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| good_news_about_hell_script [2022-05-08 22:20] – Neatnik | good_news_about_hell_transcript [2023-03-24 19:22] (current) – Scribe of Kier | ||
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| <WRAP infobox> | <WRAP infobox> | ||
| - | | **Good News About Hell (script)** || | + | | **Good News About Hell (Transcript)** || |
| ^ Episode Number | 1.1 | | ^ Episode Number | 1.1 | | ||
| ^ Written By | [[https:// | ^ Written By | [[https:// | ||
| - | ^ Next Script | + | ^ Next Transcript |
| </ | </ | ||
| - | ====== Good News About Hell (script) ====== | + | ====== Good News About Hell (Transcript) ====== |
| - | This is the script | + | This is the transcript |
| - | ===== Script | + | ===== Transcript |
| <WRAP script> | <WRAP script> | ||
| - | < | + | < |
| - | [[Mark Scout|MARK]]: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | MARK: Who are you? | + | Mark: Who are you? |
| - | < | + | < |
| - | [[Helena Eagan|HELLY]]: Hello? | + | Helly: Hello? |
| - | < | + | < |
| - | MARK: I'm sorry, I got ahead of myself. | + | Mark: I’m sorry, I got ahead of myself. |
| - | < | + | < |
| - | MARK: Hi there, you on the table. I wonder if you'd mind taking a brief survey. | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | < | + | < |
| - | HELLY: Who is that? | + | Helly: Who is that? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | MARK: Now, I know you're sleepy, but I just bet it'll make you feel right as rain. | + | Mark: Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | < | + | < |
| - | HELLY: Who's speaking? | + | Helly: Who’s speaking? |
| - | < | + | < |
| - | HELLY: Oh, God. | + | Helly: Oh, God. |
| - | < | + | < |
| - | HELLY: Hey! Open the door! | + | Helly: Hey! Open the door! |
| - | < | + | < |
| - | MARK: I'd be just thrilled to chat once we've run the survey. Shall we begin with question one? | + | Mark: I’d be just thrilled to chat once we’ve run the survey. Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: I'm not taking your survey. | + | Helly: I’m not taking your survey. |
| - | < | + | < |
| - | MARK: Shall we begin with question one? | + | Mark: Shall we begin with question one? |
| - | < | + | < |
| - | HELLY: Let me out of here. | + | Helly: Let me out of here. |
| - | < | + | < |
| - | HELLY: Hey! | + | Helly: Hey! |
| - | < | + | < |
| - | HELLY: Open the door! | + | Helly: Open the door! |
| - | < | + | < |
| - | HELLY: Fuck. | + | Helly: Fuck. |
| - | < | + | < |
| - | HELLY: Hey! Let me out! | + | Helly: Hey! Let me out! |
| - | < | + | < |
| - | HELLY: Hey. | + | Helly: Hey. |
| - | < | + | < |
| - | MARK: Hello. | + | Mark: Hello. |
| - | < | + | < |
| - | HELLY: Five questions? | + | Helly: Five questions? |
| - | < | + | < |
| - | MARK: Five questions. | + | Mark: Five questions. |
| - | < | + | < |
| - | HELLY: What do I get at the end? | + | Helly: What do I get at the end? |
| - | < | + | < |
| - | MARK: Depends on your answers. | + | Mark: Depends on your answers. |
| - | < | + | < |
| - | HELLY: Okay. | + | Helly: Okay. |
| - | < | + | < |
| - | MARK: Great. Off we go. Now to start, who are you? | + | Mark: Great. Off we go. Now to start, who are you? |
| - | < | + | < |
| - | HELLY: That's the first question? | + | Helly: That’s the first question? |
| - | < | + | < |
| - | MARK: First name will do. | + | Mark: First name will do. |
| - | < | + | < |
| - | HELLY: I don't... | + | Helly: I don’t... |
| - | < | + | < |
| - | MARK: It's okay. If you can't answer the question, feel free to say, " | + | Mark: It’s okay. If you can’t answer the question, feel free to say, " |
| - | < | + | < |
| - | HELLY: What is this? | + | Helly: What is this? |
| - | < | + | < |
| - | MARK: Okay, unknown. | + | Mark: Okay, unknown. |
| - | < | + | < |
| - | MARK: Question two, in which US state or territory were you born? | + | Mark: Question two, in which US state or territory were you born? |
| - | < | + | < |
| - | HELLY: Wait. | + | Helly: Wait. |
| - | MARK: Which state or territory, please? | + | Mark: Which state or territory, please? |
| - | < | + | < |
| - | HELLY: I don't know. | + | Helly: I don’t know. |
| - | MARK: Unknown. | + | Mark: Unknown. |
| - | < | + | < |
| - | MARK: Question three, please name any US state or territory. | + | Mark: Question three, please name any US state or territory. |
| - | < | + | < |
| - | HELLY: Fuck. I... | + | Helly: Fuck. I... |
| - | MARK: First that comes to mind. | + | Mark: First that comes to mind. |
| - | < | + | < |
| - | HELLY: I don't know. Delaware. What is this? | + | Helly: I don’t know. Delaware. What is this? |
| - | MARK: Delaware. | + | Mark: Delaware. |
| - | < | + | < |
| - | MARK: Question four, what is [[Kier Eagan|Mr. Eagan]]'s favorite breakfast? | + | Mark: Question four, what is Mr. Eagan’s favorite breakfast? |
| - | < | + | < |
| - | HELLY: I don't... That one makes no sense. | + | Helly: I don’t... That one makes no sense. |
| - | < | + | < |
| - | MARK: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother's eyes? | + | Mark: Right? Unknown. Question five. And as a reminder, this is the final question. To the best of your memory, what is or was the color of your mother’s eyes? |
| - | < | + | < |
| - | HELLY: Okay, what's hap... What's happening? | + | Helly: Okay, what’s hap... What’s happening? |
| - | < | + | < |
| - | MARK: Unknown. So that's unknown, unknown, Delaware, unknown, unknown. | + | Mark: Unknown. So that’s unknown, unknown, Delaware, unknown, unknown. |
| - | < | + | < |
| - | HELLY: What the hell did you do to me? | + | Helly: What the hell did you do to me? |
| - | < | + | < |
| - | MARK: That's a perfect score. | + | Mark: That’s a perfect score. |
| - | < | + | < |
| - | [[Florence|FLORENCE]]: Are you ready for Mr. Scout? | + | Florence: Are you ready for Mr. Scout? |
| - | 57 | + | < |
| - | < | + | Florence: |
| - | Thank you. | + | |
| - | 58 | + | < |
| - | < | + | Florence: |
| - | Go ahead. | + | |
| - | 59 | + | < |
| - | < | + | Judd: Mr. Scout. |
| - | Mr. Scout. | + | |
| - | 60 | + | < |
| - | < | + | Mark: Hi, Judd. |
| - | Hi, Judd. | + | |
| - | 61 | + | < |
| - | < | + | Judd: All right, see you this evening. |
| - | - All right, see you this evening. | + | Mark: Yep, see you soon. |
| - | - Yep, see you soon. | + | |
| - | 62 | + | < |
| - | < | + | Dylan: |
| - | - You're breathing shitty. | + | Mark: Sorry. |
| - | - Sorry. | + | |
| - | 63 | + | < |
| - | < | + | Dylan: |
| - | You sick? | + | |
| - | 64 | + | < |
| - | < | + | Mark: Maybe. Petey was sniffling yesterday. |
| - | Maybe. Petey was sniffling yesterday. | + | |
| - | 65 | + | < |
| - | < | + | Dylan: |
| - | If you breathe on me, | + | |
| - | I'll rip your larynx out. | + | |
| - | 66 | + | < |
| - | < | + | Mark: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. |
| - | Wow. That went right to ten. | + | |
| - | 67 | + | < |
| - | < | + | Mark: Oh. |
| - | I feel like | + | |
| - | ripping out my germ-ridden larynx | + | |
| - | 68 | + | < |
| - | < | + | Dylan: Petey better not be out for the day, ’cause I’m about zero seconds from wrapping the Tumwater file, and he needs to process it. |
| - | would get you sicker | + | |
| - | than just me breathing on you. | + | |
| - | 69 | + | < |
| - | < | + | Mark: I think he’s out. |
| - | Nah. Endorphins. | + | |
| - | 70 | + | < |
| - | < | + | Dylan: If he doesn’t process today, they won’t know until Tuesday of next week. It’s typical Lumon bullshit. |
| - | Petey better not be out for the day, | + | |
| - | 'cause I'm about zero seconds | + | |
| - | 71 | + | < |
| - | < | + | Mark: Careful, guy. |
| - | from wrapping the Tumwater file, | + | |
| - | and he needs to process it. | + | |
| - | 72 | + | < |
| - | < | + | Irving: Hi, kids. What’s for dinner? |
| - | I think he's out. | + | |
| - | 73 | + | < |
| - | < | + | Dylan: Goddamn it, Irv. We warned you. |
| - | If he doesn' | + | |
| - | know until Tuesday of next week. | + | |
| - | 74 | + | < |
| - | < | + | Irving: About the greeting? You were kidding. |
| - | - It's typical Lumon bullshit. | + | |
| - | - Careful, guy. | + | |
| - | 75 | + | < |
| - | < | + | Dylan: No, we sincerely hate it. How many reasons did we come up with? |
| - | Hi, kids. What's for dinner? | + | |
| - | 76 | + | < |
| - | < | + | Mark: Eight. |
| - | Goddamn it, Irv. We warned you. | + | Dylan: Eight reasons. |
| - | 77 | + | < |
| - | < | + | Dylan: Chief among them the latent condescension. |
| - | About the greeting? You were kidding. | + | |
| - | 78 | + | < |
| - | < | + | Mark: And it’s confusing. Like, did the kids make you dinner in this scenario? Or... |
| - | No, we sincerely hate it. | + | |
| - | How many reasons | + | |
| - | 79 | + | < |
| - | < | + | Dylan: Yeah. What kind of a shit dad are you? |
| - | - Eight. | + | |
| - | - Eight reasons. | + | |
| - | 80 | + | < |
