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| good_news_about_hell_transcript [2022-06-27 02:31] – old revision restored (2022-05-16 17:57) Neatnik | good_news_about_hell_transcript [2022-08-07 02:58] – formatting, add links rickypanther | ||
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| < | < | ||
| - | IRVING: Grumble, grumble. | + | IRVING: Grumble, grumble. These perks are so out of hand. When we'd process a file in the old days, they'd shake our hand and fill up the creamer. |
| - | These perks are so out of hand. When we'd process a file in the old days, they'd shake our hand and fill up the creamer. | + | |
| < | < | ||
| Line 294: | Line 293: | ||
| < | < | ||
| - | COBEL: The Board will be joining us remotely today. | + | COBEL: |
| < | < | ||
| Line 321: | Line 320: | ||
| < | < | ||
| - | COBEL: Mark, would you place your key card on my desk? | + | COBEL: Mark, would you place your [[badge|key card]] on my desk? |
| < | < | ||
| Line 372: | Line 371: | ||
| MILCHICK: She deserves to have the information presented to her in the proper order. Just as you had. | MILCHICK: She deserves to have the information presented to her in the proper order. Just as you had. | ||
| - | 151 | ||
| < | < | ||
| - | "If the trainee becomes agitated | + | MARK: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | ||
| < | < | ||
| - | She has to ask three times | + | IRVING: |
| - | for you to let her. | + | |
| - | 153 | ||
| < | < | ||
| - | Right. Yes. | + | MARK: Right. Yes. |
| - | 154 | ||
| < | < | ||
| - | Image is good. | + | MARK: Image is good. |
| - | 155 | ||
| < | < | ||
| - | She looks nice. | + | IRVING: |
| - | 156 | ||
| < | < | ||
| - | Okay. You're all set. | + | MILCHICK: |
| - | 157 | ||
| < | < | ||
| - | I just love | + | MILCHICK: |
| - | seeing you all come in like this. | + | |
| - | 158 | ||
| < | < | ||
| - | Go on ahead when you're ready. | + | MILCHICK: |
| - | 159 | ||
| < | < | ||
| - | - All right. | + | IRVING: |
| - | - Okay. | + | MARK: Okay. |
| - | 160 | ||
| < | < | ||
| - | There you go. | + | IRVING: |
| - | 161 | ||
| < | < | ||
| - | Who are you? | + | MARK: Who are you? |
| - | 162 | ||
| < | < | ||
| - | All right. | + | IRVING: |
| - | 163 | ||
| < | < | ||
| - | Who are you? | + | MARK: Who are you? |
| - | 164 | ||
| < | < | ||
| - | - Mark. | + | IRVING: |
| - | - What? | + | MARK: What? |
| - | 165 | ||
| < | < | ||
| - | You skipped the preamble. | + | IRVING: |
| - | 166 | ||
| < | < | ||
| - | Hello? | + | HELLY: |
| - | 167 | ||
| < | < | ||
| - | Shit! | + | MARK: Shit! |
| - | 168 | ||
| < | < | ||
| - | I'm sorry, I got ahead of myself. | + | MARK: I'm sorry, I got ahead of myself. |
| - | 169 | ||
| < | < | ||
| - | - That's it. | + | IRVING: |
| - | - Okay. | + | MARK: Okay. |
| - | 170 | ||
| < | < | ||
| - | Hi there, you on the table. | + | MARK: Hi there, you on the table. I wonder if you'd mind taking a brief survey. |
| - | 171 | ||
| - | < | ||
| - | I wonder if you'd mind | ||
| - | taking a brief survey. | ||
| - | |||
| - | 172 | ||
| < | < | ||
| - | Who is that? | + | HELLY: |
| - | 173 | ||
| < | < | ||
| - | Five questions. | + | MARK: Five questions. Now, I know you're sleepy, but I just bet it'll make you feel right as rain. |
| - | + | ||
| - | 174 | + | |
| - | < | + | |
| - | Now, I know you're sleepy, | + | |
| - | + | ||
| - | 175 | + | |
| - | < | + | |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | ||
| < | < | ||
| - | Who's speaking? | + | HELLY: |
| - | 177 | ||
| < | < | ||
| - | " | + | MARK: " |
| - | 178 | ||
| < | < | ||
| - | Hey! Open the door! | + | HELLY: |
| - | 179 | ||
| < | < | ||
| - | Mark. | + | IRVING: |
| - | 180 | ||
| < | < | ||
| - | I'd be just thrilled to chat, | + | MARK: I'd be just thrilled to chat, once we've run the survey. |
| - | once we've run the survey. | + | |
| - | 181 | ||
| - | < | ||
| - | Shall we begin with question one? | ||
| - | |||
| - | 182 | ||
| < | < | ||
| - | I'm not taking your survey. | + | HELLY: |
| - | 183 | ||
| < | < | ||
| - | Shall we begin with question one? | + | MARK: Shall we begin with question one? |
| - | 184 | ||
| < | < | ||
| - | Let me out of here. Hey! | + | HELLY: |
| - | 185 | ||
| < | < | ||
| - | - Open the door! | + | HELLY: |
| - | - She's not supposed to do that. | + | IRVING: |
| - | 186 | ||
| < | < | ||
| - | Hey! | + | HELLY: |
| - | 187 | ||
| < | < | ||
| - | She's going to break in. | + | IRVING: |
| - | 188 | ||
| < | < | ||
| - | - Let me out! | + | HELLY: |
| - | - No, she's not. | + | MARK: No, she's not. |
| - | 189 | ||
| < | < | ||
| - | Are you seeing this? | + | MILCHICK: |
| - | 190 | ||
| < | < | ||
| - | I'm watching. | + | COBEL: |
| - | 191 | ||
| < | < | ||
| - | Should I help? | + | MIKCHICK: |
| - | 192 | ||
| < | < | ||
| - | You should not. | + | COBEL: |
| - | 193 | ||
| < | < | ||
| - | That's a perfect score. | + | MARK: That's a perfect score. |
| - | 194 | ||
| < | < | ||
| - | Now, I think I know where | + | MARK: Now, I think I know where our disconnect is coming from. |
| - | our disconnect is coming from. | + | |
| - | 195 | ||
| < | < | ||
| - | - What? | + | HELLY: |
| - | - Well, there was a preamble, | + | MARK: Well, there was a preamble, |
| - | 196 | ||
| - | < | ||
| - | which I was supposed to read | ||
| - | before the survey, | ||
| - | |||
| - | 197 | ||
| - | < | ||
| - | to lead into the questions and... | ||
| - | |||
| - | 198 | ||
