Differences
This shows you the differences between two versions of the page.
| Both sides previous revisionPrevious revisionNext revision | Previous revisionNext revisionBoth sides next revision | ||
| good_news_about_hell_script [2022-05-08 22:08] – Neatnik | good_news_about_hell_transcript [2022-08-12 02:20] – Scribe of Kier | ||
|---|---|---|---|
| Line 1: | Line 1: | ||
| <WRAP infobox> | <WRAP infobox> | ||
| - | | **Good News About Hell (script)** || | + | | **Good News About Hell (Transcript)** || |
| ^ Episode Number | 1.1 | | ^ Episode Number | 1.1 | | ||
| ^ Written By | [[https:// | ^ Written By | [[https:// | ||
| - | ^ Next Script | + | ^ Next Transcript |
| </ | </ | ||
| - | ====== Good News About Hell (script) ====== | + | ====== Good News About Hell (Transcript) ====== |
| - | This is the script | + | This is the transcript |
| - | ===== Script | + | ===== Transcript |
| <WRAP script> | <WRAP script> | ||
| - | < | + | < |
| - | [[Mark Scout|MARK]] | + | Mark: Who are you? |
| - | Who are you? | + | |
| - | < | + | < |
| - | MARK | + | Mark: Who are you? |
| - | Who are you? | + | |
| - | < | + | < |
| - | [[Helena Eagan|HELLY]] | + | Helly: |
| - | Hello? | + | |
| - | < | + | < |
| - | MARK | + | Mark: I’m sorry, I got ahead of myself. |
| - | I'm sorry, I got ahead of myself. | + | |
| - | < | + | < |
| - | MARK | + | Mark: Hi there, you on the table. I wonder if you’d mind taking a brief survey. |
| - | Hi there, you on the table. | + | |
| - | < | + | < |
| - | MARK | + | Helly: Who is that? |
| - | I wonder if you'd mind taking a brief survey. | + | |
| - | < | + | < |
| - | HELLY | + | Mark: Five questions. |
| - | Who is that? | + | |
| - | < | + | < |
| - | MARK | + | Mark: Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | Five questions. | + | |
| - | < | + | < |
| - | MARK | + | Helly: Who’s speaking? |
| - | Now, I know you're sleepy, | + | |
| - | < | + | < |
| - | MARK | + | Helly: Oh, God. |
| - | but I just bet it'll make you feel right as rain. | + | |
| - | < | + | < |
| - | HELLY | + | Helly: Hey! Open the door! |
| - | Who's speaking? | + | |
| - | 12 | + | < |
| - | < | + | Mark: I’d be just thrilled to chat once we’ve run the survey. Shall we begin with question one? |
| - | Oh, God. | + | |
| - | 13 | + | < |
| - | < | + | Helly: I’m not taking your survey. |
| - | Hey! Open the door! | + | |
| - | 14 | + | < |
| - | < | + | Mark: Shall we begin with question one? |
| - | I'd be just thrilled to chat | + | |
| - | once we've run the survey. | + | |
| - | 15 | + | < |
| - | < | + | Helly: Let me out of here. |
| - | Shall we begin with question one? | + | |
| - | 16 | + | < |
| - | < | + | Helly: Hey! |
| - | I'm not taking your survey. | + | |
| - | 17 | + | < |
| - | < | + | Helly: Open the door! |
| - | Shall we begin with question one? | + | |
| - | 18 | + | < |
| - | < | + | Helly: Fuck. |
| - | Let me out of here. | + | |
| - | 19 | + | < |
| - | < | + | Helly: |
| - | Hey! | + | |
| - | 20 | + | < |
| - | < | + | Helly: Hey. |
| - | Open the door! | + | |
| - | 21 | + | < |
| - | < | + | Mark: Hello. |
| - | Fuck. | + | |
| - | 22 | + | < |
| - | < | + | Helly: Five questions? |
| - | Hey! Let me out! | + | |
| - | 23 | + | < |
| - | < | + | Mark: Five questions. |
| - | Hey. | + | |
| - | 24 | + | < |
| - | < | + | Helly: What do I get at the end? |
| - | Hello. | + | |
| - | 25 | + | < |
| - | < | + | Mark: Depends on your answers. |
| - | Five questions? | + | |
| - | 26 | + | < |
| - | < | + | Helly: Okay. |
| - | Five questions. | + | |
| - | 27 | + | < |
| - | < | + | Mark: Great. Off we go. Now to start, who are you? |
| - | What do I get at the end? | + | |
| - | 28 | + | < |
| - | < | + | Helly: That’s the first question? |
| - | Depends on your answers. | + | |
| - | 29 | + | < |
| - | < | + | Mark: First name will do. |
| - | Okay. | + | |
| - | 30 | + | < |
| - | < | + | Helly: I don’t... |
| - | Great. Off we go. | + | |
| - | 31 | + | < |
| - | < | + | Mark: It’s okay. If you can’t answer the question, feel free to say, " |
| - | Now to start, who are you? | + | |
| - | 32 | + | < |
| - | < | + | Helly: What is this? |
| - | That's the first question? | + | |
| - | 33 | + | < |
| - | < | + | Mark: Okay, unknown. |
| - | First name will do. | + | |
| - | 34 | + | < |
| - | < | + | Mark: Question two, in which US state or territory were you born? |
| - | I don' | + | |
| - | 35 | + | < |
| - | < | + | Helly: Wait. |
| - | It's okay. | + | Mark: Which state or territory, please? |
| - | 36 | + | < |
| - | < | + | Helly: I don’t know. |
| - | If you can't answer the question, | + | Mark: Unknown. |
| - | feel free to say, " | + | |
| - | 37 | + | < |
| - | < | + | Mark: Question three, please name any US state or territory. |
| - | What is this? | + | |
| - | 38 | + | < |
| - | < | + | Helly: Fuck. I... |
| - | Okay, unknown. | + | Mark: First that comes to mind. |
| - | 39 | + | < |
| - | < | + | Helly: I don’t know. Delaware. What is this? |
| - | Question two, in which US state | + | Mark: Delaware. |
| - | or territory were you born? | + | |
| - | 40 | + | < |
| - | < | + | Mark: Question four, what is Mr. Eagan’s favorite breakfast? |
| - | - Wait. | + | |
| - | - Which state or territory, please? | + | |
| - | 41 | + | < |
| - | < | + | Helly: |
| - | - I don't know. | + | |
| - | - Unknown. | + | |
| - | 42 | + | < |
| - | < | + | Mark: Right? Unknown. |
| - | Question | + | |
| - | please name any US state or territory. | + | |
| - | 43 | + | < |
| - | < | + | Helly: Okay, what’s hap... What’s happening? |
| - | - Fuck. I... | + | |
| - | - First that comes to mind. | + | |
| - | 44 | + | < |
| - | < | + | Mark: Unknown. So that’s unknown, unknown, |
| - | - I don't know. Delaware. What is this? | + | |
| - | - Delaware. | + | |
| - | 45 | + | < |
| - | < | + | Helly: What the hell did you do to me? |
| - | Question four, | + | |
| - | what is Mr. Eagan' | + | |
| - | 46 | + | < |
| - | < | + | Mark: That’s a perfect score. |
| - | I don' | + | |
| - | 47 | + | < |
| - | < | + | Florence: Are you ready for Mr. Scout? |
| - | Right? Unknown. Question five. | + | |
| - | 48 | + | < |
| - | < | + | Florence: Thank you. |
| - | And as a reminder, | + | |
| - | this is the final question. | + | |
| - | 49 | + | < |
| - | < | + | Florence: Go ahead. |
| - | To the best of your memory, | + | |
| - | 50 | + | < |
| - | < | + | Judd: Mr. Scout. |
| - | what is or was the color | + | |
| - | of your mother' | + | |
| - | 51 | + | < |
| - | < | + | Mark: Hi, Judd. |
| - | Okay, what's hap... What's happening? | + | |
| - | 52 | + | < |
| - | < | + | Judd: All right, see you this evening. |
| - | Unknown. | + | Mark: Yep, see you soon. |
| - | 53 | + | < |
| - | < | + | Dylan: You’re breathing shitty. |
| - | So that's unknown, | + | Mark: Sorry. |
| - | unknown, Delaware, unknown, unknown. | + | |
| - | 54 | + | < |
| - | < | + | Dylan: You sick? |
| - | What the hell did you do to me? | + | |
| - | 55 | + | < |
| - | < | + | Mark: Maybe. Petey was sniffling yesterday. |
| - | That's a perfect score. | + | |
| - | 56 | + | < |
| - | < | + | Dylan: If you breathe on me, I’ll rip your larynx out. |
| - | Are you ready for Mr. Scout? | + | |
| - | 57 | + | < |
| - | < | + | Mark: Wow. That went right to ten. I feel like ripping out my germ-ridden larynx would get you sicker than just me breathing on you. |
| - | Thank you. | + | |
| - | 58 | + | < |
| - | < | + | Mark: Oh. |
| - | Go ahead. | + | |
| - | 59 | + | < |
| - | < | + | Dylan: Petey better not be out for the day, ’cause I’m about zero seconds from wrapping the Tumwater file, and he needs to process it. |
| - | Mr. Scout. | + | |
| - | 60 | + | < |
| - | < | + | Mark: I think he’s out. |
| - | Hi, Judd. | + | |
| - | 61 | + | < |
| - | < | + | Dylan: If he doesn’t process today, they won’t know until Tuesday of next week. It’s typical Lumon bullshit. |
| - | - All right, see you this evening. | + | |
| - | - Yep, see you soon. | + | |
| - | 62 | + | < |
| - | < | + | Mark: Careful, guy. |
| - | - You're breathing shitty. | + | |
| - | - Sorry. | + | |
| - | 63 | + | < |
| - | < | + | Irving: Hi, kids. What’s for dinner? |
| - | You sick? | + | |
| - | 64 | + | < |
| - | < | + | Dylan: Goddamn it, Irv. We warned you. |
| - | Maybe. Petey was sniffling yesterday. | + | |
| - | 65 | + | < |
| - | < | + | Irving: About the greeting? You were kidding. |
| - | If you breathe on me, | + | |
| - | I'll rip your larynx out. | + | |
| - | 66 | + | < |
| - | < | + | Dylan: No, we sincerely hate it. How many reasons did we come up with? |
| - | Wow. That went right to ten. | + | |
| - | 67 | + | < |
| - | < | + | Mark: Eight. |
| - | I feel like | + | Dylan: Eight reasons. |
| - | ripping out my germ-ridden larynx | + | |
| - | 68 | + | < |
| - | < | + | Dylan: Chief among them the latent condescension. |
| - | would get you sicker | + | |
| - | than just me breathing on you. | + | |
| - | 69 | + | < |
| - | < | + | Mark: And it’s confusing. Like, did the kids make you dinner in this scenario? Or... |
| - | Nah. Endorphins. | + | |
| - | 70 | + | < |
| - | < | + | Dylan: Yeah. What kind of a shit dad are you? |
| - | Petey better not be out for the day, | + | |
| - | 'cause I'm about zero seconds | + | |
| - | 71 | + | < |
| - | < | + | Irving: No Petey? |
| - | from wrapping the Tumwater file, | + | Mark: We think he’s sick. |