| - | < | + | Irving: No Petey? |
| - | Chief among them the | + | Mark: We think he’s sick. |
| - | latent condescension. | + | |
| - | 81 | + | < |
| - | < | + | Irving: Oh, no. And Dylan’s about to wrap Tumwater today. |
| - | And it's confusing. Like, did the kids | + | |
| - | make you dinner in this scenario? Or... | + | |
| - | 82 | + | < |
| - | < | + | Dylan: |
| - | Yeah. What kind of a shit dad are you? | + | |
| - | 83 | + | < |
| - | < | + | Irving: Grumble, grumble. These perks are so out of hand. When we’d process a file in the old days, they’d shake our hand and fill up the creamer. |
| - | - No Petey? | + | |
| - | - We think he's sick. | + | |
| - | 84 | + | < |
| - | < | + | Dylan: I still don’t buy they actually incentivized creamer. |
| - | Oh, no. And Dylan's | + | |
| - | about to wrap Tumwater today. | + | |
| - | 85 | + | < |
| - | < | + | Irving: They did. And back then, we were grateful for it. |
| - | Yeah, and if he doesn' | + | |
| - | 86 | + | < |
| - | < | + | Dylan: That’s fucked, dude. |
| - | I might get passed over | + | |
| - | for refiner of the quarter | + | |
| - | 87 | + | < |
| - | < | + | Irving: Yes, very fucked. To put in an honest day’s work and not get a children’s breakfast in return. |
| - | and miss out on my goddamn waffle party. | + | |
| - | 88 | + | < |
| - | < | + | Dylan: Irv’s got claws today. |
| - | Grumble, grumble. | + | |
| - | These perks are so out of hand. | + | |
| - | 89 | + | < |
| - | < | + | Milchick: Good morning, Macrodata Refinement. |
| - | When we'd process | + | |
| - | a file in the old days, | + | |
| - | 90 | + | < |
| - | < | + | Irving: Hi, Mr. Milchick. |
| - | they'd shake our hand | + | |
| - | and fill up the creamer. | + | |
| - | 91 | + | < |
| - | < | + | Milchick: Mark, could I have a word? |
| - | I still don't buy | + | |
| - | they actually incentivized creamer. | + | |
| - | 92 | + | < |
| - | < | + | Milchick: Last time you saw Ms. Cobel, she was in her old office. Now she’s in her new office. It’s a completely different office. |
| - | They did. | + | |
| - | And back then, we were grateful for it. | + | |
| - | 93 | + | < |
| - | < | + | Mark: What’s this about? |
| - | That's fucked, dude. | + | |
| - | 94 | + | < |
| - | < | + | Milchick: She’d never say so, but I know a compliment about the office would just make her day. |
| - | Yes, very fucked. | + | |
| - | 95 | + | < |
| - | < | + | Cobel: Mark? Come in. Shut the thing. |
| - | To put in an honest day's work and not | + | |
| - | get a children' | + | |
| - | 96 | + | < |
| - | < | + | Mark: Nice office. |
| - | Irv's got claws today. | + | |
| - | 97 | + | < |
| - | < | + | Cobel: It’s horrid. |
| - | Good morning, Macrodata Refinement. | + | |
| - | 98 | + | < |
| - | < | + | Mark: Yeah, the old one was better. |
| - | Hi, Mr. Milchick. | + | |
| - | 99 | + | < |
| - | < | + | Cobel: Oh... You look awful. You look hungover. Have a seat. |
| - | Mark, could I have a word? | + | |
| - | 100 | + | < |
| - | < | + | Cobel:The Boardwill be joining us remotely today. |
| - | Last time you saw Ms. Cobel, | + | |
| - | she was in her old office. | + | |
| - | 101 | + | < |
| - | < | + | Cobel: I have Mark S. at my desk. |
| - | Now she's in her new office. | + | |
| - | 102 | + | < |
| - | < | + | Mark: Oh, uh, hello. I assume this is about me acting as department chief today. Okay. Well... I mean, I’ve subbed for Petey before, so it shouldn’t be that big a thing. |
| - | It' | + | |
| - | 103 | + | < |
| - | < | + | Cobel: Petey is no longer with this company. |
| - | What' | + | |
| - | 104 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | She'd never say so, | + | |
| - | 105 | + | < |
| - | < | + | Cobel: |
| - | but I know a compliment about the office | + | |
| - | would just make her day. | + | |
| - | 106 | + | < |
| - | < | + | Milchick: I’m sorry, |
| - | Mark? Come in. Shut the thing. | + | |
| - | 107 | + | < |
| - | < | + | Mark: I mean, there should have been some notice of this. What happened? |
| - | Nice office. | + | |
| - | 108 | + | < |
| - | < | + | Milchick: We’d love to tell you, but unfortunately, |
| - | It's horrid. | + | |
| - | 109 | + | < |
| - | < | + | Cobel: Mark, would you place your key card on my desk? |
| - | Yeah, the old one was better. | + | |
| - | 110 | + | < |
| - | < | + | Cobel: Mark S., at this time I confer upon you the freedom to serve Kier in the advanced role of Macrodata Refinement department chief. Congratulations. |
| - | You look awful. You look hungover. | + | |
| - | 111 | + | < |
| - | < | + | Cobel: Oh, a handshake is available upon request. |
| - | Have a seat. | + | |
| - | 112 | + | < |
| - | < | + | Mark: Thank you. May I have a handshake? |
| - | The Board will be joining us | + | |
| - | remotely today. | + | |
| - | 113 | + | < |
| - | < | + | Cobel: |
| - | I have Mark S. at my desk. | + | |
| - | 114 | + | < |
| - | < | + | Milchick: If you need to take a few minutes... |
| - | Hello. You... | + | Mark: Thank you. I don’t. |
| - | 115 | + | < |
| - | < | + | Mark: Oh, and, uh, thank you to the Board as well. |
| - | I assume this is about me acting | + | |
| - | as department chief today. | + | |
| - | 116 | + | < |
| - | < | + | Cobel: The Board won’t be contributing to this meeting vocally. |
| - | Okay. Well... I mean, | + | |
| - | 117 | + | < |
| - | < | + | Irving: Our last refiner, who was a woman, was... |
| - | I've subbed for Petey before, | + | |
| - | so it shouldn' | + | |
| - | 118 | + | < |
| - | < | + | Mark: Carol. Dylan’s old seat. |
| - | Petey is no longer with this company. | + | |
| - | 119 | + | < |
| - | < | + | Irving: Don’t be sad. |
| - | I'm sorry? | + | |
| - | 120 | + | < |
| - | < | + | Mark: I’m fine. We’ll be fine. |
| - | I said, | + | |
| - | Petey is no longer with this company. | + | |
| - | 121 | + | < |
| - | < | + | Irving: |
| - | I'm sorry, Mark. You guys were | + | |
| - | one of my favorite office friendships. | + | |
| - | 122 | + | < |
| - | < | + | Mark: Everything’s fine. So, I’m supposed to start with just the input survey? Isn’t that a little weird? |
| - | I mean, there should have been | + | |
| - | some notice of this. What happened? | + | |
| - | 123 | + | < |
| - | < | + | Milchick: It’s standard. Just start at 1A and continue by line, based on her answers. |
| - | We'd love to tell you, | + | |
| - | 124 | + | < |
| - | < | + | Mark: Well, what if I just talk to her? |
| - | but unfortunately, | + | |
| - | non-disclosure policy forbids. | + | |
| - | 125 | + | < |
| - | < | + | Milchick: She deserves to have the information presented to her in the proper order. Just as you had. |
| - | We'd be aiding an assault | + | |
| - | on Petey' | + | |
| - | 126 | + | < |
| - | < | + | Mark: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | Mark, would you place your key card | + | |
| - | on my desk? | + | |
| - | 127 | + | < |
| - | < | + | Irving: She has to ask three times for you to let her. |
| - | Mark S., at this time I confer upon you | + | |
| - | the freedom | + | |
| - | 128 | + | < |
| - | < | + | Mark: Right. Yes. |
| - | in the advanced role of Macrodata | + | |
| - | Refinement department chief. | + | |
| - | 129 | + | < |
| - | < | + | Mark: Image is good. |
| - | Congratulations. | + | |
| - | 130 | + | < |
| - | < | + | Irving: She looks nice. |
| - | A handshake is available upon request. | + | |
| - | 131 | + | < |
| - | < | + | Milchick: Okay. You’re all set. |
| - | Thank you. May I have a handshake? | + | |
| - | 132 | + | < |
| - | < | + | Milchick: |
| - | I know you haven' | + | |
| - | but Irving will be there to shadow. | + | |
| - | 133 | + | < |
| - | < | + | Milchick: Go on ahead when you’re ready. |
| - | Just stick to the flowchart and escalate | + | |
| - | properly depending | + | |
| - | 134 | + | < |
| - | < | + | Irving: All right. |
| - | You'll be fine. | + | Mark: Okay. |
| - | 135 | + | < |
| - | < | + | Irving: There you go. |
| - | - If you need to take a few minutes... | + | |
| - | - Thank you. I don't. | + | |
| - | 136 | + | < |
| - | < | + | Mark: Who are you? |
| - | And thank you to the Board as well. | + | |
| - | 137 | + | < |
| - | < | + | Irving: All right. |
| - | The Board won't be contributing | + | |
| - | to this meeting vocally. | + | |
| - | 138 | + | < |
| - | < | + | Mark: Who are you? |
| - | Our last refiner, who | + | |
| - | was a woman, was... | + | |
| - | 139 | + | < |
| - | < | + | Irving: Mark. |
| - | Carol. Dylan' | + | Mark: What? |
| - | 140 | + | < |
| - | < | + | Irving: You skipped the preamble. |
| - | Don't be sad. | + | |
| - | 141 | + | < |
| - | < | + | Helly: Hello? |
| - | I'm fine. We'll be fine. | + | |
| - | 142 | + | < |
| - | < | + | Mark: Shit! |
| - | I know you and Petey were close. | + | |
| - | 143 | + | < |
| - | < | + | Mark: I’m sorry, I got ahead of myself. |
| - | He was the only one | + | |
