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| good_news_about_hell_transcript [2022-05-15 20:37] – Neatnik | good_news_about_hell_transcript [2023-03-24 19:22] (current) – Scribe of Kier | ||
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| ^ Episode Number | 1.1 | | ^ Episode Number | 1.1 | | ||
| ^ Written By | [[https:// | ^ Written By | [[https:// | ||
| - | ^ Next Script | + | ^ Next Transcript |
| </ | </ | ||
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| <WRAP script> | <WRAP script> | ||
| - | < | + | < |
| - | [[Mark Scout|MARK]]: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | MARK: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | [[Helena Eagan|HELLY]]: Hello? | + | Helly: Hello? |
| - | < | + | < |
| - | MARK: I'm sorry, I got ahead of myself. | + | Mark: I’m sorry, I got ahead of myself. |
| - | < | + | < |
| - | MARK: Hi there, you on the table. I wonder if you'd mind taking a brief survey. | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | < | + | < |
| - | HELLY: Who is that? | + | Helly: Who is that? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | MARK: Now, I know you're sleepy, but I just bet it'll make you feel right as rain. | + | Mark: Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | < | + | < |
| - | HELLY: Who's speaking? | + | Helly: Who’s speaking? |
| - | < | + | < |
| - | HELLY: Oh, God. | + | Helly: Oh, God. |
| - | < | + | < |
| - | HELLY: Hey! Open the door! | + | Helly: Hey! Open the door! |
| - | < | + | < |
| - | MARK: I'd be just thrilled to chat once we've run the survey. Shall we begin with question one? | + | Mark: I’d be just thrilled to chat once we’ve run the survey. Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: I'm not taking your survey. | + | Helly: I’m not taking your survey. |
| - | < | + | < |
| - | MARK: Shall we begin with question one? | + | Mark: Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: Let me out of here. | + | Helly: Let me out of here. |
| - | < | + | < |
| - | HELLY: Hey! | + | Helly: Hey! |
| - | < | + | < |
| - | HELLY: Open the door! | + | Helly: Open the door! |
| - | < | + | < |
| - | HELLY: Fuck. | + | Helly: Fuck. |
| - | < | + | < |
| - | HELLY: Hey! Let me out! | + | Helly: Hey! Let me out! |
| - | < | + | < |
| - | HELLY: Hey. | + | Helly: Hey. |
| - | < | + | < |
| - | MARK: Hello. | + | Mark: Hello. |
| - | < | + | < |
| - | HELLY: Five questions? | + | Helly: Five questions? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | HELLY: What do I get at the end? | + | Helly: What do I get at the end? |
| - | < | + | < |
| - | MARK: Depends on your answers. | + | Mark: Depends on your answers. |
| - | < | + | < |
| - | HELLY: Okay. | + | Helly: Okay. |
| - | < | + | < |
| - | MARK: Great. Off we go. Now to start, who are you? | + | Mark: Great. Off we go. Now to start, who are you? |
| - | < | + | < |
| - | HELLY: That's the first question? | + | Helly: That’s the first question? |
| - | < | + | < |
| - | MARK: First name will do. | + | Mark: First name will do. |
| - | < | + | < |
| - | HELLY: I don't... | + | Helly: I don’t... |
| - | < | + | < |
| - | MARK: It's okay. If you can't answer the question, feel free to say, " | + | Mark: It’s okay. If you can’t answer the question, feel free to say, " |
| - | < | + | < |
| - | HELLY: What is this? | + | Helly: What is this? |
| - | < | + | < |
| - | MARK: Okay, unknown. | + | Mark: Okay, unknown. |
| - | < | + | < |
| - | MARK: Question two, in which US state or territory were you born? | + | Mark: Question two, in which US state or territory were you born? |
| - | < | + | < |
| - | HELLY: Wait. | + | Helly: Wait. |
| - | MARK: Which state or territory, please? | + | Mark: Which state or territory, please? |
| - | < | + | < |
| - | HELLY: I don't know. | + | Helly: I don’t know. |
| - | MARK: Unknown. | + | Mark: Unknown. |
| - | < | + | < |
| - | MARK: Question three, please name any US state or territory. | + | Mark: Question three, please name any US state or territory. |
| - | < | + | < |
| - | HELLY: Fuck. I... | + | Helly: Fuck. I... |
| - | MARK: First that comes to mind. | + | Mark: First that comes to mind. |
| - | < | + | < |
| - | HELLY: I don't know. Delaware. What is this? | + | Helly: I don’t know. Delaware. What is this? |
| - | MARK: Delaware. | + | Mark: Delaware. |
| - | < | + | < |
| - | MARK: Question four, what is [[Kier Eagan|Mr. Eagan]]'s favorite breakfast? | + | Mark: Question four, what is Mr. Eagan’s favorite breakfast? |
| - | < | + | < |
| - | HELLY: I don't... That one makes no sense. | + | Helly: I don’t... That one makes no sense. |
| - | < | + | < |
| - | MARK: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother's eyes? | + | Mark: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother’s eyes? |
| - | < | + | < |
| - | HELLY: Okay, what's hap... What's happening? | + | Helly: Okay, what’s hap... What’s happening? |
| - | < | + | < |
| - | MARK: Unknown. So that's unknown, unknown, Delaware, unknown, unknown. | + | Mark: Unknown. So that’s unknown, unknown, Delaware, unknown, unknown. |
| - | < | + | < |
| - | HELLY: What the hell did you do to me? | + | Helly: What the hell did you do to me? |
| - | < | + | < |
| - | MARK: That's a perfect score. | + | Mark: That’s a perfect score. |
| - | < | + | < |
| - | [[Florence|FLORENCE]]: Are you ready for Mr. Scout? | + | Florence: Are you ready for Mr. Scout? |
| - | < | + | < |
| - | FLORENCE: Thank you. | + | Florence: Thank you. |
| - | < | + | < |
| - | FLORENCE: Go ahead. | + | Florence: Go ahead. |
| - | < | + | < |
| - | [[Judd|JUDD]]: Mr. Scout. | + | Judd: Mr. Scout. |
| - | < | + | < |
| - | MARK: Hi, Judd. | + | Mark: Hi, Judd. |
| - | < | + | < |
| - | JUDD: All right, see you this evening. | + | Judd: All right, see you this evening. |
| - | MARK: Yep, see you soon. | + | Mark: Yep, see you soon. |
| - | < | + | < |
| - | [[Dylan George|DYLAN]]: You're breathing shitty. | + | Dylan: You’re breathing shitty. |
| - | MARK: Sorry. | + | Mark: Sorry. |
| - | < | + | < |
| - | DYLAN: You sick? | + | Dylan: You sick? |
| - | < | + | < |
| - | MARK: Maybe. Petey was sniffling yesterday. | + | Mark: Maybe. Petey was sniffling yesterday. |
| - | < | + | < |
| - | DYLAN: If you breathe on me, I'll rip your larynx out. | + | Dylan: If you breathe on me, I’ll rip your larynx out. |
| - | < | + | < |
| - | MARK: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. | + | Mark: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. |
| - | < | + | < |
| - | MARK: Oh. | + | Mark: Oh. |
| - | < | + | < |
| - | DYLAN: Petey better not be out for the day, 'cause I'm about zero seconds from wrapping the Tumwater file, and he needs to process it. | + | Dylan: Petey better not be out for the day, ’cause I’m about zero seconds from wrapping the Tumwater file, and he needs to process it. |
| - | < | + | < |
| - | MARK: I think he's out. | + | Mark: I think he’s out. |
| - | < | + | < |
| - | DYLAN: If he doesn't process today, they won't know until Tuesday of next week. It's typical Lumon bullshit. | + | Dylan: If he doesn’t process today, they won’t know until Tuesday of next week. It’s typical Lumon bullshit. |
| - | < | + | < |
| - | MARK: Careful, guy. | + | Mark: Careful, guy. |
| - | < | + | < |
| - | [[Irving | + | Irving: Hi, kids. What’s for dinner? |
| - | < | + | < |
| - | DYLAN: Goddamn it, Irv. We warned you. | + | Dylan: Goddamn it, Irv. We warned you. |
| - | < | + | < |
| - | IRVING: About the greeting? You were kidding. | + | Irving: About the greeting? You were kidding. |
| - | < | + | < |
| - | DYLAN: No, we sincerely hate it. How many reasons did we come up with? | + | Dylan: No, we sincerely hate it. How many reasons did we come up with? |
| - | < | + | < |
| - | MARK: Eight. | + | Mark: Eight. |
| - | DYLAN: Eight reasons. | + | Dylan: Eight reasons. |
| - | < | + | < |
| - | DYLAN: Chief among them the latent condescension. | + | Dylan: Chief among them the latent condescension. |
| - | < | + | < |
| - | MARK: And it's confusing. Like, did the kids make you dinner in this scenario? Or... | + | Mark: And it’s confusing. Like, did the kids make you dinner in this scenario? Or... |
| - | < | + | < |
| - | DYLAN: Yeah. What kind of a shit dad are you? | + | Dylan: Yeah. What kind of a shit dad are you? |
| - | < | + | < |
| - | IRVING: No Petey? | + | Irving: No Petey? |
| - | MARK: We think he's sick. | + | Mark: We think he’s sick. |
| - | < | + | < |
| - | IRVING: Oh, no. And Dylan's about to wrap [[Tumwater]] today. | + | Irving: Oh, no. And Dylan’s about to wrap Tumwater today. |
| - | < | + | < |
