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| good_news_about_hell_transcript [2022-05-16 17:47] – Neatnik | good_news_about_hell_transcript [2023-03-24 19:22] (current) – Scribe of Kier | ||
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| - | < | + | < |
| - | [[Mark Scout|MARK]]: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | MARK: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | [[Helena Eagan|HELLY]]: Hello? | + | Helly: Hello? |
| - | < | + | < |
| - | MARK: I'm sorry, I got ahead of myself. | + | Mark: I’m sorry, I got ahead of myself. |
| - | < | + | < |
| - | MARK: Hi there, you on the table. I wonder if you'd mind taking a brief survey. | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | < | + | < |
| - | HELLY: Who is that? | + | Helly: Who is that? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | MARK: Now, I know you're sleepy, but I just bet it'll make you feel right as rain. | + | Mark: Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | < | + | < |
| - | HELLY: Who's speaking? | + | Helly: Who’s speaking? |
| - | < | + | < |
| - | HELLY: Oh, God. | + | Helly: Oh, God. |
| - | < | + | < |
| - | HELLY: Hey! Open the door! | + | Helly: Hey! Open the door! |
| - | < | + | < |
| - | MARK: I'd be just thrilled to chat once we've run the survey. Shall we begin with question one? | + | Mark: I’d be just thrilled to chat once we’ve run the survey. Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: I'm not taking your survey. | + | Helly: I’m not taking your survey. |
| - | < | + | < |
| - | MARK: Shall we begin with question one? | + | Mark: Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: Let me out of here. | + | Helly: Let me out of here. |
| - | < | + | < |
| - | HELLY: Hey! | + | Helly: Hey! |
| - | < | + | < |
| - | HELLY: Open the door! | + | Helly: Open the door! |
| - | < | + | < |
| - | HELLY: Fuck. | + | Helly: Fuck. |
| - | < | + | < |
| - | HELLY: Hey! Let me out! | + | Helly: Hey! Let me out! |
| - | < | + | < |
| - | HELLY: Hey. | + | Helly: Hey. |
| - | < | + | < |
| - | MARK: Hello. | + | Mark: Hello. |
| - | < | + | < |
| - | HELLY: Five questions? | + | Helly: Five questions? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | HELLY: What do I get at the end? | + | Helly: What do I get at the end? |
| - | < | + | < |
| - | MARK: Depends on your answers. | + | Mark: Depends on your answers. |
| - | < | + | < |
| - | HELLY: Okay. | + | Helly: Okay. |
| - | < | + | < |
| - | MARK: Great. Off we go. Now to start, who are you? | + | Mark: Great. Off we go. Now to start, who are you? |
| - | < | + | < |
| - | HELLY: That's the first question? | + | Helly: That’s the first question? |
| - | < | + | < |
| - | MARK: First name will do. | + | Mark: First name will do. |
| - | < | + | < |
| - | HELLY: I don't... | + | Helly: I don’t... |
| - | < | + | < |
| - | MARK: It's okay. If you can't answer the question, feel free to say, " | + | Mark: It’s okay. If you can’t answer the question, feel free to say, " |
| - | < | + | < |
| - | HELLY: What is this? | + | Helly: What is this? |
| - | < | + | < |
| - | MARK: Okay, unknown. | + | Mark: Okay, unknown. |
| - | < | + | < |
| - | MARK: Question two, in which US state or territory were you born? | + | Mark: Question two, in which US state or territory were you born? |
| - | < | + | < |
| - | HELLY: Wait. | + | Helly: Wait. |
| - | MARK: Which state or territory, please? | + | Mark: Which state or territory, please? |
| - | < | + | < |
| - | HELLY: I don't know. | + | Helly: I don’t know. |
| - | MARK: Unknown. | + | Mark: Unknown. |
| - | < | + | < |
| - | MARK: Question three, please name any US state or territory. | + | Mark: Question three, please name any US state or territory. |
| - | < | + | < |
| - | HELLY: Fuck. I... | + | Helly: Fuck. I... |
| - | MARK: First that comes to mind. | + | Mark: First that comes to mind. |
| - | < | + | < |
| - | HELLY: I don't know. Delaware. What is this? | + | Helly: I don’t know. Delaware. What is this? |
| - | MARK: Delaware. | + | Mark: Delaware. |
| - | < | + | < |
| - | MARK: Question four, what is [[Kier Eagan|Mr. Eagan]]'s favorite breakfast? | + | Mark: Question four, what is Mr. Eagan’s favorite breakfast? |
| - | < | + | < |
| - | HELLY: I don't... That one makes no sense. | + | Helly: I don’t... That one makes no sense. |
| - | < | + | < |
| - | MARK: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother's eyes? | + | Mark: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother’s eyes? |
| - | < | + | < |
| - | HELLY: Okay, what's hap... What's happening? | + | Helly: Okay, what’s hap... What’s happening? |
| - | < | + | < |
| - | MARK: Unknown. So that's unknown, unknown, Delaware, unknown, unknown. | + | Mark: Unknown. So that’s unknown, unknown, Delaware, unknown, unknown. |
| - | < | + | < |
| - | HELLY: What the hell did you do to me? | + | Helly: What the hell did you do to me? |
| - | < | + | < |
| - | MARK: That's a perfect score. | + | Mark: That’s a perfect score. |
| - | < | + | < |
| - | [[Florence|FLORENCE]]: Are you ready for Mr. Scout? | + | Florence: Are you ready for Mr. Scout? |
| - | < | + | < |
| - | FLORENCE: Thank you. | + | Florence: Thank you. |
| - | < | + | < |
| - | FLORENCE: Go ahead. | + | Florence: Go ahead. |
| - | < | + | < |
| - | [[Judd|JUDD]]: Mr. Scout. | + | Judd: Mr. Scout. |
| - | < | + | < |
| - | MARK: Hi, Judd. | + | Mark: Hi, Judd. |
| - | < | + | < |
| - | JUDD: All right, see you this evening. | + | Judd: All right, see you this evening. |
| - | MARK: Yep, see you soon. | + | Mark: Yep, see you soon. |
| - | < | + | < |
| - | [[Dylan George|DYLAN]]: You're breathing shitty. | + | Dylan: You’re breathing shitty. |
| - | MARK: Sorry. | + | Mark: Sorry. |
| - | < | + | < |
| - | DYLAN: You sick? | + | Dylan: You sick? |
| - | < | + | < |
| - | MARK: Maybe. Petey was sniffling yesterday. | + | Mark: Maybe. Petey was sniffling yesterday. |
| - | < | + | < |
| - | DYLAN: If you breathe on me, I'll rip your larynx out. | + | Dylan: If you breathe on me, I’ll rip your larynx out. |
| - | < | + | < |
| - | MARK: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. | + | Mark: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. |
| - | < | + | < |
| - | MARK: Oh. | + | Mark: Oh. |
| - | < | + | < |
| - | DYLAN: Petey better not be out for the day, 'cause I'm about zero seconds from wrapping the Tumwater file, and he needs to process it. | + | Dylan: Petey better not be out for the day, ’cause I’m about zero seconds from wrapping the Tumwater file, and he needs to process it. |
| - | < | + | < |
| - | MARK: I think he's out. | + | Mark: I think he’s out. |
| - | < | + | < |
| - | DYLAN: If he doesn't process today, they won't know until Tuesday of next week. It's typical Lumon bullshit. | + | Dylan: If he doesn’t process today, they won’t know until Tuesday of next week. It’s typical Lumon bullshit. |
| - | < | + | < |
| - | MARK: Careful, guy. | + | Mark: Careful, guy. |
| - | < | + | < |
| - | [[Irving | + | Irving: Hi, kids. What’s for dinner? |
| - | < | + | < |
| - | DYLAN: Goddamn it, Irv. We warned you. | + | Dylan: Goddamn it, Irv. We warned you. |
| - | < | + | < |
| - | IRVING: About the greeting? You were kidding. | + | Irving: About the greeting? You were kidding. |
| - | < | + | < |
| - | DYLAN: No, we sincerely hate it. How many reasons did we come up with? | + | Dylan: No, we sincerely hate it. How many reasons did we come up with? |
| - | < | + | < |
| - | MARK: Eight. | + | Mark: Eight. |
| - | DYLAN: Eight reasons. | + | Dylan: Eight reasons. |
| - | < | + | < |
| - | DYLAN: Chief among them the latent condescension. | + | Dylan: Chief among them the latent condescension. |
| - | < | + | < |
| - | MARK: And it's confusing. Like, did the kids make you dinner in this scenario? Or... | + | Mark: And it’s confusing. Like, did the kids make you dinner in this scenario? Or... |
| - | < | + | < |
| - | DYLAN: Yeah. What kind of a shit dad are you? | + | Dylan: Yeah. What kind of a shit dad are you? |
| - | < | + | < |
| - | IRVING: No Petey? | + | Irving: No Petey? |
| - | MARK: We think he's sick. | + | Mark: We think he’s sick. |
| - | < | + | < |
| - | IRVING: Oh, no. And Dylan's about to wrap [[Tumwater]] today. | + | Irving: Oh, no. And Dylan’s about to wrap Tumwater today. |
| - | < | + | < |
| - | DYLAN: Yeah, and if he doesn't see me finish, I might get passed over for [[refiner of the quarter]] and miss out on my goddamn | + | Dylan: Yeah, and if he doesn’t see me finish, I might get passed over for refiner of the quarter and miss out on my goddamn waffle party. |
| - | < | + | < |