| - | who really appreciated your humor. | + | |
| - | 144 | + | < |
| - | < | + | Irving: That’s it. |
| - | Everything' | + | Mark: Okay. |
| - | to start with just the input survey? | + | |
| - | 145 | + | < |
| - | < | + | Mark: Hi there, you on the table. I wonder if you’d mind taking |
| - | Isn't that a little weird? | + | |
| - | 146 | + | < |
| - | < | + | Helly: Who is that? |
| - | It's standard. | + | |
| - | 147 | + | < |
| - | < | + | Mark: Five questions. Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | Just start at 1A and continue by line, | + | |
| - | based on her answers. | + | |
| - | 148 | + | < |
| - | < | + | Helly: Who’s speaking? |
| - | Well, what if I just talk to her? | + | |
| - | 149 | + | < |
| - | < | + | Mark: " |
| - | She deserves to have the information | + | |
| - | presented to her in the proper order. | + | |
| - | 150 | + | < |
| - | < | + | Helly: Hey! Open the door! |
| - | Just as you had. | + | |
| - | 151 | + | < |
| - | < | + | Irving: Mark. |
| - | "If the trainee becomes agitated | + | |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | + | < |
| - | < | + | Mark: I’d be just thrilled |
| - | She has to ask three times | + | |
| - | for you to let her. | + | |
| - | 153 | + | < |
| - | < | + | Helly: I’m not taking your survey. |
| - | Right. Yes. | + | |
| - | 154 | + | < |
| - | < | + | Mark: Shall we begin with question one? |
| - | Image is good. | + | |
| - | 155 | + | < |
| - | < | + | Helly: Let me out of here. Hey! |
| - | She looks nice. | + | |
| - | 156 | + | < |
| - | < | + | Helly: Open the door! |
| - | Okay. You're all set. | + | Irving: She’s not supposed to do that. |
| - | 157 | + | < |
| - | < | + | Helly: Hey! |
| - | I just love | + | |
| - | seeing you all come in like this. | + | |
| - | 158 | + | < |
| - | < | + | Irving: She’s going to break in. |
| - | Go on ahead when you're ready. | + | |
| - | 159 | + | < |
| - | < | + | Helly: Let me out! |
| - | - All right. | + | Mark: No, she’s not. |
| - | - Okay. | + | |
| - | 160 | + | < |
| - | < | + | Milchick: Are you seeing this? |
| - | There you go. | + | |
| - | 161 | + | < |
| - | < | + | Cobel: I’m watching. |
| - | Who are you? | + | |
| - | 162 | + | < |
| - | < | + | Milchick: Should I help? |
| - | All right. | + | |
| - | 163 | + | < |
| - | < | + | Cobel: You should not. |
| - | Who are you? | + | |
| - | 164 | + | < |
| - | < | + | Mark: That’s a perfect score. |
| - | - Mark. | + | |
| - | - What? | + | |
| - | 165 | + | < |
| - | < | + | Mark: Now, I think I know where our disconnect is coming from. |
| - | You skipped the preamble. | + | |
| - | 166 | + | < |
| - | < | + | Helly: What? |
| - | Hello? | + | Mark: Well, there was a preamble, which I was supposed to read before the survey, to lead into the questions and... But I unfortunately skipped that and went straight into the survey. |
| - | 167 | + | < |
| - | < | + | Helly: Am I livestock? |
| - | Shit! | + | |
| - | 168 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | I'm sorry, I got ahead of myself. | + | |
| - | 169 | + | < |
| - | < | + | Helly: Like, did you grow me as food and that’s why I have no memories? |
| - | - That's it. | + | |
| - | - Okay. | + | |
| - | 170 | + | < |
| - | < | + | Mark: You think we grew a full human, gave you consciousness... |
| - | Hi there, you on the table. | + | |
| - | 171 | + | < |
| - | < | + | Helly: |
| - | I wonder if you'd mind | + | Mark: did your nails and... |
| - | taking a brief survey. | + | |
| - | 172 | + | < |
| - | < | + | Helly: I don’t know. I don’t know you. |
| - | Who is that? | + | |
| - | 173 | + | < |
| - | < | + | Mark: No, you’re not livestock. Good Lord. |
| - | Five questions. | + | |
| - | 174 | + | < |
| - | < | + | Helly: Then what’s my name? |
| - | Now, I know you're sleepy, | + | |
| - | 175 | + | < |
| - | < | + | Mark: Helly. Your name is Helly. Helly R. |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | + | < |
| - | < | + | Mark: Please. |
| - | Who's speaking? | + | |
| - | 177 | + | < |
| - | < | + | Mark: Thank you for taking the welcome survey. I can sense that the questions made you feel afraid or disoriented. Well, the good news is, you’re at an orientation. |
| - | " | + | |
| - | 178 | + | < |
| - | < | + | Mark: You see, you have been hired to a position on the Severed Floor of Lumon Industries. |
| - | Hey! Open the door! | + | |
| - | 179 | + | < |
| - | < | + | Helly: The what floor? |
| - | Mark. | + | |
| - | 180 | + | < |
| - | < | + | Mark: I understand you’re confused about the severance procedure. Before we hop on that, let’s |
| - | I'd be just thrilled to chat, | + | |
| - | once we've run the survey. | + | |
| - | 181 | + | < |
| - | < | + | Mark: Ow! Fuck! |
| - | Shall we begin with question one? | + | |
| - | 182 | + | < |
| - | < | + | Mark: That locks from out there! |
| - | I'm not taking your survey. | + | |
| - | 183 | + | < |
| - | < | + | Helly: Let me out! |
| - | Shall we begin with question one? | + | Mark: God! |
| - | 184 | + | < |
| - | < | + | Mark: Can we just take a beat? Please. |
| - | Let me out of here. Hey! | + | |
| - | 185 | + | < |
| - | < | + | Mark: Please. |
| - | - Open the door! | + | |
| - | - She's not supposed to do that. | + | |
| - | 186 | + | < |
| - | < | + | Mark: Okay, my name’s Mark. And, uh... So, I... |
| - | Hey! | + | |
| - | 187 | + | < |
| - | < | + | Mark: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | She's going to break in. | + | |
| - | 188 | + | < |
| - | < | + | Mark: And when I realized I couldn’t answer, I told that voice that I would find him and kill him. |
| - | - Let me out! | + | |
| - | - No, she's not. | + | |
| - | 189 | + | < |
| - | < | + | Mark: I don’t know why I said that. I mean, I was scared too. |
| - | Are you seeing this? | + | |
| - | 190 | + | < |
| - | < | + | Helly: Did you kill the voice? |
| - | I'm watching. | + | |
| - | 191 | + | < |
| - | < | + | Mark: No. |
| - | Should I help? | + | |
| - | 192 | + | < |
| - | < | + | Mark: No, that voice’s name was Petey, and he became my best friend. |
| - | You should not. | + | |
| - | 193 | + | < |
| - | < | + | Mark: So, look, you know, there is a life to be had here, Helly. |
| - | That' | + | |
| - | 194 | + | < |
| - | < | + | Helly: A life to be had? |
| - | Now, I think I know where | + | |
| - | our disconnect is coming from. | + | |
| - | 195 | + | < |
| - | < | + | Mark: Well, you see, life, like a seesaw, requi— |
| - | - What? | + | |
| - | - Well, there was a preamble, | + | |
| - | 196 | + | < |
| - | < | + | Helly: Let me the fuck out of here! |
| - | which I was supposed to read | + | |
| - | before | + | |
| - | 197 | + | < |
| - | < | + | Mark: Ask me again. |
| - | to lead into the questions and... | + | Helly: What? |
| - | 198 | + | < |
| - | < | + | Mark: You’ve asked twice to be let go. Ask one more time. |
| - | But I unfortunately skipped that | + | |
| - | and went straight into the survey. | + | |
| - | 199 | + | < |
| - | < | + | Helly: Mark. |
| - | Am I livestock? | + | Mark: Yeah? |
| - | 200 | + | < |
| - | < | + | Helly: |
| - | I'm sorry? | + | |
| - | 201 | + | < |
| - | < | + | Mark: I understand you don’t feel it’s working out for you here at Lumon. While disappointed, I’d hate to keep you somewhere you’re not happy. So, let’s get you outta here. |
| - | Like, did you grow me as food | + | |
| - | and that's why I have no memories? | + | |
| - | 202 | + | < |
| - | < | + | Mark: Irv. |
| - | You think we grew a full human, | + | |
| - | gave you consciousness... | + | |
| - | 203 | + | < |
| - | < | + | Mark: The departments are pretty spaced out, but it’ll all fill in one day. They’re planning an expansion. |
| - | - I don't know. | + | |
| - | - did your nails and... | + | |
| - | 204 | + | < |
| - | < | + | Helly: And I’m, what, part of that? |
| - | I don't know. I don't know you. | + | |
| - | 205 | + | < |
| - | < | + | Mark: No. You’re a replacement. |
| - | No, you're not livestock. Good Lord. | + | |
| - | 206 | + | < |
| - | < | + | Helly: Replacement for who? Why are you saying that like you hate it? |
| - | Then what's my name? | + | |
| - | 207 | + | < |
| - | < | + | Mark: Here’s your stairwell. Just past the bend. |
| - | Helly. | + | |
| - | 208 | + | < |
| - | < | + | Helly: You’re not coming with me? |
| - | Your name is Helly. Helly R. | + | |
| - | 209 | + | < |
| - | < | + | Mark: I’m not allowed to see. |
| - | Please. | + | |
| - | 210 | + | < |
| - | < | + | Helly: Excuse me? |
| - | Thank you for taking the welcome survey. | + | |
| - | 211 | + | < |
| - | < | + | Mark: Well, once you leave, you... |
| - | I can sense that the questions | + | |
| - | made you feel afraid or disoriented. | + | |
| - | 212 | + | < |
| - | < | + | Helly: Of course |
| - | Well, the good news is, | + | |
| - | you're at an orientation. | + | |
| - | 213 | + | < |