| - | DYLAN: Yeah, and if he doesn't see me finish, I might get passed over for [[refiner of the quarter]] and miss out on my goddamn | + | Dylan: Yeah, and if he doesn’t see me finish, I might get passed over for refiner of the quarter and miss out on my goddamn waffle party. |
| - | < | + | < |
| - | IRVING: Grumble, grumble. | + | Irving: Grumble, grumble. These perks are so out of hand. When we’d process a file in the old days, they’d shake our hand and fill up the creamer. |
| - | These perks are so out of hand. When we'd process a file in the old days, they'd shake our hand and fill up the creamer. | + | |
| - | < | + | < |
| - | DYLAN: I still don't buy they actually incentivized creamer. | + | Dylan: I still don’t buy they actually incentivized creamer. |
| - | < | + | < |
| - | IRVING: They did. And back then, we were grateful for it. | + | Irving: They did. And back then, we were grateful for it. |
| - | < | + | < |
| - | DYLAN: That's fucked, dude. | + | Dylan: That’s fucked, dude. |
| - | < | + | < |
| - | IRVING: Yes, very fucked. To put in an honest day's work and not get a children's breakfast in return. | + | Irving: Yes, very fucked. To put in an honest day’s work and not get a children’s breakfast in return. |
| - | < | + | < |
| - | DYLAN: Irv's got claws today. | + | Dylan: Irv’s got claws today. |
| - | < | + | < |
| - | [[Seth | + | Milchick: Good morning, Macrodata Refinement. |
| - | < | + | < |
| - | IRVING: Hi, Mr. Milchick. | + | Irving: Hi, Mr. Milchick. |
| - | 99 | + | < |
| - | < | + | Milchick: Mark, could I have a word? |
| - | MILCHICK: Mark, could I have a word? | + | |
| - | 100 | + | < |
| - | < | + | Milchick: |
| - | Last time you saw Ms. Cobel, | + | |
| - | she was in her old office. | + | |
| - | 101 | + | < |
| - | < | + | Mark: What’s this about? |
| - | Now she's in her new office. | + | |
| - | 102 | + | < |
| - | < | + | Milchick: She’d never say so, but I know a compliment about the office |
| - | It' | + | |
| - | 103 | + | < |
| - | < | + | Cobel: Mark? Come in. Shut the thing. |
| - | What's this about? | + | |
| - | 104 | + | < |
| - | < | + | Mark: Nice office. |
| - | She'd never say so, | + | |
| - | 105 | + | < |
| - | < | + | Cobel: It’s horrid. |
| - | but I know a compliment about the office | + | |
| - | would just make her day. | + | |
| - | 106 | + | < |
| - | < | + | Mark: Yeah, the old one was better. |
| - | Mark? Come in. Shut the thing. | + | |
| - | 107 | + | < |
| - | < | + | Cobel: Oh... You look awful. You look hungover. Have a seat. |
| - | Nice office. | + | |
| - | 108 | + | < |
| - | < | + | Cobel:The Boardwill be joining us remotely today. |
| - | It's horrid. | + | |
| - | 109 | + | < |
| - | < | + | Cobel: I have Mark S. at my desk. |
| - | Yeah, the old one was better. | + | |
| - | 110 | + | < |
| - | < | + | Mark: Oh, uh, hello. I assume this is about me acting as department chief today. Okay. Well... I mean, I’ve subbed for Petey before, so it shouldn’t be that big a thing. |
| - | You look awful. You look hungover. | + | |
| - | 111 | + | < |
| - | < | + | Cobel: Petey is no longer with this company. |
| - | Have a seat. | + | |
| - | 112 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | The Board will be joining us | + | |
| - | remotely today. | + | |
| - | 113 | + | < |
| - | < | + | Cobel: |
| - | I have Mark S. at my desk. | + | |
| - | 114 | + | < |
| - | < | + | Milchick: I’m sorry, Mark. You guys were one of my favorite office friendships. |
| - | Hello. You... | + | |
| - | 115 | + | < |
| - | < | + | Mark: I mean, there should have been some notice of this. What happened? |
| - | I assume | + | |
| - | as department chief today. | + | |
| - | 116 | + | < |
| - | < | + | Milchick: We’d love to tell you, but unfortunately, |
| - | Okay. Well... I mean, | + | |
| - | 117 | + | < |
| - | < | + | Cobel: Mark, would you place your key card on my desk? |
| - | I've subbed for Petey before, | + | |
| - | so it shouldn' | + | |
| - | 118 | + | < |
| - | < | + | Cobel: Mark S., at this time I confer upon you the freedom to serve Kier in the advanced role of Macrodata Refinement department chief. Congratulations. |
| - | Petey is no longer with this company. | + | |
| - | 119 | + | < |
| - | < | + | Cobel: Oh, a handshake is available upon request. |
| - | I'm sorry? | + | |
| - | 120 | + | < |
| - | < | + | Mark: Thank you. May I have a handshake? |
| - | I said, | + | |
| - | Petey is no longer with this company. | + | |
| - | 121 | + | < |
| - | < | + | Cobel: |
| - | I'm sorry, Mark. You guys were | + | |
| - | one of my favorite office friendships. | + | |
| - | 122 | + | < |
| - | < | + | Milchick: If you need to take a few minutes... |
| - | I mean, there should have been | + | Mark: Thank you. I don’t. |
| - | some notice of this. What happened? | + | |
| - | 123 | + | < |
| - | < | + | Mark: Oh, and, uh, thank you to the Board as well. |
| - | We'd love to tell you, | + | |
| - | 124 | + | < |
| - | < | + | Cobel: The Board won’t be contributing to this meeting vocally. |
| - | but unfortunately, | + | |
| - | non-disclosure policy forbids. | + | |
| - | 125 | + | < |
| - | < | + | Irving: Our last refiner, who was a woman, was... |
| - | We'd be aiding an assault | + | |
| - | on Petey' | + | |
| - | 126 | + | < |
| - | < | + | Mark: Carol. Dylan’s old seat. |
| - | Mark, would you place your key card | + | |
| - | on my desk? | + | |
| - | 127 | + | < |
| - | < | + | Irving: Don’t be sad. |
| - | Mark S., at this time I confer upon you | + | |
| - | the freedom to serve Kier | + | |
| - | 128 | + | < |
| - | < | + | Mark: I’m fine. We’ll be fine. |
| - | in the advanced role of Macrodata | + | |
| - | Refinement department chief. | + | |
| - | 129 | + | < |
| - | < | + | Irving: I know you and Petey were close. He was the only one who really appreciated your humor. |
| - | Congratulations. | + | |
| - | 130 | + | < |
| - | < | + | Mark: Everything’s fine. So, I’m supposed to start with just the input survey? Isn’t that a little weird? |
| - | A handshake is available upon request. | + | |
| - | 131 | + | < |
| - | < | + | Milchick: It’s standard. Just start at 1A and continue by line, based on her answers. |
| - | Thank you. May I have a handshake? | + | |
| - | 132 | + | < |
| - | < | + | Mark: Well, what if I just talk to her? |
| - | I know you haven' | + | |
| - | but Irving will be there to shadow. | + | |
| - | 133 | + | < |
| - | < | + | Milchick: She deserves |
| - | Just stick to the flowchart and escalate | + | |
| - | properly depending on dialectics. | + | |
| - | 134 | + | < |
| - | < | + | Mark: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | You'll be fine. | + | |
| - | 135 | + | < |
| - | < | + | Irving: She has to ask three times for you to let her. |
| - | - If you need to take a few minutes... | + | |
| - | - Thank you. I don't. | + | |
| - | 136 | + | < |
| - | < | + | Mark: Right. Yes. |
| - | And thank you to the Board as well. | + | |
| - | 137 | + | < |
| - | < | + | Mark: Image is good. |
| - | The Board won't be contributing | + | |
| - | to this meeting vocally. | + | |
| - | 138 | + | < |
| - | < | + | Irving: She looks nice. |
| - | Our last refiner, who | + | |
| - | was a woman, was... | + | |
| - | 139 | + | < |
| - | < | + | Milchick: Okay. You’re all set. |
| - | Carol. Dylan' | + | |
| - | 140 | + | < |
| - | < | + | Milchick: I just love seeing you all come in like this. |
| - | Don't be sad. | + | |
| - | 141 | + | < |
| - | < | + | Milchick: Go on ahead when you’re ready. |
| - | I'm fine. We'll be fine. | + | |
| - | 142 | + | < |
| - | < | + | Irving: All right. |
| - | I know you and Petey were close. | + | Mark: Okay. |
| - | 143 | + | < |
| - | < | + | Irving: There you go. |
| - | He was the only one | + | |
| - | who really appreciated your humor. | + | |
| - | 144 | + | < |
| - | < | + | Mark: Who are you? |
| - | Everything' | + | |
| - | to start with just the input survey? | + | |
| - | 145 | + | < |
| - | < | + | Irving: All right. |
| - | Isn't that a little weird? | + | |
| - | 146 | + | < |
| - | < | + | Mark: Who are you? |
| - | It's standard. | + | |
| - | 147 | + | < |
| - | < | + | Irving: Mark. |
| - | Just start at 1A and continue by line, | + | Mark: What? |
| - | based on her answers. | + | |
| - | 148 | + | < |
| - | < | + | Irving: You skipped the preamble. |
| - | Well, what if I just talk to her? | + | |
| - | 149 | + | < |
| - | < | + | Helly: Hello? |
| - | She deserves to have the information | + | |
| - | presented to her in the proper order. | + | |
| - | 150 | + | < |
| - | < | + | Mark: Shit! |
| - | Just as you had. | + | |
| - | 151 | + | < |
| - | < | + | Mark: I’m sorry, I got ahead of myself. |
