ricken: Please forgive me. |
| - | - Do I? | + | Mark: No. It’s okay. I don’t care. |
| - | - Yep. | + | |
| - | 348 | + | < |
| - | < | + | Ricken: My apologies. |
| - | You remember that time when we were kids | + | Danise: No, I think it’s fascinating. |
| - | and I was a way better sibling than you? | + | |
| - | 349 | + | < |
| - | < | + | Danise: I mean, I wish I could do it. I’d just always be thinking about, you know, the other one. |
| - | Must have slipped my mind. | + | |
| - | 350 | + | < |
| - | < | + | Mark: Well, there is no other one. It’s me. I do the job. |
| - | Also, | + | |
| - | I know we're nearing | + | |
| - | 351 | + | < |
| - | < | + | Danise: |
| - | so I just thought | + | |
| - | maybe you'd wanna be around people. | + | |
| - | 352 | + | < |
| - | < | + | Patton: Well, it’s simple. One’s memories are bifurcated, so when you’re not at work, you have no recollection of what it is you do there. Did I get that right, Mark? |
| - | Nope. | + | |
| - | 353 | + | < |
| - | < | + | Mark: Well, it’s... |
| - | This is nice. When did you get it? | + | Danise: So you walk in at 9:00 a.m., |
| - | 354 | + | < |
| - | < | + | Danise: and then suddenly it’s 5:00, and you’re leaving? |
| - | Something from work, | + | |
| - | and they apologized. | + | |
| - | 355 | + | < |
| - | < | + | Mark: Well, they stagger us a little, so... |
| - | They apologized. Thank God. | + | Danise: They stagger you? |
| - | 356 | + | < |
| - | < | + | Patton: And then, conversely, when you’re at work, you can’t access outside memories. So, in effect, |
| - | Did they tack an explanation | + | |
| - | onto that apology? | + | |
| - | 357 | + | < |
| - | < | + | Ricken: Well... |
| - | It's fine. Got a gift card. | + | |
| - | 358 | + | < |
| - | < | + | Patton: Well, I mean, not trapped, but... |
| - | You got a gift card. | + | Mark: But what? |
| - | Where' | + | |
| - | 359 | + | < |
| - | < | + | Mark: No, no. I’m curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | I don't know. Pip's. | + | |
| - | 360 | + | < |
| - | < | + | Danise: So, I suppose we know where you fall on the congressional goings-on. |
| - | Of course it's Pip's. Well, enjoy. | + | |
| - | 361 | + | < |
| - | < | + | Ricken: Okay, I think we may be |
| - | I will, without you. | + | |
| - | 362 | + | < |
| - | < | + | Ricken: missing the point here. |
| - | There' | + | Devon: Yeah. |
| - | 363 | + | < |
| - | < | + | Ricken: The point is that Mark made a decision. And that decision was controversial, ethically and socially. Morally. Scientifically. But, Mark, I stand behind you without reservation. |
| - | - Hi, Rick. | + | |
| - | - Ricken. Come on, it's Ricken. | + | |
| - | 364 | + | < |
| - | < | + | Danise: So well said. |
| - | - You, sir, look at peace. | + | Ricken: Thank you. |
| - | - You know. | + | |
| - | 365 | + | < |
| - | < | + | Patton: Absolutely. |
| - | - Okay. | + | Rebeck: I definitely stand behind Mark. |
| - | - Hi, baby. | + | |
| - | 366 | + | < |
| - | < | + | Mark: Wow. Thank you. That’s very sweet. |
| - | Hi. | + | |
| - | 367 | + | < |
| - | < | + | Ricken: Well, we’re at the point where, traditionally, I would say something like, "Dig in." But I must say, I do think that the lack of food has allowed us to already do so on a much deeper level. |
| - | No, what a lot of people overlook, | + | |
| - | I think, is that life is not food. | + | |
| - | 368 | + | < |
| - | < | + | Patton: Oh, yeah. No, absolutely. |
| - | - Right. | + | Ricken: Right? |
| - | - You've got life, | + | |
| - | 369 | + | < |
| - | < | + | Patton: I was saying, my friend in Lima hasn’t had a food-based dinner event in... |
| - | this complex quality | + | |
| - | of sentience and activity. | + | |
| - | 370 | + | < |
| - | < | + | Devon: If I give you $3,000, will you forgive me? |
| - | And then you've got food, which is what? | + | |