| - | < | + | Helly: What the hell? |
| - | You see, you have | + | |
| - | been hired to a position | + | |
| - | 214 | + | < |
| - | < | + | Helly: Am I dead? |
| - | on the severed floor | + | Mark: No. |
| - | of Lumon Industries. | + | |
| - | 215 | + | < |
| - | < | + | Helly: This isn’t, like, hell or something? |
| - | The what floor? | + | Mark: No. |
| - | 216 | + | < |
| - | < | + | Helly: Then why the fuck can’t I leave? |
| - | I understand you're confused | + | |
| - | about the severance procedure. | + | |
| - | 217 | + | < |
| - | < | + | Mark: Well, you did leave, just now. Out into the stairwell at least. |
| - | Before we hop on that, | + | |
| - | 218 | + | < |
| - | < | + | Mark: You left, but you came back. |
| - | let's chat about something I bet you | + | |
| - | have heard of, the work/life balance. | + | |
| - | 219 | + | < |
| - | < | + | Helly: I did not. |
| - | To start, imagine yourself as a seesaw. | + | Mark: You did. Come on. |
| - | 220 | + | < |
| - | < | + | Cobel: Weaponizing office equipment on your first day. You are gonna be fun. Look, I do sympathize. I’ve wanted to pummel Mark myself, but I am his employer. And he is your department chief. So we’ll both have to be strong. The good news is, there’s only one part left of your orientation, |
| - | Fuck! | + | |
| - | 221 | + | < |
| - | < | + | Helly: Why is that? |
| - | That locks from out there! | + | |
| - | 222 | + | < |
| - | < | + | Cobel: Because it’s a video. |
| - | - Let me out! | + | |
| - | - God! | + | |
| - | 223 | + | < |
| - | < | + | Cobel: Welcome to Lumon, Helly. |
| - | Can we just take a beat? Please. | + | |
| - | 224 | + | < |
| - | < | + | Cobel: Have a seat. |
| - | Please. | + | |
| - | 225 | + | < |
| - | < | + | Mark: Are you mad at me? |
| - | Okay, my name' | + | |
| - | 226 | + | < |
| - | < | + | Cobel: For the incompetence or the disobedience? |
| - | And... So, I... | + | |
| - | 227 | + | < |
| - | < | + | Mark: Well... |
| - | You know, few years back, | + | Cobel: Yes! |
| - | I woke up on this table. | + | |
| - | 228 | + | < |
| - | < | + | Cobel: You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is, hell is just the product of a morbid human imagination. The bad news is, whatever humans can imagine, they can usually create. |
| - | In this room. | + | |
| - | 229 | + | < |
| - | < | + | Mark: I don’t know what that means. |
| - | And a disembodied voice | + | |
| - | asked me 19 times who I was. | + | |
| - | 230 | + | < |
| - | < | + | Cobel: A department like yours can go so good or so bad. You know what makes the difference? The people. |
| - | And when I realized I couldn' | + | |
| - | 231 | + | < |
| - | < | + | Milchick: You can have a seat. |
| - | I told that voice that I would find him | + | |
| - | and kill him. | + | |
| - | 232 | + | < |
| - | < | + | Milchick: Okay, go ahead and have a seat. |
| - | I don't know why I said that. | + | |
| - | I mean, I was scared too. | + | |
| - | 233 | + | < |
| - | < | + | Helly: My name is Helly R. I’m making this video roughly two hours before it will be shown to me. I have, of my own free accord, elected to undergo |
| - | Did you kill the voice? | + | |
| - | 234 | + | < |
| - | < | + | Milchick: Okay, that’s a wrap. |
| - | No. | + | |
| - | 235 | + | < |
| - | < | + | Milchick: Okay. Go ahead. |
| - | No, that voice' | + | |
| - | and he became my best friend. | + | |
| - | 236 | + | < |
| - | < | + | Helly: |
| - | So, look, you know, | + | |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | + | < |
| - | < | + | Mark: You’ll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won’t feel like it. Not to this version of you anyway. |
| - | A life to be had? | + | |
| - | 238 | + | < |
| - | < | + | Helly: Do I have a family? |
| - | Well, you see, | + | |
| - | life, like a seesaw, requi... | + | |
| - | 239 | + | < |
| - | < | + | Mark: You’ll never know. |
| - | Let me the fuck out of here! | + | |
| - | 240 | + | < |
| - | < | + | Helly: And I have no choice. |
| - | - Ask me again. | + | |
| - | - What? | + | |
| - | 241 | + | < |
| - | < | + | Mark: Well, every time you find yourself here, it’s because you chose to come back. |
| - | You've asked twice to be let go. | + | |
| - | Ask one more time. | + | |
| - | 242 | + | < |
| - | < | + | Irving: Hello. |
| - | - Mark. | + | |
| - | - Yeah? | + | |
| - | 243 | + | < |
| - | < | + | Mark: Good night. |
| - | I would like to leave the building now. | + | |
| - | 244 | + | < |
| - | < | + | Judd: Good night. |
| - | I understand you don't feel | + | |
| - | it's working out for you here at Lumon. | + | |
| - | 245 | + | < |
| - | < | + | Mark: "Dear Mark, Whilst carrying boxes in a room today, you slipped on an overhead projector slide and sustained a minor blow to the temple." |
| - | While disappointed, I'd hate to | + | |
| - | keep you somewhere you're not happy. | + | |
| - | 246 | + | < |
| - | < | + | Helly: Hey! |
| - | So, let's get you outta here. | + | |
| - | 247 | + | < |
| - | < | + | Mark: Sorry. |
| - | Irv. | + | |
| - | 248 | + | < |
| - | < | + | Helly: Maybe keep your eyes on the icy road. |
| - | The departments are pretty spaced out, | + | |
| - | but it'll all fill in one day. | + | |
| - | 249 | + | < |
| - | < | + | Mark: Sorry. |
| - | They' | + | |
| - | 250 | + | < |
| - | < | + | Television: //Indeed, this gnat will spend much of its three to seven-day life...// |
| - | And I'm, what, part of that? | + | |
| - | 251 | + | < |
| - | < | + | Mark: No, I know, Mrs. Selvig. It’s just, it was in my space again. Yeah. Well, trash comes tomorrow night. Tonight’s recycling. Yeah, it is weird, but that’s how they do it. And with both yours, there’s no room for... |
| - | No. You're a replacement. | + | |
| - | 252 | + | < |
| - | < | + | Devon: Hey. |
| - | Replacement for who? | + | Mark: Hey. |
| - | 253 | + | < |
| - | < | + | Devon: Did you forget? |
| - | Why are you saying | + | |
| - | that like you hate it? | + | |
| - | 254 | + | < |
| - | < | + | Mark: Oh, yeah. Shit. |
| - | Here's your stairwell. | + | |
| - | Just past the bend. | + | |
| - | 255 | + | < |
| - | < | + | Devon: That’s okay. |
| - | You're not coming with me? | + | |
| - | 256 | + | < |
| - | < | + | Mark: Sorry. |
| - | I'm not allowed to see. | + | Devon: That’s fine. |
| - | 257 | + | < |
| - | < | + | Devon: Do you wanna put on pants, and I’ll... |
| - | Excuse me? | + | Mark: I’m wearing pants. |
| - | 258 | + | < |
| - | < | + | Devon: meet you in... Those are not pants. |
| - | Well, once you leave, | + | |
| - | 259 | + | < |
| - | < | + | Mark: So if there’s no dinner, how is it dinner? |
| - | I just can't watch you leave. | + | |
| - | 260 | + | < |
| - | < | + | Devon: Okay. |
| - | Of course you can't. | + | Mark: Like... |
| - | 261 | + | < |
| - | < | + | Devon: You actually owe me this. |
| - | What the hell? | + | |
| - | 262 | + | < |
| - | < | + | Mark: Do I? |
| - | - Am I dead? | + | Devon: Yep. |
| - | - No. | + | |
| - | 263 | + | < |
| - | < | + | Devon: You remember that time when we were kids and I was a way better sibling than you? |
| - | - This isn't, like, hell or something? | + | |
| - | - No. | + | |
| - | 264 | + | < |
| - | < | + | Mark: Must have slipped my mind. |
| - | Then why the fuck can't I leave? | + | |
| - | 265 | + | < |
| - | < | + | Devon: Also, I know we’re nearing the anniversary, so I just thought maybe you’d wanna be around people. |
| - | Well, you did leave, just now. | + | |
| - | Out into the stairwell at least. | + | |
| - | 266 | + | < |
| - | < | + | Mark: Nope. |
| - | You left, but you came back. | + | |
| - | 267 | + | < |
| - | < | + | Devon: This is nice. When did you get it? |
| - | - I did not. | + | |
| - | - You did. | + | |
| - | 268 | + | < |
| - | < | + | Mark: Something from work, and they apologized. |
| - | Come on. | + | |
| - | 269 | + | < |
| - | < | + | Devon: They apologized. Thank God. Did they tack an explanation onto that apology? |
| - | Weaponizing office equipment | + | |
| - | on your first day. | + | |
| - | 270 | + | < |
| - | < | + | Mark: It’s fine. Got a gift card. |
| - | You are gonna be fun. | + | |
| - | 271 | + | < |
| - | < | + | Devon: You got a gift card. Where’s he going to? |
| - | Look, I do sympathize. | + | |
| - | 272 | + | < |
| - | < | + | Mark: I don’t know. Pip’s. |
| - | I've wanted to pummel | + | |
| - | but I am his employer. | + | |
| - | 273 | + | < |
| - | < | + | Devon: Of course it’s Pip’s. Well, enjoy. |
| - | And he is your department chief. | + | |
| - | 274 | + | < |
| - | < | + | Mark: I will, without you. |
| - | So we'll both have to be strong. | + | |
| - | 275 | + | < |
| - | < | + | Ricken: There’s our captive. |
| - | The good news is, there's only | + | |
| - | one part left of your orientation, | + | |
| - | 276 | + | < |
| - | < | + | Mark: Hi, Rick. |