| - | IRVING: Grumble, grumble. | + | Irving: Grumble, grumble. These perks are so out of hand. When we’d process a file in the old days, they’d shake our hand and fill up the creamer. |
| - | These perks are so out of hand. When we'd process a file in the old days, they'd shake our hand and fill up the creamer. | + | |
| - | < | + | < |
| - | DYLAN: I still don't buy they actually incentivized creamer. | + | Dylan: I still don’t buy they actually incentivized creamer. |
| - | < | + | < |
| - | IRVING: They did. And back then, we were grateful for it. | + | Irving: They did. And back then, we were grateful for it. |
| - | < | + | < |
| - | DYLAN: That's fucked, dude. | + | Dylan: That’s fucked, dude. |
| - | < | + | < |
| - | IRVING: Yes, very fucked. To put in an honest day's work and not get a children's breakfast in return. | + | Irving: Yes, very fucked. To put in an honest day’s work and not get a children’s breakfast in return. |
| - | < | + | < |
| - | DYLAN: Irv's got claws today. | + | Dylan: Irv’s got claws today. |
| - | < | + | < |
| - | [[Seth | + | Milchick: Good morning, Macrodata Refinement. |
| - | < | + | < |
| - | IRVING: Hi, Mr. Milchick. | + | Irving: Hi, Mr. Milchick. |
| - | < | + | < |
| - | MILCHICK: Mark, could I have a word? | + | Milchick: Mark, could I have a word? |
| - | < | + | < |
| - | MILCHICK: Last time you saw Ms. Cobel, she was in her old office. Now she's in her new office. It's a completely different office. | + | Milchick: Last time you saw Ms. Cobel, she was in her old office. Now she’s in her new office. It’s a completely different office. |
| - | < | + | < |
| - | MARK: What's this about? | + | Mark: What’s this about? |
| - | < | + | < |
| - | MILCHICK: She'd never say so, but I know a compliment about the office would just make her day. | + | Milchick: She’d never say so, but I know a compliment about the office would just make her day. |
| - | < | + | < |
| - | [[Harmony | + | Cobel: Mark? Come in. Shut the thing. |
| - | < | + | < |
| - | MARK: Nice office. | + | Mark: Nice office. |
| - | < | + | < |
| - | COBEL: It's horrid. | + | Cobel: It’s horrid. |
| - | < | + | < |
| - | MARK: Yeah, the old one was better. | + | Mark: Yeah, the old one was better. |
| - | < | + | < |
| - | COBEL: Oh... You look awful. You look hungover. Have a seat. | + | Cobel: Oh... You look awful. You look hungover. Have a seat. |
| - | < | + | < |
| - | COBEL: The Board will be joining us remotely today. | + | Cobel:The Boardwill |
| - | < | + | < |
| - | COBEL: I have Mark S. at my desk. | + | Cobel: I have Mark S. at my desk. |
| - | 114 | + | < |
| - | < | + | Mark: Oh, uh, hello. I assume this is about me acting as department chief today. Okay. Well... I mean, I’ve subbed for Petey before, so it shouldn’t be that big a thing. |
| - | Hello. You... | + | |
| - | 115 | + | < |
| - | < | + | Cobel: Petey is no longer with this company. |
| - | I assume this is about me acting | + | |
| - | as department chief today. | + | |
| - | 116 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | Okay. Well... | + | |
| - | 117 | + | < |
| - | < | + | Cobel: |
| - | I've subbed for Petey before, | + | |
| - | so it shouldn' | + | |
| - | 118 | + | < |
| - | < | + | Milchick: I’m sorry, Mark. You guys were one of my favorite office friendships. |
| - | Petey is no longer with this company. | + | |
| - | 119 | + | < |
| - | < | + | Mark: I mean, there should have been some notice of this. What happened? |
| - | I'm sorry? | + | |
| - | 120 | + | < |
| - | < | + | Milchick: We’d love to tell you, but unfortunately, |
| - | I said, | + | |
| - | Petey is no longer with this company. | + | |
| - | 121 | + | < |
| - | < | + | Cobel: |
| - | I'm sorry, | + | |
| - | one of my favorite office friendships. | + | |
| - | 122 | + | < |
| - | < | + | Cobel: Mark S., at this time I confer upon you the freedom to serve Kier in the advanced role of Macrodata Refinement department chief. Congratulations. |
| - | I mean, there should have been | + | |
| - | some notice of this. What happened? | + | |
| - | 123 | + | < |
| - | < | + | Cobel: Oh, a handshake is available upon request. |
| - | We'd love to tell you, | + | |
| - | 124 | + | < |
| - | < | + | Mark: Thank you. May I have a handshake? |
| - | but unfortunately, | + | |
| - | non-disclosure policy forbids. | + | |
| - | 125 | + | < |
| - | < | + | Cobel: I know you haven’t run a training before, but Irving will be there to shadow. Just stick to the flowchart and escalate properly depending |
| - | We' | + | |
| - | on Petey' | + | |
| - | 126 | + | < |
| - | < | + | Milchick: If you need to take a few minutes... |
| - | Mark, would you place your key card | + | Mark: Thank you. I don’t. |
| - | on my desk? | + | |
| - | 127 | + | < |
| - | < | + | Mark: Oh, and, uh, thank you to the Board as well. |
| - | Mark S., at this time I confer upon you | + | |
| - | the freedom | + | |
| - | 128 | + | < |
| - | < | + | Cobel: The Board won’t be contributing to this meeting vocally. |
| - | in the advanced role of Macrodata | + | |
| - | Refinement department chief. | + | |
| - | 129 | + | < |
| - | < | + | Irving: Our last refiner, who was a woman, was... |
| - | Congratulations. | + | |
| - | 130 | + | < |
| - | < | + | Mark: Carol. Dylan’s old seat. |
| - | A handshake is available upon request. | + | |
| - | 131 | + | < |
| - | < | + | Irving: Don’t be sad. |
| - | Thank you. May I have a handshake? | + | |
| - | 132 | + | < |
| - | < | + | Mark: I’m fine. We’ll |
| - | I know you haven' | + | |
| - | but Irving will be there to shadow. | + | |
| - | 133 | + | < |
| - | < | + | Irving: I know you and Petey were close. He was the only one who really appreciated your humor. |
| - | Just stick to the flowchart | + | |
| - | properly depending on dialectics. | + | |
| - | 134 | + | < |
| - | < | + | Mark: Everything’s |
| - | You'll be fine. | + | |
| - | 135 | + | < |
| - | < | + | Milchick: It’s standard. Just start at 1A and continue by line, based on her answers. |
| - | - If you need to take a few minutes... | + | |
| - | - Thank you. I don't. | + | |
| - | 136 | + | < |
| - | < | + | Mark: Well, what if I just talk to her? |
| - | And thank you to the Board as well. | + | |
| - | 137 | + | < |
| - | < | + | Milchick: She deserves to have the information presented |
| - | The Board won't be contributing | + | |
| - | to this meeting vocally. | + | |
| - | 138 | + | < |
| - | < | + | Mark: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | Our last refiner, who | + | |
| - | was a woman, was... | + | |
| - | 139 | + | < |
| - | < | + | Irving: She has to ask three times for you to let her. |
| - | Carol. Dylan' | + | |
| - | 140 | + | < |
| - | < | + | Mark: Right. Yes. |
| - | Don't be sad. | + | |
| - | 141 | + | < |
| - | < | + | Mark: Image is good. |
| - | I'm fine. We'll be fine. | + | |
| - | 142 | + | < |
| - | < | + | Irving: She looks nice. |
| - | I know you and Petey were close. | + | |
| - | 143 | + | < |
| - | < | + | Milchick: Okay. You’re all set. |
| - | He was the only one | + | |
| - | who really appreciated your humor. | + | |
| - | 144 | + | < |
| - | < | + | Milchick: |
| - | Everything' | + | |
| - | to start with just the input survey? | + | |
| - | 145 | + | < |
| - | < | + | Milchick: Go on ahead when you’re ready. |
| - | Isn't that a little weird? | + | |
| - | 146 | + | < |
| - | < | + | Irving: All right. |
| - | It's standard. | + | Mark: Okay. |
| - | 147 | + | < |
| - | < | + | Irving: There you go. |
| - | Just start at 1A and continue by line, | + | |
| - | based on her answers. | + | |
| - | 148 | + | < |
| - | < | + | Mark: Who are you? |
| - | Well, what if I just talk to her? | + | |
| - | 149 | + | < |
| - | < | + | Irving: All right. |
| - | She deserves to have the information | + | |
| - | presented to her in the proper order. | + | |
| - | 150 | + | < |
| - | < | + | Mark: Who are you? |
| - | Just as you had. | + | |
| - | 151 | + | < |
| - | < | + | Irving: Mark. |
| - | "If the trainee becomes agitated | + | Mark: What? |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | + | < |
| - | < | + | Irving: You skipped the preamble. |
| - | She has to ask three times | + | |
| - | for you to let her. | + | |
| - | 153 | + | < |
| - | < | + | Helly: Hello? |
| - | Right. Yes. | + | |
| - | 154 | + | < |
| - | < | + | Mark: Shit! |
| - | Image is good. | + | |
| - | 155 | + | < |
| - | < | + | Mark: I’m sorry, I got ahead of myself. |
| - | She looks nice. | + | |
| - | 156 | + | < |
| - | < | + | Irving: That’s it. |
| - | Okay. You're all set. | + | Mark: Okay. |
| - | 157 | + | < |
| - | < | + | Mark: Hi there, you on the table. |