| - | and he needs to process it. | + | |
| - | 72 | + | < |
| - | < | + | Irving: Oh, no. And Dylan’s about to wrap Tumwatertoday. |
| - | I think he's out. | + | |
| - | 73 | + | < |
| - | < | + | Dylan: Yeah, and if he doesn’t see me finish, I might get passed over for refiner |
| - | If he doesn't process today, they won' | + | |
| - | know until Tuesday | + | |
| - | 74 | + | < |
| - | < | + | Irving: Grumble, grumble. These perks are so out of hand. When we’d process a file in the old days, they’d shake our hand and fill up the creamer. |
| - | - It's typical Lumon bullshit. | + | |
| - | - Careful, guy. | + | |
| - | 75 | + | < |
| - | < | + | Dylan: I still don’t buy they actually incentivized creamer. |
| - | Hi, kids. What's for dinner? | + | |
| - | 76 | + | < |
| - | < | + | Irving: They did. And back then, we were grateful for it. |
| - | Goddamn it, Irv. We warned you. | + | |
| - | 77 | + | < |
| - | < | + | Dylan: That’s fucked, dude. |
| - | About the greeting? You were kidding. | + | |
| - | 78 | + | < |
| - | < | + | Irving: Yes, very fucked. To put in an honest day’s work and not get a children’s breakfast in return. |
| - | No, we sincerely hate it. | + | |
| - | How many reasons did we come up with? | + | |
| - | 79 | + | < |
| - | < | + | Dylan: Irv’s got claws today. |
| - | - Eight. | + | |
| - | - Eight reasons. | + | |
| - | 80 | + | < |
| - | < | + | Milchick: Good morning, Macrodata Refinement. |
| - | Chief among them the | + | |
| - | latent condescension. | + | |
| - | 81 | + | < |
| - | < | + | Irving: Hi, Mr. Milchick. |
| - | And it's confusing. Like, did the kids | + | |
| - | make you dinner in this scenario? Or... | + | |
| - | 82 | + | < |
| - | < | + | Milchick: Mark, could I have a word? |
| - | Yeah. What kind of a shit dad are you? | + | |
| - | 83 | + | < |
| - | < | + | Milchick: Last time you saw Ms. Cobel, she was in her old office. Now she’s in her new office. It’s a completely different office. |
| - | - No Petey? | + | |
| - | - We think he's sick. | + | |
| - | 84 | + | < |
| - | < | + | Mark: What’s this about? |
| - | Oh, no. And Dylan's | + | |
| - | about to wrap Tumwater today. | + | |
| - | 85 | + | < |
| - | < | + | Milchick: She’d never say so, but I know a compliment about the office would just make her day. |
| - | Yeah, and if he doesn' | + | |
| - | 86 | + | < |
| - | < | + | Cobel: Mark? Come in. Shut the thing. |
| - | I might get passed over | + | |
| - | for refiner of the quarter | + | |
| - | 87 | + | < |
| - | < | + | Mark: Nice office. |
| - | and miss out on my goddamn waffle party. | + | |
| - | 88 | + | < |
| - | < | + | Cobel: It’s horrid. |
| - | Grumble, grumble. | + | |
| - | These perks are so out of hand. | + | |
| - | 89 | + | < |
| - | < | + | Mark: Yeah, the old one was better. |
| - | When we'd process | + | |
| - | a file in the old days, | + | |
| - | 90 | + | < |
| - | < | + | Cobel: Oh... You look awful. You look hungover. Have a seat. |
| - | they'd shake our hand | + | |
| - | and fill up the creamer. | + | |
| - | 91 | + | < |
| - | < | + | Cobel:The Boardwill be joining us remotely today. |
| - | I still don't buy | + | |
| - | they actually incentivized creamer. | + | |
| - | 92 | + | < |
| - | < | + | Cobel: I have Mark S. at my desk. |
| - | They did. | + | |
| - | And back then, we were grateful for it. | + | |
| - | 93 | + | < |
| - | < | + | Mark: Oh, uh, hello. I assume this is about me acting as department chief today. Okay. Well... I mean, I’ve subbed for Petey before, so it shouldn’t be that big a thing. |
| - | That's fucked, dude. | + | |
| - | 94 | + | < |
| - | < | + | Cobel: Petey is no longer with this company. |
| - | Yes, very fucked. | + | |
| - | 95 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | To put in an honest day's work and not | + | |
| - | get a children' | + | |
| - | 96 | + | < |
| - | < | + | Cobel: I said, Petey is no longer with this company. |
| - | Irv's got claws today. | + | |
| - | 97 | + | < |
| - | < | + | Milchick: I’m sorry, Mark. You guys were one of my favorite office friendships. |
| - | Good morning, Macrodata Refinement. | + | |
| - | 98 | + | < |
| - | < | + | Mark: I mean, there should have been some notice of this. What happened? |
| - | Hi, Mr. Milchick. | + | |
| - | 99 | + | < |
| - | < | + | Milchick: We’d love to tell you, but unfortunately, |
| - | Mark, could I have a word? | + | |
| - | 100 | + | < |
| - | < | + | Cobel: Mark, would you place your key card on my desk? |
| - | Last time you saw Ms. Cobel, | + | |
| - | she was in her old office. | + | |
| - | 101 | + | < |
| - | < | + | Cobel: Mark S., at this time I confer upon you the freedom to serve Kier in the advanced role of Macrodata Refinement department chief. Congratulations. |
| - | Now she' | + | |
| - | 102 | + | < |
| - | < | + | Cobel: Oh, a handshake is available upon request. |
| - | It' | + | |
| - | 103 | + | < |
| - | < | + | Mark: Thank you. May I have a handshake? |
| - | What's this about? | + | |
| - | 104 | + | < |
| - | < | + | Cobel: I know you haven’t run a training before, but Irving will be there to shadow. Just stick to the flowchart and escalate properly depending on dialectics. You’ll be fine. |
| - | She'd never say so, | + | |
| - | 105 | + | < |
| - | < | + | Milchick: If you need to take a few minutes... |
| - | but I know a compliment about the office | + | Mark: Thank you. I don’t. |
| - | would just make her day. | + | |
| - | 106 | + | < |
| - | < | + | Mark: Oh, and, uh, thank you to the Board as well. |
| - | Mark? Come in. Shut the thing. | + | |
| - | 107 | + | < |
| - | < | + | Cobel: The Board won’t be contributing to this meeting vocally. |
| - | Nice office. | + | |
| - | 108 | + | < |
| - | < | + | Irving: Our last refiner, who was a woman, was... |
| - | It's horrid. | + | |
| - | 109 | + | < |
| - | < | + | Mark: Carol. Dylan’s |
| - | Yeah, the old one was better. | + | |
| - | 110 | + | < |
| - | < | + | Irving: Don’t be sad. |
| - | You look awful. You look hungover. | + | |
| - | 111 | + | < |
| - | < | + | Mark: I’m fine. We’ll be fine. |
| - | Have a seat. | + | |
| - | 112 | + | < |
| - | < | + | Irving: I know you and Petey were close. He was the only one who really appreciated your humor. |
| - | The Board will be joining us | + | |
| - | remotely today. | + | |
| - | 113 | + | < |
| - | < | + | Mark: Everything’s fine. So, I’m supposed to start with just the input survey? Isn’t that a little weird? |
| - | I have Mark S. at my desk. | + | |
| - | 114 | + | < |
| - | < | + | Milchick: It’s standard. Just start at 1A and continue by line, based on her answers. |
| - | Hello. You... | + | |
| - | 115 | + | < |
| - | < | + | Mark: Well, what if I just talk to her? |
| - | I assume this is about me acting | + | |
| - | as department chief today. | + | |
| - | 116 | + | < |
| - | < | + | Milchick: She deserves to have the information presented to her in the proper order. Just as you had. |
| - | Okay. Well... I mean, | + | |
| - | 117 | + | < |
| - | < | + | Mark: "If the trainee becomes agitated and demands to leave, skip to page 19." |
| - | I've subbed for Petey before, | + | |
| - | so it shouldn' | + | |
| - | 118 | + | < |
| - | < | + | Irving: She has to ask three times for you to let her. |
| - | Petey is no longer with this company. | + | |
| - | 119 | + | < |
| - | < | + | Mark: Right. Yes. |
| - | I'm sorry? | + | |
| - | 120 | + | < |
| - | < | + | Mark: Image is good. |
| - | I said, | + | |
| - | Petey is no longer with this company. | + | |
| - | 121 | + | < |
| - | < | + | Irving: She looks nice. |
| - | I'm sorry, Mark. You guys were | + | |
| - | one of my favorite office friendships. | + | |
| - | 122 | + | < |
| - | < | + | Milchick: Okay. You’re all set. |
| - | I mean, there should have been | + | |
| - | some notice of this. What happened? | + | |
| - | 123 | + | < |
| - | < | + | Milchick: I just love seeing |
| - | We' | + | |
| - | 124 | + | < |
| - | < | + | Milchick: Go on ahead when you’re ready. |
| - | but unfortunately, | + | |
| - | non-disclosure policy forbids. | + | |
| - | 125 | + | < |
| - | < | + | Irving: All right. |
| - | We'd be aiding an assault | + | Mark: Okay. |
| - | on Petey' | + | |
| - | 126 | + | < |
| - | < | + | Irving: There you go. |
| - | Mark, would you place your key card | + | |
| - | on my desk? | + | |
| - | 127 | + | < |
| - | < | + | Mark: Who are you? |
| - | Mark S., at this time I confer upon you | + | |
| - | the freedom to serve Kier | + | |
| - | 128 | + | < |
| - | < | + | Irving: All right. |
| - | in the advanced role of Macrodata | + | |
| - | Refinement department chief. | + | |
| - | 129 | + | < |
| - | < | + | Mark: Who are you? |
| - | Congratulations. | + | |
| - | 130 | + | < |
| - | < | + | Irving: Mark. |
| - | A handshake is available upon request. | + | Mark: What? |
| - | 131 | + | < |
| - | < | + | Irving: You skipped the preamble. |
| - | Thank you. May I have a handshake? | + | |
| - | 132 | + | < |
| - | < | + | Helly: Hello? |
| - | I know you haven' | + | |
| - | but Irving will be there to shadow. | + | |
| - | 133 | + | < |
| - | < | + | Mark: Shit! |
| - | Just stick to the flowchart and escalate | + | |
| - | properly depending on dialectics. | + | |
| - | 134 | + | < |
| - | < | + | Mark: I’m sorry, I got ahead of myself. |