| - | which Mark can't possibly derail. | + | Ricken: Ricken. Come on, it’s Ricken. |
| - | 277 | + | < |
| - | < | + | Ricken: You, sir, look at peace. |
| - | Why is that? | + | Mark: You know. |
| - | 278 | + | < |
| - | < | + | Mark: Okay. |
| - | Because it's a video. | + | Devon: Hi, baby. |
| - | 279 | + | < |
| - | < | + | Ricken: Hi. |
| - | Welcome to Lumon, Helly. | + | |
| - | 280 | + | < |
| - | < | + | Patton: No, what a lot of people overlook, I think, is that life is not food. |
| - | Have a seat. | + | |
| - | 281 | + | < |
| - | < | + | Danise: Right. |
| - | Are you mad at me? | + | Patton: You’ve got life, |
| - | 282 | + | < |
| - | < | + | Patton: this complex quality of sentience and activity. And then you’ve got food, which is what? |
| - | For the incompetence | + | |
| - | or the disobedience? | + | |
| - | 283 | + | < |
| - | < | + | Ricken: Yes, what is it? |
| - | - Well... | + | Patton: Fuel. |
| - | - Yes! | + | |
| - | 284 | + | < |
| - | < | + | Patton: Calories. It’s not the same thing. |
| - | You know, my mother was an atheist. | + | |
| - | 285 | + | < |
| - | < | + | Ricken: Yes, that is spot on, Patton. |
| - | She used to say that there was | + | Rebeck: I definitely agree. |
| - | good news and bad news about hell. | + | |
| - | 286 | + | < |
| - | < | + | Devon: Though, if I’m...Sorry, |
| - | The good news is, | + | |
| - | 287 | + | < |
| - | < | + | Mark: True. |
| - | hell is just the product | + | Devon: It was low-hanging fruit. |
| - | of a morbid human imagination. | + | |
| - | 288 | + | < |
| - | < | + | Ricken: He did. He was a misdiagnosed alcoholic. |
| - | The bad news is, | + | |
| - | 289 | + | < |
| - | < | + | Danise: Now, Mark, Ricken told Rebeck and me that you’re a former history professor. |
| - | whatever humans can imagine, | + | |
| - | they can usually create. | + | |
| - | 290 | + | < |
| - | < | + | Mark: Yeah. |
| - | I don't know what that means. | + | |
| - | 291 | + | < |
| - | < | + | Danise: So, I’m curious for your take on all of this. The food v life of it. |
| - | A department like yours | + | |
| - | can go so good or so bad. | + | |
| - | 292 | + | < |
| - | < | + | Mark: Well, I’m not sure. I taught mostly about World War I. |
| - | You know what makes the difference? | + | |
| - | 293 | + | < |
| - | < | + | Patton: Okay. Well, I got one for you. I was just reading this think piece about the comparative levels of violence and warfare throughout history. |
| - | The people. | + | |
| - | 294 | + | < |
| - | < | + | Ricken: Nerd alert. |
| - | You can have a seat. | + | |
| - | 295 | + | < |
| - | < | + | Patton: War porn, I know. |
| - | Okay, go ahead and have a seat. | + | |
| - | 296 | + | < |
| - | < | + | Patton: But anyway, in it, he said that the people actually called it the Great War. Apparently, it would have been a faux pas to have called it World War I. |
| - | My name is Helly R. | + | |
| - | 297 | + | < |
| - | < | + | Ricken: Is that right? |
| - | I'm making this video | + | |
| - | 298 | + | < |
| - | < | + | Mark: Well, you know, no one would’ve called |
| - | roughly two hours | + | |
| - | before | + | |
| - | 299 | + | < |
| - | < | + | Danise: Wow. |
| - | I have, of my own free accord, | + | Ricken: Of course. |
| - | elected to undergo the procedure | + | |
| - | 300 | + | < |
| - | < | + | Patton: That’s absolutely right. |
| - | colloquially known as severance. | + | Ricken: Duh. |
| - | 301 | + | < |
| - | < | + | Rebeck: That’s so true. |
| - | I give consent for my perceptual | + | |
| - | chronologies to be surgically split, | + | |
| - | 302 | + | < |
| - | < | + | Devon: This is why we bring this guy. |
| - | separating my memories between | + | |
| - | my work life and my personal life. | + | |
| - | 303 | + | < |
| - | < | + | Ricken: Mark’s late wife, Gemma, was an educator as well. Russian literature. |
| - | I acknowledge that, henceforth, | + | |
| - | 304 | + | < |
| - | < | + | Rebeck: I love literature. |
| - | my access to my memories | + | Ricken: Right? |
| - | will be spatially dictated. | + | |
| - | 305 | + | < |
| - | < | + | Ricken: But Mark is a Lumon man now. |
| - | I will be unable to access | + | |
| - | outside recollections | + | |
| - | 306 | + | < |
| - | < | + | Devon: Ricken. |
| - | whilst on Lumon' | + | Patton: Really? |
| - | severed basement floor, | + | |
| - | 307 | + | < |
| - | < | + | Mark: Yeah. About two years. |
| - | nor retain work memories upon my ascent. | + | |
| - | 308 | + | < |
| - | < | + | Rebeck: Do you design the medicines? |
| - | I am aware that this alteration | + | Mark: No. |
| - | 309 | + | < |
| - | < | + | Patton: I thought Lumon was more on the tech side of things. |
| - | is comprehensive and irreversible. | + | |
| - | 310 | + | < |
| - | < | + | Danise: They began in the 1800s. |
| - | I make these statements freely. | + | Ricken: Really? |
| - | 311 | + | < |
| - | < | + | Danise: Topical salves, right? |
| - | Okay, that's a wrap. | + | |
| - | 312 | + | < |
| - | < | + | Rebeck: What don’t they make? |
| - | Okay. | + | |
| - | 313 | + | < |
| - | < | + | Mark: Yeah, but I’m in the corporate archives division, so... |
| - | Go ahead. | + | |
| - | 314 | + | < |
| - | < | + | Patton: |
| - | So I'll never leave here? | + | |
| - | 315 | + | < |
| - | < | + | Mark: No, not really. |
| - | You'll leave at 5:00. | + | Ricken: No. |
| - | 316 | + | < |
| - | < | + | Ricken: Mark’s work is sensitive enough as to require the severance procedure. |
| - | Well, actually, | + | |
| - | they stagger our exits, so 5:15. | + | |
| - | 317 | + | < |
| - | < | + | Danise: Well. |
| - | But it won't feel like it. | + | |
| - | Not to this version of you anyway. | + | |
| - | 318 | + | < |
| - | < | + | Danise: That’s something, isn’t it? |
| - | Do I have a family? | + | |
| - | 319 | + | < |
| - | < | + | Devon: Yeah. It’s also, I think, something that’s his choice to tell people or not. |
| - | You'll never know. | + | |
| - | 320 | + | < |
| - | < | + | Devon: Right, Ricken? |
| - | And I have no choice. | + | Ricken: Oh, my God. |
| - | 321 | + | < |
| - | < | + | Mark: No. No. |
| - | Well, every time you find yourself here, | + | Ricken: Oh, God, Mark. |
| - | it's because you chose to come back. | + | |
| - | 322 | + | < |
| - | < | + | Ricken: Please forgive me. |
| - | Hello. | + | Mark: No. It’s okay. I don’t care. |
| - | 323 | + | < |
| - | < | + | Ricken: My apologies. |
| - | Good night. | + | Danise: No, I think it’s fascinating. |
| - | 324 | + | < |
| - | < | + | Danise: I mean, I wish I could do it. I’d just always be thinking about, you know, the other one. |
| - | Good night. | + | |
| - | 325 | + | < |
| - | < | + | Mark: Well, there is no other one. It’s me. I do the job. |
| - | " | + | |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | + | < |
| - | < | + | Danise: I just don’t grasp the visceral element. What does it feel like? |
| - | you slipped on an | + | |
| - | overhead projector slide | + | |
| - | 327 | + | < |
| - | < | + | Patton: Well, it’s simple. One’s memories are bifurcated, so when you’re not at work, you have no recollection of what it is you do there. Did I get that right, Mark? |
| - | and sustained a minor | + | |
| - | blow to the temple." | + | |
| - | 328 | + | < |
| - | < | + | Mark: Well, it’s... |
| - | Hey! | + | Danise: So you walk in at 9:00 a.m., |
| - | 329 | + | < |
| - | < | + | Danise: and then suddenly it’s 5:00, and you’re leaving? |
| - | Sorry. | + | |
| - | 330 | + | < |
| - | < | + | Mark: Well, they stagger us a little, so... |
| - | Maybe keep your eyes on the icy road. | + | Danise: They stagger you? |
| - | 331 | + | < |
| - | < | + | Patton: And then, conversely, when you’re at work, you can’t access outside memories. So, in effect, that version of you is trapped there. |
| - | Sorry. | + | |
| - | 332 | + | < |
| - | < | + | Ricken: Well... |
| - | Indeed, this gnat will spend | + | |
| - | much of its three to seven-day life... | + | |
| - | 333 | + | < |
| - | < | + | Patton: Well, I mean, not trapped, but... |
| - | No, I know, Mrs. Selvig. | + | Mark: But what? |
| - | It's just, it was in my space again. | + | |
| - | 334 | + | < |
| - | < | + | Mark: No, no. I’m curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | Yeah. Well, trash comes tomorrow night. | + | |
| - | Tonight' | + | |
| - | 335 | + | < |
| - | < | + | Danise: So, I suppose we know where you fall on the congressional goings-on. |
| - | Yeah, it is weird, | + | |
| - | but that's how they do it. | + | |
| - | 336 | + | < |
| - | < | + | Ricken: Okay, I think we may be |
| - | And with both yours, | + | |
| - | there' | + | |
| - | 337 | + | < |
| - | < | + | Ricken: missing the point here. |
| - | - Hey. | + | Devon: Yeah. |
| - | - Hey. | + | |
| - | 338 | + | < |
| - | < | + | Ricken: The point is that Mark made a decision. And that decision was controversial, |