| - | < | ||
| - | But I unfortunately skipped that | ||
| - | and went straight into the survey. | ||
| - | |||
| - | 199 | ||
| < | < | ||
| - | Am I livestock? | + | HELLY: |
| - | 200 | ||
| < | < | ||
| - | I'm sorry? | + | MARK: I'm sorry? |
| - | 201 | ||
| < | < | ||
| - | Like, did you grow me as food | + | HELLY: |
| - | and that's why I have no memories? | + | |
| - | 202 | ||
| < | < | ||
| - | You think we grew a full human, | + | MARK: You think we grew a full human, gave you consciousness... |
| - | gave you consciousness... | + | |
| - | 203 | ||
| < | < | ||
| - | - I don't know. | + | HELLY: |
| - | - did your nails and... | + | MARK: |
| - | 204 | ||
| < | < | ||
| - | I don't know. I don't know you. | + | HELLY: |
| - | 205 | ||
| < | < | ||
| - | No, you're not livestock. Good Lord. | + | MARK: No, you're not livestock. Good Lord. |
| - | 206 | ||
| < | < | ||
| - | Then what's my name? | + | HELLY: |
| - | 207 | ||
| < | < | ||
| - | Helly. | + | MARK: Helly. Your name is Helly. Helly R. |
| - | 208 | ||
| - | < | ||
| - | Your name is Helly. Helly R. | ||
| - | |||
| - | 209 | ||
| < | < | ||
| - | Please. | + | MARK: Please. |
| - | 210 | ||
| < | < | ||
| - | Thank you for taking the welcome survey. | + | MARK: Thank you for taking the welcome survey. I can sense that the questions made you feel afraid or disoriented. Well, the good news is, you're at an orientation. |
| - | 211 | ||
| - | < | ||
| - | I can sense that the questions | ||
| - | made you feel afraid or disoriented. | ||
| - | |||
| - | 212 | ||
| - | < | ||
| - | Well, the good news is, | ||
| - | you're at an orientation. | ||
| - | |||
| - | 213 | ||
| < | < | ||
| - | You see, you have | + | MARK: You see, you have been hired to a position |
| - | been hired to a position | + | |
| - | 214 | ||
| - | < | ||
| - | on the severed floor | ||
| - | of Lumon Industries. | ||
| - | |||
| - | 215 | ||
| < | < | ||
| - | The what floor? | + | HELLY: |
| - | 216 | ||
| < | < | ||
| - | I understand you're confused | + | MARK: I understand you're confused about the severance procedure. Before we hop on that, let's chat about something I bet you have heard of, the work/life balance. To start, imagine yourself as a seesaw. |
| - | about the severance procedure. | + | |
| - | + | ||
| - | 217 | + | |
| - | < | + | |
| - | Before we hop on that, | + | |
| - | + | ||
| - | 218 | + | |
| - | < | + | |
| - | let's chat about something I bet you | + | |
| - | have heard of, the work/life balance. | + | |
| - | + | ||
| - | 219 | + | |
| - | < | + | |
| - | To start, imagine yourself as a seesaw. | + | |
| - | 220 | ||
| < | < | ||
| - | Fuck! | + | MARK: Ow! Fuck! |
| - | 221 | ||
| < | < | ||
| - | That locks from out there! | + | MARK: That locks from out there! |
| - | 222 | ||
| < | < | ||
| - | - Let me out! | + | HELLY: |
| - | - God! | + | MARK: |
| - | 223 | ||
| < | < | ||
| - | Can we just take a beat? Please. | + | MARK: Can we just take a beat? Please. |
| - | 224 | ||
| < | < | ||
| - | Please. | + | MARK: Please. |
| - | 225 | ||
| < | < | ||
| - | Okay, my name's Mark. | + | MARK: Okay, my name's Mark. And, uh... So, I... |
| - | 226 | ||
| - | < | ||
| - | And... So, I... | ||
| - | |||
| - | 227 | ||
| < | < | ||
| - | You know, few years back, | + | MARK: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | I woke up on this table. | + | |
| - | 228 | ||
| - | < | ||
| - | In this room. | ||
| - | |||
| - | 229 | ||
| - | < | ||
| - | And a disembodied voice | ||
| - | asked me 19 times who I was. | ||
| - | |||
| - | 230 | ||
| < | < | ||
| - | And when I realized I couldn' | + | MARK: And when I realized I couldn' |
| - | + | ||
| - | 231 | + | |
| - | < | + | |
| - | I told that voice that I would find him | + | |
| - | and kill him. | + | |
| - | 232 | ||
| < | < | ||
| - | I don't know why I said that. | + | MARK: I don't know why I said that. I mean, I was scared too. |
| - | I mean, I was scared too. | + | |
| - | 233 | ||
| < | < | ||
| - | Did you kill the voice? | + | HELLY: |
| - | 234 | ||
| < | < | ||
| - | No. | + | MARK: No. |
| - | 235 | ||
| < | < | ||
| - | No, that voice' | + | MARK: No, that voice' |
| - | and he became my best friend. | + | |
| - | 236 | ||
| < | < | ||
| - | So, look, you know, | + | MARK: So, look, you know, there is a life to be had here, Helly. |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | ||
| < | < | ||
| - | A life to be had? | + | HELLY: |
| - | 238 | ||
| < | < | ||
| - | Well, you see, | + | MARK: Well, you see, life, like a seesaw, requi— |
| - | life, like a seesaw, requi... | + | |
| - | 239 | ||
| < | < | ||
| - | Let me the fuck out of here! | + | HELLY: |
| - | 240 | ||
| < | < | ||
| - | - Ask me again. | + | MARK: Ask me again. |
| - | - What? | + | HELLY: |
| - | 241 | ||
| < | < | ||
| - | You've asked twice to be let go. | + | MARK: You've asked twice to be let go. Ask one more time. |
| - | Ask one more time. | + | |
| - | 242 | ||
| < | < | ||
| - | - Mark. | + | HELLY: |
| - | - Yeah? | + | MARK: |
| - | 243 | ||
| < | < | ||
| - | I would like to leave the building now. | + | HELLY: |
| - | 244 | ||
| < | < | ||
| - | I understand you don't feel | + | MARK: I understand you don't feel it's working out for you here at Lumon. While disappointed, |
| - | it's working out for you here at Lumon. | + | |
| - | 245 | ||
| - | < | ||
| - | While disappointed, | ||
| - | keep you somewhere you're not happy. | ||