| - | "If the trainee becomes agitated | + | |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | + | < |
| - | < | + | Irving: That’s it. |
| - | She has to ask three times | + | Mark: Okay. |
| - | for you to let her. | + | |
| - | 153 | + | < |
| - | < | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | Right. Yes. | + | |
| - | 154 | + | < |
| - | < | + | Helly: Who is that? |
| - | Image is good. | + | |
| - | 155 | + | < |
| - | < | + | Mark: Five questions. Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | She looks nice. | + | |
| - | 156 | + | < |
| - | < | + | Helly: Who’s speaking? |
| - | Okay. You're all set. | + | |
| - | 157 | + | < |
| - | < | + | Mark: " |
| - | I just love | + | |
| - | seeing you all come in like this. | + | |
| - | 158 | + | < |
| - | < | + | Helly: Hey! Open the door! |
| - | Go on ahead when you're ready. | + | |
| - | 159 | + | < |
| - | < | + | Irving: Mark. |
| - | - All right. | + | |
| - | - Okay. | + | |
| - | 160 | + | < |
| - | < | + | Mark: I’d be just thrilled to chat, once we’ve run the survey. Shall we begin with question one? |
| - | There you go. | + | |
| - | 161 | + | < |
| - | < | + | Helly: I’m not taking your survey. |
| - | Who are you? | + | |
| - | 162 | + | < |
| - | < | + | Mark: Shall we begin with question one? |
| - | All right. | + | |
| - | 163 | + | < |
| - | < | + | Helly: Let me out of here. Hey! |
| - | Who are you? | + | |
| - | 164 | + | < |
| - | < | + | Helly: Open the door! |
| - | - Mark. | + | Irving: She’s not supposed to do that. |
| - | - What? | + | |
| - | 165 | + | < |
| - | < | + | Helly: Hey! |
| - | You skipped the preamble. | + | |
| - | 166 | + | < |
| - | < | + | Irving: She’s going to break in. |
| - | Hello? | + | |
| - | 167 | + | < |
| - | < | + | Helly: Let me out! |
| - | Shit! | + | Mark: No, she’s not. |
| - | 168 | + | < |
| - | < | + | Milchick: Are you seeing this? |
| - | I'm sorry, I got ahead of myself. | + | |
| - | 169 | + | < |
| - | < | + | Cobel: I’m watching. |
| - | - That's it. | + | |
| - | - Okay. | + | |
| - | 170 | + | < |
| - | < | + | Milchick: Should I help? |
| - | Hi there, you on the table. | + | |
| - | 171 | + | < |
| - | < | + | Cobel: You should not. |
| - | I wonder if you'd mind | + | |
| - | taking a brief survey. | + | |
| - | 172 | + | < |
| - | < | + | Mark: That’s a perfect score. |
| - | Who is that? | + | |
| - | 173 | + | < |
| - | < | + | Mark: Now, I think I know where our disconnect is coming from. |
| - | Five questions. | + | |
| - | 174 | + | < |
| - | < | + | Helly: What? |
| - | Now, I know you're sleepy, | + | Mark: Well, there was a preamble, which I was supposed to read before the survey, to lead into the questions and... But I unfortunately skipped that and went straight into the survey. |
| - | 175 | + | < |
| - | < | + | Helly: Am I livestock? |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | Who's speaking? | + | |
| - | 177 | + | < |
| - | < | + | Helly: Like, did you grow me as food and that’s why I have no memories? |
| - | " | + | |
| - | 178 | + | < |
| - | < | + | Mark: You think we grew a full human, gave you consciousness... |
| - | Hey! Open the door! | + | |
| - | 179 | + | < |
| - | < | + | Helly: I don’t know. |
| - | Mark. | + | Mark: did your nails and... |
| - | 180 | + | < |
| - | < | + | Helly: |
| - | I'd be just thrilled to chat, | + | |
| - | once we've run the survey. | + | |
| - | 181 | + | < |
| - | < | + | Mark: No, you’re not livestock. Good Lord. |
| - | Shall we begin with question one? | + | |
| - | 182 | + | < |
| - | < | + | Helly: Then what’s my name? |
| - | I'm not taking your survey. | + | |
| - | 183 | + | < |
| - | < | + | Mark: Helly. Your name is Helly. Helly R. |
| - | Shall we begin with question one? | + | |
| - | 184 | + | < |
| - | < | + | Mark: Please. |
| - | Let me out of here. Hey! | + | |
| - | 185 | + | < |
| - | < | + | Mark: Thank you for taking |
| - | - Open the door! | + | |
| - | - She's not supposed to do that. | + | |
| - | 186 | + | < |
| - | < | + | Mark: You see, you have been hired to a position on the Severed Floor of Lumon Industries. |
| - | Hey! | + | |
| - | 187 | + | < |
| - | < | + | Helly: The what floor? |
| - | She's going to break in. | + | |
| - | 188 | + | < |
| - | < | + | Mark: I understand you’re confused about the severance procedure. Before we hop on that, let’s chat about something I bet you have heard of, the work/life balance. To start, imagine yourself as a seesaw. |
| - | - Let me out! | + | |
| - | - No, she's not. | + | |
| - | 189 | + | < |
| - | < | + | Mark: Ow! Fuck! |
| - | Are you seeing this? | + | |
| - | 190 | + | < |
| - | < | + | Mark: That locks from out there! |
| - | I'm watching. | + | |
| - | 191 | + | < |
| - | < | + | Helly: Let me out! |
| - | Should I help? | + | Mark: God! |
| - | 192 | + | < |
| - | < | + | Mark: Can we just take a beat? Please. |
| - | You should not. | + | |
| - | 193 | + | < |
| - | < | + | Mark: Please. |
| - | That's a perfect score. | + | |
| - | 194 | + | < |
| - | < | + | Mark: Okay, my name’s Mark. And, uh... So, I... |
| - | Now, I think I know where | + | |
| - | our disconnect is coming from. | + | |
| - | 195 | + | < |
| - | < | + | Mark: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | - What? | + | |
| - | - Well, there was a preamble, | + | |
| - | 196 | + | < |
| - | < | + | Mark: And when I realized I couldn’t answer, I told that voice that I would find him and kill him. |
| - | which I was supposed to read | + | |
| - | before the survey, | + | |
| - | 197 | + | < |
| - | < | + | Mark: I don’t know why I said that. I mean, I was scared too. |
| - | to lead into the questions and... | + | |
| - | 198 | + | < |
| - | < | + | Helly: Did you kill the voice? |
| - | But I unfortunately skipped that | + | |
| - | and went straight into the survey. | + | |
| - | 199 | + | < |
| - | < | + | Mark: No. |
| - | Am I livestock? | + | |
| - | 200 | + | < |
| - | < | + | Mark: No, that voice’s name was Petey, and he became my best friend. |
| - | I'm sorry? | + | |
| - | 201 | + | < |
| - | < | + | Mark: So, look, you know, there is a life to be had here, Helly. |
| - | Like, did you grow me as food | + | |
| - | and that's why I have no memories? | + | |
| - | 202 | + | < |
| - | < | + | Helly: A life to be had? |
| - | You think we grew a full human, | + | |
| - | gave you consciousness... | + | |
| - | 203 | + | < |
| - | < | + | Mark: Well, you see, life, like a seesaw, requi— |
| - | - I don't know. | + | |
| - | - did your nails and... | + | |
| - | 204 | + | < |
| - | < | + | Helly: Let me the fuck out of here! |
| - | I don't know. I don't know you. | + | |
| - | 205 | + | < |
| - | < | + | Mark: Ask me again. |
| - | No, you're not livestock. Good Lord. | + | Helly: What? |
| - | 206 | + | < |
| - | < | + | Mark: You’ve asked twice to be let go. Ask one more time. |
| - | Then what's my name? | + | |
| - | 207 | + | < |
| - | < | + | Helly: Mark. |
| - | Helly. | + | Mark: Yeah? |
| - | 208 | + | < |
| - | < | + | Helly: I would like to leave the building now. |
| - | Your name is Helly. Helly R. | + | |
| - | 209 | + | < |
| - | < | + | Mark: I understand you don’t feel it’s working out for you here at Lumon. While disappointed, |
| - | Please. | + | |
| - | 210 | + | < |
| - | < | + | Mark: Irv. |
| - | Thank you for taking the welcome survey. | + | |
| - | 211 | + | < |
| - | < | + | Mark: The departments are pretty spaced out, but it’ll all fill in one day. They’re planning an expansion. |
| - | I can sense that the questions | + | |
| - | made you feel afraid or disoriented. | + | |
| - | 212 | + | < |
| - | < | + | Helly: And I’m, what, part of that? |
| - | Well, the good news is, | + | |
| - | you're at an orientation. | + | |
| - | 213 | + | < |
| - | < | + | Mark: No. You’re a replacement. |
| - | You see, you have | + | |
| - | been hired to a position | + | |
| - | 214 | + | < |
| - | < | + | Helly: Replacement for who? Why are you saying that like you hate it? |
| - | on the severed floor | + | |
| - | of Lumon Industries. | + | |
| - | 215 | + | < |
| - | < | + | Mark: Here’s your stairwell. Just past the bend. |
| - | The what floor? | + | |
| - | 216 | + | < |
| - | < | + | Helly: You’re not coming with me? |
| - | I understand you're confused | + | |
| - | about the severance procedure. | + | |
| - | 217 | + | < |
| - | < | + | Mark: I’m not allowed to see. |
| - | Before we hop on that, | + | |
| - | 218 | + | < |
| - | < | + | Helly: Excuse me? |
| - | let's chat about something I bet you | + | |
| - | have heard of, the work/life balance. | + | |
| - | 219 | + | < |