| - | You'll be fine. | + | |
| - | 135 | + | < |
| - | < | + | Irving: That’s it. |
| - | - If you need to take a few minutes... | + | Mark: Okay. |
| - | - Thank you. I don't. | + | |
| - | 136 | + | < |
| - | < | + | Mark: Hi there, |
| - | And thank you to the Board as well. | + | |
| - | 137 | + | < |
| - | < | + | Helly: Who is that? |
| - | The Board won't be contributing | + | |
| - | to this meeting vocally. | + | |
| - | 138 | + | < |
| - | < | + | Mark: Five questions. Now, I know you’re sleepy, but I just bet it’ll make you feel right as rain. |
| - | Our last refiner, who | + | |
| - | was a woman, was... | + | |
| - | 139 | + | < |
| - | < | + | Helly: Who’s speaking? |
| - | Carol. Dylan's old seat. | + | |
| - | 140 | + | < |
| - | < | + | Mark: " |
| - | Don't be sad. | + | |
| - | 141 | + | < |
| - | < | + | Helly: Hey! Open the door! |
| - | I'm fine. We'll be fine. | + | |
| - | 142 | + | < |
| - | < | + | Irving: Mark. |
| - | I know you and Petey were close. | + | |
| - | 143 | + | < |
| - | < | + | Mark: I’d be just thrilled to chat, once we’ve run the survey. Shall we begin with question one? |
| - | He was the only one | + | |
| - | who really appreciated your humor. | + | |
| - | 144 | + | < |
| - | < | + | Helly: |
| - | Everything' | + | |
| - | to start with just the input survey? | + | |
| - | 145 | + | < |
| - | < | + | Mark: Shall we begin with question one? |
| - | Isn't that a little weird? | + | |
| - | 146 | + | < |
| - | < | + | Helly: Let me out of here. Hey! |
| - | It's standard. | + | |
| - | 147 | + | < |
| - | < | + | Helly: Open the door! |
| - | Just start at 1A and continue by line, | + | Irving: She’s not supposed to do that. |
| - | based on her answers. | + | |
| - | 148 | + | < |
| - | < | + | Helly: Hey! |
| - | Well, what if I just talk to her? | + | |
| - | 149 | + | < |
| - | < | + | Irving: |
| - | She deserves to have the information | + | |
| - | presented | + | |
| - | 150 | + | < |
| - | < | + | Helly: Let me out! |
| - | Just as you had. | + | Mark: No, she’s not. |
| - | 151 | + | < |
| - | < | + | Milchick: Are you seeing this? |
| - | "If the trainee becomes agitated | + | |
| - | and demands to leave, skip to page 19." | + | |
| - | 152 | + | < |
| - | < | + | Cobel: I’m watching. |
| - | She has to ask three times | + | |
| - | for you to let her. | + | |
| - | 153 | + | < |
| - | < | + | Milchick: Should I help? |
| - | Right. Yes. | + | |
| - | 154 | + | < |
| - | < | + | Cobel: You should not. |
| - | Image is good. | + | |
| - | 155 | + | < |
| - | < | + | Mark: That’s a perfect score. |
| - | She looks nice. | + | |
| - | 156 | + | < |
| - | < | + | Mark: Now, I think I know where our disconnect is coming from. |
| - | Okay. You're all set. | + | |
| - | 157 | + | < |
| - | < | + | Helly: What? |
| - | I just love | + | Mark: Well, there was a preamble, which I was supposed to read before the survey, to lead into the questions and... But I unfortunately skipped that and went straight into the survey. |
| - | seeing you all come in like this. | + | |
| - | 158 | + | < |
| - | < | + | Helly: Am I livestock? |
| - | Go on ahead when you're ready. | + | |
| - | 159 | + | < |
| - | < | + | Mark: I’m sorry? |
| - | - All right. | + | |
| - | - Okay. | + | |
| - | 160 | + | < |
| - | < | + | Helly: Like, did you grow me as food and that’s why I have no memories? |
| - | There you go. | + | |
| - | 161 | + | < |
| - | < | + | Mark: You think we grew a full human, gave you consciousness... |
| - | Who are you? | + | |
| - | 162 | + | < |
| - | < | + | Helly: I don’t know. |
| - | All right. | + | Mark: did your nails and... |
| - | 163 | + | < |
| - | < | + | Helly: I don’t know. I don’t know you. |
| - | Who are you? | + | |
| - | 164 | + | < |
| - | < | + | Mark: No, you’re not livestock. Good Lord. |
| - | - Mark. | + | |
| - | - What? | + | |
| - | 165 | + | < |
| - | < | + | Helly: Then what’s my name? |
| - | You skipped the preamble. | + | |
| - | 166 | + | < |
| - | < | + | Mark: Helly. Your name is Helly. Helly R. |
| - | Hello? | + | |
| - | 167 | + | < |
| - | < | + | Mark: Please. |
| - | Shit! | + | |
| - | 168 | + | < |
| - | < | + | Mark: Thank you for taking the welcome survey. |
| - | I'm sorry, I got ahead of myself. | + | |
| - | 169 | + | < |
| - | < | + | Mark: You see, you have been hired to a position on the Severed Floor ofLumon Industries. |
| - | - That's it. | + | |
| - | - Okay. | + | |
| - | 170 | + | < |
| - | < | + | Helly: The what floor? |
| - | Hi there, you on the table. | + | |
| - | 171 | + | < |
| - | < | + | Mark: I understand |
| - | I wonder if you'd mind | + | |
| - | taking | + | |
| - | 172 | + | < |
| - | < | + | Mark: Ow! Fuck! |
| - | Who is that? | + | |
| - | 173 | + | < |
| - | < | + | Mark: That locks from out there! |
| - | Five questions. | + | |
| - | 174 | + | < |
| - | < | + | Helly: Let me out! |
| - | Now, I know you're sleepy, | + | Mark: God! |
| - | 175 | + | < |
| - | < | + | Mark: Can we just take a beat? Please. |
| - | but I just bet | + | |
| - | it'll make you feel right as rain. | + | |
| - | 176 | + | < |
| - | < | + | Mark: Please. |
| - | Who's speaking? | + | |
| - | 177 | + | < |
| - | < | + | Mark: Okay, my name’s Mark. And, uh... So, I... |
| - | " | + | |
| - | 178 | + | < |
| - | < | + | Mark: You know, few years back, I woke up on this table. In this room. And a disembodied voice asked me 19 times who I was. |
| - | Hey! Open the door! | + | |
| - | 179 | + | < |
| - | < | + | Mark: And when I realized I couldn’t answer, I told that voice that I would find him and kill him. |
| - | Mark. | + | |
| - | 180 | + | < |
| - | < | + | Mark: I don’t know why I said that. I mean, I was scared too. |
| - | I'd be just thrilled to chat, | + | |
| - | once we've run the survey. | + | |
| - | 181 | + | < |
| - | < | + | Helly: Did you kill the voice? |
| - | Shall we begin with question one? | + | |
| - | 182 | + | < |
| - | < | + | Mark: No. |
| - | I'm not taking your survey. | + | |
| - | 183 | + | < |
| - | < | + | Mark: No, that voice’s name was Petey, and he became my best friend. |
| - | Shall we begin with question one? | + | |
| - | 184 | + | < |
| - | < | + | Mark: So, look, you know, there is a life to be had here, Helly. |
| - | Let me out of here. Hey! | + | |
| - | 185 | + | < |
| - | < | + | Helly: A life to be had? |
| - | - Open the door! | + | |
| - | - She's not supposed | + | |
| - | 186 | + | < |
| - | < | + | Mark: Well, you see, life, like a seesaw, requi— |
| - | Hey! | + | |
| - | 187 | + | < |
| - | < | + | Helly: Let me the fuck out of here! |
| - | She's going to break in. | + | |
| - | 188 | + | < |
| - | < | + | Mark: Ask me again. |
| - | - Let me out! | + | Helly: What? |
| - | - No, she's not. | + | |
| - | 189 | + | < |
| - | < | + | Mark: You’ve asked twice to be let go. Ask one more time. |
| - | Are you seeing this? | + | |
| - | 190 | + | < |
| - | < | + | Helly: Mark. |
| - | I'm watching. | + | Mark: Yeah? |
| - | 191 | + | < |
| - | < | + | Helly: |
| - | Should | + | |
| - | 192 | + | < |
| - | < | + | Mark: I understand you don’t feel it’s working out for you here at Lumon. While disappointed, |
| - | You should | + | |
| - | 193 | + | < |
| - | < | + | Mark: Irv. |
| - | That's a perfect score. | + | |
| - | 194 | + | < |
| - | < | + | Mark: The departments are pretty spaced out, but it’ll all fill in one day. They’re planning an expansion. |
| - | Now, I think I know where | + | |
| - | our disconnect is coming from. | + | |
| - | 195 | + | < |
| - | < | + | Helly: And I’m, what, part of that? |
| - | - What? | + | |
| - | - Well, there was a preamble, | + | |
| - | 196 | + | < |
| - | < | + | Mark: No. You’re a replacement. |
| - | which I was supposed to read | + | |
| - | before the survey, | + | |
| - | 197 | + | < |
| - | < | + | Helly: Replacement for who? Why are you saying that like you hate it? |
| - | to lead into the questions and... | + | |
| - | 198 | + | < |
| - | < | + | Mark: Here’s your stairwell. Just past the bend. |
| - | But I unfortunately skipped that | + | |
| - | and went straight into the survey. | + | |
| - | 199 | + | < |
| - | < | + | Helly: You’re not coming with me? |
| - | Am I livestock? | + | |
| - | 200 | + | < |
| - | < | + | Mark: I’m not allowed to see. |
| - | I'm sorry? | + | |
| - | 201 | + | < |
| - | < | + | Helly: Excuse |
| - | Like, did you grow me as food | + | |
| - | and that's why I have no memories? | + | |
| - | 202 | + | < |
| - | < | + | Mark: Well, once you leave, you... I just can’t watch you leave. |
| - | You think we grew a full human, | + | |
| - | gave you consciousness... | + | |
| - | 203 | + | < |
| - | < | + | Helly: Of course you can’t. |
| - | - I don't know. | + | |
| - | - did your nails and... | + | |
| - | 204 | + | < |
| - | < | + | Helly: What the hell? |
| - | I don't know. I don't know you. | + | |
| - | 205 | + | < |
| - | < | + | Helly: Am I dead? |
| - | No, you're not livestock. Good Lord. | + | Mark: No. |
| - | 206 | + | < |
| - | < | + | Helly: This isn’t, like, hell or something? |
| - | Then what's my name? | + | Mark: No. |
| - | 207 | + | < |
| - | < | + | Helly: Then why the fuck can’t I leave? |
| - | Helly. | + | |
| - | 208 | + | < |
| - | < | + | Mark: Well, you did leave, just now. Out into the stairwell at least. |
