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| good_news_about_hell_script [2022-05-09 05:03] – Administrator | good_news_about_hell_transcript [2022-08-12 02:20] – Scribe of Kier | ||
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| <WRAP infobox> | <WRAP infobox> | ||
| - | | **Good News About Hell (Script)** || | + | | **Good News About Hell (Transcript)** || |
| ^ Episode Number | 1.1 | | ^ Episode Number | 1.1 | | ||
| ^ Written By | [[https:// | ^ Written By | [[https:// | ||
| - | ^ Next Script | + | ^ Next Transcript |
| </ | </ | ||
| - | ====== Good News About Hell (Script) ====== | + | ====== Good News About Hell (Transcript) ====== |
| - | This is the script | + | This is the transcript |
| - | ===== Script | + | ===== Transcript |
| <WRAP script> | <WRAP script> | ||
| - | < | + | < |
| - | [[Mark Scout|MARK]]: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | MARK: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | [[Helena Eagan|HELLY]]: Hello? | + | Helly: Hello? |
| - | < | + | < |
| - | MARK: I'm sorry, I got ahead of myself. | + | Mark: I’m sorry, I got ahead of myself. |
| - | < | + | < |
| - | MARK: Hi there, you on the table. I wonder if you'd mind taking a brief survey. | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | < | + | < |
| - | HELLY: Who is that? | + | Helly: Who is that? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | MARK: Now, I know you're sleepy, but I just bet it'll make you feel right as rain. | + | Mark: Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | < | + | < |
| - | HELLY: Who's speaking? | + | Helly: Who’s speaking? |
| - | < | + | < |
| - | HELLY: Oh, God. | + | Helly: Oh, God. |
| - | < | + | < |
| - | HELLY: Hey! Open the door! | + | Helly: Hey! Open the door! |
| - | < | + | < |
| - | MARK: I'd be just thrilled to chat once we've run the survey. Shall we begin with question one? | + | Mark: I’d be just thrilled to chat once we’ve run the survey. Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: I'm not taking your survey. | + | Helly: I’m not taking your survey. |
| - | < | + | < |
| - | MARK: Shall we begin with question one? | + | Mark: Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: Let me out of here. | + | Helly: Let me out of here. |
| - | < | + | < |
| - | HELLY: Hey! | + | Helly: Hey! |
| - | < | + | < |
| - | HELLY: Open the door! | + | Helly: Open the door! |
| - | < | + | < |
| - | HELLY: Fuck. | + | Helly: Fuck. |
| - | < | + | < |
| - | HELLY: Hey! Let me out! | + | Helly: Hey! Let me out! |
| - | < | + | < |
| - | HELLY: Hey. | + | Helly: Hey. |
| - | < | + | < |
| - | MARK: Hello. | + | Mark: Hello. |
| - | < | + | < |
| - | HELLY: Five questions? | + | Helly: Five questions? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | HELLY: What do I get at the end? | + | Helly: What do I get at the end? |
| - | < | + | < |
| - | MARK: Depends on your answers. | + | Mark: Depends on your answers. |
| - | < | + | < |
| - | HELLY: Okay. | + | Helly: Okay. |
| - | < | + | < |
| - | MARK: Great. Off we go. Now to start, who are you? | + | Mark: Great. Off we go. Now to start, who are you? |
| - | < | + | < |
| - | HELLY: That's the first question? | + | Helly: That’s the first question? |
| - | < | + | < |
| - | MARK: First name will do. | + | Mark: First name will do. |
| - | < | + | < |
| - | HELLY: I don't... | + | Helly: I don’t... |
| - | < | + | < |
| - | MARK: It's okay. If you can't answer the question, feel free to say, " | + | Mark: It’s okay. If you can’t answer the question, feel free to say, " |
| - | < | + | < |
| - | HELLY: What is this? | + | Helly: What is this? |
| - | < | + | < |
| - | MARK: Okay, unknown. | + | Mark: Okay, unknown. |
| - | < | + | < |
| - | MARK: Question two, in which US state or territory were you born? | + | Mark: Question two, in which US state or territory were you born? |
| - | < | + | < |
| - | HELLY: Wait. | + | Helly: Wait. |
| - | MARK: Which state or territory, please? | + | Mark: Which state or territory, please? |
| - | < | + | < |
| - | HELLY: I don't know. | + | Helly: I don’t know. |
| - | MARK: Unknown. | + | Mark: Unknown. |
| - | < | + | < |
| - | MARK: Question three, please name any US state or territory. | + | Mark: Question three, please name any US state or territory. |
| - | < | + | < |
| - | HELLY: Fuck. I... | + | Helly: Fuck. I... |
| - | MARK: First that comes to mind. | + | Mark: First that comes to mind. |
| - | < | + | < |
| - | HELLY: I don't know. Delaware. What is this? | + | Helly: I don’t know. Delaware. What is this? |
| - | MARK: Delaware. | + | Mark: Delaware. |
| - | < | + | < |
| - | MARK: Question four, what is [[Kier Eagan|Mr. Eagan]]'s favorite breakfast? | + | Mark: Question four, what is Mr. Eagan’s favorite breakfast? |
| - | < | + | < |
| - | HELLY: I don't... That one makes no sense. | + | Helly: I don’t... That one makes no sense. |
| - | < | + | < |
| - | MARK: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother's eyes? | + | Mark: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother’s eyes? |
| - | < | + | < |
| - | HELLY: Okay, what's hap... What's happening? | + | Helly: Okay, what’s hap... What’s happening? |
| - | < | + | < |
| - | MARK: Unknown. So that's unknown, unknown, Delaware, unknown, unknown. | + | Mark: Unknown. So that’s unknown, unknown, Delaware, unknown, unknown. |
| - | < | + | < |
| - | HELLY: What the hell did you do to me? | + | Helly: What the hell did you do to me? |
| - | < | + | < |
| - | MARK: That's a perfect score. | + | Mark: That’s a perfect score. |
| - | < | + | < |
| - | [[Florence|FLORENCE]]: Are you ready for Mr. Scout? | + | Florence: Are you ready for Mr. Scout? |
| - | < | + | < |
| - | FLORENCE: Thank you. | + | Florence: Thank you. |
| - | < | + | < |
| - | FLORENCE: Go ahead. | + | Florence: Go ahead. |
| - | < | + | < |
| - | [[Judd|JUDD]]: Mr. Scout. | + | Judd: Mr. Scout. |
| - | < | + | < |
| - | MARK: Hi, Judd. | + | Mark: Hi, Judd. |
| - | < | + | < |
| - | JUDD: All right, see you this evening. | + | Judd: All right, see you this evening. |
| - | MARK: Yep, see you soon. | + | Mark: Yep, see you soon. |
| - | < | + | < |
| - | [[Dylan George|DYLAN]]: You're breathing shitty. | + | Dylan: You’re breathing shitty. |
| - | MARK: Sorry. | + | Mark: Sorry. |
| - | < | + | < |
| - | DYLAN: You sick? | + | Dylan: You sick? |
| - | < | + | < |
| - | MARK: Maybe. Petey was sniffling yesterday. | + | Mark: Maybe. Petey was sniffling yesterday. |
| - | < | + | < |
| - | DYLAN: If you breathe on me, I'll rip your larynx out. | + | Dylan: If you breathe on me, I’ll rip your larynx out. |
| - | < | + | < |
| - | MARK: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. | + | Mark: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. |
| - | < | + | < |
| - | MARK: Oh. | + | Mark: Oh. |
| - | < | + | < |
| - | DYLAN: Petey better not be out for the day, 'cause I'm about zero seconds from wrapping the Tumwater file, and he needs to process it. | + | Dylan: Petey better not be out for the day, ’cause I’m about zero seconds from wrapping the Tumwater file, and he needs to process it. |
| - | < | + | < |
| - | MARK: I think he's out. | + | Mark: I think he’s out. |
| - | < | + | < |
| - | DYLAN: If he doesn't process today, they won't know until Tuesday of next week. It's typical Lumon bullshit. | + | Dylan: If he doesn’t process today, they won’t know until Tuesday of next week. It’s typical Lumon bullshit. |
| - | < | + | < |
| - | MARK: Careful, guy. | + | Mark: Careful, guy. |
| - | < | + | < |
| - | [[Irving | + | Irving: Hi, kids. What’s for dinner? |
| - | 76 | + | < |
| - | < | + | Dylan: |
| - | Goddamn it, Irv. We warned you. | + | |
| - | 77 | + | < |
| - | < | + | Irving: |
| - | About the greeting? You were kidding. | + | |
| - | 78 | + | < |
| - | < | + | Dylan: |
| - | No, we sincerely hate it. | + | |
| - | How many reasons did we come up with? | + | |
| - | 79 | + | < |
| - | < | + | Mark: Eight. |
| - | - Eight. | + | Dylan: |
| - | - Eight reasons. | + | |
| - | 80 | + | < |
| - | < | + | Dylan: |
| - | Chief among them the | + | |
| - | latent condescension. | + | |
| - | 81 | + | < |
| - | < | + | Mark: And it’s confusing. Like, did the kids make you dinner in this scenario? Or... |
| - | And it's confusing. Like, did the kids | + | |
| - | make you dinner in this scenario? Or... | + | |
| - | 82 | + | < |
| - | < | + | Dylan: |
| - | Yeah. What kind of a shit dad are you? | + | |
| - | 83 | + | < |
| - | < | + | Irving: |
| - | - No Petey? | + | Mark: We think he’s sick. |
| - | - We think he's sick. | + | |
| - | 84 | + | < |
| - | < | + | Irving: |
| - | Oh, no. And Dylan's | + | |
| - | about to wrap Tumwater today. | + | |
| - | 85 | + | < |