| - | I just love | + | |
| - | seeing | + | |
| - | 158 | + | < |
| - | < | + | Helly: Who is that? |
| - | Go on ahead when you're ready. | + | |
| - | 159 | + | < |
| - | < | + | Mark: Five questions. Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | - All right. | + | |
| - | - Okay. | + | |
| - | 160 | + | < |
| - | < | + | Helly: Who’s speaking? |
| - | There you go. | + | |
| - | 161 | + | < |
| - | < | + | Mark: "Who’s speaking?" |
| - | Who are you? | + | |
| - | 162 | + | < |
| - | < | + | Helly: Hey! Open the door! |
| - | All right. | + | |
| - | 163 | + | < |
| - | < | + | Irving: Mark. |
| - | Who are you? | + | |
| - | 164 | + | < |
| - | < | + | Mark: I’d be just thrilled to chat, once we’ve run the survey. Shall we begin with question one? |
| - | - Mark. | + | |
| - | - What? | + | |
| - | 165 | + | < |
| - | < | + | Helly: I’m not taking your survey. |
| - | You skipped the preamble. | + | |
| - | 166 | + | < |
| - | < | + | Mark: Shall we begin with question one? |
| - | Hello? | + | |
| - | 167 | + | < |
| - | < | + | Helly: Let me out of here. Hey! |
| - | Shit! | + | |
| - | 168 | + | < |
| - | < | + | Helly: Open the door! |
| - | I'm sorry, I got ahead of myself. | + | Irving: She’s not supposed to do that. |
| - | 169 | + | < |
| - | < | + | Helly: Hey! |
| - | - That's it. | + | |
| - | - Okay. | + | |
| - | 170 | + | < |
| - | < | + | Irving: She’s going to break in. |
| - | Hi there, you on the table. | + | |
| - | 171 | + | < |
| - | < | + | Helly: Let me out! |
| - | I wonder if you'd mind | + | Mark: No, she’s not. |
| - | taking a brief survey. | + | |
| - | 172 | + | < |
| - | < | + | Milchick: Are you seeing this? |
| - | Who is that? | + | |
| - | 173 | + | < |
| - | < | + | Cobel: I’m watching. |
| - | Five questions. | + | |
| - | 174 | + | < |
| - | < | + | Milchick: Should |
| - | Now, I know you're sleepy, | + | |
| - | 175 | + | < |
| - | < | + | Cobel: You should not. |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | + | < |
| - | < | + | Mark: That’s a perfect score. |
| - | Who's speaking? | + | |
| - | 177 | + | < |
| - | < | + | Mark: Now, I think I know where our disconnect is coming from. |
| - | " | + | |
| - | 178 | + | < |
| - | < | + | Helly: What? |
| - | Hey! Open the door! | + | Mark: Well, there was a preamble, which I was supposed to read before the survey, to lead into the questions and... But I unfortunately skipped that and went straight into the survey. |
| - | 179 | + | < |
| - | < | + | Helly: Am I livestock? |
| - | Mark. | + | |
| - | 180 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | I'd be just thrilled to chat, | + | |
| - | once we've run the survey. | + | |
| - | 181 | + | < |
| - | < | + | Helly: Like, did you grow me as food and that’s why I have no memories? |
| - | Shall we begin with question one? | + | |
| - | 182 | + | < |
| - | < | + | Mark: You think we grew a full human, gave you consciousness... |
| - | I'm not taking your survey. | + | |
| - | 183 | + | < |
| - | < | + | Helly: I don’t know. |
| - | Shall we begin with question one? | + | Mark: did your nails and... |
| - | 184 | + | < |
| - | < | + | Helly: I don’t know. I don’t know you. |
| - | Let me out of here. Hey! | + | |
| - | 185 | + | < |
| - | < | + | Mark: No, you’re |
| - | - Open the door! | + | |
| - | - She' | + | |
| - | 186 | + | < |
| - | < | + | Helly: Then what’s my name? |
| - | Hey! | + | |
| - | 187 | + | < |
| - | < | + | Mark: Helly. Your name is Helly. Helly R. |
| - | She's going to break in. | + | |
| - | 188 | + | < |
| - | < | + | Mark: Please. |
| - | - Let me out! | + | |
| - | - No, she's not. | + | |
| - | 189 | + | < |
| - | < | + | Mark: Thank you for taking the welcome survey. I can sense that the questions made you feel afraid or disoriented. Well, the good news is, you’re at an orientation. |
| - | Are you seeing this? | + | |
| - | 190 | + | < |
| - | < | + | Mark: You see, you have been hired to a position on the Severed Floor of Lumon Industries. |
| - | I'm watching. | + | |
| - | 191 | + | < |
| - | < | + | Helly: The what floor? |
| - | Should I help? | + | |
| - | 192 | + | < |
| - | < | + | Mark: I understand you’re confused about the severance procedure. Before we hop on that, let’s chat about something I bet you have heard of, the work/life balance. To start, imagine yourself as a seesaw. |
| - | You should not. | + | |
| - | 193 | + | < |
| - | < | + | Mark: Ow! Fuck! |
| - | That's a perfect score. | + | |
| - | 194 | + | < |
| - | < | + | Mark: That locks from out there! |
| - | Now, I think I know where | + | |
| - | our disconnect is coming | + | |
| - | 195 | + | < |
| - | < | + | Helly: Let me out! |
| - | - What? | + | Mark: God! |
| - | - Well, there was a preamble, | + | |
| - | 196 | + | < |
| - | < | + | Mark: Can we just take a beat? Please. |
| - | which I was supposed to read | + | |
| - | before the survey, | + | |
| - | 197 | + | < |
| - | < | + | Mark: Please. |
| - | to lead into the questions and... | + | |
| - | 198 | + | < |
| - | < | + | Mark: Okay, my name’s Mark. And, uh... So, I... |
| - | But I unfortunately skipped that | + | |
| - | and went straight into the survey. | + | |
| - | 199 | + | < |
| - | < | + | Mark: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | Am I livestock? | + | |
| - | 200 | + | < |
| - | < | + | Mark: And when I realized I couldn’t answer, I told that voice that I would find him and kill him. |
| - | I'm sorry? | + | |
| - | 201 | + | < |
| - | < | + | Mark: I don’t know why I said that. I mean, I was scared too. |
| - | Like, did you grow me as food | + | |
| - | and that' | + | |
| - | 202 | + | < |
| - | < | + | Helly: Did you kill the voice? |
| - | You think we grew a full human, | + | |
| - | gave you consciousness... | + | |
| - | 203 | + | < |
| - | < | + | Mark: No. |
| - | - I don't know. | + | |
| - | - did your nails and... | + | |
| - | 204 | + | < |
| - | < | + | Mark: No, that voice’s name was Petey, and he became my best friend. |
| - | I don't know. I don't know you. | + | |
| - | 205 | + | < |
| - | < | + | Mark: So, look, you know, there is a life to be had here, Helly. |
| - | No, you're not livestock. Good Lord. | + | |
| - | 206 | + | < |
| - | < | + | Helly: A life to be had? |
| - | Then what's my name? | + | |
| - | 207 | + | < |
| - | < | + | Mark: Well, you see, life, like a seesaw, requi— |
| - | Helly. | + | |
| - | 208 | + | < |
| - | < | + | Helly: Let me the fuck out of here! |
| - | Your name is Helly. Helly R. | + | |
| - | 209 | + | < |
| - | < | + | Mark: Ask me again. |
| - | Please. | + | Helly: What? |
| - | 210 | + | < |
| - | < | + | Mark: You’ve asked twice to be let go. Ask one more time. |
| - | Thank you for taking the welcome survey. | + | |
| - | 211 | + | < |
| - | < | + | Helly: Mark. |
| - | I can sense that the questions | + | Mark: Yeah? |
| - | made you feel afraid or disoriented. | + | |
| - | 212 | + | < |
| - | < | + | Helly: I would like to leave the building now. |
| - | Well, the good news is, | + | |
| - | you're at an orientation. | + | |
| - | 213 | + | < |
| - | < | + | Mark: I understand |
| - | You see, you have | + | |
| - | been hired to a position | + | |
| - | 214 | + | < |
| - | < | + | Mark: Irv. |
| - | on the severed floor | + | |
| - | of Lumon Industries. | + | |
| - | 215 | + | < |
| - | < | + | Mark: The departments are pretty spaced out, but it’ll all fill in one day. They’re planning an expansion. |
| - | The what floor? | + | |
| - | 216 | + | < |
| - | < | + | Helly: And I’m, what, part of that? |
| - | I understand you're confused | + | |
| - | about the severance procedure. | + | |
| - | 217 | + | < |
| - | < | + | Mark: No. You’re a replacement. |
| - | Before we hop on that, | + | |
| - | 218 | + | < |
| - | < | + | Helly: Replacement for who? Why are you saying that like you hate it? |
| - | let's chat about something I bet you | + | |
| - | have heard of, the work/life balance. | + | |
| - | 219 | + | < |
| - | < | + | Mark: Here’s your stairwell. Just past the bend. |
| - | To start, imagine yourself as a seesaw. | + | |
| - | 220 | + | < |
| - | < | + | Helly: You’re not coming with me? |
| - | Fuck! | + | |
| - | 221 | + | < |
| - | < | + | Mark: I’m not allowed to see. |
| - | That locks from out there! | + | |
| - | 222 | + | < |
| - | < | + | Helly: Excuse |
| - | - Let me out! | + | |
| - | - God! | + | |
| - | 223 | + | < |
| - | < | + | Mark: Well, once you leave, you... I just can’t watch you leave. |
| - | Can we just take a beat? Please. | + | |
| - | 224 | + | < |
| - | < | + | Helly: Of course you can’t. |
| - | Please. | + | |
| - | 225 | + | < |
| - | < | + | Helly: What the hell? |