| - | 371 | + | < |
| - | < | + | Mark: Well, because your child is innocent of tonight’s atrocities, I’ll wait until after it’s born to murder you. |
| - | - Yes, what is it? | + | |
| - | - Fuel. | + | |
| - | 372 | + | < |
| - | < | + | Devon: Oh, my God. Here you go, buddy. |
| - | Calories. It's not the same thing. | + | |
| - | 373 | + | < |
| - | < | + | Mark: Thank you. |
| - | - Yes, that is spot on, Patton. | + | |
| - | - I definitely agree. | + | |
| - | 374 | + | < |
| - | < | + | Devon: Hey, how’s the good doctor therapy man with that weird little mustache? |
| - | Though, if I'm... | + | |
| - | 375 | + | < |
| - | < | + | Devon: You’re not going? |
| - | Sorry, Mark and my dad used to have | + | |
| - | " | + | |
| - | 376 | + | < |
| - | < | + | Mark: Well, the work thing’s helped. |
| - | - True. | + | |
| - | - It was low-hanging fruit. | + | |
| - | 377 | + | < |
| - | < | + | Devon: Yeah. |
| - | He did. He was a misdiagnosed alcoholic. | + | |
| - | 378 | + | < |
| - | < | + | Devon: I’m proud of you for taking |
| - | Now, Mark, Ricken told Rebeck and me | + | |
| - | that you're a former history professor. | + | |
| - | 379 | + | < |
| - | < | + | Devon: I just feel like forgetting about her for eight hours a day isn’t the same thing as healing. |
| - | Yeah. | + | |
| - | 380 | + | < |
| - | < | + | Devon: You wanna crash here, since you’re already here? |
| - | So I'm curious | + | |
| - | for your take on all of this. | + | |
| - | 381 | + | < |
| - | < | + | Mark: No. |
| - | The food v life of it. | + | |
| - | 382 | + | < |
| - | < | + | Devon: Why? |
| - | Well, I'm not sure. | + | |
| - | I taught mostly about World War I. | + | |
| - | 383 | + | < |
| - | < | + | Mark: Your house smells like pregnancy. |
| - | Okay. Well, I got one for you. | + | |
| - | 384 | + | < |
| - | < | + | Devon: Yeah, I’m just not grasping the visceral element of it. |
| - | I was just reading this think piece | + | |
| - | 385 | + | < |
| - | < | + | Devon: She is fun, wasn’t she? |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | 386 | + | < |
| - | < | + | Devon: You’re definitely staying here tonight. |
| - | Nerd alert. | + | Mark: No, I’m not. |
| - | 387 | + | < |
| - | < | + | Ricken: I’m making all the bedsheets myself, so I won’t finish with the big one for some time. But the twin is comfortable, |
| - | War porn, I know. | + | |
| - | 388 | + | < |
| - | < | + | Mark: Thanks. I still don’t quite get the three beds. |
| - | But anyway, in it, he said that the | + | |
| - | people actually called it the Great War. | + | |
| - | 389 | + | < |
| - | < | + | Ricken: Right. |
| - | Apparently, it would have been a | + | Devon: Ricken’s colleague told us that switching out the beds as the child grows can wound that child. |
| - | faux pas to have called it World War I. | + | |
| - | 390 | + | < |
| - | < | + | Ricken: Irreparably. |
| - | Is that right? | + | |
| - | 391 | + | < |
| - | < | + | Ricken: But if you provide said child with all of its beds upon birth, you allow it to progress across the room at its own rate. |
| - | Well, you know, | + | |
| - | no one would' | + | |
| - | 392 | + | < |
| - | < | + | Mark: Got it. Yeah. |
| - | 'cause World War II hadn't happened yet. | + | |
| - | 393 | + | < |
| - | < | + | Ricken: Yeah. |
| - | - Wow. | + | |
| - | - Of course. | + | |
| - | 394 | + | < |
| - | < | + | Ricken: I think people really enjoyed you tonight, Mark. |
| - | - That's absolutely right. | + | |
| - | - Duh. | + | |
| - | 395 | + | < |
| - | < | + | Mark: Good. |
| - | That's so true. | + | |
| - | 396 | + | < |
| - | < | + | Devon: |
| - | This is why we bring this guy. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | Mark's late wife, Gemma, was an educator | + | |