| - | < | + | Mark: Well, once you leave, you... I just can’t watch you leave. |
| - | To start, imagine yourself as a seesaw. | + | |
| - | 220 | + | < |
| - | < | + | Helly: Of course you can’t. |
| - | Fuck! | + | |
| - | 221 | + | < |
| - | < | + | Helly: What the hell? |
| - | That locks from out there! | + | |
| - | 222 | + | < |
| - | < | + | Helly: Am I dead? |
| - | - Let me out! | + | Mark: No. |
| - | - God! | + | |
| - | 223 | + | < |
| - | < | + | Helly: This isn’t, like, hell or something? |
| - | Can we just take a beat? Please. | + | Mark: No. |
| - | 224 | + | < |
| - | < | + | Helly: Then why the fuck can’t I leave? |
| - | Please. | + | |
| - | 225 | + | < |
| - | < | + | Mark: Well, you did leave, just now. Out into the stairwell at least. |
| - | Okay, my name' | + | |
| - | 226 | + | < |
| - | < | + | Mark: You left, but you came back. |
| - | And... So, I... | + | |
| - | 227 | + | < |
| - | < | + | Helly: |
| - | You know, few years back, | + | Mark: You did. Come on. |
| - | I woke up on this table. | + | |
| - | 228 | + | < |
| - | < | + | Cobel: Weaponizing office equipment on your first day. You are gonna be fun. Look, I do sympathize. I’ve wanted to pummel Mark myself, but I am his employer. And he is your department chief. So we’ll both have to be strong. The good news is, there’s only one part left of your orientation, |
| - | In this room. | + | |
| - | 229 | + | < |
| - | < | + | Helly: Why is that? |
| - | And a disembodied voice | + | |
| - | asked me 19 times who I was. | + | |
| - | 230 | + | < |
| - | < | + | Cobel: Because it’s a video. |
| - | And when I realized I couldn' | + | |
| - | 231 | + | < |
| - | < | + | Cobel: Welcome to Lumon, Helly. |
| - | I told that voice that I would find him | + | |
| - | and kill him. | + | |
| - | 232 | + | < |
| - | < | + | Cobel: Have a seat. |
| - | I don't know why I said that. | + | |
| - | I mean, I was scared too. | + | |
| - | 233 | + | < |
| - | < | + | Mark: Are you mad at me? |
| - | Did you kill the voice? | + | |
| - | 234 | + | < |
| - | < | + | Cobel: For the incompetence or the disobedience? |
| - | No. | + | |
| - | 235 | + | < |
| - | < | + | Mark: Well... |
| - | No, that voice' | + | Cobel: Yes! |
| - | and he became my best friend. | + | |
| - | 236 | + | < |
| - | < | + | Cobel: You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is, hell is just the product of a morbid human imagination. The bad news is, whatever humans can imagine, they can usually create. |
| - | So, look, you know, | + | |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | + | < |
| - | < | + | Mark: I don’t know what that means. |
| - | A life to be had? | + | |
| - | 238 | + | < |
| - | < | + | Cobel: A department |
| - | Well, you see, | + | |
| - | life, like a seesaw, requi... | + | |
| - | 239 | + | < |
| - | < | + | Milchick: You can have a seat. |
| - | Let me the fuck out of here! | + | |
| - | 240 | + | < |
| - | < | + | Milchick: Okay, go ahead and have a seat. |
| - | - Ask me again. | + | |
| - | - What? | + | |
| - | 241 | + | < |
| - | < | + | Helly: My name is Helly R. I’m making this video roughly two hours before it will be shown to me. I have, of my own free accord, elected to undergo the procedure colloquially known as severance. I give consent for my perceptual chronologies |
| - | You've asked twice to be let go. | + | |
| - | Ask one more time. | + | |
| - | 242 | + | < |
| - | < | + | Milchick: Okay, that’s a wrap. |
| - | - Mark. | + | |
| - | - Yeah? | + | |
| - | 243 | + | < |
| - | < | + | Milchick: Okay. Go ahead. |
| - | I would like to leave the building now. | + | |
| - | 244 | + | < |
| - | < | + | Helly: So I’ll never leave here? |
| - | I understand you don't feel | + | |
| - | it's working out for you here at Lumon. | + | |
| - | 245 | + | < |
| - | < | + | Mark: You’ll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won’t feel like it. Not to this version of you anyway. |
| - | While disappointed, I'd hate to | + | |
| - | keep you somewhere | + | |
| - | 246 | + | < |
| - | < | + | Helly: Do I have a family? |
| - | So, let's get you outta here. | + | |
| - | 247 | + | < |
| - | < | + | Mark: You’ll never know. |
| - | Irv. | + | |
| - | 248 | + | < |
| - | < | + | Helly: And I have no choice. |
| - | The departments are pretty spaced out, | + | |
| - | but it'll all fill in one day. | + | |
| - | 249 | + | < |
| - | < | + | Mark: Well, every time you find yourself here, it’s because you chose to come back. |
| - | They' | + | |
| - | 250 | + | < |
| - | < | + | Irving: Hello. |
| - | And I'm, what, part of that? | + | |
| - | 251 | + | < |
| - | < | + | Mark: Good night. |
| - | No. You're a replacement. | + | |
| - | 252 | + | < |
| - | < | + | Judd: Good night. |
| - | Replacement for who? | + | |
| - | 253 | + | < |
| - | < | + | Mark: "Dear Mark, Whilst carrying boxes in a room today, |
| - | Why are you saying | + | |
| - | that like you hate it? | + | |
| - | 254 | + | < |
| - | < | + | Helly: Hey! |
| - | Here's your stairwell. | + | |
| - | Just past the bend. | + | |
| - | 255 | + | < |
| - | < | + | Mark: Sorry. |
| - | You're not coming with me? | + | |
| - | 256 | + | < |
| - | < | + | Helly: Maybe keep your eyes on the icy road. |
| - | I'm not allowed to see. | + | |
| - | 257 | + | < |
| - | < | + | Mark: Sorry. |
| - | Excuse me? | + | |
| - | 258 | + | < |
| - | < | + | Television: //Indeed, this gnat will spend much of its three to seven-day life...// |
| - | Well, once you leave, you... | + | |
| - | 259 | + | < |
| - | < | + | Mark: No, I know, Mrs. Selvig. It’s |
| - | I just can't watch you leave. | + | |
| - | 260 | + | < |
| - | < | + | Devon: Hey. |
| - | Of course you can't. | + | Mark: Hey. |
| - | 261 | + | < |
| - | < | + | Devon: Did you forget? |
| - | What the hell? | + | |
| - | 262 | + | < |
| - | < | + | Mark: Oh, yeah. Shit. |
| - | - Am I dead? | + | |
| - | - No. | + | |
| - | 263 | + | < |
| - | < | + | Devon: That’s okay. |
| - | - This isn't, like, hell or something? | + | |
| - | - No. | + | |
| - | 264 | + | < |
| - | < | + | Mark: Sorry. |
| - | Then why the fuck can't I leave? | + | Devon: That’s fine. |
| - | 265 | + | < |
| - | < | + | Devon: Do you wanna put on pants, and I’ll... |
| - | Well, you did leave, just now. | + | Mark: I’m wearing pants. |
| - | Out into the stairwell at least. | + | |
| - | 266 | + | < |
| - | < | + | Devon: meet you in... Those are not pants. |
| - | You left, but you came back. | + | |
| - | 267 | + | < |
| - | < | + | Mark: So if there’s no dinner, how is it dinner? |
| - | - I did not. | + | |
| - | - You did. | + | |
| - | 268 | + | < |
| - | < | + | Devon: Okay. |
| - | Come on. | + | Mark: Like... |
| - | 269 | + | < |
| - | < | + | Devon: You actually owe me this. |
| - | Weaponizing office equipment | + | |
| - | on your first day. | + | |
| - | 270 | + | < |
| - | < | + | Mark: Do I? |
| - | You are gonna be fun. | + | Devon: Yep. |
| - | 271 | + | < |
| - | < | + | Devon: You remember that time when we were kids and I was a way better sibling than you? |
| - | Look, I do sympathize. | + | |
| - | 272 | + | < |
| - | < | + | Mark: Must have slipped my mind. |
| - | I've wanted to pummel | + | |
| - | but I am his employer. | + | |
| - | 273 | + | < |
| - | < | + | Devon: Also, I know we’re nearing the anniversary, |
| - | And he is your department chief. | + | |
| - | 274 | + | < |
| - | < | + | Mark: Nope. |
| - | So we'll both have to be strong. | + | |
| - | 275 | + | < |
| - | < | + | Devon: This is nice. When did you get it? |
| - | The good news is, there' | + | |
| - | one part left of your orientation, | + | |
| - | 276 | + | < |
| - | < | + | Mark: Something from work, and they apologized. |
| - | which Mark can't possibly derail. | + | |
| - | 277 | + | < |
| - | < | + | Devon: They apologized. Thank God. Did they tack an explanation onto that apology? |
| - | Why is that? | + | |
| - | 278 | + | < |
| - | < | + | Mark: It’s fine. Got a gift card. |
| - | Because it's a video. | + | |
| - | 279 | + | < |
| - | < | + | Devon: You got a gift card. Where’s he going to? |
| - | Welcome to Lumon, Helly. | + | |
| - | 280 | + | < |
| - | < | + | Mark: I don’t know. Pip’s. |
| - | Have a seat. | + | |
| - | 281 | + | < |
| - | < | + | Devon: Of course it’s Pip’s. Well, enjoy. |
| - | Are you mad at me? | + | |
| - | 282 | + | < |
| - | < | + | Mark: I will, without you. |
| - | For the incompetence | + | |
| - | or the disobedience? | + | |
| - | 283 | + | < |
| - | < | + | Ricken: There’s our captive. |
| - | - Well... | + | |
| - | - Yes! | + | |
| - | 284 | + | < |
| - | < | + | Mark: Hi, Rick. |