| - | Okay, my name's Mark. | + | |
| - | 226 | + | < |
| - | < | + | Helly: Am I dead? |
| - | And... So, I... | + | Mark: No. |
| - | 227 | + | < |
| - | < | + | Helly: This isn’t, like, hell or something? |
| - | You know, few years back, | + | Mark: No. |
| - | I woke up on this table. | + | |
| - | 228 | + | < |
| - | < | + | Helly: Then why the fuck can’t I leave? |
| - | In this room. | + | |
| - | 229 | + | < |
| - | < | + | Mark: Well, you did leave, just now. Out into the stairwell at least. |
| - | And a disembodied voice | + | |
| - | asked me 19 times who I was. | + | |
| - | 230 | + | < |
| - | < | + | Mark: You left, but you came back. |
| - | And when I realized I couldn' | + | |
| - | 231 | + | < |
| - | < | + | Helly: |
| - | I told that voice that I would find him | + | Mark: You did. Come on. |
| - | and kill him. | + | |
| - | 232 | + | < |
| - | < | + | Cobel: Weaponizing office equipment on your first day. You are gonna be fun. Look, I do sympathize. I’ve wanted to pummel Mark myself, but I am his employer. And he is your department chief. So we’ll both have to be strong. The good news is, there’s only one part left of your orientation, |
| - | I don't know why I said that. | + | |
| - | I mean, I was scared too. | + | |
| - | 233 | + | < |
| - | < | + | Helly: Why is that? |
| - | Did you kill the voice? | + | |
| - | 234 | + | < |
| - | < | + | Cobel: Because it’s a video. |
| - | No. | + | |
| - | 235 | + | < |
| - | < | + | Cobel: Welcome to Lumon, Helly. |
| - | No, that voice' | + | |
| - | and he became my best friend. | + | |
| - | 236 | + | < |
| - | < | + | Cobel: Have a seat. |
| - | So, look, you know, | + | |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | + | < |
| - | < | + | Mark: Are you mad at me? |
| - | A life to be had? | + | |
| - | 238 | + | < |
| - | < | + | Cobel: For the incompetence or the disobedience? |
| - | Well, you see, | + | |
| - | life, like a seesaw, requi... | + | |
| - | 239 | + | < |
| - | < | + | Mark: Well... |
| - | Let me the fuck out of here! | + | Cobel: Yes! |
| - | 240 | + | < |
| - | < | + | Cobel: You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is, hell is just the product of a morbid human imagination. The bad news is, whatever humans can imagine, they can usually create. |
| - | - Ask me again. | + | |
| - | - What? | + | |
| - | 241 | + | < |
| - | < | + | Mark: I don’t know what that means. |
| - | You've asked twice to be let go. | + | |
| - | Ask one more time. | + | |
| - | 242 | + | < |
| - | < | + | Cobel: A department like yours can go so good or so bad. You know what makes the difference? The people. |
| - | - Mark. | + | |
| - | - Yeah? | + | |
| - | 243 | + | < |
| - | < | + | Milchick: You can have a seat. |
| - | I would like to leave the building now. | + | |
| - | 244 | + | < |
| - | < | + | Milchick: Okay, go ahead and have a seat. |
| - | I understand you don't feel | + | |
| - | it's working out for you here at Lumon. | + | |
| - | 245 | + | < |
| - | < | + | Helly: My name is Helly R. I’m making this video roughly two hours before it will be shown to me. I have, of my own free accord, elected to undergo the procedure colloquially known as severance. |
| - | While disappointed, I'd hate to | + | |
| - | keep you somewhere you're not happy. | + | |
| - | 246 | + | < |
| - | < | + | Milchick: Okay, that’s a wrap. |
| - | So, let's get you outta here. | + | |
| - | 247 | + | < |
| - | < | + | Milchick: Okay. Go ahead. |
| - | Irv. | + | |
| - | 248 | + | < |
| - | < | + | Helly: So I’ll never leave here? |
| - | The departments are pretty spaced out, | + | |
| - | but it'll all fill in one day. | + | |
| - | 249 | + | < |
| - | < | + | Mark: You’ll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won’t feel like it. Not to this version of you anyway. |
| - | They' | + | |
| - | 250 | + | < |
| - | < | + | Helly: Do I have a family? |
| - | And I'm, what, part of that? | + | |
| - | 251 | + | < |
| - | < | + | Mark: You’ll never know. |
| - | No. You're a replacement. | + | |
| - | 252 | + | < |
| - | < | + | Helly: And I have no choice. |
| - | Replacement for who? | + | |
| - | 253 | + | < |
| - | < | + | Mark: Well, every time you find yourself here, it’s because you chose to come back. |
| - | Why are you saying | + | |
| - | that like you hate it? | + | |
| - | 254 | + | < |
| - | < | + | Irving: Hello. |
| - | Here's your stairwell. | + | |
| - | Just past the bend. | + | |
| - | 255 | + | < |
| - | < | + | Mark: Good night. |
| - | You're not coming with me? | + | |
| - | 256 | + | < |
| - | < | + | Judd: Good night. |
| - | I'm not allowed to see. | + | |
| - | 257 | + | < |
| - | < | + | Mark: "Dear Mark, Whilst carrying boxes in a room today, you slipped on an overhead projector slide and sustained a minor blow to the temple." |
| - | Excuse me? | + | |
| - | 258 | + | < |
| - | < | + | Helly: Hey! |
| - | Well, once you leave, you... | + | |
| - | 259 | + | < |
| - | < | + | Mark: Sorry. |
| - | I just can't watch you leave. | + | |
| - | 260 | + | < |
| - | < | + | Helly: Maybe keep your eyes on the icy road. |
| - | Of course you can't. | + | |
| - | 261 | + | < |
| - | < | + | Mark: Sorry. |
| - | What the hell? | + | |
| - | 262 | + | < |
| - | < | + | Television: //Indeed, this gnat will spend much of its three to seven-day life...// |
| - | - Am I dead? | + | |
| - | - No. | + | |
| - | 263 | + | < |
| - | < | + | Mark: No, I know, Mrs. Selvig. It’s just, it was in my space again. Yeah. Well, trash comes tomorrow night. Tonight’s recycling. Yeah, it is weird, but that’s how they do it. And with both yours, there’s no room for... |
| - | - This isn't, like, hell or something? | + | |
| - | - No. | + | |
| - | 264 | + | < |
| - | < | + | Devon: Hey. |
| - | Then why the fuck can't I leave? | + | Mark: Hey. |
| - | 265 | + | < |
| - | < | + | Devon: Did you forget? |
| - | Well, you did leave, just now. | + | |
| - | Out into the stairwell at least. | + | |
| - | 266 | + | < |
| - | < | + | Mark: Oh, yeah. Shit. |
| - | You left, but you came back. | + | |
| - | 267 | + | < |
| - | < | + | Devon: That’s okay. |
| - | - I did not. | + | |
| - | - You did. | + | |
| - | 268 | + | < |
| - | < | + | Mark: Sorry. |
| - | Come on. | + | Devon: That’s fine. |
| - | 269 | + | < |
| - | < | + | Devon: Do you wanna put on pants, and I’ll... |
| - | Weaponizing office equipment | + | Mark: I’m wearing pants. |
| - | on your first day. | + | |
| - | 270 | + | < |
| - | < | + | Devon: meet you in... Those are not pants. |
| - | You are gonna be fun. | + | |
| - | 271 | + | < |
| - | < | + | Mark: So if there’s no dinner, how is it dinner? |
| - | Look, I do sympathize. | + | |
| - | 272 | + | < |
| - | < | + | Devon: Okay. |
| - | I've wanted to pummel Mark myself, | + | Mark: Like... |
| - | but I am his employer. | + | |
| - | 273 | + | < |
| - | < | + | Devon: You actually owe me this. |
| - | And he is your department chief. | + | |
| - | 274 | + | < |
| - | < | + | Mark: Do I? |
| - | So we'll both have to be strong. | + | Devon: Yep. |
| - | 275 | + | < |
| - | < | + | Devon: You remember that time when we were kids and I was a way better sibling than you? |
| - | The good news is, there' | + | |
| - | one part left of your orientation, | + | |
| - | 276 | + | < |
| - | < | + | Mark: Must have slipped my mind. |
| - | which Mark can't possibly derail. | + | |
| - | 277 | + | < |
| - | < | + | Devon: Also, I know we’re nearing the anniversary, |
| - | Why is that? | + | |
| - | 278 | + | < |
| - | < | + | Mark: Nope. |
| - | Because it's a video. | + | |
| - | 279 | + | < |
| - | < | + | Devon: This is nice. When did you get it? |
| - | Welcome to Lumon, Helly. | + | |
| - | 280 | + | < |
| - | < | + | Mark: Something from work, and they apologized. |
| - | Have a seat. | + | |
| - | 281 | + | < |
| - | < | + | Devon: They apologized. Thank God. Did they tack an explanation onto that apology? |
| - | Are you mad at me? | + | |
| - | 282 | + | < |
| - | < | + | Mark: It’s fine. Got a gift card. |
| - | For the incompetence | + | |
| - | or the disobedience? | + | |
| - | 283 | + | < |
| - | < | + | Devon: You got a gift card. Where’s he going to? |
| - | - Well... | + | |
| - | - Yes! | + | |
| - | 284 | + | < |
| - | < | + | Mark: I don’t |
| - | You know, my mother was an atheist. | + | |
| - | 285 | + | < |
| - | < | + | Devon: Of course it’s Pip’s. Well, enjoy. |
| - | She used to say that there was | + | |
| - | good news and bad news about hell. | + | |
| - | 286 | + | < |
| - | < | + | Mark: I will, without you. |
| - | The good news is, | + | |
| - | 287 | + | < |
| - | < | + | Ricken: There’s our captive. |