| - | Did you forget? | + | |
| - | 339 | + | < |
| - | < | + | Danise: So well said. |
| - | Oh, yeah. Shit. | + | Ricken: Thank you. |
| - | 340 | + | < |
| - | < | + | Patton: Absolutely. |
| - | That's okay. | + | Rebeck: I definitely stand behind Mark. |
| - | 341 | + | < |
| - | < | + | Mark: Wow. Thank you. That’s very sweet. |
| - | - Sorry. | + | |
| - | - That's fine. | + | |
| - | 342 | + | < |
| - | < | + | Ricken: Well, we’re at the point where, traditionally, I would say something like, "Dig in." But I must say, I do think that the lack of food has allowed us to already do so on a much deeper level. |
| - | - Do you wanna put on pants, and I'll... | + | |
| - | - I'm wearing pants. | + | |
| - | 343 | + | < |
| - | < | + | Patton: Oh, yeah. No, absolutely. |
| - | meet you in... Those are not pants. | + | Ricken: Right? |
| - | 344 | + | < |
| - | < | + | Patton: I was saying, my friend in Lima hasn’t had a food-based |
| - | So if there' | + | |
| - | dinner, how is it dinner? | + | |
| - | 345 | + | < |
| - | < | + | Devon: If I give you $3,000, will you forgive me? |
| - | - Okay. | + | |
| - | - Like... | + | |
| - | 346 | + | < |
| - | < | + | Mark: Well, because your child is innocent of tonight’s atrocities, I’ll wait until after it’s born to murder you. |
| - | You actually owe me this. | + | |
| - | 347 | + | < |
| - | < | + | Devon: Oh, my God. Here you go, buddy. |
| - | - Do I? | + | |
| - | - Yep. | + | |
| - | 348 | + | < |
| - | < | + | Mark: Thank you. |
| - | You remember that time when we were kids | + | |
| - | and I was a way better sibling than you? | + | |
| - | 349 | + | < |
| - | < | + | Devon: Hey, how’s the good doctor therapy man with that weird little mustache? |
| - | Must have slipped my mind. | + | |
| - | 350 | + | < |
| - | < | + | Devon: You’re not going? |
| - | Also, | + | |
| - | I know we're nearing the anniversary, | + | |
| - | 351 | + | < |
| - | < | + | Mark: Well, the work thing’s helped. |
| - | so I just thought | + | |
| - | maybe you'd wanna be around people. | + | |
| - | 352 | + | < |
| - | < | + | Devon: Yeah. |
| - | Nope. | + | |
| - | 353 | + | < |
| - | < | + | Devon: I’m proud of you for taking that job. I really am. And I think she would’ve been too. I know she would’ve been. |
| - | This is nice. When did you get it? | + | |
| - | 354 | + | < |
| - | < | + | Devon: I just feel like forgetting about her for eight hours a day isn’t the same thing as healing. |
| - | Something from work, | + | |
| - | and they apologized. | + | |
| - | 355 | + | < |
| - | < | + | Devon: You wanna crash here, since you’re already here? |
| - | They apologized. Thank God. | + | |
| - | 356 | + | < |
| - | < | + | Mark: No. |
| - | Did they tack an explanation | + | |
| - | onto that apology? | + | |
| - | 357 | + | < |
| - | < | + | Devon: Why? |
| - | It's fine. Got a gift card. | + | |
| - | 358 | + | < |
| - | < | + | Mark: Your house smells like pregnancy. |
| - | You got a gift card. | + | |
| - | Where' | + | |
| - | 359 | + | < |
| - | < | + | Devon: Yeah, I’m just not grasping the visceral element of it. |
| - | I don't know. Pip's. | + | |
| - | 360 | + | < |
| - | < | + | Devon: She is fun, wasn’t she? |
| - | Of course it's Pip's. Well, enjoy. | + | |
| - | 361 | + | < |
| - | < | + | Devon: You’re definitely staying here tonight. |
| - | I will, without you. | + | Mark: No, I’m not. |
| - | 362 | + | < |
| - | < | + | Ricken: I’m making all the bedsheets myself, so I won’t finish with the big one for some time. But the twin is comfortable, |
| - | There' | + | |
| - | 363 | + | < |
| - | < | + | Mark: Thanks. I still don’t quite get the three beds. |
| - | - Hi, Rick. | + | |
| - | - Ricken. Come on, it's Ricken. | + | |
| - | 364 | + | < |
| - | < | + | Ricken: Right. |
| - | - You, sir, look at peace. | + | Devon: Ricken’s colleague told us that switching out the beds as the child grows can wound that child. |
| - | - You know. | + | |
| - | 365 | + | < |
| - | < | + | Ricken: Irreparably. |
| - | - Okay. | + | |
| - | - Hi, baby. | + | |
| - | 366 | + | < |
| - | < | + | Ricken: But if you provide said child with all of its beds upon birth, you allow it to progress across the room at its own rate. |
| - | Hi. | + | |
| - | 367 | + | < |
| - | < | + | Mark: Got it. Yeah. |
| - | No, what a lot of people overlook, | + | |
| - | I think, is that life is not food. | + | |
| - | 368 | + | < |
| - | < | + | Ricken: Yeah. |
| - | - Right. | + | |
| - | - You've got life, | + | |
| - | 369 | + | < |
| - | < | + | Ricken: I think people really enjoyed you tonight, Mark. |
| - | this complex quality | + | |
| - | of sentience and activity. | + | |
| - | 370 | + | < |
| - | < | + | Mark: Good. |
| - | And then you've got food, which is what? | + | |
| - | 371 | + | < |
| - | < | + | Devon: All right, baby. |
| - | - Yes, what is it? | + | |
| - | - Fuel. | + | |
| - | + | ||
| - | 372 | + | |
| - | < | + | |
| - | Calories. It's not the same thing. | + | |
| - | + | ||
| - | 373 | + | |
| - | < | + | |
| - | - Yes, that is spot on, Patton. | + | |
| - | - I definitely agree. | + | |
| - | + | ||
| - | 374 | + | |
| - | < | + | |
| - | Though, if I' | + | |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | Sorry, Mark and my dad used to have | + | |
| - | " | + | |
| - | + | ||
| - | 376 | + | |
| - | < | + | |
| - | - True. | + | |
| - | - It was low-hanging fruit. | + | |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | He did. He was a misdiagnosed alcoholic. | + | |
| - | + | ||
| - | 378 | + | |
| - | < | + | |
| - | Now, Mark, Ricken told Rebeck and me | + | |
| - | that you're a former history professor. | + | |
| - | + | ||
| - | 379 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | So I'm curious | + | |
| - | for your take on all of this. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | The food v life of it. | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | Well, I'm not sure. | + | |
| - | I taught mostly about World War I. | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | Okay. Well, I got one for you. | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | I was just reading this think piece | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | Nerd alert. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | War porn, I know. | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | But anyway, in it, he said that the | + | |
| - | people actually called it the Great War. | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | Apparently, it would have been a | + | |
| - | faux pas to have called it World War I. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | Is that right? | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | Well, you know, | + | |
| - | no one would' | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | 'cause World War II hadn't happened yet. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | - Wow. | + | |
| - | - Of course. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | - That's absolutely right. | + | |
| - | - Duh. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | That's so true. | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | This is why we bring this guy. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | Mark's late wife, Gemma, was an educator | + | |
| - | as well. Russian literature. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | - I love literature. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | But Mark is a Lumon man now. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | - Ricken. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Yeah. About two years. | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | - Do you design the medicines? | + | |
| - | - No. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I thought Lumon | + | |
| - | was more on the tech side of things. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | - They began in the 1800s. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Topical salves, right? | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | What don't they make? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | Yeah, but I'm in | + | |
| - | the corporate archives division, so... | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | So you know all the dirty secrets. | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | - No, not really. | + | |
| - | - No. | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | Mark's work is sensitive enough | + | |
| - | as to require the severance procedure. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | Well. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | That's something, isn't it? | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | Yeah. It's also, I think, something | + | |