| - | as well. Russian literature. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | - I love literature. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | But Mark is a Lumon man now. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | - Ricken. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Yeah. About two years. | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | - Do you design the medicines? | + | |
| - | - No. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I thought Lumon | + | |
| - | was more on the tech side of things. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | - They began in the 1800s. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Topical salves, right? | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | What don't they make? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | Yeah, but I'm in | + | |
| - | the corporate archives division, so... | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | So you know all the dirty secrets. | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | - No, not really. | + | |
| - | - No. | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | Mark's work is sensitive enough | + | |
| - | as to require the severance procedure. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | Well. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | That's something, isn't it? | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | Yeah. It's also, I think, something | + | |
| - | that's his choice to tell people or not. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | - Right, Ricken? | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | - No. No. | + | |
| - | - Oh, God, Mark. | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | - Please forgive me. | + | |
| - | - No. It's okay. I don't care. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | - My apologies. | + | |
| - | - No, I think it's fascinating. | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | I mean, I wish I could do it. | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | I'd just always be thinking about, | + | |
| - | you know, the other one. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | Well, there is no other one. | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | I just don't grasp the visceral element. | + | |
| - | What does it feel like? | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Well, it's simple. | + | |
| - | One's memories are bifurcated, | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | so when you're not at work, you have no | + | |
| - | recollection of what it is you do there. | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | Did I get that right, Mark? | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | - Well, it' | + | |
| - | - So you walk in at 9:00 a.m., | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | and then suddenly it's 5:00, | + | |
| - | and you're leaving? | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | - Well, they stagger us a little, so... | + | |
| - | - They stagger you? | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | And then, conversely, when you're at | + | |
| - | work, you can't access outside memories. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | So, in effect, | + | |
| - | that version of you is trapped there. | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | Well... | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | - Well, I mean, not trapped, but... | + | |
| - | - But what? | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | No, no. I'm curious. What were you | + | |
| - | gonna say? But not trapped, but what? | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | What were you saying? | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | So I suppose we know where you fall | + | |