| - | < | + | Dylan: |
| - | Yeah, and if he doesn't see me finish, | + | |
| - | 86 | + | < |
| - | < | + | Irving: Grumble, grumble. These perks are so out of hand. When we’d process a file in the old days, they’d shake our hand and fill up the creamer. |
| - | I might get passed over | + | |
| - | for refiner | + | |
| - | 87 | + | < |
| - | < | + | Dylan: I still don’t buy they actually incentivized creamer. |
| - | and miss out on my goddamn waffle party. | + | |
| - | 88 | + | < |
| - | < | + | Irving: They did. And back then, we were grateful for it. |
| - | Grumble, grumble. | + | |
| - | These perks are so out of hand. | + | |
| - | 89 | + | < |
| - | < | + | Dylan: That’s fucked, dude. |
| - | When we'd process | + | |
| - | a file in the old days, | + | |
| - | 90 | + | < |
| - | < | + | Irving: Yes, very fucked. To put in an honest day’s work and not get a children’s breakfast in return. |
| - | they'd shake our hand | + | |
| - | and fill up the creamer. | + | |
| - | 91 | + | < |
| - | < | + | Dylan: Irv’s got claws today. |
| - | I still don't buy | + | |
| - | they actually incentivized creamer. | + | |
| - | 92 | + | < |
| - | < | + | Milchick: Good morning, Macrodata Refinement. |
| - | They did. | + | |
| - | And back then, we were grateful for it. | + | |
| - | 93 | + | < |
| - | < | + | Irving: Hi, Mr. Milchick. |
| - | That's fucked, dude. | + | |
| - | 94 | + | < |
| - | < | + | Milchick: Mark, could I have a word? |
| - | Yes, very fucked. | + | |
| - | 95 | + | < |
| - | < | + | Milchick: Last time you saw Ms. Cobel, she was in her old office. Now she’s in her new office. It’s a completely different office. |
| - | To put in an honest day's work and not | + | |
| - | get a children' | + | |
| - | 96 | + | < |
| - | < | + | Mark: What’s this about? |
| - | Irv's got claws today. | + | |
| - | 97 | + | < |
| - | < | + | Milchick: She’d never say so, but I know a compliment about the office would just make her day. |
| - | Good morning, Macrodata Refinement. | + | |
| - | 98 | + | < |
| - | < | + | Cobel: Mark? Come in. Shut the thing. |
| - | Hi, Mr. Milchick. | + | |
| - | 99 | + | < |
| - | < | + | Mark: Nice office. |
| - | Mark, could I have a word? | + | |
| - | 100 | + | < |
| - | < | + | Cobel: It’s horrid. |
| - | Last time you saw Ms. Cobel, | + | |
| - | she was in her old office. | + | |
| - | 101 | + | < |
| - | < | + | Mark: Yeah, the old one was better. |
| - | Now she's in her new office. | + | |
| - | 102 | + | < |
| - | < | + | Cobel: Oh... You look awful. You look hungover. Have a seat. |
| - | It' | + | |
| - | 103 | + | < |
| - | < | + | Cobel:The Boardwill be joining us remotely today. |
| - | What's this about? | + | |
| - | 104 | + | < |
| - | < | + | Cobel: I have Mark S. at my desk. |
| - | She'd never say so, | + | |
| - | 105 | + | < |
| - | < | + | Mark: Oh, uh, hello. |
| - | but I know a compliment about the office | + | |
| - | would just make her day. | + | |
| - | 106 | + | < |
| - | < | + | Cobel: Petey is no longer with this company. |
| - | Mark? Come in. Shut the thing. | + | |
| - | 107 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | Nice office. | + | |
| - | 108 | + | < |
| - | < | + | Cobel: I said, Petey is no longer with this company. |
| - | It's horrid. | + | |
| - | 109 | + | < |
| - | < | + | Milchick: I’m sorry, Mark. You guys were one of my favorite office friendships. |
| - | Yeah, the old one was better. | + | |
| - | 110 | + | < |
| - | < | + | Mark: I mean, there should have been some notice of this. What happened? |
| - | You look awful. You look hungover. | + | |
| - | 111 | + | < |
| - | < | + | Milchick: We’d love to tell you, but unfortunately, |
| - | Have a seat. | + | |
| - | 112 | + | < |
| - | < | + | Cobel: Mark, would you place your key card on my desk? |
| - | The Board will be joining us | + | |
| - | remotely today. | + | |
| - | 113 | + | < |
| - | < | + | Cobel: |
| - | I have Mark S. at my desk. | + | |
| - | 114 | + | < |
| - | < | + | Cobel: Oh, a handshake is available upon request. |
| - | Hello. You... | + | |
| - | 115 | + | < |
| - | < | + | Mark: Thank you. May I have a handshake? |
| - | I assume this is about me acting | + | |
| - | as department chief today. | + | |
| - | 116 | + | < |
| - | < | + | Cobel: I know you haven’t run a training before, but Irving will be there to shadow. Just stick to the flowchart and escalate properly depending on dialectics. You’ll be fine. |
| - | Okay. Well... I mean, | + | |
| - | 117 | + | < |
| - | < | + | Milchick: If you need to take a few minutes... |
| - | I've subbed for Petey before, | + | Mark: Thank you. I don’t. |
| - | so it shouldn' | + | |
| - | 118 | + | < |
| - | < | + | Mark: Oh, and, uh, thank you to the Board as well. |
| - | Petey is no longer with this company. | + | |
| - | 119 | + | < |
| - | < | + | Cobel: The Board won’t be contributing to this meeting vocally. |
| - | I'm sorry? | + | |
| - | 120 | + | < |
| - | < | + | Irving: Our last refiner, who was a woman, was... |
| - | I said, | + | |
| - | Petey is no longer with this company. | + | |
| - | 121 | + | < |
| - | < | + | Mark: Carol. Dylan’s old seat. |
| - | I'm sorry, | + | |
| - | one of my favorite office friendships. | + | |
| - | 122 | + | < |
| - | < | + | Irving: Don’t be sad. |
| - | I mean, there should have been | + | |
| - | some notice of this. What happened? | + | |
| - | 123 | + | < |
| - | < | + | Mark: I’m fine. We’ll be fine. |
| - | We'd love to tell you, | + | |
| - | 124 | + | < |
| - | < | + | Irving: I know you and Petey were close. He was the only one who really appreciated your humor. |
| - | but unfortunately, | + | |
| - | non-disclosure policy forbids. | + | |
| - | 125 | + | < |
| - | < | + | Mark: Everything’s fine. So, I’m supposed to start with just the input survey? Isn’t that a little weird? |
| - | We'd be aiding an assault | + | |
| - | on Petey's privacy by you. | + | |
| - | 126 | + | < |
| - | < | + | Milchick: It’s standard. Just start at 1A and continue by line, based on her answers. |
| - | Mark, would you place your key card | + | |
| - | on my desk? | + | |
| - | 127 | + | < |
| - | < | + | Mark: Well, what if I just talk to her? |
| - | Mark S., at this time I confer upon you | + | |
| - | the freedom | + | |
| - | 128 | + | < |
| - | < | + | Milchick: She deserves to have the information presented to her in the proper order. Just as you had. |
| - | in the advanced role of Macrodata | + | |
| - | Refinement department chief. | + | |
| - | 129 | + | < |
| - | < | + | Mark: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | Congratulations. | + | |
| - | 130 | + | < |
| - | < | + | Irving: She has to ask three times for you to let her. |
| - | A handshake is available upon request. | + | |
| - | 131 | + | < |
| - | < | + | Mark: Right. Yes. |
| - | Thank you. May I have a handshake? | + | |
| - | 132 | + | < |
| - | < | + | Mark: Image is good. |
| - | I know you haven' | + | |
| - | but Irving will be there to shadow. | + | |
| - | 133 | + | < |
| - | < | + | Irving: She looks nice. |
| - | Just stick to the flowchart and escalate | + | |
| - | properly depending on dialectics. | + | |
| - | 134 | + | < |
| - | < | + | Milchick: Okay. You’re all set. |
| - | You'll be fine. | + | |
| - | 135 | + | < |
| - | < | + | Milchick: I just love seeing |
| - | - If you need to take a few minutes... | + | |
| - | - Thank you. I don't. | + | |
| - | 136 | + | < |
| - | < | + | Milchick: Go on ahead when you’re ready. |
| - | And thank you to the Board as well. | + | |
| - | 137 | + | < |
| - | < | + | Irving: All right. |
| - | The Board won't be contributing | + | Mark: Okay. |
| - | to this meeting vocally. | + | |
| - | 138 | + | < |
| - | < | + | Irving: There you go. |
| - | Our last refiner, who | + | |
| - | was a woman, was... | + | |
| - | 139 | + | < |
| - | < | + | Mark: Who are you? |
| - | Carol. Dylan' | + | |
| - | 140 | + | < |
| - | < | + | Irving: All right. |
| - | Don't be sad. | + | |
| - | 141 | + | < |
| - | < | + | Mark: Who are you? |
| - | I'm fine. We'll be fine. | + | |
| - | 142 | + | < |
| - | < | + | Irving: Mark. |
| - | I know you and Petey were close. | + | Mark: What? |
| - | 143 | + | < |
| - | < | + | Irving: You skipped |
| - | He was the only one | + | |
| - | who really appreciated your humor. | + | |
| - | 144 | + | < |
| - | < | + | Helly: Hello? |
| - | Everything' | + | |
| - | to start with just the input survey? | + | |
| - | 145 | + | < |
| - | < | + | Mark: Shit! |
| - | Isn't that a little weird? | + | |
| - | 146 | + | < |
| - | < | + | Mark: I’m sorry, I got ahead of myself. |
| - | It's standard. | + | |
| - | 147 | + | < |
| - | < | + | Irving: That’s it. |
| - | Just start at 1A and continue by line, | + | Mark: Okay. |