| - | Your name is Helly. Helly R. | + | |
| - | 209 | + | < |
| - | < | + | Mark: You left, but you came back. |
| - | Please. | + | |
| - | 210 | + | < |
| - | < | + | Helly: I did not. |
| - | Thank you for taking the welcome survey. | + | Mark: You did. Come on. |
| - | 211 | + | < |
| - | < | + | Cobel: Weaponizing office equipment on your first day. You are gonna be fun. Look, I do sympathize. |
| - | I can sense that the questions | + | |
| - | made you feel afraid or disoriented. | + | |
| - | 212 | + | < |
| - | < | + | Helly: Why is that? |
| - | Well, the good news is, | + | |
| - | you're at an orientation. | + | |
| - | 213 | + | < |
| - | < | + | Cobel: Because it’s |
| - | You see, you have | + | |
| - | been hired to a position | + | |
| - | 214 | + | < |
| - | < | + | Cobel: Welcome to Lumon, Helly. |
| - | on the severed floor | + | |
| - | of Lumon Industries. | + | |
| - | 215 | + | < |
| - | < | + | Cobel: Have a seat. |
| - | The what floor? | + | |
| - | 216 | + | < |
| - | < | + | Mark: Are you mad at me? |
| - | I understand | + | |
| - | about the severance procedure. | + | |
| - | 217 | + | < |
| - | < | + | Cobel: For the incompetence or the disobedience? |
| - | Before we hop on that, | + | |
| - | 218 | + | < |
| - | < | + | Mark: Well... |
| - | let's chat about something I bet you | + | Cobel: Yes! |
| - | have heard of, the work/life balance. | + | |
| - | 219 | + | < |
| - | < | + | Cobel: You know, my mother was an atheist. She used to say that there was good news and bad news about hell. The good news is, hell is just the product of a morbid human imagination. The bad news is, whatever humans can imagine, they can usually create. |
| - | To start, imagine yourself as a seesaw. | + | |
| - | 220 | + | < |
| - | < | + | Mark: I don’t know what that means. |
| - | Fuck! | + | |
| - | 221 | + | < |
| - | < | + | Cobel: A department like yours can go so good or so bad. You know what makes the difference? The people. |
| - | That locks from out there! | + | |
| - | 222 | + | < |
| - | < | + | Milchick: You can have a seat. |
| - | - Let me out! | + | |
| - | - God! | + | |
| - | 223 | + | < |
| - | < | + | Milchick: Okay, go ahead and have a seat. |
| - | Can we just take a beat? Please. | + | |
| - | 224 | + | < |
| - | < | + | Helly: My name is Helly R. I’m making this video roughly two hours before it will be shown to me. I have, of my own free accord, elected to undergo the procedure colloquially known as severance. I give consent for my perceptual chronologies to be surgically split, separating my memories between my work life and my personal life. I acknowledge that, henceforth, my access to my memories will be spatially dictated. I will be unable to access outside recollections whilst on Lumon’s severed basement floor, nor retain work memories upon my ascent. I am aware that this alteration is comprehensive and irreversible. I make these statements freely. |
| - | Please. | + | |
| - | 225 | + | < |
| - | < | + | Milchick: |
| - | Okay, my name's Mark. | + | |
| - | 226 | + | < |
| - | < | + | Milchick: Okay. Go ahead. |
| - | And... So, I... | + | |
| - | 227 | + | < |
| - | < | + | Helly: So I’ll never leave here? |
| - | You know, few years back, | + | |
| - | I woke up on this table. | + | |
| - | 228 | + | < |
| - | < | + | Mark: You’ll leave at 5:00. Well, actually, they stagger our exits, so 5:15. But it won’t feel like it. Not to this version of you anyway. |
| - | In this room. | + | |
| - | 229 | + | < |
| - | < | + | Helly: Do I have a family? |
| - | And a disembodied voice | + | |
| - | asked me 19 times who I was. | + | |
| - | 230 | + | < |
| - | < | + | Mark: You’ll never know. |
| - | And when I realized I couldn' | + | |
| - | 231 | + | < |
| - | < | + | Helly: And I have no choice. |
| - | I told that voice that I would find him | + | |
| - | and kill him. | + | |
| - | 232 | + | < |
| - | < | + | Mark: Well, every time you find yourself here, it’s because you chose to come back. |
| - | I don't know why I said that. | + | |
| - | I mean, I was scared too. | + | |
| - | 233 | + | < |
| - | < | + | Irving: Hello. |
| - | Did you kill the voice? | + | |
| - | 234 | + | < |
| - | < | + | Mark: Good night. |
| - | No. | + | |
| - | 235 | + | < |
| - | < | + | Judd: Good night. |
| - | No, that voice' | + | |
| - | and he became my best friend. | + | |
| - | 236 | + | < |
| - | < | + | Mark: "Dear Mark, Whilst carrying boxes in a room today, you slipped on an overhead projector slide and sustained |
| - | So, look, you know, | + | |
| - | there is a life to be had here, Helly. | + | |
| - | 237 | + | < |
| - | < | + | Helly: Hey! |
| - | A life to be had? | + | |
| - | 238 | + | < |
| - | < | + | Mark: Sorry. |
| - | Well, you see, | + | |
| - | life, like a seesaw, requi... | + | |
| - | 239 | + | < |
| - | < | + | Helly: Maybe keep your eyes on the icy road. |
| - | Let me the fuck out of here! | + | |
| - | 240 | + | < |
| - | < | + | Mark: Sorry. |
| - | - Ask me again. | + | |
| - | - What? | + | |
| - | 241 | + | < |
| - | < | + | Television: //Indeed, this gnat will spend much of its three to seven-day life...// |
| - | You've asked twice to be let go. | + | |
| - | Ask one more time. | + | |
| - | 242 | + | < |
| - | < | + | Mark: No, I know, Mrs. Selvig. It’s just, it was in my space again. Yeah. Well, trash comes tomorrow night. Tonight’s recycling. Yeah, it is weird, but that’s how they do it. And with both yours, there’s no room for... |
| - | - Mark. | + | |
| - | - Yeah? | + | |
| - | 243 | + | < |
| - | < | + | Devon: Hey. |
| - | I would like to leave the building now. | + | Mark: Hey. |
| - | 244 | + | < |
| - | < | + | Devon: Did you forget? |
| - | I understand you don't feel | + | |
| - | it's working out for you here at Lumon. | + | |
| - | 245 | + | < |
| - | < | + | Mark: Oh, yeah. Shit. |
| - | While disappointed, I'd hate to | + | |
| - | keep you somewhere you're not happy. | + | |
| - | 246 | + | < |
| - | < | + | Devon: That’s okay. |
| - | So, let's get you outta here. | + | |
| - | 247 | + | < |
| - | < | + | Mark: Sorry. |
| - | Irv. | + | Devon: That’s fine. |
| - | 248 | + | < |
| - | < | + | Devon: Do you wanna put on pants, and I’ll... |
| - | The departments are pretty spaced out, | + | Mark: I’m wearing pants. |
| - | but it'll all fill in one day. | + | |
| - | 249 | + | < |
| - | < | + | Devon: meet you in... Those are not pants. |
| - | They' | + | |
| - | 250 | + | < |
| - | < | + | Mark: So if there’s no dinner, how is it dinner? |
| - | And I'm, what, part of that? | + | |
| - | 251 | + | < |
| - | < | + | Devon: Okay. |
| - | No. You're a replacement. | + | Mark: Like... |
| - | 252 | + | < |
| - | < | + | Devon: You actually owe me this. |
| - | Replacement for who? | + | |
| - | 253 | + | < |
| - | < | + | Mark: Do I? |
| - | Why are you saying | + | Devon: Yep. |
| - | that like you hate it? | + | |
| - | 254 | + | < |
| - | < | + | Devon: You remember that time when we were kids and I was a way better sibling than you? |
| - | Here's your stairwell. | + | |
| - | Just past the bend. | + | |
| - | 255 | + | < |
| - | < | + | Mark: Must have slipped my mind. |
| - | You're not coming with me? | + | |
| - | 256 | + | < |
| - | < | + | Devon: Also, I know we’re nearing the anniversary, |
| - | I'm not allowed to see. | + | |
| - | 257 | + | < |
| - | < | + | Mark: Nope. |
| - | Excuse me? | + | |
| - | 258 | + | < |
| - | < | + | Devon: This is nice. When did you get it? |
| - | Well, once you leave, you... | + | |
| - | 259 | + | < |
| - | < | + | Mark: Something from work, and they apologized. |
| - | I just can't watch you leave. | + | |
| - | 260 | + | < |
| - | < | + | Devon: They apologized. Thank God. Did they tack an explanation onto that apology? |
| - | Of course you can't. | + | |
| - | 261 | + | < |
| - | < | + | Mark: It’s fine. Got a gift card. |
| - | What the hell? | + | |
| - | 262 | + | < |
| - | < | + | Devon: You got a gift card. Where’s he going to? |
| - | - Am I dead? | + | |
| - | - No. | + | |
| - | 263 | + | < |
| - | < | + | Mark: I don’t know. Pip’s. |
| - | - This isn't, like, hell or something? | + | |
| - | - No. | + | |
| - | 264 | + | < |
| - | < | + | Devon: Of course it’s Pip’s. Well, enjoy. |
| - | Then why the fuck can't I leave? | + | |
| - | 265 | + | < |
| - | < | + | Mark: I will, without |
| - | Well, you did leave, just now. | + | |
| - | Out into the stairwell at least. | + | |
| - | 266 | + | < |
| - | < | + | Ricken: There’s our captive. |
| - | You left, but you came back. | + | |
| - | 267 | + | < |
| - | < | + | Mark: Hi, Rick. |
| - | - I did not. | + | Ricken: Ricken. Come on, it’s Ricken. |
| - | - You did. | + | |
| - | 268 | + | < |
| - | < | + | Ricken: You, sir, look at peace. |
| - | Come on. | + | Mark: You know. |
| - | 269 | + | < |
| - | < | + | Mark: Okay. |
| - | Weaponizing office equipment | + | Devon: Hi, baby. |
| - | on your first day. | + | |
| - | 270 | + | < |
| - | < | + | Ricken: Hi. |
| - | You are gonna be fun. | + | |
| - | 271 | + | < |
| - | < | + | Patton: No, what a lot of people overlook, I think, is that life is not food. |
| - | Look, I do sympathize. | + | |
| - | 272 | + | < |
| - | < | + | Danise: Right. |
| - | I've wanted to pummel Mark myself, | + | Patton: You’ve got life, |
| - | but I am his employer. | + | |