| - | hell is just the product | + | |
| - | of a morbid human imagination. | + | |
| - | 288 | + | < |
| - | < | + | Mark: Hi, Rick. |
| - | The bad news is, | + | Ricken: Ricken. Come on, it’s Ricken. |
| - | 289 | + | < |
| - | < | + | Ricken: You, sir, look at peace. |
| - | whatever humans can imagine, | + | Mark: You know. |
| - | they can usually create. | + | |
| - | 290 | + | < |
| - | < | + | Mark: Okay. |
| - | I don't know what that means. | + | Devon: Hi, baby. |
| - | 291 | + | < |
| - | < | + | Ricken: Hi. |
| - | A department like yours | + | |
| - | can go so good or so bad. | + | |
| - | 292 | + | < |
| - | < | + | Patton: No, what a lot of people overlook, I think, is that life is not food. |
| - | You know what makes the difference? | + | |
| - | 293 | + | < |
| - | < | + | Danise: Right. |
| - | The people. | + | Patton: You’ve got life, |
| - | 294 | + | < |
| - | < | + | Patton: this complex quality of sentience and activity. And then you’ve got food, which is what? |
| - | You can have a seat. | + | |
| - | 295 | + | < |
| - | < | + | Ricken: Yes, what is it? |
| - | Okay, go ahead and have a seat. | + | Patton: Fuel. |
| - | 296 | + | < |
| - | < | + | Patton: Calories. It’s not the same thing. |
| - | My name is Helly R. | + | |
| - | 297 | + | < |
| - | < | + | Ricken: Yes, that is spot on, Patton. |
| - | I'm making this video | + | Rebeck: |
| - | 298 | + | < |
| - | < | + | Devon: Though, if I’m...Sorry, |
| - | roughly two hours | + | |
| - | before it will be shown to me. | + | |
| - | 299 | + | < |
| - | < | + | Mark: True. |
| - | I have, of my own free accord, | + | Devon: It was low-hanging fruit. |
| - | elected to undergo the procedure | + | |
| - | 300 | + | < |
| - | < | + | Ricken: He did. He was a misdiagnosed alcoholic. |
| - | colloquially known as severance. | + | |
| - | 301 | + | < |
| - | < | + | Danise: Now, Mark, Ricken told Rebeck and me that you’re a former history professor. |
| - | I give consent for my perceptual | + | |
| - | chronologies to be surgically split, | + | |
| - | 302 | + | < |
| - | < | + | Mark: Yeah. |
| - | separating my memories between | + | |
| - | my work life and my personal life. | + | |
| - | 303 | + | < |
| - | < | + | Danise: So, I’m curious for your take on all of this. The food v life of it. |
| - | I acknowledge that, henceforth, | + | |
| - | 304 | + | < |
| - | < | + | Mark: Well, I’m not sure. I taught mostly about World War I. |
| - | my access to my memories | + | |
| - | will be spatially dictated. | + | |
| - | 305 | + | < |
| - | < | + | Patton: Okay. Well, I got one for you. I was just reading this think piece about the comparative levels of violence and warfare throughout history. |
| - | I will be unable to access | + | |
| - | outside recollections | + | |
| - | 306 | + | < |
| - | < | + | Ricken: Nerd alert. |
| - | whilst on Lumon' | + | |
| - | severed basement floor, | + | |
| - | 307 | + | < |
| - | < | + | Patton: War porn, I know. |
| - | nor retain work memories upon my ascent. | + | |
| - | 308 | + | < |
| - | < | + | Patton: But anyway, in it, he said that the people actually called it the Great War. Apparently, it would have been a faux pas to have called it World War I. |
| - | I am aware that this alteration | + | |
| - | 309 | + | < |
| - | < | + | Ricken: Is that right? |
| - | is comprehensive and irreversible. | + | |
| - | 310 | + | < |
| - | < | + | Mark: Well, you know, no one would’ve called it World War I ’cause World War II hadn’t happened yet. |
| - | I make these statements freely. | + | |
| - | 311 | + | < |
| - | < | + | Danise: Wow. |
| - | Okay, that's a wrap. | + | Ricken: Of course. |
| - | 312 | + | < |
| - | < | + | Patton: That’s absolutely right. |
| - | Okay. | + | Ricken: Duh. |
| - | 313 | + | < |
| - | < | + | Rebeck: That’s so true. |
| - | Go ahead. | + | |
| - | 314 | + | < |
| - | < | + | Devon: This is why we bring this guy. |
| - | So I'll never leave here? | + | |
| - | 315 | + | < |
| - | < | + | Ricken: Mark’s late wife, Gemma, was an educator as well. Russian literature. |
| - | You'll leave at 5:00. | + | |
| - | 316 | + | < |
| - | < | + | Rebeck: I love literature. |
| - | Well, actually, | + | Ricken: Right? |
| - | they stagger our exits, so 5:15. | + | |
| - | 317 | + | < |
| - | < | + | Ricken: |
| - | But it won't feel like it. | + | |
| - | Not to this version of you anyway. | + | |
| - | 318 | + | < |
| - | < | + | Devon: Ricken. |
| - | Do I have a family? | + | Patton: Really? |
| - | 319 | + | < |
| - | < | + | Mark: Yeah. About two years. |
| - | You'll never know. | + | |
| - | 320 | + | < |
| - | < | + | Rebeck: Do you design the medicines? |
| - | And I have no choice. | + | Mark: No. |
| - | 321 | + | < |
| - | < | + | Patton: I thought Lumon was more on the tech side of things. |
| - | Well, every time you find yourself here, | + | |
| - | it's because you chose to come back. | + | |
| - | 322 | + | < |
| - | < | + | Danise: They began in the 1800s. |
| - | Hello. | + | Ricken: Really? |
| - | 323 | + | < |
| - | < | + | Danise: Topical salves, right? |
| - | Good night. | + | |
| - | 324 | + | < |
| - | < | + | Rebeck: What don’t they make? |
| - | Good night. | + | |
| - | 325 | + | < |
| - | < | + | Mark: Yeah, but I’m in the corporate archives division, so... |
| - | " | + | |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | + | < |
| - | < | + | Patton: So you know all the dirty secrets. |
| - | you slipped on an | + | |
| - | overhead projector slide | + | |
| - | 327 | + | < |
| - | < | + | Mark: No, not really. |
| - | and sustained a minor | + | Ricken: No. |
| - | blow to the temple." | + | |
| - | 328 | + | < |
| - | < | + | Ricken: Mark’s work is sensitive enough as to require the severance procedure. |
| - | Hey! | + | |
| - | 329 | + | < |
| - | < | + | Danise: Well. |
| - | Sorry. | + | |
| - | 330 | + | < |
| - | < | + | Danise: That’s something, isn’t it? |
| - | Maybe keep your eyes on the icy road. | + | |
| - | 331 | + | < |
| - | < | + | Devon: Yeah. It’s also, I think, something that’s his choice to tell people or not. |
| - | Sorry. | + | |
| - | 332 | + | < |
| - | < | + | Devon: Right, Ricken? |
| - | Indeed, this gnat will spend | + | Ricken: Oh, my God. |
| - | much of its three to seven-day life... | + | |
| - | 333 | + | < |
| - | < | + | Mark: No. No. |
| - | No, I know, Mrs. Selvig. | + | Ricken: Oh, God, Mark. |
| - | It's just, it was in my space again. | + | |
| - | 334 | + | < |
| - | < | + | Ricken: Please forgive me. |
| - | Yeah. Well, trash comes tomorrow night. | + | Mark: No. It’s okay. I don’t care. |
| - | Tonight' | + | |
| - | 335 | + | < |
| - | < | + | Ricken: My apologies. |
| - | Yeah, it is weird, | + | Danise: No, I think it’s fascinating. |
| - | but that's how they do it. | + | |
| - | 336 | + | < |
| - | < | + | Danise: I mean, I wish I could do it. I’d just always be thinking about, you know, the other one. |
| - | And with both yours, | + | |
| - | there' | + | |
| - | 337 | + | < |
| - | < | + | Mark: Well, there is no other one. It’s me. I do the job. |
| - | - Hey. | + | |
| - | - Hey. | + | |
| - | 338 | + | < |
| - | < | + | Danise: I just don’t grasp the visceral element. What does it feel like? |
| - | Did you forget? | + | |
| - | 339 | + | < |
| - | < | + | Patton: Well, it’s simple. One’s memories are bifurcated, so when you’re not at work, you have no recollection of what it is you do there. Did I get that right, Mark? |
| - | Oh, yeah. Shit. | + | |
| - | 340 | + | < |
| - | < | + | Mark: Well, it’s... |
| - | That's okay. | + | Danise: So you walk in at 9:00 a.m., |
| - | 341 | + | < |
| - | < | + | Danise: and then suddenly it’s 5:00, and you’re leaving? |
| - | - Sorry. | + | |
| - | - That's fine. | + | |
| - | 342 | + | < |
| - | < | + | Mark: Well, they stagger us a little, so... |
| - | - Do you wanna put on pants, and I'll... | + | Danise: They stagger you? |
| - | - I'm wearing pants. | + | |
| - | 343 | + | < |
| - | < | + | Patton: And then, conversely, when you’re at work, you can’t access outside memories. So, in effect, that version of you is trapped there. |
| - | meet you in... Those are not pants. | + | |
| - | 344 | + | < |
| - | < | + | Ricken: Well... |
| - | So if there' | + | |
| - | dinner, how is it dinner? | + | |
| - | 345 | + | < |
| - | < | + | Patton: Well, I mean, not trapped, but... |
| - | - Okay. | + | Mark: But what? |
| - | - Like... | + | |
| - | 346 | + | < |
| - | < | + | Mark: No, no. I’m curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | You actually owe me this. | + | |
| - | 347 | + | < |