| - | You know, my mother was an atheist. | + | Ricken: Ricken. Come on, it’s Ricken. |
| - | 285 | + | < |
| - | < | + | Ricken: You, sir, look at peace. |
| - | She used to say that there was | + | Mark: You know. |
| - | good news and bad news about hell. | + | |
| - | 286 | + | < |
| - | < | + | Mark: Okay. |
| - | The good news is, | + | Devon: Hi, baby. |
| - | 287 | + | < |
| - | < | + | Ricken: Hi. |
| - | hell is just the product | + | |
| - | of a morbid human imagination. | + | |
| - | 288 | + | < |
| - | < | + | Patton: No, what a lot of people overlook, I think, is that life is not food. |
| - | The bad news is, | + | |
| - | 289 | + | < |
| - | < | + | Danise: Right. |
| - | whatever humans can imagine, | + | Patton: You’ve got life, |
| - | they can usually create. | + | |
| - | 290 | + | < |
| - | < | + | Patton: this complex quality of sentience and activity. And then you’ve got food, which is what? |
| - | I don't know what that means. | + | |
| - | 291 | + | < |
| - | < | + | Ricken: Yes, what is it? |
| - | A department like yours | + | Patton: Fuel. |
| - | can go so good or so bad. | + | |
| - | 292 | + | < |
| - | < | + | Patton: Calories. It’s not the same thing. |
| - | You know what makes the difference? | + | |
| - | 293 | + | < |
| - | < | + | Ricken: Yes, that is spot on, Patton. |
| - | The people. | + | Rebeck: I definitely agree. |
| - | 294 | + | < |
| - | < | + | Devon: Though, if I’m...Sorry, |
| - | You can have a seat. | + | |
| - | 295 | + | < |
| - | < | + | Mark: True. |
| - | Okay, go ahead and have a seat. | + | Devon: It was low-hanging fruit. |
| - | 296 | + | < |
| - | < | + | Ricken: He did. He was a misdiagnosed alcoholic. |
| - | My name is Helly R. | + | |
| - | 297 | + | < |
| - | < | + | Danise: Now, Mark, Ricken told Rebeck and me that you’re a former history professor. |
| - | I'm making this video | + | |
| - | 298 | + | < |
| - | < | + | Mark: Yeah. |
| - | roughly two hours | + | |
| - | before it will be shown to me. | + | |
| - | 299 | + | < |
| - | < | + | Danise: So, I’m curious for your take on all of this. The food v life of it. |
| - | I have, of my own free accord, | + | |
| - | elected to undergo the procedure | + | |
| - | 300 | + | < |
| - | < | + | Mark: Well, I’m not sure. I taught mostly about World War I. |
| - | colloquially known as severance. | + | |
| - | 301 | + | < |
| - | < | + | Patton: Okay. Well, I got one for you. I was just reading this think piece about the comparative levels of violence and warfare throughout history. |
| - | I give consent | + | |
| - | chronologies to be surgically split, | + | |
| - | 302 | + | < |
| - | < | + | Ricken: Nerd alert. |
| - | separating my memories between | + | |
| - | my work life and my personal life. | + | |
| - | 303 | + | < |
| - | < | + | Patton: War porn, I know. |
| - | I acknowledge that, henceforth, | + | |
| - | 304 | + | < |
| - | < | + | Patton: But anyway, in it, he said that the people actually called it the Great War. Apparently, it would have been a faux pas to have called it World War I. |
| - | my access | + | |
| - | will be spatially dictated. | + | |
| - | 305 | + | < |
| - | < | + | Ricken: Is that right? |
| - | I will be unable to access | + | |
| - | outside recollections | + | |
| - | 306 | + | < |
| - | < | + | Mark: Well, you know, no one would’ve called it World War I ’cause World War II hadn’t happened yet. |
| - | whilst on Lumon' | + | |
| - | severed basement floor, | + | |
| - | 307 | + | < |
| - | < | + | Danise: Wow. |
| - | nor retain work memories upon my ascent. | + | Ricken: Of course. |
| - | 308 | + | < |
| - | < | + | Patton: That’s absolutely right. |
| - | I am aware that this alteration | + | Ricken: Duh. |
| - | 309 | + | < |
| - | < | + | Rebeck: That’s so true. |
| - | is comprehensive and irreversible. | + | |
| - | 310 | + | < |
| - | < | + | Devon: This is why we bring this guy. |
| - | I make these statements freely. | + | |
| - | 311 | + | < |
| - | < | + | Ricken: Mark’s late wife, Gemma, was an educator as well. Russian literature. |
| - | Okay, that's a wrap. | + | |
| - | 312 | + | < |
| - | < | + | Rebeck: I love literature. |
| - | Okay. | + | Ricken: Right? |
| - | 313 | + | < |
| - | < | + | Ricken: But Mark is a Lumon man now. |
| - | Go ahead. | + | |
| - | 314 | + | < |
| - | < | + | Devon: Ricken. |
| - | So I'll never leave here? | + | Patton: Really? |
| - | 315 | + | < |
| - | < | + | Mark: Yeah. About two years. |
| - | You'll leave at 5:00. | + | |
| - | 316 | + | < |
| - | < | + | Rebeck: Do you design the medicines? |
| - | Well, actually, | + | Mark: No. |
| - | they stagger our exits, so 5:15. | + | |
| - | 317 | + | < |
| - | < | + | Patton: I thought Lumon was more on the tech side of things. |
| - | But it won't feel like it. | + | |
| - | Not to this version | + | |
| - | 318 | + | < |
| - | < | + | Danise: They began in the 1800s. |
| - | Do I have a family? | + | Ricken: Really? |
| - | 319 | + | < |
| - | < | + | Danise: Topical salves, right? |
| - | You'll never know. | + | |
| - | 320 | + | < |
| - | < | + | Rebeck: What don’t they make? |
| - | And I have no choice. | + | |
| - | 321 | + | < |
| - | < | + | Mark: Yeah, but I’m in the corporate archives division, so... |
| - | Well, every time you find yourself here, | + | |
| - | it's because you chose to come back. | + | |
| - | 322 | + | < |
| - | < | + | Patton: So you know all the dirty secrets. |
| - | Hello. | + | |
| - | 323 | + | < |
| - | < | + | Mark: No, not really. |
| - | Good night. | + | Ricken: No. |
| - | 324 | + | < |
| - | < | + | Ricken: Mark’s work is sensitive enough as to require the severance procedure. |
| - | Good night. | + | |
| - | 325 | + | < |
| - | < | + | Danise: Well. |
| - | "Dear Mark, | + | |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | + | < |
| - | < | + | Danise: That’s something, isn’t it? |
| - | you slipped on an | + | |
| - | overhead projector slide | + | |
| - | 327 | + | < |
| - | < | + | Devon: Yeah. It’s also, I think, something that’s his choice |
| - | and sustained a minor | + | |
| - | blow to the temple." | + | |
| - | 328 | + | < |
| - | < | + | Devon: Right, Ricken? |
| - | Hey! | + | Ricken: Oh, my God. |
| - | 329 | + | < |
| - | < | + | Mark: No. No. |
| - | Sorry. | + | Ricken: Oh, God, Mark. |
| - | 330 | + | < |
| - | < | + | Ricken: Please forgive me. |
| - | Maybe keep your eyes on the icy road. | + | Mark: No. It’s okay. I don’t care. |
| - | 331 | + | < |
| - | < | + | Ricken: My apologies. |
| - | Sorry. | + | Danise: No, I think it’s fascinating. |
| - | 332 | + | < |
| - | < | + | Danise: I mean, I wish I could do it. I’d just always be thinking about, you know, the other one. |
| - | Indeed, this gnat will spend | + | |
| - | much of its three to seven-day life... | + | |
| - | 333 | + | < |
| - | < | + | Mark: Well, there is no other one. It’s me. I do the job. |
| - | No, I know, Mrs. Selvig. | + | |
| - | It's just, it was in my space again. | + | |
| - | 334 | + | < |
| - | < | + | Danise: I just don’t grasp the visceral element. What does it feel like? |
| - | Yeah. Well, trash comes tomorrow night. | + | |
| - | Tonight' | + | |
| - | 335 | + | < |
| - | < | + | Patton: Well, it’s simple. One’s memories are bifurcated, so when you’re not at work, you have no recollection of what it is you do there. Did I get that right, Mark? |
| - | Yeah, it is weird, | + | |
| - | but that's how they do it. | + | |
| - | 336 | + | < |
| - | < | + | Mark: Well, it’s... |
| - | And with both yours, | + | Danise: So you walk in at 9:00 a.m., |
| - | there's no room for... | + | |
| - | 337 | + | < |
| - | < | + | Danise: and then suddenly it’s 5:00, and you’re leaving? |
| - | - Hey. | + | |
| - | - Hey. | + | |
| - | 338 | + | < |
| - | < | + | Mark: Well, they stagger us a little, so... |
| - | Did you forget? | + | Danise: They stagger |
| - | 339 | + | < |
| - | < | + | Patton: And then, conversely, when you’re at work, you can’t access outside memories. So, in effect, that version of you is trapped there. |
| - | Oh, yeah. Shit. | + | |
| - | 340 | + | < |
| - | < | + | Ricken: Well... |
| - | That's okay. | + | |
| - | 341 | + | < |
| - | < | + | Patton: Well, I mean, not trapped, but... |
| - | - Sorry. | + | Mark: But what? |
| - | - That's fine. | + | |
| - | 342 | + | < |
| - | < | + | Mark: No, no. I’m curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | - Do you wanna put on pants, and I'll... | + | |
| - | - I'm wearing pants. | + | |
| - | 343 | + | < |
| - | < | + | Danise: So, I suppose we know where you fall on the congressional goings-on. |
| - | meet you in... Those are not pants. | + | |