| - | that's his choice to tell people or not. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | - Right, Ricken? | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | - No. No. | + | |
| - | - Oh, God, Mark. | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | - Please forgive me. | + | |
| - | - No. It's okay. I don't care. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | - My apologies. | + | |
| - | - No, I think it's fascinating. | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | I mean, I wish I could do it. | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | I'd just always be thinking about, | + | |
| - | you know, the other one. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | Well, there is no other one. | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | I just don't grasp the visceral element. | + | |
| - | What does it feel like? | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Well, it's simple. | + | |
| - | One's memories are bifurcated, | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | so when you're not at work, you have no | + | |
| - | recollection of what it is you do there. | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | Did I get that right, Mark? | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | - Well, it' | + | |
| - | - So you walk in at 9:00 a.m., | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | and then suddenly it's 5:00, | + | |
| - | and you're leaving? | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | - Well, they stagger us a little, so... | + | |
| - | - They stagger you? | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | And then, conversely, when you're at | + | |
| - | work, you can't access outside memories. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | So, in effect, | + | |
| - | that version of you is trapped there. | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | Well... | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | - Well, I mean, not trapped, but... | + | |
| - | - But what? | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | No, no. I'm curious. What were you | + | |
| - | gonna say? But not trapped, but what? | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | What were you saying? | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | So I suppose we know where you fall | + | |
| - | on the congressional goings-on. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | Okay, I think we may be | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | - missing the point here. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | The point is that Mark made a decision. | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | And that decision was controversial, | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | ethically and socially. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Morally. Scientifically. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But, Mark, I stand behind you | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | without reservation. | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | - So well said. | + | |
| - | - Thank you. | + | |
| - | + | ||
| - | 445 | + | |
| - | < | + | |
| - | - Absolutely. | + | |
| - | - I definitely stand behind Mark. | + | |
| - | + | ||
| - | 446 | + | |
| - | < | + | |
| - | Wow. | + | |
| - | + | ||
| - | 447 | + | |
| - | < | + | |
| - | Thank you. That's very sweet. | + | |
| - | + | ||
| - | 448 | + | |
| - | < | + | |
| - | Well, we're at the point | + | |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | - Oh, yeah. No, absolutely. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | I was saying, my friend in Lima hasn' | + | |
| - | had a food-based dinner event in... | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | If I give you $3,000, | + | |
| - | will you forgive me? | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | Well, because your child | + | |
| - | is innocent of tonight' | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | I'll wait until after it's born | + | |
| - | to murder you. | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | Oh, my God. Here you go, buddy. | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | Hey, how's the good doctor therapy man | + | |
| - | with that weird little mustache? | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | You're not going? | + | |
| - | + | ||
| - | 461 | + | |
| - | < | + | |
| - | Well, the work thing' | + | |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | I'm proud of you for taking that job. | + | |
| - | I really am. | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | And I think she would' | + | |
| - | I know she would' | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | I just feel like forgetting about her | + | |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | You wanna crash here, | + | |
| - | since you're already here? | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | No. | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | Why? | + | |
| - | + | ||
| - | 470 | + | |
| - | < | + | |
| - | Your house smells like pregnancy. | + | |
| - | + | ||
| - | 471 | + | |
| - | < | + | |
| - | Yeah, I'm just not grasping | + | |
| - | the visceral element of it. | + | |
| - | + | ||
| - | 472 | + | |
| - | < | + | |
| - | She is fun, wasn't she? | + | |
| - | + | ||
| - | 473 | + | |
| - | < | + | |
| - | - You're definitely staying here tonight. | + | |
| - | - No, I'm not. | + | |
| - | + | ||
| - | 474 | + | |
| - | < | + | |
| - | I'm making all the bedsheets myself, | + | |
| - | + | ||
| - | 475 | + | |
| - | < | + | |
| - | so I won't finish with the big one | + | |
| - | for some time. | + | |
| - | + | ||
| - | 476 | + | |
| - | < | + | |
| - | But the twin is comfortable, | + | |
| - | + | ||
| - | 477 | + | |
| - | < | + | |
| - | and the pajamas were made | + | |
| - | on a Baltic handloom, | + | |
| - | + | ||
| - | 478 | + | |
| - | < | + | |
| - | so you'll sleep well. | + | |
| - | + | ||
| - | 479 | + | |
| - | < | + | |
| - | Thanks. | + | |
| - | I still don't quite get the three beds. | + | |
| - | + | ||
| - | 480 | + | |
| - | < | + | |
| - | - Right. | + | |
| - | - Ricken' | + | |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | that switching out the beds | + | |
| - | as the child grows can wound that child. | + | |
| - | + | ||
| - | 482 | + | |
| - | < | + | |
| - | Irreparably. | + | |
| - | + | ||
| - | 483 | + | |
| - | < | + | |
| - | But if you provide said child | + | |
| - | with all of its beds upon birth, | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | you allow it to progress across the room | + | |
| - | at its own rate. | + | |
| - | + | ||
| - | 485 | + | |
| - | < | + | |
| - | Got it. Yeah. | + | |
| - | + | ||
| - | 486 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 487 | + | |
| - | < | + | |
| - | I think people really | + | |
| - | enjoyed you tonight, Mark. | + | |
| - | + | ||
| - | 488 | + | |
| - | < | + | |
| - | Good. | + | |
| - | + | ||
| - | 489 | + | |
| - | < | + | |
| - | All right, baby. | + | |
| 490 | 490 | ||
| - | < | + | < |
| - | - You ready, baby? | + | Devon: |
| - | - Yeah. | + | Ricken: |
| - | 491 | + | < |
| - | < | + | Devon: |
| - | - Let's go. | + | Ricken: |
| - | - Sweet dreams. | + | |
| - | 492 | + | < |
| - | < | + | Mark: Thanks. |
| - | Thanks. | + | |
| - | < | + | < |
| - | MARK: Good night, milord. | + | Mark: Good night, milord. |
| - | < | + | < |
| - | DEVON: Good night, milady. | + | Devon: Good night, milady. |
| - | 495 | + | < |
| - | < | + | Devon: |
| - | Hey. | + | |
| - | 496 | + | < |
| - | < | + | Mark: Hey. |
| - | Hey. | + | |
| - | 497 | + | < |
| - | < | + | Devon: |
| - | How long you been up? | + | |
| - | 498 | + | < |
| - | < | + | Mark: A while. |
| - | A while. | + | |
| - | 499 | + | < |
| - | < | + | Mark: There was a businessman in the yard last night. |
| - | There was a businessman | + | |
| - | in the yard last night. | + | |
| - | 500 | + | < |
| - | < | + | Devon: |
| - | - A businessman? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 501 | + | < |
| - | < | + | Devon: |
| - | Entry-level or management? | + | |
| - | 502 | + | < |
| - | < | + | Mark: I’m serious. |
| - | I'm serious. | + | |
| - | 503 | + | < |
| - | < | + | Devon: |
| - | There was seriously a man | + | |
| - | in my yard last night? | + | |
| - | 504 | + | < |
| - | < | + | Mark: Yeah. |
| - | Yeah. | + | |
| - | 505 | + | < |
| - | < | + | Devon: |
| - | Holy shit. | + | |
| - | 506 | + | < |
| - | < | + | Mark: He, you know, looked at me weird, like he knew me. |
| - | He, you know, looked at me weird, | + | |
| - | like he knew me. | + | |
| - | 507 | + | < |
| - | < | + | Devon: |
| - | Did the prowler invading my home | + | |
| - | make you feel seen? | + | |
| - | 508 | + | < |
| - | < | + | Mark: So seen. |
| - | So seen. | + | |
| - | 509 | + | < |