| - | < | + | Danise: So, I suppose we know where you fall on the congressional goings-on. |
| - | - Do I? | + | |
| - | - Yep. | + | |
| - | 348 | + | < |
| - | < | + | Ricken: Okay, I think we may be |
| - | You remember that time when we were kids | + | |
| - | and I was a way better sibling than you? | + | |
| - | 349 | + | < |
| - | < | + | Ricken: missing the point here. |
| - | Must have slipped my mind. | + | Devon: Yeah. |
| - | 350 | + | < |
| - | < | + | Ricken: The point is that Mark made a decision. And that decision was controversial, ethically and socially. Morally. Scientifically. But, Mark, I stand behind you without reservation. |
| - | Also, | + | |
| - | I know we're nearing the anniversary, | + | |
| - | 351 | + | < |
| - | < | + | Danise: So well said. |
| - | so I just thought | + | Ricken: Thank you. |
| - | maybe you'd wanna be around people. | + | |
| - | 352 | + | < |
| - | < | + | Patton: Absolutely. |
| - | Nope. | + | Rebeck: I definitely stand behind Mark. |
| - | 353 | + | < |
| - | < | + | Mark: Wow. Thank you. That’s very sweet. |
| - | This is nice. When did you get it? | + | |
| - | 354 | + | < |
| - | < | + | Ricken: Well, we’re at the point where, traditionally, |
| - | Something from work, | + | |
| - | and they apologized. | + | |
| - | 355 | + | < |
| - | < | + | Patton: Oh, yeah. No, absolutely. |
| - | They apologized. Thank God. | + | Ricken: Right? |
| - | 356 | + | < |
| - | < | + | Patton: I was saying, my friend in Lima hasn’t had a food-based dinner event in... |
| - | Did they tack an explanation | + | |
| - | onto that apology? | + | |
| - | 357 | + | < |
| - | < | + | Devon: If I give you $3,000, will you forgive me? |
| - | It's fine. Got a gift card. | + | |
| - | 358 | + | < |
| - | < | + | Mark: Well, because your child is innocent of tonight’s atrocities, I’ll wait until after it’s born to murder you. |
| - | You got a gift card. | + | |
| - | Where's he going to? | + | |
| - | 359 | + | < |
| - | < | + | Devon: Oh, my God. Here you go, buddy. |
| - | I don't know. Pip's. | + | |
| - | 360 | + | < |
| - | < | + | Mark: Thank you. |
| - | Of course it's Pip's. Well, enjoy. | + | |
| - | 361 | + | < |
| - | < | + | Devon: Hey, how’s the good doctor therapy man with that weird little mustache? |
| - | I will, without you. | + | |
| - | 362 | + | < |
| - | < | + | Devon: You’re not going? |
| - | There' | + | |
| - | 363 | + | < |
| - | < | + | Mark: Well, the work thing’s helped. |
| - | - Hi, Rick. | + | |
| - | - Ricken. Come on, it's Ricken. | + | |
| - | 364 | + | < |
| - | < | + | Devon: Yeah. |
| - | - You, sir, look at peace. | + | |
| - | - You know. | + | |
| - | 365 | + | < |
| - | < | + | Devon: I’m proud of you for taking that job. I really am. And I think she would’ve been too. I know she would’ve been. |
| - | - Okay. | + | |
| - | - Hi, baby. | + | |
| - | 366 | + | < |
| - | < | + | Devon: I just feel like forgetting about her for eight hours a day isn’t the same thing as healing. |
| - | Hi. | + | |
| - | 367 | + | < |
| - | < | + | Devon: You wanna crash here, since you’re already here? |
| - | No, what a lot of people overlook, | + | |
| - | I think, is that life is not food. | + | |
| - | 368 | + | < |
| - | < | + | Mark: No. |
| - | - Right. | + | |
| - | - You've got life, | + | |
| - | 369 | + | < |
| - | < | + | Devon: Why? |
| - | this complex quality | + | |
| - | of sentience and activity. | + | |
| - | 370 | + | < |
| - | < | + | Mark: Your house smells like pregnancy. |
| - | And then you've got food, which is what? | + | |
| - | 371 | + | < |
| - | < | + | Devon: Yeah, I’m just not grasping the visceral element of it. |
| - | - Yes, what is it? | + | |
| - | - Fuel. | + | |
| - | 372 | + | < |
| - | < | + | Devon: She is fun, wasn’t she? |
| - | Calories. It's not the same thing. | + | |
| - | 373 | + | < |
| - | < | + | Devon: You’re definitely staying here tonight. |
| - | - Yes, that is spot on, Patton. | + | Mark: No, I’m not. |
| - | - I definitely agree. | + | |
| - | 374 | + | < |
| - | < | + | Ricken: |
| - | Though, if I'm... | + | |
| - | 375 | + | < |
| - | < | + | Mark: Thanks. I still don’t quite get the three beds. |
| - | Sorry, | + | |
| - | " | + | |
| - | 376 | + | < |
| - | < | + | Ricken: Right. |
| - | - True. | + | Devon: Ricken’s colleague told us that switching out the beds as the child grows can wound that child. |
| - | - It was low-hanging fruit. | + | |
| - | 377 | + | < |
| - | < | + | Ricken: Irreparably. |
| - | He did. He was a misdiagnosed alcoholic. | + | |
| - | 378 | + | < |
| - | < | + | Ricken: But if you provide said child with all of its beds upon birth, you allow it to progress across the room at its own rate. |
| - | Now, Mark, Ricken | + | |
| - | that you're a former history professor. | + | |
| - | 379 | + | < |
| - | < | + | Mark: Got it. Yeah. |
| - | Yeah. | + | |
| - | 380 | + | < |
| - | < | + | Ricken: Yeah. |
| - | So I'm curious | + | |
| - | for your take on all of this. | + | |
| - | 381 | + | < |
| - | < | + | Ricken: I think people really enjoyed you tonight, Mark. |
| - | The food v life of it. | + | |
| - | 382 | + | < |
| - | < | + | Mark: Good. |
| - | Well, I'm not sure. | + | |
| - | I taught mostly about World War I. | + | |
| - | 383 | + | < |
| - | < | + | Devon: All right, baby. |
| - | Okay. Well, I got one for you. | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | I was just reading this think piece | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | Nerd alert. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | War porn, I know. | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | But anyway, in it, he said that the | + | |
| - | people actually called it the Great War. | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | Apparently, it would have been a | + | |
| - | faux pas to have called it World War I. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | Is that right? | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | Well, you know, | + | |
| - | no one would' | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | 'cause World War II hadn't happened yet. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | - Wow. | + | |
| - | - Of course. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | - That's absolutely right. | + | |
| - | - Duh. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | That's so true. | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | This is why we bring this guy. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | Mark's late wife, Gemma, was an educator | + | |
| - | as well. Russian literature. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | - I love literature. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | But Mark is a Lumon man now. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | - Ricken. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Yeah. About two years. | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | - Do you design the medicines? | + | |
| - | - No. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I thought Lumon | + | |
| - | was more on the tech side of things. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | - They began in the 1800s. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Topical salves, right? | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | What don't they make? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | Yeah, but I'm in | + | |
| - | the corporate archives division, so... | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | So you know all the dirty secrets. | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | - No, not really. | + | |
| - | - No. | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | Mark's work is sensitive enough | + | |
| - | as to require the severance procedure. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | Well. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | That's something, isn't it? | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | Yeah. It's also, I think, something | + | |
| - | that's his choice to tell people or not. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | - Right, Ricken? | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | - No. No. | + | |
| - | - Oh, God, Mark. | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | - Please forgive me. | + | |
| - | - No. It's okay. I don't care. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | - My apologies. | + | |
| - | - No, I think it's fascinating. | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | I mean, I wish I could do it. | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | I'd just always be thinking about, | + | |