| - | 344 | + | < |
| - | < | + | Ricken: Okay, I think we may be |
| - | So if there' | + | |
| - | dinner, how is it dinner? | + | |
| - | 345 | + | < |
| - | < | + | Ricken: missing the point here. |
| - | - Okay. | + | Devon: Yeah. |
| - | - Like... | + | |
| - | 346 | + | < |
| - | < | + | Ricken: The point is that Mark made a decision. And that decision was controversial, |
| - | You actually owe me this. | + | |
| - | 347 | + | < |
| - | < | + | Danise: So well said. |
| - | - Do I? | + | Ricken: Thank you. |
| - | - Yep. | + | |
| - | 348 | + | < |
| - | < | + | Patton: Absolutely. |
| - | You remember that time when we were kids | + | Rebeck: |
| - | and I was a way better sibling than you? | + | |
| - | 349 | + | < |
| - | < | + | Mark: Wow. Thank you. That’s very sweet. |
| - | Must have slipped my mind. | + | |
| - | 350 | + | < |
| - | < | + | Ricken: Well, we’re at the point where, traditionally, |
| - | Also, | + | |
| - | I know we're nearing | + | |
| - | 351 | + | < |
| - | < | + | Patton: Oh, yeah. No, absolutely. |
| - | so I just thought | + | Ricken: Right? |
| - | maybe you'd wanna be around people. | + | |
| - | 352 | + | < |
| - | < | + | Patton: I was saying, my friend in Lima hasn’t had a food-based dinner event in... |
| - | Nope. | + | |
| - | 353 | + | < |
| - | < | + | Devon: If I give you $3,000, will you forgive me? |
| - | This is nice. When did you get it? | + | |
| - | 354 | + | < |
| - | < | + | Mark: Well, because your child is innocent of tonight’s atrocities, I’ll wait until after it’s born to murder you. |
| - | Something from work, | + | |
| - | and they apologized. | + | |
| - | 355 | + | < |
| - | < | + | Devon: Oh, my God. Here you go, buddy. |
| - | They apologized. Thank God. | + | |
| - | 356 | + | < |
| - | < | + | Mark: Thank you. |
| - | Did they tack an explanation | + | |
| - | onto that apology? | + | |
| - | 357 | + | < |
| - | < | + | Devon: Hey, how’s the good doctor therapy man with that weird little mustache? |
| - | It's fine. Got a gift card. | + | |
| - | 358 | + | < |
| - | < | + | Devon: |
| - | You got a gift card. | + | |
| - | Where' | + | |
| - | 359 | + | < |
| - | < | + | Mark: Well, the work thing’s helped. |
| - | I don't know. Pip's. | + | |
| - | 360 | + | < |
| - | < | + | Devon: Yeah. |
| - | Of course it's Pip's. Well, enjoy. | + | |
| - | 361 | + | < |
| - | < | + | Devon: |
| - | I will, without | + | |
| - | 362 | + | < |
| - | < | + | Devon: I just feel like forgetting about her for eight hours a day isn’t the same thing as healing. |
| - | There' | + | |
| - | 363 | + | < |
| - | < | + | Devon: You wanna crash here, since you’re already here? |
| - | - Hi, Rick. | + | |
| - | - Ricken. Come on, it's Ricken. | + | |
| - | 364 | + | < |
| - | < | + | Mark: No. |
| - | - You, sir, look at peace. | + | |
| - | - You know. | + | |
| - | 365 | + | < |
| - | < | + | Devon: Why? |
| - | - Okay. | + | |
| - | - Hi, baby. | + | |
| - | 366 | + | < |
| - | < | + | Mark: Your house smells like pregnancy. |
| - | Hi. | + | |
| - | 367 | + | < |
| - | < | + | Devon: Yeah, I’m just not grasping the visceral element of it. |
| - | No, what a lot of people overlook, | + | |
| - | I think, is that life is not food. | + | |
| - | 368 | + | < |
| - | < | + | Devon: She is fun, wasn’t she? |
| - | - Right. | + | |
| - | - You've got life, | + | |
| - | 369 | + | < |
| - | < | + | Devon: You’re definitely staying here tonight. |
| - | this complex quality | + | Mark: No, I’m not. |
| - | of sentience and activity. | + | |
| - | 370 | + | < |
| - | < | + | Ricken: I’m making all the bedsheets myself, so I won’t finish with the big one for some time. But the twin is comfortable, |
| - | And then you've got food, which is what? | + | |
| - | 371 | + | < |
| - | < | + | Mark: Thanks. I still don’t quite get the three beds. |
| - | - Yes, what is it? | + | |
| - | - Fuel. | + | |
| - | 372 | + | < |
| - | < | + | Ricken: Right. |
| - | Calories. It's not the same thing. | + | Devon: Ricken’s colleague told us that switching out the beds as the child grows can wound that child. |
| - | 373 | + | < |
| - | < | + | Ricken: Irreparably. |
| - | - Yes, that is spot on, Patton. | + | |
| - | - I definitely agree. | + | |
| - | 374 | + | < |
| - | < | + | Ricken: But if you provide said child with all of its beds upon birth, you allow it to progress across the room at its own rate. |
| - | Though, | + | |
| - | 375 | + | < |
| - | < | + | Mark: Got it. Yeah. |
| - | Sorry, | + | |
| - | " | + | |
| - | 376 | + | < |
| - | < | + | Ricken: Yeah. |
| - | - True. | + | |
| - | - It was low-hanging fruit. | + | |
| - | 377 | + | < |
| - | < | + | Ricken: I think people really enjoyed you tonight, Mark. |
| - | He did. He was a misdiagnosed alcoholic. | + | |
| - | 378 | + | < |
| - | < | + | Mark: Good. |
| - | Now, Mark, Ricken told Rebeck and me | + | |
| - | that you're a former history professor. | + | |
| - | 379 | + | < |
| - | < | + | Devon: All right, baby. |
| - | Yeah. | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | So I'm curious | + | |
| - | for your take on all of this. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | The food v life of it. | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | Well, I'm not sure. | + | |
| - | I taught mostly about World War I. | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | Okay. Well, I got one for you. | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | I was just reading this think piece | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | Nerd alert. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | War porn, I know. | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | But anyway, in it, he said that the | + | |
| - | people actually called it the Great War. | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | Apparently, it would have been a | + | |
| - | faux pas to have called it World War I. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | Is that right? | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | Well, you know, | + | |
| - | no one would' | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | 'cause World War II hadn't happened yet. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | - Wow. | + | |
| - | - Of course. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | - That's absolutely right. | + | |
| - | - Duh. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | That's so true. | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | This is why we bring this guy. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | Mark's late wife, Gemma, was an educator | + | |
| - | as well. Russian literature. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | - I love literature. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | But Mark is a Lumon man now. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | - Ricken. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Yeah. About two years. | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | - Do you design the medicines? | + | |
| - | - No. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I thought Lumon | + | |
| - | was more on the tech side of things. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | - They began in the 1800s. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Topical salves, right? | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | What don't they make? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | Yeah, but I'm in | + | |
| - | the corporate archives division, so... | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | So you know all the dirty secrets. | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | - No, not really. | + | |
| - | - No. | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | Mark's work is sensitive enough | + | |
| - | as to require the severance procedure. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | Well. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | That's something, isn't it? | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | Yeah. It's also, I think, something | + | |
| - | that's his choice to tell people or not. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | - Right, Ricken? | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | - No. No. | + | |
| - | - Oh, God, Mark. | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | - Please forgive me. | + | |
| - | - No. It's okay. I don't care. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | - My apologies. | + | |
| - | - No, I think it's fascinating. | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | I mean, I wish I could do it. | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | I'd just always be thinking about, | + | |