| - | |||
| - | 246 | ||
| - | < | ||
| - | So, let's get you outta here. | ||
| - | |||
| - | 247 | ||
| < | < | ||
| - | Irv. | + | MARK: Irv. |
| - | 248 | ||
| < | < | ||
| - | The departments are pretty spaced out, | + | MARK: The departments are pretty spaced out, but it'll all fill in one day. They' |
| - | but it'll all fill in one day. | + | |
| - | 249 | ||
| - | < | ||
| - | They' | ||
| - | |||
| - | 250 | ||
| < | < | ||
| - | And I'm, what, part of that? | + | HELLY: |
| - | 251 | ||
| < | < | ||
| - | No. You're a replacement. | + | MARK: No. You're a replacement. |
| - | 252 | ||
| < | < | ||
| - | Replacement for who? | + | HELLY: |
| - | 253 | ||
| - | < | ||
| - | Why are you saying | ||
| - | that like you hate it? | ||
| - | |||
| - | 254 | ||
| < | < | ||
| - | Here's your stairwell. | + | MARK: Here's your stairwell. Just past the bend. |
| - | Just past the bend. | + | |
| - | 255 | ||
| < | < | ||
| - | You're not coming with me? | + | HELLY: |
| - | 256 | ||
| < | < | ||
| - | I'm not allowed to see. | + | MARK: I'm not allowed to see. |
| - | 257 | ||
| < | < | ||
| - | Excuse me? | + | HELLY: |
| - | 258 | ||
| < | < | ||
| - | Well, once you leave, you... | + | MARK: Well, once you leave, you... I just can't watch you leave. |
| - | + | ||
| - | 259 | + | |
| - | < | + | |
| - | I just can't watch you leave. | + | |
| - | 260 | ||
| < | < | ||
| - | Of course you can't. | + | HELLY: |
| - | 261 | ||
| < | < | ||
| - | What the hell? | + | HELLY: |
| - | 262 | ||
| < | < | ||
| - | - Am I dead? | + | HELLY: |
| - | - No. | + | MARK: No. |
| - | 263 | ||
| < | < | ||
| - | - This isn't, like, hell or something? | + | HELLY: |
| - | - No. | + | MARK: No. |
| - | 264 | ||
| < | < | ||
| - | Then why the fuck can't I leave? | + | HELLY: |
| - | 265 | ||
| < | < | ||
| - | Well, you did leave, just now. | + | MARK: Well, you did leave, just now. Out into the stairwell at least. |
| - | Out into the stairwell at least. | + | |
| - | 266 | ||
| < | < | ||
| - | You left, but you came back. | + | MARK: You left, but you came back. |
| - | 267 | ||
| < | < | ||
| - | - I did not. | + | HELLY: |
| - | - You did. | + | MARK: You did. Come on. |
| - | 268 | ||
| - | < | ||
| - | Come on. | ||
| - | |||
| - | 269 | ||
| < | < | ||
| - | Weaponizing office equipment | + | COBEL: |
| - | on your first day. | + | |
| - | + | ||
| - | 270 | + | |
| - | < | + | |
| - | You are gonna be fun. | + | |
| - | + | ||
| - | 271 | + | |
| - | < | + | |
| - | Look, I do sympathize. | + | |
| - | + | ||
| - | 272 | + | |
| - | < | + | |
| - | I've wanted to pummel Mark myself, | + | |
| - | but I am his employer. | + | |
| - | + | ||
| - | 273 | + | |
| - | < | + | |
| - | And he is your department chief. | + | |
| - | + | ||
| - | 274 | + | |
| - | < | + | |
| - | So we'll both have to be strong. | + | |
| - | + | ||
| - | 275 | + | |
| - | < | + | |
| - | The good news is, there' | + | |
| - | one part left of your orientation, | + | |
| - | + | ||
| - | 276 | + | |
| - | < | + | |
| - | which Mark can't possibly derail. | + | |
| - | 277 | ||
| < | < | ||
| - | Why is that? | + | HELLY: |
| - | 278 | ||
| < | < | ||
| - | Because it's a video. | + | COBEL: |
| - | 279 | ||
| < | < | ||
| - | Welcome to Lumon, Helly. | + | COBEL: |
| - | 280 | ||
| < | < | ||
| - | Have a seat. | + | COBEL: |
| - | 281 | ||
| < | < | ||
| - | Are you mad at me? | + | MARK: Are you mad at me? |
| - | 282 | ||
| < | < | ||
| - | For the incompetence | + | COBEL: |
| - | or the disobedience? | + | |
| - | 283 | ||
| < | < | ||
| - | - Well... | + | MARK: Well... |
| - | - Yes! | + | COBEL: |
| - | 284 | ||
| < | < | ||
| - | You know, my mother was an atheist. | + | COBEL: |
| - | 285 | ||
| - | < | ||
| - | She used to say that there was | ||
| - | good news and bad news about hell. | ||
| - | |||
| - | 286 | ||
| - | < | ||
| - | The good news is, | ||
| - | |||
| - | 287 | ||
| - | < | ||
| - | hell is just the product | ||
| - | of a morbid human imagination. | ||
| - | |||
| - | 288 | ||
| - | < | ||
| - | The bad news is, | ||
| - | |||
| - | 289 | ||
| - | < | ||
| - | whatever humans can imagine, | ||
| - | they can usually create. | ||
| - | |||
| - | 290 | ||
| < | < | ||
| - | I don't know what that means. | + | MARK: I don't know what that means. |
| - | 291 | ||
| < | < | ||
| - | A department like yours | + | COBEL: |
| - | can go so good or so bad. | + | |
| - | + | ||
| - | 292 | + | |
| - | < | + | |
| - | You know what makes the difference? | + | |
| - | + | ||
| - | 293 | + | |
| - | < | + | |
| - | The people. | + | |
| - | 294 | ||
| < | < | ||
| - | You can have a seat. | + | MILCHICK: |
| - | 295 | ||
| < | < | ||
| - | Okay, go ahead and have a seat. | + | MILCHICK: |
| - | 296 | ||
| < | < | ||
| - | My name is Helly R. | + | HELLY: |
| - | 297 | ||
| - | < | ||
| - | I'm making this video | ||
| - | |||
| - | 298 | ||
| - | < | ||
| - | roughly two hours | ||
| - | before it will be shown to me. | ||
| - | |||
| - | 299 | ||
| - | < | ||
| - | I have, of my own free accord, | ||
| - | elected to undergo the procedure | ||
| - | |||
| - | 300 | ||
| - | < | ||
| - | colloquially known as severance. | ||
| - | |||
| - | 301 | ||
| - | < | ||
| - | I give consent for my perceptual | ||
| - | chronologies to be surgically split, | ||
| - | |||
| - | 302 | ||
| - | < | ||
| - | separating my memories between | ||