| - | based on her answers. | + | |
| - | 148 | + | < |
| - | < | + | Mark: Hi there, you on the table. |
| - | Well, what if I just talk to her? | + | |
| - | 149 | + | < |
| - | < | + | Helly: Who is that? |
| - | She deserves to have the information | + | |
| - | presented to her in the proper order. | + | |
| - | 150 | + | < |
| - | < | + | Mark: Five questions. Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | Just as you had. | + | |
| - | 151 | + | < |
| - | < | + | Helly: Who’s speaking? |
| - | "If the trainee becomes agitated | + | |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | + | < |
| - | < | + | Mark: " |
| - | She has to ask three times | + | |
| - | for you to let her. | + | |
| - | 153 | + | < |
| - | < | + | Helly: Hey! Open the door! |
| - | Right. Yes. | + | |
| - | 154 | + | < |
| - | < | + | Irving: Mark. |
| - | Image is good. | + | |
| - | 155 | + | < |
| - | < | + | Mark: I’d be just thrilled to chat, once we’ve run the survey. Shall we begin with question one? |
| - | She looks nice. | + | |
| - | 156 | + | < |
| - | < | + | Helly: I’m not taking your survey. |
| - | Okay. You're all set. | + | |
| - | 157 | + | < |
| - | < | + | Mark: Shall we begin with question one? |
| - | I just love | + | |
| - | seeing you all come in like this. | + | |
| - | 158 | + | < |
| - | < | + | Helly: Let me out of here. Hey! |
| - | Go on ahead when you're ready. | + | |
| - | 159 | + | < |
| - | < | + | Helly: Open the door! |
| - | - All right. | + | Irving: She’s not supposed to do that. |
| - | - Okay. | + | |
| - | 160 | + | < |
| - | < | + | Helly: Hey! |
| - | There you go. | + | |
| - | 161 | + | < |
| - | < | + | Irving: She’s going to break in. |
| - | Who are you? | + | |
| - | 162 | + | < |
| - | < | + | Helly: Let me out! |
| - | All right. | + | Mark: No, she’s not. |
| - | 163 | + | < |
| - | < | + | Milchick: Are you seeing this? |
| - | Who are you? | + | |
| - | 164 | + | < |
| - | < | + | Cobel: I’m watching. |
| - | - Mark. | + | |
| - | - What? | + | |
| - | 165 | + | < |
| - | < | + | Milchick: Should I help? |
| - | You skipped the preamble. | + | |
| - | 166 | + | < |
| - | < | + | Cobel: You should not. |
| - | Hello? | + | |
| - | 167 | + | < |
| - | < | + | Mark: That’s a perfect score. |
| - | Shit! | + | |
| - | 168 | + | < |
| - | < | + | Mark: Now, I think I know where our disconnect is coming from. |
| - | I'm sorry, I got ahead of myself. | + | |
| - | 169 | + | < |
| - | < | + | Helly: What? |
| - | - That's it. | + | Mark: Well, there was a preamble, which I was supposed to read before the survey, to lead into the questions and... But I unfortunately skipped that and went straight into the survey. |
| - | - Okay. | + | |
| - | 170 | + | < |
| - | < | + | Helly: Am I livestock? |
| - | Hi there, you on the table. | + | |
| - | 171 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | I wonder if you'd mind | + | |
| - | taking a brief survey. | + | |
| - | 172 | + | < |
| - | < | + | Helly: Like, did you grow me as food and that’s why I have no memories? |
| - | Who is that? | + | |
| - | 173 | + | < |
| - | < | + | Mark: You think we grew a full human, gave you consciousness... |
| - | Five questions. | + | |
| - | 174 | + | < |
| - | < | + | Helly: |
| - | Now, I know you're sleepy, | + | Mark: did your nails and... |
| - | 175 | + | < |
| - | < | + | Helly: |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | + | < |
| - | < | + | Mark: No, you’re not livestock. Good Lord. |
| - | Who's speaking? | + | |
| - | 177 | + | < |
| - | < | + | Helly: Then what’s my name? |
| - | " | + | |
| - | 178 | + | < |
| - | < | + | Mark: Helly. Your name is Helly. Helly R. |
| - | Hey! Open the door! | + | |
| - | 179 | + | < |
| - | < | + | Mark: Please. |
| - | Mark. | + | |
| - | 180 | + | < |
| - | < | + | Mark: Thank you for taking the welcome survey. |
| - | I'd be just thrilled to chat, | + | |
| - | once we've run the survey. | + | |
| - | 181 | + | < |
| - | < | + | Mark: You see, you have been hired to a position on the Severed Floor ofLumon Industries. |
| - | Shall we begin with question one? | + | |
| - | 182 | + | < |
| - | < | + | Helly: The what floor? |
| - | I'm not taking your survey. | + | |
| - | 183 | + | < |
| - | < | + | Mark: I understand you’re confused about the severance procedure. Before |
| - | Shall we begin with question one? | + | |
| - | 184 | + | < |
| - | < | + | Mark: Ow! Fuck! |
| - | Let me out of here. Hey! | + | |
| - | 185 | + | < |
| - | < | + | Mark: That locks from out there! |
| - | - Open the door! | + | |
| - | - She's not supposed to do that. | + | |
| - | 186 | + | < |
| - | < | + | Helly: Let me out! |
| - | Hey! | + | Mark: God! |
| - | 187 | + | < |
| - | < | + | Mark: Can we just take a beat? Please. |
| - | She's going to break in. | + | |
| - | 188 | + | < |
| - | < | + | Mark: Please. |
| - | - Let me out! | + | |
| - | - No, she's not. | + | |
| - | 189 | + | < |
| - | < | + | Mark: Okay, my name’s Mark. And, uh... So, I... |
| - | Are you seeing this? | + | |
| - | 190 | + | < |
| - | < | + | Mark: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | I'm watching. | + | |
| - | 191 | + | < |
| - | < | + | Mark: And when I realized I couldn’t answer, I told that voice that I would find him and kill him. |
| - | Should | + | |
| - | 192 | + | < |
| - | < | + | Mark: I don’t know why I said that. I mean, I was scared too. |
| - | You should not. | + | |
| - | 193 | + | < |
| - | < | + | Helly: Did you kill the voice? |
| - | That's a perfect score. | + | |
| - | 194 | + | < |
| - | < | + | Mark: No. |
| - | Now, I think I know where | + | |
| - | our disconnect is coming from. | + | |
| - | 195 | + | < |
| - | < | + | Mark: No, that voice’s name was Petey, and he became my best friend. |
| - | - What? | + | |
| - | - Well, there was a preamble, | + | |
| - | 196 | + | < |
| - | < | + | Mark: So, look, you know, there is a life to be had here, Helly. |
| - | which I was supposed | + | |
| - | before the survey, | + | |
| - | 197 | + | < |
| - | < | + | Helly: A life to be had? |
| - | to lead into the questions and... | + | |
| - | 198 | + | < |
| - | < | + | Mark: Well, you see, life, like a seesaw, requi— |
| - | But I unfortunately skipped that | + | |
| - | and went straight into the survey. | + | |
| - | 199 | + | < |
| - | < | + | Helly: Let me the fuck out of here! |
| - | Am I livestock? | + | |
| - | 200 | + | < |
| - | < | + | Mark: Ask me again. |
| - | I'm sorry? | + | Helly: What? |
| - | 201 | + | < |
| - | < | + | Mark: You’ve asked twice to be let go. Ask one more time. |
| - | Like, did you grow me as food | + | |
| - | and that's why I have no memories? | + | |
| - | 202 | + | < |
| - | < | + | Helly: Mark. |
| - | You think we grew a full human, | + | Mark: Yeah? |
| - | gave you consciousness... | + | |
| - | 203 | + | < |
| - | < | + | Helly: |
| - | - I don't know. | + | |
| - | - did your nails and... | + | |
| - | 204 | + | < |
| - | < | + | Mark: I understand you don’t feel it’s working out for you here at Lumon. While disappointed, |
| - | I don't know. I don't know you. | + | |
| - | 205 | + | < |
| - | < | + | Mark: Irv. |
| - | No, you're not livestock. Good Lord. | + | |
| - | 206 | + | < |
| - | < | + | Mark: The departments are pretty spaced out, but it’ll all fill in one day. They’re planning an expansion. |
| - | Then what's my name? | + | |
| - | 207 | + | < |
| - | < | + | Helly: And I’m, what, part of that? |
| - | Helly. | + | |
| - | 208 | + | < |
| - | < | + | Mark: No. You’re a replacement. |
| - | Your name is Helly. Helly R. | + | |
| - | 209 | + | < |
| - | < | + | Helly: Replacement for who? Why are you saying that like you hate it? |
| - | Please. | + | |
| - | 210 | + | < |
| - | < | + | Mark: Here’s your stairwell. Just past the bend. |
| - | Thank you for taking | + | |
| - | 211 | + | < |
| - | < | + | Helly: You’re not coming with me? |
| - | I can sense that the questions | + | |
| - | made you feel afraid or disoriented. | + | |
| - | 212 | + | < |
| - | < | + | Mark: I’m not allowed to see. |
| - | Well, the good news is, | + | |
| - | you're at an orientation. | + | |
| - | 213 | + | < |
| - | < | + | Helly: Excuse me? |
| - | You see, you have | + | |
| - | been hired to a position | + | |
| - | 214 | + | < |
| - | < | + | Mark: Well, once you leave, you... I just can’t watch you leave. |
| - | on the severed floor | + | |
| - | of Lumon Industries. | + | |
| - | 215 | + | < |
| - | < | + | Helly: Of course you can’t. |
| - | The what floor? | + | |
| - | 216 | + | < |
| - | < | + | Helly: What the hell? |
| - | I understand you're confused | + | |
| - | about the severance procedure. | + | |
| - | 217 | + | < |