| - | on the congressional goings-on. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | Okay, I think we may be | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | - missing the point here. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | The point is that Mark made a decision. | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | And that decision was controversial, | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | ethically and socially. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Morally. Scientifically. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But, Mark, I stand behind you | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | without reservation. | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | - So well said. | + | |
| - | - Thank you. | + | |
| - | + | ||
| - | 445 | + | |
| - | < | + | |
| - | - Absolutely. | + | |
| - | - I definitely stand behind Mark. | + | |
| - | + | ||
| - | 446 | + | |
| - | < | + | |
| - | Wow. | + | |
| - | + | ||
| - | 447 | + | |
| - | < | + | |
| - | Thank you. That's very sweet. | + | |
| - | + | ||
| - | 448 | + | |
| - | < | + | |
| - | Well, we're at the point | + | |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | - Oh, yeah. No, absolutely. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | I was saying, my friend in Lima hasn' | + | |
| - | had a food-based dinner event in... | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | If I give you $3,000, | + | |
| - | will you forgive me? | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | Well, because your child | + | |
| - | is innocent of tonight' | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | I'll wait until after it's born | + | |
| - | to murder you. | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | Oh, my God. Here you go, buddy. | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | Hey, how's the good doctor therapy man | + | |
| - | with that weird little mustache? | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | You're not going? | + | |
| - | + | ||
| - | 461 | + | |
| - | < | + | |
| - | Well, the work thing' | + | |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | I'm proud of you for taking that job. | + | |
| - | I really am. | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | And I think she would' | + | |
| - | I know she would' | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | I just feel like forgetting about her | + | |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | You wanna crash here, | + | |
| - | since you're already here? | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | No. | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | Why? | + | |
| - | + | ||
| - | 470 | + | |
| - | < | + | |
| - | Your house smells like pregnancy. | + | |
| - | + | ||
| - | 471 | + | |
| - | < | + | |
| - | Yeah, I'm just not grasping | + | |
| - | the visceral element of it. | + | |
| - | + | ||
| - | 472 | + | |
| - | < | + | |
| - | She is fun, wasn't she? | + | |
| - | + | ||
| - | 473 | + | |
| - | < | + | |
| - | - You're definitely staying here tonight. | + | |
| - | - No, I'm not. | + | |
| - | + | ||
| - | 474 | + | |
| - | < | + | |
| - | I'm making all the bedsheets myself, | + | |
| - | + | ||
| - | 475 | + | |
| - | < | + | |
| - | so I won't finish with the big one | + | |
| - | for some time. | + | |
| - | + | ||
| - | 476 | + | |
| - | < | + | |
| - | But the twin is comfortable, | + | |
| - | + | ||
| - | 477 | + | |
| - | < | + | |
| - | and the pajamas were made | + | |
| - | on a Baltic handloom, | + | |
| - | + | ||
| - | 478 | + | |
| - | < | + | |
| - | so you'll sleep well. | + | |
| - | + | ||
| - | 479 | + | |
| - | < | + | |
| - | Thanks. | + | |
| - | I still don't quite get the three beds. | + | |
| - | + | ||
| - | 480 | + | |
| - | < | + | |
| - | - Right. | + | |
| - | - Ricken' | + | |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | that switching out the beds | + | |