| - | my work life and my personal life. | ||
| - | |||
| - | 303 | ||
| - | < | ||
| - | I acknowledge that, henceforth, | ||
| - | |||
| - | 304 | ||
| - | < | ||
| - | my access to my memories | ||
| - | will be spatially dictated. | ||
| - | |||
| - | 305 | ||
| - | < | ||
| - | I will be unable to access | ||
| - | outside recollections | ||
| - | |||
| - | 306 | ||
| - | < | ||
| - | whilst on Lumon' | ||
| - | severed basement floor, | ||
| - | |||
| - | 307 | ||
| - | < | ||
| - | nor retain work memories upon my ascent. | ||
| - | |||
| - | 308 | ||
| - | < | ||
| - | I am aware that this alteration | ||
| - | |||
| - | 309 | ||
| - | < | ||
| - | is comprehensive and irreversible. | ||
| - | |||
| - | 310 | ||
| - | < | ||
| - | I make these statements freely. | ||
| - | |||
| - | 311 | ||
| < | < | ||
| - | Okay, that's a wrap. | + | MILCHICK: |
| - | 312 | ||
| < | < | ||
| - | Okay. | + | MILCHICK: |
| - | 313 | ||
| - | < | ||
| - | Go ahead. | ||
| - | |||
| - | 314 | ||
| < | < | ||
| - | So I'll never leave here? | + | HELLY: |
| - | 315 | ||
| < | < | ||
| - | You'll leave at 5:00. | + | MARK: You'll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won't feel like it. Not to this version of you anyway. |
| - | + | ||
| - | 316 | + | |
| - | < | + | |
| - | Well, actually, | + | |
| - | they stagger our exits, so 5:15. | + | |
| - | + | ||
| - | 317 | + | |
| - | < | + | |
| - | But it won't feel like it. | + | |
| - | Not to this version of you anyway. | + | |
| - | 318 | ||
| < | < | ||
| - | Do I have a family? | + | HELLY: |
| - | 319 | ||
| < | < | ||
| - | You'll never know. | + | MARK: You'll never know. |
| - | 320 | ||
| < | < | ||
| - | And I have no choice. | + | HELLY: |
| - | 321 | ||
| < | < | ||
| - | Well, every time you find yourself here, | + | MARK: Well, every time you find yourself here, it's because you chose to come back. |
| - | it's because you chose to come back. | + | |
| - | 322 | ||
| < | < | ||
| - | Hello. | + | IRVING: |
| - | 323 | ||
| < | < | ||
| - | Good night. | + | MARK: Good night. |
| - | 324 | ||
| < | < | ||
| - | Good night. | + | JUDD: Good night. |
| - | 325 | ||
| < | < | ||
| - | "Dear Mark, | + | MARK: "Dear Mark, Whilst carrying boxes in a room today, |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | ||
| - | < | ||
| - | you slipped on an | ||
| - | overhead projector slide | ||
| - | |||
| - | 327 | ||
| - | < | ||
| - | and sustained a minor | ||
| - | blow to the temple." | ||
| - | |||
| - | 328 | ||
| < | < | ||
| - | Hey! | + | HELLY: |
| - | 329 | ||
| < | < | ||
| - | Sorry. | + | MARK: Sorry. |
| - | 330 | ||
| < | < | ||
| - | Maybe keep your eyes on the icy road. | + | HELLY: |
| - | 331 | ||
| < | < | ||
| - | Sorry. | + | MARK: Sorry. |
| - | 332 | ||
| < | < | ||
| - | Indeed, this gnat will spend | + | TELEVISION: |
| - | much of its three to seven-day life... | + | |
| - | 333 | ||
| < | < | ||
| - | No, I know, Mrs. Selvig. | + | MARK: No, I know, Mrs. Selvig. It's just, it was in my space again. Yeah. Well, trash comes tomorrow night. Tonight' |
| - | It's just, it was in my space again. | + | |
| - | + | ||
| - | 334 | + | |
| - | < | + | |
| - | Yeah. Well, trash comes tomorrow night. | + | |
| - | Tonight' | + | |
| - | + | ||
| - | 335 | + | |
| - | < | + | |
| - | Yeah, it is weird, | + | |
| - | but that's how they do it. | + | |
| - | + | ||
| - | 336 | + | |
| - | < | + | |
| - | And with both yours, | + | |
| - | there' | + | |
| - | 337 | ||
| < | < | ||
| - | - Hey. | + | [[Devon Scout-Hale|DEVON]]: |
| - | - Hey. | + | MARK: Hey. |
| - | 338 | ||
| < | < | ||
| - | Did you forget? | + | DEVON: |
| - | 339 | ||
| < | < | ||
| - | Oh, yeah. Shit. | + | MARK: Oh, yeah. Shit. |
| - | 340 | ||
| < | < | ||
| - | That's okay. | + | DEVON: |
| - | 341 | ||
| < | < | ||
| - | - Sorry. | + | MARK: Sorry. |
| - | - That's fine. | + | DEVON: |
| - | 342 | ||
| < | < | ||
| - | - Do you wanna put on pants, and I' | + | DEVON: |
| - | - I'm wearing pants. | + | MARK: I'm wearing pants. |
| - | 343 | ||
| < | < | ||
| - | meet you in... Those are not pants. | + | DEVON: |
| - | 344 | ||
| < | < | ||
| - | So if there' | + | MARK: So if there' |
| - | dinner, how is it dinner? | + | |
| - | 345 | ||
| < | < | ||
| - | - Okay. | + | DEVON: |
| - | - Like... | + | MARK: Like... |
| - | 346 | ||
| < | < | ||
| - | You actually owe me this. | + | DEVON: |
| - | 347 | ||
| < | < | ||
| - | - Do I? | + | MARK: Do I? |
| - | - Yep. | + | DEVON: |
| - | 348 | ||
| < | < | ||
| - | You remember that time when we were kids | + | DEVON: |
| - | and I was a way better sibling than you? | + | |
| - | 349 | ||
| < | < | ||
| - | Must have slipped my mind. | + | MARK: Must have slipped my mind. |
| - | 350 | ||
| < | < | ||
| - | Also, | + | DEVON: |
| - | I know we're nearing the anniversary, | + | |
| - | 351 | ||
| - | < | ||
| - | so I just thought | ||
| - | maybe you'd wanna be around people. | ||
| - | |||
| - | 352 | ||
| < | < | ||
| - | Nope. | + | MARK: Nope. |
| - | 353 | ||
| < | < | ||
| - | This is nice. When did you get it? | + | DEVON: |
| - | 354 | ||
| < | < | ||
| - | Something from work, | + | MARK: Something from work, and they apologized. |
| - | and they apologized. | + | |
| - | 355 | ||
| < | < | ||
| - | They apologized. Thank God. | + | DEVON: |
| - | 356 | ||
| - | < | ||
| - | Did they tack an explanation | ||
| - | onto that apology? | ||
| - | |||
| - | 357 | ||