| - | you know, the other one. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | Well, there is no other one. | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | I just don't grasp the visceral element. | + | |
| - | What does it feel like? | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Well, it's simple. | + | |
| - | One's memories are bifurcated, | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | so when you're not at work, you have no | + | |
| - | recollection of what it is you do there. | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | Did I get that right, Mark? | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | - Well, it' | + | |
| - | - So you walk in at 9:00 a.m., | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | and then suddenly it's 5:00, | + | |
| - | and you're leaving? | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | - Well, they stagger us a little, so... | + | |
| - | - They stagger you? | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | And then, conversely, when you're at | + | |
| - | work, you can't access outside memories. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | So, in effect, | + | |
| - | that version of you is trapped there. | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | Well... | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | - Well, I mean, not trapped, but... | + | |
| - | - But what? | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | No, no. I'm curious. What were you | + | |
| - | gonna say? But not trapped, but what? | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | What were you saying? | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | So I suppose we know where you fall | + | |
| - | on the congressional goings-on. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | Okay, I think we may be | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | - missing the point here. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | The point is that Mark made a decision. | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | And that decision was controversial, | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | ethically and socially. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Morally. Scientifically. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But, Mark, I stand behind you | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | without reservation. | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | - So well said. | + | |
| - | - Thank you. | + | |
| - | + | ||
| - | 445 | + | |
| - | < | + | |
| - | - Absolutely. | + | |
| - | - I definitely stand behind Mark. | + | |
| - | + | ||
| - | 446 | + | |
| - | < | + | |
| - | Wow. | + | |
| - | + | ||
| - | 447 | + | |
| - | < | + | |
| - | Thank you. That's very sweet. | + | |
| - | + | ||
| - | 448 | + | |
| - | < | + | |
| - | Well, we're at the point | + | |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | - Oh, yeah. No, absolutely. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | I was saying, my friend in Lima hasn' | + | |
| - | had a food-based dinner event in... | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | If I give you $3,000, | + | |
| - | will you forgive me? | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | Well, because your child | + | |
| - | is innocent of tonight' | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | I'll wait until after it's born | + | |
| - | to murder you. | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | Oh, my God. Here you go, buddy. | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | Hey, how's the good doctor therapy man | + | |
| - | with that weird little mustache? | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | You're not going? | + | |
| - | + | ||
| - | 461 | + | |
| - | < | + | |
| - | Well, the work thing' | + | |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | I'm proud of you for taking that job. | + | |
| - | I really am. | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | And I think she would' | + | |
| - | I know she would' | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | I just feel like forgetting about her | + | |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | You wanna crash here, | + | |
| - | since you're already here? | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | No. | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | Why? | + | |
| - | + | ||
| - | 470 | + | |
| - | < | + | |
| - | Your house smells like pregnancy. | + | |
| - | + | ||
| - | 471 | + | |
| - | < | + | |
| - | Yeah, I'm just not grasping | + | |
| - | the visceral element of it. | + | |
| - | + | ||
| - | 472 | + | |
| - | < | + | |
| - | She is fun, wasn't she? | + | |
| - | + | ||
| - | 473 | + | |
| - | < | + | |
| - | - You're definitely staying here tonight. | + | |
| - | - No, I'm not. | + | |
| - | + | ||
| - | 474 | + | |
| - | < | + | |
| - | I'm making all the bedsheets myself, | + | |
| - | + | ||
| - | 475 | + | |
| - | < | + | |
| - | so I won't finish with the big one | + | |
| - | for some time. | + | |
| - | + | ||
| - | 476 | + | |
| - | < | + | |
| - | But the twin is comfortable, | + | |
| - | + | ||
| - | 477 | + | |
| - | < | + | |
| - | and the pajamas were made | + | |
| - | on a Baltic handloom, | + | |
| - | + | ||
| - | 478 | + | |
| - | < | + | |
| - | so you'll sleep well. | + | |
| - | + | ||
| - | 479 | + | |
| - | < | + | |
| - | Thanks. | + | |
| - | I still don't quite get the three beds. | + | |
| - | + | ||
| - | 480 | + | |
| - | < | + | |
| - | - Right. | + | |
| - | - Ricken' | + | |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | that switching out the beds | + | |
| - | as the child grows can wound that child. | + | |
| - | + | ||
| - | 482 | + | |
| - | < | + | |
| - | Irreparably. | + | |
| - | + | ||
| - | 483 | + | |
| - | < | + | |
| - | But if you provide said child | + | |
| - | with all of its beds upon birth, | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | you allow it to progress across the room | + | |
| - | at its own rate. | + | |
| - | + | ||
| - | 485 | + | |
| - | < | + | |
| - | Got it. Yeah. | + | |
| - | + | ||
| - | 486 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 487 | + | |
| - | < | + | |
| - | I think people really | + | |
| - | enjoyed you tonight, Mark. | + | |
| - | + | ||
| - | 488 | + | |
| - | < | + | |
| - | Good. | + | |
| - | + | ||
| - | 489 | + | |
| - | < | + | |
| - | All right, baby. | + | |
| 490 | 490 | ||
| - | < | + | < |
| - | - You ready, baby? | + | Devon: |
| - | - Yeah. | + | Ricken: |
| - | 491 | + | < |
| - | < | + | Devon: |
| - | - Let's go. | + | Ricken: |
| - | - Sweet dreams. | + | |
| - | 492 | + | < |
| - | < | + | Mark: Thanks. |
| - | Thanks. | + | |
| - | < | + | < |
| - | MARK: Good night, milord. | + | Mark: Good night, milord. |
| - | < | + | < |
| - | DEVON: Good night, milady. | + | Devon: Good night, milady. |
| - | 495 | + | < |
| - | < | + | Devon: |
| - | Hey. | + | |
| - | 496 | + | < |
| - | < | + | Mark: Hey. |
| - | Hey. | + | |
| - | 497 | + | < |
| - | < | + | Devon: |
| - | How long you been up? | + | |
| - | 498 | + | < |
| - | < | + | Mark: A while. |
| - | A while. | + | |
| - | 499 | + | < |
| - | < | + | Mark: There was a businessman in the yard last night. |
| - | There was a businessman | + | |
| - | in the yard last night. | + | |
| - | 500 | + | < |
| - | < | + | Devon: |
| - | - A businessman? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 501 | + | < |
| - | < | + | Devon: |
| - | Entry-level or management? | + | |
| - | 502 | + | < |
| - | < | + | Mark: I’m serious. |
| - | I'm serious. | + | |
| - | 503 | + | < |
| - | < | + | Devon: |
| - | There was seriously a man | + | |
| - | in my yard last night? | + | |
| - | 504 | + | < |
| - | < | + | Mark: Yeah. |
| - | Yeah. | + | |
| - | 505 | + | < |
| - | < | + | Devon: |
| - | Holy shit. | + | |
| - | 506 | + | < |
| - | < | + | Mark: He, you know, looked at me weird, like he knew me. |
| - | He, you know, looked at me weird, | + | |
| - | like he knew me. | + | |
| - | 507 | + | < |
| - | < | + | Devon: |
| - | Did the prowler invading my home | + | |
| - | make you feel seen? | + | |
| - | 508 | + | < |
| - | < | + | Mark: So seen. |
| - | So seen. | + | |
| - | 509 | + | < |
| - | < | + | Devon: |
| - | Well, there's a bar down the hill. | + | |
| - | It's probably just a stumbler. | + | |
| - | 510 | + | < |
| - | < | + | Mark: I’m sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | Speaking of which, | + | |
| - | you still smell like a distillery. | + | |
| - | + | ||
| - | 511 | + | |
| - | < | + | |