| - | as the child grows can wound that child. | + | |
| - | + | ||
| - | 482 | + | |
| - | < | + | |
| - | Irreparably. | + | |
| - | + | ||
| - | 483 | + | |
| - | < | + | |
| - | But if you provide said child | + | |
| - | with all of its beds upon birth, | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | you allow it to progress across the room | + | |
| - | at its own rate. | + | |
| - | + | ||
| - | 485 | + | |
| - | < | + | |
| - | Got it. Yeah. | + | |
| - | + | ||
| - | 486 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 487 | + | |
| - | < | + | |
| - | I think people really | + | |
| - | enjoyed you tonight, Mark. | + | |
| - | + | ||
| - | 488 | + | |
| - | < | + | |
| - | Good. | + | |
| - | + | ||
| - | 489 | + | |
| - | < | + | |
| - | All right, baby. | + | |
| 490 | 490 | ||
| - | < | + | < |
| - | - You ready, baby? | + | Devon: |
| - | - Yeah. | + | Ricken: |
| - | 491 | + | < |
| - | < | + | Devon: |
| - | - Let's go. | + | Ricken: |
| - | - Sweet dreams. | + | |
| - | 492 | + | < |
| - | < | + | Mark: Thanks. |
| - | Thanks. | + | |
| - | < | + | < |
| - | MARK: Good night, milord. | + | Mark: Good night, milord. |
| - | < | + | < |
| - | DEVON: Good night, milady. | + | Devon: Good night, milady. |
| - | 495 | + | < |
| - | < | + | Devon: |
| - | Hey. | + | |
| - | 496 | + | < |
| - | < | + | Mark: Hey. |
| - | Hey. | + | |
| - | 497 | + | < |
| - | < | + | Devon: |
| - | How long you been up? | + | |
| - | 498 | + | < |
| - | < | + | Mark: A while. |
| - | A while. | + | |
| - | 499 | + | < |
| - | < | + | Mark: There was a businessman in the yard last night. |
| - | There was a businessman | + | |
| - | in the yard last night. | + | |
| - | 500 | + | < |
| - | < | + | Devon: |
| - | - A businessman? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 501 | + | < |
| - | < | + | Devon: |
| - | Entry-level or management? | + | |
| - | 502 | + | < |
| - | < | + | Mark: I’m serious. |
| - | I'm serious. | + | |
| - | 503 | + | < |
| - | < | + | Devon: |
| - | There was seriously a man | + | |
| - | in my yard last night? | + | |
| - | 504 | + | < |
| - | < | + | Mark: Yeah. |
| - | Yeah. | + | |
| - | 505 | + | < |
| - | < | + | Devon: |
| - | Holy shit. | + | |
| - | 506 | + | < |
| - | < | + | Mark: He, you know, looked at me weird, like he knew me. |
| - | He, you know, looked at me weird, | + | |
| - | like he knew me. | + | |
| - | 507 | + | < |
| - | < | + | Devon: |
| - | Did the prowler invading my home | + | |
| - | make you feel seen? | + | |
| - | 508 | + | < |
| - | < | + | Mark: So seen. |
| - | So seen. | + | |
| - | 509 | + | < |
| - | < | + | Devon: |
| - | Well, there's a bar down the hill. | + | |
| - | It's probably just a stumbler. | + | |
| - | 510 | + | < |
| - | < | + | Mark: I’m sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | Speaking of which, | + | |
| - | you still smell like a distillery. | + | |
| - | + | ||
| - | 511 | + | |
| - | < | + | |
| - | I'm sorry, | + | |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | + | < |
| - | < | + | Devon: |
| - | You've been sitting on that one. | + | |
| - | + | ||
| - | 514 | + | |
| - | < | + | |
| - | Hello. | + | |
| - | + | ||
| - | 515 | + | |
| - | < | + | |
| - | Okay. So, recycling was | + | |
| - | last night, Mrs. Selvig. | + | |
| - | + | ||
| - | 516 | + | |
| - | < | + | |
| - | Tonight' | + | |
| - | + | ||
| - | 517 | + | |
| - | < | + | |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | + | ||
| - | 518 | + | |
| - | < | + | |
| - | Yeah. Okay. | + | |
| - | + | ||
| - | 519 | + | |
| - | < | + | |
| - | You know, I actually can't talk | + | |
| - | right now. I'm out at dinner. But... | + | |
| - | + | ||
| - | 520 | + | |
| - | < | + | |
| - | No, by myself. | + | |
| - | + | ||
| - | 521 | + | |
| - | < | + | |
| - | Pip's Bar and Grille. | + | |
| - | + | ||
| - | 522 | + | |