| < | < | ||
| - | It's fine. Got a gift card. | + | MARK: It's fine. Got a gift card. |
| - | 358 | ||
| < | < | ||
| - | You got a gift card. | + | DEVON: |
| - | Where' | + | |
| - | 359 | ||
| < | < | ||
| - | I don't know. Pip's. | + | MARK: I don't know. [[pip_s_bar_grille|Pip's]]. |
| - | 360 | ||
| < | < | ||
| - | Of course it's Pip's. Well, enjoy. | + | DEVON: |
| - | 361 | ||
| < | < | ||
| - | I will, without you. | + | MARK: I will, without you. |
| - | 362 | ||
| < | < | ||
| - | There' | + | [[Ricken Hale|RICKEN]]: |
| - | 363 | ||
| < | < | ||
| - | - Hi, Rick. | + | MARK: Hi, Rick. |
| - | - Ricken. Come on, it's Ricken. | + | RICKEN: |
| - | 364 | ||
| < | < | ||
| - | - You, sir, look at peace. | + | RICKEN: |
| - | - You know. | + | MARK: You know. |
| - | 365 | ||
| < | < | ||
| - | - Okay. | + | MARK: Okay. |
| - | - Hi, baby. | + | DEVON: |
| - | 366 | ||
| < | < | ||
| - | Hi. | + | RICKEN: |
| - | 367 | ||
| < | < | ||
| - | No, what a lot of people overlook, | + | [[Patton|PATTON]]: |
| - | I think, is that life is not food. | + | |
| - | 368 | ||
| < | < | ||
| - | - Right. | + | [[Danise|DANISE]]: |
| - | - You've got life, | + | PATTON: |
| - | 369 | ||
| < | < | ||
| - | this complex quality | + | PATTON: |
| - | of sentience and activity. | + | |
| - | 370 | ||
| - | < | ||
| - | And then you've got food, which is what? | ||
| - | |||
| - | 371 | ||
| < | < | ||
| - | - Yes, what is it? | + | RICKEN: |
| - | - Fuel. | + | PATTON: |
| - | 372 | ||
| < | < | ||
| - | Calories. It's not the same thing. | + | PATTON: |
| - | 373 | ||
| < | < | ||
| - | - Yes, that is spot on, Patton. | + | RICKEN: |
| - | - I definitely agree. | + | [[Rebeck|REBECK]]: |
| - | 374 | ||
| < | < | ||
| - | Though, if I'm... | + | DEVON: |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | Sorry, Mark and my dad used to have | + | |
| - | " | + | |
| - | 376 | ||
| < | < | ||
| - | - True. | + | MARK: True. |
| - | - It was low-hanging fruit. | + | DEVON: |
| - | 377 | ||
| < | < | ||
| - | He did. He was a misdiagnosed alcoholic. | + | RICKEN: |
| - | 378 | ||
| < | < | ||
| - | Now, Mark, Ricken told Rebeck and me | + | DANISE: |
| - | that you're a former history professor. | + | |
| - | 379 | ||
| < | < | ||
| - | Yeah. | + | MARK: Yeah. |
| - | 380 | ||
| < | < | ||
| - | So I'm curious | + | DANISE: |
| - | for your take on all of this. | + | |
| - | 381 | ||
| - | < | ||
| - | The food v life of it. | ||
| - | |||
| - | 382 | ||
| < | < | ||
| - | Well, I'm not sure. | + | MARK: Well, I'm not sure. I taught mostly about World War I. |
| - | I taught mostly about World War I. | + | |
| - | 383 | ||
| < | < | ||
| - | Okay. Well, I got one for you. | + | PATTON: |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | I was just reading this think piece | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | 386 | ||
| < | < | ||
| - | Nerd alert. | + | RICKEN: |
| - | 387 | ||
| < | < | ||
| - | War porn, I know. | + | PATTON: |
| - | 388 | ||
| < | < | ||
| - | But anyway, in it, he said that the | + | PATTON: |
| - | people actually called it the Great War. | + | |
| - | 389 | ||
| - | < | ||
| - | Apparently, it would have been a | ||
| - | faux pas to have called it World War I. | ||
| - | |||
| - | 390 | ||
| < | < | ||
| - | Is that right? | + | RICKEN: |
| - | 391 | ||
| < | < | ||
| - | Well, you know, | + | MARK: Well, you know, no one would' |
| - | no one would' | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | 'cause World War II hadn't happened yet. | + | |
| - | 393 | ||
| < | < | ||
| - | - Wow. | + | DANISE: |
| - | - Of course. | + | RICKEN: |
| - | 394 | ||
| < | < | ||
| - | - That's absolutely right. | + | PATTON: |
| - | - Duh. | + | RICKEN: |
| - | 395 | ||
| < | < | ||
| - | That's so true. | + | REBECK: |
| - | 396 | ||
| < | < | ||
| - | This is why we bring this guy. | + | DEVON: |
| - | 397 | ||
| < | < | ||
| - | Mark's late wife, Gemma, was an educator | + | RICKEN: |
| - | as well. Russian literature. | + | |
| - | 398 | ||
| < | < | ||
| - | - I love literature. | + | REBECK: |
| - | - Right? | + | RICKEN: |
| - | 399 | ||
| < | < | ||
| - | But Mark is a Lumon man now. | + | RICKEN: |
| - | 400 | ||
| < | < | ||
| - | - Ricken. | + | DEVON: |
| - | - Really? | + | PATTON: |
| - | 401 | ||
| < | < | ||
| - | Yeah. About two years. | + | MARK: Yeah. About two years. |
| - | 402 | ||
| < | < | ||
| - | - Do you design the medicines? | + | REBECK: |
| - | - No. | + | MARK: No. |
| - | 403 | ||
| < | < | ||
| - | I thought Lumon | + | PATTON: |
| - | was more on the tech side of things. | + | |
| - | 404 | ||
| < | < | ||
| - | - They began in the 1800s. | + | DANISE: |
| - | - Really? | + | RICKEN: |
| - | 405 | ||
| < | < | ||
| - | Topical salves, right? | + | DANISE: |
| - | 406 | ||
| < | < | ||
| - | What don't they make? | + | REBECK: |
| - | 407 | ||
| < | < | ||
| - | Yeah, but I'm in | + | MARK: Yeah, but I'm in the corporate archives division, so... |
| - | the corporate archives division, so... | + | |
| - | 408 | ||
| < | < | ||
| - | So you know all the dirty secrets. | + | PATTON: |
| - | 409 | ||
| < | < | ||
| - | - No, not really. | + | MARK: No, not really. |
| - | - No. | + | RICKEN: |
| - | 410 | ||
| < | < | ||
| - | Mark's work is sensitive enough | + | RICKEN: |
| - | as to require the severance procedure. | + | |
| - | 411 | ||
| < | < | ||
| - | Well. | + | DANISE: |
| - | 412 | ||