| - | 273 | + | < |
| - | < | + | Patton: this complex quality of sentience and activity. |
| - | And he is your department chief. | + | |
| - | 274 | + | < |
| - | < | + | Ricken: Yes, what is it? |
| - | So we'll both have to be strong. | + | Patton: Fuel. |
| - | 275 | + | < |
| - | < | + | Patton: Calories. It’s not the same thing. |
| - | The good news is, there's only | + | |
| - | one part left of your orientation, | + | |
| - | 276 | + | < |
| - | < | + | Ricken: Yes, that is spot on, Patton. |
| - | which Mark can't possibly derail. | + | Rebeck: I definitely agree. |
| - | 277 | + | < |
| - | < | + | Devon: Though, if I’m...Sorry, |
| - | Why is that? | + | |
| - | 278 | + | < |
| - | < | + | Mark: True. |
| - | Because it's a video. | + | Devon: It was low-hanging fruit. |
| - | 279 | + | < |
| - | < | + | Ricken: He did. He was a misdiagnosed alcoholic. |
| - | Welcome to Lumon, Helly. | + | |
| - | 280 | + | < |
| - | < | + | Danise: Now, Mark, Ricken told Rebeck and me that you’re |
| - | Have a seat. | + | |
| - | 281 | + | < |
| - | < | + | Mark: Yeah. |
| - | Are you mad at me? | + | |
| - | 282 | + | < |
| - | < | + | Danise: So, I’m curious for your take on all of this. The food v life of it. |
| - | For the incompetence | + | |
| - | or the disobedience? | + | |
| - | 283 | + | < |
| - | < | + | Mark: Well, I’m not sure. I taught mostly about World War I. |
| - | - Well... | + | |
| - | - Yes! | + | |
| - | 284 | + | < |
| - | < | + | Patton: Okay. Well, I got one for you. I was just reading this think piece about the comparative levels of violence and warfare throughout history. |
| - | You know, my mother | + | |
| - | 285 | + | < |
| - | < | + | Ricken: Nerd alert. |
| - | She used to say that there was | + | |
| - | good news and bad news about hell. | + | |
| - | 286 | + | < |
| - | < | + | Patton: War porn, I know. |
| - | The good news is, | + | |
| - | 287 | + | < |
| - | < | + | Patton: But anyway, in it, he said that the people actually called it the Great War. Apparently, it would have been a faux pas to have called it World War I. |
| - | hell is just the product | + | |
| - | of a morbid human imagination. | + | |
| - | 288 | + | < |
| - | < | + | Ricken: Is that right? |
| - | The bad news is, | + | |
| - | 289 | + | < |
| - | < | + | Mark: Well, you know, no one would’ve called it World War I ’cause World War II hadn’t happened yet. |
| - | whatever humans can imagine, | + | |
| - | they can usually create. | + | |
| - | 290 | + | < |
| - | < | + | Danise: Wow. |
| - | I don't know what that means. | + | Ricken: Of course. |
| - | 291 | + | < |
| - | < | + | Patton: That’s absolutely right. |
| - | A department like yours | + | Ricken: Duh. |
| - | can go so good or so bad. | + | |
| - | 292 | + | < |
| - | < | + | Rebeck: That’s so true. |
| - | You know what makes the difference? | + | |
| - | 293 | + | < |
| - | < | + | Devon: This is why we bring this guy. |
| - | The people. | + | |
| - | 294 | + | < |
| - | < | + | Ricken: Mark’s late wife, Gemma, was an educator as well. Russian literature. |
| - | You can have a seat. | + | |
| - | 295 | + | < |
| - | < | + | Rebeck: I love literature. |
| - | Okay, go ahead and have a seat. | + | Ricken: Right? |
| - | 296 | + | < |
| - | < | + | Ricken: But Mark is a Lumon man now. |
| - | My name is Helly R. | + | |
| - | 297 | + | < |
| - | < | + | Devon: Ricken. |
| - | I'm making this video | + | Patton: Really? |
| - | 298 | + | < |
| - | < | + | Mark: Yeah. About two years. |
| - | roughly | + | |
| - | before it will be shown to me. | + | |
| - | 299 | + | < |
| - | < | + | Rebeck: Do you design |
| - | I have, of my own free accord, | + | Mark: No. |
| - | elected to undergo | + | |
| - | 300 | + | < |
| - | < | + | Patton: I thought Lumon was more on the tech side of things. |
| - | colloquially known as severance. | + | |
| - | 301 | + | < |
| - | < | + | Danise: They began in the 1800s. |
| - | I give consent for my perceptual | + | Ricken: Really? |
| - | chronologies to be surgically split, | + | |
| - | 302 | + | < |
| - | < | + | Danise: Topical salves, right? |
| - | separating my memories between | + | |
| - | my work life and my personal life. | + | |
| - | 303 | + | < |
| - | < | + | Rebeck: What don’t they make? |
| - | I acknowledge that, henceforth, | + | |
| - | 304 | + | < |
| - | < | + | Mark: Yeah, but I’m in the corporate archives division, so... |
| - | my access to my memories | + | |
| - | will be spatially dictated. | + | |
| - | 305 | + | < |
| - | < | + | Patton: So you know all the dirty secrets. |
| - | I will be unable to access | + | |
| - | outside recollections | + | |
| - | 306 | + | < |
| - | < | + | Mark: No, not really. |
| - | whilst on Lumon' | + | Ricken: No. |
| - | severed basement floor, | + | |
| - | 307 | + | < |
| - | < | + | Ricken: Mark’s |
| - | nor retain | + | |
| - | 308 | + | < |
| - | < | + | Danise: Well. |
| - | I am aware that this alteration | + | |
| - | 309 | + | < |
| - | < | + | Danise: That’s something, isn’t it? |
| - | is comprehensive and irreversible. | + | |
| - | 310 | + | < |
| - | < | + | Devon: Yeah. It’s also, I think, something that’s his choice to tell people or not. |
| - | I make these statements freely. | + | |
| - | 311 | + | < |
| - | < | + | Devon: Right, Ricken? |
| - | Okay, that's a wrap. | + | Ricken: Oh, my God. |
| - | 312 | + | < |
| - | < | + | Mark: No. No. |
| - | Okay. | + | Ricken: Oh, God, Mark. |
| - | 313 | + | < |
| - | < | + | Ricken: Please forgive me. |
| - | Go ahead. | + | Mark: No. It’s okay. I don’t care. |
| - | 314 | + | < |
| - | < | + | Ricken: My apologies. |
| - | So I'll never leave here? | + | Danise: No, I think it’s fascinating. |
| - | 315 | + | < |
| - | < | + | Danise: I mean, I wish I could do it. I’d just always be thinking about, you know, the other one. |
| - | You'll leave at 5:00. | + | |
| - | 316 | + | < |
| - | < | + | Mark: Well, there is no other one. It’s me. I do the job. |
| - | Well, actually, | + | |
| - | they stagger our exits, so 5:15. | + | |
| - | 317 | + | < |
| - | < | + | Danise: I just don’t grasp the visceral element. What does it feel like? |
| - | But it won' | + | |
| - | Not to this version of you anyway. | + | |
| - | 318 | + | < |
| - | < | + | Patton: Well, it’s simple. One’s memories are bifurcated, so when you’re not at work, you have no recollection of what it is you do there. Did I get that right, Mark? |
| - | Do I have a family? | + | |
| - | 319 | + | < |
| - | < | + | Mark: Well, it’s... |
| - | You'll never know. | + | Danise: So you walk in at 9:00 a.m., |
| - | 320 | + | < |
| - | < | + | Danise: and then suddenly it’s 5:00, and you’re leaving? |
| - | And I have no choice. | + | |
| - | 321 | + | < |
| - | < | + | Mark: Well, they stagger us a little, so... |
| - | Well, every time you find yourself here, | + | Danise: They stagger |
| - | it's because | + | |
| - | 322 | + | < |
| - | < | + | Patton: And then, conversely, when you’re at work, you can’t access outside memories. So, in effect, that version of you is trapped there. |
| - | Hello. | + | |
| - | 323 | + | < |
| - | < | + | Ricken: Well... |
| - | Good night. | + | |
| - | 324 | + | < |
| - | < | + | Patton: Well, I mean, not trapped, but... |
| - | Good night. | + | Mark: But what? |
| - | 325 | + | < |
| - | < | + | Mark: No, no. I’m curious. What were you gonna say? But not trapped, but what? What were you gonna say? |
| - | " | + | |
| - | Whilst carrying boxes in a room today, | + | |
| - | 326 | + | < |
| - | < | + | Danise: So, I suppose we know where you fall on the congressional goings-on. |
| - | you slipped | + | |
| - | overhead projector slide | + | |
| - | 327 | + | < |
| - | < | + | Ricken: Okay, I think we may be |
| - | and sustained a minor | + | |
| - | blow to the temple." | + | |
| - | 328 | + | < |
| - | < | + | Ricken: missing the point here. |
| - | Hey! | + | Devon: Yeah. |
| - | 329 | + | < |
| - | < | + | Ricken: The point is that Mark made a decision. And that decision was controversial, |
| - | Sorry. | + | |
| - | 330 | + | < |
| - | < | + | Danise: So well said. |
| - | Maybe keep your eyes on the icy road. | + | Ricken: Thank you. |
| - | 331 | + | < |
| - | < | + | Patton: Absolutely. |
| - | Sorry. | + | Rebeck: I definitely stand behind Mark. |
| - | 332 | + | < |
| - | < | + | Mark: Wow. Thank you. That’s very sweet. |
| - | Indeed, this gnat will spend | + | |
| - | much of its three to seven-day life... | + | |
| - | 333 | + | < |
| - | < | + | Ricken: Well, we’re at the point where, traditionally, I would say something like, "Dig in." But I must say, I do think that the lack of food has allowed us to already do so on a much deeper level. |
| - | No, I know, Mrs. Selvig. | + | |
| - | It's just, it was in my space again. | + | |
| - | 334 | + | < |
| - | < | + | Patton: Oh, yeah. No, absolutely. |
| - | Yeah. Well, trash comes tomorrow night. | + | Ricken: Right? |
| - | Tonight' | + | |
| - | 335 | + | < |
| - | < | + | Patton: I was saying, my friend in Lima hasn’t had a food-based dinner event in... |
| - | Yeah, it is weird, | + | |
| - | but that's how they do it. | + | |
| - | 336 | + | < |
| - | < | + | Devon: If I give you $3,000, will you forgive me? |
| - | And with both yours, | + | |
| - | there' | + | |
| - | 337 | + | < |