| - | < | + | Helly: Am I dead? |
| - | Before we hop on that, | + | Mark: No. |
| - | 218 | + | < |
| - | < | + | Helly: This isn’t, like, hell or something? |
| - | let's chat about something | + | Mark: No. |
| - | have heard of, the work/life balance. | + | |
| - | 219 | + | < |
| - | < | + | Helly: Then why the fuck can’t I leave? |
| - | To start, imagine yourself as a seesaw. | + | |
| - | 220 | + | < |
| - | < | + | Mark: Well, you did leave, just now. Out into the stairwell at least. |
| - | Fuck! | + | |
| - | 221 | + | < |
| - | < | + | Mark: You left, but you came back. |
| - | That locks from out there! | + | |
| - | 222 | + | < |
| - | < | + | Helly: I did not. |
| - | - Let me out! | + | Mark: You did. Come on. |
| - | - God! | + | |
| - | 223 | + | < |
| - | < | + | Cobel: Weaponizing office equipment on your first day. You are gonna be fun. Look, I do sympathize. I’ve wanted to pummel Mark myself, but I am his employer. And he is your department chief. So we’ll both have to be strong. The good news is, there’s only one part left of your orientation, |
| - | Can we just take a beat? Please. | + | |
| - | 224 | + | < |
| - | < | + | Helly: Why is that? |
| - | Please. | + | |
| - | 225 | + | < |
| - | < | + | Cobel: Because it’s a video. |
| - | Okay, my name's Mark. | + | |
| - | 226 | + | < |
| - | < | + | Cobel: Welcome to Lumon, Helly. |
| - | And... So, I... | + | |
| - | 227 | + | < |
| - | < | + | Cobel: Have a seat. |
| - | You know, few years back, | + | |
| - | I woke up on this table. | + | |
| - | 228 | + | < |
| - | < | + | Mark: Are you mad at me? |
| - | In this room. | + | |
| - | 229 | + | < |
| - | < | + | Cobel: For the incompetence or the disobedience? |
| - | And a disembodied voice | + | |
| - | asked me 19 times who I was. | + | |
| - | 230 | + | < |
| - | < | + | Mark: Well... |
| - | And when I realized I couldn' | + | Cobel: Yes! |
| - | 231 | + | < |
| - | < | + | Cobel: You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is, hell is just the product of a morbid human imagination. The bad news is, whatever humans can imagine, they can usually create. |
| - | I told that voice that I would find him | + | |
| - | and kill him. | + | |
| - | 232 | + | < |
| - | < | + | Mark: I don’t know what that means. |
| - | I don't know why I said that. | + | |
| - | I mean, I was scared too. | + | |
| - | 233 | + | < |
| - | < | + | Cobel: A department like yours can go so good or so bad. You know what makes the difference? The people. |
| - | Did you kill the voice? | + | |
| - | 234 | + | < |
| - | < | + | Milchick: You can have a seat. |
| - | No. | + | |
| - | 235 | + | < |
| - | < | + | Milchick: Okay, go ahead and have a seat. |
| - | No, that voice' | + | |
| - | and he became my best friend. | + | |
| - | 236 | + | < |
| - | < | + | Helly: My name is Helly R. I’m making this video roughly two hours before it will be shown to me. I have, of my own free accord, elected to undergo the procedure colloquially known as severance. I give consent for my perceptual chronologies to be surgically split, separating my memories between my work life and my personal life. I acknowledge that, henceforth, my access |
| - | So, look, you know, | + | |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | + | < |
| - | < | + | Milchick: Okay, that’s a wrap. |
| - | A life to be had? | + | |
| - | 238 | + | < |
| - | < | + | Milchick: Okay. Go ahead. |
| - | Well, you see, | + | |
| - | life, like a seesaw, requi... | + | |
| - | 239 | + | < |
| - | < | + | Helly: So I’ll never leave here? |
| - | Let me the fuck out of here! | + | |
| - | 240 | + | < |
| - | < | + | Mark: You’ll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won’t feel like it. Not to this version of you anyway. |
| - | - Ask me again. | + | |
| - | - What? | + | |
| - | 241 | + | < |
| - | < | + | Helly: Do I have a family? |
| - | You've asked twice to be let go. | + | |
| - | Ask one more time. | + | |
| - | 242 | + | < |
| - | < | + | Mark: You’ll never know. |
| - | - Mark. | + | |
| - | - Yeah? | + | |
| - | 243 | + | < |
| - | < | + | Helly: And I have no choice. |
| - | I would like to leave the building now. | + | |
| - | 244 | + | < |
| - | < | + | Mark: Well, every time you find yourself here, it’s because |
| - | I understand | + | |
| - | it's working out for you here at Lumon. | + | |
| - | 245 | + | < |
| - | < | + | Irving: Hello. |
| - | While disappointed, | + | |
| - | keep you somewhere you're not happy. | + | |
| - | 246 | + | < |
| - | < | + | Mark: Good night. |
| - | So, let's get you outta here. | + | |
| - | 247 | + | < |
| - | < | + | Judd: Good night. |
| - | Irv. | + | |
| - | 248 | + | < |
| - | < | + | Mark: "Dear Mark, Whilst carrying boxes in a room today, you slipped on an overhead projector slide and sustained a minor blow to the temple." |
| - | The departments are pretty spaced out, | + | |
| - | but it'll all fill in one day. | + | |
| - | 249 | + | < |
| - | < | + | Helly: Hey! |
| - | They' | + | |
| - | 250 | + | < |
| - | < | + | Mark: Sorry. |
| - | And I'm, what, part of that? | + | |
| - | 251 | + | < |
| - | < | + | Helly: Maybe keep your eyes on the icy road. |
| - | No. You're a replacement. | + | |
| - | 252 | + | < |
| - | < | + | Mark: Sorry. |
| - | Replacement for who? | + | |
| - | 253 | + | < |
| - | < | + | Television: //Indeed, this gnat will spend much of its three to seven-day life...// |
| - | Why are you saying | + | |
| - | that like you hate it? | + | |
| - | 254 | + | < |
| - | < | + | Mark: No, I know, Mrs. Selvig. It’s just, it was in my space again. Yeah. Well, trash comes tomorrow night. Tonight’s recycling. Yeah, it is weird, but that’s how they do it. And with both yours, there’s no room for... |
| - | Here's your stairwell. | + | |
| - | Just past the bend. | + | |
| - | 255 | + | < |
| - | < | + | Devon: Hey. |
| - | You're not coming with me? | + | Mark: Hey. |
| - | 256 | + | < |
| - | < | + | Devon: Did you forget? |
| - | I'm not allowed to see. | + | |
| - | 257 | + | < |
| - | < | + | Mark: Oh, yeah. Shit. |
| - | Excuse me? | + | |
| - | 258 | + | < |
| - | < | + | Devon: That’s okay. |
| - | Well, once you leave, you... | + | |
| - | 259 | + | < |
| - | < | + | Mark: Sorry. |
| - | I just can't watch you leave. | + | Devon: That’s fine. |
| - | 260 | + | < |
| - | < | + | Devon: Do you wanna put on pants, and I’ll... |
| - | Of course | + | Mark: I’m wearing pants. |
| - | 261 | + | < |
| - | < | + | Devon: meet you in... Those are not pants. |
| - | What the hell? | + | |
| - | 262 | + | < |
| - | < | + | Mark: So if there’s no dinner, how is it dinner? |
| - | - Am I dead? | + | |
| - | - No. | + | |
| - | 263 | + | < |
| - | < | + | Devon: Okay. |
| - | - This isn't, like, hell or something? | + | Mark: Like... |
| - | - No. | + | |
| - | 264 | + | < |
| - | < | + | Devon: You actually owe me this. |
| - | Then why the fuck can't I leave? | + | |
| - | 265 | + | < |
| - | < | + | Mark: Do I? |
| - | Well, you did leave, just now. | + | Devon: Yep. |
| - | Out into the stairwell at least. | + | |
| - | 266 | + | < |
| - | < | + | Devon: |
| - | You left, but you came back. | + | |
| - | 267 | + | < |
| - | < | + | Mark: Must have slipped my mind. |
| - | - I did not. | + | |
| - | - You did. | + | |
| - | 268 | + | < |
| - | < | + | Devon: Also, I know we’re nearing the anniversary, |
| - | Come on. | + | |
| - | 269 | + | < |
| - | < | + | Mark: Nope. |
| - | Weaponizing office equipment | + | |
| - | on your first day. | + | |
| - | 270 | + | < |
| - | < | + | Devon: This is nice. When did you get it? |
| - | You are gonna be fun. | + | |
| - | 271 | + | < |
| - | < | + | Mark: Something from work, and they apologized. |
| - | Look, I do sympathize. | + | |
| - | 272 | + | < |
| - | < | + | Devon: They apologized. Thank God. Did they tack an explanation onto that apology? |
| - | I've wanted to pummel Mark myself, | + | |
| - | but I am his employer. | + | |
| - | 273 | + | < |
| - | < | + | Mark: It’s fine. Got a gift card. |
| - | And he is your department chief. | + | |
| - | 274 | + | < |
| - | < | + | Devon: You got a gift card. Where’s he going to? |
| - | So we'll both have to be strong. | + | |
| - | 275 | + | < |
| - | < | + | Mark: I don’t know. Pip’s. |
| - | The good news is, there's only | + | |
| - | one part left of your orientation, | + | |
| - | 276 | + | < |
| - | < | + | Devon: Of course it’s Pip’s. Well, enjoy. |
| - | which Mark can't possibly derail. | + | |
| - | 277 | + | < |
| - | < | + | Mark: I will, without you. |
| - | Why is that? | + | |
| - | 278 | + | < |
| - | < | + | Ricken: There’s our captive. |
| - | Because it's a video. | + | |
| - | 279 | + | < |
| - | < | + | Mark: Hi, Rick. |