| < | < | ||
| - | That's something, isn't it? | + | DANISE: |
| - | 413 | ||
| < | < | ||
| - | Yeah. It's also, I think, something | + | DEVON: |
| - | that's his choice to tell people or not. | + | |
| - | 414 | ||
| < | < | ||
| - | - Right, Ricken? | + | DEVON: |
| - | - Oh, my God. | + | RICKEN: |
| - | 415 | ||
| < | < | ||
| - | - No. No. | + | MARK: No. No. |
| - | - Oh, God, Mark. | + | RICKEN: |
| - | 416 | ||
| < | < | ||
| - | - Please forgive me. | + | RICKEN: |
| - | - No. It's okay. I don't care. | + | MARK: No. It's okay. I don't care. |
| - | 417 | ||
| < | < | ||
| - | - My apologies. | + | RICKEN: |
| - | - No, I think it's fascinating. | + | DANISE: |
| - | 418 | ||
| < | < | ||
| - | I mean, I wish I could do it. | + | DANISE: |
| - | 419 | ||
| - | < | ||
| - | I'd just always be thinking about, | ||
| - | you know, the other one. | ||
| - | |||
| - | 420 | ||
| < | < | ||
| - | Well, there is no other one. | + | MARK: Well, there is no other one. It's me. I do the job. |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | 422 | ||
| < | < | ||
| - | I just don't grasp the visceral element. | + | DANISE: |
| - | What does it feel like? | + | |
| - | 423 | ||
| < | < | ||
| - | Well, it's simple. | + | PATTON: |
| - | One's memories are bifurcated, | + | |
| - | 424 | ||
| - | < | ||
| - | so when you're not at work, you have no | ||
| - | recollection of what it is you do there. | ||
| - | |||
| - | 425 | ||
| - | < | ||
| - | Did I get that right, Mark? | ||
| - | |||
| - | 426 | ||
| < | < | ||
| - | - Well, it' | + | MARK: Well, it' |
| - | - So you walk in at 9:00 a.m., | + | DANISE: |
| - | 427 | ||
| < | < | ||
| - | and then suddenly it's 5:00, | + | DANISE: |
| - | and you're leaving? | + | |
| - | 428 | ||
| < | < | ||
| - | - Well, they stagger us a little, so... | + | MARK: Well, they stagger us a little, so... |
| - | - They stagger you? | + | DANISE: |
| - | 429 | ||
| < | < | ||
| - | And then, conversely, when you're at | + | PATTON: |
| - | work, you can't access outside memories. | + | |
| - | 430 | ||
| - | < | ||
| - | So, in effect, | ||
| - | that version of you is trapped there. | ||
| - | |||
| - | 431 | ||
| < | < | ||
| - | Well... | + | RICKEN: |
| - | 432 | ||
| < | < | ||
| - | - Well, I mean, not trapped, but... | + | PATTON: |
| - | - But what? | + | MARK: But what? |
| - | 433 | ||
| < | < | ||
| - | No, no. I'm curious. What were you | + | MARK: No, no. I'm curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | gonna say? But not trapped, but what? | + | |
| - | 434 | ||
| - | < | ||
| - | What were you saying? | ||
| - | |||
| - | 435 | ||
| < | < | ||
| - | So I suppose we know where you fall | + | DANISE: |
| - | on the congressional goings-on. | + | |
| - | 436 | ||
| < | < | ||
| - | Okay, I think we may be | + | RICKEN: |
| - | 437 | ||
| < | < | ||
| - | - missing the point here. | + | RICKEN: |
| - | - Yeah. | + | DEVON: |
| - | 438 | ||
| < | < | ||
| - | The point is that Mark made a decision. | + | RICKEN: |
| + | Morally. Scientifically. But, Mark, I stand behind you without reservation. | ||
| - | 439 | ||
| - | < | ||
| - | And that decision was controversial, | ||
| - | |||
| - | 440 | ||
| - | < | ||
| - | ethically and socially. | ||
| - | |||
| - | 441 | ||
| - | < | ||
| - | Morally. Scientifically. | ||
| - | |||
| - | 442 | ||
| - | < | ||
| - | But, Mark, I stand behind you | ||
| - | |||
| - | 443 | ||
| - | < | ||
| - | without reservation. | ||
| - | |||
| - | 444 | ||
| < | < | ||
| - | - So well said. | + | DANISE: |
| - | - Thank you. | + | RICKEN: |
| - | 445 | ||
| < | < | ||
| - | - Absolutely. | + | PATTON: |
| - | - I definitely stand behind Mark. | + | REBECK: |
| - | 446 | ||
| < | < | ||
| - | Wow. | + | MARK: Wow. Thank you. That's very sweet. |
| - | 447 | ||
| - | < | ||
| - | Thank you. That's very sweet. | ||
| - | |||
| - | 448 | ||
| < | < | ||
| - | Well, we're at the point | + | RICKEN: |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | 452 | ||
| < | < | ||
| - | - Oh, yeah. No, absolutely. | + | PATTON: |
| - | - Right? | + | RICKEN: |
| - | 453 | ||
| < | < | ||
| - | I was saying, my friend in Lima hasn't | + | PATTON: |
| - | had a food-based dinner event in... | + | |
| - | 454 | ||
| < | < | ||
| - | If I give you $3,000, | + | DEVON: |
| - | will you forgive me? | + | |
| - | 455 | ||
| < | < | ||
| - | Well, because your child | + | MARK: Well, because your child is innocent of tonight' |
| - | is innocent of tonight' | + | |
| - | 456 | ||
| - | < | ||
| - | I'll wait until after it's born | ||
| - | to murder you. | ||
| - | |||
| - | 457 | ||
| < | < | ||
| - | Oh, my God. Here you go, buddy. | + | DEVON: |
| - | 458 | ||
| < | < | ||
| - | Thank you. | + | MARK: Thank you. |
| - | 459 | ||
| < | < | ||
| - | Hey, how's the good doctor therapy man | + | DEVON: |
| - | with that weird little mustache? | + | |
| - | 460 | ||
| < | < | ||
| - | You're not going? | + | DEVON: |
| - | 461 | ||
| < | < | ||
| - | Well, the work thing' | + | MARK: Well, the work thing' |
| - | 462 | ||
| < | < | ||
| - | Yeah. | + | DEVON: |
| - | 463 | ||
| < | < | ||
| - | I'm proud of you for taking that job. | + | DEVON: |
| - | I really am. | + | |
| - | 464 | ||
| - | < | ||
| - | And I think she would' | ||
| - | I know she would' | ||
| - | |||
| - | 465 | ||
| < | < | ||
| - | I just feel like forgetting about her | + | DEVON: |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | 467 | ||