| - | < | + | Mark: Well, because your child is innocent of tonight’s atrocities, I’ll wait until after it’s born to murder you. |
| - | - Hey. | + | |
| - | - Hey. | + | |
| - | 338 | + | < |
| - | < | + | Devon: Oh, my God. Here you go, buddy. |
| - | Did you forget? | + | |
| - | 339 | + | < |
| - | < | + | Mark: Thank you. |
| - | Oh, yeah. Shit. | + | |
| - | 340 | + | < |
| - | < | + | Devon: Hey, how’s the good doctor therapy man with that weird little mustache? |
| - | That's okay. | + | |
| - | 341 | + | < |
| - | < | + | Devon: You’re not going? |
| - | - Sorry. | + | |
| - | - That's fine. | + | |
| - | 342 | + | < |
| - | < | + | Mark: Well, the work thing’s helped. |
| - | - Do you wanna put on pants, and I' | + | |
| - | - I'm wearing pants. | + | |
| - | 343 | + | < |
| - | < | + | Devon: Yeah. |
| - | meet you in... Those are not pants. | + | |
| - | 344 | + | < |
| - | < | + | Devon: I’m proud of you for taking that job. I really am. And I think she would’ve been too. I know she would’ve been. |
| - | So if there' | + | |
| - | dinner, how is it dinner? | + | |
| - | 345 | + | < |
| - | < | + | Devon: I just feel like forgetting about her for eight hours a day isn’t the same thing as healing. |
| - | - Okay. | + | |
| - | - Like... | + | |
| - | 346 | + | < |
| - | < | + | Devon: |
| - | You actually owe me this. | + | |
| - | 347 | + | < |
| - | < | + | Mark: No. |
| - | - Do I? | + | |
| - | - Yep. | + | |
| - | 348 | + | < |
| - | < | + | Devon: Why? |
| - | You remember that time when we were kids | + | |
| - | and I was a way better sibling than you? | + | |
| - | 349 | + | < |
| - | < | + | Mark: Your house smells like pregnancy. |
| - | Must have slipped my mind. | + | |
| - | 350 | + | < |
| - | < | + | Devon: Yeah, I’m just not grasping |
| - | Also, | + | |
| - | I know we're nearing | + | |
| - | 351 | + | < |
| - | < | + | Devon: She is fun, wasn’t she? |
| - | so I just thought | + | |
| - | maybe you'd wanna be around people. | + | |
| - | 352 | + | < |
| - | < | + | Devon: You’re definitely staying here tonight. |
| - | Nope. | + | Mark: No, I’m not. |
| - | 353 | + | < |
| - | < | + | Ricken: I’m making all the bedsheets myself, so I won’t finish with the big one for some time. But the twin is comfortable, |
| - | This is nice. When did you get it? | + | |
| - | 354 | + | < |
| - | < | + | Mark: Thanks. I still don’t quite get the three beds. |
| - | Something from work, | + | |
| - | and they apologized. | + | |
| - | 355 | + | < |
| - | < | + | Ricken: Right. |
| - | They apologized. Thank God. | + | Devon: Ricken’s colleague told us that switching out the beds as the child grows can wound that child. |
| - | 356 | + | < |
| - | < | + | Ricken: Irreparably. |
| - | Did they tack an explanation | + | |
| - | onto that apology? | + | |
| - | 357 | + | < |
| - | < | + | Ricken: But if you provide said child with all of its beds upon birth, you allow it to progress across the room at its own rate. |
| - | It's fine. Got a gift card. | + | |
| - | 358 | + | < |
| - | < | + | Mark: Got it. Yeah. |
| - | You got a gift card. | + | |
| - | Where' | + | |
| - | 359 | + | < |
| - | < | + | Ricken: Yeah. |
| - | I don't know. Pip's. | + | |
| - | 360 | + | < |
| - | < | + | Ricken: I think people really enjoyed you tonight, Mark. |
| - | Of course it's Pip's. Well, enjoy. | + | |
| - | 361 | + | < |
| - | < | + | Mark: Good. |
| - | I will, without you. | + | |
| - | 362 | + | < |
| - | < | + | Devon: All right, baby. |
| - | There' | + | |
| - | + | ||
| - | 363 | + | |
| - | < | + | |
| - | - Hi, Rick. | + | |
| - | - Ricken. Come on, it's Ricken. | + | |
| - | + | ||
| - | 364 | + | |
| - | < | + | |
| - | - You, sir, look at peace. | + | |
| - | - You know. | + | |
| - | + | ||
| - | 365 | + | |
| - | < | + | |
| - | - Okay. | + | |
| - | - Hi, baby. | + | |
| - | + | ||
| - | 366 | + | |
| - | < | + | |
| - | Hi. | + | |
| - | + | ||
| - | 367 | + | |
| - | < | + | |
| - | No, what a lot of people overlook, | + | |
| - | I think, is that life is not food. | + | |
| - | + | ||
| - | 368 | + | |
| - | < | + | |
| - | - Right. | + | |
| - | - You've got life, | + | |
| - | + | ||
| - | 369 | + | |
| - | < | + | |
| - | this complex quality | + | |
| - | of sentience and activity. | + | |
| - | + | ||
| - | 370 | + | |
| - | < | + | |
| - | And then you've got food, which is what? | + | |
| - | + | ||
| - | 371 | + | |
| - | < | + | |
| - | - Yes, what is it? | + | |
| - | - Fuel. | + | |
| - | + | ||
| - | 372 | + | |
| - | < | + | |
| - | Calories. It's not the same thing. | + | |
| - | + | ||
| - | 373 | + | |
| - | < | + | |
| - | - Yes, that is spot on, Patton. | + | |
| - | - I definitely agree. | + | |
| - | + | ||
| - | 374 | + | |
| - | < | + | |
| - | Though, if I' | + | |
| - | + | ||
| - | 375 | + | |
| - | < | + | |
| - | Sorry, Mark and my dad used to have | + | |
| - | " | + | |
| - | + | ||
| - | 376 | + | |
| - | < | + | |
| - | - True. | + | |
| - | - It was low-hanging fruit. | + | |
| - | + | ||
| - | 377 | + | |
| - | < | + | |
| - | He did. He was a misdiagnosed alcoholic. | + | |
| - | + | ||
| - | 378 | + | |
| - | < | + | |
| - | Now, Mark, Ricken told Rebeck and me | + | |
| - | that you're a former history professor. | + | |
| - | + | ||
| - | 379 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 380 | + | |
| - | < | + | |
| - | So I'm curious | + | |
| - | for your take on all of this. | + | |
| - | + | ||
| - | 381 | + | |
| - | < | + | |
| - | The food v life of it. | + | |
| - | + | ||
| - | 382 | + | |
| - | < | + | |
| - | Well, I'm not sure. | + | |
| - | I taught mostly about World War I. | + | |
| - | + | ||
| - | 383 | + | |
| - | < | + | |
| - | Okay. Well, I got one for you. | + | |
| - | + | ||
| - | 384 | + | |
| - | < | + | |
| - | I was just reading this think piece | + | |
| - | + | ||
| - | 385 | + | |
| - | < | + | |
| - | about the comparative levels of violence | + | |
| - | and warfare throughout history. | + | |
| - | + | ||
| - | 386 | + | |
| - | < | + | |
| - | Nerd alert. | + | |
| - | + | ||
| - | 387 | + | |
| - | < | + | |
| - | War porn, I know. | + | |
| - | + | ||
| - | 388 | + | |
| - | < | + | |
| - | But anyway, in it, he said that the | + | |
| - | people actually called it the Great War. | + | |
| - | + | ||
| - | 389 | + | |
| - | < | + | |
| - | Apparently, it would have been a | + | |
| - | faux pas to have called it World War I. | + | |
| - | + | ||
| - | 390 | + | |
| - | < | + | |
| - | Is that right? | + | |
| - | + | ||
| - | 391 | + | |
| - | < | + | |
| - | Well, you know, | + | |
| - | no one would' | + | |
| - | + | ||
| - | 392 | + | |
| - | < | + | |
| - | 'cause World War II hadn't happened yet. | + | |
| - | + | ||
| - | 393 | + | |
| - | < | + | |
| - | - Wow. | + | |
| - | - Of course. | + | |
| - | + | ||
| - | 394 | + | |
| - | < | + | |
| - | - That's absolutely right. | + | |
| - | - Duh. | + | |
| - | + | ||
| - | 395 | + | |
| - | < | + | |
| - | That's so true. | + | |
| - | + | ||
| - | 396 | + | |
| - | < | + | |
| - | This is why we bring this guy. | + | |
| - | + | ||
| - | 397 | + | |
| - | < | + | |
| - | Mark's late wife, Gemma, was an educator | + | |
| - | as well. Russian literature. | + | |
| - | + | ||
| - | 398 | + | |
| - | < | + | |
| - | - I love literature. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 399 | + | |
| - | < | + | |
| - | But Mark is a Lumon man now. | + | |
| - | + | ||
| - | 400 | + | |
| - | < | + | |
| - | - Ricken. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 401 | + | |
| - | < | + | |
| - | Yeah. About two years. | + | |
| - | + | ||
| - | 402 | + | |
| - | < | + | |
| - | - Do you design the medicines? | + | |
| - | - No. | + | |
| - | + | ||
| - | 403 | + | |
| - | < | + | |
| - | I thought Lumon | + | |
| - | was more on the tech side of things. | + | |
| - | + | ||
| - | 404 | + | |
| - | < | + | |
| - | - They began in the 1800s. | + | |
| - | - Really? | + | |
| - | + | ||
| - | 405 | + | |
| - | < | + | |
| - | Topical salves, right? | + | |
| - | + | ||
| - | 406 | + | |
| - | < | + | |
| - | What don't they make? | + | |
| - | + | ||
| - | 407 | + | |
| - | < | + | |
| - | Yeah, but I'm in | + | |
| - | the corporate archives division, so... | + | |
| - | + | ||
| - | 408 | + | |
| - | < | + | |
| - | So you know all the dirty secrets. | + | |
| - | + | ||
| - | 409 | + | |
| - | < | + | |
| - | - No, not really. | + | |
| - | - No. | + | |
| - | + | ||
| - | 410 | + | |
| - | < | + | |
| - | Mark's work is sensitive enough | + | |
| - | as to require the severance procedure. | + | |
| - | + | ||
| - | 411 | + | |
| - | < | + | |
| - | Well. | + | |
| - | + | ||
| - | 412 | + | |
| - | < | + | |
| - | That's something, isn't it? | + | |
| - | + | ||
| - | 413 | + | |
| - | < | + | |
| - | Yeah. It's also, I think, something | + | |
| - | that's his choice to tell people or not. | + | |
| - | + | ||
| - | 414 | + | |
| - | < | + | |
| - | - Right, Ricken? | + | |
| - | - Oh, my God. | + | |
| - | + | ||
| - | 415 | + | |
| - | < | + | |
| - | - No. No. | + | |
| - | - Oh, God, Mark. | + | |
| - | + | ||
| - | 416 | + | |
| - | < | + | |
| - | - Please forgive me. | + | |
| - | - No. It's okay. I don't care. | + | |
| - | + | ||
| - | 417 | + | |
| - | < | + | |
| - | - My apologies. | + | |
| - | - No, I think it's fascinating. | + | |