| - | Welcome to Lumon, Helly. | + | Ricken: Ricken. Come on, it’s Ricken. |
| - | 280 | + | < |
| - | < | + | Ricken: You, sir, look at peace. |
| - | Have a seat. | + | Mark: You know. |
| - | 281 | + | < |
| - | < | + | Mark: Okay. |
| - | Are you mad at me? | + | Devon: Hi, baby. |
| - | 282 | + | < |
| - | < | + | Ricken: Hi. |
| - | For the incompetence | + | |
| - | or the disobedience? | + | |
| - | 283 | + | < |
| - | < | + | Patton: No, what a lot of people overlook, I think, is that life is not food. |
| - | - Well... | + | |
| - | - Yes! | + | |
| - | 284 | + | < |
| - | < | + | Danise: Right. |
| - | You know, my mother was an atheist. | + | Patton: |
| - | 285 | + | < |
| - | < | + | Patton: this complex quality of sentience |
| - | She used to say that there was | + | |
| - | good news and bad news about hell. | + | |
| - | 286 | + | < |
| - | < | + | Ricken: Yes, what is it? |
| - | The good news is, | + | Patton: Fuel. |
| - | 287 | + | < |
| - | < | + | Patton: Calories. It’s not the same thing. |
| - | hell is just the product | + | |
| - | of a morbid human imagination. | + | |
| - | 288 | + | < |
| - | < | + | Ricken: Yes, that is spot on, Patton. |
| - | The bad news is, | + | Rebeck: I definitely agree. |
| - | 289 | + | < |
| - | < | + | Devon: Though, if I’m...Sorry, |
| - | whatever humans can imagine, | + | |
| - | they can usually create. | + | |
| - | 290 | + | < |
| - | < | + | Mark: True. |
| - | I don't know what that means. | + | Devon: It was low-hanging fruit. |
| - | 291 | + | < |
| - | < | + | Ricken: He did. He was a misdiagnosed alcoholic. |
| - | A department like yours | + | |
| - | can go so good or so bad. | + | |
| - | 292 | + | < |
| - | < | + | Danise: Now, Mark, Ricken told Rebeck and me that you’re a former history professor. |
| - | You know what makes the difference? | + | |
| - | 293 | + | < |
| - | < | + | Mark: Yeah. |
| - | The people. | + | |
| - | 294 | + | < |
| - | < | + | Danise: So, I’m curious for your take on all of this. The food v life of it. |
| - | You can have a seat. | + | |
| - | 295 | + | < |
| - | < | + | Mark: Well, I’m not sure. I taught mostly about World War I. |
| - | Okay, go ahead and have a seat. | + | |
| - | 296 | + | < |
| - | < | + | Patton: Okay. Well, I got one for you. I was just reading this think piece about the comparative levels of violence and warfare throughout history. |
| - | My name is Helly R. | + | |
| - | 297 | + | < |
| - | < | + | Ricken: Nerd alert. |
| - | I'm making this video | + | |
| - | 298 | + | < |
| - | < | + | Patton: War porn, I know. |
| - | roughly two hours | + | |
| - | before it will be shown to me. | + | |
| - | 299 | + | < |
| - | < | + | Patton: But anyway, in it, he said that the people actually called it the Great War. Apparently, it would have been a faux pas to have called it World War I. |
| - | I have, of my own free accord, | + | |
| - | elected | + | |
| - | 300 | + | < |
| - | < | + | Ricken: Is that right? |
| - | colloquially known as severance. | + | |
| - | 301 | + | < |
| - | < | + | Mark: Well, you know, no one would’ve called it World War I ’cause World War II hadn’t happened yet. |
| - | I give consent for my perceptual | + | |
| - | chronologies to be surgically split, | + | |
| - | 302 | + | < |
| - | < | + | Danise: Wow. |
| - | separating my memories between | + | Ricken: Of course. |
| - | my work life and my personal life. | + | |
| - | 303 | + | < |
| - | < | + | Patton: That’s absolutely right. |
| - | I acknowledge that, henceforth, | + | Ricken: Duh. |
| - | 304 | + | < |
| - | < | + | Rebeck: That’s so true. |
| - | my access to my memories | + | |
| - | will be spatially dictated. | + | |
| - | 305 | + | < |
| - | < | + | Devon: This is why we bring this guy. |
| - | I will be unable to access | + | |
| - | outside recollections | + | |
| - | 306 | + | < |
| - | < | + | Ricken: Mark’s late wife, Gemma, was an educator as well. Russian literature. |
| - | whilst on Lumon's | + | |
| - | severed basement floor, | + | |
| - | 307 | + | < |
| - | < | + | Rebeck: I love literature. |
| - | nor retain work memories upon my ascent. | + | Ricken: Right? |
| - | 308 | + | < |
| - | < | + | Ricken: But Mark is a Lumon man now. |
| - | I am aware that this alteration | + | |
| - | 309 | + | < |
| - | < | + | Devon: Ricken. |
| - | is comprehensive and irreversible. | + | Patton: Really? |
| - | 310 | + | < |
| - | < | + | Mark: Yeah. About two years. |
| - | I make these statements freely. | + | |
| - | 311 | + | < |
| - | < | + | Rebeck: Do you design the medicines? |
| - | Okay, that's a wrap. | + | Mark: No. |
| - | 312 | + | < |
| - | < | + | Patton: I thought Lumon was more on the tech side of things. |
| - | Okay. | + | |
| - | 313 | + | < |
| - | < | + | Danise: They began in the 1800s. |
| - | Go ahead. | + | Ricken: Really? |
| - | 314 | + | < |
| - | < | + | Danise: Topical salves, right? |
| - | So I'll never leave here? | + | |
| - | 315 | + | < |
| - | < | + | Rebeck: What don’t they make? |
| - | You'll leave at 5:00. | + | |
| - | 316 | + | < |
| - | < | + | Mark: Yeah, but I’m in the corporate archives division, so... |
| - | Well, actually, | + | |
| - | they stagger our exits, so 5:15. | + | |
| - | 317 | + | < |
| - | < | + | Patton: So you know all the dirty secrets. |
| - | But it won't feel like it. | + | |
| - | Not to this version of you anyway. | + | |
| - | 318 | + | < |
| - | < | + | Mark: No, not really. |
| - | Do I have a family? | + | Ricken: No. |
| - | 319 | + | < |
| - | < | + | Ricken: Mark’s work is sensitive enough as to require the severance procedure. |
| - | You'll never know. | + | |
| - | 320 | + | < |
| - | < | + | Danise: Well. |
| - | And I have no choice. | + | |
| - | 321 | + | < |
| - | < | + | Danise: That’s something, isn’t |
| - | Well, every time you find yourself here, | + | |
| - | it's because you chose to come back. | + | |
| - | 322 | + | < |
| - | < | + | Devon: Yeah. It’s also, I think, something that’s his choice to tell people or not. |
| - | Hello. | + | |
| - | 323 | + | < |
| - | < | + | Devon: Right, Ricken? |
| - | Good night. | + | Ricken: Oh, my God. |
| - | 324 | + | < |
| - | < | + | Mark: No. No. |
| - | Good night. | + | Ricken: Oh, God, Mark. |
| - | 325 | + | < |
| - | < | + | Ricken: Please forgive me. |
| - | "Dear Mark, | + | Mark: No. It’s okay. I don’t care. |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | + | < |
| - | < | + | Ricken: My apologies. |
| - | you slipped on an | + | Danise: No, I think it’s fascinating. |
| - | overhead projector slide | + | |
| - | 327 | + | < |
| - | < | + | Danise: I mean, I wish I could do it. I’d just always be thinking about, you know, the other one. |
| - | and sustained a minor | + | |
| - | blow to the temple." | + | |
| - | 328 | + | < |
| - | < | + | Mark: Well, there is no other one. It’s me. I do the job. |
| - | Hey! | + | |
| - | 329 | + | < |
| - | < | + | Danise: I just don’t grasp the visceral element. What does it feel like? |
| - | Sorry. | + | |
| - | 330 | + | < |
| - | < | + | Patton: Well, it’s simple. One’s memories are bifurcated, so when you’re not at work, you have no recollection of what it is you do there. Did I get that right, Mark? |
| - | Maybe keep your eyes on the icy road. | + | |
| - | 331 | + | < |
| - | < | + | Mark: Well, it’s... |
| - | Sorry. | + | Danise: So you walk in at 9:00 a.m., |
| - | 332 | + | < |
| - | < | + | Danise: and then suddenly it’s 5:00, and you’re leaving? |
| - | Indeed, this gnat will spend | + | |
| - | much of its three to seven-day life... | + | |
| - | 333 | + | < |
| - | < | + | Mark: Well, they stagger us a little, so... |
| - | No, I know, Mrs. Selvig. | + | Danise: They stagger you? |
| - | It's just, it was in my space again. | + | |
| - | 334 | + | < |
| - | < | + | Patton: And then, conversely, when you’re at work, you can’t access outside memories. So, in effect, that version of you is trapped there. |
| - | Yeah. Well, trash comes tomorrow night. | + | |
| - | Tonight' | + | |
| - | 335 | + | < |
| - | < | + | Ricken: Well... |
| - | Yeah, it is weird, | + | |
| - | but that's how they do it. | + | |
| - | 336 | + | < |
| - | < | + | Patton: Well, I mean, not trapped, but... |
| - | And with both yours, | + | Mark: But what? |
| - | there' | + | |
| - | 337 | + | < |
| - | < | + | Mark: No, no. I’m curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | - Hey. | + | |
| - | - Hey. | + | |
| - | 338 | + | < |
| - | < | + | Danise: So, I suppose we know where you fall on the congressional goings-on. |
| - | Did you forget? | + | |
| - | 339 | + | < |
| - | < | + | Ricken: Okay, I think we may be |
| - | Oh, yeah. Shit. | + | |
| - | 340 | + | < |
| - | < | + | Ricken: missing the point here. |