| < | < | ||
| - | You wanna crash here, | + | DEVON: |
| - | since you're already here? | + | |
| - | 468 | ||
| < | < | ||
| - | No. | + | MARK: No. |
| - | 469 | ||
| < | < | ||
| - | Why? | + | DEVON: |
| - | 470 | ||
| < | < | ||
| - | Your house smells like pregnancy. | + | MARK: Your house smells like pregnancy. |
| - | 471 | ||
| < | < | ||
| - | Yeah, I'm just not grasping | + | DEVON: |
| - | the visceral element of it. | + | |
| - | 472 | ||
| < | < | ||
| - | She is fun, wasn't she? | + | DEVON: |
| - | 473 | ||
| < | < | ||
| - | - You're definitely staying here tonight. | + | DEVON: |
| - | - No, I'm not. | + | MARK: No, I'm not. |
| - | 474 | ||
| < | < | ||
| - | I'm making all the bedsheets myself, | + | RICKEN: |
| - | 475 | ||
| - | < | ||
| - | so I won't finish with the big one | ||
| - | for some time. | ||
| - | |||
| - | 476 | ||
| - | < | ||
| - | But the twin is comfortable, | ||
| - | |||
| - | 477 | ||
| - | < | ||
| - | and the pajamas were made | ||
| - | on a Baltic handloom, | ||
| - | |||
| - | 478 | ||
| - | < | ||
| - | so you'll sleep well. | ||
| - | |||
| - | 479 | ||
| < | < | ||
| - | Thanks. | + | MARK: Thanks. I still don't quite get the three beds. |
| - | I still don't quite get the three beds. | + | |
| - | 480 | ||
| < | < | ||
| - | - Right. | + | RICKEN: |
| - | - Ricken' | + | DEVON: |
| - | 481 | ||
| - | < | ||
| - | that switching out the beds | ||
| - | as the child grows can wound that child. | ||
| - | |||
| - | 482 | ||
| < | < | ||
| - | Irreparably. | + | RICKEN: |
| - | 483 | ||
| < | < | ||
| - | But if you provide said child | + | RICKEN: |
| - | with all of its beds upon birth, | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | you allow it to progress across the room | + | |
| - | at its own rate. | + | |
| - | 485 | ||
| < | < | ||
| - | Got it. Yeah. | + | MARK: Got it. Yeah. |
| - | 486 | ||
| < | < | ||
| - | Yeah. | + | RICKEN: |
| - | 487 | ||
| < | < | ||
| - | I think people really | + | RICKEN: |
| - | enjoyed you tonight, Mark. | + | |
| - | 488 | ||
| < | < | ||
| - | Good. | + | MARK: Good. |
| - | 489 | ||
| < | < | ||
| - | All right, baby. | + | DEVON: |
| 490 | 490 | ||
| < | < | ||
| - | - You ready, baby? | + | DEVON: |
| - | - Yeah. | + | RICKEN: |
| - | 491 | ||
| < | < | ||
| - | - Let's go. | + | DEVON: |
| - | - Sweet dreams. | + | RICKEN: |
| - | 492 | ||
| < | < | ||
| - | Thanks. | + | MARK: Thanks. |
| < | < | ||
| Line 1902: | Line 1174: | ||
| DEVON: Good night, milady. | DEVON: Good night, milady. | ||
| - | 495 | ||
| < | < | ||
| - | Hey. | + | DEVON: |
| - | 496 | ||
| < | < | ||
| - | Hey. | + | MARK: Hey. |
| - | 497 | ||
| < | < | ||
| - | How long you been up? | + | DEVON: |
| - | 498 | ||
| < | < | ||
| - | A while. | + | MARK: A while. |
| - | 499 | ||
| < | < | ||
| - | There was a businessman | + | MARK: There was a businessman in the yard last night. |
| - | in the yard last night. | + | |
| - | 500 | ||
| < | < | ||
| - | - A businessman? | + | DEVON: |
| - | - Yeah. | + | MARK: Yeah. |
| - | 501 | ||
| < | < | ||
| - | Entry-level or management? | + | DEVON: |
| - | 502 | ||
| < | < | ||
| - | I'm serious. | + | MARK: I'm serious. |
| - | 503 | ||
| < | < | ||
| - | There was seriously a man | + | DEVON: |
| - | in my yard last night? | + | |
| - | 504 | ||
| < | < | ||
| - | Yeah. | + | MARK: Yeah. |
| - | 505 | ||
| < | < | ||
| - | Holy shit. | + | DEVON: |
| - | 506 | ||
| < | < | ||
| - | He, you know, looked at me weird, | + | MARK: He, you know, looked at me weird, like he knew me. |
| - | like he knew me. | + | |
| - | 507 | ||
| < | < | ||
| - | Did the prowler invading my home | + | DEVON: |
| - | make you feel seen? | + | |
| - | 508 | ||
| < | < | ||
| - | So seen. | + | MARK: So seen. |
| - | 509 | ||
| < | < | ||
| - | Well, there' | + | DEVON: |
| - | It's probably just a stumbler. | + | |
| - | 510 | ||
| - | < | ||
| - | Speaking of which, | ||
| - | you still smell like a distillery. | ||
| - | |||
| - | 511 | ||
| < | < | ||
| - | I'm sorry, | + | MARK: I'm sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | ||
| < | < | ||
| - | You've been sitting on that one. | + | DEVON: |
| - | 514 | ||
| < | < | ||
| - | Hello. | + | MARK: Hello. |
| - | 515 | ||
| < | < | ||
| - | Okay. So, recycling was | + | MARK: Okay. So, recycling was last night, Mrs. Selvig. Tonight' |
| - | last night, Mrs. Selvig. | + | |
| - | + | ||
| - | 516 | + | |
| - | < | + | |
| - | Tonight' | + | |
| - | + | ||
| - | 517 | + | |
| - | < | + | |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | 518 | ||
| < | < | ||
| - | Yeah. Okay. | + | MARK: Yeah. Okay. |
| - | 519 | ||
| < | < | ||
| - | You know, I actually can't talk | + | MARK: You know, I actually can't talk right now. I'm out at dinner. But... |
| - | right now. I'm out at dinner. But... | + | |
| - | 520 | ||
| < | < | ||
| - | No, by myself. | + | MARK: No, by myself. |
| - | 521 | ||
| < | < | ||
| - | Pip's Bar and Grille. | + | MARK: Pip's Bar and Grille. |
| - | 522 | ||
| < | < | ||
| - | Excuse me. | + | MARK: Excuse me. |
| - | 523 | ||
| < | < | ||
| - | Hang up. Quickly. | + | [Peter Kilmer|PETEY]]: |
| - | 524 | ||
| < | < | ||
| - | I'm sorry, Mrs. Selvig. | + | MARK: I'm sorry, Mrs. Selvig. They' |
| - | They' | + | |
| - | 525 | ||
| < | < | ||
| - | Hi, kids. What's for dinner? | + | PETEY: |
| - | 526 | ||
| < | < | ||