| - | you know, the other one. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | Well, there is no other one. | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | I just don't grasp the visceral element. | + | |
| - | What does it feel like? | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Well, it's simple. | + | |
| - | One's memories are bifurcated, | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | so when you're not at work, you have no | + | |
| - | recollection of what it is you do there. | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | Did I get that right, Mark? | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | - Well, it' | + | |
| - | - So you walk in at 9:00 a.m., | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | and then suddenly it's 5:00, | + | |
| - | and you're leaving? | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | - Well, they stagger us a little, so... | + | |
| - | - They stagger you? | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | And then, conversely, when you're at | + | |
| - | work, you can't access outside memories. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | So, in effect, | + | |
| - | that version of you is trapped there. | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | Well... | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | - Well, I mean, not trapped, but... | + | |
| - | - But what? | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | No, no. I'm curious. What were you | + | |
| - | gonna say? But not trapped, but what? | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | What were you saying? | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | So I suppose we know where you fall | + | |
| - | on the congressional goings-on. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | Okay, I think we may be | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | - missing the point here. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | The point is that Mark made a decision. | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | And that decision was controversial, | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | ethically and socially. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Morally. Scientifically. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But, Mark, I stand behind you | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | without reservation. | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | - So well said. | + | |
| - | - Thank you. | + | |
| - | + | ||
| - | 445 | + | |
| - | < | + | |
| - | - Absolutely. | + | |
| - | - I definitely stand behind Mark. | + | |
| - | + | ||
| - | 446 | + | |
| - | < | + | |
| - | Wow. | + | |
| - | + | ||
| - | 447 | + | |
| - | < | + | |
| - | Thank you. That's very sweet. | + | |
| - | + | ||
| - | 448 | + | |
| - | < | + | |
| - | Well, we're at the point | + | |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | - Oh, yeah. No, absolutely. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | I was saying, my friend in Lima hasn' | + | |
| - | had a food-based dinner event in... | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | If I give you $3,000, | + | |
| - | will you forgive me? | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | Well, because your child | + | |
| - | is innocent of tonight' | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | I'll wait until after it's born | + | |
| - | to murder you. | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | Oh, my God. Here you go, buddy. | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | Hey, how's the good doctor therapy man | + | |
| - | with that weird little mustache? | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | You're not going? | + | |
| - | + | ||
| - | 461 | + | |
| - | < | + | |
| - | Well, the work thing' | + | |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | I'm proud of you for taking that job. | + | |
| - | I really am. | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | And I think she would' | + | |
| - | I know she would' | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | I just feel like forgetting about her | + | |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | You wanna crash here, | + | |
| - | since you're already here? | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | No. | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | Why? | + | |
| - | + | ||
| - | 470 | + | |
| - | < | + | |
| - | Your house smells like pregnancy. | + | |
| - | + | ||
| - | 471 | + | |
| - | < | + | |
| - | Yeah, I'm just not grasping | + | |
| - | the visceral element of it. | + | |
| - | + | ||
| - | 472 | + | |
| - | < | + | |
| - | She is fun, wasn't she? | + | |
| - | + | ||
| - | 473 | + | |
| - | < | + | |
| - | - You're definitely staying here tonight. | + | |
| - | - No, I'm not. | + | |
| - | + | ||
| - | 474 | + | |
| - | < | + | |
| - | I'm making all the bedsheets myself, | + | |
| - | + | ||
| - | 475 | + | |
| - | < | + | |
| - | so I won't finish with the big one | + | |
| - | for some time. | + | |
| - | + | ||
| - | 476 | + | |
| - | < | + | |
| - | But the twin is comfortable, | + | |
| - | + | ||
| - | 477 | + | |
| - | < | + | |
| - | and the pajamas were made | + | |
| - | on a Baltic handloom, | + | |
| - | + | ||
| - | 478 | + | |
| - | < | + | |
| - | so you'll sleep well. | + | |
| - | + | ||
| - | 479 | + | |
| - | < | + | |
| - | Thanks. | + | |
| - | I still don't quite get the three beds. | + | |
| - | + | ||
| - | 480 | + | |
| - | < | + | |
| - | - Right. | + | |
| - | - Ricken' | + | |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | that switching out the beds | + | |
| - | as the child grows can wound that child. | + | |
| - | + | ||
| - | 482 | + | |
| - | < | + | |
| - | Irreparably. | + | |
| - | + | ||
| - | 483 | + | |
| - | < | + | |
| - | But if you provide said child | + | |
| - | with all of its beds upon birth, | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | you allow it to progress across the room | + | |
| - | at its own rate. | + | |
| - | + | ||
| - | 485 | + | |
| - | < | + | |
| - | Got it. Yeah. | + | |
| - | + | ||
| - | 486 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 487 | + | |
| - | < | + | |
| - | I think people really | + | |
| - | enjoyed you tonight, Mark. | + | |
| - | + | ||
| - | 488 | + | |
| - | < | + | |
| - | Good. | + | |
| - | + | ||
| - | 489 | + | |
| - | < | + | |
| - | All right, baby. | + | |
| 490 | 490 | ||
| - | < | + | < |
| - | - You ready, baby? | + | Devon: |
| - | - Yeah. | + | Ricken: |
| - | 491 | + | < |
| - | < | + | Devon: |
| - | - Let's go. | + | Ricken: |
| - | - Sweet dreams. | + | |
| - | 492 | + | < |
| - | < | + | Mark: Thanks. |
| - | Thanks. | + | |
| - | < | + | < |
| - | MARK: Good night, milord. | + | Mark: Good night, milord. |
| - | < | + | < |
| - | DEVON: Good night, milady. | + | Devon: Good night, milady. |
| - | 495 | + | < |
| - | < | + | Devon: |
| - | Hey. | + | |
| - | 496 | + | < |
| - | < | + | Mark: Hey. |
| - | Hey. | + | |
| - | 497 | + | < |
| - | < | + | Devon: |
| - | How long you been up? | + | |
| - | 498 | + | < |
| - | < | + | Mark: A while. |
| - | A while. | + | |
| - | 499 | + | < |
| - | < | + | Mark: There was a businessman in the yard last night. |
| - | There was a businessman | + | |
| - | in the yard last night. | + | |
| - | 500 | + | < |
| - | < | + | Devon: |
| - | - A businessman? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 501 | + | < |
| - | < | + | Devon: |
| - | Entry-level or management? | + | |
| - | 502 | + | < |
| - | < | + | Mark: I’m serious. |
| - | I'm serious. | + | |
| - | 503 | + | < |
| - | < | + | Devon: |
| - | There was seriously a man | + | |
| - | in my yard last night? | + | |
| - | 504 | + | < |
| - | < | + | Mark: Yeah. |
| - | Yeah. | + | |
| - | 505 | + | < |
| - | < | + | Devon: |
| - | Holy shit. | + | |
| - | 506 | + | < |
| - | < | + | Mark: He, you know, looked at me weird, like he knew me. |
| - | He, you know, looked at me weird, | + | |
| - | like he knew me. | + | |
| - | 507 | + | < |
| - | < | + | Devon: |
| - | Did the prowler invading my home | + | |
| - | make you feel seen? | + | |
| - | 508 | + | < |
| - | < | + | Mark: So seen. |
| - | So seen. | + | |
| - | 509 | + | < |
| - | < | + | Devon: |
| - | Well, there's a bar down the hill. | + | |
| - | It's probably just a stumbler. | + | |
| - | 510 | + | < |
| - | < | + | Mark: I’m sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | Speaking of which, | + | |