| - | That's okay. | + | Devon: Yeah. |
| - | 341 | + | < |
| - | < | + | Ricken: The point is that Mark made a decision. And that decision was controversial, |
| - | - Sorry. | + | |
| - | - That's fine. | + | |
| - | 342 | + | < |
| - | < | + | Danise: So well said. |
| - | - Do you wanna put on pants, and I'll... | + | Ricken: Thank you. |
| - | - I'm wearing pants. | + | |
| - | 343 | + | < |
| - | < | + | Patton: Absolutely. |
| - | meet you in... Those are not pants. | + | Rebeck: I definitely stand behind Mark. |
| - | 344 | + | < |
| - | < | + | Mark: Wow. Thank you. That’s very sweet. |
| - | So if there's no | + | |
| - | dinner, how is it dinner? | + | |
| - | 345 | + | < |
| - | < | + | Ricken: Well, we’re at the point where, traditionally, |
| - | - Okay. | + | |
| - | - Like... | + | |
| - | 346 | + | < |
| - | < | + | Patton: Oh, yeah. No, absolutely. |
| - | You actually owe me this. | + | Ricken: Right? |
| - | 347 | + | < |
| - | < | + | Patton: |
| - | - Do I? | + | |
| - | - Yep. | + | |
| - | 348 | + | < |
| - | < | + | Devon: If I give you $3,000, will you forgive me? |
| - | You remember that time when we were kids | + | |
| - | and I was a way better sibling than you? | + | |
| - | 349 | + | < |
| - | < | + | Mark: Well, because your child is innocent of tonight’s atrocities, I’ll wait until after it’s born to murder you. |
| - | Must have slipped my mind. | + | |
| - | 350 | + | < |
| - | < | + | Devon: Oh, my God. Here you go, buddy. |
| - | Also, | + | |
| - | I know we're nearing the anniversary, | + | |
| - | 351 | + | < |
| - | < | + | Mark: Thank you. |
| - | so I just thought | + | |
| - | maybe you'd wanna be around people. | + | |
| - | 352 | + | < |
| - | < | + | Devon: Hey, how’s the good doctor therapy man with that weird little mustache? |
| - | Nope. | + | |
| - | 353 | + | < |
| - | < | + | Devon: You’re not going? |
| - | This is nice. When did you get it? | + | |
| - | 354 | + | < |
| - | < | + | Mark: Well, the work thing’s helped. |
| - | Something from work, | + | |
| - | and they apologized. | + | |
| - | 355 | + | < |
| - | < | + | Devon: Yeah. |
| - | They apologized. Thank God. | + | |
| - | 356 | + | < |
| - | < | + | Devon: I’m proud of you for taking |
| - | Did they tack an explanation | + | |
| - | onto that apology? | + | |
| - | 357 | + | < |
| - | < | + | Devon: I just feel like forgetting about her for eight hours a day isn’t the same thing as healing. |
| - | It's fine. Got a gift card. | + | |
| - | 358 | + | < |
| - | < | + | Devon: |
| - | You got a gift card. | + | |
| - | Where' | + | |
| - | 359 | + | < |
| - | < | + | Mark: No. |
| - | I don't know. Pip's. | + | |
| - | 360 | + | < |
| - | < | + | Devon: Why? |
| - | Of course it's Pip's. Well, enjoy. | + | |
| - | 361 | + | < |
| - | < | + | Mark: Your house smells like pregnancy. |
| - | I will, without you. | + | |
| - | 362 | + | < |
| - | < | + | Devon: Yeah, I’m just not grasping the visceral element of it. |
| - | There' | + | |
| - | 363 | + | < |
| - | < | + | Devon: She is fun, wasn’t she? |
| - | - Hi, Rick. | + | |
| - | - Ricken. Come on, it's Ricken. | + | |
| - | 364 | + | < |
| - | < | + | Devon: |
| - | - You, sir, look at peace. | + | Mark: No, I’m not. |
| - | - You know. | + | |
| - | 365 | + | < |
| - | < | + | Ricken: I’m making all the bedsheets myself, so I won’t finish with the big one for some time. But the twin is comfortable, |
| - | - Okay. | + | |
| - | - Hi, baby. | + | |
| - | 366 | + | < |
| - | < | + | Mark: Thanks. I still don’t quite get the three beds. |
| - | Hi. | + | |
| - | 367 | + | < |
| - | < | + | Ricken: Right. |
| - | No, what a lot of people overlook, | + | Devon: Ricken’s colleague told us that switching out the beds as the child grows can wound that child. |
| - | I think, is that life is not food. | + | |
| - | 368 | + | < |
| - | < | + | Ricken: Irreparably. |
| - | - Right. | + | |
| - | - You've got life, | + | |
| - | 369 | + | < |
| - | < | + | Ricken: But if you provide said child with all of its beds upon birth, you allow it to progress across the room at its own rate. |
| - | this complex quality | + | |
| - | of sentience and activity. | + | |
| - | 370 | + | < |
| - | < | + | Mark: Got it. Yeah. |
| - | And then you've got food, which is what? | + | |
| - | 371 | + | < |
| - | < | + | Ricken: Yeah. |
| - | - Yes, what is it? | + | |
| - | - Fuel. | + | |
| - | 372 | + | < |
| - | < | + | Ricken: I think people really enjoyed you tonight, Mark. |
| - | Calories. It's not the same thing. | + | |
| - | 373 | + | < |
| - | < | + | Mark: Good. |
| - | - Yes, that is spot on, Patton. | + | |
| - | - I definitely agree. | + | |
| - | 374 | + | < |
| - | < | + | Devon: All right, baby. |
| - | Though, if I' | + | |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | Sorry, Mark and my dad used to have | + | |
| - | " | + | |
| - | + | ||
| - | 376 | + | |
| - | < | + | |
| - | - True. | + | |
| - | - It was low-hanging fruit. | + | |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | He did. He was a misdiagnosed alcoholic. | + | |
| - | + | ||
| - | 378 | + | |
| - | < | + | |
| - | Now, Mark, Ricken told Rebeck and me | + | |
| - | that you're a former history professor. | + | |
| - | + | ||
| - | 379 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | So I'm curious | + | |
| - | for your take on all of this. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | The food v life of it. | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | Well, I'm not sure. | + | |
| - | I taught mostly about World War I. | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | Okay. Well, I got one for you. | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | I was just reading this think piece | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | Nerd alert. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | War porn, I know. | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | But anyway, in it, he said that the | + | |
| - | people actually called it the Great War. | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | Apparently, it would have been a | + | |
| - | faux pas to have called it World War I. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | Is that right? | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | Well, you know, | + | |
| - | no one would' | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | 'cause World War II hadn't happened yet. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | - Wow. | + | |
| - | - Of course. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | - That's absolutely right. | + | |
| - | - Duh. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | That's so true. | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | This is why we bring this guy. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | Mark's late wife, Gemma, was an educator | + | |
| - | as well. Russian literature. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | - I love literature. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | But Mark is a Lumon man now. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | - Ricken. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Yeah. About two years. | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | - Do you design the medicines? | + | |
| - | - No. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I thought Lumon | + | |
| - | was more on the tech side of things. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | - They began in the 1800s. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Topical salves, right? | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | What don't they make? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | Yeah, but I'm in | + | |
| - | the corporate archives division, so... | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | So you know all the dirty secrets. | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | - No, not really. | + | |
| - | - No. | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | Mark's work is sensitive enough | + | |
| - | as to require the severance procedure. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | Well. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | That's something, isn't it? | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | Yeah. It's also, I think, something | + | |
| - | that's his choice to tell people or not. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | - Right, Ricken? | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | - No. No. | + | |
| - | - Oh, God, Mark. | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | - Please forgive me. | + | |
| - | - No. It's okay. I don't care. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | - My apologies. | + | |