| - | < | + | |
| - | Excuse me. | + | |
| - | + | ||
| - | 523 | + | |
| - | < | + | |
| - | Hang up. Quickly. | + | |
| - | + | ||
| - | 524 | + | |
| - | < | + | |
| - | I'm sorry, Mrs. Selvig. | + | |
| - | They' | + | |
| - | + | ||
| - | 525 | + | |
| - | < | + | |
| - | Hi, kids. What's for dinner? | + | |
| - | + | ||
| - | 526 | + | |
| - | < | + | |
| - | I'm sorry. You don't get that reference. | + | |
| - | + | ||
| - | 527 | + | |
| - | < | + | |
| - | Are you following me? | + | |
| - | + | ||
| - | 528 | + | |
| - | < | + | |
| - | Your voice is different here. | + | |
| - | + | ||
| - | 529 | + | |
| - | < | + | |
| - | Worse. | + | |
| - | + | ||
| - | 530 | + | |
| - | < | + | |
| - | - Okay, who the fuck are you? | + | |
| - | - Petey. | + | |
| - | + | ||
| - | 531 | + | |
| - | < | + | |
| - | My name is Petey. I'm from work. | + | |
| - | + | ||
| - | 532 | + | |
| - | < | + | |
| - | Well, that's not plausible. | + | |
| - | Everyone in my department is... | + | |
| - | + | ||
| - | 533 | + | |
| - | < | + | |
| - | Severed. Severed. I was. | + | |
| - | + | ||
| - | 534 | + | |
| - | < | + | |
| - | Okay. Well, severance | + | |
| - | is pretty permanent. | + | |
| - | + | ||
| - | 535 | + | |
| - | < | + | |
| - | Yeah. Bypassing the implant wasn't easy. | + | |
| - | I had help. | + | |
| - | + | ||
| - | 536 | + | |
| - | < | + | |
| - | So, what, you were unhappy at work? | + | |
| - | 537 | + | < |
| - | < | + | Mark: Hello. |
| - | - And instead of lodging a complaint, you... | + | |
| - | - No. | + | |
| - | 538 | + | < |
| - | < | + | Mark: Okay. So, recycling was last night, Mrs. Selvig. Tonight’s garbage. And you keep putting your bin on my side. So... |
| - | I tried that first. So did you. | + | |
| - | 539 | + | < |
| - | < | + | Mark: Yeah. Okay. |
| - | Right. Okay. So... | + | |
| - | 540 | + | < |
| - | < | + | Mark: You know, I actually can’t talk right now. I’m out at dinner. But... |
| - | You've unsevered. | + | |
| - | 541 | + | < |
| - | < | + | Mark: No, by myself. |
| - | And now you, what, think they' | + | |
| - | after you or something? | + | |
| - | 542 | + | < |
| - | < | + | Mark: Pip’s Bar and Grille. |
| - | Yeah. | + | |
| - | 543 | + | < |
| - | < | + | Mark: Excuse me. |
| - | " | + | |
| - | who's probably out here right now. | + | |
| - | 544 | + | < |
| - | < | + | Petey: Hang up. Quickly. |
| - | Graner. Okay. | + | |
| - | Is that, like, a person you know or... | + | |
| - | 545 | + | < |
| - | < | + | Mark: I’m sorry, Mrs. Selvig. They’ve cooked the food, and it’s here. |
| - | We both know him. We don't like him. | + | |
| - | 546 | + | < |
| - | < | + | Petey: Hi, kids. What’s for dinner? |
| - | I see. | + | |
| - | 547 | + | < |
| - | < | + | Petey: I’m sorry. You don’t get that reference. |
| - | Nothing down there is what they say. | + | |
| - | 548 | + | < |
| - | < | + | Mark: Are you following |
| - | If something happens to me, | + | |
| - | 549 | + | < |
| - | < | + | Petey: Your voice is different here. Worse. |
| - | the things I know need to stay known. | + | |
| - | 550 | + | < |
| - | < | + | Mark: Okay, who the fuck are you? |
| - | I'd prefer it be by a friend. | + | Petey: Petey. |
| - | 551 | + | < |
| - | < | + | Petey: My name is Petey. I’m from work. |
| - | So, we're friends? | + | |
| - | 552 | + | < |
| - | < | + | Mark: Well, that’s not plausible. Everyone in my department is... |
| - | I'm your best friend. | + | |
| - | 553 | + | < |
| - | < | + | Petey: Severed. Severed. I was. |
| - | You're my very good friend. | + | |
| - | 554 | + | < |
| - | < | + | Mark: Okay. Well, severance is pretty permanent. |
| - | Mark, sorry about the card. | + | |
| - | 555 | + | < |
| - | < | + | Petey: Yeah. Bypassing the implant wasn’t easy. I had help. |
| - | I had to grab something, | + | |
| - | and I know it's not appropriate. | + | |