| - | < | + | Devon: |
| - | Well, there's a bar down the hill. | + | |
| - | It's probably just a stumbler. | + | |
| - | 510 | + | < |
| - | < | + | Mark: I’m sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | Speaking of which, | + | |
| - | you still smell like a distillery. | + | |
| - | + | ||
| - | 511 | + | |
| - | < | + | |
| - | I'm sorry, | + | |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | + | < |
| - | < | + | Devon: |
| - | You've been sitting on that one. | + | |
| - | 514 | + | < |
| - | < | + | Mark: Hello. |
| - | Hello. | + | |
| - | 515 | + | < |
| - | < | + | Mark: Okay. So, recycling was last night, Mrs. Selvig. Tonight’s garbage. And you keep putting your bin on my side. So... |
| - | Okay. So, recycling was | + | |
| - | last night, Mrs. Selvig. | + | |
| - | 516 | + | < |
| - | < | + | Mark: Yeah. Okay. |
| - | Tonight' | + | |
| - | 517 | + | < |
| - | < | + | Mark: You know, I actually can’t talk right now. I’m out at dinner. But... |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | 518 | + | < |
| - | < | + | Mark: No, by myself. |
| - | Yeah. Okay. | + | |
| - | 519 | + | < |
| - | < | + | Mark: Pip’s Bar and Grille. |
| - | You know, I actually can't talk | + | |
| - | right now. I'm out at dinner. But... | + | |
| - | 520 | + | < |
| - | < | + | Mark: Excuse me. |
| - | No, by myself. | + | |
| - | 521 | + | < |
| - | < | + | Petey: Hang up. Quickly. |
| - | Pip's Bar and Grille. | + | |
| - | 522 | + | < |
| - | < | + | Mark: I’m sorry, Mrs. Selvig. They’ve cooked the food, and it’s here. |
| - | Excuse me. | + | |
| - | 523 | + | < |
| - | < | + | Petey: Hi, kids. What’s for dinner? |
| - | Hang up. Quickly. | + | |
| - | 524 | + | < |
| - | < | + | Petey: |
| - | I'm sorry, Mrs. Selvig. | + | |
| - | They' | + | |
| - | 525 | + | < |
| - | < | + | Mark: Are you following me? |
| - | Hi, kids. What's for dinner? | + | |
| - | 526 | + | < |
| - | < | + | Petey: Your voice is different here. Worse. |
| - | I'm sorry. You don't get that reference. | + | |
| - | 527 | + | < |
| - | < | + | Mark: Okay, who the fuck are you? |
| - | Are you following me? | + | Petey: Petey. |
| - | 528 | + | < |
| - | < | + | Petey: My name is Petey. I’m from work. |
| - | Your voice is different here. | + | |
| - | 529 | + | < |
| - | < | + | Mark: Well, that’s not plausible. Everyone in my department is... |
| - | Worse. | + | |
| - | 530 | + | < |
| - | < | + | Petey: Severed. Severed. I was. |
| - | - Okay, who the fuck are you? | + | |
| - | - Petey. | + | |
| - | 531 | + | < |
| - | < | + | Mark: Okay. Well, severance is pretty permanent. |
| - | My name is Petey. I'm from work. | + | |
| - | 532 | + | < |
| - | < | + | Petey: Yeah. Bypassing the implant wasn’t easy. I had help. |
| - | Well, that's not plausible. | + | |
| - | Everyone in my department is... | + | |
| - | 533 | + | < |
| - | < | + | Mark: So, what, you were unhappy at work? |
| - | Severed. Severed. I was. | + | |
| - | 534 | + | < |
| - | < | + | Mark: And instead of lodging a complaint, you... |
| - | Okay. Well, severance | + | Petey: No. |
| - | is pretty permanent. | + | |
| - | 535 | + | < |
| - | < | + | Petey: I tried that first. So did you. |
| - | Yeah. Bypassing the implant wasn't easy. | + | |
| - | I had help. | + | |
| - | 536 | + | < |
| - | < | + | Mark: Right. Okay. So...You’ve unsevered. And now you, what, think they’re after you or something? |
| - | So, what, you were unhappy at work? | + | |
| - | 537 | + | < |
| - | < | + | Petey: Yeah. " |
| - | - And instead of lodging a complaint, you... | + | |
| - | - No. | + | |
| - | 538 | + | < |
| - | < | + | Mark: Graner. Okay. Is that, like, a person |
| - | I tried that first. So did you. | + | |
| - | 539 | + | < |
| - | < | + | Petey: We both know him. We don’t like him. |
| - | Right. Okay. So... | + | |
| - | 540 | + | < |
| - | < | + | Mark: I see. |
| - | You've unsevered. | + | |
| - | 541 | + | < |
| - | < | + | Petey: Nothing down there is what they say. If something |
| - | And now you, what, think they're | + | |
| - | after you or something? | + | |
| - | 542 | + | < |
| - | < | + | Mark: So, we’re friends? |
| - | Yeah. | + | |
| - | 543 | + | < |
| - | < | + | Petey: I’m your best friend. You’re my very good friend. |
| - | " | + | |
| - | who's probably out here right now. | + | |
| - | 544 | + | < |
| - | < | + | Petey: Mark, sorry about the card. and I know it’s not appropriate. Though I’m sure you’d be a really fucking awesome niece. We used to wonder what kind of men we were on the outside, what choices we had made and why. I used to think it would take a monster to put someone in a place like that office. Especially if the person |
| - | Graner. Okay. | + | |
| - | Is that, like, a person | + | |
| - | 545 | + | < |
| - | < | + | Petey: If you don’t wanna know what’s going on down there, I won’t force it. But if you do, there’s an address on the back of this card. Go alone, and you’ll find the beginning of a very long answer. |
| - | We both know him. We don't like him. | + | |
| - | 546 | + | < |
| - | < | + | Cobel: Mark, is that you? |
| - | I see. | + | |
| - | 547 | + | < |
| - | < | + | Mark: Hi, Mrs. Selvig. |
| - | Nothing down there is what they say. | + | |
| - | 548 | + | < |
| - | < | + | Cobel: Will you color me embarrassed for the mix-up with the bins? |
| - | If something happens to me, | + | |
| - | 549 | + | < |
| - | < | + | Mark: No, it’s no problem. |
| - | the things I know need to stay known. | + | |
| - | 550 | + | < |
| - | < | + | COEBL: How was dinner? |
| - | I'd prefer it be by a friend. | + | |
| - | 551 | + | < |
| - | < | + | Mark: Fine. I’m just, you know, tired. |
| - | So, we're friends? | + | |
| - | 552 | + | < |
| - | < | + | Cobel: You know, my mother was a Catholic. She used to say it takes the saints eight hours to bless a sleeping child. |
| - | I'm your best friend. | + | |
| - | 553 | + | < |
| - | < | + | Mark: Well, I’ll give them ample time tonight. Good night, Mrs. Selvig. |
| - | You're my very good friend. | + | |
| - | 554 | + | < |
| - | < | + | Cobel: |
| - | Mark, sorry about the card. | + | |
| - | 555 | + | < |
| - | < | + | Cobel: You’re good people. |
| - | I had to grab something, | + | |
| - | and I know it's not appropriate. | + | |
| - | 556 | + | </WRAP> |
| - | < | + | |
| - | Though I'm sure you'd be | + | |
| - | a really fucking awesome niece. | + | |
| - | 557 | + | {{tag>Transcripts}} |
| - | < | + | |
| - | We used to wonder | + | |
| - | what kind of men we were on the outside, | + | |
| - | + | ||
| - | 558 | + | |
| - | < | + | |
| - | what choices we had made and why. | + | |
| - | + | ||
| - | 559 | + | |
| - | < | + | |
| - | I used to think it would take a monster | + | |
| - | + | ||
| - | 560 | + | |
| - | < | + | |
| - | to put someone | + | |
| - | in a place like that office. | + | |
| - | + | ||
| - | 561 | + | |
| - | < | + | |
| - | Especially if the person was himself. | + | |
| - | + | ||
| - | 562 | + | |
| - | < | + | |
| - | But we're not monsters, Mark. | + | |
| - | Not real ones. | + | |
| - | + | ||
| - | 563 | + | |
| - | < | + | |
| - | If you don't wanna know what' | + | |
| - | going on down there, I won't force it. | + | |
| - | + | ||
| - | 564 | + | |
| - | < | + | |
| - | But if you do, there' | + | |
| - | on the back of this card. | + | |
| - | + | ||
| - | 565 | + | |
| - | < | + | |
| - | Go alone, and you'll find | + | |
| - | the beginning of a very long answer. | + | |
| - | + | ||
| - | 566 | + | |
| - | < | + | |
| - | Mark, is that you? | + | |
| - | + | ||
| - | 567 | + | |
| - | < | + | |
| - | Hi, Mrs. Selvig. | + | |
| - | + | ||
| - | 568 | + | |
| - | < | + | |
| - | Will you color me embarrassed | + | |
| - | for the mix-up with the bins? | + | |
| - | + | ||
| - | 569 | + | |
| - | < | + | |
| - | No, it's no problem. | + | |
| - | + | ||
| - | 570 | + | |
| - | < | + | |
| - | How was dinner? | + | |
| - | + | ||
| - | 571 | + | |
| - | < | + | |
| - | Fine. I'm just, you know, tired. | + | |
| - | + | ||
| - | 572 | + | |
| - | < | + | |
| - | You know, my mother was a Catholic. | + | |
| - | + | ||
| - | 573 | + | |
| - | < | + | |
| - | She used to say it takes the saints | + | |
| - | eight hours to bless a sleeping child. | + | |
| - | + | ||
| - | 574 | + | |
| - | < | + | |
| - | I hope you aren't rushing the saints. | + | |
| - | + | ||
| - | 575 | + | |
| - | < | + | |
| - | Well, I'll give them ample time tonight. | + | |
| - | + | ||
| - | 576 | + | |
| - | < | + | |
| - | Good night, Mrs. Selvig. | + | |
| - | + | ||
| - | 577 | + | |
| - | < | + | |
| - | Mark. | + | |
| - | + | ||
| - | 578 | + | |
| - | < | + | |
| - | You're good people. | + | |
| - | + | ||
| - | + | ||
| - | </WRAP> | + | |
good_news_about_hell_transcript.txt · Last modified: 2023-03-24 19:22 by Scribe of Kier
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