| - | - No, I think it's fascinating. | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | I mean, I wish I could do it. | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | I'd just always be thinking about, | + | |
| - | you know, the other one. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | Well, there is no other one. | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | I just don't grasp the visceral element. | + | |
| - | What does it feel like? | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Well, it's simple. | + | |
| - | One's memories are bifurcated, | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | so when you're not at work, you have no | + | |
| - | recollection of what it is you do there. | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | Did I get that right, Mark? | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | - Well, it' | + | |
| - | - So you walk in at 9:00 a.m., | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | and then suddenly it's 5:00, | + | |
| - | and you're leaving? | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | - Well, they stagger us a little, so... | + | |
| - | - They stagger you? | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | And then, conversely, when you're at | + | |
| - | work, you can't access outside memories. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | So, in effect, | + | |
| - | that version of you is trapped there. | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | Well... | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | - Well, I mean, not trapped, but... | + | |
| - | - But what? | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | No, no. I'm curious. What were you | + | |
| - | gonna say? But not trapped, but what? | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | What were you saying? | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | So I suppose we know where you fall | + | |
| - | on the congressional goings-on. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | Okay, I think we may be | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | - missing the point here. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | The point is that Mark made a decision. | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | And that decision was controversial, | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | ethically and socially. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Morally. Scientifically. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But, Mark, I stand behind you | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | without reservation. | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | - So well said. | + | |
| - | - Thank you. | + | |
| - | + | ||
| - | 445 | + | |
| - | < | + | |
| - | - Absolutely. | + | |
| - | - I definitely stand behind Mark. | + | |
| - | + | ||
| - | 446 | + | |
| - | < | + | |
| - | Wow. | + | |
| - | + | ||
| - | 447 | + | |
| - | < | + | |
| - | Thank you. That's very sweet. | + | |
| - | + | ||
| - | 448 | + | |
| - | < | + | |
| - | Well, we're at the point | + | |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | - Oh, yeah. No, absolutely. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | I was saying, my friend in Lima hasn' | + | |
| - | had a food-based dinner event in... | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | If I give you $3,000, | + | |
| - | will you forgive me? | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | Well, because your child | + | |
| - | is innocent of tonight' | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | I'll wait until after it's born | + | |
| - | to murder you. | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | Oh, my God. Here you go, buddy. | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | Hey, how's the good doctor therapy man | + | |
| - | with that weird little mustache? | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | You're not going? | + | |
| - | + | ||
| - | 461 | + | |
| - | < | + | |
| - | Well, the work thing' | + | |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | I'm proud of you for taking that job. | + | |
| - | I really am. | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | And I think she would' | + | |
| - | I know she would' | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | I just feel like forgetting about her | + | |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | You wanna crash here, | + | |
| - | since you're already here? | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | No. | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | Why? | + | |
| - | + | ||
| - | 470 | + | |
| - | < | + | |
| - | Your house smells like pregnancy. | + | |
| - | + | ||
| - | 471 | + | |
| - | < | + | |
| - | Yeah, I'm just not grasping | + | |
| - | the visceral element of it. | + | |
| - | + | ||
| - | 472 | + | |
| - | < | + | |
| - | She is fun, wasn't she? | + | |
| - | + | ||
| - | 473 | + | |
| - | < | + | |
| - | - You're definitely staying here tonight. | + | |
| - | - No, I'm not. | + | |
| - | + | ||
| - | 474 | + | |
| - | < | + | |
| - | I'm making all the bedsheets myself, | + | |
| - | + | ||
| - | 475 | + | |
| - | < | + | |
| - | so I won't finish with the big one | + | |
| - | for some time. | + | |
| - | + | ||
| - | 476 | + | |
| - | < | + | |
| - | But the twin is comfortable, | + | |
| - | + | ||
| - | 477 | + | |
| - | < | + | |
| - | and the pajamas were made | + | |
| - | on a Baltic handloom, | + | |
| - | + | ||
| - | 478 | + | |
| - | < | + | |
| - | so you'll sleep well. | + | |
| - | + | ||
| - | 479 | + | |
| - | < | + | |
| - | Thanks. | + | |
| - | I still don't quite get the three beds. | + | |
| - | + | ||
| - | 480 | + | |
| - | < | + | |
| - | - Right. | + | |
| - | - Ricken' | + | |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | that switching out the beds | + | |
| - | as the child grows can wound that child. | + | |
| - | + | ||
| - | 482 | + | |
| - | < | + | |
| - | Irreparably. | + | |
| - | + | ||
| - | 483 | + | |
| - | < | + | |
| - | But if you provide said child | + | |
| - | with all of its beds upon birth, | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | you allow it to progress across the room | + | |
| - | at its own rate. | + | |
| - | + | ||
| - | 485 | + | |
| - | < | + | |
| - | Got it. Yeah. | + | |
| - | + | ||
| - | 486 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 487 | + | |
| - | < | + | |
| - | I think people really | + | |
| - | enjoyed you tonight, Mark. | + | |
| - | + | ||
| - | 488 | + | |
| - | < | + | |
| - | Good. | + | |
| - | + | ||
| - | 489 | + | |
| - | < | + | |
| - | All right, baby. | + | |
| 490 | 490 | ||
| - | < | + | < |
| - | - You ready, baby? | + | Devon: |
| - | - Yeah. | + | Ricken: |
| - | 491 | + | < |
| - | < | + | Devon: |
| - | - Let's go. | + | Ricken: |
| - | - Sweet dreams. | + | |
| - | 492 | + | < |
| - | < | + | Mark: Thanks. |
| - | Thanks. | + | |
| - | < | + | < |
| - | MARK: Good night, milord. | + | Mark: Good night, milord. |
| - | < | + | < |
| - | DEVON: Good night, milady. | + | Devon: Good night, milady. |
| - | 495 | + | < |
| - | < | + | Devon: |
| - | Hey. | + | |
| - | 496 | + | < |
| - | < | + | Mark: Hey. |
| - | Hey. | + | |
| - | 497 | + | < |
| - | < | + | Devon: |
| - | How long you been up? | + | |
| - | 498 | + | < |
| - | < | + | Mark: A while. |
| - | A while. | + | |
| - | 499 | + | < |
| - | < | + | Mark: There was a businessman in the yard last night. |
| - | There was a businessman | + | |
| - | in the yard last night. | + | |
| - | 500 | + | < |
| - | < | + | Devon: |
| - | - A businessman? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 501 | + | < |
| - | < | + | Devon: |
| - | Entry-level or management? | + | |
| - | 502 | + | < |
| - | < | + | Mark: I’m serious. |
| - | I'm serious. | + | |
| - | 503 | + | < |
| - | < | + | Devon: |
| - | There was seriously a man | + | |
| - | in my yard last night? | + | |
| - | 504 | + | < |
| - | < | + | Mark: Yeah. |
| - | Yeah. | + | |
| - | 505 | + | < |
| - | < | + | Devon: |
| - | Holy shit. | + | |
| - | 506 | + | < |
| - | < | + | Mark: He, you know, looked at me weird, like he knew me. |
| - | He, you know, looked at me weird, | + | |
| - | like he knew me. | + | |
| - | 507 | + | < |
| - | < | + | Devon: |
| - | Did the prowler invading my home | + | |
| - | make you feel seen? | + | |
| - | 508 | + | < |
| - | < | + | Mark: So seen. |
| - | So seen. | + | |
| - | 509 | + | < |
| - | < | + | Devon: |
| - | Well, there's a bar down the hill. | + | |
| - | It's probably just a stumbler. | + | |
| - | 510 | + | < |