| - | 556 | + | < |
| - | < | + | Mark: So, what, you were unhappy at work? |
| - | Though I'm sure you'd be | + | |
| - | a really fucking awesome niece. | + | |
| - | 557 | + | < |
| - | < | + | Mark: And instead |
| - | We used to wonder | + | Petey: No. |
| - | what kind of men we were on the outside, | + | |
| - | 558 | + | < |
| - | < | + | Petey: I tried that first. So did you. |
| - | what choices we had made and why. | + | |
| - | 559 | + | < |
| - | < | + | Mark: Right. Okay. So...You’ve unsevered. And now you, what, think they’re after you or something? |
| - | I used to think it would take a monster | + | |
| - | 560 | + | < |
| - | < | + | Petey: Yeah. " |
| - | to put someone | + | |
| - | in a place like that office. | + | |
| - | 561 | + | < |
| - | < | + | Mark: Graner. Okay. Is that, like, a person |
| - | Especially if the person | + | |
| - | 562 | + | < |
| - | < | + | Petey: We both know him. We don’t like him. |
| - | But we're not monsters, Mark. | + | |
| - | Not real ones. | + | |
| - | 563 | + | < |
| - | < | + | Mark: I see. |
| - | If you don't wanna know what' | + | |
| - | going on down there, | + | |
| - | 564 | + | < |
| - | < | + | Petey: Nothing down there is what they say. If something happens to me, the things I know need to stay known. I’d prefer it be by a friend. |
| - | But if you do, there's an address | + | |
| - | on the back of this card. | + | |
| - | 565 | + | < |
| - | < | + | Mark: So, we’re friends? |
| - | Go alone, and you'll find | + | |
| - | the beginning of a very long answer. | + | |
| - | 566 | + | < |
| - | < | + | Petey: I’m your best friend. You’re my very good friend. |
| - | Mark, is that you? | + | |
| - | 567 | + | < |
| - | < | + | Petey: Mark, sorry about the card. and I know it’s not appropriate. Though I’m sure you’d be a really fucking awesome niece. We used to wonder what kind of men we were on the outside, what choices we had made and why. I used to think it would take a monster to put someone in a place like that office. Especially if the person was himself. But we’re not monsters, Mark. Not real ones. |
| - | Hi, Mrs. Selvig. | + | |
| - | 568 | + | < |
| - | < | + | Petey: If you don’t wanna know what’s going on down there, I won’t force it. But if you do, there’s an address on the back of this card. Go alone, and you’ll find the beginning of a very long answer. |
| - | Will you color me embarrassed | + | |
| - | for the mix-up with the bins? | + | |
| - | 569 | + | < |
| - | < | + | Cobel: Mark, is that you? |
| - | No, it's no problem. | + | |
| - | 570 | + | < |
| - | < | + | Mark: Hi, Mrs. Selvig. |
| - | How was dinner? | + | |
| - | 571 | + | < |
| - | < | + | Cobel: Will you color me embarrassed for the mix-up with the bins? |
| - | Fine. I'm just, you know, tired. | + | |
| - | 572 | + | < |
| - | < | + | Mark: No, it’s no problem. |
| - | You know, my mother was a Catholic. | + | |
| - | 573 | + | < |
| - | < | + | COEBL: How was dinner? |
| - | She used to say it takes the saints | + | |
| - | eight hours to bless a sleeping child. | + | |
| - | 574 | + | < |
| - | < | + | Mark: Fine. I’m just, you know, tired. |
| - | I hope you aren't rushing the saints. | + | |
| - | 575 | + | < |
| - | < | + | Cobel: You know, my mother was a Catholic. She used to say it takes the saints eight hours to bless a sleeping child. |
| - | Well, I'll give them ample time tonight. | + | |
| - | 576 | + | < |
| - | < | + | Mark: Well, I’ll give them ample time tonight. |
| - | Good night, Mrs. Selvig. | + | |
| - | 577 | + | < |
| - | < | + | Cobel: |
| - | Mark. | + | |
| - | 578 | + | < |
| - | < | + | Cobel: |
| - | You're good people. | + | |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
good_news_about_hell_transcript.1656296986.txt.gz · Last modified: 2022-06-27 02:29 by Neatnik
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