| - | I'm sorry. You don't get that reference. | + | PETEY: |
| - | 527 | ||
| < | < | ||
| - | Are you following me? | + | MARK: Are you following me? |
| - | 528 | ||
| < | < | ||
| - | Your voice is different here. | + | PETEY: |
| - | 529 | ||
| - | < | ||
| - | Worse. | ||
| - | |||
| - | 530 | ||
| < | < | ||
| - | - Okay, who the fuck are you? | + | MARK: Okay, who the fuck are you? |
| - | - Petey. | + | PETEY: |
| - | 531 | ||
| < | < | ||
| - | My name is Petey. I'm from work. | + | PETEY: |
| - | 532 | ||
| < | < | ||
| - | Well, that's not plausible. | + | MARK: Well, that's not plausible. Everyone in my department is... |
| - | Everyone in my department is... | + | |
| - | 533 | ||
| < | < | ||
| - | Severed. Severed. I was. | + | PETEY: |
| - | 534 | ||
| < | < | ||
| - | Okay. Well, severance | + | MARK: Okay. Well, severance is pretty permanent. |
| - | is pretty permanent. | + | |
| - | 535 | ||
| < | < | ||
| - | Yeah. Bypassing the implant wasn't easy. | + | PETEY: |
| - | I had help. | + | |
| - | 536 | ||
| < | < | ||
| - | So, what, you were unhappy at work? | + | MARK: So, what, you were unhappy at work? |
| - | 537 | ||
| < | < | ||
| - | - And instead of lodging a complaint, you... | + | MARK: And instead of lodging a complaint, you... |
| - | - No. | + | PETEY: |
| - | 538 | ||
| < | < | ||
| - | I tried that first. So did you. | + | PETEY: |
| - | 539 | ||
| < | < | ||
| - | Right. Okay. So... | + | MARK: Right. Okay. So...You've unsevered. And now you, what, think they' |
| - | 540 | ||
| - | < | ||
| - | You've unsevered. | ||
| - | |||
| - | 541 | ||
| - | < | ||
| - | And now you, what, think they' | ||
| - | after you or something? | ||
| - | |||
| - | 542 | ||
| < | < | ||
| - | Yeah. | + | PETEY: |
| - | + | ||
| - | 543 | + | |
| - | < | + | |
| - | " | + | |
| - | who's probably out here right now. | + | |
| - | 544 | ||
| < | < | ||
| - | Graner. Okay. | + | MARK: Graner. Okay. Is that, like, a person you know or... |
| - | Is that, like, a person you know or... | + | |
| - | 545 | ||
| < | < | ||
| - | We both know him. We don't like him. | + | PETEY: |
| - | 546 | ||
| < | < | ||
| - | I see. | + | MARK: I see. |
| - | 547 | ||
| < | < | ||
| - | Nothing down there is what they say. | + | PETEY: |
| - | 548 | ||
| - | < | ||
| - | If something happens to me, | ||
| - | |||
| - | 549 | ||
| - | < | ||
| - | the things I know need to stay known. | ||
| - | |||
| - | 550 | ||
| - | < | ||
| - | I'd prefer it be by a friend. | ||
| - | |||
| - | 551 | ||
| < | < | ||
| - | So, we're friends? | + | MARK: So, we're friends? |
| - | 552 | ||
| < | < | ||
| - | I'm your best friend. | + | PETEY: |
| - | 553 | ||
| - | < | ||
| - | You're my very good friend. | ||
| - | |||
| - | 554 | ||
| < | < | ||
| - | Mark, sorry about the card. | + | PETEY: |
| - | 555 | ||
| - | < | ||
| - | I had to grab something, | ||
| - | and I know it's not appropriate. | ||
| - | |||
| - | 556 | ||
| - | < | ||
| - | Though I'm sure you'd be | ||
| - | a really fucking awesome niece. | ||
| - | |||
| - | 557 | ||
| - | < | ||
| - | We used to wonder | ||
| - | what kind of men we were on the outside, | ||
| - | |||
| - | 558 | ||
| - | < | ||
| - | what choices we had made and why. | ||
| - | |||
| - | 559 | ||
| - | < | ||
| - | I used to think it would take a monster | ||
| - | |||
| - | 560 | ||
| - | < | ||
| - | to put someone | ||
| - | in a place like that office. | ||
| - | |||
| - | 561 | ||
| - | < | ||
| - | Especially if the person was himself. | ||
| - | |||
| - | 562 | ||
| - | < | ||
| - | But we're not monsters, Mark. | ||
| - | Not real ones. | ||
| - | |||
| - | 563 | ||
| < | < | ||
| - | If you don't wanna know what's | + | PETEY: |
| - | going on down there, I won't force it. | + | |
| - | + | ||
| - | 564 | + | |
| - | < | + | |
| - | But if you do, there' | + | |
| - | on the back of this card. | + | |
| - | + | ||
| - | 565 | + | |
| - | < | + | |
| - | Go alone, and you'll find | + | |
| - | the beginning of a very long answer. | + | |
| - | 566 | ||
| < | < | ||
| - | Mark, is that you? | + | COBEL: |
| - | 567 | ||
| < | < | ||
| - | Hi, Mrs. Selvig. | + | MARK: Hi, Mrs. Selvig. |
| - | 568 | ||
| < | < | ||
| - | Will you color me embarrassed | + | COBEL: |
| - | for the mix-up with the bins? | + | |
| - | 569 | ||
| < | < | ||
| - | No, it's no problem. | + | MARK: No, it's no problem. |
| - | 570 | ||
| < | < | ||
| - | How was dinner? | + | COEBL: |
| - | 571 | ||
| < | < | ||
| - | Fine. I'm just, you know, tired. | + | MARK: Fine. I'm just, you know, tired. |
| - | 572 | ||
| < | < | ||
| - | You know, my mother was a Catholic. | + | COBEL: |
| - | 573 | ||
| - | < | ||
| - | She used to say it takes the saints | ||
| - | eight hours to bless a sleeping child. | ||
| - | |||
| - | 574 | ||
| - | < | ||
| - | I hope you aren't rushing the saints. | ||
| - | |||
| - | 575 | ||
| < | < | ||
| - | Well, I'll give them ample time tonight. | + | MARK: Well, I'll give them ample time tonight. Good night, Mrs. Selvig. |
| - | + | ||
| - | 576 | + | |
| - | < | + | |
| - | Good night, Mrs. Selvig. | + | |
| - | 577 | ||
| < | < | ||
| - | Mark. | + | COBEL: |
| - | 578 | ||
| < | < | ||
| - | You're good people. | + | COBEL: |
| </ | </ | ||
| - | {{tag>transcripts}} | + | {{tag>Transcripts}} |
good_news_about_hell_transcript.txt · Last modified: 2023-03-24 19:22 by Scribe of Kier
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