| - | I'm sorry, | + | |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | + | < |
| - | < | + | Devon: |
| - | You've been sitting on that one. | + | |
| - | + | ||
| - | 514 | + | |
| - | < | + | |
| - | Hello. | + | |
| - | + | ||
| - | 515 | + | |
| - | < | + | |
| - | Okay. So, recycling was | + | |
| - | last night, Mrs. Selvig. | + | |
| - | + | ||
| - | 516 | + | |
| - | < | + | |
| - | Tonight' | + | |
| - | + | ||
| - | 517 | + | |
| - | < | + | |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | + | ||
| - | 518 | + | |
| - | < | + | |
| - | Yeah. Okay. | + | |
| - | + | ||
| - | 519 | + | |
| - | < | + | |
| - | You know, I actually can't talk | + | |
| - | right now. I'm out at dinner. But... | + | |
| - | + | ||
| - | 520 | + | |
| - | < | + | |
| - | No, by myself. | + | |
| - | + | ||
| - | 521 | + | |
| - | < | + | |
| - | Pip's Bar and Grille. | + | |
| - | + | ||
| - | 522 | + | |
| - | < | + | |
| - | Excuse me. | + | |
| - | + | ||
| - | 523 | + | |
| - | < | + | |
| - | Hang up. Quickly. | + | |
| - | + | ||
| - | 524 | + | |
| - | < | + | |
| - | I'm sorry, Mrs. Selvig. | + | |
| - | They' | + | |
| - | + | ||
| - | 525 | + | |
| - | < | + | |
| - | Hi, kids. What's for dinner? | + | |
| - | + | ||
| - | 526 | + | |
| - | < | + | |
| - | I'm sorry. You don't get that reference. | + | |
| - | + | ||
| - | 527 | + | |
| - | < | + | |
| - | Are you following me? | + | |
| - | + | ||
| - | 528 | + | |
| - | < | + | |
| - | Your voice is different here. | + | |
| - | + | ||
| - | 529 | + | |
| - | < | + | |
| - | Worse. | + | |
| - | + | ||
| - | 530 | + | |
| - | < | + | |
| - | - Okay, who the fuck are you? | + | |
| - | - Petey. | + | |
| - | + | ||
| - | 531 | + | |
| - | < | + | |
| - | My name is Petey. I'm from work. | + | |
| - | + | ||
| - | 532 | + | |
| - | < | + | |
| - | Well, that's not plausible. | + | |
| - | Everyone in my department is... | + | |
| - | + | ||
| - | 533 | + | |
| - | < | + | |
| - | Severed. Severed. I was. | + | |
| - | + | ||
| - | 534 | + | |
| - | < | + | |
| - | Okay. Well, severance | + | |
| - | is pretty permanent. | + | |
| - | + | ||
| - | 535 | + | |
| - | < | + | |
| - | Yeah. Bypassing the implant wasn't easy. | + | |
| - | I had help. | + | |
| - | + | ||
| - | 536 | + | |
| - | < | + | |
| - | So, what, you were unhappy at work? | + | |
| - | 537 | + | < |
| - | < | + | Mark: Hello. |
| - | - And instead of lodging a complaint, you... | + | |
| - | - No. | + | |
| - | 538 | + | < |
| - | < | + | Mark: Okay. So, recycling was last night, Mrs. Selvig. Tonight’s garbage. And you keep putting your bin on my side. So... |
| - | I tried that first. So did you. | + | |
| - | 539 | + | < |
| - | < | + | Mark: Yeah. Okay. |
| - | Right. Okay. So... | + | |
| - | 540 | + | < |
| - | < | + | Mark: You know, I actually can’t talk right now. I’m out at dinner. But... |
| - | You've unsevered. | + | |
| - | 541 | + | < |
| - | < | + | Mark: No, by myself. |
| - | And now you, what, think they' | + | |
| - | after you or something? | + | |
| - | 542 | + | < |
| - | < | + | Mark: Pip’s Bar and Grille. |
| - | Yeah. | + | |
| - | 543 | + | < |
| - | < | + | Mark: Excuse me. |
| - | " | + | |
| - | who's probably out here right now. | + | |
| - | 544 | + | < |
| - | < | + | Petey: Hang up. Quickly. |
| - | Graner. Okay. | + | |
| - | Is that, like, a person you know or... | + | |
| - | 545 | + | < |
| - | < | + | Mark: I’m sorry, Mrs. Selvig. They’ve cooked the food, and it’s here. |
| - | We both know him. We don't like him. | + | |
| - | 546 | + | < |
| - | < | + | Petey: Hi, kids. What’s for dinner? |
| - | I see. | + | |
| - | 547 | + | < |
| - | < | + | Petey: I’m sorry. You don’t get that reference. |
| - | Nothing down there is what they say. | + | |
| - | 548 | + | < |
| - | < | + | Mark: Are you following |
| - | If something happens to me, | + | |
| - | 549 | + | < |
| - | < | + | Petey: Your voice is different here. Worse. |
| - | the things I know need to stay known. | + | |
| - | 550 | + | < |
| - | < | + | Mark: Okay, who the fuck are you? |
| - | I'd prefer it be by a friend. | + | Petey: Petey. |
| - | 551 | + | < |
| - | < | + | Petey: My name is Petey. I’m from work. |
| - | So, we're friends? | + | |
| - | 552 | + | < |
| - | < | + | Mark: Well, that’s not plausible. Everyone in my department is... |
| - | I'm your best friend. | + | |
| - | 553 | + | < |
| - | < | + | Petey: Severed. Severed. I was. |
| - | You're my very good friend. | + | |
| - | 554 | + | < |
| - | < | + | Mark: Okay. Well, severance is pretty permanent. |
| - | Mark, sorry about the card. | + | |
| - | 555 | + | < |
| - | < | + | Petey: Yeah. Bypassing the implant wasn’t easy. I had help. |
| - | I had to grab something, | + | |
| - | and I know it's not appropriate. | + | |
| - | 556 | + | < |
| - | < | + | Mark: So, what, you were unhappy at work? |
| - | Though I'm sure you'd be | + | |
| - | a really fucking awesome niece. | + | |
| - | 557 | + | < |
| - | < | + | Mark: And instead |
| - | We used to wonder | + | Petey: No. |
| - | what kind of men we were on the outside, | + | |
| - | 558 | + | < |
| - | < | + | Petey: I tried that first. So did you. |
| - | what choices we had made and why. | + | |
| - | 559 | + | < |
| - | < | + | Mark: Right. Okay. So...You’ve unsevered. And now you, what, think they’re after you or something? |
| - | I used to think it would take a monster | + | |
| - | 560 | + | < |
| - | < | + | Petey: Yeah. " |
| - | to put someone | + | |
| - | in a place like that office. | + | |
| - | 561 | + | < |
| - | < | + | Mark: Graner. Okay. Is that, like, a person |
| - | Especially if the person | + | |
| - | 562 | + | < |
| - | < | + | Petey: We both know him. We don’t like him. |
| - | But we're not monsters, Mark. | + | |
| - | Not real ones. | + | |
| - | 563 | + | < |
| - | < | + | Mark: I see. |
| - | If you don't wanna know what' | + | |
| - | going on down there, | + | |
| - | 564 | + | < |
| - | < | + | Petey: Nothing down there is what they say. If something happens to me, the things I know need to stay known. I’d prefer it be by a friend. |
| - | But if you do, there's an address | + | |
| - | on the back of this card. | + | |
| - | 565 | + | < |
| - | < | + | Mark: So, we’re friends? |
| - | Go alone, and you'll find | + | |
| - | the beginning of a very long answer. | + | |
| - | 566 | + | < |
| - | < | + | Petey: I’m your best friend. You’re my very good friend. |
| - | Mark, is that you? | + | |
| - | 567 | + | < |
| - | < | + | Petey: Mark, sorry about the card. and I know it’s not appropriate. Though I’m sure you’d be a really fucking awesome niece. We used to wonder what kind of men we were on the outside, what choices we had made and why. I used to think it would take a monster to put someone in a place like that office. Especially if the person was himself. But we’re not monsters, Mark. Not real ones. |
| - | Hi, Mrs. Selvig. | + | |
| - | 568 | + | < |
| - | < | + | Petey: If you don’t wanna know what’s going on down there, I won’t force it. But if you do, there’s an address on the back of this card. Go alone, and you’ll find the beginning of a very long answer. |
| - | Will you color me embarrassed | + | |
| - | for the mix-up with the bins? | + | |
| - | 569 | + | < |
| - | < | + | Cobel: Mark, is that you? |
| - | No, it's no problem. | + | |
| - | 570 | + | < |
| - | < | + | Mark: Hi, Mrs. Selvig. |
| - | How was dinner? | + | |
| - | 571 | + | < |
| - | < | + | Cobel: Will you color me embarrassed for the mix-up with the bins? |
| - | Fine. I'm just, you know, tired. | + | |
| - | 572 | + | < |
| - | < | + | Mark: No, it’s no problem. |
| - | You know, my mother was a Catholic. | + | |
| - | 573 | + | < |
| - | < | + | COEBL: How was dinner? |
| - | She used to say it takes the saints | + | |
| - | eight hours to bless a sleeping child. | + | |
| - | 574 | + | < |
| - | < | + | Mark: Fine. I’m just, you know, tired. |
| - | I hope you aren't rushing the saints. | + | |
| - | 575 | + | < |
| - | < | + | Cobel: You know, my mother was a Catholic. She used to say it takes the saints eight hours to bless a sleeping child. |
| - | Well, I'll give them ample time tonight. | + | |
| - | 576 | + | < |
| - | < | + | Mark: Well, I’ll give them ample time tonight. |
| - | Good night, Mrs. Selvig. | + | |
| - | 577 | + | < |
| - | < | + | Cobel: |
| - | Mark. | + | |
| - | 578 | + | < |
| - | < | + | Cobel: |
| - | You're good people. | + | |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
good_news_about_hell_transcript.1652723244.txt.gz · Last modified: 2022-05-16 17:47 by Neatnik
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