| - | + | ||
| - | 418 | + | |
| - | < | + | |
| - | I mean, I wish I could do it. | + | |
| - | + | ||
| - | 419 | + | |
| - | < | + | |
| - | I'd just always be thinking about, | + | |
| - | you know, the other one. | + | |
| - | + | ||
| - | 420 | + | |
| - | < | + | |
| - | Well, there is no other one. | + | |
| - | + | ||
| - | 421 | + | |
| - | < | + | |
| - | It's me. I do the job. | + | |
| - | + | ||
| - | 422 | + | |
| - | < | + | |
| - | I just don't grasp the visceral element. | + | |
| - | What does it feel like? | + | |
| - | + | ||
| - | 423 | + | |
| - | < | + | |
| - | Well, it's simple. | + | |
| - | One's memories are bifurcated, | + | |
| - | + | ||
| - | 424 | + | |
| - | < | + | |
| - | so when you're not at work, you have no | + | |
| - | recollection of what it is you do there. | + | |
| - | + | ||
| - | 425 | + | |
| - | < | + | |
| - | Did I get that right, Mark? | + | |
| - | + | ||
| - | 426 | + | |
| - | < | + | |
| - | - Well, it' | + | |
| - | - So you walk in at 9:00 a.m., | + | |
| - | + | ||
| - | 427 | + | |
| - | < | + | |
| - | and then suddenly it's 5:00, | + | |
| - | and you're leaving? | + | |
| - | + | ||
| - | 428 | + | |
| - | < | + | |
| - | - Well, they stagger us a little, so... | + | |
| - | - They stagger you? | + | |
| - | + | ||
| - | 429 | + | |
| - | < | + | |
| - | And then, conversely, when you're at | + | |
| - | work, you can't access outside memories. | + | |
| - | + | ||
| - | 430 | + | |
| - | < | + | |
| - | So, in effect, | + | |
| - | that version of you is trapped there. | + | |
| - | + | ||
| - | 431 | + | |
| - | < | + | |
| - | Well... | + | |
| - | + | ||
| - | 432 | + | |
| - | < | + | |
| - | - Well, I mean, not trapped, but... | + | |
| - | - But what? | + | |
| - | + | ||
| - | 433 | + | |
| - | < | + | |
| - | No, no. I'm curious. What were you | + | |
| - | gonna say? But not trapped, but what? | + | |
| - | + | ||
| - | 434 | + | |
| - | < | + | |
| - | What were you saying? | + | |
| - | + | ||
| - | 435 | + | |
| - | < | + | |
| - | So I suppose we know where you fall | + | |
| - | on the congressional goings-on. | + | |
| - | + | ||
| - | 436 | + | |
| - | < | + | |
| - | Okay, I think we may be | + | |
| - | + | ||
| - | 437 | + | |
| - | < | + | |
| - | - missing the point here. | + | |
| - | - Yeah. | + | |
| - | + | ||
| - | 438 | + | |
| - | < | + | |
| - | The point is that Mark made a decision. | + | |
| - | + | ||
| - | 439 | + | |
| - | < | + | |
| - | And that decision was controversial, | + | |
| - | + | ||
| - | 440 | + | |
| - | < | + | |
| - | ethically and socially. | + | |
| - | + | ||
| - | 441 | + | |
| - | < | + | |
| - | Morally. Scientifically. | + | |
| - | + | ||
| - | 442 | + | |
| - | < | + | |
| - | But, Mark, I stand behind you | + | |
| - | + | ||
| - | 443 | + | |
| - | < | + | |
| - | without reservation. | + | |
| - | + | ||
| - | 444 | + | |
| - | < | + | |
| - | - So well said. | + | |
| - | - Thank you. | + | |
| - | + | ||
| - | 445 | + | |
| - | < | + | |
| - | - Absolutely. | + | |
| - | - I definitely stand behind Mark. | + | |
| - | + | ||
| - | 446 | + | |
| - | < | + | |
| - | Wow. | + | |
| - | + | ||
| - | 447 | + | |
| - | < | + | |
| - | Thank you. That's very sweet. | + | |
| - | + | ||
| - | 448 | + | |
| - | < | + | |
| - | Well, we're at the point | + | |
| - | where, traditionally, | + | |
| - | + | ||
| - | 449 | + | |
| - | < | + | |
| - | I would say something like, "Dig in." | + | |
| - | + | ||
| - | 450 | + | |
| - | < | + | |
| - | But I must say, | + | |
| - | I do think that the lack of food | + | |
| - | + | ||
| - | 451 | + | |
| - | < | + | |
| - | has allowed us to already do so | + | |
| - | on a much deeper level. | + | |
| - | + | ||
| - | 452 | + | |
| - | < | + | |
| - | - Oh, yeah. No, absolutely. | + | |
| - | - Right? | + | |
| - | + | ||
| - | 453 | + | |
| - | < | + | |
| - | I was saying, my friend in Lima hasn' | + | |
| - | had a food-based dinner event in... | + | |
| - | + | ||
| - | 454 | + | |
| - | < | + | |
| - | If I give you $3,000, | + | |
| - | will you forgive me? | + | |
| - | + | ||
| - | 455 | + | |
| - | < | + | |
| - | Well, because your child | + | |
| - | is innocent of tonight' | + | |
| - | + | ||
| - | 456 | + | |
| - | < | + | |
| - | I'll wait until after it's born | + | |
| - | to murder you. | + | |
| - | + | ||
| - | 457 | + | |
| - | < | + | |
| - | Oh, my God. Here you go, buddy. | + | |
| - | + | ||
| - | 458 | + | |
| - | < | + | |
| - | Thank you. | + | |
| - | + | ||
| - | 459 | + | |
| - | < | + | |
| - | Hey, how's the good doctor therapy man | + | |
| - | with that weird little mustache? | + | |
| - | + | ||
| - | 460 | + | |
| - | < | + | |
| - | You're not going? | + | |
| - | + | ||
| - | 461 | + | |
| - | < | + | |
| - | Well, the work thing' | + | |
| - | + | ||
| - | 462 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 463 | + | |
| - | < | + | |
| - | I'm proud of you for taking that job. | + | |
| - | I really am. | + | |
| - | + | ||
| - | 464 | + | |
| - | < | + | |
| - | And I think she would' | + | |
| - | I know she would' | + | |
| - | + | ||
| - | 465 | + | |
| - | < | + | |
| - | I just feel like forgetting about her | + | |
| - | for eight hours a day | + | |
| - | + | ||
| - | 466 | + | |
| - | < | + | |
| - | isn't the same thing as healing. | + | |
| - | + | ||
| - | 467 | + | |
| - | < | + | |
| - | You wanna crash here, | + | |
| - | since you're already here? | + | |
| - | + | ||
| - | 468 | + | |
| - | < | + | |
| - | No. | + | |
| - | + | ||
| - | 469 | + | |
| - | < | + | |
| - | Why? | + | |
| - | + | ||
| - | 470 | + | |
| - | < | + | |
| - | Your house smells like pregnancy. | + | |
| - | + | ||
| - | 471 | + | |
| - | < | + | |
| - | Yeah, I'm just not grasping | + | |
| - | the visceral element of it. | + | |
| - | + | ||
| - | 472 | + | |
| - | < | + | |
| - | She is fun, wasn't she? | + | |
| - | + | ||
| - | 473 | + | |
| - | < | + | |
| - | - You're definitely staying here tonight. | + | |
| - | - No, I'm not. | + | |
| - | + | ||
| - | 474 | + | |
| - | < | + | |
| - | I'm making all the bedsheets myself, | + | |
| - | + | ||
| - | 475 | + | |
| - | < | + | |
| - | so I won't finish with the big one | + | |
| - | for some time. | + | |
| - | + | ||
| - | 476 | + | |
| - | < | + | |
| - | But the twin is comfortable, | + | |
| - | + | ||
| - | 477 | + | |
| - | < | + | |
| - | and the pajamas were made | + | |
| - | on a Baltic handloom, | + | |
| - | + | ||
| - | 478 | + | |
| - | < | + | |
| - | so you'll sleep well. | + | |
| - | + | ||
| - | 479 | + | |
| - | < | + | |
| - | Thanks. | + | |
| - | I still don't quite get the three beds. | + | |
| - | + | ||
| - | 480 | + | |
| - | < | + | |
| - | - Right. | + | |
| - | - Ricken' | + | |
| - | + | ||
| - | 481 | + | |
| - | < | + | |
| - | that switching out the beds | + | |
| - | as the child grows can wound that child. | + | |
| - | + | ||
| - | 482 | + | |
| - | < | + | |
| - | Irreparably. | + | |
| - | + | ||
| - | 483 | + | |
| - | < | + | |
| - | But if you provide said child | + | |
| - | with all of its beds upon birth, | + | |
| - | + | ||
| - | 484 | + | |
| - | < | + | |
| - | you allow it to progress across the room | + | |
| - | at its own rate. | + | |
| - | + | ||
| - | 485 | + | |
| - | < | + | |
| - | Got it. Yeah. | + | |
| - | + | ||
| - | 486 | + | |
| - | < | + | |
| - | Yeah. | + | |
| - | + | ||
| - | 487 | + | |
| - | < | + | |
| - | I think people really | + | |
| - | enjoyed you tonight, Mark. | + | |
| - | + | ||
| - | 488 | + | |
| - | < | + | |
| - | Good. | + | |
| - | + | ||
| - | 489 | + | |
| - | < | + | |
| - | All right, baby. | + | |
| 490 | 490 | ||
| - | < | + | < |
| - | - You ready, baby? | + | Devon: |
| - | - Yeah. | + | Ricken: |
| - | 491 | + | < |
| - | < | + | Devon: |
| - | - Let's go. | + | Ricken: |
| - | - Sweet dreams. | + | |
| - | 492 | + | < |
| - | < | + | Mark: Thanks. |
| - | Thanks. | + | |
| - | < | + | < |
| - | MARK: Good night, milord. | + | Mark: Good night, milord. |
| - | < | + | < |
| - | DEVON: Good night, milady. | + | Devon: Good night, milady. |
| - | 495 | + | < |
| - | < | + | Devon: |
| - | Hey. | + | |
| - | 496 | + | < |
| - | < | + | Mark: Hey. |
| - | Hey. | + | |
| - | 497 | + | < |
| - | < | + | Devon: |
| - | How long you been up? | + | |
| - | 498 | + | < |
| - | < | + | Mark: A while. |
| - | A while. | + | |
| - | 499 | + | < |
| - | < | + | Mark: There was a businessman in the yard last night. |
| - | There was a businessman | + | |
| - | in the yard last night. | + | |
| - | 500 | + | < |
| - | < | + | Devon: |
| - | - A businessman? | + | Mark: Yeah. |
| - | - Yeah. | + | |
| - | 501 | + | < |
| - | < | + | Devon: |
| - | Entry-level or management? | + | |
| - | 502 | + | < |
| - | < | + | Mark: I’m serious. |
| - | I'm serious. | + | |
| - | 503 | + | < |
| - | < | + | Devon: |
| - | There was seriously a man | + | |
| - | in my yard last night? | + | |
| - | 504 | + | < |
| - | < | + | Mark: Yeah. |
| - | Yeah. | + | |
| - | 505 | + | < |
| - | < | + | Devon: |
| - | Holy shit. | + | |
| - | 506 | + | < |
| - | < | + | Mark: He, you know, looked at me weird, like he knew me. |
| - | He, you know, looked at me weird, | + | |
| - | like he knew me. | + | |
| - | 507 | + | < |
| - | < | + | Devon: |
| - | Did the prowler invading my home | + | |