| - | you still smell like a distillery. | + | |
| - | + | ||
| - | 511 | + | |
| - | < | + | |
| - | I'm sorry, | + | |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | + | < |
| - | < | + | Devon: |
| - | You've been sitting on that one. | + | |
| - | 514 | + | < |
| - | < | + | Mark: Hello. |
| - | Hello. | + | |
| - | 515 | + | < |
| - | < | + | Mark: Okay. So, recycling was last night, Mrs. Selvig. Tonight’s garbage. And you keep putting your bin on my side. So... |
| - | Okay. So, recycling was | + | |
| - | last night, Mrs. Selvig. | + | |
| - | 516 | + | < |
| - | < | + | Mark: Yeah. Okay. |
| - | Tonight' | + | |
| - | 517 | + | < |
| - | < | + | Mark: You know, I actually can’t talk right now. I’m out at dinner. But... |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | 518 | + | < |
| - | < | + | Mark: No, by myself. |
| - | Yeah. Okay. | + | |
| - | 519 | + | < |
| - | < | + | Mark: Pip’s Bar and Grille. |
| - | You know, I actually can't talk | + | |
| - | right now. I'm out at dinner. But... | + | |
| - | 520 | + | < |
| - | < | + | Mark: Excuse me. |
| - | No, by myself. | + | |
| - | 521 | + | < |
| - | < | + | Petey: Hang up. Quickly. |
| - | Pip's Bar and Grille. | + | |
| - | 522 | + | < |
| - | < | + | Mark: I’m sorry, Mrs. Selvig. They’ve cooked the food, and it’s here. |
| - | Excuse me. | + | |
| - | 523 | + | < |
| - | < | + | Petey: Hi, kids. What’s for dinner? |
| - | Hang up. Quickly. | + | |
| - | 524 | + | < |
| - | < | + | Petey: |
| - | I'm sorry, Mrs. Selvig. | + | |
| - | They' | + | |
| - | 525 | + | < |
| - | < | + | Mark: Are you following me? |
| - | Hi, kids. What's for dinner? | + | |
| - | 526 | + | < |
| - | < | + | Petey: Your voice is different here. Worse. |
| - | I'm sorry. You don't get that reference. | + | |
| - | 527 | + | < |
| - | < | + | Mark: Okay, who the fuck are you? |
| - | Are you following me? | + | Petey: Petey. |
| - | 528 | + | < |
| - | < | + | Petey: My name is Petey. I’m from work. |
| - | Your voice is different here. | + | |
| - | 529 | + | < |
| - | < | + | Mark: Well, that’s not plausible. Everyone in my department is... |
| - | Worse. | + | |
| - | 530 | + | < |
| - | < | + | Petey: Severed. Severed. I was. |
| - | - Okay, who the fuck are you? | + | |
| - | - Petey. | + | |
| - | 531 | + | < |
| - | < | + | Mark: Okay. Well, severance is pretty permanent. |
| - | My name is Petey. I'm from work. | + | |
| - | 532 | + | < |
| - | < | + | Petey: Yeah. Bypassing the implant wasn’t easy. I had help. |
| - | Well, that's not plausible. | + | |
| - | Everyone in my department is... | + | |
| - | 533 | + | < |
| - | < | + | Mark: So, what, you were unhappy at work? |
| - | Severed. Severed. I was. | + | |
| - | 534 | + | < |
| - | < | + | Mark: And instead of lodging a complaint, you... |
| - | Okay. Well, severance | + | Petey: No. |
| - | is pretty permanent. | + | |
| - | 535 | + | < |
| - | < | + | Petey: I tried that first. So did you. |
| - | Yeah. Bypassing the implant wasn't easy. | + | |
| - | I had help. | + | |
| - | 536 | + | < |
| - | < | + | Mark: Right. Okay. So...You’ve unsevered. And now you, what, think they’re after you or something? |
| - | So, what, you were unhappy at work? | + | |
| - | 537 | + | < |
| - | < | + | Petey: Yeah. " |
| - | - And instead of lodging a complaint, you... | + | |
| - | - No. | + | |
| - | 538 | + | < |
| - | < | + | Mark: Graner. Okay. Is that, like, a person |
| - | I tried that first. So did you. | + | |
| - | 539 | + | < |
| - | < | + | Petey: We both know him. We don’t like him. |
| - | Right. Okay. So... | + | |
| - | 540 | + | < |
| - | < | + | Mark: I see. |
| - | You've unsevered. | + | |
| - | 541 | + | < |
| - | < | + | Petey: Nothing down there is what they say. If something |
| - | And now you, what, think they're | + | |
| - | after you or something? | + | |
| - | 542 | + | < |
| - | < | + | Mark: So, we’re friends? |
| - | Yeah. | + | |
| - | 543 | + | < |
| - | < | + | Petey: I’m your best friend. You’re my very good friend. |
| - | " | + | |
| - | who's probably out here right now. | + | |
| - | 544 | + | < |
| - | < | + | Petey: Mark, sorry about the card. and I know it’s not appropriate. Though I’m sure you’d be a really fucking awesome niece. We used to wonder what kind of men we were on the outside, what choices we had made and why. I used to think it would take a monster to put someone in a place like that office. Especially if the person |
| - | Graner. Okay. | + | |
| - | Is that, like, a person | + | |
| - | 545 | + | < |
| - | < | + | Petey: If you don’t wanna know what’s going on down there, I won’t force it. But if you do, there’s an address on the back of this card. Go alone, and you’ll find the beginning of a very long answer. |
| - | We both know him. We don't like him. | + | |
| - | 546 | + | < |
| - | < | + | Cobel: Mark, is that you? |
| - | I see. | + | |
| - | 547 | + | < |
| - | < | + | Mark: Hi, Mrs. Selvig. |
| - | Nothing down there is what they say. | + | |
| - | 548 | + | < |
| - | < | + | Cobel: Will you color me embarrassed for the mix-up with the bins? |
| - | If something happens to me, | + | |
| - | 549 | + | < |
| - | < | + | Mark: No, it’s no problem. |
| - | the things I know need to stay known. | + | |
| - | 550 | + | < |
| - | < | + | COEBL: How was dinner? |
| - | I'd prefer it be by a friend. | + | |
| - | 551 | + | < |
| - | < | + | Mark: Fine. I’m just, you know, tired. |
| - | So, we're friends? | + | |
| - | 552 | + | < |
| - | < | + | Cobel: You know, my mother was a Catholic. She used to say it takes the saints eight hours to bless a sleeping child. |
| - | I'm your best friend. | + | |
| - | 553 | + | < |
| - | < | + | Mark: Well, I’ll give them ample time tonight. Good night, Mrs. Selvig. |
| - | You're my very good friend. | + | |
| - | 554 | + | < |
| - | < | + | Cobel: |
| - | Mark, sorry about the card. | + | |
| - | 555 | + | < |
| - | < | + | Cobel: You’re good people. |
| - | I had to grab something, | + | |
| - | and I know it's not appropriate. | + | |
| - | + | ||
| - | 556 | + | |
| - | < | + | |
| - | Though I'm sure you'd be | + | |
| - | a really fucking awesome niece. | + | |
| - | + | ||
| - | 557 | + | |
| - | < | + | |
| - | We used to wonder | + | |
| - | what kind of men we were on the outside, | + | |
| - | + | ||
| - | 558 | + | |
| - | < | + | |
| - | what choices we had made and why. | + | |
| - | + | ||
| - | 559 | + | |
| - | < | + | |
| - | I used to think it would take a monster | + | |
| - | + | ||
| - | 560 | + | |
| - | < | + | |
| - | to put someone | + | |
| - | in a place like that office. | + | |
| - | + | ||
| - | 561 | + | |
| - | < | + | |
| - | Especially if the person was himself. | + | |
| - | + | ||
| - | 562 | + | |
| - | < | + | |
| - | But we're not monsters, Mark. | + | |
| - | Not real ones. | + | |
| - | + | ||
| - | 563 | + | |
| - | < | + | |
| - | If you don't wanna know what' | + | |
| - | going on down there, I won't force it. | + | |
| - | + | ||
| - | 564 | + | |
| - | < | + | |
| - | But if you do, there' | + | |
| - | on the back of this card. | + | |
| - | + | ||
| - | 565 | + | |
| - | < | + | |
| - | Go alone, and you'll find | + | |
| - | the beginning of a very long answer. | + | |
| - | + | ||
| - | 566 | + | |
| - | < | + | |
| - | Mark, is that you? | + | |
| - | + | ||
| - | 567 | + | |
| - | < | + | |
| - | Hi, Mrs. Selvig. | + | |
| - | + | ||
| - | 568 | + | |
| - | < | + | |
| - | Will you color me embarrassed | + | |
| - | for the mix-up with the bins? | + | |
| - | + | ||
| - | 569 | + | |
| - | < | + | |
| - | No, it's no problem. | + | |
| - | + | ||
| - | 570 | + | |
| - | < | + | |
| - | How was dinner? | + | |
| - | + | ||
| - | 571 | + | |
| - | < | + | |
| - | Fine. I'm just, you know, tired. | + | |
| - | + | ||
| - | 572 | + | |
| - | < | + | |
| - | You know, my mother was a Catholic. | + | |
| - | + | ||
| - | 573 | + | |
| - | < | + | |
| - | She used to say it takes the saints | + | |
| - | eight hours to bless a sleeping child. | + | |
| - | + | ||
| - | 574 | + | |
| - | < | + | |
| - | I hope you aren't rushing the saints. | + | |
| - | + | ||
| - | 575 | + | |
| - | < | + | |
| - | Well, I'll give them ample time tonight. | + | |
| - | + | ||
| - | 576 | + | |
| - | < | + | |
| - | Good night, Mrs. Selvig. | + | |
| - | + | ||
| - | 577 | + | |
| - | < | + | |
| - | Mark. | + | |
| - | + | ||
| - | 578 | + | |
| - | < | + | |
| - | You're good people. | + | |
| </ | </ | ||
| + | {{tag> | ||
good_news_about_hell_transcript.1652647065.txt.gz · Last modified: 2022-05-15 20:37 by Neatnik
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