| - | < | + | Mark: I’m sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | Speaking of which, | + | |
| - | you still smell like a distillery. | + | |
| - | + | ||
| - | 511 | + | |
| - | < | + | |
| - | I'm sorry, | + | |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | + | < |
| - | < | + | Devon: |
| - | You've been sitting on that one. | + | |
| - | 514 | + | < |
| - | < | + | Mark: Hello. |
| - | Hello. | + | |
| - | 515 | + | < |
| - | < | + | Mark: Okay. So, recycling was last night, Mrs. Selvig. Tonight’s garbage. And you keep putting your bin on my side. So... |
| - | Okay. So, recycling was | + | |
| - | last night, Mrs. Selvig. | + | |
| - | 516 | + | < |
| - | < | + | Mark: Yeah. Okay. |
| - | Tonight' | + | |
| - | 517 | + | < |
| - | < | + | Mark: You know, I actually can’t talk right now. I’m out at dinner. But... |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | 518 | + | < |
| - | < | + | Mark: No, by myself. |
| - | Yeah. Okay. | + | |
| - | 519 | + | < |
| - | < | + | Mark: Pip’s Bar and Grille. |
| - | You know, I actually can't talk | + | |
| - | right now. I'm out at dinner. But... | + | |
| - | 520 | + | < |
| - | < | + | Mark: Excuse me. |
| - | No, by myself. | + | |
| - | 521 | + | < |
| - | < | + | Petey: Hang up. Quickly. |
| - | Pip's Bar and Grille. | + | |
| - | 522 | + | < |
| - | < | + | Mark: I’m sorry, Mrs. Selvig. They’ve cooked the food, and it’s here. |
| - | Excuse me. | + | |
| - | 523 | + | < |
| - | < | + | Petey: Hi, kids. What’s for dinner? |
| - | Hang up. Quickly. | + | |
| - | 524 | + | < |
| - | < | + | Petey: |
| - | I'm sorry, Mrs. Selvig. | + | |
| - | They' | + | |
| - | 525 | + | < |
| - | < | + | Mark: Are you following me? |
| - | Hi, kids. What's for dinner? | + | |
| - | 526 | + | < |
| - | < | + | Petey: Your voice is different here. Worse. |
| - | I'm sorry. You don't get that reference. | + | |
| - | 527 | + | < |
| - | < | + | Mark: Okay, who the fuck are you? |
| - | Are you following me? | + | Petey: Petey. |
| - | 528 | + | < |
| - | < | + | Petey: My name is Petey. I’m from work. |
| - | Your voice is different here. | + | |
| - | 529 | + | < |
| - | < | + | Mark: Well, that’s not plausible. Everyone in my department is... |
| - | Worse. | + | |
| - | 530 | + | < |
| - | < | + | Petey: Severed. Severed. I was. |
| - | - Okay, who the fuck are you? | + | |
| - | - Petey. | + | |
| - | 531 | + | < |
| - | < | + | Mark: Okay. Well, severance is pretty permanent. |
| - | My name is Petey. I'm from work. | + | |
| - | 532 | + | < |
| - | < | + | Petey: Yeah. Bypassing the implant wasn’t easy. I had help. |
| - | Well, that's not plausible. | + | |
| - | Everyone in my department is... | + | |
| - | 533 | + | < |
| - | < | + | Mark: So, what, you were unhappy at work? |
| - | Severed. Severed. I was. | + | |
| - | 534 | + | < |
| - | < | + | Mark: And instead of lodging a complaint, you... |
| - | Okay. Well, severance | + | Petey: No. |
| - | is pretty permanent. | + | |
| - | 535 | + | < |
| - | < | + | Petey: I tried that first. So did you. |
| - | Yeah. Bypassing the implant wasn't easy. | + | |
| - | I had help. | + | |
| - | 536 | + | < |
| - | < | + | Mark: Right. Okay. So...You’ve unsevered. And now you, what, think they’re after you or something? |
| - | So, what, you were unhappy at work? | + | |
| - | 537 | + | < |
| - | < | + | Petey: Yeah. " |
| - | - And instead of lodging a complaint, you... | + | |
| - | - No. | + | |
| - | 538 | + | < |
| - | < | + | Mark: Graner. Okay. Is that, like, a person |
| - | I tried that first. So did you. | + | |
| - | 539 | + | < |
| - | < | + | Petey: We both know him. We don’t like him. |
| - | Right. Okay. So... | + | |
| - | 540 | + | < |
| - | < | + | Mark: I see. |
| - | You've unsevered. | + | |
| - | 541 | + | < |
| - | < | + | Petey: Nothing down there is what they say. If something |
| - | And now you, what, think they're | + | |
| - | after you or something? | + | |
| - | 542 | + | < |
| - | < | + | Mark: So, we’re friends? |
| - | Yeah. | + | |
| - | 543 | + | < |
| - | < | + | Petey: I’m your best friend. You’re my very good friend. |
| - | " | + | |
| - | who's probably out here right now. | + | |
| - | 544 | + | < |
| - | < | + | Petey: Mark, sorry about the card. and I know it’s not appropriate. Though I’m sure you’d be a really fucking awesome niece. We used to wonder what kind of men we were on the outside, what choices we had made and why. I used to think it would take a monster to put someone in a place like that office. Especially if the person |
| - | Graner. Okay. | + | |
| - | Is that, like, a person | + | |
| - | 545 | + | < |
| - | < | + | Petey: If you don’t wanna know what’s going on down there, I won’t force it. But if you do, there’s an address on the back of this card. Go alone, and you’ll find the beginning of a very long answer. |
| - | We both know him. We don't like him. | + | |
| - | 546 | + | < |
| - | < | + | Cobel: Mark, is that you? |
| - | I see. | + | |
| - | 547 | + | < |
| - | < | + | Mark: Hi, Mrs. Selvig. |
| - | Nothing down there is what they say. | + | |
| - | 548 | + | < |
| - | < | + | Cobel: Will you color me embarrassed for the mix-up with the bins? |
| - | If something happens to me, | + | |
| - | 549 | + | < |
| - | < | + | Mark: No, it’s no problem. |
| - | the things I know need to stay known. | + | |
| - | 550 | + | < |
| - | < | + | COEBL: How was dinner? |
| - | I'd prefer it be by a friend. | + | |
| - | 551 | + | < |
| - | < | + | Mark: Fine. I’m just, you know, tired. |
| - | So, we're friends? | + | |
| - | 552 | + | < |
| - | < | + | Cobel: You know, my mother was a Catholic. She used to say it takes the saints eight hours to bless a sleeping child. |
| - | I'm your best friend. | + | |
| - | 553 | + | < |
| - | < | + | Mark: Well, I’ll give them ample time tonight. Good night, Mrs. Selvig. |
| - | You're my very good friend. | + | |
| - | 554 | + | < |
| - | < | + | Cobel: |
| - | Mark, sorry about the card. | + | |
| - | 555 | + | < |
| - | < | + | Cobel: You’re good people. |
| - | I had to grab something, | + | |
| - | and I know it's not appropriate. | + | |
| - | 556 | + | </WRAP> |
| - | < | + | |
| - | Though I'm sure you'd be | + | |
| - | a really fucking awesome niece. | + | |
| - | 557 | + | {{tag>Transcripts}} |
| - | < | + | |
| - | We used to wonder | + | |
| - | what kind of men we were on the outside, | + | |
| - | + | ||
| - | 558 | + | |
| - | < | + | |
| - | what choices we had made and why. | + | |
| - | + | ||
| - | 559 | + | |
| - | < | + | |
| - | I used to think it would take a monster | + | |
| - | + | ||
| - | 560 | + | |
| - | < | + | |
| - | to put someone | + | |
| - | in a place like that office. | + | |
| - | + | ||
| - | 561 | + | |
| - | < | + | |
| - | Especially if the person was himself. | + | |
| - | + | ||
| - | 562 | + | |
| - | < | + | |
| - | But we're not monsters, Mark. | + | |
| - | Not real ones. | + | |
| - | + | ||
| - | 563 | + | |
| - | < | + | |
| - | If you don't wanna know what' | + | |
| - | going on down there, I won't force it. | + | |
| - | + | ||
| - | 564 | + | |
| - | < | + | |
| - | But if you do, there' | + | |
| - | on the back of this card. | + | |
| - | + | ||
| - | 565 | + | |
| - | < | + | |
| - | Go alone, and you'll find | + | |
| - | the beginning of a very long answer. | + | |
| - | + | ||
| - | 566 | + | |
| - | < | + | |
| - | Mark, is that you? | + | |
| - | + | ||
| - | 567 | + | |
| - | < | + | |
| - | Hi, Mrs. Selvig. | + | |
| - | + | ||
| - | 568 | + | |
| - | < | + | |
| - | Will you color me embarrassed | + | |
| - | for the mix-up with the bins? | + | |
| - | + | ||
| - | 569 | + | |
| - | < | + | |
| - | No, it's no problem. | + | |
| - | + | ||
| - | 570 | + | |
| - | < | + | |
| - | How was dinner? | + | |
| - | + | ||
| - | 571 | + | |
| - | < | + | |
| - | Fine. I'm just, you know, tired. | + | |
| - | + | ||
| - | 572 | + | |
| - | < | + | |
| - | You know, my mother was a Catholic. | + | |
| - | + | ||
| - | 573 | + | |
| - | < | + | |
| - | She used to say it takes the saints | + | |
| - | eight hours to bless a sleeping child. | + | |
| - | + | ||
| - | 574 | + | |
| - | < | + | |
| - | I hope you aren't rushing the saints. | + | |
| - | + | ||
| - | 575 | + | |
| - | < | + | |
| - | Well, I'll give them ample time tonight. | + | |
| - | + | ||
| - | 576 | + | |
| - | < | + | |
| - | Good night, Mrs. Selvig. | + | |
| - | + | ||
| - | 577 | + | |
| - | < | + | |
| - | Mark. | + | |
| - | + | ||
| - | 578 | + | |
| - | < | + | |
| - | You're good people. | + | |
| - | + | ||
| - | + | ||
| - | </WRAP> | + | |
good_news_about_hell_transcript.txt · Last modified: 2023-03-24 19:22 by Scribe of Kier
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