| - | make you feel seen? | + | |
| - | 508 | + | < |
| - | < | + | Mark: So seen. |
| - | So seen. | + | |
| - | 509 | + | < |
| - | < | + | Devon: |
| - | Well, there's a bar down the hill. | + | |
| - | It's probably just a stumbler. | + | |
| - | 510 | + | < |
| - | < | + | Mark: I’m sorry, I just had to drown out the memory of Mom and Dad switching out my beds |
| - | Speaking of which, | + | |
| - | you still smell like a distillery. | + | |
| - | + | ||
| - | 511 | + | |
| - | < | + | |
| - | I'm sorry, | + | |
| - | I just had to drown out the memory | + | |
| - | + | ||
| - | 512 | + | |
| - | < | + | |
| - | of Mom and Dad switching out my beds | + | |
| when we were kids. | when we were kids. | ||
| - | 513 | + | < |
| - | < | + | Devon: |
| - | You've been sitting on that one. | + | |
| - | 514 | + | < |
| - | < | + | Mark: Hello. |
| - | Hello. | + | |
| - | 515 | + | < |
| - | < | + | Mark: Okay. So, recycling was last night, Mrs. Selvig. Tonight’s garbage. And you keep putting your bin on my side. So... |
| - | Okay. So, recycling was | + | |
| - | last night, Mrs. Selvig. | + | |
| - | 516 | + | < |
| - | < | + | Mark: Yeah. Okay. |
| - | Tonight' | + | |
| - | 517 | + | < |
| - | < | + | Mark: You know, I actually can’t talk right now. I’m out at dinner. But... |
| - | And you keep putting | + | |
| - | your bin on my side. So... | + | |
| - | 518 | + | < |
| - | < | + | Mark: No, by myself. |
| - | Yeah. Okay. | + | |
| - | 519 | + | < |
| - | < | + | Mark: Pip’s Bar and Grille. |
| - | You know, I actually can't talk | + | |
| - | right now. I'm out at dinner. But... | + | |
| - | 520 | + | < |
| - | < | + | Mark: Excuse me. |
| - | No, by myself. | + | |
| - | 521 | + | < |
| - | < | + | Petey: Hang up. Quickly. |
| - | Pip's Bar and Grille. | + | |
| - | 522 | + | < |
| - | < | + | Mark: I’m sorry, Mrs. Selvig. They’ve cooked the food, and it’s here. |
| - | Excuse me. | + | |
| - | 523 | + | < |
| - | < | + | Petey: Hi, kids. What’s for dinner? |
| - | Hang up. Quickly. | + | |
| - | 524 | + | < |
| - | < | + | Petey: |
| - | I'm sorry, Mrs. Selvig. | + | |
| - | They' | + | |
| - | 525 | + | < |
| - | < | + | Mark: Are you following me? |
| - | Hi, kids. What's for dinner? | + | |
| - | 526 | + | < |
| - | < | + | Petey: Your voice is different here. Worse. |
| - | I'm sorry. You don't get that reference. | + | |
| - | 527 | + | < |
| - | < | + | Mark: Okay, who the fuck are you? |
| - | Are you following me? | + | Petey: Petey. |
| - | 528 | + | < |
| - | < | + | Petey: My name is Petey. I’m from work. |
| - | Your voice is different here. | + | |
| - | 529 | + | < |
| - | < | + | Mark: Well, that’s not plausible. Everyone in my department is... |
| - | Worse. | + | |
| - | 530 | + | < |
| - | < | + | Petey: Severed. Severed. I was. |
| - | - Okay, who the fuck are you? | + | |
| - | - Petey. | + | |
| - | 531 | + | < |
| - | < | + | Mark: Okay. Well, severance is pretty permanent. |
| - | My name is Petey. I'm from work. | + | |
| - | 532 | + | < |
| - | < | + | Petey: Yeah. Bypassing the implant wasn’t easy. I had help. |
| - | Well, that's not plausible. | + | |
| - | Everyone in my department is... | + | |
| - | 533 | + | < |
| - | < | + | Mark: So, what, you were unhappy at work? |
| - | Severed. Severed. I was. | + | |
| - | 534 | + | < |
| - | < | + | Mark: And instead of lodging a complaint, you... |
| - | Okay. Well, severance | + | Petey: No. |
| - | is pretty permanent. | + | |
| - | 535 | + | < |
| - | < | + | Petey: I tried that first. So did you. |
| - | Yeah. Bypassing the implant wasn't easy. | + | |
| - | I had help. | + | |
| - | 536 | + | < |
| - | < | + | Mark: Right. Okay. So...You’ve unsevered. And now you, what, think they’re after you or something? |
| - | So, what, you were unhappy at work? | + | |
| - | 537 | + | < |
| - | < | + | Petey: Yeah. " |
| - | - And instead of lodging a complaint, you... | + | |
| - | - No. | + | |
| - | 538 | + | < |
| - | < | + | Mark: Graner. Okay. Is that, like, a person |
| - | I tried that first. So did you. | + | |
| - | 539 | + | < |
| - | < | + | Petey: We both know him. We don’t like him. |
| - | Right. Okay. So... | + | |
| - | 540 | + | < |
| - | < | + | Mark: I see. |
| - | You've unsevered. | + | |
| - | 541 | + | < |
| - | < | + | Petey: Nothing down there is what they say. If something |
| - | And now you, what, think they're | + | |
| - | after you or something? | + | |
| - | 542 | + | < |
| - | < | + | Mark: So, we’re friends? |
| - | Yeah. | + | |
| - | 543 | + | < |
| - | < | + | Petey: I’m your best friend. You’re my very good friend. |
| - | " | + | |
| - | who's probably out here right now. | + | |
| - | 544 | + | < |
| - | < | + | Petey: Mark, sorry about the card. and I know it’s not appropriate. Though I’m sure you’d be a really fucking awesome niece. We used to wonder what kind of men we were on the outside, what choices we had made and why. I used to think it would take a monster to put someone in a place like that office. Especially if the person |
| - | Graner. Okay. | + | |
| - | Is that, like, a person | + | |
| - | 545 | + | < |
| - | < | + | Petey: If you don’t wanna know what’s going on down there, I won’t force it. But if you do, there’s an address on the back of this card. Go alone, and you’ll find the beginning of a very long answer. |
| - | We both know him. We don't like him. | + | |
| - | 546 | + | < |
| - | < | + | Cobel: Mark, is that you? |
| - | I see. | + | |
| - | 547 | + | < |
| - | < | + | Mark: Hi, Mrs. Selvig. |
| - | Nothing down there is what they say. | + | |
| - | 548 | + | < |
| - | < | + | Cobel: Will you color me embarrassed for the mix-up with the bins? |
| - | If something happens to me, | + | |
| - | 549 | + | < |
| - | < | + | Mark: No, it’s no problem. |
| - | the things I know need to stay known. | + | |
| - | 550 | + | < |
| - | < | + | COEBL: How was dinner? |
| - | I'd prefer it be by a friend. | + | |
| - | 551 | + | < |
| - | < | + | Mark: Fine. I’m just, you know, tired. |
| - | So, we're friends? | + | |
| - | 552 | + | < |
| - | < | + | Cobel: You know, my mother was a Catholic. She used to say it takes the saints eight hours to bless a sleeping child. |
| - | I'm your best friend. | + | |
| - | 553 | + | < |
| - | < | + | Mark: Well, I’ll give them ample time tonight. Good night, Mrs. Selvig. |
| - | You're my very good friend. | + | |
| - | 554 | + | < |
| - | < | + | Cobel: |
| - | Mark, sorry about the card. | + | |
| - | 555 | + | < |
| - | < | + | Cobel: You’re good people. |
| - | I had to grab something, | + | |
| - | and I know it's not appropriate. | + | |
| - | 556 | + | </WRAP> |
| - | < | + | |
| - | Though I'm sure you'd be | + | |
| - | a really fucking awesome niece. | + | |
| - | 557 | + | {{tag>Transcripts}} |
| - | < | + | |
| - | We used to wonder | + | |
| - | what kind of men we were on the outside, | + | |
| - | + | ||
| - | 558 | + | |
| - | < | + | |
| - | what choices we had made and why. | + | |
| - | + | ||
| - | 559 | + | |
| - | < | + | |
| - | I used to think it would take a monster | + | |
| - | + | ||
| - | 560 | + | |
| - | < | + | |
| - | to put someone | + | |
| - | in a place like that office. | + | |
| - | + | ||
| - | 561 | + | |
| - | < | + | |
| - | Especially if the person was himself. | + | |
| - | + | ||
| - | 562 | + | |
| - | < | + | |
| - | But we're not monsters, Mark. | + | |
| - | Not real ones. | + | |
| - | + | ||
| - | 563 | + | |
| - | < | + | |
| - | If you don't wanna know what' | + | |
| - | going on down there, I won't force it. | + | |
| - | + | ||
| - | 564 | + | |
| - | < | + | |
| - | But if you do, there' | + | |
| - | on the back of this card. | + | |
| - | + | ||
| - | 565 | + | |
| - | < | + | |
| - | Go alone, and you'll find | + | |
| - | the beginning of a very long answer. | + | |
| - | + | ||
| - | 566 | + | |
| - | < | + | |
| - | Mark, is that you? | + | |
| - | + | ||
| - | 567 | + | |
| - | < | + | |
| - | Hi, Mrs. Selvig. | + | |
| - | + | ||
| - | 568 | + | |
| - | < | + | |
| - | Will you color me embarrassed | + | |
| - | for the mix-up with the bins? | + | |
| - | + | ||
| - | 569 | + | |
| - | < | + | |
| - | No, it's no problem. | + | |
| - | + | ||
| - | 570 | + | |
| - | < | + | |
| - | How was dinner? | + | |
| - | + | ||
| - | 571 | + | |
| - | < | + | |
| - | Fine. I'm just, you know, tired. | + | |
| - | + | ||
| - | 572 | + | |
| - | < | + | |
| - | You know, my mother was a Catholic. | + | |
| - | + | ||
| - | 573 | + | |
| - | < | + | |
| - | She used to say it takes the saints | + | |
| - | eight hours to bless a sleeping child. | + | |
| - | + | ||
| - | 574 | + | |
| - | < | + | |
| - | I hope you aren't rushing the saints. | + | |
| - | + | ||
| - | 575 | + | |
| - | < | + | |
| - | Well, I'll give them ample time tonight. | + | |
| - | + | ||
| - | 576 | + | |
| - | < | + | |
| - | Good night, Mrs. Selvig. | + | |
| - | + | ||
| - | 577 | + | |
| - | < | + | |
| - | Mark. | + | |
| - | + | ||
| - | 578 | + | |
| - | < | + | |
| - | You're good people. | + | |
| - | + | ||
| - | + | ||
| - | </WRAP> | + | |
good_news_about_hell_transcript.txt · Last modified: 2023-03-24 19:22 by Scribe of Kier
Page Tools
Except where otherwise noted, content on this wiki is licensed under the following license: CC Attribution-Share Alike 4.0 International
